#i'm sending them to vasya.

[digitalcactusblog]

oh man finally gotten to bed after packing hell so IT'S TIME FOR OPAL

opal. is my most MOST dnd pc. by a massive margin. my god. i love them to bits, but they are so much in every possible direction at all times

to summarize them in one quick phrase, you can think of opal as a barbie sephiroth powerpuff girl winter soldier. none of these words belong in one phrase together, yet we've gotten it there anyway!!!!

under the cut bc i expect this to get quite long 😂

god, where do i even start with opal. imagine the platonic ideal of a manic pixie dream girl, add in a touch of airheadedness, then give the entire creation the attention span of a magpie on crack.

that's what opal is like.

opal is also the clone of the princess of the enemy country to the country the party is currently traveling through.

BUT WAIT, THERE'S MORE!!!

opal is a top secret government project created as a gift to the royals of that country, a tribute to wizard hubris, and a proof of concept for a devastating military weapon that will win this country the war.

because opal isn't just a clone of the princess (her name is vasya). opal is a marble statue of the princess, carved into shape, then engraved with the magical principles and equations to bring that statue to life. opal wasn't just made to be a genetic clone of vasya. opal was made to be vasya. a complete clone, down to the skills and memories of the original vasya.

imagine, if you will, an army. there are people in it. and people die. people have families they'll never return to, loved ones who'll miss them, and, quite frankly, they're pretty freaking expensive to keep as functional soldiers!

now, i must copy paste the description block for the spell True Polymorph.

"Choose one creature with at least 1 hit point or nonmagical object that you can see within range. You transform the creature into a different creature, the creature into an object, or the object into a creature (the object must be neither worn nor carried by another creature). The transformation lasts for the duration, or until the target drops to 0 hit points or dies. If you concentrate on this spell for the full duration, the transformation becomes permanent."

imagine, if you will. a quick, easy, and cheap way to mass produce True Polymorph, without the need for a high leveled wizard to cast a level 9 spell every time. all you need are a handful of pebbles, and boom, you have sentient, sapient, competent soldiers.

this is what opal was a proof of concept for.

SO, to summarize so far:

peppy, sunny attitude! that's the barbie part

devastating military superweapon person: sephiroth

entirely artificial being, yet extremely cheerful about it: powerpuff girl

devastating SECRET military superweapon. is also from a russian empire-inspired fantasy country: winter soldier

also we named opal's creator after rasputin. yeah, that rasputin. yeah, like ra ra, russia's greatest love machine? yeah, we thought it'd be funny. her name is grigori and she has a lot of problems (opal is the cause of most of them 😊)

anyways, so opal gets created, and is, for all intents and purposes, a carbon copy of vasya. but as a prototype for this weapon, there are still some kinks to work out, one of being that, to maintain the same memories and whatnot as vasya, they need to essentially get regular software updates. but otherwise, perfect vasya clone!

except grigori starts noticing little discrepancies. little anomalies. the clone isn't a perfect vasya clone. the clone is developing a nascent personality—a nascent personality that keeps getting overwritten with every download.

the clone isn't a hollow clone.

the clone is alive.

"my god," grigori says, horrified, "what have i done? i have created life; not in the mundane, mortal way. i once posited myself on par with the gods, and now i have created life, just like they do.

"...i am so fucked."

and so, with that religious and moral crisis in her pocket, grigori decides to steal the clone and scram.

it's time to be fugitives!!!!!

grigori is a genius, if, at this point, a genius with extreme anxiety. and so, grigori has several contingencies ready, on the off chance she needs to bail. the one she goes with now is a classic wizard tower, hidden from prying eyes by magic and a beautiful grotto where no one goes. think tangled, the tower in the grotto that rapunzel lived for most of her life

and during this entire fugitive road trip, without regular downloads from the og vasya herself, the clone's vasya memories start to fade, but their new mannerisms start to stick. and now we have opal, who could not be more different from vasya in demeanour if they fuckin tried

also now, after much work on grigori's part, opal has been true polymorphed (even more) to look like someone entirely different! vasya is a magenta-y purple-y tiefling with tall horns, whereas opal is now a lanky purple drow around the height of vasya's horns. they got to customize their Look heavily (perks of having a high level wizard who can cast ninth level spells regularly).

oh also, chronologically, opal is only 6 years old 😊 when they were 'born,' they were created as the then-teenaged vasya, and while the memories of being vasya has mostly faded (not everything), the rough mental age and whatnot remained the same, so technically opal is like 22? but chronologically 6, so you bet your ass i'm so ready for the day i get to drop that bombshell 😂

OH YEAH and most recently, much to grigori's distress, opal has broken out of the secret wizard tower to go explore the world. it'll be fine grigori i'll be so careful!!!!!!!!!!

(they were not, in fact, careful)

mechanics-wise, opal is an echo knight, and while i'm not yet privy to all the deets (there are discoveries to discover and i can't wait :3) their echoes are like, something something potential versions of opal? mechanically, this just means that every time i summon an echo, i roll on a random table to see what form the echo takes, with some dnd species having higher probabilities to show up. and yes, if i roll tiefling, i then roll a d4 to see if vasya herself shows up. EXTREMELY NERVEWRACKING AND WONDERFUL!!!

also the first time i described how opal looked to the entire party, and that they were wearing a long, black coat with silver buckles all up the front, everyone was like "..............hey olive? is this sephiroth?"

and that was the first time i realized that opal dresses like pirate sephiroth. they even have a scarlet macaw familiar. shoulda named it genesis, methinks. (her name is actually ariadnoula)

GOD WHAT ELSE THERE'S ALREADY SO MUCH

opal is so freaking much i love them. last session they gave the other pc (vae) a minor religious crisis by asking too many questions about the logistics behind death rites. they tried to ambush-slam a flower crown on vae's head and ate shit when he dodged. they impulse-held a woman's hands as she went nuclear and died because they didn't want her to die alone and afraid. one of their life dreams is to swing on a chandelier.

oh also opal may have just started ww2. maybe.

[deanothecheynosaur]

The Bear and the Nightingale (2017)

Yay first one! (Whether you read the long synopsis or not, the ranking is at the bottom)

Funny story before I get into it: so my boyfriend's brother bought me this book in paperback for Christmas. I had not started reading it yet, but I was checking my Kindle to see how many books I read in 2019 and saw that I had purchased this a while back, never got around to reading it, and forgot I had it. So I'm taking back the paperback as soon as his blizzard is over (which oddly fits the book) and bought the second and third on Kindle. I have another gift card, but I need all three books to be in the same format.

Short synopsis:

Vasya is a young girl in a small village northern Rus' who can see things others can't. Everyone thinks she's a witch. The frost demon Morozko watches and protects her to keep himself strong enough to contain the Bear. An epic story about the clash between the old religions & the domineering Christianity & about the sexism of the time.

Long synopsis:

Moving on. Our story opens in Northern Rus' in the remote village of Lesnaya Zemlya bordering a large forest with the family of Pyotr Vladimirovich, his wife Marina Ivanovna, and their children Kolya (Nikolai Petrovich), Sasha (Aleksandr Petrovich), Olya (Olga Petrovna), Alyosha (Aleksei Petrovich), a bun in the oven, and their nurse, Dunya (Darya Nikolaevna). There's some important backstory though. Marina is the daughter of Ivan I Grand Prince in Moscow and his third wife, a mysterious woman who wandered out of the woods with no family, no history, and many suspected she was a witch. Marina knew it would be her last child and it would be a girl like her mother. This is set during the late 13th century, after Genghis Kahn died while the Tatars were still dominating the area. But Marina was right. She died in childbirth delivering Vasya (Vasilisa Petrovna). Throughout the book, there are hints that everyone but Sasha blames Vasya a little for Marina dying.

Vasya grows up naughty and ugly, with huge green eyes, black hair with a hint of red, a mouth too big for her face, long limbs, and too skinny. Olya calls her "little frog." Vasya does whatever she wants: Dunya is old, Pyotr is a busy man between being the Lord of the area and a farmer, and she has no stepmother. One evening, Vasya gets lost in the forest and sees a one-eyed man sitting against a gnarled black oak tree she had never seen before. He was uber creepy. But then another man shows up on his horse, refers to the one-eyed man as Medved, and tries to talk to Vasya. She gets scared and runs, but neither man pursues her. After she gets home (still freaking out), Pyotr decides it's time to remarry before Vasya gets unmanageable. He takes Kolya and Sasha with him to Moscow to find himself a wife and Olya a husband. It's mentioned several times throughout how a character cleans the ice out of their horse's hooves or mane, which I think is a great addition because it really solidifies the time period by how important horses were to everybody. Once they are settled in Moscow, Sasha spends time with other devout Christians (he prays a lot) and discovers that there is a renowned holy man (Sergei Radoneshsky) at a monastery three days north of Moscow. Pyotr lets him go alone to meet the man. Once Sasha gets there, he decides he wants to be a monk at this monastery and goes back to Moscow to ask his father. Pyotr agrees on two conditions: 1. Sasha cannot join the order or speak to Father Sergei until after the next harvest; 2. Sasha will be disinherited. Which honestly I think is fair.

A minor character that sets a lot of major things in motion is the Metropolitan of Moscow, Aleksei. Took me a minute to figure out that that means he's a bishop. Anyway, basically his job is really to deal with problems that might hurt the future of the current family ruling. Initially, he lines up marriages: Olya to a lesser prince that could have a claim to the throne of he married higher, and Pyotr to the Grand Prince's mad daughter, Anna Ivanovna. She saw demons everywhere except the church, so she wanted to be a nun. Of the two arranged marriages, the latter was less necessary in the initial context but crucial to rest of the plot. On their way back home, they run into a strange man, slight in stature but moves too quickly to see with pale skin, curly black hair, and icy blue eyes. He admires Pyotr's horse and Kolya is a dick to him about it, so the man has a knife to his throat. To save Kolya, Pyotr must give a necklace with a bright sapphire stone in it to Vasya to keep with her always. Kolya forgets the encounter altogether and wonders about the white scars on his neck... Pyotr is nervous about he necklace, so he gives it to Dunya. Dunya doesn't want to spoil her, so she decides to keep it for a while. Then she starts having one of several dreams in which she is confronted about keeping what is not hers.

After Sasha and Olya leave to be a monk and marry, respectively, Vasya spends less time with people. We soon learn that she can see creatures, the spirits from the old fairy tales Dunya told. Except they're real. Vasya is not crazy, and neither is Anna, but Anna is too Christian to be cool about it. Plus, Anna is a mean stepmother, strongly preferring her own daughter, Irina Petrovna. Vasya soon befriends the domovoi who lives in the oven and protects the house. Vasya doesn't realize her family can't see these creatures, so she talks to the vazila, the spirit of the horses who guards the stables. He says that she and Anna are the only people who can see them. Vasya thinks the stables are safer, so she visits the vazila often. He teaches her to speak to horses and understand them.

Then our friend Aleksei the Metropolitan does his last bit of manipulation. There is a priest in Moscow who is very good looking and gifted at painting icons. Aleksei is concerned that this will cause too many disruptions, so when the priest up in Lesnaya Zemlya dies, he sends the pretty priest, Father Konstantin Nikonovich, up there to take his place. I've never hated a fictional character so much in my life. Vasya is talking to the rusalka, a river demon who lives off of consuming the fears and desires of various animals and humans, killing them in the process. She goes for men a lot. Vasya unfortunately stops her from killing Father Konstantin. He immediately dislikes Vasya, thinking her too bold and not pious enough. Anna is obsessed with Konstantin because priests are her favorite and this is a hot one.

As time goes on, Vasya gets less and less like a lady should be, which infuriates Konstantin, but he's also having impure thoughts about her, which infuriates him in other ways. Anna and Konstantin try to convince everyone that if they continue to leave offerings for the old spirits, they will go to Hell. But shortly after, the village faces all the hardships. Freezing cold. Food shortage. People dying from the temperature. Wolves eating livestock. And then the crops flood. What survives the flood in the spring burns in the summer. Konstantin tells everyone that God is testing their faith, meanwhile Vasya is trying to sneak offerings and keep people alive. She also learns how to ride horses. Pyotr betrothes her to a Lord/horse breeder from a few towns over, Kyril Artamonovich. He's an oblivious ass. When he finds out she can ride, he calls off the wedding and leaves. Konstantin convinces Anna that Vasya somehow will get Irina killed, so when Pyotr leaves town, Anna tries to get rid of Vasya, either by death or by hog-tying her and taking her to a convent. Anna tells Vasya that she can stay if she finds snowdrops (the flower) in the forest (it's midwinter). Vasya takes off to find some, deciding worst case scenario, she would rather die in the forest than in a convent. She ends up at the gnarled black oak from her childhood, and the one-eyed man is still there. He tries to grab her, but the same man on horseback swoops in and saves her. He takes her back to his "house" to rest. She shortly finds out that he is Morozko, the god of winter and death. The one-eyed man is his brother, Medved, the Bear, the god of fear and suffering. Morozko has had him bound for a few hundred years, but with the offerings decreasing, Medved's strength is increasing. Morozko is known to be a trickster and a lavish gift-giver. Among other things, he gives Vasya a horse called Solovey (Russian for Nightingale), a young bay colored stallion who is not quite as mortal as your average horse. He also gives Vasya some snowdrops so that she may go home, but when she arrives, things are not how she left them. This is where we hit the climax, and I'm not giving away the ending. 😉

I'm very into folklore and old religions, I love forests, and Russian history is so long and colorful that it's been a fascination of mine for a while. Plus, ice stories interest me, maybe because my birthday is frequently cold and icy. So this was a great book for me to read. It's also clear how well-researched it is, as well as spelling things so that an English speaker would still be saying it with the Russian pronunciation.

On a scale of 1-5, I give it a 4.5. It would be higher but so many characters were unlikeable.

[fangirling-phoenix]

#minty don't look #opal alesya #ocposting #WW2 CONTEXT: we found classified government documents last last session that described the current country we're in breaking treaty #with the country opal's from #SECRETLY breaking treaty because the treaty is essentially about a ceasefire btwn the two countries #but now this country is doing military stuff in places there's not supposed to be military stuff #and as soon as my dm described all of this it was like kill bill sirens started playing in opal's head #and i went to my dm and went. hey. so. i'm sending those documents to my country. #i'm sending them straight to the top. #i'm sending them to vasya. #SO WE'LL SEE HOW THAT GOES!!!!!!!!!! #i also sent her a postcard. opal is and always will be a Little Bit Weird 😂

COULD NOT leave the context out of this XD

oh man finally gotten to bed after packing hell so IT'S TIME FOR OPAL

opal. is my most MOST dnd pc. by a massive margin. my god. i love them to bits, but they are so much in every possible direction at all times

to summarize them in one quick phrase, you can think of opal as a barbie sephiroth powerpuff girl winter soldier. none of these words belong in one phrase together, yet we've gotten it there anyway!!!!

under the cut bc i expect this to get quite long 😂

god, where do i even start with opal. imagine the platonic ideal of a manic pixie dream girl, add in a touch of airheadedness, then give the entire creation the attention span of a magpie on crack.

that's what opal is like.

opal is also the clone of the princess of the enemy country to the country the party is currently traveling through.

BUT WAIT, THERE'S MORE!!!

opal is a top secret government project created as a gift to the royals of that country, a tribute to wizard hubris, and a proof of concept for a devastating military weapon that will win this country the war.

because opal isn't just a clone of the princess (her name is vasya). opal is a marble statue of the princess, carved into shape, then engraved with the magical principles and equations to bring that statue to life. opal wasn't just made to be a genetic clone of vasya. opal was made to be vasya. a complete clone, down to the skills and memories of the original vasya.

imagine, if you will, an army. there are people in it. and people die. people have families they'll never return to, loved ones who'll miss them, and, quite frankly, they're pretty freaking expensive to keep as functional soldiers!

now, i must copy paste the description block for the spell True Polymorph.

"Choose one creature with at least 1 hit point or nonmagical object that you can see within range. You transform the creature into a different creature, the creature into an object, or the object into a creature (the object must be neither worn nor carried by another creature). The transformation lasts for the duration, or until the target drops to 0 hit points or dies. If you concentrate on this spell for the full duration, the transformation becomes permanent."

imagine, if you will. a quick, easy, and cheap way to mass produce True Polymorph, without the need for a high leveled wizard to cast a level 9 spell every time. all you need are a handful of pebbles, and boom, you have sentient, sapient, competent soldiers.

this is what opal was a proof of concept for.

SO, to summarize so far:

peppy, sunny attitude! that's the barbie part

devastating military superweapon person: sephiroth

entirely artificial being, yet extremely cheerful about it: powerpuff girl

devastating SECRET military superweapon. is also from a russian empire-inspired fantasy country: winter soldier

also we named opal's creator after rasputin. yeah, that rasputin. yeah, like ra ra, russia's greatest love machine? yeah, we thought it'd be funny. her name is grigori and she has a lot of problems (opal is the cause of most of them 😊)

anyways, so opal gets created, and is, for all intents and purposes, a carbon copy of vasya. but as a prototype for this weapon, there are still some kinks to work out, one of being that, to maintain the same memories and whatnot as vasya, they need to essentially get regular software updates. but otherwise, perfect vasya clone!

except grigori starts noticing little discrepancies. little anomalies. the clone isn't a perfect vasya clone. the clone is developing a nascent personality—a nascent personality that keeps getting overwritten with every download.

the clone isn't a hollow clone.

the clone is alive.

"my god," grigori says, horrified, "what have i done? i have created life; not in the mundane, mortal way. i once posited myself on par with the gods, and now i have created life, just like they do.

"...i am so fucked."

and so, with that religious and moral crisis in her pocket, grigori decides to steal the clone and scram.

it's time to be fugitives!!!!!

grigori is a genius, if, at this point, a genius with extreme anxiety. and so, grigori has several contingencies ready, on the off chance she needs to bail. the one she goes with now is a classic wizard tower, hidden from prying eyes by magic and a beautiful grotto where no one goes. think tangled, the tower in the grotto that rapunzel lived for most of her life

and during this entire fugitive road trip, without regular downloads from the og vasya herself, the clone's vasya memories start to fade, but their new mannerisms start to stick. and now we have opal, who could not be more different from vasya in demeanour if they fuckin tried

also now, after much work on grigori's part, opal has been true polymorphed (even more) to look like someone entirely different! vasya is a magenta-y purple-y tiefling with tall horns, whereas opal is now a lanky purple drow around the height of vasya's horns. they got to customize their Look heavily (perks of having a high level wizard who can cast ninth level spells regularly).

oh also, chronologically, opal is only 6 years old 😊 when they were 'born,' they were created as the then-teenaged vasya, and while the memories of being vasya has mostly faded (not everything), the rough mental age and whatnot remained the same, so technically opal is like 22? but chronologically 6, so you bet your ass i'm so ready for the day i get to drop that bombshell 😂

OH YEAH and most recently, much to grigori's distress, opal has broken out of the secret wizard tower to go explore the world. it'll be fine grigori i'll be so careful!!!!!!!!!!

(they were not, in fact, careful)

mechanics-wise, opal is an echo knight, and while i'm not yet privy to all the deets (there are discoveries to discover and i can't wait :3) their echoes are like, something something potential versions of opal? mechanically, this just means that every time i summon an echo, i roll on a random table to see what form the echo takes, with some dnd species having higher probabilities to show up. and yes, if i roll tiefling, i then roll a d4 to see if vasya herself shows up. EXTREMELY NERVEWRACKING AND WONDERFUL!!!

also the first time i described how opal looked to the entire party, and that they were wearing a long, black coat with silver buckles all up the front, everyone was like "..............hey olive? is this sephiroth?"

and that was the first time i realized that opal dresses like pirate sephiroth. they even have a scarlet macaw familiar. shoulda named it genesis, methinks. (her name is actually ariadnoula)

GOD WHAT ELSE THERE'S ALREADY SO MUCH

opal is so freaking much i love them. last session they gave the other pc (vae) a minor religious crisis by asking too many questions about the logistics behind death rites. they tried to ambush-slam a flower crown on vae's head and ate shit when he dodged. they impulse-held a woman's hands as she went nuclear and died because they didn't want her to die alone and afraid. one of their life dreams is to swing on a chandelier.

oh also opal may have just started ww2. maybe.