#i love sketching because I don't think hard

[erabu-san]

Madam faruzan

+ a nilou sketch because god I love her

[vargaslovinghours]

And never let you go ♥

Bonus without the overspill lighting:

[retrogradedreaming]

I need to start thinking of ideas for the prompt list I made to get myself to sketch more in October, but instead I'm drawing self-indulgent comics about cats 😭

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[kakusu-shipping]

Please excuse me sending this to you at 5 am but alas I was hit with a sudden silly thought jcbcjhdsj

The fact that we’re friends in our shared universes but I only have one s/i is so funny to me cause like,, every universe I pop into I’m like “woo time to hang out with my buddy Emile who I’ve met multiple iterations of” but for you it’s a relationship that’s locked for each universe. Like,, King Devin and Dorian are two completely different friends in completely different worlds for your s/is but for me you’re just,, my orange buddy whose different versions I happen to run into every now and then as I travel the multiverse,,,

I had this little headcanon that you were just multiverse faceblind; So no matter how many times you met me (or any other characters who may exist multiuniversally) I always seemed like a completely new person every time. I even had a little comic idea sketched out I was gonna finish when I finally got out of surgery recovery

But also you just like. Knowing it's me every time is equally as funny. Especially when comparing the Mes. Like Jelly Emile is dead Silent but Mario Emile cannot shut up. Pokemon Emile's the chillest Go With the Flow man you'll ever meet, MLP Dragon Emile is stressed 25/8. Sonic Emile's dumb as a box of rocks, Deltarune Human Emile is majoring in 5 subjects at once. I contain multitudes.

Platonic Soulmate kind of thing where you just keep bumping into me everywhere you go. Friends in every timeline.

[mementoasts]

jonathan sims head archivist of the magnus institute london

[stromulites]

hesitant to put my actual rendered pieces online these days. i'll probably just throw doodles here. They're shitty enough that I don't really care if they get scrapped (not my best work nor my more insane things I've drawn)

[ne0nwithazero]

It's strange how I kind of went from consistently disliking my art, to like, disliking individual pieces, but when I look at my overall work I just get filled with so much joy and pride

It's not like I'm doing anything groundbreaking or utterly amazing, but I guess it's the thing of like, seeing myself as an ordinary human capable of creating things? I just see so much beauty in humanity's capacity of creating things, and I guess I had to teach myself to see that beauty in my own capabilities as well, no matter how mediocre they are

It's hard to say I like things I create because I fear people will think I'm full of myself, but I just have so much pride in my work. If I start looking too closely at my art, I start seeing all the mistakes and everything I hate about it, but if I step back and take in the bigger picture of all I've done and how far I've come? I don't know, it's a strange feeling to describe

It's best described as this sentiment of fulfilment that makes me realize that there's nothing else I'd rather be doing with my life other than creating art I love and sharing with people

[that-oracle]

I need to sit down and draw so baddd. issues been deciding what I want to draw lol (well that and ive been busy with other things)

Perhaps I'll make start making pieces of the straw hats with their pokemon from my one piece x pokemon au? (probably with their ace unless i decide to draw another one from their team lol) dunno if ill commit to drawing full pieces for everyone if i decide to do that. i think im only gonna do that with which ones i think would be the most fun. But i may say least try to draw everyone. Hard emphasis on try. I'm bad at committing to doing things lol

We'll see!!!!

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!

[xblueshin]

got a bunch of messy doodles!

I love drawing in the Lego Monkie Kid style, but I want to also develop a style that's more "mine" I'm still experimenting around what I like best; I'm not 100% sure yet.

I wanted to have 2 styles because:

1. It's fun to experiment around (even though the very first stage of figuring out how to draw a character can be frustrating, lol).

2. Last time I've drawn characters in a radically different style from mine (the sonic characters) for a long while, I went back trying to draw humans again and it sent me into art block immediatly, I felt like I couldn't draw humans anymore and I'm still struggling with it, so I don't want a repeat of that.

I think from here I want to try and add stuff to their designs. For example, on these sketches, I already added the turquoise lines under Wukong's eyes because I LOVE when people draw him with them. I also love the curly hair that resembles his nimbus that some people draw him into. I dunno if I want to implement that because I hardly change character designs too much; it was already hard for me to change Mac's and Wukong's colors for skin and eyes (I still want to slightly change Mac's eyes color, though).

Fun fact: I made the 2 doodles of Wukong looking down while I listening to Monster from Epic: The Musical. I dunno, it just clicked. I've been imagining Wukong singing it, lol.

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[norameld]

A Vacation Dinner Out Art & Story by: Nora Meld (me!) Full Size Image Here!

Prev | Next Bonus Panel (Just a sketch):

As with the last two, this was inspired by @yamujiburo 's wonderful series of comics that can be found here. The outfits are from the mom fashion post.

I like to think that Delia is a super harsh critic of fancy restaurants because of how good the food she makes is. Something like the mindset of "well if it's this expensive, it has to be perfect," and more often than not, they don't live up to her high standards. I also like to believe she gets really intense about it without realizing. It also tickles me that she would be a famously harsh Silphpages reviewer that ends up becoming highly respected and has a notable effect on every restaurant she reviews, unbeknownst to her. I was experimenting with text, and page sizing, sorry if it's a bit hard to read! The link to the full size image should make it much easier to read. Thank you as always, Kiana, for the inspiration and fantastic art, it fuels my love of Pokemon even further.

[strange-creature-222]

OUUGHHH THIS IS MAKING ME THINK SO MANY THINGS OH MY GOD/POS

@lilywithcatears you should read this pls pls pls

I found myself thinking of Jekyll today and wondering if it causes him physical pain to have to fake a smile. To what extent is Henry Jekyll, pleasant doctor and sophisticated upperclass gentleman a painful mask he has to wear and does the discomfort ever feel physical?

I was at the local aquarium today (this is the perfect time of year to go because it's open but there are no tourists so it's never crowded and admission is cheap) hanging out and doodling on one of the benches while I watched the fish. I had on headphones to listen to an audio book and to provide a buffer between myself and anyone who might try to talk to me and I had been looking forward to relaxing for a couple of hours when a family walked up and the father waved his hand in front of my face to get my attention. The minute they started asking me questions about what I was drawing I was filled with what I can only describe as intense dismay.

Obviously the family being present isn't in of itself an issue, it's a public aquarium, it's aimed at families and parts of the aquarium are geared specifically at children, but the family noticed me drawing and stopped to talk to me.

I reiterate that this was not something they did wrong, they were just being friendly, but I was really not prepared to have a conversation and I found the whole ordeal to be...well an ordeal. They were interested in what I was drawing (a sketch of Henry Jekyll because he's been on my mind off and on) and just the thought of having to explain who this character was, hoping they got it, and having to potentially explain why I was drawing him felt overwhelming.

And it was, they did not know who Henry Jekyll was, they were vaguely aware of Jekyll and Hyde but weren't the type of people to read classic literature and had never heard of the musical or actually seen for themselves any movies featuring the character. The mom commented that he looks like "a Disney villain from back in the 90s" which...fair assessment, I can't pretend I don't see why she would have thought that. The older kid was probably the most interested and wanted to see more of my drawings which made me really uncomfortable but I let him look through my sketchbook anyway because his parents kept saying he was interested in drawing and he loves art and I felt too anxious to say no.

I made small talk with the parents for a while, all the usual, "what's your name, where you from, what's your job?" (I hate those questions, they are usually the least interesting things about any people, myself included) and I wondered if this is what Henry does on a regular day. Has ordinary conversations with reasonably nice people and feel completely like a fish out of water the whole time. I felt pretty terrible about it too, I didn't have any hard feelings or resentment but the whole time I was thinking "Stop touching my things, go away, please fucking leave so I can get back to my audio book and my drawing. I just wanted to sit with the fish for a few hours because it's supposed to be quiet here this time of year."

No one ever seems to catch on that physically talking to people is an effort for me. I've gone my whole life and no one has ever noticed that I'm anxious or uncomfortable in situations where I have to speak out loud because I've gotten good at faking small talk and I know how to make my voice sound pleasant.

It's strange because I express myself easily enough in writing and I like messaging with people over text but the minute I have to be verbal with people I don't know I feel like I'm putting on an immense effort. I have to consciously choose a tone, figure out what words I want to say, be ready with an explanation in case I'm asked questions and I have to do all of it in real time on the spot. It feels like improve, like I'm constantly doing an improve routine and I know most people would say "Just be yourself!" But myself doesn't want to be doing this at all. Myself wants to be drawing and looking at fish. Even as a child I was never very social, I liked to doodle or daydream or build with my lego sets. I got reprimanded a lot for being too quiet. So I made myself more talkative and learned how to hold conversations. I learned to blend in but it's so tiring at times and I can swear when it's at its worst it feels almost physical. The discomfort becomes a suffocating "texture" on my skin and in my brain and I have to keep pretending like I don't notice it because every time I try to articulate how I feel people don't understand it. It's just not a thing they experience.

So I just keep "acting normal," and wonder if there's something wrong with me, like I'm operating on a different frequency from the people around me and I'm the only one on that frequency so other people don't even know it exists. It's...incredibly isolating at times. Even my partner doesn't seem to hear the world as loud as I do or experience the "texture" it's just a strange THING that I'm stuck with by myself. I wonder if it was the same for Henry Jekyll? Except instead being of too quiet he was too loud, too boisterous, threw tantrums, didn't know when to stop rambling about anatomy and weird gross medical facts. So he learned how to cover it and move through life pretending to be interested in everyone else but keenly aware they could never share his interests because his favorite subjects were too grisly and if he started talking about diseases he'd put everyone off. I head-canon Jekyll loves what he does, but he doesn't love it for reasons a doctor should, he doesn't care that much about healing the sick, he cares about conquering illnesses, he likes to learn about symptoms, he enjoys the disgusting viscera of his work. But he can't let on that this is what he enjoys about his work because that's not noble or heroic, it's something most people would find creepy of him. So he buries it and pretends he cares about curing the sick. He pretends he enjoys talking to people who don't know anything about who he is or what he does but they think they do because they are aware of doctors and understand that medicine exists. All the time he loathes it, it exhausts him and he can't even indulge in activities he enjoys to blow of steam because he enjoys things like brawling, doing drugs, and fucking. All things a man of his status shouldn't be seen doing. There's an image people associate with Henry Jekyll and it's an image he can't afford to tarnish...

but it's not really HIS image, it's just a buffer he keeps up to make himself more palatable. I wonder if that ever hurts him physically, if the mask ever feels like a "texture" muffling him.

there are times when I feel like it's no wonder he wasn't repulsed by Hyde when he first saw his reflection. Because I can only imagine by the time Hyde showed up he was already completely burnt out on being Jekyll.

[harunovella]

*:･ﾟ✧*:･ﾟ✧ love language (verse ii); s.g.

synopsis: when gojo satoru first interacted with you content: teen gojo era, fem!reader, hopeless!romantic gojo, 1k+ words of gojo and reader saving a kitten (a moment straight out of a romcom for sure), not beta read (sorry for any errors!) note: truly didn't think the first part to this anthology series would gain such attention! thank u for that! again, these can be read as a standalone (or connected to this one, but you don't have to read it); enjoy and lmk if u want more!

It was this specific cherry blossom tree Satoru always found you under. The one Kento mentioned the first time he ever asked him about you. If you weren't busy with training or missions, or enjoying life outside the jujutsu world, he found you there. Although there was an array of trees, there was one specific one you seemed to gravitate towards. 

He wasn't sure if it was the specific spot that had good lighting for when you wanted to read or sketch in your little book, or maybe it was the way the roots formed a perfect spot to sit in between... whatever it was, he knew it to be your tree. Even when you weren't around. There was something... welcoming about it. Whenever he walked by with Suguru and Shoko nearby, or whenever he was aimlessly wandering around, he always found himself peeking in its direction, hoping you were sitting underneath it. 

For a confident young man, it took Gojo some time to make his way to you. Claiming to love you when he hadn't even uttered a word in your direction was bold, even going as far as believing you were his soulmate was quite the exaggeration. So why was it hard for him to simply say hello? 

Maybe it was because he wasn't a simple person. Nothing about Gojo Satoru screamed simple. He was anything but that. Yet, a task as easy as that—which came naturally to any other girl around him—was a hassle. Each time he thought he found the courage to step up, he let his racing heart deter him. 

That was until you made the first move. 

It caught him completely off guard, the way you gently tapped his arm from behind, peeking up at him with that sweet smile of yours. His heart did somersaults, his eyes widened behind his round frames, so big that his shades couldn't even hide them. He had been on one of his little walks, new treat in hand that Shoko bribed him with in order to practice her reverse curse technique on him. He was bored, completing his missions and not having much to train on when he already excelled at everything. 

At everything except talking to the girl of his dreams. 

"Hi," you kindly greeted, smile reaching your eyes. Oh, god, you were an angel. A being descended from up above. How could you exist so easily in such a cruel world? He needed to protect you, right? Even if he could see your cursed energy oozing out so brightly. You must've been powerful, something he never considered, always looking at you like you were some little bunny to keep in his pocket... not one who could possibly kick the shit out of him (if he'd let you and he definitely would). "Can you help me out?"

"Pretty..." the words slipped his mouth before he could even process them. Quickly sealing his lips and clearing his throat as you tilted your head, Satoru straightened his back. "What is it?"

Dismissing the sudden word vomit, assuming he was in his own world, you pointed to the left of you. "I sit under those trees, but I keep hearing soft meows coming from one of them. I'm too short to reach... do you think—"

"Yes," the white haired young man instantly nodded as you blinked. Without a second word, he turned on his heel and stalked towards the tree that you claimed your own. 

You, a bit baffled, were unsure as to how exactly he knew which tree you had been pointing at when it was a general direction. Yet, there he was, approaching the tree you were referring to. "It's quite high up, but you're very tall!" You called out before following after him, lightly jogging to catch up before stopping behind him as he eyed the tree. 

In reality, Gojo didn't think any of it through. He just wanted to say yes to be around you, to hear you speak more. Not... to climb up a tree to save a stray kitten. But, whatever made him look better in his eyes, he didn't mind. 

"Be careful!" You exclaimed as you watched him make his way up the tree, no hesitations. You were a bit surprised that someone so easily wanted to help you save a cat. Maybe he liked animals, too?

Or maybe he was a fool madly in love with you—you wouldn't know this yet. 

"Oh, there! You've got 'em!" You clapped as you watched the uniformed young man gently reach for and latch onto the small, white kitten. 

"Ah, don't worry, I'm only here to help you," Gojo said, carefully pulling the kitten towards himself. "I've got you, you're safe now. I just gotta figure out—"

"Watch out!" You shrieked.

"Shit!" Satoru yelped as he lost his balance, clutching the kitten close as he slipped from the branch. Landing with a loud thud, followed by several groans of pain (and pure embarrassment... when did he ever make himself look like a complete fool?!), Gojo rolled around with his eyes closed. 

"Are you alright?!" You panicked, rushing over and kneeling at his side, gently lifting his head with one hand as your other pressed carefully against his shoulder, eyeing his body for any wounds. 

"Agh... dammit..." he grunted, eyes fluttering open and adjusting to the brightness of the sun. Blinking a few times, blurred vision focusing, his heart skipped a beat at the sight of you. Your hair that was usually held back by its ribbon, cascaded around your face as a few strands slipped out from the ponytail. With eyebrows narrowed and a look of worry on his face, Satoru's embarrassment turned into that of timidness. You were engulfed by the sunlight, glowing like the angel you were. "Gosh, you're so pretty..."

"Are you okay?" You asked in a panic, his mumbled words coming off too slurred to understand. "Did you hit your head too hard?"

Shaking his head as he forced himself to sit up, Gojo rolled his shoulders and cracked his neck. "No, 'm fine..." he sighed before looking down at his hands to the kitten. "So is this little guy."

Turning your attention from the white haired young man, to the matching kitten, you gasped, "what a hero!"

Grinning and feeling the heat rise to his cheeks, Gojo shrugged, "eh, ''twas nothing..."

"You almost broke a few bones, though..." you frowned, looking back at him. 

"I'm tough," he brushed off before turning to face you. Now eye to eye, the sudden confidence instantly sizzled away as he gazed at you from up close. A sudden silence weaved between the two of you as your eyes locked, nothing but the sounds of nature and the kittens purring filled the air. "I..."

"Um..."

"You should keep it," Satoru suddenly said, handing you the kitten. "Deserves a nice home."

"Oh, me?" You asked as you took the kitten in your hands, caressing its soft, white fur. 

"Yeah, I wouldn't be a good dad," he chuckled as he rubbed the back of his neck. "You... You'd be a great mom to it, I'm sure."

Eyeing the kitten, then looking back up at him, you smiled, "we can coparent."

At your offer, Gojo gulped. "Co... parent?"

"Yeah, like, help me out with..." lifting the kitten up, you squinted your eyes, "her."

"I... I don't know much about taking care of animals but I can try and help as much as I can," he offered, scratching his head nervously. 

Smiling, you brought the kitten close to your chest, "you saved her from a tree, I'm sure she will remember that."

"Yeah, maybe," Satoru blushed.

Looking down at the kitten as you pet her, listening to her gentle purring, you happily sighed, "what's your name?"

Quickly pointing at himself, the blue eyed boy asked, "mine?"

"Mhm," you nodded. 

"Gojo. Gojo Satoru. You can call me Satoru, though," he nearly blurted out as you chuckled before giving him yours. 

"Well, Satoru," you beamed as he melted at the sound of his name slipping off your tongue, "I think I'll name her after you."

"Wha— Satoru? But... she's a girl?" He tilted his head with furrowed eyebrows. 

"I was thinking of a nickname," you said before looking down at the kitten. "I'll name her Toru. It's cute, right?"

Nodding slowly, then faster, Gojo agreed. "Yeah, Toru is cute."

Lifting your gaze to meet his, you gave him a toothy smile. "Toru it is."