#i'm so excited!!! like throughout the progress of the story i've heard all kinds of things about both of the main characters

[taexual]

im getting real tired of oc acting like she has everything under control and is this amazing manger when all she does is order people around and can’t be serious when it comes to confrontations. i mean she yells and questions others for their behavior but they have to draw the line when it comes to her? that’s hypocritical. her saying that she was hiding behind the bet and only bc she was scared of jungkook‘s feelings being real is and was obvious from the very beginning but she also lied to herself again i mean let’s wake it up right?

how come YOU work with your ex boyfriend that is in a band that YOU are the manager of and allow YOURSELF to work with when YOU act like YOU don’t care about him, while YOU also try to control him for petty sht that has mostly to 65% nothing to do with the work environment. she always wants others to give her time and let her get her thoughts right before she has to talk but others for example jungkook has always an ultimatum like what is wrong with her and her entire mental health atp? im on jungkooks side with, that yes i as a reader am tired too if her acting like she doesn’t want to be with him when that’s all she wants but she‘s selfish (in my opinion no shade) bc she wants to see him beg a little more to avoid a) the confrontation about their fucked up relationship that happened from both sides and b) bc it makes her feel worthy of something again bc he didn’t care about her enough in those 4 years he was with others right? then yeah i wouldn’t give my time and energy to get that kind of person back and not bc jungkook wants to be better for her he needs to be better for himself and her never giving him that reassurance is unfair and disgusting bc she can want that from him right?

like i seriously need people like her to just either be direct or get out of that persons life forever. she sees that jungkook has other SERIOUS issues like his mental health and addiction to always downgrade himself as not worthy for any-little-thing but all she focuses on is „omg u did a bet now i can’t be with you and also bc nick wants me on the renaissance tour so ughhh idk everything is so heavy and omg i fainted am having so much stress ugh:((„ like shut the fuck up. she knew what she was getting into when she signed the contract for being a manager could she know how much stress she was getting into? no but that’s no here or there bc she allowed herself to not have a break that is on nobody but herself.

i have so much to discuss about her character but i really don’t want to just know that im tired of her and also thank you for writing something that’s truly new and fresh! i like this story it makes us think and have thoughts about the the chapters in general so yeah i hope you don’t get offended of how i view oc i don’t want to bash your characters ig it just that everyone has a different opinion in certain matters right? still thank you and have a great day! ☺️😊

omg babe you are having some very very interesting thoughts!!!! thank you for reading and for getting invested!!!!!!! 🥺🥺

the characters will have a discussion about a lot of the things that you mentioned soon--mostly in the next chapter--so i'm not going to elaborate much, but again, some very interesting points!! they are people with clear issues, and insecurities ranging from their past relationship to parental trauma to toxic friends. you know what i mean?? and i can't wait to show you what's nextttt!!!! 🤍🤍🤍

adding a spoiler bc i feel like it 🤌🏻

baby you said oc "can’t be serious when it comes to confrontations" and that is going to be one of the key plot points in the upcoming chapters!!!!

their whole relationship, they dealt with the chronic let's-not-talk-about-this illness, you know?? and jungkook is overcoming it! but now that's coming back to bite oc a little bit, because not only does she have to talk too, but she also has to face her demons from the broken relationship she had grown up in

[firstyok]

- Moonlight Chicken End Notes -

So, I've just finished Moonlight Chicken, and it was a deep, mature bl series, where it conveyed a lot of realistic life messages. It was new and refreshing to witness such a bl storyline, which speaks for real people.

Below, I've addressed a few of the best things that I've enjoyed about this show.

1. JimWen Chemistry

It was my first exposure to an EarthMix series, so I was definitely excited. The chemistry of the actors was magnetic, and it didn't take a moment to give me butterflies. Wen is super seductive, and I enjoyed it. In the first episode, when they both hooked up, I was like, "Oh wow.. that's.. sexyy", I kept thinking these stuff. So, definitely I loved their chemistry very much in this show.

2. GeminiFourth Acting

Once again, it was my first time watching the acting of GemFourth. I haven't watched MSP, so - MLC is my first exposure. My God, I was in love with their storyline, acting and everything as a whole. I truly loved Fourth's acting range, he is a great actor for such a young age. The way he portrayed such a mature, sharp tongued minor in the story, it was really heart-melting as well as sweet. His slow friendship with heart, was the best part of the show, I'd say. Gemini did a splendid job, portraying the character of a deaf child.

They both had such a lovely rapport, chemistry - I kept looking for their moments in MLC the entire time. For me, these two held the greatest importance to me in the show. The beginning of their meeting with a conflict, that slowly led to understanding both of them, which further led to friendship and young love. The progress in their story was beautiful to witness. I felt so happy to see some specific moments of them, such as Heart's face lighting up when figured that the paper was slid under the door by Li Ming, or the moment when Li Ming first heard Heart speak.

3. The Character of Alan

Eventhough the story presented him in a negative light at first - personally I could vastly relate to Alan. Personally, I'd say he's someone with the most depth and complications. He shared a 5 years long relationship with Wen, which is never an easy thing to let go off. I deeply empathize with Alan, not because he was dumped by Wen, but because his story speaks realistically. It is devastating to be out of love, when the other person still wants to be with you. Eventhough their relationship was not tampered due to Jim's entry, it will still make Alan doubt whether it is something that he lacked, and Jim didn't. It is normal to have these thoughts, because I've been there in his shoes too.

Eventhough he reacted violently with Wen and Jim at the diner, I believe it was valid to acknowledge how frustrated and insecure he had been, when he is losing the love of his life to someone else, in front of his eyes. It's a hard pill to swallow. Later on, I'm relieved how Alan moved on from their relationship after Wen decided to have a clear cut conversation about them during their last barbeque meal. It was necessary, because if he didn't give Alan the closure he needed, he wouldn't have been able to move on, just like all these prior months. Alan is a great character, he is flawed, and speaks life. He didn't use his injuries to hold Wen back, instead he insisted on being left alone, because he knew the hope has subsided. I think that's a wonderful character implication.

5. Gaipa is a Positive Embodiment

If Alan showed the dark side of handling emotions, Gaipa portrayed true well-intent and kindness throughout the series. I really enjoyed Gaipa's character in the series. He was like a ray of sunshine that needed to be added in such a mature heavy series. His role was like a breath of fresh air, whenever he appeared, he either made me feel better, or simply broke my heart - when he got rejected by Jim or when he lost his mother. But I really loved how he handled himself calmly upfront others, eventhough he was tearing apart inside.

His relationship with his mother was also iconic, definitely one of the best moments of the series. It shows how loving and understanding a mother-son relationship should be. It filled my heart with happiness when his mom was completely okay with him being gay, and how she encouraged him to find a lover. Losing such a great mother in his life, has to be the most heartbreaking experience ever, and this show portrayed it so deeply.

6. The Satisfying Ending

The ending of Moonlight Chicken has to be the most satisfying one, eventhough I'd have loved to see Alan and Gaipa officially ending up together. But, I really enjoyed their initial blooming stage of liking each other, it seemed so sweet and refreshing at the end of the show. When Heart and Li Ming were dining together, along with Leng and Praew in the scene too, it seemed like all the lovey dovey couples are finally enjoying their moments with their partners. I loved that scene, and Wen was helping out Jim as usual.

We even got a sneak peak of how maturely Alan handled the situation when he was with Gaipa and Wen gave him water - the smile on his face spoke as if - he deeply appreciated what Wen and Alan once had, but now he has Gaipa, and he has finally moved on from him, to focus entirely on his new budding love. That scene was really symbolic and my eyes teared up at the collective happiness of the show couples.

I've really enjoyed the show, everyone's acting, performance, along with the cinematography was stunning and praiseworthy. Additionally, the cast was a dream team, including EarthMix, FirstKhao, and GeminiFourth. These three couples smoothly pulled off the entire show with their elegance and hardwork! Kudos to the director, and everyone else involved in the production of the series!

[amaranthineoceans]

Everything Weird About Deltarune!

Spoiler Warning for Undertale and Both Chapters of Deltarune! Really! I Literally Go Through Everything I Can Remember About Them!

This is a long post so get comfortable. Also note that my brain doesn't process thoughts into words very well so some of these might not be worded in the best way. :)

Deltarune. The first teaser chapter was released on October 31, 2018, and it came out of nowhere. We've all gone through this, but I'll try and go through every single painstaking detail I can remember. Feel free to reblog and add/correct things.

The weirdness begins right off the bat. The title is an anagram of UNDERTALE. We all know Toby likes to use anagrams when he wants to indirectly tell us when things are related, so it's no surprise that when you go to download DELTARUNE, it warns you that the game is designed for people who have played UNDERTALE. You think, "Cool, so it's a sequel? Or maybe a prequel? A different perspective of UNDERTALE perhaps?" You were wrong; so terribly, terribly wrong! I'll elaborate on this later.

Before you download the application, the terms of service that you must agree to beforehand reads simply and plainly, "You accept everything that will happen from now on." This detail was kinda brushed off in the beginning, because, hey, it's Toby Fox. He does weird stuff all the time. But even in the first chapter, it's apparent that the concept of choice, or more accurately, the lack of it, is a very present theme in the game. I would like to remind you that Toby has announced that there will be one ending in the game. One. I'll elaborate on this later.

The program (as in, what the game is called in your files) is named SURVEY PROGRAM. Why not just call it Deltarune like it is when you download chapter two?

The game launches you, without a title screen, without any setting adjustment options, straight into a reference to the theme of the entire franchise: the lack of choice. A strange formless voice guides you through "making a vessel", with what we know now as a fountain in the background. You have the option to make some very disturbing choices in this character creator, such as making its favorite flavor "pain" or expressing your feelings about it with options such as "fear" and "disgust." You name your "creation," tell the formless voice your name (which is different from your vessel's name) and watch as said formless voice muses over your name at an agonizing pace. It thanks you for your time and tells you that your wonderful creation, (cue music cutout and background removal) will now be discarded. "No one can choose who they are in this world." The screen slowly turns white as the voice says, "Your... name... is..."

It gets weirder. The next scene appears from the whiteness and showcases Toriel calling "Kris" out of bed. Kris' area of the room is very bare in contrast to the other side, which we later discover is Asriel's.

It's Toriel. Why is Toriel here?

Kris is kind of an anagram of Frisk (the protagonist of UNDERTALE) but without the F. I highly doubt this is a coincidence.

Speaking with Noelle is the only reason you can proceed (see what i did there?) while finding a partner in the classroom. This means you can't go through the 1st chapter without knowing who she is. Is it because of the Snowgrave route?

Ralsei is just suspicious to me. There's no way he was just waiting in that castle his whole life alone without some mental toil. So either he's insane or he wasn't alone the whole time. What happened? Is it related to how he can close his eyes and see what Susie is going through when she's apart from the party? Was he just watching everything? Is he related to the formless voice?

Susie's icon is the only one without color in the Dark World.

Jevil's fight is more difficult than Sans'.

Your actions have little consequence in the first chapter. If you choose to go genocide, the only difference in the ending is being run out of the kingdom, and this doesn't carry over to the next chapter. Again, lack of choice, people.

If at the end of chapter one, you walk around town, it's mentioned (notably by Noelle) that you're usually not this talkative. If you go to the hospital and speak with the receptionist, they mention that you used to play the piano in the corner. If you decide to attempt to play the said piano, an out-of-key bash can be heard and the receptionist comments on how you used to play beautifully. If you try this in chapter two, the result is the same. All this is confirmation that Kris is acting noticeably weird.

When you leave the Dark World and walk around town, you can find Sans. He "pretends" to recognize you, and if you tell him you recognize him, he tells you it's funny, considering that you two have never met before. He winks. I'm pretty sure he knows that the player is there.

The mention of Papyrus in both games, but the purposeful lack of him. Like he's avoiding you.

If you go upstairs while inside Asgore's flower shop, there are flowers in glass cases resembling his SOUL collection in UNDERTALE. There's a red flower.

You can't enter the church.

The clock in the storage closet shows a different time than all the others in the school.

If you go all the way south in town and into the woods, the music stops and you come across a rusty, double door is in a hill covered in crass. It's locked. If you go this way in chapter two, however, you watch a cutscene where you and susie happen to find Monster Kid from UNDERTALE (or someone resembling them) and an owl kid in front of the door. The owl kid is pressuring Monster Kid to (presumably) break inside, telling them that they don't want to be a wimp like Kris. Does this imply that Kris is connected to this strange door somehow?

The ending. You know what I'm talking about.

Did Kris actually rip out the SOUL (I say "the" because I'm not entirely sure it's Kris') and knife because they wanted to eat the pie? Did they only eat the pie because Toriel caught them?

Why did they look at the player? Are they sick of being controlled? Is that why they freaked out after the Spamton fight? (later)

Anyway, now we're at chapter two.

DELTARUNE Chapter Two was released on September 17th, 2021. 17. Entry Number 17. Sound familiar?

Asriel's part of the room is different from the last chapter. I don't think this means anything sinister, but I think it means Kris notices different things about the room as the story progresses. My theory is that it will become more sinister in each chapter.

Ralsei getting super excited to see Susie and Kris after a day. As in he has separation anxiety and it breaks my heart. not anything suspicious but it makes me sad so it's on the list.

Kris and Susie's rooms. Ralsei REALLY doesn't want them to leave. Seriously get this boy a therapist. Or a stuffed animal. SOMETHING.

Kris having to gather everything from the storage closet so that people appear in the Dark World????? Why??????????????? They had to do the same thing for the computer lab too.

The golden door. I don't trust it.

How/why the heck did Noelle and Berdley go into the Computer Lab Dark World? I don't see either of them just walking into pulsing void doors without Susie.

Apparently the knight has been gone for a bit and can corrupt people's minds? The king in the first chapter doesn't seem like he can be redeemed but Queen just seems,,, not bad, but a little crazy. I wonder what happened.

Then again, name ONE person in this franchise without trauma.

Spamton.

Horror doesn't bother me. Spamton? Spamton bothers me.

SPAMTON. ENOUGH SAID.

A Kromer is a type of hat invented in the '70s. Nobody named Mike is associated with it, that I can find.

SPAMPTON. HOW DO I EVEN DESCRIBE IT.

HIS SONG IS THE ONLY ONE WITH WORDS.

The way he asks Kris is they want to be a heart on a chain their whole life. Like, dude, no wonder they were screaming after the fight.

WHERE DID THE YELLOW HEART COME FROM. YELLOW MEANS JUSTICE. WHY DOES JUSTICE APPLY.

Kris screaming after the fight and the player not being able to hear it. Don't you dare tell me that's just how the game is designed. There are sound effects characters make throughout the game. None that I can think of apply to Kris, apart from when they rip their soul out.

Ralsei brushing off the Spamton fight. Either that's his coping mechanism or he was trying to shut Susie and Kris up to protect them from... something. I'll touch on that in a minute.

According to Queen, DETERMINATION is a key factor in creating a fountain.

Also according to Queen, Kris, Noelle, and Susie all have DETERMINATION SOULS.

Ralsei freaking out about Berdley making a fountain implies that he may also have DETERMINATION. Why I'm bringing all this up will make sense soon.

How was Noelle able to cast Snowgrave... a spell that she, according to her, didn't know?

The Snowgrave route is so twisted.

You manipulate Noelle into killing Berdley and then, when you get back to the computer lab and investigate his corpse, the text box says that he doesn't seem to be awake. As if you're in denial?

Burgerpants recognizes you. Not Kris. As in the player.

The ending. I don't think I need to describe it. Kris is very methodical without the SOUL. (I say "the" because, again, I'm not 100% convinced it's theirs.) I'm saying this about how they left clues that someone broke into the This proves that they are NOT a mindless, vengeful husk.

HOW DID THEY MAKE THE FOUNTAIN WITHOUT THE SOUL INSIDE OF THEM. DID THEY FEED THE SOUL TO IT AFTERWARDS? IS THAT WHAT THAT WAS?

Another point I would like to make is my theory that Ralsei knows much more than he would have us believe. I might put this into a different post because I have yet to gather my points into a coherent bullet point list, so keep an eye out for that.

Anyway apart from Toriel and Susie being VERY heavy sleepers, I think I've gone through everything. I have a few theories.

1. Kris is possessed by the player and figured out that they could make a fountain from Queen and related to Spamton freaking out about freedom. They then decided to make a fountain going by the logic that "this would tick the player off." This is one of my top theories that assumes that the SOUL is theirs.

And 2. Kris is possessed by both the player and the knight. I think the formless voice at the very beginning of the game is the knight, and they somehow needed the player to possess someone with DETERMINATION. If so, then why Kris? We know from Queen that Noelle and Susie, and maybe even Berdley also have DETERMINATION. The most plausible thing I can think of is the fact that human souls are stronger than monster ones.

I do think that the popular theory (about the one that suggests that the Dark Word is nothing but a figment of a child's imagination, and the events that occur in said Dark World are simply children playing with toys) has been thoroughly dashed due to Berdley's murder in the genocide route of the second chapter. Unless he's not dead. Regardless, how the events (or lack thereof) that occur in the second chapter play through the next will be interesting, especially considering Toby's announcement about how there will be one ending to the game. So either Berdley isn't dead, or he will be.

Aaaand I think that's it! Sorry for the long post; let me know your thoughts and if I missed anything!

[sylverstorms]

Mother Miranda x Lawyer!Oc ----Tilted Scales

Hello guys :) This is another commission I wrote for the amazing, wonderful @saltwatereulogies

Your support has been insane, I can't thank you enough. Hope you enjoy the story ❣

Three days.

That is how long you've been in the village, after years of studying abroad, before everything turns to shit.

As you slowly blink focus back into your eyes, you try to clear the haze from your mind. It feels as though you've collided with a truck. Your body hurts, your wrists protest in their iron cuffs, stuck to the wall as they are, having supported your weight while you were unconscious.

Desperately, you try to recollect the events that led you here...

A grey sky. A bleak day. One moment you were making coffee for your mother, excited to be able to sit down with her in the mornings again... and the next you heard the echo of screams.

Overcome by adrenaline, you bolted out of your house, only to witness a scene straight from a nightmare; humanoid monsters ripping villagers apart, cries and blood and animalistic growls all blending together into one mad mix.

And before you could even warn your mother...

Damn it all, what the fuck happened!

You suddenly struggle against your bonds, hard enough to rattle your whole frame. Your wrists burn from the grind against metal, but you don't care–

“Stop that. It is pointless and you will only injure yourself.” A cold voice, strangely familiar, says from far to your right.

You peer deep into the shadows, searching for the only other person in the empty room... until you see her. A mask advances on you, gold and shaped like a crow's visage, then wings folded into a cloak come into view.

You would be a fool to not recognize her. The local saint. The village's prophet. The very 'saint' your mother prayed to, for your safe return, all these years. Mother Miranda.

The sound of her heels bounces off the walls until she comes to stand directly in front of you. Looking past the openings of her mask now, you realize....

This isn't possible.

She hasn't aged a day. Not a single day, since you left the village. The years should show around her deadly blue eyes, somewhere, and yet they don't.

“I see you remember me...” she says, while you're still trying to find your voice. “Miss Warren.”

“What is going on? Mother Miranda, what happened to the village?!” you demand.

Her expression shows nothing. “The village is in need of... renovation.” she speaks, even, regal. “Repopulation, even.”

You stare at her with wide eyes.

“Now, don't give me that look. You would not be here if you weren't of the ones I chose to keep.” she continues. “You see, from now on, every single person in my domain will make themselves useful in some way, or they will be replaced. And you... you have been abroad studying law for a while now, yes?”

“I... yes.” you reply, still not fully having wrapped your mind around your situation.

“Excellent. What I need from you is simple. You will make the village independent from the state’s taxes as a religious organization... and you will keep foreign investors out from that point onward.”

What... what part of that is simple?!

“Do that for me and in return I guarantee your mother and you will go back to your house safe and sound. You will have no shortage of Lei for as long as you live, Miss Warren.” Miranda promises.

But it is not the sweet part of the deal your mind stays glued to. “And if...” you gulp. “If I can't work around the law to do that...?”

Miranda blinks slowly at you, like you shouldn't even ask such a basic question. Like the answer is obvious.

“Well. Then I have no further use for either of you.”

It is in this moment that it dawns on you.

This woman is no angel and no saint.

She is a devil.

-

-

You spend countless sleepless nights pouring over every single paragraph, every little opening or ambiguity in the law you can use to free the village of taxes.

To keep your mother in the dark about this, you work in the office Mother Miranda has provided for you, in her very stronghold.

Although technically it's her home, you don't see her nearly as much as you initially thought. She is gone throughout the day and returns late at night, not even sparing you a glance before heading for her chambers, at the upper sections of the building.

The days she does come into your office to inquire on your progress are few and far-between, your conversations always short and cold.

This evening is different.

“How is your work coming along, Miss Warren?” the prophetess asks with her aggravatingly nice accent, seating herself like a queen on the chair in front of your desk.

Your eyes are tired, but you force them on hers, through the mask obscuring her face. “I think I've got it. I'll be sending the necessary papers tomorrow and the answer shouldn't take longer than a month.”

“Very good.” she nods, a miniscule curve to her lips.

Icy eyes then drop to the wine in the whiskey glass at the corner of the desk. You think she will make a comment about drinking at work, but instead she says;

“Pour me a glass, will you?”

You will your hands steady as you comply, then carefully slide her drink over.

Miranda takes her mask with claw-shrouded fingers... and soundnessly sets it on the wooden surface. Then she pushes the veil at her hair back, shaking long, platinum locks free.

You do a double take you hope she doesn't notice. Because what the actual fuck.

You didn't think her hair was that long, or that straight, or that it would fall over her shoulders like she's staring in a shampoo ad. You didn't think her lips were shaped like a cupid's bow or that her skin was this flawless and radiant.

The helplessly lesbian part of you could begrudgingly admit she was beautiful before... but now you arrive to the painful realization she's drop-dead gorgeous.

“So. I've heard you won cases others would describe as impossible.” she begins.

“Nothing's impossible. You just need to know where to look.” you reply. Law is your comfort zone and she is not that far above you here. “But how do you know that?”

“I have my sources.”

"Nobody truly leaves this village, huh.”

“Not without my consent, no. But I knew you'd come back.” At your slight frown, she elaborates, “You would never leave your mother behind.”

She's right. There was a whole world of opportunities waiting for you out there and yet... here you are.

“Good work, so far. You can take the next two days off. Your eyes could use the rest, Miss Warren.” Miranda speaks, finishing her wine.

“Sarah.” you say. 'Miss Warren' is for clients and she is your boss.

Miranda's lips give a slight quirk that may or may not be a trick of the light.

“I know.” she replies and exits the room, long hair billowing behind her back.

-

-

The taxes were only the first challenge. Now that the village is free of them, investors are flying in circles around it like vultures over meat.

In the meantime, Miranda comes to talk to you more frequently.

Lately, it seems she has more free time. You wish that was a good thing, but...

“So... are you like... going to stay here?” You ask after reading the same sentence five times to make sense of it, because her gaze on you is distracting as fuck.

“I'm not getting in the way of your work.” she says. You want to argue she is, but can't quite do that in a way that won't get you killed.

“I'm simply not used to working with company. Isn't this boring for you?”

“No, actually. I find it interesting, even though science is my field of expertise.” she answers. “And the way you take notes is… amusing.”

You try not to blush as you look down at your notebook, filled with different colored markers and post-it squares with tiny stick figures pointing to the more important paragraphs. You have been doing this for so long to sort out information you didn't even realize you were keeping it up in her presence.

“What is this supposed to be?” she asks with a small smile, the first of its kind you've seen.

To your horror, her clawed pointer aims at a particularly silly doodle, barely the size of a pencil's eraser.

“A... bird.” you grimace like you've been stabbed.

“Ah, of course.” Miranda holds back a chuckle but you can tell she's dying to make a comment.

Studying becomes hell for the rest of the time she's there with you, those sharp eyes picking apart every little move you make. At the same time, though, the hours you spend with her make you realize...

She's not a saint, though she may look like one. She's not completely a devil, either, even if she may act as one, at times.

She's human.

-

-

Miranda shares nothing about herself when you chat, but she seems to like it when you speak about your time abroad and all the things that left an impression on you there.

Your conversation over wine is cut short, however, when you receive a call from a number you learned means nothing but trouble, lately.

“Sorry, I have to take this.” you tell her.

The one calling you is none other than this month's rival lawyer, trying to dispute your claim over the land for his own boss. He's lost to you before, so it's also personal, but you are confident you have cornered them good with the latest papers you sent them...

And you are proven correct, when, a few seconds later, he is all faux polite on the other line, resorting to offering you money for you to withdraw your arguments.

Miranda comes to stand next to you, listening in to what he's saying.

The problem with that is, the second her arm brushes yours and you catch a whiff of her perfume –which always lingers in your office long after she's left— youare the one who stops listening to him.

Your attention flies to other things, like the inches she has on you, the exact color of her pale blonde hair, the little glint of victory in her stunning eyes.

Oh, no. God, no...

You know what this is, the feeling in the pit of your stomach. Alarm bells go off in the back of your head, as though your own mind is telling your body how foolish it's being.

There isn't a worse thing you can do to yourself than be attracted to Miranda.

-

-

Over time, familiarity with the prophetess brings higher levels of difficulty into your 'try to ignore your crush on her' game.

Miranda joins your side and leans over your shoulder, sometimes, to peer down at what you're doing. You don't move and don't breathe until she's within a safe distance again.

Then there are the wayward 'reward' touches, when you turn another investor away from the village. She may pat your back or leave her hand on your shoulder, or even scratch your nape with her claws as a job well done.

You hope your poker face hides the fact you feel her touch on you for far longer than you should, after she's gone.

Tonight, the situation is the toughest it's ever been for you.

There is a rainstorm going on outside; the waterdrops are tapping against the windows of your office as though they're trying to break it. Miranda has pulled her chair next to you so you can talk easier, without having to shout over the cacophony.

“And basically the judge's decision was that—”

You are interrupted by a blinding flash of lighting, during which your mind lets you know the stronghold is easily the tallest structure in it's vicinity—

When thunder cracks down the sky and strikes the building, you nearly scream. Your body tenses and you jump; but Miranda's hands come to your biceps and hold you steady, against herself and your desk.

Another flash comes before you really have time to think about your proximity. She covers your ears with her palms before the thunderclap can send you into overdrive again.

“You are with me and you're scared of a little thunder?” she teases when things quiet down and your heartbeat eases.

It's true; Miranda is the more terrifying force of nature. At the same time, however...

You feel oddly safe to be this close to her.

“Well... I'm not scared right now...” you quietly admit.

Her pointer comes underneath your chin and lifts it so you are looking straight into her hypnotic blue eyes. How is this color even real...

“And why is that?” Miranda asks, her wings coming around you both. They're curtains of black, cutting out some of the storm's sounds.

You want nothing more in this moment than to run your fingers through each individual feather.

You lick your lips. That's...not a question you can answer if you want the balance in your arrangement with her to remain.

Perhaps, though, the scales have tilted for you long ago. You just haven't been brave enough to admit it.

You have the courage to face it now when she leans down and covers your lips with hers, warm in a manner you never imagined she could be.

Her wings pull tighter around you and your mouths slide more firmly together. Lipbalm and creamy lipstick mix, tongues brush, tasting of wine. You are shaking so bad on the inside from how much you want this, more of this, the rumbling of the thunder be damned.

Miranda's palm cups your flaming cheek when she pulls back, perfectly composed and staring at you with a little smirk in place.

You dare to turn a little, lay a tiny kiss on the inside of her wrist, beyond her rings and accessories.

You aren't very fond of storms, but...

You willingly walk right into the eye of this one.