#i'm so simple to please

[littlemelonberry]

pretty anime boys with pink hair...

[crimeronan]

it's sometimes so silly to look in the notes of a polyamory art/post and see people like "is this cheating art....?" when the characters in canon are all extremely close friends. i know it's not malicious because most people think of monogamy as the default and anything outside that Must be cheating, but truly i'm always like. guys. guys Please.

please think about this for like 2 seconds.

under what circumstances do we think this non-canon couple might hold hands directly in front of their canon partners. and under what circumstances do we think the canon partners might be okay with this. do we Truly think this is a secret relationship. do we Truly think these guys would sneak around behind their canon partners' backs when all of them are extremely close friends with a high level of trust and commitment to each other.

would assuming that these extremely close friends have actually communicated with one another Exactly The Same Way They Do In The Canon Source Material perhaps cause less despair.....

[starflungwaddledee]

at long last i present... a proper starstruck dee reference sheet! 🎀✨ have a peruse and learn a little bit (but not too much!) about this totally normal waddle dee!

[gncrezan]

thoroughly enjoying @infamous-if so here's sketchdump of my post-read doodles before i run through it once again!!!!!!!!!

[no-place-to-be-happy]

[uncanny-tranny]

"haha, are you an art gay, a science gay, or a math gay"

Actually, I find the division between art, science, and math to be a very nebulous idea and useless when you actually interact with the universe. The more you learn about the world, the more you surround yourself with art and science and math, and you'll never be able to see it any other way and it will be beautiful. When I take your hand, it won't be the science of our atoms closing the distance between us that we will experience, but the math of our fingers interlocking and the art of our bodies that we will experience. You are math and you are science and you are art, and nothing will make you any lesser💛

[risustravelogue]

I have to work tomorrow, despite tomorrow being a public holiday. (sob)

It got me thinking about Alhaitham's reaction to you having to work on holidays.

"Really? What a bother... Can't you get out of it somehow?" is his reaction when you tell him the night before said holiday.

You try to convince him that you really need to clock in, that there's this big project you need to talk about with your colleagues before the work week ends. By the end of the day, he is convinced.

... Or so you think.

Cue him trapping you in his arms when you try to get out of bed the next morning.

"Haitham?"

"Nnn."

"Let me go. I need to work."

"No."

"Come on, we talked about this already."

"No. Stay. It's a holiday. You're not supposed to work on holidays. Take a break."

"I told you I need to work on this today--"

His arms tighten around your waist. "No. Stay in bed. Stay with me. I'll pamper you all day. Anything you want... Just don't go."

You let out an exasperated sigh. "Well, better use that Acting Grand Sage title of yours to get me out of work then!"

He chuckles and nuzzles your back. His fingers knead on your stomach and sides, the comforting sensation making you smile. He murmurs against your skin.

"Thought you'd never ask."

© @risustravelogue 2023 • no to reposting, yes to reblogging. feel free to send an ask to suggest, chat, etc. :)

[thepoisonroom]

'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.

I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.

About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'

-Casey Plett, Consciousness

[tls123]

SUNMI — STRANGER

[whos-hotter-jjba]

[t-u-i-t-c]

@userdramas ♢ event 15: something new ♢ a drama watched in 2024 │ tokusatsu gagaga (2019)

"People's memories are unstable and very mysterious. But if something activates them, they will return any number of times! That is why... We will surely meet again."

[themanwhomadeamonster]

The 1999 combat theme and its foreshadowing because the autism got to me and I spent too long trying to figure out this soundtrack

Jumping off from @brokenjardaantech's WITW music analysis post here - go check it out, it's very insightful and lays the foundations for what I'm about to talk about! And thanks to @theterribletenno for the burst of inspiration by giving me a massive oh shit realisation in the most chilling way possible LOL

Spoilers under the read-more; TL;DR at the end :'^D

To preface, the soundtrack is structured in an ABC structure with bridges between A and B, as well as another between B and C that borrows from A. The key starts in Cm, briefly modulating to Gm in section B then back to Cm during the second bridge, and settling on Em for section C. In-game for WITW you most likely will only hear up to the first bridge since the Technocyte fight only goes for around a minute long

Sections A, the bridges and partially C feature genre similarities to grunge rock with fuzzy guitar chugging, whammy bar, and palm muting, while the drums are notably sharp snares (except for the first bridge, which are clean bass kicks that gradually distort transitioning into section B's style). Musically, it sounds like a typical fighting soundtrack meant to hype you up - the melody is confident and likes to push and pull its rhythm. But in section C it notably become emptier in its layering while keeping the distorted drums, placing emphasis on the lyrics (which I'll get to below lol). Heavier syncopation and polyrhythms are also introduced.

Section B however is the main outlier. This section is where it most strongly resembles industrial rock: rhythmic synth layers begin to accompany the melody (a pedal point line that plays every semiquaver/sixteenth note), synth drums replace acoustics and the guitars drop the fuzz that is characteristic of grunge and steadily strum every quaver/eighth note. Compared to the push and pull rhythm of section A, this section is steadier, less chaotic than the other sections, it wants you to focus on this section.

Notably, the lead guitar introduces a familiar leitmotif: This is What You Are (which @brokenjardaantech goes more in depth regarding its use in WITW). Here, though, its second chord becomes flattened (Dm -> D♭m) and introduces a diminished, dissonant sound. To me this was the first hint that the song may actually be about Arthur's downfall. This is What You Are is a musical leitmotif that recurs in moments of vulnerability, especially when someone is at risk of losing their sense of self, their identity and what they are. It plays during The Second Dream when we discover the Operator, during the New War when Eidolon!Lotus just lost herself to Ballas and can't recognise the Tenno, and in WITW during the Vessel "fight" when the Tenno is forced out of their Warframe.

I was prompted to actually dig more into the lyrics because I saw @theterribletenno bring up something really interesting

In this specific song, the leitmotif is diminished, it's corrupted. "Surrender to the corruption" - this is what Arthur is afraid of. I brought up earlier that section B had a genre shift. The contrast of the music is important, it's highlighting something, and together with the musicality of the leitmotif, it's making a sense of urgency and danger. The leitmotif is a warning to Arthur.

Section B sings these lyrics:

Break it, break it, Break it open!

Compared to the desperation in the other lines, these two lines are sung mockingly. The Infested are trying to break Arthur, and are succeeding. Their voice is becoming his. But there are actually two vocal lines in this section - you can also hear muted backing vocals in a much less aggressive and lethargic tone warning that "Disillusion". Arthur is trying so hard to keep his own voice and stay clear-minded but it's being drowned out and he's nearing his breaking point, and Albrecht, based on the Codex Fragments you find, is well aware of this.

In section C, while the layering is less intense it's noticeably more heavily syncopated and polyrhythmic, and introduces new (accompanying) echoing and dissonant synth layers reflecting the confusion and disorientation that Arthur begins to feel (these synth layers are actually introduced in the second bridge, but are more easily heard in section C). Section B and C also keep the synth/distorted drums that section A and both bridges lack (at most it's a reverb in those sections); the industrial sound of the song becoming associated with the increasing influence of the Infested over his humanity.

So I tried deciphering more lyrics for each section; I haven't figured all of it out and most of it could very well be wrong because of how heavily clipped the vocal line intentionally is so I don't want to make anymore assumptions than I need to, but I can understand enough of it to realise that the song is foreshadowing Arthur's corruption to the Infested. In green are the lyrics I'm confident are correct:

A:

Sting it, sting it, sting it! Sting it, sting it, sting it in the flesh!

Bridge:

I don't understand! It brings more disease!

B:

Break it, break it, Break it open! (Disillusion)

Bridge:

Sting it, sting it! Sting it in the flesh!

C:

Who's dreaming? Who's the [???] It's a vision[?]!

TL;DR: the grunge/industrial genre hybrid represents Arthur's humanity/Infested respectively, and the song becomes increasingly industrial as the song progresses, most noticeably through the increasing distortion of the drum sound. Section A sets the stage, section B serves as a warning to Arthur that he's losing his sense of identity as the Infestation drowns out his "voice" while a dissonant version of This is What You Are plays, and section C is him experiencing confusion and disorientation as the Infestation continues to corrupt him.

[pearl-kite]

Animated version of this <3

[amoneki-ramblings]

some random doodles that have been sitting on my computer 👍

[glimblshanks]

Someone come explain monotheism to me, I don't GET it

[unproduciblesmackdown]

set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda