#i'm tired of tiptoeing around legitimate literary analysis of RE4make's narrative

[sapphire-weapon]

another broke take i keep seeing is that ashley develops feelings for leon but that it’s not mutual, which is dumb bc even if leon isn’t as open about it (the ‘running from creeps’ and ‘good company’ lines notwithstanding), his body language is very telling imo.

holding on to her a little longer than he needs to during the church escape, touching her shoulder to check on her (when they’re saved by luis) or in reassurance (post-stabbing), gently cupping her head and tracing his fingers down her arm, reaching for her face again when she’s on the altar, grabbing her hand to pull her into the lift, and the way he always stops to help her up with both arms when she’s downed by enemies

even the fact that he’s literally being paid to protect her can’t justify the tenderness of all these little touches. i highly doubt “touch the president’s daughter like she’s the only thing that keeps you going” was in his job description. don’t even get me started on his boyish, almost bashful, “i can catch ya” like literally what the fuck

I think, after being forced into the shadows for eighteen fucking years by this fandom -- and by Aeon fans especially -- I've been hesitant to make any definitive statements on Leon and Ashley's relationship outside of its effects on Leon's character arc (and reaffirming over and over and over again that Ashley disappears from the series, as though to soothe people's reactions??).

But I was on discord talking to @godtier earlier, and once I actually said it out loud and then actually got an agreement from someone who could not be paid to give a fucking shit about this ship -- I'm just going to go ahead and say it for the wider fandom.

Resident Evil 4 Remake was written as a romance, and the romance is between Leon and Ashley.

With the new scenes they've added in, it's literally structured like a romance story is. I'll even outline it for you.

1) Call to Adventure / The Meet Cute

Literally their first meeting in the church, culminating with the catch and that moment of longing as they lock eyes while Leon continues to hold her just a few seconds too long.

2) Refusal of the Call / Rejection of the Relationship

At first, Leon treats Ashley solely as his mission objective. ("Hey can we take a break?" "Sorry, we need to keep moving.") And Ashley, for a good bit, doesn't trust him at all but goes with him because she has no other choice. ("Seriously, this cannot be happening.")

3) Acceptance of the Quest / Giving the relationship a chance

The escape from the cabin sequence up to the "seems this isn't your first time running from creeps." line. This is where we see them actually start to warm up to each other, and Ashley, for the first time, believes Leon can and will really get her out of there.

4) Trials and Temptations / Three Dates

The three dates are:

1) Ashley busting the window open after the Mendez boss fight, helping brush the embers off of Leon, and helping to pull him to his feet

2) Salazar's introduction ("The girl's just fine. With me.")

3) The road to the Water Hall (Leon jumping across the chandeliers + this is the first time the "knight and the princess" allegory is stated)

5) Midpoint Crisis / I-need-you-but-can’t-have-you

The stab followed by Ashley running away in tears, terrified of hurting Leon again and horrified that he saw her like that. This is also the second time that the "knight and the princess" allegory is stated.

6) The Road Back / Pulling Back Together

The pep talk. Leon is openly vulnerable for the first time ever in this game, and Ashley is grateful to have him with her. Note that Luis calls Leon "Prince Charming" immediately following this scene.

7) The Fall

Ashley stating "I won't run. Wait for me, Leon." And then Leon following up with the "I can catch ya" line.

8) Dark moment / The Break Up

Leon sitting at Ashley's bedside waiting to turn and ready to shoot himself. He's already half given up, and some part of him has started to believe that they won't actually make it out of here -- not together, at least.

9) The Sacrifice

"This time, it has to be different." Leon is forced to challenge the assertion by Ada and Krauser that he hasn't changed, and he even has to prove it to himself. He destroys Ashley's plaga, holding her hand the whole time, smiles breathlessly, then collapses to the floor.

10) Declaration

"Hey... we're a team, right?" "Keep this up? I'll be out of a job."

11) The HEA

Leon and Ashley literally ride off into the sunrise together towards a happily ever after.

The original RE4 is not structured this way. Even if I tried to, I couldn't slot Leon and Ashley's scenes from OG into this outline.

And the romance angle is reinforced over and over and over again through repeated use of the "knight and the princess" allegory beyond what I've even listed in the outline. You know, the fairy tales about the knight who saves the princess and they fall in love and live happily ever after. In addition to Salazar saying it, there's the "Prince Charming" line from Luis, Ashley references it when she jokes that Leon should literally put on the knight's armor -- and, on a meta level, Leon has a fucking fantasy hero costume.

There's even goddamn dialogue in the game where Ashley says to Leon, "I knew you'd come" -- which is basically just ripped right out of the Princess Bride.

And to continue the meta reinforcement of it, Leon and Ashley literally have a matching set of alternate costumes called "Romantic" -- and they are fucking Romeo & Juliet inspired. Come the fuck on, man. They couldn't have been more on the nose about it if they'd tried.

And this is in addition to all the other shit you already pointed out in your ask.

And there's the fact that they completely removed any hint of Ada possibly even remotely being a love interest for Leon in this game. The focus remains solely on Ashley and the bond that she and Leon build together.

Leon and Ashley's relationship in RE4 Remake is canonically romantic in nature, and I'm so fucking tired of pretending like it's not.