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picturejasper20 · 7 months ago

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Another thing about Steven Universe as character (and the series) that has been mischaracterized over the course of the years and the source of a good chunk of discourse online is the relationship that Steven has with the Diamonds.

A lot of videos, posts and memes have spread around the idea that Steven went to Homeworld in the final arc of the series because he wanted to ¨be besties¨ with the Diamonds, when what happens in the actual show is very different.

In the episode "Legs from Here to Homeworld"-which takes place after the episode ¨Reunited¨ that Blue and Yellow Diamond find out that Rose Quartz was in fact Pink Diamond- Steven shows to Blue and Yellow one of the corrupted gems (Centipeetle) and helds them accountable for making a lot of gems end up this way and orders them to fix the mess they caused.

Steven: ¨Do it again! It was working!¨ Yellow Diamond: ¨How long do you expect us to hold her together?¨ Steven: ¨I don’t know. Forever! You did this! So you have to do something!¨

Seeing they need White Diamond to fix the corrupted gems, Steven thinks of going to gem Homeworld to see if he can talk to White about the corrupted gems and convince her to come to Earth and help them.

That's the main reason Steven goes to Homeworld- he doesn't like the Diamonds nor wants to be friends with them- he just wants to see if White Diamond can listen to him and help to heal the corrupted gems.

He is aware that the Diamonds listen to him because he himself is a Diamond-Pink Diamond. So he goes along with this little game pretending to be Pink thinking that way White Diamond and the others will listen to him. He believes that maybe as ¨Pink¨ he can make them see the errors of their ways and stop this mini war conflict that he has been caught on in the last few years.

Others have made more detailed analysis about this in the past, that a good part of this arc has a huge trans/queer metaphor for Steven's character- where he keeps being refered to and imposed an identity he doesn't see himself as. He gets called by the Diamonds and other homeworld gems as ¨Pink Diamond¨ and refered to as ¨She¨, when he often corrects and clarifies that he prefers to be called ¨Steven¨.

The final showdown against White Diamond is about this: White keeps trying to play mind games with Steven, making him believe that Pink/Rose is still alive in him and he is in fact Pink/Rose. Because Steven doesn't know this for certain, it proves to be effective for a while, making him feel very confused.

White believes that she is perfect in every way- it is what all her identity is about. She is obsessed with her own perfection so much that she doesn't allow herself to think that she has flaws nor she can't be wrong about something- and because she thinks she has to be perfect, that means that she is right about Pink Diamond still existing inside Steven.

The reality proves her wrong when she takes out Steven's gem and everyone sees that the gem part turns into Steven. As a way of metaphor to a trans allegory and self love, Steven sees that he has always been himself and he shouldn't let other people define what his identity should be, that only him should decide that.

So, in a way, the Diamonds Days arc is intended to be seen as a metaphor to a LGBT+ kid/teenager standing up against their relatives, grandmothers or aunts in this case- and prove them wrong about their identity, that they are what they are and their family can't change that.

Okay, so Steven proves the Diamonds that they are wrong, they change their minds and they help with healing the corrupted gems by the end of ¨Change Your Mind¨.

Does this means Steven becomes friends with them after this?

Well... no

In Steven Universe The Movie, during the song sequence ¨Lets Us Adore You¨ the Diamonds beg Steven to stay with them a bit longer because they miss having Pink around, Steven is seen very uncomfortable around them and wants to get out as quickly as possible to return to Earth.

He sees them as somewhat allies and tries to persuade them in different ways to improve the current situation on Homeworld but he doesn't seem to like them much and doesn't enjoy being around them even if they aren't acting antagonistic towards him anymore.

He has a similar reaction when they come to Earth near the end of the movie. He is very done with them and says that they staying to leave on Earth isn't a good idea on the long run. Instead he shows Spinel to them and Spinel sees this as an opportunity to make a new friend again.

Well, about SU Future? How does Steven feel about them in that series?

In Future is where Steven begins to show real strong PTSD trauma symptoms (something he has had for a while except it wasn't nearly as strong). He knows that he has a problem most of the show but he avoids going to ask the Diamonds for help because he just feels very uncomfortable around them and it reminds him of traumatic experiences he had with them in Diamonds Days arc.

He doesn't go to them until after he accidentally shatters Jasper in ¨Fragments¨ and sees himself as a monster because of this. He separates himself from the rest of the crystal gems, feeling like he is as terrible as the Diamonds were. In ¨Homeworld Bound¨ he interacts with the three Diamonds, asking them for any way they can help him with his powers.

Most of the episode he feels frustrated because A) He can't find a solution to his problem and B) Sees that the Diamonds and Spinel are doing pretty well and he has been getting worse. It makes him get more and more angry the more time he spends in there.

The scene that leaves pretty clear how he feels about them, specially White, is when he talks to White. As shown in the gif above, when White touches Steven near where his gem is, Steven pushes her hand off from him, clearly being reminded of the time White ripped his gem off him in ¨Change Your Mind¨.

White uses her powers so Steven can talk to own self. This leads to an iconic scene that Steven gets angry at himself and White. He has a very strong intrusive thought of crashing White's gem into a pillar for what she put him through. He gets shocked for this and makes him run away scared as result.

This scene leaves clear that Steven has a lot of buried resentment for what the Diamonds did to him, mainly White. Being around them reminds him of his trauma, it makes him deeply uncomfortable and he would rather avoid them as much as possible.

The Diamonds get concerned about Steven and show up during the events of ¨I Am My Monster¨ when Steven transforms into gem like monster. The Diamonds and Spinel blame themselves for Steven feeling this way because of their past actions. White feels it is her fault because of how she hurt Pink Diamond and this brought problems to Steven.

They help with calming Steven down and him returning to his human form. Now there is some argument to be said about why they took part of this hug aside from using their powers to help the gems. I have talked more about this in here but i think it is to represent Steven accepting himself as being part Diamond and maybe forgiving, realizing that he isn't an ¨irredeemable monster¨ because of what he did, that way he stops seeing himself as one and goes back to his normal form.

After this, it is a bit unclear where Steven stands his opinion on his relationship with the Diamonds. I would assume that it is probably not much different than it was before. He still doesn't like them and probably doesn't want to be around them even after all that happened.

In short: Steven sees the Diamonds as allies and post the events of ¨Change Your Mind¨ he shows to be uncomfortable being around them, he doesn't seem to like them and mostly prefers to avoid them. He is glad that they are changing their ways for the better but he would prefer to not interact with them if he doesn't have to due to his own trauma.

The Diamonds regret how they have hurt Steven (and Pink) and care about Steven but he thinks it is better for him to have a distant relationship with them for the reasons i discussed. They can still improve and make amends for everything they did and Steven doesn't have to feel forced to have a relationship with them if he doesn't want to.

There are other things that could be discussed, about how the Diamonds Days arcs should have been longer or how the Diamonds needed more screen time- However, the point of this post is talk about people have mischaracterized Steven's relationship with the Diamonds, saying Steven is best friends with them when in reality he doesn't like them and spends most of Future series avoiding them.

#steven universe #su future #steven quartz universe #the diamonds #pink diamond #blue diamond #yellow diamond #white diamond #su analysis

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14dayswithyou · 2 months ago

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Back at it again with another one-

Now, I sent a past mini theory that I believed Ren's dad did something to him after he ran away (Causing their mother to go into hysterics and etc Yada Yada yap yap) But I really haven't been able to figure it out despite knowing it must have something to do with the scars but once again its really hard to imagine unless he like...pushed [REDACTED] into a fire or they got in a fight and it resulted in a fire and [REDACTED] got the scars trying to escape the fire.

I haven't seen day 4 yet, only small pieces of beginning and end so bear with me for this part but could the black mist somehow be hmmm, Ren's guilt/trauma/something that haunts him? I thought about that one post where it was said [REDACTED] didn't sleep due to nightmares of his past.

Thats pretty much all I have for now as a theory/analysis-

Also is [REDACTED]'s name Draven, its the only thing I can thing of right now but it doesn't fit some categories.

⌞♥⌝ In love with your theories actually <3

Ren's scars will be discussed later in the game, so I won't say much about them here (out of potentially spoiling something). However, I will say that he only has scars along his hands and arms! It's why he started covering them up with tattoos and constantly chooses to wear long-sleeved clothes — even in summer.

As for the black smoke: its existence is a bit more literal than the concept of Ren's guilt/trauma haunting him. Again, I can't say much due to potentially spoiling things. Sorry!!

Ren's real name isn't Draven! Two of the letters in "Draven" are not part of it. It also sounds too close to Davrin, and it's giving me massive Veilguard withdrawals :( /silly

#Ok fine you win I'll replay DA:V again and kiss Davrin and Harding and Neve and Lucanis and 🙄 /j #So silly imagining Ren as Lucanis and Olivia/River as Spite <3 #Actually no; I am Lucanis and Ren is Spite....... At this point my ass is HAUNTED by that enby T_T #I yearn to infodump to Mon about this but I fear I won't ever shut up #💌 — answered.#💖 — 14 days with queue.#💖 — about ren.#to be tagged later #clownboymcchucklefuck #HELLO!!!! I HAVE MISSED YOU HAVE YOU RECEIVED YOUR VETERAN'S MEDAL YET?? /silly

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olderthannetfic · 2 months ago

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So, you mentioned low standards of research in podcasts. I don't listen to podcasts or watch a lot of videos about fandom analysis, but I have seen error corrections happening in the wild for what I have listened to, so I can only imagine how annoying it is when you know your shit.

Do you have any resources that come to mind as things everyone who likes fandom should be comfortable with, or specific essays on uniquely important fandoms (such as Sherlock Holmes or Star Trek) that everyone should read? Obviously the OTW resources are up there; what else?

Aside from resources, do you think there are any skills that are especially vital for getting to the bottom of fandom trends? Interview skills are probably pretty high up there.

Any pitfalls you see a lot of young fans falling into?

(I do a lot of fandom history research. It is the thing that gives me joy in fandom; other people like shipping or AUs, I like my little mini-anthropology sandbox and watching how ideas spread. I'm not necessarily good at it, but it's fun!)

Well... it's the usual things.

For example, a lot of fans claim to love fandom stats, but the ones that get passed around come from like three people. The people doing those stats, including me, don't usually have a statistics background, which doesn't automatically make them bad, but it really seems like people are just trusting anything with a pie chart.

We've recently seen people discover that those year-end AO3 ship stats have a seriously weird methodology. They don't show the thing their fans are actually trying to find out. People were pissed. But most of the time, they don't even bother asking what the methodology is or trying to do anything themselves.

There's far too much sitting back and waiting for some BNF to spoon feed one publicly-available information.

The big failings aren't usually the math itself but, of course, not knowing what question to ask, so it pertains to history research, not just stats.

You'll see a lot of stuff on shipping that looks at AO3 because AO3 shipping numbers are easy to pull... But AO3 shipping numbers don't just happen to be easy to pull: that is both an effect and a cause that is directly related to AO3's content. Someone interested in meta shouldn't be asking "What do AO3's numbers show?" as their first question. They should be asking "Why is this metadata available or not available and what does that mean on a sociological level?"

Thing two is the eternal I Have Apparently Never Heard of Anime problem. A fuckton of people theorizing about fandom trends seem to know fucking nothing about whole massive sectors of fandom or treat them as afterthoughts. This is okay if you're writing a history of Media Fandom. It is criminally stupid if you're trying to talk about what makes a piece of media have fic when another doesn't, what kinds of websites make fandoms take off, etc. Those kinds of broad questions need a broad understanding of what's out there.

It's not anime-specific, and I'm not asking for a high degree of knowledge.

I have routinely had people tell me that best friend ships and mystery/crime as a genre aren't popular, and that's why AO3 has this or that pattern... Meanwhile, buddy cops are the bedrock of oldschool slash fandom and make up basically all of the longest-running Western m/m fandoms that aren't Star Trek. CSI slop tends to have legions of future canon het shippers, and they make plenty of fanworks. It's just that some of this is more visible on FFN or older places, not AO3.

I'm always seeing things like someone speculating about how this and that anime fandom thing or bit of mid-00s FFN community drama led to this other thing on AO3, not realizing that AO3 came out of LJ Western fandom slash culture. To them, FFN is so central that it must be the main reference point, not the bajillion and one archives AO3 founders ran or Usenet or mailing lists or LJ.

I once saw someone asking on twitter about where a prominent Ranma fic might have been posted in the mid-90s. People claiming "My professor is an authority!" came out of the woodwork in droves to blither about K/S zines and then LJ. Not only was this entirely wrong, but the right answer was blindingly obvious if you knew enough to interpret the google results. I can only assume that the person tweeting had never heard of Usenet and didn't recognize the acronym for the big anime fanfic group that literally everything like this was first posted to.

I'm talking people insisting that fandom only goes for white characters when it's very obvious that fandom goes for majority leads who are not othered. All the bawwing in the world about "People assume anime characters are white" won't get rid of The Untamed or Kpop thirsters or whatever.

I'm talking sweeping pronouncements about gender and fanfic writers where the person hasn't even heard of FIMFiction or SpaceBattles or Dark Lord Potter cheesefests.

I've been in fandom for a long time, but I wasn't in all these parts, and I wasn't around for 80s zines. You don't need deep knowledge until you pick a research topic. But it's shocking how little shallow, broad knowledge a lot of people have when they're writing their Theory Of All Of Fandom History.

People are stupid as shit about survivorship bias, and fandom history is no exception. They're also dumb in the opposite direction, assuming that the thing they like now has always existed in this exact form.

For example, someone got mad at Fanlore for supposedly not documenting the history of f/f zines. Others have searched and searched for the zines of their old show they got into last year and are bewildered to not find any. The reality is that Fanlore editors are attempting to document every Media Fandom zine and have combed through old adzines looking for any mention of anything. Because of the methods of distribution—because it was expensive—small fandoms often had no zines at all.

Femslash fandom doesn't seem to have gotten enough critical mass to do much until Xena. The internet has really democratized things, but even the early internet was still somewhat in that old mindset where only certain popular things have a fandom. I think Yuletide itself, which started in 2003, really helped spread the idea of rare-but-existing fandoms being a thing. FFN and perhaps some other multifandom archives like Media Miner played a huge role.

Nowadays, we think of fic as just how you respond to media, any media, even if there are only two fics for that one car commercial, but that isn't how people saw things in every era—or at least it's not how fandom infrastructure worked. A lot of the time, the big hosting spots were single-fandom archives, often with restrictive content rules. Finding somewhere to post a m/m/f OT3 fic used to be hard. Never mind early zines when photocopiers didn't even exist yet and you had to sell out your print run of 500 to make a go of it.

All good research starts with a lot of preliminary investigation to figure out what you're even trying to look for.

Actually bothering to look for fans talking about their own history or casually chatting with your interview subjects before the formal interview will put a person miles ahead of many of the cringeworthy fandom ~papers~ I've seen.

The biggest mistake people make is going "Okay, these numbers aren't perfect, but some numbers are better than no numbers".

Bullshit.

As soon as there's a pie chart of the false numbers, everyone's brain turns off and they never look at the chart subtitle, never mind the research notes.

Bad numbers are often worse than no numbers.

Look at the logic behind the methodology first. Look at the social context. Basic understanding of human nature and familiarizing oneself with the shape and hangout locations of a community will get you most of the way there before you sit down for a specific interview or try to collect any specific numbers.

None of this is a fandom thing. Research is research. It's just that most people think "research" means watching a tiktok that the algorithm likes and were never taught how to evaluate a source for reliability.

Evaluating sources is a skill. I had explicit lessons on it in school. Lots of people don't, and that sucks.

Honestly, watching the more thoughtful debunking content on non-fandom topics, like Miniminuteman's stuff on pseudo-archaeology or Dan Olson's... everything, is a good window into critical thinking, and that's most of what's missing from bad fandom history.

But more than any of that, more is more. Not the crap stats, but the narrower, more personal accounts, the interviews. The more fans who investigate their little corner that isn't the same old AO3 site-wide "Why is there so much m/m?" ship stats or the same canned "Everything comes from K/S" history, the better.

What I object to is not amateur efforts but efforts that pull from the same small pool of data or that just reblog a tiny handful of supposed authorities.

If people are going to read just one thing... hmm... go try to look up a history of rec.arts.anime.creative, not because I think it's the most important fandom history out there but because it's at the nexus of things a lot of current fandom history work miss.

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sidsinning · 11 months ago

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Oh I know why I don't usually make analysis posts about my favorite character in Hazbin Hotel

Bc every time I start thinking about his traits

"He copes with his depression by locking himself up and making rubber ducks constantly bc he is a person who still naturally loves to create things, but has no control over his life so his mini coping mechanism for feeling at least some semblance of control is a repetitive small task he can manage in his current state, making the ducks"

It always divulges into

"-and that makes his effort to repair his relationship with Charlie so admirable and sweet like he's just doing his best as her dad who loves her so much while carrying his own trauma since the beginning of the human race like how is he so good he doesn't deserve what's been done to him gyah I love him so much best boy god his comeback in the finale was so cool and his demon design was peak and OOF like what he said to Adam and the way he revealed his strength was-"

Yeah

Ok I've figured out my own problem here

#hazbin hotel #lucifer morningstar #sidrabbles

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quinton-reviews · 1 year ago

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Hi Quinton!! I have been a HUGE fan of your stuff since a friend sent me the Tobuscus Fallen Titans (I used to watch him back in high school and was like "huh, wonder what happened to him after those allegations") and I gotta say, it is REALLY FUNNY every time my fiancé and I watch the iCarly videos again, because when you cover Gibby's stunt double breaking his ribs, you cut to a clip of The Official Podcast. I used to play D&D with one of the main dudes from the podcast, so when he talks during that clip I do a goddamn double take literally every time.

Anyways, I remember an original Patreon stretch goal being a Fallen Titans on Homestuck! I was really big into Homestuck in my early 20s, and was wondering if that's still on the table at some point? If not that's fine, I understand plans change! I just love Fallen Titans lol, the Fred episode and the Neil Cicierega unFallen Titans are some of my favorite videos of yours!

That's a real funny story!

So here's the rundown on the Homestuck video. When I first started making long videos, they were actually inspired by the relationship I had with other YouTubers at the time. I used to watch, like, H3H3 and Filthy Frank, etc; and I'd always see people obsessed with the versions of creators from the past. Like, "Oh 2015 H3 was the best" and "Oh 2012 Frank was peak." So I had this idea that it would be crazy if H3 posted, like, a video he spent a decade on and you got a new video with 2015 H3 10 years on. (I don't watch H3 anymore ironically)

So the original idea for the "long video" format was that it would be cool if, throughout a long, analysis/review/recap video, you kept noticing someone get older. Maybe my months, maybe by years. That's why I always like to get a haircut when I start one of these videos. If you scrub through and you see my hair get longer and messier as it goes on I think that adds something magical you can't fake.

So... My pitch to the Homestuck video was that it would be funny to work on it just once per year. To record one segment, say "That's it for 12 months", and then come back around to it. And when I was making the iCarly and Victorious videos I actually recorded a few minutes of the video! I think it was two segments in total. But then I had a bunch of personal stuff happen and my work drive has been much lower, so any "back burner" video hasn't gotten much attention since then.

Now that the iCarly mini-series is done with, I want to focus on some short one-off videos I can make before April. But once that's done with, I would REALLY love to start work on a few more long-term projects which will take months or years to finish. I think returning to work on the Homestuck video, to at least get the first 20-30 minutes done, would be a great idea this summer.

Now, if you want to know my pitch for that video, here it is. The video is not a recap of the creative history of the franchise. I do not get into drama, community hell, lawsuits, or other YouTubers. My idea is this: you always hear about Homestuck as an outsider but you never hear about the actual content. Most franchises on Earth I know something about, even and especially if I've never been interested in them. I can tell you a bunch of facts about wrestling and MLP and the Fast and the Furious simply through cultural osmosis and having friends who are into those things.

I can't tell you the plot of Homestuck, who the characters are, what the themes are, nothing. I've known a lot of people who were into Homestuck but nothing about the series!

So I thought it would thus be funny to make a video about a bunch of people who know nothing about the series starting from the beginning and giving their reactions, even if it's been years since it all started. I call this part of the video the "Homestuck Book Club." So the next step is me picking out the members (who all have to have no history with it) and making sort of a podcast setup. We'd then read and record every six months or so, IDK.

This is why the video has been stuck in production hell! Everyone who wants to work on it and messages me about it already knows the franchise. I don't want spoilers, I don't want people writing for the video who get it already. I want to capture the "what the fuck is this" energy of three dudes just getting in the middle of it.

Also, I think that I really like the theme of the video capturing our lives as they go by, capturing us aging and changing. If you came back from the future and told me this video comes out in five years, I'd say great. If you told me it comes out in ten years, I'd say awesome. Until then, the latest edit will always be on Patreon, even if you have to dig a little.

#homestuck #quinton reviews #long videos

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rose-maidenn · 4 months ago

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Masterlist 🕉🌌✨️

Welcome to my blog , my previous blogs were @azure-cherie and @bishh-kanya if we were close shoot a dm or an ask 😉, I mainly made a new blog because I lost my old one after a gap and I needed a new one 🔽

Paid services

Instagram

Games:

Quote and song game ☆ crystal visions game

Astro :

Chaos magick of Gemini-punarvasu , Devi Aditi and my personal takes , ft Wanda Maximoff

Astro observations 1

Nakshatras and their Shakti pt 1

Nakshatras and their Shakti pt 2

What to do on a new moon ?

Destiny swapping among mars nakshatras

Symbols in art :Jyestha nakshatra (moon)

Let's design your room with astrology (bharani edition)

Tarot :

♧Let me describe the way you speak

Who is the main gaslighter/ manipulater in your life

Pick a card : Ways to connect to your dark divine feminine

🌬PAC : Your most appealing sensual qualities :-

Pac : Who are your spirit guides

Pac : what are your hidden talents ?

Pac : Let's get insights on your purpose for the next 5 months !

Pick a Pile : What do People dream of you

Pick a card : Enemies to lover's

Some old posts :

Poems from the divine𑁍 Blessings your way !!

How your soul sounds to me :

PAC : self care tips

Pac:Your admirable qualities

𝑾𝒉𝒂𝒕 𝒂𝒓𝒆 𝒕𝒉𝒆 𝒕𝒉𝒊𝒏𝒈𝒔 𝒚��𝒖'𝒓𝒆 𝒅𝒐𝒊𝒏𝒈 𝒅𝒂𝒎𝒏 𝒓𝒊𝒈𝒉𝒕 𝒄𝒖𝒓𝒓𝒆𝒏𝒕𝒍𝒚

𝑷𝑨𝑪 : 𝒀𝒐𝒖𝒓 𝒅𝒊𝒗𝒊𝒏𝒆 𝒇𝒆𝒎𝒊𝒏𝒊𝒏𝒆 𝒔𝒕𝒂𝒕𝒆 , 𝒉𝒐𝒘 𝒄𝒂𝒏 𝒚𝒐𝒖 𝒄𝒐𝒏𝒏𝒆𝒄𝒕 / 𝒓𝒆𝒄𝒐𝒏𝒏𝒆𝒄𝒕 𝒕𝒐 𝒇𝒆𝒎𝒊𝒏𝒊𝒏𝒊𝒕𝒚.

𝙋𝘼𝘾 : 𝙔𝙤𝙪𝙧 𝙨𝙚𝙭𝙪𝙖𝙡 𝙥𝙤𝙬𝙚𝙧 ⛓️

What would others think of you when they'll know that you're into astrology,tarot, spirituality, witchcraft?

Pac : what do people instantly assume about you :

☾︎𝑌𝑜𝑢𝑟 𝑝ℎ𝑦𝑠𝑖𝑐𝑎𝑙 𝑎𝑝𝑝𝑒𝑎𝑟𝑎𝑛𝑐𝑒 𝑖𝑛 𝑓𝑢𝑡𝑢𝑟𝑒☽︎

Pac : your next love partner ♡︎

PAC : What can you do right now to improve your finances in future $

𝕨𝕙𝕠 𝕚𝕤 𝕔𝕣𝕦𝕤𝕙𝕚𝕟𝕘 𝕠𝕟 𝕪𝕠𝕦 𝕣𝕚𝕘𝕙𝕥 𝕟𝕠𝕨

PAC : General messages for you

🔸Positive things people say behind your back 🔸

𝒫𝒾𝒸𝓀 𝒶 𝒸𝒶𝓇𝒹 : 𝒲𝒽𝒶𝓉 𝒹ℴℯ𝓈 𝓉𝒽ℯ 𝓅ℯ𝓇𝓈ℴ𝓃 ℴ𝓃 𝓎ℴ𝓊𝓇 𝓂𝒾𝓃𝒹 𝓁ℴ𝓋ℯ 𝓉𝒽ℯ 𝓂ℴ𝓈𝓉 𝒶𝒷ℴ𝓊𝓉 𝓎ℴ𝓊 .

PAC : Messages from ancestors ✨

PAC : which type of seducer are you

PAC : Messages from Aset

Vedic asteroids to look for in your chart:)

❤︎Venus trine pluto

Types of Zodiac signs with correlation to Nakshatras :

Nakshatra's and birds through mythology and interpretation✨ : SWAN

Nakshatra's and birds through mythology and interpretation✨ :Crow

How to dress to bring out planetary energy in your life .pt 1

𝗟𝗮𝗻𝗮 𝗗𝗲𝗹 𝗥𝗲𝘆 𝘀𝗼𝗻𝗴𝘀 𝘁𝗵𝗮𝘁 𝗿𝗲𝗺𝗶𝗻𝗱 𝗺𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗻𝗮𝗸𝘀𝗵𝗮𝘁𝗿𝗮𝘀✨:

Mini Nakshatra analysis for the series : DARK Netflix💫

𝓥𝓮𝓷𝓾𝓼 𝓹𝓮𝓻𝓼𝓸𝓷𝓪 𝓬𝓱𝓪𝓻𝓽 𝓸𝓫𝓼𝓮𝓻𝓿𝓪𝓽𝓲𝓸𝓷𝓼₊̣̇.ෆ˟̑*̑˚̑*̑˟̑ෆ.₊̣̇.

𝓁𝒾𝓁𝒾𝓉𝒽 𝓅ℯ𝓇𝓈ℴ𝓃𝒶 𝒸𝒽𝒶𝓇𝓉 𝓃ℴ𝓉ℯ𝓈

Asteroid Soma 2815 in signs

𝓐𝓼𝓽𝓮𝓻𝓸𝓲𝓭 𝓐𝓷𝓰𝓮𝓵 11911 𝓲𝓷 𝓱𝓸𝓾𝓼𝓮𝓼

Asteroid Kaali 4227

Sylvia Plath for each zodiac

Surrealism/Subconscious art

𖣔 Chakras 𖣔

Correlating Astrology , with Astronomy and Quantum mechanics.

Spells :

Let's do a simple inner child healing spell with chocolates

Moodboards :

Hekate

Thank you so much for supporting me , more content soon love love 🫶

#vedic astrology #astro community #astro observations #astrology community #sidereal astrology #tarotcommunity #masterlist

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scrumptiousstuffs · 3 months ago

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As much as I love talking about how pretty First is (he's so pretty! And as far as anyone knows a total sweetheart which is even better), can we talk about how ridiculously talented he is? He just becomes his characters like sliding on a second skin, it's insane. And the microexpressions and subtle changes in his eyes...I feel like it's such an underappreciated form of acting but he does it so well I never want to stop watching him. And he just keeps getting better and better. I can't wait to see what he does with Kant. Everyone keeps saying that these characters are different from what they've done before so im so curious. And also I'm just ready to have a flirty First character on my screen again.

Well, anon - where do you want to start? I’m going to say upfront, I’m not the most eloquent writer in writing meta or analysing any actors acting capability or their characters on screen.

There are other blogs who write all these beautiful meta re: The Eclipse and Only Friends. @bird-inacage wrote many thoughtful analysis of them. Please feel free to read them. Other links: Link 1. But also, just search for “The Eclipse meta” or “Only Friends meta” and so many good commentary from various blogs will pop up. You may agree or disagree with them but I personally find it fun to read through what other people think of the series and the characters in general.

Anyway, back to your topic of the greatness of First Kanaphan as an actor. I agree with all your statements regarding his acting capabilities.

I am entranced whenever First is on screen - whether he played a suppressed queer teenager in high school or the broken, lonely banker to the gruff bar singer with the heart of gold.

His eyes are expressive and the control he has over his facial muscles…exquisite 👌. The way he shifts from one expression to another with us (the viewers) being able to tell them without that much of a change? - it’s definitely a wow everytime I see it. I mentioned previously in a different ask I find First fluid in his acting.

People will argue his character in Not Me (Yok) is the best out of his current projects. I will argue otherwise.

Yes, Yok allowed First to showcase his poweress in acting. First as Yok was able to show massive range from being loud, stubbornly opinionated, flirty (or slutty in First’s own words) etc. before we see him ultimately breakdown when he got betrayed. Definitely A-class acting 👍.

However as Akk, then Alan followed by Sand - these characters are more reserved at baseline and not as “colourful” of a character as Yok. And to some extent, these roles are more challenging (for any actors) to showcase “range” as they need to be able to internally express it without big emotive or gesture.

But the way First embodied them - with just a slight twitch of his jaw, tightness around his lips or when he allowed his eyes to darken with anger or lust (depending on the situation) - we as the viewers can always tell what the character is feeling, and that’s what make him an amazing actor to watch on screen.

And since this is my blog and I can do whatever I want, I’m putting up examples from each series post Not Me:

1) The Eclipse

When Akk first met Ayan in the teacher’s bathroom and saw Ayan’s tattoo - we (and Akk) all got distracted by Ayan’s sexy tattoo. But the quick flick of Akk’s eyes 👀 to that tattoo followed by the slight widening of his eyes and then shifting to hardening his glare while at the same time quick gulp of his throat? - all of that occurred within seconds….and I remember watching this scene thinking oh, Akk definitely has some unwanted thoughts on the new kid

Or when they were wrestling on the judo mat, and Akk pinned Ayan down - teasingly asked the latter to try and free himself. He was smiling down at Ayan but the minute Ayan slide those arms around his neck, the way his smile faded and you can see gay panic in those eyes….

They are of course so many more examples including Akk mini-conversation with his mom at night when he hesitantly tried to explain the pressure he was under at school but ultimately chickened out cause he didn’t want to burden him mom (and you could see this written all over his face).

2) Moonlight Chicken

There was a previous ask, where that anon said he found Alan the most pathetic character out of all of First’s projects. And I will again reiterate here, with the limited amount of screen time he had, First sparkled whenever he came on screen.

The way you can tell his frustration over his destroyed relationship while trying to cling on it cause he just doesn’t know what he did wrong for Wen was painful for us viewers to watch. And I don’t know about you, my heart breaks for him when he broke down after Wen finally screamed at him that he only slept with Alan cause he felt sorry for him - you can again see the flick/shift from anger in Alan’s face to shock disbelief and humiliation when Wen said that to him. You could see the self-loathing in his face after Wen left the living room. And as he silently cried on the floor of their apartment, I cried with him.

Or when Alan finally had his talk with Wen at the bbq restaurant, you could read the quiet resignation in Alan’s face as Wen finally break it off for good by sliding his promise ring back to him.

3. Only Friends

Even from the first episode, when he brought Ray back to his apartment - after Ray puked his guts out and as Ray snuggled on Sand’s shoulder - you could read the half amusement, half exasperation on his face while they both just sat on that bathroom floor.

Or when Ray finally got his chance with Mew, and Sand saw them dancing in the club. We see the wistful, sad boba eyes of his. And when Ray confronted him outside the bar, that cracked in his voice as he told Ray “you and I were never friends.” - yeah, my heart again breaks for him.

Or how about the angry-lust driven kiss in that music room (before Top interrupted them). You could see the mixture of anger, almost despair in Sand eyes, the tightness in his jaw and you could see the tremble in his lips. But even with all that, us as viewers clocked on how much he loves Ray (Ray knows that too…hence why he pounced and kiss Sand)

Plus when Sand confronted Top at the hospital - the narrowed eyes, the low, even tone of his voice where you know he is just barely holding on to his temper

I can go on and on…but I’ll stop here.

Anyway, like you, I’m looking forward to seeing more of him as Kant - I have no doubt we will see him nail it as a flirt (or as First keeps insisting, sugar daddy?). However, I’m also looking forward to see his interactions with Babe, Style and Fadel cause I’m sure we will be blessed with more masterclass in microexpression!

#asked and answered #first kanaphan #firstkhao #First is both beautiful and talented #both my boys are #the eclipse #only friends #moonlight chicken

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jinxedshapeshifter · 12 days ago

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mini Eustace Winner analysis (anyone who follows me and has seen the essays I've posted probably saw this coming)

Something I absolutely love about Eustace's characterization in Turnabout for the Ages specifically is that it's made pretty clear that Eustace is smarter than he thinks he is. He's not dumb. In fact I wouldn't be surprised if what both players and the characters tend to take as him being slow is just him taking a bit to process information (I do this). Hell, when he confronts Excelsius after getting a pretty nice pep talk from Edgeworth, his confidence is more genuine.

I'm 100% convinced that one of Excelsius's goals with putting down Eustace and calling him variants of dumb was to kill his confidence in his own intelligence (it would've made it easier for Excelsius to manipulate him, and it would've made Eustace dependent on other people, which we see in his interactions with Verity).

The difference between Eustace when he's feigning confidence and when he genuinely has confidence are clear. When he's feigning confidence, he's constantly looking to Verity for reassurance. When he's genuinely confident, he doesn't seek reassurance as much (and even corrects Edgeworth during Laguarde's trial iirc). Eustace's intelligence is only given a chance to really shine when two specific circumstances are met:

He is given the chance to be independent and stand on his own two feet

He's given reason to be confident in his own abilities

And those two things are so intricately tied, which I genuinely think was intentional on Excelsius's part (both because it'd make sense considering what he's like and because he sort of implies it). Eustace is only given the chance to be confident in his own abilities when he doesn't have other people as a crutch to lean on and when he has reason to genuinely be confident.

To be clear, I don't blame the other characters (aside from Excelsius, fuck Excelsius) for saying he's dumb. The only one who's met Excelsius at that point (and therefore could have an idea of why Eustace is the way he is) is Verity. If you haven't seen Excelsius calling Eustace an idiot, it's easy to view Eustace's behavior as genuine overconfidence. When he confronts Excelsius, that's the first time we see genuine confidence from him. It's the first time we're able to see the full extent of his abilities. He's able to be his own person (something I think his themes reflect pretty well, both in tone and in their titles. I am not analyzing that here however).

Basically Eustace isn't dumb and he never was, Excelsius just manipulated him into believing he is to make him easier to control and take advantage of (and this was probably incredibly easy for him to do because Eustace trusted him up until he found out Excelsius disposed of crucial evidence in Laguarde's trial).

#ace attorney #ace attorney investigations #ace attorney prosecutors gambit #aai #aai2 #aai2 spoilers #excelsius winner #eustace winner #excelsius winner can fuck all the way off to hell #< considering making that my excelsius tag tbh. i will probably talk about how bad of a dad he is a lot

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jiminsass-istant · 6 months ago

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WHO MV ANALYSIS: BRILLIANT STORY TELLING, QUEER CODING AND MORE

I have a lot to say. And yes i positively feel like a clown that this post comes right after jimin said "go ahead, misinterpret everything hehe". This might be a long one, so settle in. Also, if you are looking for this as some kind of validation for any ship, I'm afraid it might not serve that purpose (BUT keep reading!). This is simply an analysis of MV elements and cinematography in its purest form appreciating the brilliant work done by Lumpens and his assistant directors.

Part 1: Start of the story of a man in search of love

Let's start from the very beginning. Many of you have already figured out that Jimin is telling a story here (I'm not wrong yet Jimin, dammit). How do we know this? Look at that mini TV. Yes, this mini TV is actually our bookmark, our storyteller. In it's first appearance, it says "play" with a man walking at a normal pace, imitating jimin here, who is also walking.

Elements to notice here:-

The 'ONLY' signs on the road which mean these roads have only limited accessibility when it comes to directions. In my opinion, it symbolizes the rules that this world imposes on us. And here comes jimin whining/asking why he hasn't met 'her' even if he sees her at night? (imagines her) and thinks about her.

2. Also notice how it says "BLISS" on the neon sign but the world he's in is basically pre-tornado winds - there are papers flying, cars on fire, safety barrier tapes, even the mini TV is on fire. The flyer for the song says "who is!! Tornado of love" and basically serves as a warning that the 'tornado of love' is approaching soon.

3. Reference to 'Closer' (than this?) on the billboard with a man on it. Looks like a reference to a movie or song of 1995 which I haven't been able to find out yet. [help me]

Part 2: Searching gets more desperate

Moving on, we see Jimin entering the part of street with an old, dilapidated building in the background (so much to notice here!!)

Elements to look out:

Firstly, look at the mini TV which still says 'play' but the man in the TV is now running instead of walking. Just like how Jimin's steps are faster now, he's on his search for 'her', but he's getting desperate.

Notice the engineers in the background? Yes they are engineers- they have plans, measuring devices etc. And they are working to "renovate" the building. Interesting choice of scene right before a tornado... let's found out why-

Notice that on the right side to the entrance of this building, there's "B-1" written on the walls, but one could also read it at "13 1" At first glance, that's what it seemed like to me. I think people renovating a building whose name looks like a "13" is symbolism for jimin trying to heal/renovate/repair his heart/emotions/past traumas. It's about him still being in that phase where he is healing/ trying to heal himself by trying to find 'her' OR maybe he's trying to find 'her' when he is not even completely healed himself.

See the TV on the shopping cart on fire because it will be referenced later. Put a pin on it.

Part-3 Theatrics

With a flash of retro cable TV like lights, the perspective changes - as in now you are watching inside the mini TV. I'm talking about this part, when he changes direction and goes to the girl. So many interesting things happen, I'm giddy thinking about writing it.

Elements to notice:

I can't help but think of the words 'auto calibration ' that flashes right before Jimin does that cunty choreo with the female dancer. 'auto calibration ' literally means 'standardization' or 'correction' . I don't think people realise how queer coded it is. 'coded' being the keyword here. It could also mean 'standardized' as in the way we view idols as these perfect people with perfect dating lives.

3. The car is on fire- so yeah whatever is happening cannot be good. Everything is still chaotic and doesn't make it easy

2. The mini TV now shows various images with a heart '<3' symbolizing that he is engaging in some kind of relationship, but this is literally the biggest 'drama' ever. Because look at this scene- it's pure cinema..

"So many people to see" - people watching them date/engage while making a whole show out of it. There's also an ambulance nearby because obviously an idol's dating life shown to the public can leave people hurt and offended. As Jimin and the girl dance, they are literally in front of a local theatre called the 'OASIS'. My interpretation is that a celeb's dating life is literally 'theatrics' for the public. They are reduced to nothing but characters for entertainment, and worst part is that the public isn't happy either. No wonder, making it extremely difficult for Jimin to find true love. Special mention where the girl has him in a chokehold, quite literally an uncomfortable position, entangled with each other- or at least that's how the public views them.

3) In the same scene we see that the mini TV has tumbled down along with the shopping cart which was on fire, hence setting the car on fire too lol. Brilliant attention to detail.

Part-4 - where Jimin gets more desperate to find true love (in the past!)

As soon as the dancers leave, we see the huge billboard fall down and if i go with all the clues we have been getting, especially the travel show...it is WILD.

Because people are focusing on the possible OST called "Keep going", but DO YOU NOT REALISE HOW HUGE IT IS THAT JK IS REFERENCED IN A ROMANTIC SONG? dropping from the sky with 'who' written on it??!! "Who" without the questions or exclamations. I'll let you go delulu mode on that one. Moving on-

You must have noticed that to show a change in phase/scene, they have used multicolored flashes and change to 90s TV perspective. The same happens now after the billboard drops but the important thing to notice is the "rewind" on the screen now. Which basically means jimin going through different people is a thing of the past.

3. The crow/raven seen multiple times in the MV. Either way, a crow or raven is not something we see at night. They come out only at times of 'unnatural exceptions' like storms, earthquakes etc because they are not nocturnal creatures. While Jimin was trying to find love, there was definitely something happening which wasn't natural for him or was out of his comfort zone/he was not himself.

4. Another instance of queer coding I noticed was both men and women walking past him, similar to Like Crazy MV. It had a different symbolism in LC because he was trying to stay in the dream. But here people walking past him clearly means possible romantic partners. And he keeps stopping, keeps trying his luck with different people, almost always failing. OR- it could mean there are people of both genders walking past him but he never goes for the men in the past.

Part-5 - The tornado of love finally arrives

Now it says 'Play' on the screen meaning we are now in the present again. The tornado has built up, Jimin looks more confident, more smug as the tornado gains momentum behind him.

A flash of light, fireworks erupt as he sings his heart out. Even after the tornado is completely gone, the sparks and short circuits and destruction continues, meaning the 'tornado of love' arrived and certainly did a number on him.

Finally, we see him on a much calmer path. All cars lined up. He owns his life now. The situation is under control, the cars with lights on, ready to go.

I truly appreciate the storytelling in WHO MV. Lumpens Sir delivering as always. And I would love to know which things were Jimin's ideas but he wouldn't share that with us would he?

Let me know what you think and discuss in the comments if you want to.

#park jimin #jimin #jikook #youtube #bts jimin #jimin music #park jimin muse #bangtan boys

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dangermousie · 5 months ago

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I saw a post where you analyzed some details in Flower of Evil (particularly the relationship between the lead couple) and your analysis was super interesting.

I dropped that drama ages ago somewhere in the second episode because it just felt like things had already gone so horribly wrong that there was no possible way that it could be brought back to a story that I'd enjoy. I was wondering if you might be able to explain how that isn't the case so I should give it another chance, ideally without spoiling anything too huge? Or do you think my first instinct was right? If I couldn't stomach the first two episodes it probably just isn't the drama for me? My original interest in watching it was for the romance more than anything else.

I would love to analyze (always game for FoE freakouts) and address the issue but I think I could do it better if you clarified a little what you mean by "it just felt like things had already gone so horribly wrong that there was no possible way that it could be brought back to a story that I'd enjoy."

Is it a worry that there would be no happy ending (and one that feels earned/logical not tacked on) for the couple and/or ML (or FL), or that the progression of the relationship would not be anything you like or not given sufficient importance? Or something else?

If it's the former, while I can't say whether you'd like it or not because it's very hard to predict what clicks and doesn't for another person (I have like two mutuals where I automatically know if they like X, I am guaranteed to do so) but I can answer that:

(a) This drama has a happy ending that felt right and justified and not tacked on for me - in terms of both characters individually and the ship. They both go through hell but emerge into sunshine on the other side; by the end of it, Hyun Soo knows exactly how much he's both known and loved by Ji Won (and it's huge for a man who believed on a deep level nobody could possibly love someone like him nor should they) but also he's accepted that he himself is not a monster but is capable of love. And Ji Won loves her husband as much as she did at the start and has proven exactly how much and this time it's based on true knowledge of all of him - because before that she loved him for what he was (his characteristics were all true even if his background was not) but now she knows exactly the traumas and events that shaped him and the issues that haunted him and...she still sees the slightly odd, quite introverted, very caring man she fell in love with. It's a process, she thinks things through and it takes her time to get there, it is not linear but it is so thorough and glorious. She basically goes with her whole behavior: I see you fully and I know you fully and because of that sight and knowledge I love you MORE. And he processes that but also, in an even huger emotional shift, he realizes that he loves HER, that he's always loved her, he just had no vocabulary for it and no ability to process that this is what he felt due to all the trauma and gaslighting and what not.

(b) This is a romance drama. Oh, it has a good plot with its share of mysteries and mini-mysteries, and it's a great character study and has a lot of other interesting things to say. But ultimately, it's a romance. It is centered not really on the mystery of who Do Hyun Soo actually is, or who was/is committing various murders, or when Ji Won would figure stuff out or w/e - it focuses on a relationship between husband and wife who desperately love one another. This drama had an INSANE fixation with shots of their wedding rings and it was for a reason because this is the story of their marriage more than it is anything else.

It actually features a trope that is very much my catnip and narratives (outside of Gong Xinwen novels) don't do often enough - where the woman is the rescuer and the white knight and the savior and the man is this beautiful, oddly fragile (despite being competent and potentially deadly) being in need of rescue. And I don't mean just in the metaphorical sense - she is the reason DHS still has his sanity and found happiness and healing - nah she rescues him in the most physical way possible, from drowning, from various other acts of harm. In a way, Ji Won and Hyun Soo are a noir couple with genders reversed - a tough pragmatic detective and an alluring romantic partner with a mysterious past and ambiguous in terms of morality vibe, a homme fatale. But who (which also happens in some noir), turns out an abused, gaslit person who needs saving and who has honestly is owed by the world for all the hell it put him through.

Once again, I can't say if you'd like the drama - but the above is why I love love love love LOVE it and thank you for letting me have a chance to rant.

#asks #flower of evil #kdrama

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raayllum · 1 year ago

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Mirrored Paths Trilogy #2: In the Name of Love, I Would Do Anything For You —Callum & Viren

Part 2 of a mini meta trilogy dissecting Callum, Karim, and Viren's parallels, with a special emphasis on S5. For the general overview, and if you want to read Karim and Viren's parallels, you can read that analysis here. It is useful to read but not necessary in order to understand this one, as this meta is Part 2 and will discuss Callum and Viren.

Now, I've talked a lot about Viren and Callum. Like, a Lot a lot. Therefore, I'm not going to repeat too much of their Arc 1 buildup here, and focus more loosely on their S5 parallels in particular. However:

If you're interested in their pre-season 4 buildup, check out these metas: How Callum and Viren have parallel arcs in S2, Relics, Rage, and Magic: The Callum-Viren Foils Meta, the foils screencap compilation post I've been cultivating since Nov 2019 pre S3 (updated to include past that point)

If you're interested in post-S4 thoughts, check out these metas: The Interlocking of the Cycle’s Wheel with Viren, Claudia, Callum, and Rayla, How Viren and Callum stack up flaws wise, I sure do love foils that switch, How Callum's morality differs from Ezran and Rayla's (and always has)

If you're interested in post-S5 thoughts, check out these metas: What did Viren and what does Callum want?, How Callum and Viren sacrifice (written post-S4 but updated with S5 screencaps), Why ramp up the foiling?

Now I'm not gonna expect you to read all that because 1) I'm aware I have a problem, 2) it'd be time consuming as hell, and 3) I'm going to summarize the most important takeaways for you to understand the foundation this next section of meta is built on. (None of it is complicated, mind you, but just to make it clear where I'm coming from.) If you have read all those metas, or even made it this far on this one, thank you for enabling me reading and I hope you('ve) enjoy(ed).

Now for the key takeaways:

S5 went basically exactly where I've thought Callum would go since S1/S2 and Viren since S3 re: Viren giving up dark magic and having an atonement arc/breaking away from Aaravos, whereas Callum — in order to free and save someone he loves, specifically Rayla — chooses to chain himself further to Aaravos

Although still very different, Callum and Viren are worryingly, exceedingly similar in many ways, largely in their agreement that dark magic can be a useful last resort and in their devotion to their loved ones (aka "in the name of love" + the "I would do anything [for my family/loved ones]" parallel

Where Viren is willing to put certain things (the kingdom, his own quest for power, humanity) above his family (and wrongfully so), Callum is not. He says he would do anything, and means it (thank you post-s2 me, you were the realest bitch)

Rayla and Aaravos are foils, particularly in their dynamics with Callum and Viren respectively. They are both banished, exiled elves who were seen as being/are too sympathetic towards humans, they mentor high mages of Katolis, hunt each other's high mages, and S6 will put Rayla and Aaravos vying for Callum's destiny (control) to the test as his two paths (although choosing Rayla over Aaravos may not be mutually exclusive, but that's another post). Rayla killing Viren unintentionally put him on a path to stray from Aaravos, whereas Callum saving her / their relationship is what has consistently putting him on a path towards Aaravos

Now, S2 and S4 definitely have more parallels between them structurally for our two high mages. S2 is linked above, so I'll focus on S4: asking to die but being refused by Claudia and Rayla respectively; being reunited with someone they love after two years; Callum attempting to shut down his feelings in Rayla's absence / upon her return much the way Viren did in his time as high mage; the mirror and general framing, particularly in 4x01; sharing a (re-)birthday; their impatience in 4x02, which is also a parallel with Karim; the pawn intros; Rayla interrupting Callum's investigation of the mirror while Viren likewise attempts to diverge paths; picking up what they'd been refusing to all season in 4x09 within seconds of each other, and similar framing to boot, since dark magic led to Viren's destruction, and Rayla will possibly (unintentionally) lead to Callum's:

Let's get into it: S5

Now, S5 is less obvious in some ways. The one big framing parallel they get, beat for beat, is Callum going to investigate Aaravos in the library, placing his book on the same table, being interrupted by the librarian (which is honestly more of a running gag than something tangible), the script being magically washed away, etc.

Therefore, with all of the above out of the way, we have three main things to consider:

1) Their dark magic dreams from 2x06 and 5x03 respectively, in which they face mirrored reflections of each other

I wrote after S2 that I thought Callum refusing his dark counterpart in 2x08 was ultimately going to end up being more about actively being a dark mage than doing dark magic ever again, mostly because — while we didn't know if the show would ever put him in said position — I always figured Callum would do dark magic again in well, about the exact circumstances canon forced him into in 5x08. (And it was extremely satisfying, lemme tell you.) Viren giving up dark magic was more surprising, but they've always been switching foils, so the exchange makes perfect sense on that level.

I talked really briefly about some of the similarities between their dreams, but I wanted to touch on some here as well:

Their choices are both framed around objects of Aaravos. For Callum, it's a key he initially rejects. For Viren, it's the mirror, but instead of connecting to and looking to Aaravos to help him, he looks to and accepts himself.

Viren has to reach forward and connect with himself, whereas Callum pulls away from his mirror self

Viren's dreams are about dismantling his justifications (or the why) behind what he did, whereas Callum's skip over his justifications and instead focus on what he did. Both of these accordingly inform their identity

Viren is saved from literal drowning upon waking up, Callum is saved from a more metaphorical kind

Freedom is the cornerstone of both reflective scenes. Viren and Callum both leave their initial dreams being free (or freer than before). While this holds true for Viren until the current end of his arc (5x09), Callum in 5x08 is handed a sharp reminder that freedom is no guarantee, and how that may continue

The path metaphor that was running loosely throughout their arcs ("I am offering you a path forward [with dark magic] / Callum's tendency towards shortcuts / "I'm afraid, Rayla. What if I'm on a path of darkness?") is now being brought to the forefront here through Viren both being made actively aware of his choices per path ("Because I have followed a dark path") and him deciding to get off of it in 5x09.

2) Both being driven to desperation and resolve to try and save someone they love (Claudia, Rayla)

I figured that, per Viren getting an atonement arc at all, that what would make the most sense is S5 forcing Viren and Callum to confront their moral horizon lines about what they were, or were not willing to do, in order to save Claudia and Rayla pre-S5. For the S4 reasoning behind that, I'll recommend one of the metas linked above regarding those four and the Interlocking of the Cycle's Wheel. I was very pleased to see a decent chunk of it come to fruition. I figured Callum would be able to save Rayla at a steep cost, and Viren would be unable to successfully save Claudia (cause consequences have to catch up to you sooner rather than later, and they tend to catch Viren first and Callum second).

This is, of course, perhaps most exemplified by the show chipping away to the core of dark magic, which is what are you willing to do to save the people you love, even against their will, and that Callum has every good reason to be worried, accordingly, about a very exploitable part of himself.

Which we'll talk about more when we get to:

3) Viren revoking dark magic and Aaravos, whereas Callum does dark magic again and worries he's further tethered himself to Aaravos

In season 5 in a lot of ways, Viren comes to fully understand and accept Harrow's rebuttal to dark magic in 1x02, which was, "We may not pay now, but we will pay the blood price eventually! What do you think got us here? Dark magic!" The blood price went from Sarai's unintentional death, to Thunder's purposeful one, to Zym's false one, to Harrow's 'real' (?) one, and so and so forth.

Viren tried to ignore the sunk cost fallacy by believing it was already too late to turn everything around, and that doubling down to skirt consequences would continually work... until it didn't, and he had to accept the only person writing his fate was himself: "Every step forward is a choice," and thereby another chance to do the right thing, or make better choices, under the circumstances you have — to at least try.

This parallel, then, between Viren doing what he can to set himself free vs Callum chaining himself further to Aaravos is, in a lot of ways, both the most dreadful and happiest potential parallel and contrast between on a few different levels. Let me explain:

S6 as the Fall, S7 as the Rise

I talked about this pre-S5, citing it as a reason I believed Viren and Callum were ultimately switching rather than solely contrasting foils — re: Viren getting better in S5, and Callum getting worse in S5/S6 — simply due to the fact that given that S6 will be TDP's 11th hour, things might be going okay for the antagonist crowd, but the protagonist side of things, particularly Callum, will need to be hitting rock bottom.

Thus, it seemed pretty obvious from a structural standpoint, as well as Stars (and destiny by extension) having an association with Aaravos that S6 would involve Callum playing his part in Aaravos' plans, with S7 being the reclamation of his agency and therefore defeat of his narrative Rival for well, narrative control. S6 being Callum's fall, S7 being his rise — stronger than before, and freer and more magically in tune than ever.

Prior to S5, it was typically accepted (by myself included) that while purposefully very similar to one another in both framing and personality, that mirroring would eventually shed, and, come S7 Viren would ultimately provide a contrast to Callum, with Callum breaking away from Aaravos in ways Viren was never able to, and this would be the Big Defining Difference between them in terms of like, narrative cohesion and plot. (Emotionally, the biggest difference has always, arguably, been that Viren is more world focused — to his detriment in arc 1 in particular — than focused on his loved ones, whereas Callum is deeply and sometimes dangerously devoted to the people he loves.)

However, S5 makes that previous contrast prediction untrue, because Viren does break away from Aaravos (in fact, just an episode decidedly before Callum seems — metaphorically at least — to take a step towards him). Therefore rather than just being a contrast, Viren is meant to be a true mirror in equal measure, simply because by virtue of letting Viren break away from Aaravos' control, when Callum eventually does so, he will likewise — once again — be following in Viren's footsteps, just in a positive way rather than a 'negative' way like before. If Viren was meant to solely be a contrast — as has been theorized previously — than Callum staying under Aaravos' control would actually be the provided ending. Of course the show isn't doing that for Very Obvious Reasons, but I think it's worth noting that now, in order for Callum to have a happy ending at all, he has to follow in Viren's footsteps — all of them. Rather than being one of solely warning and foreboding, Viren's narrative has turned into one of hope for Callum, too.

V: I am free, and so are you.

But in order to talk about salvation, we have to first talk about destruction, namely:

Dark Magic and Death

Dark magic and death have long been associated with each other in series. Dark magic requires killing or consuming a magical creature — elf, dragon, or otherwise — to be used/harvested for power. It affects the souls of those being used as spell parts (Through the Moon) and you can use any part of the body within reason, even their ashes upon cremation (1x03, 2x09), or their final breath (against their wishes in 3x06). Hell, dark magic makes you smell like death (3x01), turns you into a more corpselike appearance, and season two novelization just furthers this association outright during the passages of Callum's dark magic visions/dream:

Callum turned the cube frantically to see which primal was glowing. How could any of the primals glow in this dark place? Something about this cube tied his stomach in knots. It wasn’t natural. A vision flickered in front of his face. Dozens of dead animals in a field. A dead butterfly. A dead deer. A dead unicorn. Cackling laughter. He chucked the cube away from him with all his might. The glowing rune was dark magic. It represented death.

Thereby in 2x08 itself, the rejection dark magic symbolized by the cube is pretty simple. Callum rejects being a dark mage as his primary magic use, he rejects the 'easier' road, he still believes he can possibly access primal magic, and in doing so, he rejects death. He won't become a dark mage, he won't seek out his death or others in order to have control/power, and he won't become a corpselike figure.

But a couple seasons later, we see S4 and S5 reverse and complicate that in 1) having him, literally, seek his own and Aaravos' deaths in order to feel in control/have power, and therefore 2) perfectly foreshadowing his eventual dark magic use/relapse, for lack of a better word. Just as the show leans farther away from "dark magic is easy" (and it is, in some ways, emotionally easier to deal with consequences when you can change them) and more into "dark magic will destroy you — your identity and your body — if you keep using it".

S5, likewise, also starts to break down the negative associations of dark magic being linked to death, and indeed the negative associations with death itself. For most characters in the series, death is solely a tragedy, but for Harrow and Viren of themselves, staring their own deaths in the face — and choosing to die — instead became a vehicle for repentance, change, and subsequent self-actualization.

Death, for Harrow, and more importantly for the sake of this meta, is not just doom and gloom, but a choice and therefore a culmination as well as a chance for transformation. Just as Viren's death in 3x09 allowed him to be re-born with clear eyes (a literal Re-Birthday, if you will), him choosing this next death shows the full scope of his character arc. Previously, he died because he was chasing all the things he didn't have with Aaravos' aid, and by 5x09, he's rejecting Aaravos' help and dying alone in the woods with nothing, yet it feels like a tragic sort of victory all the same.

We also see a more complicated view of dark magic alongside ideas of self-actualization. Previously, dark magic was seen as something that would make you routinely lose yourself (Viren, Claudia) until you had by and large become the worst version of yourself. S5 complicates this a bit more by connecting Callum doing dark magic to his ability to access the Ocean arcanum, as he remembers/mimics the motion of crushing the slug before connection (and parallels Viren's 5x03 hand symbolism to boot):

Whereas Viren unmakes his choice to take on Aaravos' deal in 2x07, Callum unmakes his choice to refuse to do dark magic when it means saving his loved ones. As he states:

To love is simply to know this: the tides are true as the ocean is deep... You don't control anything. But you already knew that, didn't you? Because it's the secret of the Ocean itself. The arcanum. The Ocean arcanum is about accepting depths you can't see, parts of yourself you can't understand, and things you can't control.

Callum fears not having control, and therefore fears his part of himself, where he is now more aware than ever of just how far he'll go for his loved ones, and how exploitable that is, thanks to Finnegrin. And it's not as though dark magic has lost its death associations, merely that those death associations have likewise been transformed. This is particularly evident if you line up 5x08 as the end of Callum's S5 arc (which it is; while 5x09 is fun, it doesn't further any of the main trio's emotional arcs except Rayla, and even that is decently minor)

If dark magic is still linked to death, then both Viren and Callum choose to step towards their own deaths in the end of their respective arcs, just with different meanings and arc placements. If we take Viren's step further that real death vs dark magic death are two different things, then we still have Callum stepping towards his own dark magic death to prevent someone else's (the same way Rayla is spared) even if that means throwing potentially 3+ innocent people and Domina Profundis under the bus in 5x08. But more on that here.

For now, let me break it down more simply:

In 4x09, Callum and Viren both pick up the symbol of something they've been trying to ignore / pass off to others all season. Viren has avoided his staff and left it for Claudia to wield, much the same way Callum passed Rayla off to Ezran and Soren in the previous episodes. Viren refuses to leave the staff behind. Meanwhile, Callum picks up and finally starts fully acknowledging the loss and love he feels regarding Rayla, who he let go on without him. The staff is symbolic of Viren's relationship to Aaravos as well, and it's what ultimately dooms him. Rayla's sword, although quickly discarded so he can help the actual Moonshadow elf, is also a symbol to Callum in the scene that he loves/is still mourning his friend/partner.

In 5x08 and 5x09, Callum and Viren are both goaded by a vengeful elf seeking freedom into doing dark magic to create a secure future for each mage. The elf wants to use them as further vessels for their own freedom/revenge scheme. Viren refuses to do dark magic and instead chooses death, reaching self-actualization. He does this mostly motivated by his own regret and love for Claudia. He refuses to sacrifice Sir Sparklepuff to save his own life and breaks away from Aaravos. Callum demonstrates a willingness to sacrifice others in order to save Rayla, in addition to resorting to dark magic in order to save her. He refuses to sacrifice her to save/keep his own soul free from Aaravos' clutches, even if that means possibly walking steadily closer to his own death. Likewise, this allows him to reach a new stage of self-actualization, but at a steep emotional cost.

Where Viren's ending is tragic but victorious, Callum's season ending is victorious but tragic. But like I said earlier, Viren's story in S5 offers plenty of hope to Callum's future storyline, namely exploring how

Love Can Destroy and Save You

Now, anyone who's been following me for a while knows I love a good "this thing can save and destroy you" and that I have been really fucking excited for S4 taking that undercurrent in arc 1 and bringing it up to the forefront, with a big hitch to Rayllum as a sweet lovely, devastating bonus.

“Wow. So they look identical but they might kill you or they might save you,” Callum said. “Exactly. Just like me…” Rayla smiled.

—Book One: Moon novelization + Callum and Rayla being routinely determined to save each other, even if that means immense danger and harm to themselves (Callum's love for her made him leap off the mountain to save her, and his love for her allowed him to grow wings and save both of them).

This has always been a theme in the show and particularly within their dynamic — "Alright, enough almost killing me" in 1x05 with the lightning spell, only for Callum to save Rayla's life with the exact same spell by the episode's end — most prominently brought to the forefront in 4x07 with their whole "I need you to kill me" "I'm afraid I'll hurt people I care about" [cuts right to Rayla] conversation. If you're interested in more Rayllum thoughts on this, I would recommend my original meta on the subject (pre-S4) and my post-S4 followup.

We even see this theme of the same thing — in this case, Callum's love for Rayla and commitment to saving her — play out as a perfect microcosm in 5x08. As previously mentioned, Callum does dark magic again (a failure in his own mind) and unlocks the ocean arcanum (a victory) precisely because of what he was willing to do out of love, both of these things being good and bad. The dark magic use is bad because it makes him more vulnerable to Aaravos and reaffirms how he'll bend morals he otherwise wouldn't and is upset over it, and it's a good action because it lets him save Rayla. Unlocking the Ocean arcanum is a good thing, because it symbolizes a deeper understanding of himself — good ol' self-actualization — and more useful, magical prowess, but it's also a bad thing because he's upset by this realization of himself to the point of not even really being excited by it.

He would do anything for her, he's realized now that love doesn't necessarily always make him stronger, that this is exploitable, and it scares him. It really does.

Because Rayla saves him and destroys him. And in S5, fortunately, Viren's children do the same for him.

Even though saving Soren is what seemed to truly begin Viren's descent in earnest...

the harm his path has inflicted on Claudia is one of his motivations to finally stepping off of it.

Ezran himself acknowledges the way love interplays with the Cycle in the thematic turning point of the arc, and the series in many ways, back in 4x03 — that love is not in opposition to the Cycle, but indeed one of its many cogs, and the choice lies in how we choose to let that love manifest:

I had a speech planned for today. It was about peace and love and hope. But I think I left something out. [...] We all want peace and we all want love. But violence tests us. In a twisted way, it converts us to its cause. Because pain and loss feel so terrible inside, you want to hate. You want to hurt someone else. So what do we do? How can we stop this cycle? [...] We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.

If Callum does destroy himself / risk the world for love in S6 (perhaps taking a risk he knows may lead to being possessed, or releasing Aaravos to spare Ezran or Rayla from an immediate death) then love, it seems, is also posed to be what accordingly breaks him out of the possession and brings him back to himself, the same way it allowed Viren to deviate from his previously chosen/enforced path. Reconciling dualities rather than enforcing strict binaries is one of the main things S4 was concerned with, after all ("Just have two cakes!").

All of this, for Callum, ties back into:

His dynamic with Rayla and all its variances (the light to his dark / pain and love / literally freeing himself while metaphorically chaining himself in order to save her / his love for her being his strentth and weakness / "Now you're back. That's kind of good, and it's kind of bad").

His connection to the Key ("I have a feeling that cube thing could help me" to "It's the Key of Aaravos, Callum. No good will come of it!")

Light and dark being both good and bad, and Aaravos heavily representing that trade off ("In darkness, gaze upon a fallen star [...] already tainted by darkness" + the cube flashing a bright glowing white before Aaravos picks him up as a pawn).

The fall (becoming Aaravos' prey / playing into Aaravos' hands) in s6 and a rise in S7 (breaking free by defeating Aaravos)

If dark magic is death, and Aaravos is likewise death / worse than death ("if he takes control of me again, you have to kill me")... death, like for Viren in 3x09, can be Transformation for Callum in 6x09. He just has to 'die' (metaphorically) — to fall, to fail, to succumb to his predecessor's negative footsteps — in order to rise, fly, and follow in his predecessor's positive footsteps while also carving out another new path for himself.

Because Love is salvation just as much as it is destruction, and the story will always hold true to those things.

Other Parallels

Although there aren't as many prominent framing parallels in S5 as there were in S4 — the mirror, on the battlements with Soren, sitting on the Storm Spire, picking up the staff and sword, etc etc — (beyond the hand clasps as symbolic chains my beloved), the most obvious one is from 5x01 in which Callum goes to the library to research Aaravos just like the high mage before him, down to the portrait over the table they place the tome on.

Then there is also framing that furthers the connections they share between Callum-Viren and Claudia-Rayla, diving after someone you're desperate to save (and often from drowning, to boot). Hand outstretched one pictured above, so here's another:

There are also the Aaravos-Magma Titan Callum-Viren parallels that others have pointed out, with Ezran standing in for Sarai:

Given that 4x01 begins and 5x09 ends the arc of Viren's 30 days, and by and large binds S4 and S5 together as 1 arc of sorts (with S6 and S7 being the final arc), it tickles me particularly pink that it opens, in many ways, and then literally closes accordingly with Callum and Viren staring at the moon:

Misc:

In between writing the first meta and the second one, I got loose 'confirmation' that I'm on the right path with my deductions (even if, of course, 'personal path' can mean many things, but I still think it's cool!) from Aaron Ehasz on twitter. Cool beans

I also think it's fun that Viren tries to save Claudia from a 'symbolic' death in the ocean ("Stop! That wave, it will swallow you up!") and Callum saves Rayla from a more literal one of being devoured by a sea leviathan.

Conclusion

First off, if you read All of That, thank you and I hope you enjoyed it. I've been itching to talk about these two and how S5 both built on the parallels they already had, pushed some to the forefront in overt ways ("I would do anything" and 5x08 on Callum's end was beyond validating in every way), in addition to setting up more to come, both good and bad.

I may return to S5 in this manner to touch more on other parallel relationships in the future, such as Viren-Rayla in S5, Callum-Claudia, and Claudia-Rayla, but for now the next proposed foil meta is looking at a dynamic I have not talked much about in Callum and Karim. This will conclude this little 'trilogy' of metas, and I hope you stick around for it, cause it's going to be very interesting.

Callum and Viren have always been my favourite foils relationship in the show, and I hope this meta did a good job of demonstrating why. Thank you for reading and I'll see you in the next one!

—Dragons out

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madeitlate37 · 3 months ago

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Vita Carnis by Darian Quilloy

Why yes I am giving my favorite series Halloween week, but consider this an advertisement for why it deserves it.

Vita Carnis is a relatively new, (in terms of Analog Horror), show that has gained a large following and has even been theorized on by MatPat—before he retired.

I think I mentioned in my first post that season one of The Mandela Catalogue was my favorite when I first got into the genre. To be specific, upon my first viewing, I had trouble falling asleep and would compulsively check every potential hiding place in my room before going to bed.

Upon my first viewing of Vita Carnis, that went on for months, instead. In fact, over a year later, I still do the routine “Mimic check” despite not living alone.

Now, before I risk spoiling the series, let’s get the spoiler-free qualities out of the way:

• Hive mind threats, the neat part is that this so far only applies to one section of the threat.

• Twisted security, we have security footage, documentaries, infomercials, and personal footage plenty of variety in where the story beats are coming from.

• Competent characters, not everyone, but do expect to see people/groups who actually try to do something about their situation.

• Biology lessons, the first thing you learn about the threats is how they function on an anatomical level, adds to realism and demonstrates added care and effort.

• Mini-retelling, about once per video—at least in season one—the audience is presented with a fragment of what’s “really” happening, and even then there’s the possibility of it being inaccurate. Untrustworthy sources are a major theme of season one.

• Not safe at home, one of the threats—being as vague as possible—is pretty much the sole reason I had trouble falling asleep for so long because it is entirely based around attacking it’s victims in their home.

• Safety guides, the threats have existed for decades, and the people living in this world behave like they have. As I said with untrustworthy sources, we have conflicting reactions and handlings of it, but the major players clearly approach them with knowledge.

• On-screen payoff, there is technically a scene or two which couldn’t have been recorded, but they have such visceral content in them that you don’t entirely notice. This is also played up through the use of very good effects.

• Varied but same threats, similar to Gemini, they are very different in how they are a threat—if they are a threat at all—but come from the same thing.

Now, onto the more risky analysis:

It’s a little hard to pinpoint exactly what I love best about this series, from the consistency in quality to the scientific facts to the secret videos throughout the new season that’s coming out now.

So, I’m just going to try and begin with why I was so scared, more specifically. One threat in particular checks every box of aspects of a monster that I find scary: Uncanny valley (depending on age), silent but dangerous, solely focused on humans in a way that makes sense, etc..

The main thing that drew me into this now that I think about it, was how the foot chain was visibly affected in the world of Vita Carnis.

With every direct threat, the one I mentioned above especially, Darian has taken a lot of care to describe the science behind all of them and their dangerous mechanisms. All to demonstrate the key theme that humans, in that world, are no longer at the top of the food chain, and are in a prey position again. Something that instinctively strikes fear into humans as a species.

What makes it mire real and visceral is, as I mentioned above, the science and how the people in this world react to this. One can argue that humans are in that situation with other types of monsters like werewolves, vampires, demons, etc., but Vita Carnis has descriptive explanations for how these threats work, has safety guides for them, and despite that, still makes it clear that in that world, we still have to fear for out lives on a constant basis.

The new season that’s coming out is geared more towards learning the potential source of these threats, but the first season was all about understanding why the threats would be so unbeatable and terrifying in real life. Darian also does a great job with effects, mainly using practical effects in the first season. Granted, it doesn’t look great all the time, but it’s another example of just how much effort he puts into this series.

I mentioned that Midwest Angelica wasn’t my favorite because I was personally tired of seeing literal religious themes in stories, had a different guess as to what the threat was that killed momentum on my end, but Vita Carnis didn’t necessarily give me a chance to guess. At least not with the first few episodes, in fact, those first two episodes were a decent subversion in terms of introducing the main antagonists.

The current season is leaning more into the “cultish” and “researching” part of it, but it has kept its momentum nonetheless, at least for me.

It’s not for everybody. But on the Analog Horror subreddit praise it like crazy, and I’m holding back quite a bit because I could get into direct spoilers, but it’s just not everybody’s cup of tea, just like how Midwest Angelica wasn’t mine. You may find that the goofier/unrealistic moments effects wise ruin the immersion for you, or this second season will lose you, or maybe biology videos aren’t scary.

However, if you are like me and intrigued by these things, it is, just like Gemini and Midwest, on YouTube. Go check it out if you’re interested (but be warned that despite the first seven videos being put into one documentary, there is content cut and added)!

As for next week…

#analog horror #horror #vita carnis #darian quilloy

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wonderer399 · 8 months ago

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Sebastian x Ciel 🥀❤️‍🔥🖤💖🌹👄 Astrology analysis (Synastry) Part 1a ✨🔮🌌

*⚠️Non Shippers PLEASE IGNORE MY POST AND STAY OUT! I don't want your negativity in my blog! If you don't like it, then don't engage with it...as simple as that!!⚠️*

I wanted to make a really unique, fun and interesting post related to sebaxciel. I have been studying astrology for the past 8 years now and I can tell you that its not a joke and actually can be very somewhat creepy like how do they know about me so much like wtf! stop exposing me!💀 Astrology is very vast and very in depth knowledge if you want to look at it further. So I thought why not lets make a synastry and composite chart about seba x ciel and how their relationship dynamic works astrologically and how their relationship is still evolving. I have also made their numerology chart and its fun! (I'm still learning astrology and numerology , so if I make any mistakes please kindly correct me!)

Out of my curiosity I just wanted to look at Seba x Ciel 's synastry, composite and numerology chart report and analysis and BOY !!!! I WAS SH👀K !! LIKE WTF!!! HOW!?!? HOW CAN THIS BE 💯% ACCURATE!! Now its giving me creepy vibes like did Yana purposefully picked their birthdays ?!?!? SO HERE I AM BLOGGING THIS ✨ ASTROLOGICAL MIRACLE ✨ and you are reading it!! GET READY TO GET SH👀K !! CAUSE YOU KNOW SHARING IS CARING!!

In this Part 1, I will only discuss about the planetary and asteroid Synastry aspects ( synastry chart means that you take 2 different people's chart and superimpose it on top of each other to see how 2 different people act with each other between their relationship dynamic ) ( this part 1 is getting really really long, so I decided to break it down into many mini parts ( like part 1 a,b,c..I don't even know how many mini sub parts of part 1 I will write, but it is more than 2 ) , Its like writing an AO3 ...you can never stop writing lmao! In part 2 I will go further into the Synastry and the details of the House placements and how the house overlays gives their relationship dynamic more definition! Part 3 and Part 4 will be based on composite charts! ( composite chart means you combine 2 different people's chart to see how they work together as a team or as a 1 person ) Part 5 will be about Numerology and if I'm able to find out more interesting astrological facts about them then I may make part 6 ( mostly Natal analysis )...I'm gonna expose everything about SebaxCiel dynamic and their real personality and how their relationship works and how its evolving and what do we expect to see in the future especially in the manga chapters! *EXCITED*

The birthdays, time and location I used :

Sebastian : 18th January, 1886 ( 6:30 am ) London,UK

( I was extremely skeptical about Sebby's date, however after doing lots of research and some analysis, I have come up with this birthday as it is very accurate...at least I tried to make it accurate! , also I used this bd for sebby because whenever a demon a manifested in this 3d human realm, it is 'reborn' again...obviously he a thousand years old I'm not using that B.C. date lmao! )

( okay I know none of them were actually exactly born in London,Uk however I do not really know where the mansions located...so I used London as a general location and England isn't that big enough like the states lol ..so it wouldn't affect the reading and analysis much at all I think! lol )

Ciel : 14th December, 1875 ( 7:30 am ) London,UK

Synastry Chart below! I'm going to explain now what planetary and asteroid aspects creates their LOVING, STEAMY , SEXY AND IRRESISTIBLE synastry !

✨ Ciel is Deep Blue and Sebastian is Deep Orange ✨

Just like their Eye colors! *GASPS* that was a coincidence! SH👀K !!

✨KEY ASPECTS ✨

Their positive aspects :

Their negative aspects :

( these two images illustrates their dynamics of both positive and negative sides of the same coin )

I'm gonna talk about *positive aspects only ( mostly conjunctions, as trines and sextiles are very watered down version of conjunctions, its still positive though )* cause I don't wanna ruin the *rose-colored glasses* mood we all sebaxciel shippers have it on right now! I don't need to talk about *negative aspects* cause they don't really fight much...its just the power chokehold they have it on each other kinda like BDSM not physicially but psychologically and I kinda find that really really hot! *negative aspects* ( Oppositions and Squares ) aren't necessairily that bad they are just 'necessary evil' for realtionship to grow, improvise, evolve, survive and thrive . If you guys find more aspects you can reply or reblog!

*Website used : Astroseek.com*

Jupiter - Juno ( 👰🏻🤵🏻 ) : *HAPPILY MARRIED, THE ULTIMATE HUSBAND - WIFE DYNAMIC*

Jupiter, the planet of expansion, faith, hope, good luck, opportunity, wealth, philosophical and spiritual values and financial gains. It's also known as the Great Benefactor because it's larger than all the other planets in the solar system. Jupiter the god and husband of Juno according to the greek mythology. Juno, the asteroid of loyalty, intimate, serious and long term relationships and partnering. Juno is the goddess of marriage and protector of women, who was known for her loyalty and protection of women. Jupiter and Juno were a married couple. Juno is Jupiter's most prominent wife and is often depicted as a beautiful queen-consort. Juno is the queen of the gods and is worshipped as the protector of marriage and homemaking. Jupiter is also known for his infidelity and he had many other affairs lol.

When Jupiter and Juno tightly conjuncts in a synastry like this, both the juno and jupiter person wants to have a strong and powerful commitment towards each other. Jupiter brings happiness in juno person's life. Jupiter's optimistic approach in life boosts the ego and confidence of juno person. They both think they have found their 'ideal match' as Juno is extremely loyal, supportive and devoted to Jupiter person's interests and goals. Jupiter helps juno through expanding Juno's vision for their future goals and Juno helps Jupiter by grounding themselves in practical day to day life. Jupiter person also helps juno to succeed in careers to achieve BIG GOALS. Juno is tolerant of Jupiter just like a loyal, devoted and faithful wife!

Its a very stable and long lasting and perfect synastry for marrige! Jupiter brings out Juno’s desire for marriage and commitment in a big way. Juno wants to get married to Jupiter right away, like juno wants to make the 'OFFICIAL CONTRACT' immediately ! or Juno wants to desperately have a family with the Jupiter. Juno's characteristics is very protective, possesive, loyal and devoted in nature, and jupiter expands or amplifies juno's these qualities or characteristics on each other and jupiter can feel its effect.

According to this synastry, Sebby's Jupiter tightly conjuncts Ciel's Juno in libra. Libra is zodiac of relationships, ruled by Venus , the planet of Love, Beauty and Harmony! Their main focus would be their relationship with each other is their #1 priority! They prioritzie to make their relationship more lovely, harmonious, compatible, diplomatic, graceful and beautiful from both inside and outside. Sebby is very important for ciel's career and his BIG GOALS in life and they are both very loyal and devoted to each other. And Sebby helps Ciel by expanding Ciel's future vision and plans!

Venus - Mars ( ❤️‍🔥 🥵🛏️👄) : *BAD BOY ON A BIKE MEETS THE SEXY VICTORIA'S SECRET MODEL, PASSIONATE, MAGNETIC AND IRRESITIBLE ATTRACTION AT 1ST SIGHT*

'Let's fuck'....This conjunction is like a ticking time bomb 💣 💥 and the explotion of the excitement would be the bed breaking session! They can't help but to get pulled by each other to do that deed...THEY LOVE TO FLIRT WITH EACH OTHER 24/7! There is no other way to describe this dynamic! Its a great synastry to have a very , BED BREAKING LOUD SEX. ( Conjunctions and Oppositions will mostly feel this, but in oppositions fights will be frequent, trine and the sextile won't be that strong ) Especially if the man is mars and the women is venus...the bed breaking session will go on all night long! their passion is just stronger..if its the other way around the 'man' in this relationship may feel emasculated or may even feel slightly uncomfortable by the women, but the passion is still there but the women might be very forceful sexually towards the man.

This synastry doesn't give enough stability for relationships to last, but this synastry is perfect for a quick fling and passionate romance. Mars, the planet of ( very masculine energy ) Aggression, Power , Temper, hot headed, SEX, impulse, War, Aries and Scorpio ruler and Fiery planet meets the Venus, ( very feminine energy ) planet of Beauty and Love, Peace, Harmony, Joy, Luxury, Riches and Diplomacy ruler of libra and taurus.

Mars can't help or stop thinking about the passion and they also want to have Venus in their life even if its for a very short fling type thrilling relationship, MARS WANTS TO HAVE THE UPPER HAND ( like controlling or owning Venus ), MARS WANTS TO MAKE THE MOVE 1st AND IMMIDIATELY AS IF VENUS IS THE SPECIAL LIMITED EDITION STUFF WHICH WON'T STAY FOREVER IN THE MARKET ! MARS WANTS TO MERGE WITH VENUS TO FEEL THE PASSION AND THE RAW BURNING DESIRE THEY CRAVE DEEP INSIDE FOR EACH OTHER. And if Venus wants Mars as well, Venus will let Mars do whatever Mars wants...venus also secretly wants to get dominated by Mars! You know the saying goes, 'Men are from Mars and Women are from Venus'..its the merging of masculine and feminine energy we are talking about.

Even if it is between platonic relationship rather than a romantic one, the 'platonic' friends will still feel some tension...and their other friends might notice it and will tease them by saying 'u guys r so gay/lesbian for each other' lots of inappropriate touching going on between these 'platonic' friendships even if they already have a bf/gf....if its the dynamic between parent and child, they will show lots of passion and affection through touching all the time.

In this case, Sebby's Venus tightly conjuncts Ciel's Mars in Pieces. If noticed carefully Ciel always wants to have the upper hand and they are becoming very 'touchy touchy' by each manga chapter, especially it is more noticeable in the Emerald witch arc...like after waking up from the psychic trauma Ciel compensated his lost touching time with sebby as Ciel and Sebby both were excited to be able to stay 'near' each other again! Also, Mars do love get bathed by Venus!!... They were constantly flirting with each other with Victorian aesthetics in Emerald witch arc, especially when ciel was in a dress and sebby called him 'my lady' while fighting with Germans! and also the train date!...Mars CRAVES the touch of Venus!

Don't let Ciel's 13 old appearance fool you, he is very forceful and demanding towards sebby ( Its an Order SEBASTIAN! LMAO ) and Ciel CRAVES sebby's affection, excitement, passion and touch! Ciel as being a Mars in Pisces is drawn to more romantic and sensitive partners who are compassionate, creative, spiritual and will listen to him and Sebby as being a Pieces venus, he wants passion, true love, and a partner that is emotionally invested in the relationship. And Ciel exudes his passion and desire for 'revenge' and very much invested in Sebby! And we got to see the constant flirting going on between them on the lastest 212 🌹 train date🌹 chapter!

Pluto - Neptune (❤️‍🔥 🥀🖤) : *ALWAYS EVOLVING, LOOSING & FINDING EACH OTHER AGAIN THROUGH THEIR DEEP & INTENSE SPIRITUAL TRANSFORMATION : A THRILLING ROLLER COASTER RIDE OR A CONSTANT DEATH & REBIRTH CYCLE?*

Rarest conjunction EVER!!! It takes around 250 years ( more or less ) for Pluto to even complete 1 cycle and it takes around 165 years for Neptune to complete 1 cycle. Pluto and Neptune conjuncting like this happens only once in around 500 years!! Last time it happened in 1891 , and the next time it will happen in 2385. And it is even more rare to observe it in the synastry! Therefore, its really hard for astrologers to even describe such synastry dynamics! Both Pluto and Neptune are considered generational outer planets and they are extremely slow moving...Pluto the planet of the underworld ,the mafia boss, the thug you don't wanna mess with, always Schemeing and Plotting, death and rebirth, power to control, deep dark secrets, intense earthly desire and transformation..( lmao I always think if pluto was a person that would be that anime character from jjba Goirno Giovana like Italian mafia boss ) ...sounds very scorpionic in nature as pluto co-rules scorpio with mars...on the other hand, you have Neptune the planet of illusion, delusion, manipulation, confusion, dreams, fantasy, out of this known earthly realm ( Isekai world in anime term ), spiritualism and psychics etc etc is the theme of Neptune...Neptune rules Pisces.

When these 2 planets are in conjunction with each other in a synastry like this, Pluto person will try to dominate and control the Neptune person, Pluto wants to transform the neptune and its theme...Pluto will breakdown and destroy Neptune and will help rebuilt Neptune back better than before...now this transformation can be very painful if the Neptune person resists...the annoying thing about this transformation is that it just constantly occuring , the cycle never stops...and if the Neptune person stops the 'evolution' or does not want to transform spiritually, mentally or psychologically...they will end up having very dissapointing 'reality check' which can be very devastating and life threatening to them because Neptune is the 'Illusion' Neptune can't see past the delusion they are living in...In other words, Neptune has no other choice but to listen to pluto no matter what...if Neptune wants to transform and wants to stay committed to pluto...Pluto is very protective over Neptune person and have a very strong mental and psychological and sometimes emotional attachment to Neptune. Pluto doesn't and won't let go off the Neptune person, pluto's grasp on neptune is very tight as it wants to hold onto it desprately...it can also be other way around as well if the pluto person doesn't do what they are supposed to do, like help transforming Neptune into realigning with their reality, pluto person might get into a big trouble as the confused neptune will try to manipulate and the pluto will retaliate as pluto is very grounded into the reality and will not tolerate neptune's manipulation and psychological warfare...eventually either pluto will leave neptune alone or Pluto can stay strong keep staying 'grounded' into the reality so that it can help evolve and transform neptune as much as it is needed for neptune's realigning with the reality.

Another positive side of this synastry conjunction is that there are always a space for forming an extremely strong mental, psychological and emotional attachment with each other. Overtime they will both feel the extreme affection and empathy towards each other, if both pluto and neptune do their spiritual work and transformation and don't resist the process, instead they should trust the process, as they are both transforming spiritually. And only then they will be very affectionate and empathetic towards each other. They will also have a sense of compassion, will be able to sync with their emotional needs, they will eventually learn how to be emotionally vulnerable with each other...

In this synastry Ciel's pluto conjuncts Sebastian's Neptune. Ciel had to transform sebby mentally, psychologically, spiritually over and over again throughout their journey so far..so many trial and error going on..still the good thing is that sebby is committed...even though he was somewhat injured in the book of murder and book of atlantic...both times when he got injured, he wasn't expecting he was overconfident and slightly delusioned of his demonic superpowers...he underestimated undertaker and it cost him a lot of trouble for both ciel and him...and in the emerald green witch ark , ciel being the pluto person temporarily stops functioning due to his trauma and sebby being the neptune person tries his best with his dangerous manipulation and psychological warfare on ciel and it worked as ciel being the pluto did not tolerate his disrespectful act and retaliate back asap which was very much needed at that time...also, at the book of circus at the asthma scene ciel was embracing his own transformation and managed to overcome his fear at the end that's why sebby looked so excited... so as long as they are with each other, transformation like these will keep occuring!

Also, through that transformation, their bond keeps getting stronger through each transformation and they have gained enough empathy, affection, emotional and psychological attraction towards each other as it shows how proud ciel was when he acknowledged sebby's dedication at the end of the book of atlantic on the boat when ciel said 'You did good work today, when we reach the manor I want you to rest to serve as phantomhive butler properly'...and also when ciel woke up from psychological trauma in the green witch...they both were extremely affectinate towards each other as if its their one of the big relationship transformation...

Also, on the side note, both their pluto and neptune conjuncts at the zodiac Taurus, Taurus in pluto will be obsessed with their material possesion, finance, money, will be determined and enduring and Neptune in taurus will be very artistic, being good with food, will have a natural talent for creating beauty like pleasure seeking...both their planets conjuncting in taurus would challenge and transform their view on material possesion, pleasure seeking tendencies, money, loyalty and determination...this is exactly what we see happening during the blue revenge arc when R!ciel came back and took away everything from our ciel! And as a pluto in taurus, our ciel was extremely mad and his reaction at lau's place was extremely valid.

Juno - Ascendant (✨ 💘 ) : *ARE YOU MY HUSBAND/WIFE?*

Most common synastry among married couples!!! Its a love at 1st sight connection! When one partner's juno conjuncts the ascendant of another partner...the juno person sees the ascendant person as their ideal mate like their entire exsistance is perfect for the juno person to be considered at their significant other. Juno, as I mentioned earlier, the asteroid which is like a very loyal and devoted wife can be very possesive of their partner at well. Juno ( sebby ) person knows very well that ascendant ( ciel ) person will be very important in their life and juno dreams and even fantasies about having a life with ascendant person and how exiciting it will be...the ascendant person will immidiately realize that the juno person needs to be in a commitment with ascendant person...its a inner calling which the both juno and ascendant person realizes from deep within..both juno and the ascendant works together to succeed and accomplishing their mutual goals. Juno person is happy to provide a solid support in order to nuture ascendant person's future goals...Ascendant sees Juno as the stable and committed source of love and asc uses it to their advantages in order to achieve their desired goals...This synastry can show that the asc person feels like a wifey/hubby material to their juno partners and the juno probably proposed to them a lot or talk about marrying them every now and then. The juno person can be overly possessive and controlling over their asc partners as well.

In this synastry Sebby's juno conjuncts Ciels ascendant very tightly! And sebby shows all these possesiveness towards ciel and their small flirting here and there is a huge indicator!

Moon - Saturn ( 💏💍 ) : *I'M BOUND TO TAKE THE RESPONSIBILITY THAT COMES ALONG WITH THIS MARRIGE*

Another really common marriage indicator between most couples...Moon the planet of emotions meets the saturn the planet of restiction, authrority and strcuture. Saturn is like a benevolent restrictive father figure and the moon is that inner child. Saturn may sometimes think that moon is really childish...Saturn isn't complaining though they are happy to take the responsibility that comes along with the moon...Saturn is very mentally and emotionally mature...and moon is very moody...which can sometimes annoy saturn....moons is always emotionally ups and downs like they are always in an emotional wave of 'feelings'...They both want the same thing in terms of commitment...Moon approaches with the commitment very emotionally and Saturn with a sense of responsibility, maturity, or practicality. Doing anything in their power to keep the bond secure. Its a really stable and long lasting synastry between married couples. This synastry is very solid and strong and provides a solid base for mutual understanding, respect and commitment between couples..

In this synastry Sebby's saturn is in conjunction with ciel's moon...even if the orbs are wider, the energy is still felt and..the moon can have wider orb in conjunction...it is very evident that how bratty can ciel get from time to time and how childishly he tests sebby just so that he can annoy him...and sebby quietly endures everything ciel throws at him along with his bratty tantrums...and how sebby is very strict with his learning lessons later on how ciel took revenge by pouring the hot tea on sebby's hands LOL so petty of being cancer moon!

Juno - Sun ( 💕💖 ) : *I WILL PROTECT YOU NO MATTER WHAT*

Devotion, loyalty and possesiveness to the maxxx!!! As I said earlier that Juno, the goddess of marriage is also very possesive, loyal and devoted.... In this synastry, juno conjuncts with the sun ( which is the ego the core personality )... Juno is very protective, possesive, loyal and devoted to the Sun person...Juno sees the sun person as their ideal mate ....the one and only...Juno's ideals and Sun person's ideals are matching with each other...They have deep understanding of each other's desires...Sun person's ego is ideal for juno person...juno finds it very attractive...Juno will do anything to protect the sun person from any harm...They have similar ideas about family, home, career and children. They are always there for each other. There is a strong sense of admiration, mutual respect and attraction towards each other. They see themselves in a committed and fulfilling relationship with each other. They have strong foundation to build a life, family and home together. This is a very strong and stable relationship for marrige..one of the common placement found in most married couples...Juno is everything the sun person could wish for to find in their ideal mate...

In this synastry, sebastian's juno conjuncts ciel's sun. Sebby would go in extra length to devote himself in order to protect ciel and there are many small small indications in the manga that sebby is possesive , loyal, devoted to ciel. Sebby will do literally anything to protect ciel like and his possesiveness shows that how panicked he gets when he sees ciel is injured ...in the green witch and the blue cult arc! Sebby so protective that he even forgets his own injury to protect ciel...that's how deeply devoted and protective this synastry aspect between juno and sun can be.

THIS IS SOO LONG!!! I did not want to make it into a huge thesis LMAO!! sorry for wasting your time! thank you for reading though😭😭😭 my other parts won't be that long...it took me 3 days to write lol...I just got carried away by their dynamic! I LOVE THEM SO MUCH!!! AGHH!! I felt like I had to explain astrologically!

#black butler #ciel phantomhive #kuroshitsuji #sebastian michaelis #sebastian x ciel #sebaciel #yaoi bl #proship #fanfic

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