#i've been wanting to watch this whole thing

[do-you-have-a-flag]

Text recounting of the full events below but oh my god please watch this person explain the wildest thing happening to them

[image text]r/trueoffmychest post by CptnSpaceCase

Today my aide cooked what should not be cooked

I have to get this out, because today feels like an actual nightmare I keep expecting to wake up from.

I'm disabled, and need help with stuff around the house. Today was the second day with a new agency and new home health aide, "Tina." I set it up so she would come by in the morning while I'm sleeping (insomnia is killer), and I texted her last night what I would need done today.

One of those things was to roast some precut squash I'd gotten so I could have it with my salads and pasta. I was very clear in my instructions: what it looked like, where it was in the fridge, how to use the oven, how to cook it. I also have a roommate who was up and told her she could ask them for help if she couldn't find anything. Or come get me if truly necessary.

Now, I have three pet ball pythons. They eat rats that I thaw from frozen in the fridge in a reusable plastic bag. Yes, that's where I'm going with this.

Tina couldn't find the squash, and so, obviously, that meant she should roast the first other thing she could see that was technically also encased in plastic, in a completely different area of the fridge. The FUCKING RATS. In butter and salt, in my nice baking dish.

And like, that's insane all on its own, but if you're going to cook any animal, you should at least clean and skin it first, right??? Like, do the crazy, disgusting thing properly so I can respect the effort, instead of sticking them in as is. Fur and guts and all.

And the smell. Good God baby Jesus the SMELL. It woke me up and had me gagging the moment I opened my bedroom door. Definitely not squash. Or food-smelling for that matter. At first I thought the squash had spontaneously rotted overnight and she'd tried to cook it anyway. That would have been slightly less insane and much preferable.

I had to pull it out of her what she was cooking instead when she said she couldn't find it (it was in plain sight), had to open the oven and see my snakes' dinners in place of my own and still couldn't process what the fuck was happening, what I was looking at and smelling. I don't like yelling at people and generally avoid it. Today was a day for exceptions. And at the end of my half-crazed, dissociative rant, I told her to get the whole dish and its contents and herself out of the fucking house. And to not come back.

Suffice to say, I've contacted the agency to report it and am requesting a new aide. Now I'm sitting at a cafe trying to calm down and eat something despite the scent memory that's taken up permanent residence and turning my stomach. The whole house reeks like musty, sewage-dipped pork that had been left out for a whole day before being cooked in rancid oil, and I'm not sure Febreeze is gonna cut it. I don't want to go home. 🫠😭

[rostekhorn]

They always make things better, even if it's just making a client whole again by the end of the episode.

This is why I've always been very fond of the show and when I've tried to watch Hustle (the BBC counterpart to Leverage and one of its most direct inspirations) it's never really managed to scratch the same itch. Leverage is a show about people helping people. Yes, helping people usually means bringing down the bad guy who's harmed them, making them whole again usually means taking it out of the bad guy's hide, and watching the bad guy go down is always satisfying in its own right. But none of that is the ultimate purpose of the team, their purpose is to find people who've fallen through the cracks, people that legitimate society should have helped but didn't want to be bothered with, and give them the justice they deserve. It makes Leverage stand out from most of the other stories about con artists, many of which are very good, but which are ultimately just about thieves taking from thieves. Leverage gives the con artistry meaning.

(For the trigger-happy version of this, this is also why the A-Team is better than the Expendables or pretty much any of the other teams of mercenaries out there).

You know, in all the posts I've seen about how great Leverage is (which are the posts that got me to watch the show!) there's one part of it that doesn't really come up. They take down the bad guys, and that's really cool, and the characters are incredible, and that's also really cool.

What gets me the most though? Is the jobs where they make things better.

The jobs where they do still take down the bad guys, give them their due, stop the harm. But they also make things better.

Sometimes it's small things, like the Tap Out Job where the guy they help gets to run the boxing club going forward, keep his people safe. The checks they sometimes give at the end of an episode, with a suggestion of what to use it for, fall into this theme.

Slightly bigger, you get things like the Underground Job where the mine will have proper safety equipment now and an owner who will keep it that way. Or the Blue Line Job, which comes with a show of solidarity between the guys that fight each other on the ice - but not when it could kill one of them. Not once they know. And now they'll make sure no one faces that risk again.

On a personal level, there's the Carnival Job, where a father ends up connecting with his daughter again by the end.

And then there's the episode that got me thinking about this.

The Gimme A K Street Job.

For once, they're doing a (mostly) legal job. And the end goal is simple: get laws into place so teenage girls won't get hurt from the lack of safety regulations.

And they do it.

And going forward, no more teenage girls are going to break their bones because they landed on a mat that doesn't give anything except the illusion of protection.

Leverage is different from the typical crime solving show because of the robin hood angle, sure. But it's also different because every now and then, they don't just catch the bad guy. Every now and then, they make things better.

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[taesansbeloved]

I WILL ALWAYS LOVE YOU. (엔하이펜)

synopsis: doing skincare/cozy stuff with bf!enhypen warnings 🚨 tooth rotting fluff, skinship, petnames, and kissing.

(Hyung line)

Nova notes: HIHI ❣️ this was based on this request. I will probably do a whole one for Ni-ki later, and also probably Heeseung because I cannot resist writing fluff for this man. Maknae line here.

Heeseung (희승)

You were sat on the bathroom counter with Heeseung in between your legs, hands on your thigh, rubbing up and down gently, watching you with heart eyes while you apply moisturiser on his face. "Stop looking at me like that." You said shyly, his gaze making your face heat up. "Why? You're pretty." He stated, his gaze not wavering from your ethereal face. Your smile widens as you feel Heesueng leaning closer to your touch. "Everyday I'm shocked that you're my girlfriend, because omg, you're fucking gorgeous." He whispered, relishing in the feeling of your warm hand. You roll eyes, trying to hide your flustered face, but that's impossible when he is looking at you like THAT. He chuckles slightly and turns his head, kissing your palm lovingly.

Jay (정성)

You were having a tough week as it was midterms season. Constant studying, endless stressing, and a ruined sleep schedule that had Jay ruining his aswell. Jay knew that one of the ways to help you ease the stress, besides his cooking, is simply taking care of you. "Baby, I'm fine really. I just need to sleep." You said as Jay placed you on the bathroom counter and stood in between your legs, having your entire night care routine out beside you. "Yeah, and you also need some me love. So I'm giving you some." He said softly as he picked up the cleanser. He gently wet your face with a damp towel and began rubbing the cleanser all over your. You can feel your eyes getting heavier with every warm touch against your skin. Jay chuckled as he took in your drowsy figure, feeling his heart warm up with an overwhelming amount of love. "I hate seeing you this stressed, baby, you know that?" He said softly as he was caressing your face tenderly. "Blame the school system." You said, voice low with sleep and exhaustion. Jay sighed as he walked you to the he'd and completed your skincare while your sleeping soundly on the bed. "Sleep well, princess."

Jake (재윤)

You and him were sat opposite to eachother on your shared bed with a variety of different colors of nail polish. "Okay, so, what color do you want, baby?" Jake asked, assessing each color individually. "I don't really know. You choose for me." You said with a cheeky smile. Jake smiled, looking up at you with eyes full of stars. "Oh, I've been waiting for this day. Okay, I will not disappoint you." He paused then gasped again, "Should I make you a design?" He asked with huge puppy eyes. You nodded, sharing the same enthusiasm. He picked up the baby pink and the pearly white nail polish and began painting your nails while talking with you about everything and nothing. After an hour or so, Jake finished with an excited clap. "Okay, I put my heart, sweat, and tears into this. I hope you like it." He said as you brought your hands up to see his masterpiece. Eyes lighting up with adoration, "omg, jake I love this! I will never take it off." You said, throwing your arms around him and peppering kisses all over his face. His and your giggles filled the room, love swirling in the dim room.

Sunghoon (성훈)

"What's that for?" That was the question Sunghoon has been asking everytime you put a different product on his face. Now you were doing face masks. "This is a hydration face mask." You said simply, standing on your tip-toes to place the sheet mask over his flawless face. His hands unconsciously finding its way to your waist, holding you gently yet protectively. "And what's the one you have on your face?" He asked, mumbling from the face mask, afraid of disturbing you while you're patting it down. "It's the same thing just a different color." You explained, pushing his soft bangs away to smooth the mask down on his forehead. He hummed as he began rubbing your waist up and down, filling your stomach with butterflies. "Now we wait 20 minutes." You said, standing back at your original height. "I have some ideas that can fill those 20 minutes." He smirked down at you as you rolled your eyes, pecking his lips slightly that eventually led to a 20 minute make out session.

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[idkdudethisisntpermanent]

Over the Limit - pt.iv

jenna ortega x female reader

part i | part ii | part iii | part iv

summary: You and Jenna each reflect on your own choices and the growing tensions between you both. Torn between loyalty, responsibility, and personal longing, what does this growing conflict mean for the future of your alliance?

word count: 12.8k

————

"So, victory sex?" Hunter teased, wiggling his eyebrows suggestively.

"Victory sex?" You echoed, genuinely confused. "With who?"

"Who else? Your little Viper girl," he replied, rolling his eyes like it was the most obvious thing in the world.

After dropping Jenna off at home, you'd shot Hunter a quick text, asking if he wanted to come over. After the whirlwind of the race, and the intense feelings stirred up by Jenna, you needed someone to debrief with—someone who knew about the tangled situation you'd gotten yourself into. Fortunately, your mom didn't know Hunter was part of the Sinners, so he was in the clear to hang out without raising any suspicions.

"Come on, Hunter, I barely know the girl."

"Doesn't seem that way to me," he shrugs, taking a seat on your couch and kicking his feet up onto the coffee table. "You let her wear your jacket, didn't you?"

Did everyone see that?

You roll your eyes and flop down beside him, letting out a tired sigh. "That doesn't mean anything."

"Uh-huh. Whatever you say." Hunter smirks, but his teasing tone amplifies after a beat. "But there's no way you didn't feel Racer's High after winning."

You didn't need him to define Racer's High. You knew he was referring to that primal, raunchy, adrenaline rush of a feeling that overtook you once you won the race a few hours ago. You shudder remembering how much you yearned for Jenna in that moment.

"So, how are you feeling about it all? The race, the attention... her?"

You hesitate, considering how much to say. You trust Hunter—he's the only one in the crew you can really open up to, but you're also not ready to dive into the whole Jenna situation. Not with everything going on, especially since you're not sure how deep things go with Percy and this "Ghost Smoke" deal.

"I don't know," you finally say, running a hand through your hair. "The race was wild. Winning felt... intense. I get why people get hooked on that feeling."

Hunter raises an eyebrow. "And?"

"And... I can't shake the feeling that there's more to this. Like, there's this whole side to racing I'm not seeing."

He leans forward, elbows resting on his knees, watching you carefully. "What do you mean?"

You glance at him, trying to gauge how much you can say without tipping too much of your hand. "I don't know, man. I've been hearing things—whispers about this new stuff called Ghost Smoke floating around Brimstone. You heard anything about that?"

Hunter's eyes narrow, and for a second, you think maybe you've pushed too far. But then he exhales slowly. "I've heard the name. It's bad news, Y/n. Real bad. That shit's spreading fast, and people are already getting hooked. Some of the younger guys are sniffing around for it. Why are you asking?"

You shrug, trying to play it cool. "Just heard it mentioned. Thought it might be connected to some of the things I've been noticing. You don't think the Vipers are involved, do you?"

Hunter goes quiet, his face unreadable. Then he leans back, crossing his arms. "I don't know, and I'm not looking to find out. You shouldn't either. Percy's been getting into things outside of racing, and if Ghost Smoke's part of that, it's not something you or anyone else in the crew wants to be tangled up in."

You nod, though his answer doesn't satisfy you. Not because you don't believe him—but because you have this sinking feeling that the situation is bigger than either of you realize.

The conversation shifts after that, and the rest of the night passes with more casual banter. But the unease never fully leaves your mind.

"Looks like Madison's got a thing for you."

You raise an eyebrow, laughing lightly. "Mikey? That girl's never even cracked a smile at me. Pretty sure she barely tolerates me."

Hunter shrugs, smirking. "Nah, trust me. She was asking about you the other day in the garage."

Your brow furrows slightly. Was it because of what I asked about Percy? A small part of you wonders if Madison's caught onto your suspicions.

"And even during the Viper and Raven races, she was giving you these weird looks."

"What does that even mean, Hunter?" You roll your eyes, half-amused, half-worried.

He chuckles, clearly enjoying this too much. "Hell if I know, but winning that race definitely got you on some people's radar."

Maybe at one point, being on the radar of a few girls would've mattered to you, but not anymore.

————

While Hunter crashed on the couch, you spent the entire night tossing and turning in bed. If someone had told you a month ago that you'd be neck-deep in street races and shady dealings—all for the sake of a girl—you would have called them insane.

When dawn finally broke, you shuffled out of bed and headed into the kitchen, finding Hunter gone and your mom brewing a fresh pot of coffee.

"Morning, Mom," you yawn, stretching your arms out. "Did Hunter leave already?"

"You just missed him. He said he'd be back later," she replies with a gentle smile.

You hum in response, pouring yourself a cup of coffee, savoring the warmth. It was in these quiet, mundane moments that you hated the path you were on more than anything. Between the mess with Jenna, the unpredictability with Percy, and the weight of secrets and family legacies, you sometimes wished you could just be normal—not tangled up in rivalries or trying to make sense of feelings you didn't dare admit.

"You've changed," your mother's voice broke you out of your thoughts, catching you mid-sip.

"Changed?" You raise a brow, joining her at the dining table. "What do you mean?"

She sighs, studying you with a mix of curiosity and concern. "You seem... happier in some ways but also more stressed. Something's weighing on you."

You stare down at your coffee, catching your own reflection in its dark surface, letting your mother's words sink in. Of course she'd notice something different—you're her child. But she's right; you have changed. And now, in this rare quiet moment in the chaos your life has become over the past month, you're finally realizing just how much. You've changed so damn much—and the thought terrifies you, especially because you can't even pinpoint when it happened.

Or you do. And that was the scary part.

A month ago Anton told you to find what's your purpose, your drive. What makes your heart race. What's worth risking everything for.

But you'd been so careful, you tell yourself. You abandoned her the first night you met, didn't even share your name—but now, she's got far more than just a name. She's got you feeding her intel, leading her through Brimstone like her own personal guide, pulling you deeper into a world you swore you'd keep at arm's length.

When did it happen? When did you start dropping her home, buying each other jackets, eating ice cream together—and, hell, when did you start racing? Racing, something you'd vowed never to do. And now here you are, about to walk into a private meeting that likely involves drug lords fueling Brimstone's biggest epidemic—all because she needs leverage on Percy. Leverage to protect herself from some mystery he's holding over her, something she still won't tell you.

You try to rationalize. She's got leverage on you, too. She's got footage of you stealing her dad's car. But deep down, you know she'd only pulled that card to hook you in. She wouldn't actually use it. You knew that. You knew her.

Except—you didn't. You didn't really know a damn thing about this girl, yet here you are, throwing caution to the wind for her. Risking everything for her. Breaking your own rules, doing things you'd avoided for the past twenty years...all because of her. And all way too fast.

Maybe it's because you're finally sitting in front of your mom, and to her, you'll always be her little girl. And facing her now, all you can see is the woman who once opened the door to find cops there, telling her that her husband, the father of her nine-year-old kid, was dead. You remember watching her piece together her shattered heart, all while carrying the weight of resentment for the racing that took him. And now, somehow, you're part of it too. How could you put her through this?

"Y/n?"

Your mom's voice snaps you out of your thoughts, and you lift your gaze from your coffee to her face.

"I've been calling your name for a while now. What the hell is going on with you kid?" she asks concerned.

Everything you wished you could tell her was everything you couldn't. Everything she warned you to stay away from.

"Look I know I haven't been the best mom," she sighs. "But I did it because I care. I'm strict because I know how quickly things can go south in this shithole of a town."

"You're not a bad mom, stop—"

"I can tell there's something on your mind, I don't know if it's good or bad. But I want to know Y/n/n."

Just as you were about to respond your phone pinged and of course it was Jenna.

Hey Oil spillage, just got news that the meeting moved. It's on Friday at 10p.m. now.

Wonderful news. After the realizations you just had, you were not ready to face Jenna again. In fact you would rather anything but see her. And now you can avoid her for six more days. Without replying to her message, you turn off your phone and turn your attention to your mom.

"I guess I've just been thinking about my future and what that looks like." You decide to open up a little, seeing no apparent harm.

Your mom nods slowly, her brow furrowing slightly as she absorbs your words. "And I also have to consider the fact that we're in Brimstone," you add, your voice dropping a notch.

She looks at you intently, searching your face for clues. "I get that this place can feel limiting, Y/n. But remember, it doesn't have to define you. You have the power to change your path."

You take a sip of your coffee, contemplating her words. "It's just...sometimes it feels like I'm caught between what I want and what I should be doing."

"And what do you want?"

"I don't know! I don't know what I want," you finish, softer now.

She squints, registering the tension in your voice. "Then, what do you think you should be doing?"

Racing. The Club. The Sinners.

But you can't say that. Not to your anti-racing mom, but clearly your face says it for you.

"Y/n," she sighs. "There's no place for you in that life."

"You don't understand, Mom! It's easy on paper to say 'stay away.' But people talk. I'm the daughter of a founding member; they expect me to be part of this."

"And how exactly are you hearing all this talk?" she asks, voice tinged with sass. "I thought I told you to stay away from Anton and that whole club."

"I am!" you lie. "But people at the warehouse still talk," you lie again. "Is working in a warehouse really what you want for me? For the rest of my life?"

"If it keeps you out of that club, then yes, a thousand times over. That club killed your father. I don't get your fascination with it!"

"Maybe I like cars! Maybe I want to feel close to him by doing something that mattered to him. You never even talk about him," you say heatedly, pushing yourself back from the table.

"Sit back down," she says, rubbing her temples.

You sit, your frustration simmering.

Your mom's eyes, usually a fortress, softened with a sigh. "You're right, I don't talk about him much. Not because he wasn't worth it, but because it's painful. But let me tell you something about your dad, something I should've told you sooner."

A shadow of confusion crossed your face.

"He was a founder, sure," she admitted, a bitter smile playing at her lips. "One of the Y/l/n brothers who started this whole thing. But that's not the part of the story that matters. Not the part that should define how you see racing."

Your heart stilled, anticipation prickling at your skin. "What do you mean, then? What's the part I'm missing?"

Her eyes narrowed slightly, focusing on a memory only she could see. "Your dad wanted out."

The weight of her words hung between you, more jarring than the rumble of any engine. The idea of your father—the man who had seemingly built his entire world around speed, thrill, and the camaraderie of the club—wanting to leave felt impossible.

"What do you mean, 'out'?" you asked, the question barely a whisper.

She sighed, running a hand over her tired face. "He didn't start the club for the glory, Y/n. Not for the rush or to become some legend everyone would talk about. He did it because he felt trapped, and for a while, racing felt like freedom. But when things got bigger, more dangerous... he saw where it was heading. He knew it wasn't sustainable. He wanted out before it swallowed him whole."

You stared at her, trying to process this new version of the man you thought you knew. The stories you'd grown up on were all about victory, triumph, the unmatched skills of your father and the empire he helped build. But no one talked about the nights he lay awake, second-guessing the choices that led him there.

"Why didn't he leave, then?"

Her eyes glistened with a pain that seemed older than time, a sorrow she'd carried long. "He did, or... he was supposed to. That last race—the one that took him from us—it was meant to be his farewell. He promised me it would be the last time, that after that night, we would start over, somewhere far away from all of this."

You felt like the ground beneath you had shifted. The race that defined so much of your past, the race whispered about in awe and grief—it had been an ending, but not the kind you ever imagined.

"He was going to walk away?" you asked, your own voice thick with disbelief.

Her eyes shimmered with unshed tears, the weight of old promises and lost dreams shining in their depths. "Yes," she whispered, a tear finally breaking free and rolling down her cheek. "He was tired of what it had become—the danger, the violence, the way it devoured everything good. He wanted out for you, for us. But fate had other plans."

You looked at her, seeing not just your mother but a woman who had lost everything for the sake of someone else's ambition. The image of your father—legendary racer, fearless leader—began to fracture, replaced by the vision of a man who was trapped, fighting for freedom that never came.

"And now," she said, drawing a shaky breath, "you have to decide if you're going to chase his ghost, or choose a different path."

Suddenly, the image of racing, of the thrill that had always called to you, shifted. It wasn't just the adrenaline, the wind whipping past and the engine's roar. It was what lay beneath—the fear, the drive to outrun something that couldn't be escaped.

"So, what does that mean for me?" you asked quietly.

Her fingers tightened around her cup, eyes meeting yours with quiet intensity. "It means you decide if racing is freedom or a cage. For your dad, it became both. You don't owe this club anything."

You sat back, absorbing the truth. Racing had always felt like destiny, an inheritance carved into the fabric of who you were. But now, for the first time, it seemed less like a birthright and more like a choice—a choice you'd have to make on your own terms.

"Do you ever... want to get out of here?" you ask, almost too quietly, afraid of the answer. "Out of Brimstone?"

A question you should've asked your mother years ago, but is only leaving you now.

She raises her eyebrows, surprised by the question. It lingers in the air between you for a moment before she sighs, looking out the window to the tired streets beyond. "Sometimes," she says finally. "Sometimes I think about it, yeah. The way this place drags people in, holds them down... It scares me for you, Y/n. I don't want you trapped here. I want you to have options, a life that's bigger than this town."

"Then why do you stay?" you press, voice softer now.

A flicker of something unreadable crosses her face. "It's complicated," she says, her voice tinged with a weariness you hadn't noticed before. "Your father was here. This was where we met, built our lives, and after he... after everything, I felt like leaving would be... giving up on him. Like walking away from the one thing he was part of."

"But you don't owe this place anything," you say, echoing her earlier words back to her. "If it's just a memory keeping you here, then... maybe we both deserve better."

She nods slowly, her gaze returning to you, eyes softer, more vulnerable than you've seen in a while. "Maybe we do," she admits, voice barely a whisper. She makes a gesture with her hand of tapping a cigarette into an ash tray—a habit you noticed since you were a child. Something she does out of nervousness.

For the first time, it feels like you're seeing eye-to-eye, both carrying parts of the same burden—one that isn't really yours to carry. You've both been holding on, afraid of what letting go might mean.

You never thought you had a bad relationship with your mom. You both just worked and worked, trying to make a life for each other. Survival mode felt like autopilot—there was no time for bonding or deep conversations. Showing care meant keeping each other going, making sure you both were okay. Talking like this felt foreign, almost like a new skill you were both trying to learn. You wonder what prompted it, this sudden need to speak the things you both usually left unsaid

"So Hunter told me you had a girlfriend—"

You face palm, "for fuck sakes."

————

"Dude you told my mom I have a girlfriend?"

"She asked me if there was anyone special in your life!" He puts his hands up defensively.

You groan, feeling a wave of annoyance wash over you. What the hell are you supposed to tell your mom if she asks about this again? The image of her face pops into your mind. "Hey Mom, here's my supposed girlfriend I met at a race I snuck off to behind your back. Don't worry, she's not a Sinner—she's a Viper, though."

Luckily, Hunter had walked in earlier from whatever he'd been up to that morning, sparing you from answering your mom's question on the spot. Now, all you have to do is figure out what to say when she inevitably brings it up again.

It's still morning as you both settle into your room, falling into the familiar rhythm of your routine. You sprawl on your bed while he spins around in your chair, his energy infectious. Hunter dives into the latest gossip, animatedly sharing every detail, and you find yourself drifting in and out of his words, letting the sound of his voice wash over you.

You phone then starts ringing, and his voice suddenly stops. You glance at the screen, and let out a heavy sigh. You've really got to change her contact name.

"Who is it?" Hunter asks, hopping off the chair and leaning closer to your phone.

"Is she not your fave Viper anymore?" He jokes, sitting at the foot of your bed. "Come on, pick it up!"

You hesitate, staring at the screen as the name blinks back at you. The tension in the room shifts, Hunter's playful smirk fading as he senses your reluctance.

"Seriously? You're just going to let it ring?"

You shake your head, biting your lip. "I—I can't, Hunter. What do I even say?"

He leans forward, a look of mock seriousness on his face. "How about, 'Hey, Jenna, what's up? Oh me? I'm just living my perfectly normal life—definitely not spiraling into an identity crisis because of you?"

You roll your eyes but can't help the smile that threatens to break through. "You're ridiculous."

"Yeah, but you know I'm right," he insists, nudging your foot with his. "Just answer it! What's the worst that could happen?"

A million thoughts race through your mind, each one heavier than the last. You're scared of what her voice will bring up—the memories, the feelings, the undeniable shift in your life since you met her. "What if she wants to see me again?"

"Uh, hello?" he raises a brow, giving you a look. "Isn't that the best-case scenario? Getting cozy with your fine, rich Summer Valley girl?"

You hesitate again, and the ringing seems to grow louder. Hunter's eyes are wide, filled with mischief and encouragement. "Come on! Just answer it already!"

"Huh, looks like I can't anymore, the ringing stopped," you smile, relieved that the ringing was cut short.

Hunter's expression shifts from playful to incredulous. "What the fuck, man? Why didn't you answer?"

You shrug, but inside, a storm of emotions brews, each thought heavier than the last. Jenna represents everything you're trying to escape, and yet everything you're drawn toward. She's the pull of a world that's dangerous, one you've seen tear lives apart—your life apart. And every second you spend with her, it feels like you're slipping further down a path you might not come back from.

You can't let that happen.

"Because I can't keep doing this," you say, the words coming out softer than you'd intended. Each moment with her feels like a step away from the life you once knew, from the version of yourself that kept your family safe. You're drawn to Jenna, but she's also a stark reminder of how much you've changed, of how close you're getting to undoing everything your mom worked so hard to protect, everything your father was trying to leave.

She makes you feel alive in ways you haven't felt in years. But that feeling comes with a vulnerability you're not sure you can handle. If you keep this up, you'll lose more than just yourself—you'll risk letting down the family that depended on you to be the strong one. The thought sends a cold chill through you.

"I don't think I'm doing the right thing, Hunter."

Hunter lets out a quiet sigh, watching you closely. "You were doing alright last night. What's got you all worked up now?"

You hesitate, the weight of it clawing at you. Saying it out loud feels like crossing a line you can't come back from. "Things just... feel different," you say, voice barely audible. "I've been doing things I never thought I would, getting in deeper than I should. I don't even recognize myself anymore."

Hunter frowns, studying you. "You're not a completely different person just because you're out there racing. Isn't this what you wanted?"

"It's not just about racing." You rub your face, trying to calm the frustration simmering beneath the surface. "Jenna's got this... hold over me. She's made me cross lines I thought I'd never touch. She's tied up in a world I swore I'd stay away from."

Hunter's gaze softens, like he's trying to understand. "Maybe she's just got you seeing things differently. Doesn't mean you're losing yourself."

But that's the problem—you can feel yourself losing your grip, and the need to push her away rises, desperate, like an instinct. You know that the closer you get to Jenna, the deeper you risk sinking into something that could destroy you both. "Maybe it's better if I keep my distance," you murmur, more to yourself than to him. "I can't let this go any further. She's in the Vipers, and that's not a world I can afford to be part of."

Hunter shakes his head, not fully understanding. "So you're just going to shut her out? Because of some fear? Even if she hasn't been around long, what you two have—it's something real—"

"No." You cut him off, a hint of desperation in your tone. "What I have with her isn't real. Not really. We just thought... we could help each other. But that's all it is."

Even as you say it, though, you can feel the lie settle in your chest, heavier than you expected.

Hunter doesn't know the whole story with Jenna and Percy, or how you got roped into digging up dirt on him. You bite your tongue, stopping yourself from saying too much. A part of you wishes you could tell him, though—because if he knew you were supposedly getting mixed up in things like Ghost Smoke, he'd be the first one pushing you to cut Jenna out of your life for good.

"Alright, let me ask you this," he says, leaning forward. "You've had your first race, you were technically a Sinner. But from what you're saying, it sounds like you've made up your mind. So, what—you're sticking to your car hijacking ways, no racing, right?"

You hesitate—even after everything your mom has told you today, and he catches it.

"There's still a part of you that wants it, Y/n. You're not sure, and that's okay. This isn't about you changing; it's about something else. Unless you can look me in the eye and say you're completely done with this racing stuff, I don't see why you have to push her away."

You don't know why either. Maybe this wasn't about racing entirely and how much you've changed. But it feels foolish now to drag yourself deeper into this world after learning your dad died trying to leave it. Point is, you need to step back before you lose yourself completely.

And as much as it hurts to admit, that might mean losing the girl who makes your heart race. Looks like you found what makes your heart race, but not what's worth risking everything for.

————

"So, should I throw the microwave at your head now or later?"

Jenna tears her gaze away from her phone, frowning at her sister. "What are you even talking about, Aliyah?"

Aliyah grins, enjoying the confusion on her sister's face. "You don't remember? You told me ages ago that if you ever fell for someone again—or got caught waiting on a text—I should throw a microwave at your head."

Jenna sighs, the memory of that ridiculous pact making her groan. "Yeah, well... Wait—hold on. I am not falling for anybody!"

Aliyah raises an eyebrow, clearly unconvinced. "Uh-huh. Says the girl who's been glued to her phone all day waiting on a text. Sounds exactly like someone not falling for anybody."

Jenna scoffs, rolling her eyes, but she can't hide the faint blush creeping up her cheeks. "I'm just... checking my messages. It's not that deep."

Aliyah chuckles. "Right. Not that deep. Just let me know when to start unplugging the microwave."

The older of the two shakes her head, a small smile tugging at her lips despite herself. "You're so dramatic."

"I just know you too well. Face it, sis—you're hooked."

Jenna scoffs, though her expression softens. "It's... complicated," she admits quietly, her fingers grazing the edge of her phone. "She's—" She stops, catching herself. She's. But she's not about to explain all that to Aliyah.

"Complicated?" Aliyah finishes, feigning shock. "You? In something complicated? Never."

"Okay, fine, enough!" Jenna laughs, trying to brush off her nerves. But her sister's words stick with her. She can't ignore the fact that she's thinking about her way more than she should be. And she knows all too well that if Percy found out, it would be a whole new problem.

Aliyah flops onto the bed, scrolling through her phone with a satisfied grin, fully aware that she's already planted the seed.

The Viper tries to focus on something else, anything else, but her mind keeps drifting back. "You're hooked."

Aliyah tilts her head, watching Jenna with a knowing look. "You don't even deny it. Whoever this person is, they've got you in knots."

Jenna rolls her eyes, trying to dismiss it, but the truth settles heavily in her chest. "It's not like that," she says, almost to herself. "It can't be."

Aliyah raises an eyebrow. "Why not? Because of Dad? Or because of that sleaze Percy?"

Jenna's jaw tightens at the mention of the men, and she looks away, fighting the urge to share too much about her mystery Brimstone girl. "Let's just say... it's not as simple as having someone in your life and calling it a day," she says finally.

Aliyah's playful demeanor fades a bit, sensing the weight in Jenna's voice. "Jenna... are you in some kind of trouble?"

For a moment, Jenna considers coming clean, but she shakes her head, forcing a smile. "When am I not in trouble?"

Aliyah's smile falters slightly, guilt seeping through her playful demeanor. She shifts in her seat, Jenna wouldn't even know this kind of trouble if it weren't for her.

Jenna catches the look in her sister's eyes and instantly regrets her words.

"Aliyah, don't," she says softly, the tension in the room shifting. "You know I don't blame you."

"I know, but I can't help feeling responsible," Aliyah whispers, looking down at her hands. The unspoken reality—that Jenna's entanglement with the Vipers was to shield Aliyah—lingered between them, heavier than any words.

"Dad shouldn't have made you—"

Jenna reaches out, squeezing her sister's hand. "We're in this together, remember? Whatever happens, I'm the one who chose to stay."

Aliyah looks up, eyes glistening with unshed tears. "But it's not fair. You shouldn't have to carry this for me."

Jenna offers a small, sad smile. "Family isn't about fair. It's about being there, no matter what."

Aliyah's shoulders slump as she bites her lower lip, a familiar crease forming on her brow. The guilt that's been gnawing at her shows clearly in her eyes, and Jenna's heart clenches at the sight.

"I hate this," Aliyah whispers, her voice wavering. "Every time you walk out that door, I keep wondering if you're coming back. And it's because of me."

Jenna's tough facade cracks, and she leans forward, wrapping an arm around Aliyah's shoulders. "Hey, don't go there," she murmurs. The words are steady, meant to reassure, but the tightness in her chest betrays her. For a moment, she lets herself imagine a life free of this cycle—a life where neither of them has to look over their shoulder.

"I won't be stuck for long," Jenna finally admits, a determined edge creeping into her voice. She pulls back just enough to look Aliyah in the eyes, hoping to pass on some of that conviction. "I'm working on something, alright? This isn't forever."

Aliyah searches Jenna's face, her eyes widening with hope and hints of disbelief. "You mean it?"

Jenna nods, "I mean it. I promise."

Suddenly the sadness in Aliyah's expression is replaced with a smirk, "Does she have anything to do with it?" she asks glancing at her sister's phone.

"Don't change the subject," Jenna says, trying to sound stern but unable to keep the corner of her mouth from quirking up.

Aliyah's smirk grows, the earlier heaviness giving way to something warmer, more familiar. "I knew it. Your mystery girl isn't just another risk, is she?"

Jenna rolls her eyes but can't fully suppress a small, reluctant smile. "It's complicated, Ali. She's... well, she's a lot more than I expected."

Probably the biggest risk of all, Jenna thought

Aliyah's smirk softens into a genuine smile. "Good. You deserve more than this mess, Jen."

Jenna's heart tightens at her sister's words. "Yeah," she whispers, more to herself than to Aliyah. "Maybe I do."

Suddenly an idea stirs into the younger Ortega's mind. In a swift motion, her hand darts out and snatches Jenna's phone from the bed. Before Jenna can fully process what's happening, Aliyah is already on her feet, eyes dancing with mischief as she clutches the phone to her chest like a prize.

"Aliyah!" Jenna's voice sharpens "Seriously? Hand it over."

Aliyah tilts her head playfully, a smirk tugging at her lips. "Relax, big sister. Just checking if your mystery girl left a love note or two."

Jenna takes a step forward, trying to maintain her composure as she reaches out for the phone. "I mean it, Ali. Give. It. Back."

Aliyah shifts her weight, effortlessly dodging Jenna's reach as she chuckles. Taking advantage of the height, she holds the phone above her head, reading the chat messages. "Greaser? Pet names already?"

"Aliyah."

"Left on read for almost three hours? And here I thought you had game."

"I don't like her."

"Sure you don't," Aliyah teases, tapping the screen. "Let's see if your non-existent feelings show up when I—"

Before she can finish, the familiar ringing tone starts, and Jenna's heart drops. Aliyah's eyes widen with mock surprise. "Oops. Guess we'll see soon enough."

"Aliyah!" Jenna lunges, grabbing the phone from her sister's hand after the phone rang for a while. Without hesitation, she swiftly hits the end call button. The silence that follows crackles with tension as Jenna clutches the phone, her face flushed.

Aliyah bursts out laughing. "Wow, if that's not feelings, I don't know what is."

Jenna takes a steadying breath, unable to mask the way her pulse races. "It's not like that," she insists, more to herself than to her sister.

She couldn't help but wonder why you didn't answer your phone. You had more than enough time to answer the phone while it was ringing.

————

Two days have passed since you left Jenna's call unanswered. The rhythmic clinking of tools filled the garage as you worked tirelessly on your latest project—the stolen Aston Martin. For the past two days, the garage had been your refuge, the metallic smell of oil offering a sense of your old routine amidst the chaos. In that span, you had buried yourself in work, starting early in the morning and ending late into the night, determined to keep your mind from straying.

You stepped back to study the Aston Martin, now wrapped in a deep green that gleamed under the fluorescent lights. The change from the initial black colour was supposed to help, to make the car feel less like a painful reminder of her. But as you ran your hand over the freshly smoothed surface, sighing at the ghost of memories it evoked, you realized that nothing had changed. No matter how much you worked, every inch of that car still spoke her name.

Your phone buzzed on the workbench, a sharp intrusion that pulled your attention. A name lit up the screen—Jenna's. A message providing you the address of the meeting, nothing else. Seeing her message made your chest ache with a guilt you tried to ignore. You glanced at the glowing screen, your resolve wavering for a moment before you shoved the phone into a drawer, the metallic clang echoing in the small space.

Out of sight, out of mind.

As you smoothed out the last stubborn air pockets on the Aston Martin's fresh wrap, the sound of footsteps echoed in the garage. It was nearly 1 a.m. and no one should be around at this hour.

"Y/n?"

You turned at the familiar voice, eyes narrowing slightly before recognition softened your expression. "Mikey?"

She walked toward you, eyes curious as they swept over the car. "What are you doing here so late?" she asked, curiosity lacing her voice.

You shrugged, forcing a nonchalant tone. "Just working on a car. Needed the distraction. And you?"

Mikey tilted her head, not satisfied with the answer. "I felt like going for a drive. Thought I'd stop by first."

Her gaze shifted between you and the green Aston Martin, catching the tension in the air.

"This is the car you rolled up in with your girl right? What was on the surveillance?"

Ahh yes my girl. Now you need to come up with a believable break up story for the crew.

You clenched your jaw at her question, the mention of Jenna sending a pang through your chest. "Uh, yeah," you muttered, hoping to keep the conversation brief. Mikey's sharp intuition wasn't something to underestimate.

"Trouble in paradise?"

You sigh, "something like that, I don't really want to talk about it."

Mikey nods carefully, and deliberates her next words before speaking, "Did you want to join me on my driv—

"Okay I brought Chinese!" Hunter's voice booms through the garage.

Hunter set the bags down on a nearby workbench, the crinkling of paper and the scent of takeout breaking the heavy silence. He glanced between you and Mikey, sensing the charged atmosphere and shooting you a raised brow.

"Am I interrupting something?" Hunter asked, his usual playful tone laced with curiosity as he tossed a napkin your way.

You caught it mid-air, forcing a smirk to hide the knot in your chest. "Just working late," you replied, shrugging as if that explained everything.

Mikey's expression softened, the slight edge from moments ago replaced with a grin. "Nope, you're just in time. I was about to drag Y/n out for a drive," she said, her voice lighter now, as if trying to pull you into an easier conversation.

Hunter's brows lifted. "Oh? That's a miracle. She's been glued to that car for the last 48 hours" he teased, nudging your arm.

The mention of the past few days made your stomach tighten. You hadn't told Hunter or anyone else why you'd been so buried in work. The truth was, it kept you from thinking about Jenna. The guilt, the confusion—it all seemed simpler when muffled under the sound of engines and the smell of oil.

Mikey leaned against the Aston Martin, folding her arms. "Come on, you've been cooped up in here long enough. What's a quick drive gonna hurt?"

Before you could answer, Hunter grabbed a takeout container and tossed another to you. "Food first, you too Mikey. And then drive second," he said with a grin. "Don't think we'll let you skip out on both."

You took the container, a reluctant smile tugging at your lips. Maybe stepping away from the garage—and everything it represented—would be good for you. Even if just for a moment.

You could tell a lot about a person from how they drove, and never in a million years did you think Mikey would be a careful driver. She would teeter on surpassing street limits, but was a relatively relaxed and smooth driver.

The car rolled through the night, the city gradually giving way to quieter roads framed by dark silhouettes of trees. A comfortable silence settled among the three of you, broken only by Hunter's occasional commentary and Mikey's bursts of laughter when he cracked a particularly absurd joke.

"Remember that time you tried to drive with only three wheels?" Hunter leaned forward from the back seat, his eyes dancing with mischief. "You swore it would work."

You chuckled despite yourself, shaking your head at the memory. "And you were the one who dared me to, you idiot."

Mikey laughed, the sound deep and genuine. "And you actually tried it? That's commitment."

"Or stupidity," Hunter added, and the three of you erupted into laughter that carried through the night, momentarily easing the tension that had wrapped itself around your chest for days.

The conversation meandered through old stories and lighthearted teasing as the car hummed smoothly down the open road. But then, in a pause between topics, Mikey glanced sideways at you, her gaze more serious. "So, do you plan on racing again anytime soon?"

The question hung in the air, a sudden shift in the atmosphere. Before you could respond, Hunter's smirk dropped. He leaned back in his seat, his voice more subdued. "Don't bother, Mads. She doesn't know."

Your eyes flicked to Mikey, watching her reaction. She didn't miss the slight hesitation in your expression, the way your hands clenched. Her brow furrowed, a mixture of concern and curiosity flashing across her face.

"Still figuring it out, huh?" she said softly. "If you haven't made up your mind yet and you're not already back on the track, it's probably a no."

You kept your gaze on the road, the rhythmic whoosh of the wind outside acting as a buffer for your thoughts. Mikey's insight stung more than you'd admit; she was right. Your lack of being back on the track had to mean something.

"Maybe," you said finally, offering no real answer. Hunter glanced between you and Mikey.

Mikey settled back in her seat, a subtle understanding flickering in her eyes as her expression softened. "Trust me," she said, her voice calm yet pointed. "Most racers, when they're trying to get something off their mind, they hit the streets and push their limits. But you? You're here, spending your nights working on a car. That says a lot about where you really want to be."

She was the first person to openly discourage you from racing, and you couldn't help but appreciate it. It felt different, almost liberating—a break from the endless pressure to prove yourself. For once, someone saw the side of you that wasn't caught up in the thrill, and it was a relief.

But there was also that suspicious part of you. Mikey was close to Anton, and she knew how much Anton wanted you in the crew. Does she fear that you'll replace her spot in the club if you join? You brush off your intrusive thoughts and try to enjoy the rest of your drive.

————

Two more days had passed since Jenna had sent the text with the updated meeting address, and the silence on the other end gnawed at her. She leaned against the balcony railing outside her room, eyes skimming the darkened city skyline in the distance each blinking light a reminder of how life pulsed and moved without pause.

The air was crisp, biting against her skin as she shivered, but it did nothing to numb the restless ache in her chest. She scrolled back through the last messages, the words on the screen staring back at her like a mockery of the certainty she'd once felt. It wasn't like you to go this long without responding, but then again what did she know about you? You were the definition of uncertainty, you couldn't figure your own shit out how could you help with hers. She should've seen the red flags for your ghosting tendencies from the first time you met. You had no reason to help her, there was no personal gain.

Aliyah's voice broke through her thoughts, calling from inside. "Jenna, you're doing it again."

Jenna blinked, tearing her gaze from the phone as Aliyah stepped out onto the balcony, eyes filled with concern.

"You're still thinking about her, aren't you?" Aliyah's tone was soft, not judgmental, but knowing.

Jenna sighed, slipping her phone into her pocket as if hiding it would erase the gnawing uncertainty. "I can't help it. Something's off. She's... pulling away, I can feel it."

Aliyah's expression shifted, guilt briefly clouding her features before she masked it with a small, encouraging smile. "Maybe she just needs time. You know how it is—this life, this... chaos we're in. It's not easy."

Jenna met her sister's eyes, searching for reassurance that felt out of reach. "Yeah, maybe." But it wasn't enough. Aliyah didn't know the extent of your relationship. How you were going to help her get dirt on Percy. How you were her best bet.

Jenna had noticed for a while now that Percy was spending a lot more time in Brimstone, and that anything she could find would be found in that shady town.

"I saw the messages with her... something about a meeting? If she won't go with you, maybe I could?" Aliyah ventured, her tone eager but tentative.

Jenna's reaction was immediate, sharp. "Absolutely not. It's too dangerous."

Aliyah crossed her arms, a defiant glint in her eyes. "Come on, Jenna. It could be good to do something together for once."

"I'm serious, Aliyah. This isn't up for discussion. It's not safe," Jenna said, her voice firm, eyes blazing with protectiveness.

Aliyah lifted her chin, stubbornness radiating from her. "Too late. I don't care," she declared, turning on her heel and striding out before Jenna could argue.

"Aliyah, wait—"

Jenna's phone pinged, jolting her from the tense silence that followed Aliyah's departure. For a split second, hope fluttered in her chest—a foolish, fragile thing—as she thought it might be you, breaking the days of silence that gnawed at her. But that hope quickly crumbled as she glanced at the screen.

It was from Percy.

Get yourself dolled up. Race tomorrow night. Be there. And you're on my arm. Look the part, don't embarrass me.

Jenna stared at the messages, her fingers itching to throw the phone across the room. He knew exactly how much he got under her skin and used it at every opportunity. And tonight was no different; he needed her there, not just as a racer, but as his accessory, some trophy to drape over his arm. Like she was at the Sinner race almost a month ago. It was a power move, one he'd pulled too many times, trying to keep her bound to him and his schemes.

Another ping. Don't even think about bailing. You know what happens when I'm not happy.

Jenna scoffed, fingers hovering over the keyboard. She could imagine Percy already preening in the mirror, smugly counting on her to show up, loyal and subservient as always. She could almost hear his oily tone, the mock concern he would flash when she hesitated, only to follow it with another thinly veiled threat. Percy loved to remind her how "lucky" she was that he'd given her a place in the Vipers—and what a shame it would be to lose it.

Jenna pushed away from the railing, the metallic chill of it seeping through her skin as she stood upright. The city lights looked dull now, swallowed by the storm brewing in her mind. Her fingers hovered over the keyboard, a part of her tempted to tell Percy to shove it. But she knew better. Defying him could mean losing her only leverage, the tiny foothold she had in this game of shadows and lies.

With a sharp sigh, she typed out a reply, each keystroke feeling like a betrayal to herself.

Swallowing her disgust, she replied. Fine. I'll be there.

It was almost too easy to imagine the smirk that would be stretching across his face as he read her reply. She could feel her muscles tense, a quiet storm brewing beneath the surface, made worse by the fact that she'd lost any sign of you as a reprieve.

The phone slipped back into her pocket, but the weight of it pressed heavier than ever. The ache in her chest turned sharper, a reminder that even though she needed you, even though you were the one who was supposed to stand beside her, the silence between you spoke volumes. She just wished it wasn't so deafening.

Her eyes drifted to the hallway where Aliyah had disappeared moments before. She couldn't let her sister get pulled deeper into this mess, not when it felt like she was barely holding her own head above water. Yet, with every passing moment, the line between protecting the people she loved and keeping them at a distance grew blurrier. And Percy's summons felt like another shove towards the edge she was already teetering on.

Tomorrow night, she'd play the role. But Jenna swore, as she stared out at the city, that she would find a way out of this tangled mess.

Aliyah popped back into the room, her eyes bright but cautious as she took in Jenna's guarded stance. "Hey, so, the family's heading out to catch a movie right now. Are you coming?" Her tone was light, hopeful even, as if she already anticipated the answer but wanted to hear it anyway.

Jenna's gaze shifted to her sister, the corners of her mouth pulling into a tight line. The unspoken question lingered between them, though Aliyah's expression faltered as she awaited an answer.

"Is Dad going?" Jenna's voice came out sharper than she intended, and Aliyah's smile dimmed slightly.

"Yeah, he is," Aliyah admitted, her eyes darting down for a moment before meeting Jenna's again, trying to read her sister's mood.

Jenna's jaw tensed as she looked past Aliyah, the weight of years of resentment and disappointment pressing down like a vice. "Then no," she said flatly, the finality in her voice leaving no room for argument.

Aliyah's face fell, but she nodded, understanding etched into her features. She didn't push, didn't try to convince Jenna otherwise. The silence between them grew heavy, filled with all the things they weren't saying.

"Okay," Aliyah said softly, turning to leave. But before she stepped out, she cast one last glance over her shoulder, eyes shadowed with a mix of concern and quiet resignation. "Just... don't stay up all night, okay?"

Jenna forced a smile that didn't reach her eyes. "Yeah. I won't."

But as Aliyah's footsteps faded down the hall, Jenna knew she was lying. The night was already hers to wrestle with, haunted by the things she couldn't change and the person she wished she didn't need.

————

Before you knew it, Friday had arrived—the day of the meeting. The meeting you weren't planning to attend. You started your day the same way you had over the past few days—in the garage.

You had been avoiding your phone all morning, afraid of what new messages might appear. Each buzz was a test of your resolve, a reminder that giving in would undo everything you had decided. You needed to stay strong, keep your distance, and not let the past pull you back in.

The project car in front of you demanded all your attention. You poured every ounce of focus into it, the sleek curves of the Aston Martin glistening under the dim garage lights. Tonight, you were determined to take it out for a spin, using it as an excuse to push out the stress gnawing at your mind.

The garage was unusually quiet, lacking its usual bustle. The regulars, including Anton and Mikey, were conspicuously absent, skipping their usual stops at the garage. You welcomed the peace; the last thing you needed was their relentless teasing about the car's dubious origins.

The sound of footsteps broke the monotony, and you didn't need to look up to know it was Hunter.

"Got a minute?" His voice came from the doorway, casual but laced with concern.

You nodded, wiping your hands on a rag before tossing it aside and standing up. "Yeah, what's up?"

"So you're really done with Jenna?" he asks wasting no time.

You couldn't even bring yourself to say the words.

"I'm hoping the drive with Madison the other day doesn't mean yes," he frowns. "I don't think she's right for you."

"Neither do I dude. I never said I wanted anything with Mikey. We literally all went on a friendly drive, nothing more."

"Good, she kind of gives me an off vibe," he shares. "I mean, she's cool and all, but there's just something... I don't know. 

Hunter leans against the workbench, studying you. "But that still leaves Jenna," he says, quieter now. "Are you sure cutting her off is what you really want?"

Your chest tightens, and you look away, focusing on the glint of metal on the project car. "I don't know," you admit. "But staying away feels like the only way to keep things from going up in flames."

Hunter's eyes narrow with concern, but then he smirks, the corner of his mouth curling up. "Just don't forget—sometimes running from the fire only makes it burn hotter when it catches up," he finishes with a wink.

You roll your eyes, but a small chuckle escapes despite the tension in your chest. "Trust you to turn everything into a dramatic line."

————

Hunter left around the 6 p.m. mark and time slipped through your fingers, and before you knew it, the clock had struck 8 p.m. The Aston Martin stood before you, polished and ready. It looked solid, steady—exactly what you needed. Without a second thought, you grabbed the keys, took a breath to steady your nerves, and slid into the driver's seat. Tonight, it would be just you, the car, and the open road.

You eased the car through the streets of Brimstone, your hands gripping the wheel, your mind drifting as you weaved through the winding roads. The town looked different at night—darker, quieter, with the occasional flicker of neon signs casting long shadows on the empty streets. You passed by abandoned buildings, alleyways where the stray figures of drug addicts huddled together, their glazed eyes staring into the nothingness that had consumed them. They barely registered your presence, too lost in their own world.

You drove without a clear destination, allowing the car to take you wherever it wanted to go. The sound of tires on asphalt was the only thing keeping you tethered to reality. The rush of the road beneath you, the flicker of streetlights, the occasional blur of other cars passing by—it was all you needed. Just you and the road.

And then your mind went to her. Of course it did. How could it not when you were sitting in this car. You were fooling yourself by thinking a single car wrap can get the job done.

You remembered the day you took this car, how you spilled your guts to her in the midst of your chaos. The way she'd listened—really listened—and kissed your cheek when you dropped her off. The memory was so vivid, you could almost feel her lips on your skin again.

She should be heading to the meeting now. The one you weren't going to attend. The one she was walking into, blind. No idea what it was really about, no clue what she was getting herself into. Alone.

For all you knew, she thought Ghost Smoke was some sort of cereal. But no. You knew better than that. She wasn't stupid. She was smart, and she could handle herself. You tried to tell yourself that, tried to calm your racing thoughts. She could handle herself. She would be fine. Nothing bad would happen.

But even as you tried to convince yourself, the doubt crept back in. The image of her walking into that meeting—unprepared, vulnerable—made your stomach churn. You couldn't help but picture the worst. What if they used her? What if she got caught up in something deeper than either of you realized?

But then, as you took a sharp turn, you found yourself on the road you hadn't meant to be on. The track.

The place where it all went down.

You didn't intend to end up here. Not tonight. But there it was, the race track standing still under the muted glow of the moon, the outline of the old fence barely visible against the darkness. The stories rushed back like a wave—your father, Anton's dad, both gone in an instant after the crash that took their lives. The race had been their last, the night that changed everything.

You slowed as you approached the entrance, the cars long gone. There was no movement, no sign of life, just the emptiness that had followed the tragedy. The track had been abandoned ever since. The Sinners stopped racing there out of respect, unwilling to return to the place that had claimed so much.

You parked the car on the side of the road. For a long moment, you just sat there, the hum of the engine ticking down as the silence of the night pressed in. The weight of the past, of your father's legacy, of everything you thought you knew about this town and the racing world, settled on your shoulders.

You couldn't help but feel the ghosts of the past watching, waiting, taunting you—what are you going to do Y/n?

You shifted the car into drive, the road ahead a blur.

————

"Can you not be mad at me anymore please?"

Jenna rolls her eyes, frustration evident in her posture. "I told you not to come. I seriously can't believe you followed me here."

Aliyah huffs, crossing her arms. "You're in this mess because of me, and god forbid I want to help! It's not like your girlfriend was dying to come with you, so you should at least be grateful I'm here."

Jenna's stomach clenches at the mention of girlfriend, but she holds her tongue. She's too tired for this. She could've corrected Aliyah for the thousandth time, but it wasn't worth the fight now. Better to focus on getting this over with. At least until this little mission was done, she needed to push all thoughts of you to the back of her mind.

You're not here anyway. You're not helping her anymore.

Aliyah continues, clearly trying to lighten the tension, but there's a note of sarcasm in her voice. "Seriously, there's no way you're not happy I'm here. Look at this place!" She gestures toward the imposing, dark warehouse ahead, a shudder running through her as she takes it in. "It's straight out of a horror movie."

Jenna doesn't disagree. The place does feel like something out of a nightmare. She can feel the resentment bubbling inside her, a sharp, unwanted feeling that she tries to push away but can't. How dare you ghost her, leave her to face this alone? If you were here, Aliyah wouldn't be, and maybe she wouldn't feel so exposed, so vulnerable. But you aren't, and her little sister is. The sting of abandonment hangs in the air, heavier than the looming shadow of the warehouse ahead.

Jenna sighed, feeling the weight of the situation pressing in from all sides. With one final glance at the door to the meeting place, her shoulders slumped in resignation. "Fine," she muttered, voice tinged with exhaustion. "But stay close, stay quiet. Don't do anything stupid."

Aliyah gave a small, relieved nod. "You've got my word."

Jenna leads the way into the dark warehouse, the sound of their footsteps echoing off the cold, concrete floor. The place is completely abandoned, with broken windows casting faint, eerie light into the room. There's nothing in sight but dust and the lingering smell of stale air.

Aliyah looks around nervously, her eyes darting from corner to corner, but all she can see are the dim shadows creeping along the walls. The place feels like a ghost town, unsettlingly empty.

"Is this really the right place?" Aliyah's voice is low, the uncertainty clear in her tone.

Jenna pauses, squinting into the darkness, trying to make sense of the scene. She's not sure why the meeting is set up like this, or why it feels like they're walking into the unknown, but she can't let herself doubt now. "Yeah," she answers, her voice steady but with a hint of something unspoken. "This is it."

They keep walking, the air growing colder as they venture deeper into the warehouse. Aliyah keeps glancing at her sister, confusion written across her face. "What exactly is this meeting about?" she asks, her voice tinged with concern. "I mean, what's going on here? Is this about the club or—?"

Jenna cuts her off, shaking her head slightly, her gaze focused ahead. "Don't worry about it," she says, her tone sharp and final. "Just stay close."

And then, they saw him.

He was standing in the far corner of the warehouse, facing away from them, his silhouette sharp against the dim light filtering in through the broken windows. Dressed all in black, his figure was imposing in a way that sent a chill down Jenna's spine. He hadn't noticed them yet.

Instinctively, both sisters ducked behind a stack of old, dusty boxes, their breath held as they exchanged a look. The quiet tension between them thickened, and in that moment, everything felt so much more real—so much more dangerous.

On the phone, the man spoke with a low, almost mechanical tone. "Yes, boss. I'm the first one here, waiting on the other two."

Jenna made a mental note on the words. So this was a meeting between three people. Percy would be one of them.

Aliyah's voice was barely a whisper. "Do you know who that is?"

Jenna didn't answer at first. Her eyes stayed fixed on the man, analyzing his every movement, trying to make sense of the situation. Finally, she shook her head. No, she didn't know him. But something about this felt wrong—like they were in deeper than they had anticipated.

She reached out, squeezing Aliyah's hand tightly to calm her nerves. "Stay quiet," she murmured. There was no turning back now.

Jenna's heart skipped a beat when the door creaked open, and two figures stepped into the dim light. Percy walked in first, his usual calm confidence unmistakable, but it was the figure beside him that made Jenna's breath catch in her throat.

She remembered seeing him at the Raven race. The night you were racing. What the hell was he doing here? Her mind raced, the weight of the situation crashing down harder than before. Why was he with Percy?  Was he the club leader? This meeting was about something far worse than she could have imagined.

Aliyah's grip on her hand tightened, her eyes wide with uncertainty and fear. But Jenna couldn't look away. She barely registered the tension in her sister's hand, too focused on the strange alliance before her.

Without a word, Percy and the Raven exchanged brief glances before walking further into the warehouse with the mysterious person in all black. The air around them seemed to thicken, the sound of their voices indistinguishable.

Jenna's pulse quickened as her instincts screamed that she needed to get closer, to hear more.

She crouched low, glancing over at Aliyah with an intense, silent plea. "Stay here," she whispered sharply, her voice low but firm, knowing the weight of the situation.

Aliyah nodded, her face pale with fear.

Jenna barely gave her sister another glance before she began moving, silent as a shadow, staying low to the ground as she crept closer to the three men. 

But the floor of the warehouse wasn't as kind as she hoped. Her foot caught on a jagged edge, and in an instant, her body lurched forward, her heart skipping a beat.

Time slowed, the rush of panic surged through her, and in that split second, her heart seized with terror. She was going to fall—she was going to make a noise and blow their cover. Aliyah was going to be in danger.

She braced for the inevitable crash, for the sound of her body hitting the ground and the betrayal of her hiding place.

But just as the world tilted beneath her, strong arms wrapped around her waist, pulling her back from the brink. Her heart raced, her breath catching in her throat. She blinked, disoriented, but when she looked up, her world seemed to freeze.

There you were, standing in front of her, holding her steady. The realization hit her like a punch to the gut. You were here. You had come for her.

In the six days you had ghosted her, Jenna had planned what she was going to do if she ever saw you again. First was a slap, possibly the silent treatment—a taste of your own medicine. She even toyed with the idea of keying one of your cars. But falling into your embrace, wrapping her arms around your neck and letting out a sigh of relief was certainly not part of the plan.

For a moment, neither of you moved. You could feel her breath against your chest, soft and steady, and despite everything, her warmth was exactly what you needed.

Jenna pulled back slightly, her hands lingering on your arms as she looked up at you, her eyes searching for something—answers, maybe, or just reassurance. She was still upset with your disappearing act. "You really are something," she muttered, her voice softer than usual, almost vulnerable.

You couldn't find the right words, not when your heart was racing from the sudden rush of emotions. Instead, you simply nodded, gently brushing a stray lock of hair behind her ear, a quiet acknowledgment of everything unspoken between you. "We'll talk afterwards," you whispered.

She nodded, knowing you both have a bigger issue to deal with at the present moment.  You notice Jenna worriedly glance behind you and you follow her gaze to see another girl you've never seen before.

Jenna noticed the fear that was once on her sister's face melted into a mischievous grin as she looked at her, raising an eyebrow and pointing a finger at you while mouthing, Greaser?

You'll have to figure out who that is later, but for now you take your attention away from the girl who is very close to you, and look up at the scene in front of you. Pissy, the Raven crew leader, and an unfamiliar man.

“Who thought holding the meeting here was a good idea?” Percy muttered, annoyance dripping from his tone as he glanced at the dust clinging to his shoes.

“We can’t afford any slip-ups,” the unknown man replied curtly. “Let’s keep this brief.”

The Raven crew leader smirked, eyes glinting in the dim warehouse light. “We’ve already pushed about fifty keys of Ghost Smoke into Brimstone over the past two weeks,” he said, voice smooth but full of intent. “No hiccups, no heat—just a steady stream. And trust me, the streets are starting to bite. By the time the next batch hits, they’ll be begging for more.”

"Okay, and you Percy? How's the Vipers' distribution going?"

You clenched your jaw as the conversation confirmed your worst suspicions. These guys were flooding Brimstone with product, exploiting the town's vulnerable, turning the Brimstoners into their playthings. From the corner of your eye, you noticed Jenna stealthily recording the exchange between the three men, every tense word.

Percy shifted uneasily, a flash of frustration in his eyes. "We've moved about eight keys so far," he said tightly, the disappointment in his voice evident. The number wasn't enough compared to the Raven's progress. "It’s not easy for a Viper to operate on Sinner territory without drawing attention."

"Maybe if you'd stop cozying up to your girl at races and focus on your job, things would be different," the unknown man snapped, his tone biting.

His girl?

"Relax," Percy retorted, his voice strained but defiant. "No one wants Brimstone to become a zombieland more than I do. Some of those Sinners have been getting way too fucking cocky."

Jacob, the Raven leader, let out a low chuckle and placed a hand on Percy's shoulder. "Easy there," he said, smirking at the unknown man. "I can’t blame the guy. It’s hard to stay focused when your girl’s a knockout like that." He finishes with a whistle.

A whispered "ew" sounded behind you, and you felt Jenna tense, a silent fury radiating from her. Anger roared in your chest. Not only were these men scheming to drown Brimstone in Ghost Smoke, but now they were talking about Jenna like she was just another trophy. The rage that simmered inside you sharpened into a razor's edge.

But now was not the time to get angry. You had to remain calm, get all the info you can and get the fuck out of there.

Jacob, the Raven leader, crossed his arms, his gaze sharp as he looked between Percy and the unknown man. “And what if this operation doesn’t go as planned? What happens if someone decides to interfere? I know you tried this once and failed.”

The tension in the room crackled like static. The unknown man’s expression darkened, a slow, menacing smile creeping across his face. “Let’s hope it doesn’t come to that,” he said, voice low and chilling. “We wouldn’t want a repeat of Bullet and Apex.”

You freeze.

But before you could fully process the implication, a sudden noise shattered the silence about 15 meters to your left.

“Hey! Who’s there?” one of the men barked, eyes narrowing in suspicion.

Heart thundering, you whipped your head in the direction of the sound and spotted the familiar mop of curls.

Hunter.

He was crouched low, eyes wide with a reckless determination that sent a jolt of both dread and relief through you. Before you could even react, Jenna’s urgent voice sliced through the fog of panic clouding your mind.

“We have to go,” she hissed, fingers locking around your arm like a lifeline and yanking you into motion. The edge in her voice snapped you back to the present, and your body jolted into action. The girl—clearly someone Jenna trusted—was already sprinting ahead, weaving between crates like shadows. You cast a quick look back, your gaze catching Hunter’s for a split second as he, too, bolted to follow.

This was a fight against time, and survival was the only thing that mattered.

Jenna’s grip on your hand anchored you as you both tore out of the warehouse, feet pounding the ground as adrenaline roared through your veins. The cold air bit at your skin as you charged towards the first car in sight—yours.

“Stop right there!” A shout from behind sent a surge of terror down your spine.

“Hey!” you yelled to the girl ahead. She glanced back, eyes sharp, just in time to catch the keys you tossed her. She was closer to the car, and with no time to spare, she slipped into the driver’s seat.

The three of you scrambled in—a blur of limbs and frenzied breaths. Jenna flung herself into the passenger seat, while you and Hunter dove into the back, your heart hammering in your chest like it might explode.

“Go, go, go! Step on it, Aliyah,” Jenna commanded.

Aliyah didn’t hesitate. The engine roared to life, and the Aston Martin peeled away from the warehouse, tires screeching against the asphalt. The last thing you saw in the rearview was the shadowy figure of the man pursuing you, growing smaller as you sped into the dark night, leaving danger and revelations in your wake.

No one dared to speak. The air in the car was thick with tension, the adrenaline still simmering just beneath the surface. Once Aliyah had put enough distance between them and the warehouse, she eased off the gas, slowing to a steady, legal pace. They were in Summer Valley now, the bright lights of the town casting fleeting shadows across their faces.

Ten minutes ticked by in silence before the red glow of a traffic light gave them a momentary pause. It was then that everything unraveled at once.

“Hunter, what the hell are you doing here?” you demanded, voice tight.

“How the fuck did you go from boosting cars to this?” Hunter fired back, eyes wide with disbelief.

Aliyah leaned back, throwing a teasing look Jenna’s way. “You didn’t tell me Greaser was cute!”

"Since when did you know how to drive?” Jenna shot back at Aliyah.

The car was filled with a low hum of murmured conversations, each person settling into their own thoughts as the road stretched on.

“Did you follow me here?” you asked Hunter, still in disbelief.

“Yeah, I did. And I’m glad I did.” His voice was filled with concern. “What the hell are you mixed up in, Y/n?”

“I don’t know, man. I’m just finding out about all this today, too.”

Hunter let out a frustrated sigh. “We need to tell Anton. They’re trying to destroy Brimstone.”

You exhaled, mirroring his sigh. “Yeah, this is bad. Real bad.”

As soon as Anton’s name left his lips, your mind raced back to the meeting. What the men had said.

Hunter could see it in your eyes—he knew exactly what you were thinking, and the tension in the air between you both grew thicker.

Up front, Jenna’s voice broke the silence. “Okay, yes, I get it! She’s cute. Can you just… shush? She’s right there,” she muttered in exasperation, turning back to her sister, who was practically grinning.

Jenna slouched back in her seat, her mind a whirlwind of thoughts. This was not what she expected when she set out to gather dirt on Percy. She couldn’t wrap her head around it—Percy, the same person she thought she knew, was tangled up in a plot to destroy Brimstone. Yeah, he was a jerk, but this... this was murder, drawn out and deliberate.

The crew she had once considered family was directly linked to the distribution of Ghost Smoke, targeting people from the town over.  She knew there was always a rivalry between Brimstone and Summer Valley, but she didn't think it would resort to elimination techniques. The shock of it all left her breathless, the pieces clicking together with an unsettling finality. 

She got her dirt. But this feels far from over.

Despite everything, Jenna couldn’t ignore the pull to check on you. She knew you had to be feeling the weight of it all—learning that your town was the target of such destruction. But there was also the anger. The unresolved frustration from you walking away earlier. She couldn’t just let you back in without confronting it, could she?

But as the drive wore on, the pull to turn back softened, and she glanced at you instead. You were lost in your own world, staring out the window, looking like you’d retreated into yourself. Nothing could touch you right now. And she didn’t blame you. Tonight had been a mess.

She turned her gaze to Hunter, raising an eyebrow, silently asking if he knew how to handle this. He met her eyes, shaking his head in that subtle way that said, Not tonight.

Jenna nodded in acknowledgment, her expression a mix of concern and frustration. She gave a quiet command to Aliyah, who turned the car toward their place. The drive was silent, the weight of everything hanging thick in the air. When the car finally stopped, both girls exited, but Jenna couldn’t help but glance back at you one last time. Her gaze softened, seeing how much this was affecting you. You didn’t look at her once as you stayed seated in the back, your face unreadable.

Somehow, without even realizing it, you found yourself sitting in the passenger seat of Hunter’s car. The shift had happened so subtly that you hadn’t even registered the transition. You assumed once the girls had left, Hunter must've taken over the drive. But the ride felt endless, every minute dragging in uncomfortable silence, like you were trying to outrun the truth without really knowing how.

When Hunter finally pulled into his driveway, the car came to a stop, and the air between you two felt suffocating. No words were spoken for a long moment.

Finally, Hunter broke the stillness. His voice was low, sincere, and filled with an understanding that made your stomach churn. “I’m sorry, Y/n,” he said, his tone full of empathy. “That must’ve been a hell of a lot to take in.”

It wasn’t easy, not by a long shot. You could feel the weight of the words pressing down on you like a heavy stone.

Bullet and Apex. Your dad and Anton’s dad, their racing names. You had tried to convince yourself that you had misheard at the meeting, that it was some twisted misunderstanding. But as you turned to look at Hunter, his pitiful eyes told you everything you needed to know. You weren���t wrong.

Your father and uncle’s deaths wasn't an accident. They’d been taken from you on purpose. And now, the truth of that hit you harder than anything else.

[itsmrshamilton]

No Apologies | LH44

summary: tensions between fem!reader and Lewis rise to an all-time high, forcing one of them to make a very important decision about their relationship. (Angst galore!)

💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌

Y/n was falling asleep on the couch when she heard the keys jingle and the door handle turn. She jolted upright and moved to find the remote to the tv. It was playing a romance movie that she'd been looking forward to watching in theatres but hadn't found the time. When it was released in HD she gave up trying to plan the outing and instead picked a quiet evening to watch, except now she'd missed the whole thing. She sighed in defeat as the end credits began to roll and turned the tv off. She'd have to try again in two weeks when her schedule cleared.

The door was pushed open and in shuffled her husband with a tog bag and rolling suitcase. He froze when he noticed her disheveled state in the dimly lit living room. She stretched out her back then stood up to face him.

"Hey." He whispered, still rooted to his spot. He took in her unruly hair, tired eyes, pursed lips, and wrinkled satin pajamas. She looked like she should have been in bed. And she could have been if he had arrived home at the time he said he would.

"It's 1 am." Is all she said. Arms hanging loosely at her sides, pedicured toes pressing hard into the floorboards to prevent her from doing something she'd regret. She needed answers first.

He didn't reply immediately and the silence grew as her patience diminished.

"1 am, Lewis! I've been up worried because I expected your car in the garage by 10 last night- Is your phone off?!" She whispered harshly at him. Her toes began to hurt and cramp.

Lewis let out a deep sigh and looked away from her watering eyes. He felt bad but he really couldn't do this now. His back was aching and he still had to work tomorrow.

"I couldn't get out of a dinner and the drinks kept coming."

"You're drinking again?" Her hands clenched.

"No, Y/n. Of course not." He huffed in annoyance and removed his jacket.

He looked back at her when he heard her scoff. She glared at him for a second before walking off to the stairs in the corridor. She wanted to talk to Lewis properly. Have a sit down and truly open up but he made it so hard for her to sit and listen when he did things like that.

Lewis sighed once more when she left the room. He was used to her walking off mid argument but this time he was upset that she accused him of drinking again. He thought she knew him better than that. He locked the front door and moved his suitcase to the corner of the room then took his duffle bag upstairs. In their shared master bedroom, Y/n was already under the covers. He wasn't sure if she was awake or not so he took his belongings to the en-suite bathroom to shower and get ready for bed. Upon returning to the room, he was very sure that she was asleep. Her pillow had been abandoned and her small face was smooshed into the mattress. The sight made him feel more guilty. She must have been really tired before she decided to wait up for him.

He climbed in beside her and pulled her close. Her features scrunched in disagreement as her head rested on his tattooed chest, while his big arms wrapped around her figure. She let out a soft snore when he stopped moving and began to stroke her back. He hated fighting with her but it had become a part of their daily routine.

He pressed a soft kiss to her forehead. "I love you, Y/n."

And stared at the ceiling until he fell asleep.

💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌

Y/n woke up to an empty bed with the sun high in the sky which meant that they both slept in - Lewis probably because he was out so late and Y/n because her son was at a sleepover with a friend from school.

She stretched and took a second to think about last night. At the moment she felt tired and cranky from running errands yesterday then staying up to wait for him. Thinking about it all made the frustration bubble up again but her growling stomach reminded her of her priorities. Sighing, she got up to get ready for the day, splashing her face with water and brushing her teeth before making her way downstairs in her pjs.

It smelt faintly of pancakes and there were loud sounds of doors being slammed. When she got to the large pink and white kitchen she saw a plate of pancakes on the island, along with a small bowl of yoghurt and fruit. Her husband was crouched, digging furiously through one of the lower cupboards. She took in the state of the rest of the kitchen - sink filled with utensils, fruit peels all over the cutting board, sticky cupboard handles everywhere. She felt very confused by the scene before her, so much so that she began to feel a bit of anger deep down.

"What's going on?" She asked.

He jumped at the sound of her voice and faced her with a frown. She frowned in return, not liking the energy he was giving from the get-go. He let out a loud sigh, leaning back against the counter and gestured half-heartedly to the plate on the island in front of her.

"I was making you breakfast to, uh, apologise," he rubbed his beard. "But I couldn't find the juicer to make orange juice so now it's gone cold."

Her face softened at his admission and her anger slowly dissipated. He was trying to please her.

He slapped his hands on his thighs then straightened up. His face still held the frown but was quickly darkening in frustration, transforming into something more mean. "I would have made you coffee but I couldn't find the coffee machine either."

"I gave it away." She stated calmly. His eyebrows raised in surprise.

"And the juicer?"

She pulled the yoghurt salad closer. "On one of the shelves in the storage room."

"Would have been nice of you to mention that earlier." He grumbled, looking away in annoyance. She stiffened.

"Oh? How? By calling you on the £900 phone you don't use?" Her tone was clipped. The calmness she had earlier fading away very quickly. She was tired of this dance with Lewis - creating a new problem to get away from the consequences of the old one.

"Nothing is where it's supposed to be in this kitchen!" He gripped the edge of the counter.

"Because I don't want things that I don't use in my kitchen, Lewis!" She slapped the island counter nearly knocking the bowl over but managed to straighten it.

He stared at her, in disbelief of her tone and the volume of her voice. She eyed him back taking careful breaths.

"Your kitchen." He repeated. She started picking off the fruit from the yogurt and eating it slowly.

"Yes, my kitchen. I am the one who makes breakfast, lunch and dinner in here every day, all week." She replied bluntly. The fruits were now finished but they had taken the edge of the hanger she had felt when she woke up.

Lewis just looked at her in silence. The disbelief wiped off his face and replaced with a neutral look. A poker face he used when he tried to find appropriate responses for difficult interview questions. He looked at his wife leaning against the marble island she'd picked, in the kitchen she'd decorated when they first moved in, and he realised that he had no response to her statement. He didn't want to fight today. He'd planned to wake up earlier than her and prepare her favourite meal then spend the rest of the day showering her with kisses and attention in order to make up for coming home late. But then he couldn't find the juicing machine he'd bought for her last Christmas and when he went to look for the coffee machine he'd received as a gift from a business partner, he couldn't find that either and it just set him off. He wanted just one thing to go right.

It had been such an exhausting week, and all he wanted was to come home on Friday evening and crawl into bed. Instead, one of the executives at the meeting suggested they go out for dinner to discuss any final details before the contracts for the films were signed. They wouldn't stop ordering drinks, he'd missed his flight and by the time he landed in England, it was already 12am. He would've called Y/n to update her on his times, but he knew it was her night off and thought she was already asleep. He really didn't mean to keep her up.

He sighed softly as he took her in. Bonnet sitting slightly askew, satin pajamas wrinkled and her usual jewelry sitting all pretty on her dark skin. She looked down at her plate.

"Thank you for the pancakes." She said softly. He pushed off the counter and held her face in his hands, tilting her head up to look at him. "I wasn't in the mood for orange juice anyways."

He smiled softly at her comment, taking in her big brown eyes with dark circles, broad nose, and her full lips. He pressed a couple of kisses to her lips and she smiled against him.

She couldn't be mad at him now. He was trying, and that's all she felt she could ask for. She took his hand feeling the cold metal of his wedding ring and led him upstairs to their bedroom. He was silent all the way so she looked back to see him smirking at her. She smiled slyly knowing that he thought he was going to get rewarded for his actions but really she had something else in mind. Once they entered the large bedroom she walked over to the messy bed and grabbed a pillow only to thrust it at his chest and lean in.

"Do you mind making the bed while I get ready, my love?" She whispered with a smirk. The eager look on his face fell away, and he rolled his eyes as she walked off giggling.

"I'm pretty sure we pay people to do this!" He called after but still carried on with the task.

She was getting ready in their walk-in closet when she heard him come in to change as well.

"So tell me about your week, seeing as you've been at work since last Monday." He eyed her warily. She tood her ground.

"Lew, I just worry that you work too much and that it'll strain you. I know you have business ventures, but what happened to taking a break after retiring from F1?"

He stood up abruptly and moved to get a t-shirt out of his drawers. He was tired of this conversation coming up every week. "I need to do something to keep your lifestyle going." He muttered lowly, but she heard him and stood shocked with her hands on her hips.

He did not just say what she thought she heard. To her face. She felt her neck heat up from anger.

"Are you calling me a gold digger, Lewis?"

He didn't turn around to look at her but stood with his head bowed. His lack of reaction made her angrier.

"When I met you, you had more luxury than any man your age needed, and you're talking about supporting my lifestyle?!" She felt like screaming but chose to march out of the closet instead.

"How do I know that you're actually working and not off with women, huh? Finding a better gold digger to replace me with?" She yelled. He followed after her and they stood on opposite sides of the neat bed.

"Are you out of your mind?" He hissed. "I dont go out galivanting. I do all I can to come home on time to you and our son." He was so tired of these fights at the most inconvenient moments.

"And I'm tired of that!" She threw up her arms. "I'm tired of being home all day cleaning up, taking care of Leo, always waiting for you. I want to do more. I want to finally start a life of my own and have something in the world that I can call my work."

He stared at her as she swung her arms around in an attempt to get her point across. The room was beginning to feel like it was too small for the both of them and their words. He felt like he was being choked.

"But this is what we agreed to. What about the rest of the plan to have more kids and then move my parents closer so we could have more support?" He replied, confused about what she was saying.

"I don't want that plan - that life, anymore. It's not going to work for me." She looked away.

"How can we be together if we can't even follow a simple plan?" This conversation was scaring him a little. They had had arguments, yes, but none addressed the topics like this. This sense of defeat that he felt was new. He ran his hand through his braids, and her eyes softened when she recognised his panic.

"You haven't even asked what I want to do yet. Somehow, everything always ends up being about and for you. Like our marriage." She whispered that last part.

"I don't need to know what you want because it's not what you said last time - what we agreed on right after we got married."

She threw her head back and let out an outraged cry. He wasn't listening to her at all. He didn't want to hear what she was trying to say. "Is our entire marriage just based on this plan of yours?!"

"Our marriage is built on trust! Trust that we'll both make it work." He was yelling at her now, and she was not impressed.

"What about the time I trusted you to be there for me and our son? I wouldn't doubt the original script if you stuck to it in the first place." She sat on the big bed with her back to him. She could still hear his heavy breathing.

"Y/n, if nothing I do for us works for you, then go. Start your new life. Leave all we've created behind." He shot back.

She froze with her gaze on the tiled floor. "Go?"

He confidently continued. "Yeah, but if you step out, I sue you. For everything, custody and all. I won't have you disrupting Leo's life because you want to live in some fantasy world where everything goes your way and abandon our family."

She whipped her head around at this. The audacity of this old man to speak to her like this. After she had given her all to him and made his retirement plan possible. She had stuck with him through everything. Her life falling apart, his following suit, then through the rebuilding of his while hers stayed stagnant. She was so angry she could quite literally see red.

"Sue for custody? You're fucking with me, Lewis. Who's going to look after our son while you're out entertaining fat men and their fatter wallets - your parents? Your dad who raised you so well by pushing you so hard you lost the little emotional connection you two had? Hm? Is that the man you want raising my child??"

He looked away with hurt written on his face.

"Or maybe your mum? The woman who left you with your father to have more kids with another man and raise them better. She probably saw that Hamilton men are nothing but work."

He felt his heart hammering loudly in his chest. He couldn't believe the words coming out of Y/n's mouth. She was his best friend at some point in their relationship, but somehow here she was, insulting at him from their marital bed.

He sniffled loudly before looking her in the eye. "Like your parents are any better. You're forgetting they barely contact you since you moved out."

"They don't like you, and you know that. I moved out to marry you, and they didn't approve. It's cruel of you to bring that up."

He scoffed at that. "And what? You don't think my relationship with my father is a touchy subject?"

There was a never-ending silence in the room. All they had ever worked for sat between them in that silence. Their first kiss, first night together, their vows, the birth of their son. All of it felt fake after the words they had exchanged. It was hurting them both, yet neither one wanted to apologise. This was unlike the other arguments, he realised. It was starting to look like there was no coming back from this fight.

She looked away from him and wiped at her eyes quickly. His heart was sore it felt like he couldn't breathe properly.

"I wish I had noticed earlier on that you don't care about me. Definitely not in the ways you said you did." She said softly.

Tears slowly roll down his face. When he opened his mouth to respond, he was interrupted by the sound of the buzzer, indicating that someone was at the gate.

"That's Nathan's mother dropping off Leo from the sleepover." She stood up to leave.

Lewis left the room before she could and made his way downstairs. Outside, he took a second to wipe the tears and took a deep breath, then opened the gate to let Nathan's mother drive in. She was a pale woman with short red hair and a warm smile. One of Y/n's close friends around here.

"Lewis! It's good to see you." She opened the back door for his boy and moved to the boot to get a small bag. "Thank you for letting him come over."

Leo ran over to Lewis to wrap his small arms around his father's legs. "Dad!"

"Hello, my boy!" He received the bag from the woman. "Thanks for having him, Casey. I appreciate you dropping him off."

She smiled once more but took a second to eye him properly. He could see her questioning his red eyed and wet lashes. Finally, she waved and got into the car.

"Goodbye, Leo! See you Monday!" Shouted a ginger boy from the backseat.

"Goodbye, Nathan!" Returned Leo at equal volume. Once the gate rolled to a stop, Lewis lifted the small boy over his shoulder like a sack of potatoes.

"I've missed you, Champ. Look how much you've grown!"

Leo squeeled in excitement, happy to have his dad home to play with. His mum was fun to hang around, but she was often too tired to throw him around like his dad when they played. He laughed loudly when his dad bounced him with every step he took towards the house.

Lewis felt the tension leave his body now that his boy was in his arms. He'd spend the weekend making up for the week he wasn't home. He began thinking of all the things they could do as he ducked through the doorway but froze as soon as he spotted Y/n. She stood in the middle of the foyer with two large bags beside her.

"Y/n ..." Lewis whispered. She eyed him silently. Her face not giving away her emotions. He lowered his son to the floor and watched as he ran to his mother.

"Mum!" She crouched down to receive one of his sweet hugs. "Nathan got a new pet bunny and it has its own room and its so big and-"

"Oh, wow, that's all so interesting, my sweets, but mummy needs you to use the loo then grab your favourite toys before we leave." She smiled at him so as to not scare him. He smiled right back at her and ran off to complete the tasks.

"Y/n, what are you doing?" Lewis asked her. She straightened up and glared at him silently. She could barely keep it together and was afraid of exploding angrily in front of Leo. She began to hoist the bags onto her body as Leo came downstairs. His arms were full of teddies and toy cars. He walked over to Lewis and raised them up as a gesture for his father to help him carry a few. Y/n saw Lewis' face crumble further.

"Leo love, dad won't be coming with us. Say goodbye so we can leave for Aunt Sofie's house." Leo looked at his mum with confusion, and she felt her heart ache. His big eyes bounced between his parents, trying to process the words.

"Dad's not coming?" He mumbled.

"Aunt Sofie has been asking to see you!" She tried to cheer him up but he wasn't having it and pursed his lips. "We'll call him at bedtime for a story, yeah?" He nodded at this and she breathed out a sigh of relief.

"Bye, dad."

Lewis crouched to receive a hug and kiss. "Bye, Champ. See you soon, yeah." He slowly released Leo.

"Okay, go climb into mum's car." She said and moved to follow behind him.

"Y/n-"

She turned to face her husband. He was teary-eyed and pale. Eyes red and braids a mess. That didn't phase her, though. He was lucky to get a proper goodbye from Leo because she should have left long ago during one of his trips.

"You can go ahead and sue me now, Lewis. Let's see how that plays out."

With that, she packed the bags into the boot and got into the driver's seat.

💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌 💌

Wow🙊Whose side are you taking? Part 2 soon?

I do not consent to altering my work, theft, copying, or reposting onto other sites.

Thanks for reading this far. Please interact before you leave🫶

[meleeyz]

୭ 𝗠𝗔𝗧𝗖𝗛𝗜𝗡𝗚 𝗢𝗨𝗧𝗙𝗜𝗧𝗦 ˚. ᵎᵎ

ekko 𝒙 fem!reader

୨୧ English is not my first language, so I regret in advance if something reads weird or is misspelled

୨୧ It's the first oneshot I've written here and in English, enjoy and let me know your opinion ;)

₊˚ ✧ ‿︵‿୨୧‿︵‿ ✧ ₊˚

Ekko’s workshop was always buzzing with a quiet, electric energy, a space where ideas sparked as easily as bolts from his tools. Today, though, the hum of his work seemed charged with something more, something new.

You were perched comfortably on his worktable, your gaze fixed on him as he knelt beside his half-dismantled hoverboard, hands busy replacing a cracked circuit. You’d shown up in a new outfit, something more “work-appropriate,” as Zeri had put it. She’d insisted on it, practically yanking you to her favorite underground tailor that morning, saying you needed “a proper look if you’re gonna hang around the Firelights.”

The end result, strangely enough, looked like it could’ve been handpicked from Ekko’s own wardrobe—a mix of utility and edge, sturdy but stylish enough to blend in with Zaun’s streets. Though it was obvious that Zeri had chosen the style, the whole look had an uncanny resemblance to Ekko’s own favorite fit, down to the last detail. If he didn’t know better, he’d think she’d done it on purpose.

Maybe he wasn’t as subtle about his hints as he thought he’d been.

You noticed him watching you, his brown eyes lingering a moment longer than he probably meant them to. You fought back a small smile and threw a comment his way, something light and sarcastic about the “coincidental” matching outfits, pretending not to see the faint flush that rose to his cheeks in response.

“Zeri did say it was supposed to be work-appropriate,” you said, crossing your arms, a smirk tugging at the corner of your lips. “But I didn’t think she meant this close to the Firelights’ dress code. You got a hand in that, Ekko?”

He looked up, a mischievous grin spreading across his face, though he didn’t respond right away. Instead, he returned to his work, tugging at a stubborn bolt and muttering something unintelligible about “stupid circuitry.” But you noticed the twitch in his lips, the way he was holding back. As he worked, you found your gaze drifting over his features. The concentrated furrow of his brow, the way his hands moved with practiced ease, the quiet intensity that settled over him whenever he was focused on a task—it was captivating in a way you hadn’t quite expected.

Ekko could feel your eyes on him, too, and the idea that you were watching him—really watching him—sent an electric thrill down his spine. He didn’t want to say anything and risk breaking the moment, but it made his hands feel almost clumsy as he tried to focus on the hoverboard.

“Enjoying the view?” he teased, raising an eyebrow without looking up. His voice was casual, but he was anything but.

Caught off guard, you huffed and rolled your eyes, trying to keep your voice as steady as possible.

“Not really. I was just wondering how long it would take you to fix a single circuit board.”

Ekko laughed under his breath, stealing a quick glance up at you.

“Good one,” he said, tightening the last bolt with a playful shake of his head. “You might look the part, but I think you still got a ways to go before you understand how delicate this stuff actually is.”

“Oh, I understand delicate,” you replied, leaning forward with a slight smirk. “I just thought you were faster than this, Little Man.”

At that, he finally set down his tools, crossing his arms as he straightened up and fixed you with a challenging gaze. “Careful with that nickname,” he warned, though his tone was light. “Only certain people get away with that.”

You raised an eyebrow, shrugging as if it were no big deal, but you couldn’t hide the amusement in your eyes.

“Good thing I’m not just ‘certain people,’ huh?”

A brief silence settled over the room, and the air thick.. Ekko glanced down at your matching outfits, a sly smile tugging at the corners of his mouth. He couldn’t resist saying it now.

“Guess we look pretty good together, don’t we?” he mused, looking back at you with a glint in his eye. He tilted his head, inspecting the outfit with mock seriousness. “I mean, not that I had anything to do with it or anything…”

You narrowed your eyes at him, sensing there was something he wasn’t telling you.

“Uh-huh. Right. Because I just happened to show up looking like your twin by pure chance.”

“Hey, it’s not my fault if you’ve got good taste,” he shot back, raising his hands in defense. But there was a glimmer in his eyes that gave him away, the faintest hint of guilt wrapped in a smile. He shifted under your gaze, hands back at the hoverboard, suddenly finding the bolts extremely interesting.

“Ekko,” you said, leaning forward with a grin. “Just admit it—you told Zeri, didn’t you?”

He bit his lip, trying to hide the grin that threatened to break free.

“What? No. Me? Tell her to match you with me? Why would I… I mean, I don’t need to do that, obviously. I just… maybe gave her a few hints, that’s all.” He rubbed the back of his neck, looking away.

You tilted your head, your expression amused but curious.

“A few hints?”

“Alright, maybe more than a few,” he admitted, his voice dropping. “I may have… strongly suggested that she’d do me a solid. Told her you needed something sturdy, something that says ‘ready for action.’”

“And something that conveniently matches your look?”

“Hey,” he said, flashing a grin, “it’s all part of team spirit, right?”

You laughed, and the sound filled the small workshop, bringing a warmth that had little to do with the stuffy, cramped room. Ekko looked at you, his face softening as he watched the way the corners of your mouth lifted, the easy way you teased him. In that moment, he felt a surge of pride mixed with something he couldn’t quite put into words.

The tension between you shifted, settling into something quieter, more comfortable. He hesitated, caught between the impulse to say more and the safety of holding back. But he found himself taking a small step closer, his eyes serious now as they met yours.

“You know,” he said softly, the bravado slipping from his voice, “I just… thought you’d look cool. Like you belonged here. Not that you need clothes for that or anything,” he added quickly, fumbling over his words, “but… it helps.”

For a brief moment, you forgot how to speak, his words catching you off guard in a way that left you momentarily stunned. When you finally found your voice, it was softer, more genuine.

“Well, I guess I should thank you, then,” you said, a gentle smile spreading across your face. “I could get used to this look. Guess I owe Zeri, too.”

He chuckled, rubbing the back of his neck, but the laughter quickly faded into a thoughtful silence. He looked down, suddenly unsure of himself, as if he hadn’t just been wearing a confident smile a moment before.

“You know, I’m glad you’re here,” he said quietly. “I don’t say it much, but… it’s cool having someone like you around.”

The words hung in the air, raw and honest, laced with all the things he hadn’t yet dared to put into words. You felt your heart skip a beat, your usual sarcasm and wit replaced by something softer, something fragile.

Before you could respond, he tapped the board, testing its balance with a nudge.

“Alright, give me a hand with this?” he asked, a little too quickly, holding it out towards you. “The stabilizer’s acting up again.”

Grateful for the distraction, you hopped down from the table, moving to stand beside him. You watched as he leaned over the board, pointing out the issue, but you could hardly focus on the gadget. Instead, your gaze wandered, noticing the fine details in his hands, the deftness of his movements, the way his focus was so intense.

Together, you both adjusted the stabilizer, a comfortable silence settling over the workshop, punctuated only by the occasional click and buzz of Ekko’s tools. When he was satisfied, he gave the board a final spin, and it hummed to life, hovering slightly above the ground with a soft glow. He grinned, proud of your combined handiwork.

“Not bad,” he said, his voice warm with pride. He turned to you, his eyes bright. “Almost feels like I’ve got a new partner-in-crime. Think you could handle it?”

You rolled your eyes with a smirk.

“You think I can’t handle a little trouble?”

“Fair point,” he replied, a laugh bubbling out as he nudged your shoulder. He stepped back, reaching out his hand toward you with a grin. “Hop on. You can test it out, see if my handiwork holds up.”

You took his hand and he put his arm around you, playfully saying that you would fall or something, whatever, you didn't really pay attention to him but instead all your concentration was on his hand holding your waist, and with a push you both left the workshop, the tree outside was as beautiful as ever, the cool breeze hitting your face and you could swear there was a strange feeling in your stomach thanks to the height.

Yeah, it was probably the height…

After a few loops, he brought the board to a slow stop, both of you leaning on each other for balance. He stepped off first, offering his hand to help you down.

“Guess it works pretty well,” he said, giving you a satisfied nod. “Must be the matching outfits. Makes everything run smoother.”

“Must be,” you replied, smiling as you gave his hand a squeeze before releasing it. “Maybe we should make this a regular thing.”

His eyes held yours for a moment longer, his expression softening as he considered your words. “Yeah, maybe we should,” he said quietly, his voice barely above a whisper.

As you climbed the stairs in the tree to re-enter the workshop, you two began to chat calmly again, pretending that everything was exactly the same as before. But now you couldn’t help but feel a quiet sense of happiness. Ekko’s touch, his words, and the way he’d gone out of his way to match outfits with you—it all felt like a secret shared only between the two of you.

₊˚ ✧ ‿︵‿୨୧‿︵‿ ✧ ₊˚

[iliketopgun]

hi, my darling!! can i request “You getting so flustered is one of the cutest things I’ve ever seen.” with evan buckley?

i have been obsessed with him for so long (lmao as if it isn't obvious-) and i NEED more of him!!

"Honey Honey!"

Can I kiss your brain? I love this!!!!

🩷 "Nuestra Canción" send me some cute fluff prompts for characters that I write, x reader or my OCs are allowed.

Word count: 560

The prompt: "You getting flustered is one of the cutest things I've ever seen."

A/N: Never written for x reader before so here goes nothing. Legitimately don't know where this came from, deviated a bit from the prompt btw, I had a lot of fun writing this!

Warnings: female!reader, tooth rotting fluff, I totally didn't have Mamma Mia! on repeat while writing this (I'm lying so much), domesticity, curls are here, reader is a part of the 118, a curse word or two, Buck and reader live together, Buck calls his S/O "Baby" and other pet names, Buck is shirtless (yes, suffer), reader's favorite food is grilled cheese (if it's not, I'm sorry), kissing does happen, not beta read

Banner belongs to @/cafekitsune

Do not repost anywhere else or use it to train AI! This is my work! My own brain created this. Don't be a plagiarizer!

Here we go! Safe under the cut!

Buck could've sworn he was the luckiest son of a bitch in the whole world. His girlfriend was insanely good looking. And her music taste was impeccable. Buck could stare at her all day and never grow tired of her. Yeah, to say he was down bad was a major understatement. But who could blame him, when you looked like a goddess?

Buck was making dinner when you came in from a shift at the 118, it had been a simple 12 hour overtime shift for some extra money, but it had been so uneventful, it took a toll on you. The utter anxiety for the bell that never rang that entire shift. You kick off your work boots by the door, putting your keys in the dish by the door and putting your bag on the floor, you'll get it later. You unbutton your uniform shirt and tug it off, leaving you in a white undershirt. "I'm home!" You call out as you walk into the kitchen of the loft, watching your boyfriend cook. Buck turns around, in your tiredness, you didn't notice that Buck was shirtless and he hadn't gelled his curls back. Was he trying to kill you? Well even if he was you were sure, you'd die really happy. "Oh, hey baby, I'm making your favorite. Grilled cheese." Buck says with a smile, it was adorable. So attentive. "Mmmm, I love you. You're the best." You tell him with as much appreciation you could muster. Your nerves were shot to hell and you just wanted to eat and sleep. Buck takes notice of this and guides you to the couch, wraps you in a blanket and walks to the kitchen, leaving you confused. "Buck? What are you doing?" You ask between a laugh. Buck puts the grilled cheese on a plate and comes back into the living room with the plate and hands it to you. "Eat. Wanna watch Mamma Mia?" Buck asks you, knowing it was one of your favorites. You nod as you bite into the grilled cheese, moaning in appreciation. Buck smiles at you and kisses your forehead. Buck puts the movie on and sits beside you on the couch, placing you in his lap and cuddling you. He was like a personal space heater. But right now you don't care about anything except food and Buck. The movie starts and you finish your food up after a few minutes. You get up and place your dirty dishes in the dishwasher before running up the loft stairs to grab your pajamas. You were walking down the stairs while adjusting your Buck's shirt when the beach scene came on. No matter how many times you watched it, it still made you flush like a little girl. Buck picks up on that. "Are you blushing?" He teases and "N-no!" You stammer, before playfully tossing a pillow at him. "You wound me, darling!" Buck says dramatically while holding his hand over his heart. "Oh shush, you're fine. Plus you deserve it for walking around shirtless!" You reply before walking towards him. "You getting flustered is probably the cutest thing I've ever seen." Buck says as you stand in between his legs while he looks at you with those cerulean blue eyes and you try not to melt. "Oh shut up, Buckley!" You tell him before kissing him.

The end!

I hope you enjoyed it!

[munsonsmixtapes]

bucky x flirty! or like unhinged chaotic! reader, maybe him thinking she doesn’t like him she’s just a flirt, or him falling for how totally backwards she is

I love this request! This is 100% inspired by that one scene in the Thunderbolts trailer where he's on the motorcycle because I've been thinking about it a lot.

cw: reader gets hit on by a creepy guy and he gets aggressive

You almost stumble and fall onto the concrete outside of the club you were just thrown out of as the man who you were thrown out with tries to help you to your feet.

"Don't touch me," you push him away before retrieving your taser from you purse. You've never used it, but you've watched countless videos on it and now seems like as good of a time as any.

You point the taser at him, but that doesn't seem to scare him like you thought it would and he just steps closer. This is the whole reason why the both of you got kicked out of the club, so you're not sure why he's trying again.

He had been getting a little too handsy and wouldn't stop when you had asked him to, so why's it your fault that you had punched him? That had just been self defense at that point. And because he couldn't accept the consequences of his own actions, he had tried to punch you back, but you moved out of the way before he could and he had ended up punching the poor girl behind you so things got a little rowdy after that and because the two of you had caused it, you were asked to leave.

So there you are, on the street with a creep because you assured your friends who had driven you there that they could stay when they insisted on coming with you. All you have is your phone, your ID, a little cash, a pen, and a tube of lip gloss, so you don't have enough for a cab or even an uber to take you home. You suppose you could take the bus, but the last late night one was already gone.

And then, as if an answer to your prayers, you watch a motorcycle stop right in front of you as he waits for the light a few feet away to turn green. You usually didn't do things like this, but you're desperate. You're not thinking clearly even though you were only able to have a few sips of the drink you had ordered before you had been asked to leave.

Bucky turns towards you and gives you a nod as if to acknowledge you, but he can't help notice how uneasy how you must feel, squeezing the device in your hand so hard that he's convinced that you're going to break it. He then turns to the man who's standing next to you and he now understands why you're so anxious.

He's a creep to say the least and the way he's looking at you makes Bucky's stomach drop. He wants to step in to help, but he knows he he shouldn't. It's none of his business and he promised himself he would keep to himself from now on.

But the man lunges towards you and Bucky is about to step in, but just his luck, the light turns green and he's forced to drive off, leaving you behind to get a black eye or possibly worse. His stomach is in knots now and he can't just let that vile man get away with hurting you so before he can stop himself, he's doing a U-turn and somehow is able to weave through traffic before pulling up right beside you, putting the bike in park before he gets off of it, making a beeline for you.

The man has you by the arms now, yelling in your face at how much of a bitch your are and you're face is turned away from him, your eyes shut tight, still holding onto your taser for dear life.

"May I see that?" Bucky asks and your eyes open before handing the weapon to him without a second thought.

Buck then turns to the man who's still yelling at you, ready to wring his neck. But he hold his hand out for the man to shake, making sure to hold out the metal one so he doesn't have to actually touch the man.

"Hey, how ya doin", I'm Bucky," he says with a smile and the man goes to shake his hand, his smile matching Bucky's.

"Oh, I'm-"

"Oh, I wasn't asking," Buck cuts him off then brings the taser up to his neck, pressing the button on the side of it as he does so. The man quickly drops to the ground, convulsing in reaction to the taser and Bucky takes you by the hand, the two of you hurrying to his motorcycle.

"You're my hero," you tell him, pressing a kiss to his cheek and he has to turn away to hide his blush. Women have never been so forward with him, he usually purposely turns them off because none of them would understand who he is, well, who he is now.

He gets on the bike without a word and you follow him, wrapping your arms tight around his waist and he's caught off guard by how forward you've been with him despite him being a total stranger.

Bucky starts up the bike and tries not to squirm when you rest your head against his back like it's something you've done so many times before. After passing a few lights, he manages to get the balls to ask you for your address and when you tell him, he's surprised to find that it's not far from where he lives. Just great.

You snuggle against him for the rest of the ride and Bucky wants nothing more than to jump out of his own skin. He always had a hard time letting people in, but especially after everything that happened with Hydra. He finds himself having a hard time trusting anyone he didn't know before everything and that includes you even though you seem really sweet.

The bike pulls into your driveway and you get off of it, fixing your clothes and hair after you do so. And just when Bucky thinks you're going to leave, you do two things that catch him off guard. First, you take a pen from your purse and scribble down your phone number and then, before he can ask what you're doing, you lean in and press another kiss to his cheek, this one lingering.

Bucky is wondering what your soft lips would feel like on his, but he immediately shakes the thought away, not letting himself go down that road. You pull away before he's ready and throw the pen back in your purse before looking at him again.

"Thank you again-what was your name?"

"Bucky," he replies and hates how his heart leaps when you smile.

"Bucky," you repeat and god does he love the way that sounds coming out of your mouth.

God, you're pretty, and all Bucky can think about is pulling you into his arms, kissing you until you're both gasping for air. But he doesn't. He can't. So he just lets you go, knowing that he's immediately going to scrub your number off of his hand and do what he can to remove your lip gloss from his cheek. He wants to forget this night and how good you make him feel because there is no way in hell he's going to see or hear from you again. He's going to make sure of it.

[jamiepaige]

Constant Companions Closeup #2: NOT QUITE THERE

(also on spotify!)

b-b-back once again

Round two of the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was track one, Dyad - today is track two, Not Quite There, featuring the incomparable telebasher!

This one's a bit of a dark horse relative to the rest of the album, but it may very well be my personal favorite song on the entire thing so dammit let's Yap

---

For the uninitiated, this song pulls heavily from a song off my previous album called Gummyworm, both in vibe and by very directly quoting its synth motif.

Both of these songs deal with two sides of the same emotional coin. I actually don't want to go into too much detail about it - I feel like the lyrics spell things out clearly enough - but I will say this:

When it's all you know, it's easy to believe that a love that isolates you, a love that doesn't respect you, a love that hurts is better than no love at all.

You deserve better. There are always people who genuinely want what's best for you, who want you to feel truly loved. It certainly isn't always easy - it's genuinely good if your interpersonal relationships have a little friction sometimes - but love should make your life brighter.

You deserve a love that's fair.

---

The original version of this song was actually intended to be on Bittersweet alongside Gummyworm. The original concept for that album had a whole heady concept involving duality, songs reflecting each other, the two halves basically being reprisals of each other... Ultimately, I'm glad I scrapped that idea, because it was waaaaaay too much for me to manage after a couple years of barely making music. Maybe I'll revisit it someday though?

The drums on this song are sampled from an Instagram post by Louis Cole, where he's doing this crazy one-handed hi-hat blast by holding a drumstick sideways. I'm a drummer and that shit genuinely scares me a little like i dont know how he does half the things he does its fucked BUT. I bring this up because he's one of my biggest inspirations as a musician! I'm really big on jazz in general, in case my love for spicy chords wasn't enough of an indication, but his specific brand of freaky hyperactive bullshit just does it for me.

Seriously, go watch his band KNOWER play their song Overtime. Absolutely insane performances across the board. also Clown Core

This whole song is really just my attempt at matching some of that hectic jazzy energy with my own style of music, so I figured it only made sense to make it another collab with another musician making delightfully frantic jazz bullshit - the legend herself, telebasher! I really am such a massive fan of her work, and I struggle to think of anyone who plays guitar quite like she does. We previously worked together on another Bittersweet track, Asemic Speech, and her guitar work is a major reason why that song is still one of my favorite I've ever released!! She's just built different like listen to this oh my god!!!!

Lastly, since this song was one of the first written for this entire project... it is admittedly a case of me shoehorning the album's leitmotif in after the fact. It's a little forced when it shows up in the backing vocals! But, the choir of vocal synths during the guitar solo served an additional purpose - my own voice doesn't show up on the album again for another four entire songs, and this would've otherwise been the only song on the entire album that didn't feature any vocal synths. Thus did I attempt to bridge the gap, as it were. Hopefully it makes the final product feel more natural!!

Either way, that's all for today's post.... i think.... which means that tomorrow.... we're gonna rot.... for clout

[graillore2point0]

Sadly, I'm too afraid of getting abandoned by everyone I've ever known over this, but I suppose that's what the hornyblog's been for from the beginning.

I wholeheartedly agree, to start things off. Gushing is a series that truly, well, gushes with love for Magical Girls as a genre and a concept and wants to explore it. To deepen what a Magical Girl is without actually subverting it beyond the obvious of Utena as a protagonist.

I am someone who can and will wax poetically about the themes and characters of Madoka Magica and while I'm generally too afraid of consequences to give Gushing the honour it deserves I very much want to do the same.

Now, a lot of the backlash against Gushing is over the ages of the characters, with everyone so far appearing in the anime being 14 other than Lord Enorme at 20 and Korisu-chan at 9. (The Shio-chans don't really change this, though they're 17.) People are getting up in arms over this.

Now, beyond presenting them with the obvious issue of writing a story about 'coming of age' and self exploration as a teenager (When most people start getting interested in such things) without having the main characters, you know, early teenagers, as it would not at all work as well with them above 18 due to various factors...

There's also the fact that Gushing is far from the only series presenting young girls in such a way? It's just actually open about it, and does it in a far kinder way than typical as well.

Gratuitous butt and boob shots, random slips and upskirts, hells even Magical Girl transformation sequences typically depict characters cloaked only in an unnatural light. It's a staple of comedy, slice of life, school and more action oriented genres (Look at BnHA, the average Isekai, the entirety of the Gacha Game scene, even many well recieved Magical Girl series).

(Also where are they finding these 18+ not secretly ancient anime girls? Grab ten of them and six will be 14-17, three 100-10000, and if you're lucky the last is 22 at the very oldest.)

Anyways, back towards topic, it comes down to this perception that to make or watch something that at all depicts younger characters in a more overtly sexual light is some unforgivable sin. That anyone who does is a pedophile biding their time (Which is a whole other matter they probably need to introspect on) who'll act at any moment to bring their depraved tastes into the real world. I could talk more about that in particular but not now.

The thing is it's not. It's not something morally wrong to watch or write something like Gushing or Prisma Illya. These are, in our world, fictional characters. They do not have an age, they do not have an observable will, they are not real on our dimensional plane, to watch or draw or write about them does not harm them in any way.

It's this... Christian puritanical obsession with everything needing to be Clean, to be Acceptable and Uncontroversial. It demands that nothing is explored, that nothing is considered, that nothing is made without first being judged Pure by the twelve most Racist, Homophobic and Misoginistic people on the planet.

I feel like I have more to say but I'm running out of steam so I suppose I'll call this here for now.

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[leresq]

Finally watched Deadpool and Wolverine. First of all I was not coming into this with high hopes because even though everyone was talking about how good this movie is I've never found the Deadpool movies funny. To me they're just different variations of "You haven't seen this in an Iron Man movie" stretched into two now three feature length films. But honestly I liked it at the end.

- Why are Logan's ears and one of his eyes not decayed when no other part of his body is intact? Why does he have a beard on his jawbone?

- I'll bite, the Bye Bye Bye is a fun idea. The wintery forest setting is cool.

- I can't enjoy that opening fight scene because it's not how anything works. You don't get bludgeoned with a dull object, have your body armour completely give way, and have a pint of blood splash out. I understand the whole point of Deadpool is that it's over the top, but this is just so overly gratuitous it's insane. I feel like Marvel Studios felt like they had to make it so unrealistically violent to try and separate it from the mainline MCU to get the people who have Deadpool funko pops to guffaw in the theatre. It's "You haven't seen this in an Iron Man movie" with zero words spoken. Honestly incredible.

- The CGI is better than it's been recently but it's still noticeably bad

- Peter Parker's Iron Man mask is on the desk in the background! How did that even get there.

- Why is Tony's ARC reactor on the table, I thought that was pushed into the river at the funeral

- The timeline is just so incredibly fucked. I still don't understand how the X Men timeline reboot works, or how Logan fits into it; if Logan dying means Deadpool's universe collapses, that implies the Logan movie is in the X Men reboot franchise, but Patrick Stewart is in that and James McAvoy plays him in the reboot making me think it's a one off... Augh my head...

- Something looks up with John Favraeu. I don't know if his wearing a wig is supposed to be obvious, I don't know if he's just under a lot of makeup or it's CGI, it's just weird.

- Deadpool is never going to be an Avenger because Marvel Studios would rather execute everyone working for them than give up the licencing deals from making PG13 movies, and Deadpool wouldn't feel the same in a PG13 movie.

- I think any brand would let Ryan Reynolds walk all over them in muddy boots, for some reason he gets the pass to slander anyone he wants to and he gets paid by the companies to do it.

- 'I don't have a lot of v*ginal sex' 🤨 that has numerous connotations. Also can we not do sex jokes in front of 12 year olds

- I was not expecting a Deadpool movie to contain any hints of character development because the previous two instalments seemed to be hellbent on making sure I understood nothing of emotional value would ever be allowed to appear without being undercut by a sex joke.

- "I've never been a natural bottom" 🤨🤨 I thought Poolverine was just the average two male leads naturally gets shipped together thing but no they're sowing the fields

- If that Thor crying over Deadpool never comes back I will say something about it

- If they didn't want me to know Paradox was going to be a villain why would they make him British

- The 'Suck it Fox' cut to nothing being there is the only time I will accept something raising more questions than answering them at this level as funny

- "Your tailor is a predator" caught me so off guard I started coughing

- Wow I wasn't expecting them to pull the Paradox is actually evil card not even a third into the movie. Honestly a good subversion of expectations.

- How is Deadpool's universe going to evaporate in 74 hours, I thought time doesn't exist at the TVA?

- Are they going to explain why Deadpool's suit can just fix itself now. It used to keep its holes.

- Finally, I think the first time we ever hear Deadpool is from Canada in the movies! I wonder if Ryan Reynolds only wanted to play him in the first place because they're both Canadian...

- "You two gonna fuck or fight?" 🤨🤨🤨

- I actually understood the Honey Badger reference

- the FF floating platform thingy is another reference I'm surprised I got

- The Human Torch CGI is actually really cool

- "Not all of you was asleep" after waking up on his shoulder 🤨🤨🤨🤨

- Too many cameos in Cassandra's little alcove so I'm not even going to bother looking for them all

- I'm not sure if Johnny Storm's death was supposed to be played for laughs or just shock value, either way I'm not laughing I loved those movies ;(

- How does Cassandra know she's Xavier's sister if she was sent to the Void before she could walk?

- Wolvie being nice to Johnny post mortem is cool

- Nicepool having a stronger Canadian accent is a good joke, and Deadpool looking on in disgust as Nicepool talks about his dog's 'G-spot' is good. At least that's not played off as just a normal thing to say even if it is a joke

- "I identify as a feminist" could easily be misconstrued as an 'anti-woke' joke but all of the jokes of a similar calibre in this movie seem to be made ironically. Example: Nicepool is a creep

- "Where's your mask" and Nicepool points to his face actually implying his nice guy attitude is a facade for being a shitty person is actually really good

- Why is Nicepool's car surrounded by untrampled corn, how did it get there? Who grew the corn?

- Deadpool includes Colossus in his world 🥺

- Wolverine is nothing if not an excellent shit talker, and it's actually very out of character for Deadpool to actually get affected by insults

- I wish The Greatest Showman soundtrack was incorporated for more than just a third of a second

- 'Close up magic' ant man reference?

- 'There's only ever gonna be one Blade' about that...

- I think that's Apocalypse's throne in Cassandra's room? Or Thanos's

- I never thought about how both Cassandra and Xavier's powers radiate from their heads until the Juggernaut helmet scene

- Finally some real actual genuine character development that's not thrown away for a joke!!! The best part of the movie to me was Cassandra's redemptio-. Oh. Nevermind. Anyway I like it better than if it were just shoved away for a joke then she died

- Deadpool waiting for the 'extras' to clear was, to me, a good indication that he's a hero now. Caring about civilians is #1 on my makes you a good guy requirements

- "You smell something?" "Yeah you" 🤨🤨🤨🤨🤨

- And there it is. Nicepool's death is probably the most predictable death I've ever seen on film.

- Eastside Pharmacy?! Agatha All Along reference???

- Wolverine's helmet looks like a rubber playground ball

- Will Marvel Jesus come back in three days however?

- Staring at Hugh's abs? Same, but 🤨🤨🤨🤨🤨🤨

- That hand holding ending was actually impressive, I wasn't sure what was going to happen and it actually kicked ass

- Is the guy with the mug who stared at Deadpool in the beginning Marvel's first gay character

- The introducing Logan to Blind Al is so unbelievably 'the parents meeting the boyfriend' I could die there's no fucking way that wasn't on purpose

[swiftiefirefighters]

i do think there's a reason buck hasn't said the word bisexual yet, btw, and that's that he *hasn't* sorted through all of his feelings. i think he liked tommy and, to him, that's all that mattered. i think the idea that queer people need to experiment a lot IS problematic when speaking on the whole but also queer people, like anyone else, aren't all the same and sometimes you do need more time to reflect and think about who you are and how you define yourself. especially a character like buck, who has always struggled with his sense of self (defining himself by his job and how useful he is, changing himself to suit romantic partners, etc).

buck hasn't really sat in his feelings about his sexuality yet because at the time and all this time, all that mattered was that he's into tommy. he saw a future with tommy, and so thinking about it further probably didn't really (and likely still doesn't) matter a lot to him. he just knew, hey, all this time i thought i was straight, but actually i guess i'm not!

but i think we might get there, and i think it's really strange that so many people have just...decided they know where the story is going. we still have all of 8b and a couple of episodes of 8a to go, and the story is definitely still coming into itself. saying that it's bad representation of bisexuality to me is premature because we just don't know where it's going.

we just don't know. could it end up being really awful? sure. but it also could end up being a great story of someone who has always been searching to find themselves and learning to define themselves in their own terms. which may not end up being on your terms, or my terms, but it will be on buck's terms.

and i think that's what's ultimately going to be important. i still think, regardless of some of the things he's said that may not have been perfectly well thought out, oliver cares about telling this story. i think he's wanted to do this for a long time, and i think he really enjoys getting to play this version of buck, and he doesn't know what's going to happen anymore than we do.

maybe i'm being naive and maybe i'm being a little too hopeful but i've loved this show since i watched the first episode, even though that wasn't only about 6 months ago. I've loved Evan Buckley since the moment I saw him. I think it just needs time.

[candyheartedchy]

You have such a dedicated following and friends in the selfship community- how do you do that? I've been posting for over a year and a half now and I just can't seem to get many mutuals or really anyones eyes on my stuff. Any tips? - @/jamestown-base

To be honest I never know what I’m doing online. I’ve been on this site for about four years and just been winging it because to this day I’ll still finding out new things about internet culture and all that. Even watched old mutuals of mine come and go sadly. But after spending almost a whole decade and a half friendless, I’m always just baffled that anyone wants to interact with me or be my friend since I was just ingored for years among my peers. So any friends I’ve made on here I treasure. This blog I always saw as a kind of diary for me and I always confused by any following I get. Like don’t get me wrong, I appreciate any support I get, and I’ll lose followers here and there, but I never know why anyone follows or unfollow because I’m just doing whatever on here.

I know most will say, “Hop into what’s popular for quick views!” since a lot of folks these days do that for a following (which honestly I think would be exhausting to do), but I think reaching out to others, making connections, especially to those who share the same fandoms as you can help you make mutuals or friends (and this is coming from someone who still has to force herself to get out of her comfort zone to message back friends and others that I admire due to my anxiety). Connections are very important. But also doing what makes you happy just for you is important as well because you will find those who’ll adore your stuff and it will all be worth the waiting and loneliness. Trust me, I know.

[liu-shubao]

*Meanwhile as she skyrockets in the air, she collided with some power lines in her path. While the shock didn't affect her, it did send her careening downwards into a bundle of trash bags and cans in an alley way that roughly cushioned her fall.

She resurfaced with a sour expression and a loud groan.*

Ughhhhhh damn it...

*She looks at her sword with a displeased expression.*

Why do I even have this stupid thing?

"Shubao?"

*She squeaked in alarm, quickly jumping out of the pile to her feet and looking above her. She then sees a catwalk and Kasha looking down at her with confusion and concern. And she immediately shrunk in embarrassment, after all this was not a flattering way to be seen.*

Oh...hi Kasha :/

"Are you okay?? What happened???"

Oh! This??? Heh nothing much I just kinda...tripped. How uh, how are you doing?

*When she looks back up at Kasha, she pauses as she notices the girl's slightly red eyes.*

H-Hey, are you okay? You look like you've been crying?

*And now it was Kasha's turn to be self conscious as she tried to discreetly rub the tears out of her eyes.*

"O-Oh! N-No I-Well kind of, it's...look it's okay I'm totally fine."

*She tries to give a chipper smile but Shubao is already too concerned, she heads up the nearby metallic stairs to join her.*

Hey you can tell me, it's not like I can judge at all since I was the one literally in the trash just now :/

*Kasha quietly chuckled at her joke before there was a small pause.*

"I uh...I kinda got ghosted on a first date. It's no big deal though, it happens to the best of us I guess."

Oh shit...that's awful I'm so sorry. Whoever that guy is, he's clearly a total dick. Don't worry about him, if he did show he would've just wasted your time.

"Yeah, yeah, you're right. It just hurts your pride a bit especially since...well, everyone seems to be doing better relationship wise than me.

I mean everyone seems to have someone except me! Yunxiang has Junzhu, and you have that Fang girl! I just...wish that could happen to me already."

*She sagged, resting her arms on the railing and leaning forward. Shubao stared at her saddened before looking forward and sighing.*

Actually...I'm single again. Needless to say, Fang and I did NOT work out in the end.

"Wait really? Oh I'm sorry, I had no idea."

It's okay, it ended pretty recently and a bad note so I've been a bit quiet about it. But anyways, don't beat yourself up.

I'm sure you'll find someone great for you, it just takes time and a lot of patience unfortunately.

"Yeah. True. It's just hard to find that one person in a whole sea of millions."

Yeah, not to mention most of said millions seem to be nothing but living garbage -_-

*Kasha chuckled again.*

"Heh yeah, makes you appreciate the good ones even more though."

Yeah...

By the way, how about we have lunch sometime? My treat. You deserve something nice after being ghosted and left with the bill.

*Kasha seems surprised and just a bit flustered, glancing away while brushing a hair behind her ear.*

"O-Oh that's not necessary, I don't want you to pay just because I had a bad date."

No I insist! Come on, let's do something fun to make up for both our troubles, it'll get your mind off those things for a bit. Plus I know a place with really good seafood, I think you'll like it.

"Well..."

*She looks between the ground and Shubao, noticing her bright gaze and happy smile. She gives in and returns the smile.*

"Okay...I'm down, so what time?"

This Friday evening, I'll meet at your place. We can call later and talk about more details.

"Okay! Sounds good!"

Yeah! Great!

*There's another bout of silence as both stand in place shuffling their feet and looking about. Kasha then begins to step away hesitantly.*

"Anyway, I should get going. It was good to see you again, Shubao! Bye!"

Bye Kasha! See you soon! ^^

*She smiles and sighs, watching Kasha get further and further away.*

(( @liuer-sixsense ))

*It's a slow day in Donghai, including in Wukong's race track and home. That is until Shubao's voice is heard inside loudly calling for someone.*

Liu Errrrrrr???

Are you here???????

I kinda need help...like, right now :/

*Strange thing is though looking into the expansive room. There seems to be no one there standing or about or such, as if the room is actually empty.*

[lastcallatrockysbar]

CE SPNDC2023 SNS concert