#i hope this post and its findings mean something to literally anyone else that finds it

[justa-moth]

fun charles rowland fact!

So I was going back through the show and trying to get some gifs of Charles, and I found out something interesting!

I was going back to get a silly funny clip of that ghost guy's head blowing up in E3, and I realized something that I have no idea how I didn't pick up before.

Charles is left handed!

Which I was like, wow! Cool! I don't know how I didn't pick up on that the first time around because I usually get excited over small character details like that, but whatever, right?

(putting the rest of my revelation under a cut lol)

And then on my continuation of said gif quest, I was getting a clip of Charles pulling his cricket bat out at Esther's in E1.

He pulls out his cricket bat and attacks with it with his right hand.

Then I was like, oh cool! He writes with his left, but attacks with his right, that's sick.

But then I wanted to go back to moments I remembered Charles using his cricket bat/other weapons, just to see, and I found out something even more interesting (at least to me).

During both instances in E1 where they have to fight someone, both the WWI ghost and Esther (the gif earlier), Charles uses his right hand for weapons, while drawing the demon sigil with his left (though he does use his right to set the paint brush down at the very end).

(When he cuts the mask off the ghost in their office he does use his left hand, but I'm not counting that because he was physically incapable of grabbing the knife with his right hand at that moment.)

However, despite the two instances of him using his right hand for combat purposes in E1, he seems to use his left in every other instance I can find.

Here's some examples (mainly bc I wanna show off my collection):

(From left to right: Facing the Cat King in E2, Bludgeoning the Night Nurse in E4, Fighting David in E6, and Fighting Esther's Snake in E8) (I didn't mean for these all to be even numbers, I swear 😭😭)

Anyway, when I first was making this post I thought I was gonna find a cute fact out about Charles being ambidextrous fighting wise, but the fact that the only instances I can find of him using his right hand are in E1 is throwing me off.

Did the show originally plan to just have it be "Charles writes with his left and fights with his right" and that be it, but then realize it would be better if he just only ever used his left?

I don't know if that's the case, but I choose to run off with my original "he just uses whichever hand he feels like" theory and running away with it as a headcanon until someone proves me otherwise.

Anyway though, I hope you all found this ramble of a post informative in some kind of way hsdfhkld

[pumpkinhimiko]

"Mistranslations" that are not mistranslations

Now with an additional part 2.

NISA has made plenty of mistakes while translating the Danganronpa series (and I've complained about them before), and so they have a reputation of being untrustworthy. But because of this reputation, I feel like fans are too quick to trust whatever anyone that isn't NISA states as absolute fact. So, I want to examine some instances of fan translators claiming NISA has mistranslated something, when, no, actually, they didn't.

Kokichi's last words

人にやらされるゲームなんて…楽しい訳あるかよ… A game you're forced to play... how could that be fun...

This is probably the most widespread myth in terms of "mistranslations that aren't", with the original post that makes this claim having over 2k notes: that Kokichi in the original Japanese actually says, "How could a game where you're forced to kill people be fun...?" Unfortunately, it's just not true. Fortunately for me, there's a reddit post here that breaks the line down in detail, so I don't have to do any work.

Anyway, I really wanted to make this post because of this thread, which makes several false claims.

 Kokichi says he's afraid of friends in general

オレは、そういう『仲間』が他人よりも怖いけどねー。I'm more afraid of those kinds of [friends] than strangers.

So... souiu, meaning that type of/that kind of is right there, directly before nakama (which can mean friend, especially if it's in a shounen anime, but can also just mean companion/member of a group). I don't understand how you can miss this. Not only is it right there, this claim on its face doesn't make sense. Why, in this context, would Kokichi suddenly blurt out that he's afraid of having friends? It has nothing to do with the conversation they're having.

Shuichi's words to Kokichi after the 4th trial

王馬くん、もういいだろ ? Ouma-kun, isn't this enough? その話を聞かせてくれよ。Tell us about that.

Okay, you've probably heard the phrase mou ii a lot if you watch anime, and it's almost always accompanied by a frustrated huff. Because it is, in fact, something you say when impatient, fed up, what have you. It literally means "good already", carrying pretty much the identical meaning of the English phrase, "that's enough" or "I've had enough". Shuichi does not say it's okay as in it's daijoubu, which is the word you use when trying to comfort someone. He is very much frustrated here and telling Kokichi to fess up.

Citation needed

I couldn't find a line like this in Kokichi's FTEs, but maaaaaaaybe I missed it? Shuichi's narration comments quite a few times on Kokichi acting childishly throughout the game, but I couldn't find anything like this in specific.

EDIT: Correction, I did find it, and it's covered in part two. Suffice to say, the OP got this line completely wrong.

That Kaito thing

Yeah this is patently false. It's also already been touched on in this thread with comments backing it up, so there’s another thing I don't have to get into. I'll put the text here though.

オレはテメーみて一に胸クソ悪い真似までして、If I have to mimic your sickening behavior, 生き残りて一とは思わねーんだよ。I don't think I want to survive.

Shuichi's words to Kokichi after the 4th trial part deaux

I've seen varying claims on how these lines were translated, from them being slightly tweaked, to the claim they were completely butchered to make Saihara too aggressive. I'm just going to leave it here and let you come to your own conclusions.

ダサいのはキミの方だよ…王馬くん。The lame one is you... Ouma-kun.

百田くんの周りにはいつも人が集まってくる… Momota-kun always has people around him... でも、キミの周りには誰もいないじゃないか。But, there's no one around you.

キミは…その程度のヤツって事だよ。That's... what kind of person you are.

This is snappy in its own way, though, if you consider that 程度 is closer to meaning grade/level/degree rather than simply "type of". "That's the level of person you are," basically.

And if you doubt me on any of this, I encourage you to do your own research, get second opinions if you can. I know not everyone knows Japanese, in which case you can't really help but rely on someone else and hope their translation is accurate. That said, at the bare minimum, I think people should provide screenshots and the original Japanese text if they're going to claim something is a mistranslation. Like, I don't think you should be able to say "actually in Japanese Kokichi says he volunteers at animal shelters in his free time but NISA cut it!" and have half the fandom believe you with no proof.

[saltywinteradult]

How is Dany is abusive to Jon?

Honest question, I’ve never given it a thought

I'm sorry this took me so long, anon, and I am really sorry for how long this post got. I had a lot of thoughts on this.

Before we begin, I'd like to point you to this compilation of Jon's reactions to Dany, which hardly paints a picture of a man who is happy and in love, as well as this post and this gifset, both pointing out the parallels between Jon's relationship with Dany and Sansa's relationship with Littlefinger, the latter being a relationship I hope most people can agree is abusive.

It's absolutely crucial to remember that in this relationship, Dany is the person with the power. She is the one with the dragons and the biggest army, and she is willing to both use and abuse that power to get her way.

Furthermore, Dany wants the North's loyalty, but the North needs her help. (The fact that it's Dany's duty as well as in her own best interest to help fight the Others is a different discussion; she doesn't seem to understand this anyway.) She has agreed to grant that help, but she could easily withdraw it if she chooses. She has more power than literally anyone else and there's simply no escaping that power imbalance - it permeates every single interaction Dany has with Jon and all the other Northerners for all of s7 and the first half of s8.

I want you to remember how Dany treats Jon on Dragonstone. His weapons and his boat are taken away immediately upon his arrival. She says Jon is "not yet" her prisoner, but 1) that line very clearly implies that she could make him her prisoner if she chooses to, and 2) how much does it really matter that Jon is "not yet" her prisoner when she's already taken away his means of defending himself or leaving the island? Remember how she later tells him "I haven't given you permission to leave." Girl, what happened to Jon not being your prisoner?

I think it's also very telling that Dany never once addresses Jon by his proper title of King in the North, even before he bends the knee. As you may recall, Dany cares a great deal about titles. She never grants Jon the same respect she demands for herself, and she likes to remind Jon that she is his Queen even during a supposedly intimate, romantic scene.

(Gif by yocalio via gameofthronesdaily)

Earlier in this scene, Dany pointed out that they could stay here in this secluded spot, away from the kingdom and its politics, and no one would find them. Yet even here, away from the rest of the world, she makes a point of referring to herself as "your Queen".

I point all of this out to illustrate that from the very beginning and throughout their relationship, Dany views Jon as a subordinate, not an equal. That is very much not a good foundation for a healthy and equal romantic relationship. Her constant expectation is that Jon will submit, obey, give things up to benefit her, and ensure that the people he has power over act the way she wants.

Case in point:

"Your sister doesn't like me. [...] She doesn't need to be my friend, but I am her Queen. If she can't respect me..."

The implication is that Sansa is doing something wrong by not liking or respecting Dany (meaning "not acting deferential enough for Dany's taste"). The fact that Dany is saying this to Jon and not to Sansa herself implies that it's Jon's responsibility to ensure that Sansa behaves acceptably. "If she can't respect me..." Then what? What exactly is she implying will be the consequences? That their romantic relationship will end? Something worse?

At this point, the North has bent the knee to Dany. As their monarch this is not an entirely unreasonable thing to ask of her subjects - but it's not a very reasonable thing for a girlfriend to ask of her boyfriend, is it? The line between Jon and Dany's political relationship as monarch and subject and their personal relationship as girlfriend and boyfriend isn't just blurred, it's practically nonexistent. To state the obvious, there is a reason we decided that absolute monarchies are bad here in the real world. There is also a reason why a boss dating a subordinate is frowned upon in the real world. Big power imbalances are a bad idea in general and in romantic relationships especially. They should at the very least be considered and navigated carefully. Dany not only fails to do so; she is only happy with her and Jon's relationship when she has power over him.

For proof, let's look at how she reacts when that power imbalance is upended by the revelation of Jon's true identity:

This revelation is a bombshell for Jon. Everything he thought he knew about his own origins turns out to be untrue. However, Dany's first and only thought is how this affects her. Her first reaction is denial and scepticism; the second is to turn cold as soon as she realises that this makes Jon a threat to her ambitions.

There's also this line:

"A secret no one in the world knew, except your brother and your best friend. Doesn't seem strange to you?"

Which implies... What, exactly? That Sam and Bran made this up? Why? Just like with Sansa in the previous scene, we see Dany questioning the actions and intentions of Jon's loved ones. Remember that.

Things escalate in episode 4:

Dany is faced with the notion that Jon might hold more political power than she thought, that they might actually be on somewhat equal footing, and this makes her unhappy.

"I want it to be the way it was between us."

Her desire is to continue their sexual relationship and to return to the previous status quo where she held more power than him and therefore didn't consider him a threat. Jon having a stronger claim to the throne than her threatens Dany's sense of her own identity and purpose, and she reacts by trying to deny and suppress this reality:

"You can say nothing, to anyone, ever! Swear your brother and Samwell Tarly to secrecy and tell no one else! Or it will take on a life of its own and you won't be able to control it or what it does to people!"

(Imagine this with the genders reversed. Yikes.)

Dany is demanding Jon keep his own identity secret from his own family. That's not a reasonable thing to ask of a person you love. Not for one second does she show any consideration for how Jon might feel or what Jon might want. It's all about her. Her expectation is that Jon suppress his own identity, his own reality, to benefit Dany's ambitions. Never once does it seem to occur to Dany that what Jon does with this secret is up to him to decide, not her. His agency is of no concern to her.

Jon: I have to tell Sansa and Arya. Dany: Sansa will want to see me gone and you on the Iron Throne. [...] She's not the girl you grew up with. Not after what she's seen, not after what they've done to her. [...] Jon: They're my family. We can live together. Dany: We can. I've just told you how.

Here we are again with Dany questioning the motives and agendas of Jon's loved ones. Now she's no longer implying but outright stating that they're working against her. What we have here is a pattern of Dany implying that Jon's loved ones are up to no good and can't be trusted. I don't need to explain why that is a dangerous and manipulative thing to do to one's partner, right?

I also want you to pay extra attention to how Emilia delivers that final line. Throughout the whole scene Dany is distraught and desperate, but at this point she turns cold and closed off with an unmistakable anger that Jon won't agree to do as she demands. It is very hard not to read a threatening undertone into that line. "Keep it secret, or else."

Before we move on to episode 5, I'd like to highlight this line, spoken by Dany to Tyrion and Varys in episode 4:

"Speaking to Cersei will not prevent a slaughter. But perhaps it's good the people see that Daenerys Stormborn made every effort to avoid bloodshed, and Cersei Lannister refused. They should know whom to blame when the sky falls down upon them."

Let's be clear on one thing here: Cersei could choose to back down and surrender to avoid bloodshed - but, and I cannot stress this enough, so could Dany. Cersei and Dany are both being selfish and power-hungry by refusing to give up the throne in order to avoid bloodshed. But to admit that would ruin Dany's deeply rooted self-image as morally superior to her enemies. So what does she do instead? She deflects blame. She's the one with the dragons, but if she makes the sky fall down on people, as she puts it, it's not her fault. Keep that in mind.

Now for the absolute low point:

"What did I say would happen if you told your sister? [...] She betrayed your trust. She killed Varys as much as I did. This was a victory for her. Now she knows what happens when people hear the truth about you."

Okay. Varys was conspiring against Dany, which he could've chosen not to do; I guess Dany was within her rights to punish him. She still could've chosen to imprison him, or at least give him a trial. Nobody made her kill him. But as we've just seen, Dany doesn't like to accept responsibility for her own decisions. She'd rather deflect the blame onto the people who displease her.

What's more, she's not just blaming Sansa for Varys's death but Jon as well, for telling Sansa the secret in the first place - which Jon was well within his rights to do! He never agreed not to tell anyone. That wasn't up to Dany to decide in the first place. Jon did what he wanted to do and not what she wanted him to do, so now everything Dany does as a result of Jon's actions is Jon's fault? Do I even need to explain how shitty this is?

"Far more people in Westeros love you than love me. I don't have love here. I only have fear."

This is entirely true. She never stops to think about why Jon is more beloved in Westeros than she is, but whatever. What's important is that after this, Dany initiates a kiss and Jon rebuffs her.

(Gifs from snowsource)

"Alright then. Let it be fear."

Again, what exactly do we think she's implying here? Remember the context. During this conversation, Jon already told her "you will always be my queen". He hasn't rejected her as his queen (which at this point he damn well should), he's just rejecting her sexual advances. And yet, Dany's reaction to his personal rejection of her is to embrace "fear", which again refers to how all of Westeros sees her, not just Jon. Dany already deflected blame for her previous actions onto people who displeased her including Jon, and now she's deflecting the blame for her future actions in the same way. And we all know what she did after this, don't we? I don't know how the line "let it be fear" can mean anything other than "you rejected me and that's why I'm going to embrace being feared, so whatever I do now in the name of being feared is really your fault. Look what you made me do." If that isn't abuse, I don't know what is.

[evilbookworm]

Okay guys, I’m making an episode post!!! Already posted a short one on Escape From Camazotz, but here’s a brief interpretation and meaning of each episode title!  And please, this is an interpretation, not concrete proof!

Episode 1: The Crawl

Ok, I've seen a lot of people translating this and interpreting it to be an episode about a mission, and while this could be right, I think there’s more to it. We all know very well about the show’s constant references to DND, the roleplaying game the party loves. In DND terms, a crawl, or a dungeon crawl, is a scenario in which players must navigate through a sort of maze, “dungeon” if you will, while battling monsters, avoiding traps, and solving puzzles.

                                      So, this episode might be a mission, as has been said many times, but it could also be in a maze of types. A possible terrain in the UD? I just find it very interesting.

Episode 2: The Vanishing of —----------------

Ok, this has pretty much been confirmed for being Holly Wheeler, considering how much she’s appeared in recent bts pictures, but Nancy and Karen fit the 5 letter pieces don’t they? Just a thought, though it probably is Holly.

As for what it could mean in dnd terms, not much really, just some vanishing spells, but this episode will definitely be interesting!

Episode 3: The Turnbow Trap

I was hoping to find this as a dnd term as well, but sadly, it was not. I did find something else rather interesting though. Turnbow is the Americanized version of the Alsatian name Dürrenbach, which means dry stream. So “The dry stream trap,” what could that mean? I was honestly puzzled at this for a while and I couldn’t figure it out. What do you guys think?

                                                             

Episode 4: Sorcerer

Okay, we're all clearly thinking of Will Byers here. Maybe not a cleric, but a Sorcerer is quite similar. Clerics are more medicinal, healers by class. On the other hand, Sorcerers are masters of arcane magic, which is using magic energy in the world to manipulate reality through spells. This definitely ties in to the theory that the UD is Wills mindscape.

                                       

Episode 5: Shock Jock

Shock jocks are essentially radio broadcasters or talk show hosts who entertain listeners by using humor that is mildly offensive to some people. This could totally be a reference to Dustin, considering his constant tinkering with radios. Maybe he’ll be in charge of radios or somehow be part of a secret news source. There are many theories, really.

                                     

Episode 6: Escape from Camazotz

Oh, I love this one. In dnd, Camazotz is the Olman god of bats and horrible things that fly in the night. ANd who got killed by bats in the previous season of Stranger Things? Eddie Munson! No, I don’t think this means he’ll come back, but I do think he’ll be a villain of sorts. 

               

There’s something else, though. Camazotz is also a planet in A Wrinkle In Time, which has been theorized a lot in Stranger Things. Camazotz is essentially a dark planet controlled by evil. People who live there don’t have their own thoughts and are controlled by a central brain called IT. Remind you of anyone? Yeah, Vecna (No not It from It lol). Camazotz more specifically defines what happens when someone just hands over their free will. Sort of like what Vecna does with his victims. He tries to make them accept their death before he kills them.

                               

Episode 7: The Bridge

This one was pretty hard for me to really analyze. I’ve looked through dnd searches and tried to look for meanings of bridges in ST, but I haven’t really found much. Generally, its communication and union, which is kind of conflicting, considering the goal for the final season is to destroy the UD. Maybe I’m looking too much into things, and it’s a literal bridge into the UD. All I could really find is in the movie Dungeons and Dragons: Honor Among Thieves, a bridge is crumbled by a sorcerer, but that’s really it.

                                                   

Maybe it has something to do with the UD being Wil’’s mindscape, and it’s a sort of bridge he creates between the two worlds. Or maybe he is the bridge between the UD and the normal world.

Episode 8: The Rightside Up

I think this one’s pretty self explanatory. The UD will be destroyed and everything will be Rightside Up again. Just like the last episode of Stranger Things Season 1 was called the Upside Down, this is the plain opposite. It will be the episode where Hawkins is saved, and Vecna, whatever he is, is defeated for good. (and byler becomes endgame :) )

                                 

Hope you liked this analysis! It was really fun to make! And please leave your interpretations in the comments if you saw something differently! Thanks :)

[beautifulpersonpeach]

Peach..

I miss him so so much.

Can you gush about Jimin ?

Love how you wrote about him.

Thank you so so much in advance.

Whenever you are free. No pressure.

***

Hi @misslauwie

When your ask came in weeks ago, something in my chest squeezed a little. Because god yes I miss him too. Sometimes it feels like the whole world is kinda 'off', like everything is 'wrong', like we're all stuck in a holding pattern of sorts... And for anyone who thinks that's too dramatic, no it's not. Look around you. The world is kinda fucked, and the reason is because Jimin isn't on stage right now seducing the crowd performing like rent is past due, dancing his heart out, and singing like the fallen angel he is.

It's hard for me to talk about him these days though... I mean, there's always so much to say when it comes to Jimin, but the words don't form quite right for me these days.

Is it alright for me to simply post some pictures I come back to when I miss him and jikook?

Assuming I have your permission, that's what this post is going to be about.

(they cuddle)

*

There's this one from his last live before enlisting. Bare-faced, in an all black hoodie and beanie outfit looking hot as hell. It's the way he's giving 'Korean skaterboy who moonlights as a hacker', but at the same time he comes across as responsible, capable, and real. Cute too.

But lol, maybe that's just what I see when I'm biased.

*

Who else gets stuck looking at his eyes?

There's always so much to say about Jimin because literally everything about him could yield its own thesis. From the range and depth in his stage personas; to how pretty his body features are, before they morph into something more... deviant; to his voice that polarizes and entraps every audience. There's so much to talk about when it comes to Jimin, but I keep coming back to his eyes...

*

(This gave you whiplash didn't it :))

He's always known exactly what to do and how to do it.

*

Jimin is giving 70s cult leader in this shot and it's a fave. He's too modest to ever ask, but we all know we'd join a commune for him if he pulled that zipper down a little lower.

Anyway. Does anybody know why he likes this pair of shoes so much? I've always found them a bit ugly, but somehow, he makes it work. And it's clear he likes them a lot since he wears them all the time. But like... why?

*

Another picture I stare at on days when I miss jikook jikooking, is this one.

It's the moon in the shot that does it. The lines and symmetry, the afterglow of the sunset, Jimin's wide curved back, Jungkook focused on him, Jimin focused on him too, the fact someone else saw them like this and took this picture. They could've been chatting about what they'd like to eat for dinner or some other mundane thing, but it's the care and focus they show for each other that comes through so clearly for me in this shot.

*

This one has a place in my gallery because it's peak jikook.

*

As is this one:

*

Anyway.

Down bad for Baby G.

Imagine if PJM2 has a track like Set Me Free Pt 2 + Tony Montana... imagine the cataclysm it will cause in k-pop, imagine the havoc this cutie patootie pie will cause.

*

Sigh.

*

One day, when I find the words, I'll try to write about all the ways he charms. I owe a kind person from Tumblr (KPFT) a post about him.

*

In 2025, he'll be a 30 year old man desperate to get back on stage. And lord, I just hope everyone is ready.

*

This is the last one.

I come back to this picture sometimes because back then, they really did just have eyeliner and a dream. He gave his all right from the start and has created life-changing art. It's endearing to know he's both a bit of a workaholic and can be lazy too... and to know he still sleeps the exact way - like this:

...and this:

..and this:

*

@misslauwie I miss him too. Also miss Jungkook and the rest of the tannies. For Jimin, it makes me very happy that at least, Jungkook is with him.

He'll be back soon. 💜

[tw1l1te]

The Final Promise₊˚✩⊹

Chapter 2

Linked Universe x reader

Warnings: Angst, fluff, soft and domestic, suggestive themes

Authors note: I was too excited to not post this lmao :3c

Time seemed to stop, and you didn’t mean by the Old Man.

Time literally seemed to halt. You stared at Rusl, trying to find any signs of lying or amusement in his eyes, as if this was some joke. A cruel, twisted joke.

“W-what?” you asked, the only word you could muster. You could feel your fingers shake on the table. You didn’t want to believe what Rusl said, or did you? You weren’t sure. 

You weren’t sure if you’d accepted the fact on whether or not you were coming home ever again, but you didn’t think it would happen now, or so soon. Maybe Hylia wanted to see how your head would react. A twisted game for her, like it always is.

“Are you sure that’s what she said? Maybe she meant something else-"I know what she said. I may be old, but I saw what she wrote clear as day. There’s another mirror.”

Before anyone could say anything else, you stormed out of the cottage, the door squeaking on it hinges as you storm out.

“Y/n! Wait!!” Hyrule yells after you.

Before you could stop yourself to calm down, you break into a spring, heading straight towards the forest. You needed to run. Run. RUN.

This couldn’t be happening. You researched and combed through Hyrule Castle’s archives to find any sliver of hope that you’d be able to come home. Even if it said it was impossible, you never found anything to begin with. You had no answers.

You don't know when you stopped running, you panted as you sat up against a tree, silent tears running down your cheeks and down your neck. Breathing was so difficult, you began hiccuping and hyperventilating, gripping onto your hair for any kind of grounding back into reality. That’s when you felt something wet on your forehead.

Looking up, you were relieved for it to just be Wolfie, or Twilight. 

“Twilight you shouldn’t have followed me.” you whispered into his fur.

Twilight turned back into his Hylian form, your face still in his pelt. 

“I needed to make sure you were okay. Can’t leave you alone, especially in Faron Woods. Who knows what’s still out here,” he murmured into your hair, combing through your sweaty locks. He kissed the top of your forehead, hesitating before pulling back.

“It’s gonna be okay, Y/n. I promise. We’ll be with you, every step of the way, ok? We’re gonna find you a way to go home. Whether it be this lead or if we find something else.”

You sighed. Twilight was always the more outwardly calm person in the chain, alongside Time and Warriors. 

“Twilight that’s the thing… I’m not even sure if I want to go home. It’s probably been years back home, hell I don’t even know if I have my apartment or my friends or… But its not like I don’t want you, y’know? I’ve been dreaming of going home since I first came here, I’d been up for nights at a time just researching in the underground library archives. I-I don’t know what to do or think, Twi.” you rambled, voice breaking at the end, letting more tears slip out.

“Although I don’t know exactly what you’re feelin’, I’m here for you, whatever it is that happens. We’re all here for you.”

He takes a breath.

“Speaking of the others, we should head back to the village, the others are probably worried sick about you.”

You nodded without a word, getting up and making back to Ordon Village together, Twilight wrapping his pelt around your shoulders. It smelled like him, you thought. 

~

Twilight never gives anyone his pelt, its the one thing he sees as his. So why’d he give it to you? He has no idea. Instinct, he thinks. It’s cold, you needed it more than him. He looks down at you, your pink cheeks and wet lashes making you look more fragile and doll-like. Your cute nose sniffing every few seconds, breathing in the cold air. Your ears were so small, littered with at least 3 or 4 piercings, one of which was a triforce. 

Twilight smiles slightly. He always liked the little pieces of “memorabilia” you had of them. It was incredibly strange and unsettling when they first found out, but he sees it more as like your belonging to them admiration of them.

Twilight’s train of thought stopped for a moment.

Where the hell did that thought come from?

Before he could ruminate on his psyche, he’s shaken out of his thoughts by Wind yelling “Oh thank fucking Hylia!”

~

You came back into Twilight’s treehouse, heading toward the bathroom to take a warm bath. You noticed that the tub was already filled, hot steam coming off the surface of the water. You’d have to thank whoever drew you the bath.

Stripping your clothes, you set them in a pile near the door. You step into the tub, wincing slightly at the hot water making contact with your skin. It was a bit too hot for you, but you knew the water will cool off fast enough, so you powered through it.

You sighed. This was nice. Even with the chaotic stream of thoughts coursing through your head, the bath seemed to dull it, even for just a moment. You grab your hair and start combing through it, no doubt getting knots from running through the woods earlier. You look at the necklace Four made for you a few months ago. It was to commemorate a year being with the Chain, which in retrospect should’ve made you sad, but it made you extremely happy and grateful for everyone in the group

You knew it was much easier to come across rarer metals and jewels here than back home, but you were still just as in shock when you realized what it was made of. You remember sobbing from joy when you received it, as you never held something so expensive and meaningful in your entire life.

The necklace was made of metal sourced from Death Mountain but you had no clue what the gem in the triangle shaped cavity was. It looked like emerald, but the boys said it wasn’t that, and that they won't tell you. They were so petty at times.

You were startled out of your thoughts when there was a knock at the door.

“I brought you some fresh clothes, Dove.” Ah Sky, honestly you were a little relieved it wasn’t Legend or Wars, knowing they’d say something snarky or suggestive.

“Come in Sky.” 

You could hear the cogs turning in his head for a moment before he entered, red in the face. You almost laughed at what you were seeing.

Sky turned his head away from you and covered his eyes, just to spare you some dignity.

“I-uh gave you one of my older shirts since you don’t have any other clean ones and its thicker, so it’ll help keep you warm and it has-”

“Sky, for the love of god you’re making this more awkward than it has to be. You’re sweet for being so thoughtful, but we’re both adults Pumpkin.” you mused, chuckling a bit.

Sky finally made eye contact with you, but still avoided your eyes for the most part.

“Right. Um, well, I’ll just leave these on the chair then.”

Sky then stared at you. Not in a creepy way, just in admiration and awe. Luckily, the rest of your body was hidden under the bubbles of the soap in the water, so its not like he could see anything anyway.

He then walked up to you and sat down outside of the tub, still gazing at you.

“I was so worried about you earlier, Songbird. Are you alright now?” he asked, worry crossing his face.

You sighed. Ever the most thoughtful. Bringing your hands from under the water, you cup his cheeks looking right into his eyes.

“Don’t worry so much about me, Sky. I’m fine now. Twilight calmed me down a bit, but you know how shocking such information can be. I just need a bit to process, y’know? I’ll be fine though.”

You gave him a small smile, trying to read the thoughts behind his eyes. He just kept looking at you. You swear he looked at your lips a few times. Biting his lip, he asked “Can I wash your hair for you? No offense at all, I just wanted to offer because you never know when the next time we’ll get to be clean again.”

You nodded with a smile, sitting back against the porcelain tub, handing Sky the glass bottle of soap. As soon as he lathered his hands, he started massaging your scalp, a feeling you’ve missed so much. 

“Fuck, Sky, that feels so good.” you said, not realizing the tone or implication you said it in.

Sky’s breath hitched, but you didn’t catch it, too busy on the sensations on your scalp.

“Yeah?” he whispered, looking at your bare shoulders that were littered with scars from your journey with them, wishing he could wash them away. He felt his ears get hot from your soft sounds, happy that you felt so comfortable and wishing you’d make those sounds more often  domestic with him.

Suddenly the movement stops. Opening your eyes, you turn your head over your shoulder, almost jumping at how close his face is. Your gaze flickered to his lips, almost as if it was instinct.

“Sky… I-” “I’ll let you finish up.” And with that, he left, softly shutting the door behind him.

~

What the HELL is he thinking???

Sky gripped his hair, walking down the hallway, panting slightly.

He was so… close to you. He could smell the soap on your skin. He could see the different colors in your eyes. He felt strange. He knew he liked you… and not just as companions or friends… he wanted more. He felt happier, lighter since you came around. He genuinely laughed for the first time in ages.

It seemed like there was a spark of sorts between the two of you, but he didn’t want to assume or jump into anything… yet, at least. He needed a minute to calm down.

[headcanonenthusiast]

Alex Keller x chubby reader headcanons

Guess who's back with a 3rd Alex post in 3 days? These headcanons will be entirely SFW, focusing on a chubbier, gender-neutral reader, because Lord do we need more headcanons on this man, especially with chubby readers 🥲

Just a quick reminder that y'all are beautiful, no matter your weight 💙

Enjoy! 

-Ik I mentioned this in my NSFW Alex headcanons, but that one (obviously) was more sexual. But, he will still force you in front of a mirror, even in a non-sexual context, arms hugging you from behind while he whispers in your ear about how beautiful/handsome you are. 

-His fingers trail on each and every stretch-mark, observing them with pure delight. 

-And if you dare to complain about them, he's shutting that right down. 

-"What do you mean you don't like 'em? They make you look like a tiger, and everyone loves tigers." 

-"Yeah, but tigers aren't chubby." 

-"They can be. And when they are, they're extra cute." 

-Probably proceeds to show you this pic as well

-Your belly has become his personal pillow. 

-Its also almost like a stress ball to him, too. He'll softly knead at it like dough when y'all are cuddling, pressing kisses to the skin and tickling you with his facial hair. 

-When he gets home from a particularly long deployment, all he wants to do is just bury his face in your belly and forget about life for a while. 

-Will also ask for pictures of your tummy while he's away. Tells you how much he can't wait to come home and cuddle with you. 

-"That belly is the perfect pillow for me, baby. Can't wait to get home and fall asleep on you ❤"

-Absolutely doesn't take anyone shaming you for your body. He probably gets more pissed than you do, but he isn't super confrontational. As much as he'd like to knock the person out, he doesn't, and just leads you away instead.

-If those harsh words get to you, he'll drag you back to the mirror and gently ask you to tell him the specific things you don't like about your body. Then, he'll caress and compliment whatever you point out.

-"What do you mean your thighs are too big? They're literally the softest things in the world. You're nothing short of a warm, cozy pillow, baby. My pillow." 

-Also has an obsession with your thighs. Please let him kiss and squeeze them, he'll probably never be happy again if you don't. 

-Can't stop touching your stomach. He's also obsessed with that. 

-He'll make you feel like the most beautiful/handsome person in the world just with his words, which are always sincere.

-"Hope you know that you've got the best smile, baby doll." 

-If you're at a stage in your life where you actually want to lose weight, he hopes you do it for yourself and noone else.

-Always reassures you that he'll love you no matter what you look like. 

-"I don't care what you look like, baby. You'll look amazing no matter what you do." 

-Will actually help you work-out if you wanna try it. Always there to encourage you and honestly just sees it as more time spent with his wonderful partner.

-Also, he'll only be wearing a thin white shirt and gray shorts while exercising. Do with that what you will 🤭

-Goes clothes shopping with you a lot. 

-If you find clothes that you really like but they don't fit, he'll rub your shoulder comfortingly while searching the racks for another size.

-And if the store barely has anything that fits you? He's fuming about it on the way home and then tries to see if he can get you something customized to fit you. 

-Enjoys bathing with you just so he has an excuse to touch at and clean your body. Rubs soap all over your tummy and makes sure it's all nice and clean so he can fall asleep on it later. 

-Picks you up constantly and grins when it makes you giggle. 

-Once when you were especially sleepy and he made breakfast, he simply just scooped you up, carried you to the dining table and grabbed you a plate. You were definitely 100% awake after that. 

-His lap is always avaliable for you to sit on. 

-Sometimes pouts when you don't sit on it and looks at you with the saddest eyes until you do. 

-"Aw, is my lap not comfy enough for you, dolly?" 

-And if you insist you'll crush him, he looks at you like you have 5 heads. 

-"Thats the craziest thing I've ever heard. Come on, love. Get your pretty/handsome ass over here."

-Pats his thigh when he wants you on his lap, too. His arms immediately wrap around you when you sit on him, giving you a hug so tight it takes your breath away for a sec. 

-Never allows a negative word about yourself fall from your mouth.

-"Don't say that, baby. It's not true. Not at all." 

-"I wish it wasn't so hard for you to see yourself from my perspective. You're amazing, sweetheart. Always have been and always will be." 

-Would absolutely be a wonderful partner overall, no matter your body type or background. Alex genuinely couldn't care less about what you looked like, and would totally throw compliments at you so much you'd get flustered. 

Let's gooo another one done! I'm sure y'all can probably tell that I'm chubbier myself, and as such I'm here to provide for my fellow chubby readers out there with content on this wonderful man 🙏

Feel free to leave requests on who I should do next!

[staycait]

If you died on Wanderer’s birthday !

Wanderer x GN! Reader

Slight angst!

hey guys I KNOW ITS BEEN MONTHS SINCE IVE POSTED HERE BUT IM BACK! I actually do bots instead of posting on tumblr so erm

MY GODD he would be devastated.

He couldn’t believe you died. Especially on his birthday.

To celebrate the date of his birth, only for you to die on the exact same day. A celebration of birth, and at the same time, a grief of a loss of life.

“You promised me you wouldn’t abandon me like the others, [name].”

He would definitely dread his birthday, I mean he still kind of celebrates it while he talks to you in your grave.

“Another day without you.”

Wanderer HATES having to leave your grave, he doesn’t want to move on. He tries to find alternatives though, but everything just reminds him of you.

A simple sumeru flower would just put Wanderer at the edge of a breakdown because he remembers the day he plucked it and put it just above your ear.

Visits your grave daily, even if he doesn’t have anything to talk about, he just sleeps there next to your grave to feel some sort of sense of closure.

On days Wanderer can’t, he would feel so guilty. He legit makes sure to never leave your grave the next day.

He blames himself for your death

“I’m sorry, I love you.”

“I love you so much [name]. I hope you’re doing just fine.”

…

“I bet you’re staring at me from above. It’s not fair.”

“I’m sorry I couldn’t protect you.”

Snaps at anyone, and I mean ANYONE. When they talk to him if he realizes he misses or forgets to visit your grave or if it’s birthday.

Wanderer tells you about everything that goes on in his life. Like from something major that’s like; “Hey, I won a medal and a trophy and a certificate.” to a “I stubbed my toe, everyone says it hurts, but I don’t understand how it does??” (I will want to believe he has high pain tolerance)

He will LITERALLY talk to you in your grave for decades long.

Sings or hums your favorite song when he’s bored (whether or not he’s next to your grave or somewhere else)

(bonus: when you were alive he said he hated the song, but he secretly likes it only because you like it.)

Will be talking to you every single day

Up until the day he forgets what you look like.

[cowgirlcherrie]

hiii :) i was wondering if you could do headcanons of modern! ellie

Hiii lovie of course!!!! ♡♡

a/n: this is kinda drabble-ish but would love to do more of these, so keep requesting them LOL! This is a little sporadic but I love it, so I hope you enjoy <3

warnings(?): not really much mostly fluff sfw, with slight suggestive undertones but really if you squiiint

modern! Ellie headcanons

˚*•̩̩͙✩•̩̩͙*˚＊

♡ Ellie would definitely be in college, part of her doesn't know fully why she applied but she was giving it a shot

♡ totally an undecided major, science? teaching? psychology? She really doesn't know at first but settled on psychology so she could get her degree

♡ makes you wear a necklace with her initial on it (totally possessive)

♡ magically always had weed, which was also confusing at first but she just had that good of connections around town with local plugs and dispensaries.

♡ always has a blunt tucked behind one ear

♡ makes you trim her hair because she doesn’t trust anyone else touching anything on her body.

♡ always loosing her lighter so you bedazzled it and she literally never lost it after that, she would rather die before losing that lighter now

♡ if you have stuffed animals, she tries to remember their names but gets them wrong every time

♡ A few months into dating when labels were now on the relationship, would gift you little things and act like it wasn't her.

♡ once gifted you pre-rolled blunts and you were definitely confused but before you could give them back would kiss your cheeks before saying "No take backs"

♡ keys jingle when she walks, and it's loud asf too!!

♡ whenever you can't find her she's definitely in the gym

♡ low-key would get addicted to going in her free-time ( gym rat ellie ?????)

♡ definitely rubs your back while you are studying or working from home, keeps one arm rubbing circles in your lower back and another on her phone, she enjoyed the comfort of being close even though you kept shushing her. (she’s definitely playing subway surfers or scrolling on tiktok)

strong believer that she would accidentally get tiktok famous, but everything she would post after that one thirst trap would be just videos of you

♡ loves dressing you up, quite literally sits at the edge of the bed while you try on different clothes leaning back as you come out of the bathroom,

"Twirl for me doll,"

" I love that color, you should wear that more often"

��� one day when you see her playing guitar and beg on her lap that you want to learn, Ellie will literally take you to the guitar center the next day to get you your very own

♡ spoils the crap out of you!!!!!

♡ lovesss teasing you and resting her hands on your upper thigh especially when you wear something revealing like skirts or shorts, she tucks her hand way too close up.

♡ touchy touchy touchy! always has to be touching you somehow

♡ leaving kisses on your neck 24/7 because of the way you jump when her lips touch your skin

♡ skincare nights go so crazy, took a lot of convincing, but will be right next to you with a facemask on while you watch a good show

♡ definitely dominant 80% of the time

♡ pet name Warriorrrr ( baby this...doll that) she literally doesn't stop

♡ if you ever go to a party together definitely shares alcohol with you so you don't drink too much

♡ if you are drunk after will take your make-up off and do your night time routine for you

♡ wakes up late as fuck!!! totally wakes up at 2pm like its nothing

♡ definitely mean to everyone else but you.

I'm talking about glaring at people 24/7, crazy attitudes, and people basically asking for permission before they speak.

♡ whenever she catches you doing your natural hair, begs to help which results in her wanting to do it every washday

♡ at first, Ellie didn't understand the hype behind matching fits but does it just for you

♡ overall Ellie is just a simp for you like literally only cares about you, weed, and getting money

[dragon-queen21]

im sorry i wanted to submit this earlier, but i really wanted to at least do it on halloween since, well, its my birthday! listen man i get to brag and talk about this once a year, its my favorite holiday!!!!

but in honor of halloween, hereesss hmmm what do we have here? how about regressor sanji with the crew on halloween!!!

- luffy would LOVE halloween he woukd love the idea of dressing up and getting candy? dude are you serious i can smell luffy from a mile away, he would get the crew to dress up, especially if sanji (or anyone else) is small, its mandatory you see.

-OMG SMALL SANJI WEARING A SHEET WITH HOLES IN IT AND SAYING HES A GHOST

[ “m a ghost! ‘ook! ‘ook! m a ghost!”

“youre a ghost? ooh! so scary!” ]

- baby sanji loves brook during halloween, hes literally a skeleton! so spooky, brook knows this. i dont think he’d find it offensive or anything, i think hed be more happy someone finds joy in his new form during the season

- so. much. candy. sanji really doesnt have much of a sweet tooth, but when hes little, paired with halloween and luffy, usopp, and chopper in your ear about candy, sanji ends up eating so much of it that nami/robin end up having to deal with a very much sugar crashed sanji.

- zoro ends up scaring sanji somehow because he thinks its gonna be funny, but he ends up making their baby cry (he ends up bribing sanji with candy to stop crying before nami or robin comes) (it works)

- unrelated but i like the idea of franky being giving a halloween costume by nami or something and it ends uo being like a bunny. THATS SO FUNNY a huge robot man dressing up as a fluffy bunny makes me actually giggle

- sanji would love to carve pumpkins and then help someone make pumpkin pie with the remains or something. idk how to make pumpkin pie filling but i imagine its with pumpkin

- robin would tell great scary stories, but just age appropriate enough to where she doesnt make sanji cry ☹️

^ usopp too!! hed be much more of an animated storyteller then robin, doing crafts with usopp:) oh my goodness!!!

OKAYIN DONE BECAUSE IN DO TIRED AND I NEED TO POST FOR BIRTHDAY STUDFS EEEEEEK

📷

Oh my gosh! Happy happy birthday!!!!! Sendings you so many treats! Birthday and spooky ones!

~Brook would dress like a pirate, mostly because he would want to get a plastic skeleton bird and put it on his shoulder

~Luffy would also eat way to much candy while out trick or treating, and even if he’s stopped they get back to the ship and he eats it all there

~Also Sanji is literally me. I was handing out candy and just munching on chocolates the while time. Being half regressed means baby brain does not understand self control when there is just a pile of sweets in front of you. Kind of sugar crashed now as I am writing this bleh…

~Zoro with fake blood or with one of those headband pieces that looks like an axe or and arrow went theough his head, and Sanji just sobs, until Zoro takes off the headband and in a rush explains that it’s all fake

“Zoro mean.”

“Shi- I mean umm, look you want my candy? If you stop crying you can have as much as you want”

(Starts now crying because he eats too much and has a belly ache)

~I can imagine it makes Robin laugh which is enough to sell Franky on the idea when before he only put it on to be polite

~I believe it’s using the white part of the rind, the flesh I believe it’s called. Cooking it first like how you might do with an acorn squash. Then you boil it to cook it down more and then add umm…. I forgot what you add next umm something that I can’t remember umm… ✨magic ✨ yup mhm that was it :3

It is a very tedious process that my mom has done when I was super young exactly one time. Robin might have the patience to set it up and then have the little help her make the pie crust and pour into the pan.

~See Robin is more of a child’s story book reader (Sanji would love the book Ten Timid Ghosts) and Usopp is a ‘come up with a ghost story on the fly’

Bye friend! Hope you had an amazing birthday!!!! I am going to go watch spooky cartoons now and eat more candy >:3

[maybevillage]

my really really long rant about endwalker

i'm not kidding this is really long. spoilers ahead of course, like immediately upon entry. sorry i sound so angry the whole time

unfortunately for me and for anyone reading this, endwalker is one of those cases where i like/d so much of what happens that the many weak moments make me more critical of the whole than i would be if it was just wholly bad like stormblood, bc it's a waste of potential. a lot of the time the moments i liked would even be happening simultaneously with the things i find so problematic: cheap storytelling decisions, cheap moments that only serve as fanservice or for shock value that only detract from a characters’ pre-existing complexity, poorly done rehashing of elements from shadowbringers, a lot of hollow pseudo-intellectual arguments, rushed and underdeveloped writing in one instance and then meandering wastes of time immediately after….these issues are so consistent that rather than try to break up endwalker's story based on these things, i will just try to run thru the whole thing chronologically and hope i don't get too repetitive. that's why this isn't an essay with some pretense of structure. i'll do my best.

what's crazy to me is i thought endwalker was going to be my second favourite expansion. this was despite not caring about its original main conflict--i thought fandaniel just wasn't a compelling or even interesting villain. he comes out of nowhere. and he's also asahi so that association is hard to break away from bc i find asahi silly. and he suffers from the same writing issues zenos does, where nearly every cutscene with them did little to develop their characters further from the baseline, only reiterated what i already know bc they literally never say anything else: zenos wants to fight wol, he's bored with everything life could possibly offer, fandaniel will ensure zenos can fight wol through his towers bc he no longer plays to the tune of his unsundered masters... even though what fandaniel was promising to cause were the final days i just didn't really care. in the wake of shadowbringers the final days are like a pretty big deal, but something about reviving a catastrophe i had just finished wrapping up--i thought, naively--made bringing them back seem really thoughtless. i don't really need to see anymore final days...like how much more do i need to understand how bad it was? i mean i think shb did a pretty good job????? of making the final days seem pretty fucking bad. why not come up with something new because this is endwalker and not shadowbringers haha? the only fresh thing about this new uncooler final days was the motivation behind them. fandaniel wanting to bring about the final days bc he wants to die and thinks everything should die with him vs emet-selch's unwillingness to die no matter what bc the final days took everything from him and he needs to bring it all back. still, recontextualising the final days from a past event into a present issue ruins them to me. whatever, i thought, there's no way we're letting the final days happen so what does this matter anyways. there's no way.

so yeah post-shb into ew was starting to lose me plot-wise. not the end of the world (LOL?) though bc the atmosphere in the beginning was so subtle and fresh and rich like dew in the morning that i was willing to look past it. going to old sharlayan i liked a lot. i liked going there not as a more typical homecoming for your friends but to instead uncover the sharlayan forum's cryptic behaviour. this kind of intrigue was what i really wanted after the grandness of shadowbringers and i really do think endwalker gave me that for a while. i liked the opening scene on the ship a lot bc it felt exciting and uncertain and new, especially talking to hydaelyn. i liked how she had become such an unstable variable after originally being the most anchoring presence in the entire game: learning she's a primal, whether she's actually “good” after listening to emet-selch’s explanation of her origins and actions in shb, and the fact that her appeals to her champions have been fewer and fewer… i thought her meeting with you at the very beginning of endwalker was cool and foreboding. i also really liked the emet-selch narration btw, i thought that was a fun choice. who better to guide you into the final stages of your adventure than the person who left you with that final, most important task. i wish this had been the only callback to his character at all. 

so a big part of why i like/d endwalker so much is all that atmosphere. and something i can't really put into words. it just felt cool and cohesive at the start. old sharlayan is one of my favourite locations now; i like that despite its rigidity and (to me farcical but w/e tangent) pursuit of rationality/knowledge, there's the quaint island charm and fresh winter sea and overgrown greenery and forest paths. i liked that the game enhanced the usual hubworld tour chore by having g’raha and krile follow you around to give you more personal anecdotes of the place, really gave it a more lived-in feeling, which really added to both them and the location. i also really liked all this charm and familiarity in tandem with the secret hostility of the place bc of the forum, having to sneak around and so on, sharlayan citizens not really recognising you somehow? but being very aware of a warrior of light threat to their way of life, even if i find that non-intervention way of life silly.

i also really liked labryinthos. it's a really creative place. i liked its uncanny false sky and controlled environment, and yet all the people scrambling about inside. and the music felt kind of magical like i had encountered another fairy area or something idk it all felt very whimsical. thavnair i really liked as well but i feel like my immediate impression of the place was kind of poisoned by the stereotypes, like the huge focus on trade and the first impression being undercutting foreign tourists but then i started to really enjoy the part where you run around with matsya and help him sell fish. i liked the mundanity and slow pace of that exercise bc it felt like a much more involved way of learning about thavnair and its current issues through conversations rather than the fetch quest slog, and this is one of the things i like a lot about the beginning of endwalker. the gameplay really improved i think bc they found more creative ways of having you interact with your surroundings, rather than having the usual running between npcs to fetch things for them or other chores. like rather than doing a string of quests and then being rewarded with development of the story, the gameplay simultaneously develops the story. like turning into frogs i thought was fun, testing nidhana’s aether lamp was fun, etc. it felt like they had better ideas about how to progress the in-between parts.

thavnair quickly started to upset me though bc it started to feel like the only relevance the location had was what they could give you for your military cause, that is, the scales. like alchemy is this place’s big highlight and its just the scales the scales the scales and the tower aughhhhhh!!!!!!! the tower!!!!!!!!!! i wish they had focused on something but i guess this is just to be expected with ffxiv...any interaction with a foreign ("foreign" as far as square enix eorzea is concerned) culture really boils down to how they might bolster your military efforts, the azim steppe for eg. so it felt like my concern for an individual (matsya) and the experience firsthand trying to help him with his day to day; the idea that every single person on earth is important and shouldn't be made to suffer, and helping that single person... was like overshadowed by something more focused on a “greater good", that is, the construction of the scales to defeat the towers to save the world ad infinitum. but if you played endwalker then you would know how this idea of only concerning oneself with a "greater good" and this diluting of the importance of an individual's life for the sake of this idealistic whole causes some problems for a certain someone..................so why didn't the game focus more on these themes? probably because at the end of the day it's a video game by square enix and you need a big boss to fight or something or bc this expansion is insanely unfocused i don't know. i feel like this concept about the importance of the small things that can add up to one life and how that one life is beautiful and important crops up with the significance of weeds despite its importance overall. i don't know if i think this is one of the main underlying themes of endwalker just poorly executed so as to not even be there or if i just wish it was one of its main themes. anyways i'm getting distracted, what i mean to say is thavnair gets dehumanised throughout the entire expansion in the most horrific ways possible so i guess this was just the start

moving on... i liked the part in garlemald a lot, which i didn't expect bc i don't expect this game to handle anything regarding imperialism well. i liked that the garlemald you finally experience, after it being one of your main enemies and this very proud nation, was just this dead quiet and ruined place. the quest where you follow that girl is another eg of how the gameplay was a bit more immersive, i think it helped me feel the loneliness and the danger of the place, that i could be a danger to this girl. that i really had to try if i wanted to help her. what i didn't like was alphinaud's and alisaie’s babying attitude towards the garleans? like ok yeah of course we’re gonna have patience and grace for GARLEMALD meanwhile lyse was losing her head at the ala mhigans whenever they disagreed with her. like sure arguing won't get anywhere but it felt like the twins were reckoning with children sometimes, it was so strange. but i did like that the game didn't shy away from making the garleans just unpleasant to be around at best, and an actual danger to you at worst. it's just better to me to make them harder to reconcile with so that there's no frustrating cheap shots at redemption but rather a good, sobering look at a society that's been totally and willingly misled. and i liked that alisaie's and alphinaud's attempts to help those garlean kids ended so badly, even though i'm not usually a fan of such cruel outcomes. it felt like we were seeing a garlemald not necessarily being punished for its actions more than we were seeing a place built on shitty ideals crumble bc of those ideals. i thought jullus was a good char and helped to carry that idea of disillusionment forward. i didn't care so much about sympathising with what he'd lost, but i did find it interesting how they contrast him with the legatus he's working under, who even while the place is in ruins is still more concerned with war than providing for the people relying on him. i don't think the part in garlemald is perfect by any means, like it doesn't do anything too brave, but ig it was a lot more subtle and complex in its storytelling than i expected. and it wasn't meaninglessly cruel. like i'm glad those shock collars put on the twins were only used to gauge jullus' emotional growth or something like him not wanting to activate them rather than them actually being fucking used which would have just made me close the game and not look back.

from here on is where i struggle to lock in for the rest of the story. starting with when zenos kidnaps you in the midst of the fighting at camp broken glass--i don't think i have ever been more immediately mentally locked out of a story. endwalker is darker than usual, trapping people in fleshy towers, two young girls lying dead on the ice, tentacles erupting out of tempered garlean soldiers... and so on. and while i don't personally like things that are overly dark or cruel, it's not that i think they're bad, just that with moments like that it's a lot better imo that a point is being made or they add something to the story, and that it doesn't feel soullessly random or disrespectful. unfortunately this stops being the case for the rest of the expansion..... like something about the weird eldritch feeling of fandaniel pulling you out of your body and putting you in a random soldier's was throwing me off immensely. it felt like i was playing a different game, like so disconcerting i found it distracting, because why would he not just do this to screw you over more often? i didn't understand them having access to such an unrestrained power. at the same time it was also just too wacky to really take seriously despite the apparent gravity of what was happening. zenos inside of my bunny girl's body??? i don't even understand why they did it? to piss you off?? the duty where you play as the imperial soldier was interesting i guess but i couldn’t understand what the meaning behind being made to struggle through that experience was... like didn't we just spend all that time sympathising with the garleans and wrap that section up already? why do i now need to sympathise with/experience firsthand what its like to be a garlean footsoldier? and it annoyed me because these parts felt emotionally rich, like stumbling across those garleans fighting that machine and trying to do your best to help them; dragging yourself across the ground to get to your friends before something bad happens to them, and running towards them before zenos hurts them while in your body--i thought all of that could've been really poignant if not for the actual situation being so silly?? they could have just kept some of those ideas, wol dragging themselves across the ground for eg--the extent to which they're willing to stop harm from reaching their friends (which reminds me of what vrtra says to you about the importance of protecting your friends the first time you meet him. but that was such a one-off moment that goes nowhere... i just wish ew would pick something, anything, to be a poignant message about love on planet earth if they want nihilism to be the main villain, and just stick to it)--and do something that felt a lot more relevant to the established story thus far? just felt totally pointless

what makes this worse is this ridiculous part is iirc right after fandaniel reveals that the entity tempering all of the garleans is varis reanimated as an ancient oh-so-important primal...?? like here's (what i thought was going to be) an actually important point in the story being sidelined for a moment that just goes absolutely nowhere. they certainly made it seem important for a moment, and i think this would've rounded off what was being said about garlemald well; the garleans are so taken in by the farce of their homeland that they think varis is calling them to reclaim their country over the radio, but all along what's actually causing their nation to fall apart is this monstrous version of their late emperor. the irony would've been interesting but they just do nothing with it... (i think desecrating a dead person's corpse by turning it into a monster is really weird btw, even weirder that they do it for no reason. whatever ew is weird.) i thought, considering that this plotline was being established from before endwalker started, that anima was going to take some time. not so. ffxiv would rather have you and zenos enact tropes from a disney channel movie. you merk that guy at the end of the tower of babil and from then on every important plot point the expansion could possibly have moves at fucking mach 567472838758745745

because why all of a sudden are you getting beamed up to the moon? and fighting ZODIARK? i was so confused when asahi i mean fandaniel was punching shit into that fuckgin allagan computer like fandaniel what the fuck are you talking about... i couldn't process anything that happened here. like i'll willingly put aside boring practicalities like why anyone can breathe on the moon, but not so much how fast this all happened and how out of nowhere--is this the reason fandaniel is also amon btw? so that he can use their allagan computers to do this? bc i honestly can’t find any other reason why him being amon is relevant when they revealed that in the tower of zot...like i dont get why that's important

and it doesn't get better after this is the sad thing to me. it doesn't pick itself back up. it is just extremely unfocused right until the endwalker. i was willing to move past getting rid of zodiark so quickly because it's not that i hold standard storytelling rules so dearly in my heart that i need the biggest final boss of the entire series to get a bit more gravitas. it actually ended up being a pretty interesting decision--dispatching the largest villain at the heart of the game being the catalyst for the biggest catastrophe you've ever heard of. like i like that wol gets played. but the entire mare lamentorum section that follows is disrespectful. this expansion suffers from some extreme tonal dissonance, bc how does wol learn that the final days are now upon them and then proceed to spend their time leisurely touring the moon rabbit facility to tell them that the clothes they’ve made for humans to wear isn’t fashionable? why on god's green earth does that matter at this current juncture? this part is one of the worst story-writing sinkholes in the expansion to me, bc why are the discrepancies between what the loporrits know of humanity vs what humanity is actually like something the story chooses to grapple with? we're building an ark to save humanity, and instead of approaching this in a contemplative or emotional way, the point of conflict they choose is logistics? in the expansion about nihilism? at best this conflict was overly realistic..... mostly it's just boring, and at worst the FINAL DAYS are now upon us, so why am i taste-testing carrots? how could the sharlayans, the most focused group of people on the entire planet, have been collaborating with the loporrits for decades and not even have one of the most basic aspects of staying alive squared away? i’m supposed to not only believe that nobody knew after all that time the lopporits think people only eat carrots, but also waste time on fixing this? whyyyyy would they even devote any time to this at all when there are so many more complicated and interesting ideas that they let flounder bc they rush through them at breakneck pace constantly? we just fucking killed zodiark! is this why they stick urianger up there to do all the fixing actually? to save time offscreen? maybe that's why they chose this asinine chunk of the story to start processing his character? though why they would choose to add more to a plate they can barely balance i don't know. i don’t even feel like getting into what they did with urianger bc it will just piss me off. i think only my love for rabbits and how i will never ever not find urianger precious were stopping me from putting a hex on square enix

the following section of the story is easily the worst part to me in the entire game. like i would rather replay stormblood multiple times in a row than ever sit through the final days coming to thavnair ever again. i've already said bringing back the final days would just be bad; a disservice to the time spent on it in shadowbringers. what more is there to say on that front? nothing. and the way ew utilises the final days tells me that the answer is nothing. it just wanted to unleash the violence of that event on the non-white area and spends an insane amount of time doing it. i can think of no other time in this game where there is so much wanton death and destruction for no useful storytelling reason other than to relish in the cheap shock of witnessing violence, violence they are unwilling to inflict on its white areas, because even in garlemald you only see the aftermath of what happens rather than being in the midst of it. it was actually making me feel fatigued. it was just so much of the same thing over and over with no real meaning to any of it. and that's not to say that meaning justifies suffering, but this is a game.....with a story... first and foremost? there needs to be some kind of reason to move the story forward? but nothing new or inspired is being said, just "the final days are really bad"

i’m actually not even sure where to begin so i’ll start with a glaring issue: i hate that people turn into abominations. people “randomly” turning into monsters just feels too unwieldy--how could there be any sense whatsoever that that situation is controllable? even learning that it's caused by feelings of despair is shit because emotions are so vague, how could there be any worthwhile attempt to control your emotions, let alone while watching your loved ones turn into/be eaten by monsters? this entire part felt so wildly out of hand/unpredictable to me that every single moment onward that wasn't more or less focused on maintaining this extremealy volatile situation felt like an unforgivable lack of priorities. it was extremely distracting to have it hovering over everything; everything else felt absolutely inconsequential in comparison. bc what the fuck do you mean people are randomly turning into monsters?? also the stakes were already really high just knowing the final days were coming, so raising them that much higher felt unnecessary to the point of it being hard to believe. and then bc you know there's no way any character important to wol is going to turn into a monster, subjecting commonfolk npcs to this just feels absurdly cruel, and also just made it obvious how much of a cheap scare it all was, bc it can't have any real narrative importance as a result of only happening to random npcs. it was all so blatantly fake-deep. there was no meaning behind them originally being people except for the useless horror of it--the scions still referred to them as monsters to be put down rather than as the people they used to be, just like any other monster in this game. dynamis was more of a retroactive explanation for why people turned into monsters, rather than people turning into monsters bolstering any understanding of dynamis. in shb the sin eaters had some method to them that made them more believable. you fight them throughout the story rather than them just being dropped on you midway through, they helped provide a picture of what kind of world the first was, they were emotional diving boards for characters like alisaie to develop personal goals and so on and so forth... the horror of the sin eaters had a narrative purpose. in endwalker it feels like they didn’t know what to do but wanted to replicate parts of shadowbringers, but didn't know why those parts worked so well bc they're too obsessed with trying to shock their audience. this part just sucked beyond description.

and it just continues to get worse. how can you be the one writing the parametres of a situation and you create something that's literally unmanageable, so that when its only manageable bc you need it to be, it's just so obviously shit writing? my sister described endwalker's writing as really contrived, like when they need something to happen (and that thing is often a really bad idea) they just shove it in there at the cost of keeping their characters in character, or having their story threads--both the interesting ones and the stupid ones--fall totally flat. she says they shortcut the writing. and it's true. for eg, the characters literally don't feel like themselves at times, or get utilised in really moronic ways. like when wol just watches the satrap die, another cheap scare btw he literally gets grabbed an eaten in a way my sis (i was ranting to her a lot about this game ok) described as straight from attack on titan. just gets grabbed and eaten. and this happens to him for such asinine reasons: 1. so that this random asf plot point of vrtra revealing himself as the true satrap can bear fruit. for some fucking reason. i struggle to understand why this is important at all but i guess it's yet another little sideplot that ew just can't seem to resist adding to its already towering plate at the plot buffet, like whatever is going on with urianger and moenbryda's parents/the loporrits, or zenos who now spends most of his time offscreen, or the twins and their father, etc, bc ew likes to waste time 2. so that g'raha (???????????????????????) out of fucking nowhere can have a big boy moment and direct the scions and the people of thavnair in their time of need. what on earth was that scene supposed to be? fanservice? a reminder that g'raha was a leader back in the first? which blows my mind bc mere moments before he had a scene i really enjoyed despite the circumstances, where after a man witnesses his son get turned into a beast and then stepped on by another beast because endwalker is literally jacking itself off to suffering and expects me to be doing the same... g’raha goes up to this man and stops him from panicking and turning into a monster himself. while i don't think any of this should be happening, i thought it was a nice take on his character to have a more sensitive moment in such a harrowing situation. i don't know, have a character demonstrate some emotional skills instead of the usual fighting ones. ofc all of this i thought mere moments before disaster. why was any of this necessary? literally why not just have the satrap, i don't know, take charge of his country when he's needed most, even if he's only been a figurehead the whole time? why let him go out so horribly when he obvious loves his people with his whole heart just so that vrtra can step in without any sort of conflict? i don't understand the focus on vrtra at all

and it actually just keeps getting worse.. the following part where you have to find matsya's friends at palaka's stand was awful. the friends have a newborn baby, so it's obvious that only that baby is surviving bc ew is convinced you don't know how harsh the world is yet. that must be why this part is so long? i'm repeating myself but so many other things that shouldn't be rushed get rushed, only for ew to devote a lot of time to sections like this where nothing changes or develops except for compounding how bad it all feels. i think it was at this point actually, that i realised endwalker actually had some underlying point it was trying to make. it would've been impossible not to realise bc of how heavy-handed it is. i'm not even going to try and paraphrase bc it was so random the way it was introduced i thought i had missed some lines of dialogue or something when it happened:

the suddenness of this felt like when a writer forsakes trying to show what a story is about and instead opts to speak to their audience directly through poorly disguised self-inserts. like i know things are bad right now guys, but the preaching tone of this is jarring. like maybe if you spent some time trying to develop your themes you wouldn't have to be doing this endwalker. i know you need your final villain to literally parrot these ideas for the rest of the game, but if this was supposed to be such a core point of the story why wait all the way until now to just beat me over the head with it? was watching a child be crushed underfoot supposed to make elderly man of palaka using the phrase "at journey's end" seem profound?

anyways then you go and try to save matsya’s friend (the mother bc the father has now died, of course). this leads us to another forced decision that doesn’t make any sense: alisaie and alphinaud fail to kill a single abomination--just the one solitary abomination that was stalking the poor woman--so that we can see it fling her into the water and her corpse dangling on the surface. in what fucking world do alisaie and alphinaud, who have single-handedly dispatched numerous abominations prior to reaching this point, fail to kill just one of them between the two of them in a way reminiscent of a cartoon, one being knocked into the other and them both falling over? how is that fucking possible? and then to somehow make things worse, because that's still possible, despite the fact that wol spends this entire segment in palaka’s stand being told by alisaie and alphinaud not to leave matsya alone because he can’t fend for himself, the twins suggest sending him back on his own to deliver the baby to palaka's stand? why??????????????????????????????

this is what i mean when i say the characters get used in the most bullshit ways for the most bullshit reasons. it's like the game needs as much suffering as possible to happen so that it can make a worthwhile point on this later on (spoiler: it doesn't) so it pulls shit like this. why would the twins, who we just watched try to spoonfeed the garleans cereleum straight from the tank, leave matsya on his own if not solely bc the story needs the doomerism of the Resolute Citizen to ring true? and this is also what i mean when i say the scions try to manage a disaster that is just not manageable, bc they for some reason believe that bc they've taken care of the abominations they saw in the area, that means the area is safe enough for matsya to go back on his own? like are we just suddenly pretending the nature of these creatures doesn't imply that anyone can turn into one at any moment? everyone is ALWAYS in danger? we're just going to mill around while matsya weathers the most potent fear of his life running back to the village on his own, with the baby of his friends who just died moments before, while we all know that extremely negative emotions cause people to turn into the monsters? why are we doing this after we just went to so much trouble keeping people safe (or failing to, really)? forget turning into monsters for a sec, why are we even letting him experience such painful emotions at all? anyways the fucking baby starts turning into a monster because this is endwalker.. but i will say that matsya running and chanting that little piece up there about how life is suffering to try and convince me it's true calm himself down was one of the cutscenes i liked the most from this entire part, maybe endwalker in general. it was another one of those emotionally poignant and well-executed moments that just suffers from how much i wish it was happening under totally different circumstances. i don't even remember why one of us doesn’t go with him, like i don't remember what we were busy doing bc it was that unimportant--no wait, i remember! we were waiting for matsya to reach the total end of his rope so that when all things seem lost, when those monsters obviously show up on his path back to the village out of nowhere like they've been doing the past painstaking quest after quest of this entire part, estinien and vrtra can get this really cool moment of jumping into save him! it all makes so much sense now. i've never seen estinien do anything really cool before like diving down from the sky with his lance, so i understand how this was a really important moment that the game needed to make happen. also how vrtra really needs to prove to the people he can be a good satrap bc ahewann just died and all. yeah, i totally get it. perfect. just great. 

what is the message behind despair turning you into a monster? we're about to get into it with meteion and try to convince her she's wrong--come out championing the idea that suffering is just one of the many aspects of life we need to accept, and yet we're going to preface that with a part where to feel despair is bad? you get punished if you do it? honestly?

whatever. elpis...we go here because we need to learn about the elpis flower. i'm thinking we're definitely just going to ask the watcher, right? like the guy on the moon who told us the name of the flower in the first place? and time is of the fucking essence here, so surely we just go back to the watcher and ask him what we need to know and come back? wrong. we're going back to the first. to talk to elidibus. i thought we killed elidibus? does nobody truly die in this game except for my favourite character? so wol gets sent back to the first, and there's this upbeat tonally dissonant little section where you catch up with some old friends like beq lugg and those kids you helped back in shb bc now is just the perfect time for pleasantries and remembering how good shadowbringers was. ew trying to relive shadowbringers was already something i was feeling out in thavnair fighting leagues of "terminus" creatures and not "forgiven" ones, and watching the carefully constructed horror and gravity of the final days get reduced to an average apocalyptic shitshow. so i can't say i appreciated this part. also people are indiscriminately turning into monsters. i can't help but have that hang over everything constantly until the end of the expansion.

anyways we go to the crystal tower and drag out elidibus even though i personally prefer when characters have their final moments and are properly laid to rest. like i hate to not only beat a dead horse but also reanimate said horse and then drag its corpse around. well fuck what i want. so elidibus willingly does this favour for us i guess and sends us to the past somehow with some useless warnings about how we won't be able to interact with our surroundings or change the past. i say useless because the former is just untrue, i'm not sure why he bothered to say it. the moment we step foot on elpis you get a nice gift of aether from emet-selch that renders you tangible and now you can proceed to live love laugh with him and hythlodaeus on elpis even though people are indiscriminately dying back home. and the latter warning, well. i don't know, that just seemed obvious. i'm kind of just a hater.

time to be positive again for a short moment, if you can believe it? emet-selch is one of my favourite characters. i enjoyed this new light cast on him...for a short while. i like his relationship with hythlodaeus and i really like hythlodaeus; i’m really fond of the faceless simulacrum version of him you meet in shb and i'm really fond of him now. learning about the unsundered world in person rather than through hearsay was interesting, and although i can't lie and say i don't think this all kind of felt like a huge tangent despite the important aspects of the plot that come out of it, i still like it. i guess it feels this way because a lot of big plot points have already been established, like the ark on the moon and the sharlayans' involvement and the final days, so this was all kind of too big to me to be coming this late into the story. it doesn't feel all that relevant to prior parts of the expansion either except for hermes, who has been poorly developed throughout, so okay, i get it. it's time to give one of the main villains some depth (i want you to guess if this is successful or not). hermes has a lot of qualities i really like. has a child, secretly nurturing a potent sadness, thinks differently from the world around him because at his core he’s too deeply empathetic…. even though i was still largely aware of the insanity happening back at home which i'm going to keep repeating, i still enjoyed elpis At The Start. the exposition of this part was easily better than its resolution. it was taking the time to develop hermes’ character so that you could see if the game was written well anyhow how he became the fandaniel of the present. i really liked his relationship with meteion too. it's getting hard to talk about what i like without simultaneously talking about what i don't like so i'm going back to criticising now, positivity over, sorry....

personally, i’d have been totally fine without any more development to emet-selch’s character. i think it was nice to see a fresh perspective on him and all, really rounds out who he is from what you know and what he talks about in shadowbringers. and i actually like a lot of the things he said throughout, not all of it, but a good amount of it was fun and sorely needed whenever hermes was being annoying, which was often. but there was a lot of times wehere i thought, i don't really need to be hanging out with emet-selch right now? i don't need my wol and emet-selch to be friends? considering who he is....? .............and what's going on back home? how many more moments showing how endearingly prickly he is do i need to see? like sure, i can enjoy this emet-selch fest in isolation of what's going on because me love emet-selch like it's not like i think these moments are bad or anything but i don't know, don't we have other things to be doing? i'm not diametrically opposed to fanservice, i like when things are kept fresh and lighthearted. but. well you know by now. about the people turning into monsters. i guess i just both enjoyed this part and wished it happened under different circumstances or in a different way or something, or maybe not at all, bc as things progress his character just gets more and more diluted.

i actually really liked meteion. i will say i’m really tired of non-human, overly childish girl children creature characters who become villains, because i think there's this concept where…idk how to say it? i wish i could find something that talks about this more... it's like the dehumanisation involved when non-binary characters or non-white characters are often not human (not that these things are done in the same way). but i feel like women or females ig are often the ones chosen to be non-human in this particular way...? like, when emotional labour is involved. or when it needs to be some taboo evil entity. it's like a guy and his part-animal female second lead or part-alien love interest or female-voiced ai system or android or abandoned girl he finds/rescues. it's kind of like the born sexy yesterday trope but without the blatant sexuality (i don't want to go on a tangent). quite often this weird quirky alien and playful girl child is a harbinger of destruction. take drakengard, for example, or fire emblem engage, or cc from code geass iirc, or veronica from fire emblem heroes.. there's apparently something about childishness and girlishness and innocence and corrupting that innocence or being fooled by that innocence that seems to incite fear of the unknown enough in people for villainous children to be a trope in general regardless of gender, but it was just something i was thinking about in regards to meteion's character, especially when she becomes evil. and this blurry line between her as a "being" with a consciousness and free well as GIVEN to her by hermes, and her as a "tool" to be used by him as well, doesn't really get addressed in any meaningful way at all. like sure, she doesn't need to eat but she can still enjoy candy apples and flowers, and can empathise bc often of her own volition she wants to cheer hermes up, but actually her ability to empathise is programmed; so let's send send her, this highly empathetic being (with consciousness and free will and tastes and personality) into the cold expanse of space for as long as it takes for hermes to find his answer, that's totally fine. why did he make it a girl? why couldn't they address the fact that the loneliest bastard in this entire game made himself a child? like i'm not saying there needs to be clear-cut definitions on what meteion is or why she or hermes take certain actions, but it feels like a lot of things regarding their characters are really complex and implied to be really deep, and then just don't go anywhere or are completely ignored or unexplained? and because these things are so present yet passed over, it leaves me genuinely confused about most of what happens on elpis and how these two specifically reach any of the conclusions they do once things start going south

like i thought what she and hermes were going to add to the story was going to be a lot more interesting and complex than what it turned out to be.....a banal mantra on the "mercy" of nihilism. i can barely reconcile what bothers hermes in the first place with what meteion concludes from her sisters' expeditions, like they almost feel irrelevant to each other. he's upset over man's lording over who deserves to live and the callousness of making and unmaking life. he feels sadder about the coming death of his friend than the average ancient, and doesn't want to accept meaningless platitudes about dying for the good of the star. ok, i agree with that. so he wants to know what meaning there is to life, if it can be so easily judged and discarded...? okay. so his answer is to....secretly create creatures without any of the rigourous testing they usually go through to prevent them from being dangerous, and then send them on a potentially dangerous and traumatising mission to answer his vague philosophical questions? like.......? so when she reports back traumatised and tells him every single society out there is suffering (which i just find so unbelievable btw), then the answer to his question must be that suffering is the meaning of life--which she figures bc she's an entelechy so i imagine she's highly susceptible to her emotional surroundings, and because his pseudo-intellectual question is so poorly framed (something only emet-selch points out in a throwaway line btw). and this alone spurs him on to allowing meteion to unmake their entire society in the most violent way conceivable? you literally tell him that the final days are coming as a result of his actions, but he's fine with it because he'd rather that than enact some policy changes at his workplace, or talking to someone? everyone seemed to listen and respect his decision when he suggested helping that creature learn to fly instead of just killing it, i'm sure he could've talked it out? isn't he in charge of the place? this entire section was so hard for me to follow bc i kept thinking something more complex was making everyone behave the way they were, when it was actually just totally senseless.

as an aside, i hate how they chose to make the way meteion reports information so cooly technological btw, it felt not only anachronistic but corny. i’m sure there's a better way to have her impartially report things without making her sound like she's reporting weather conditions on some distant planet in star trek. anyways, when you frantically search for meteion after she receives her transmission was another part that took up a lot of time for no reason. it just made everything feel so dire when i could barely understand why any of what was going on was such a big deal. and i’ll never be one to say that any bureau of anything should “detain” anyone, but why hermes was so frantic to prevent meteion from being brought to the convocation i just don't know. like he goes on the run with her so that he can hear the end of her report? is that really it? i just find it hypocritical that he doesn't want her to be sent to the convocation where they'll limit her free will or fucking whatever but he's totally fine with ordering the meteia into space? why am i being made to guess what the convocation is going to do to meteion when hermes is making it seem like such a big deal?? what fucking sense does that make? what on earth was he afraid of? their judgment? the convocation members deciding whether meteion is good for the star or not? could they not have just reasoned this out? aren’t they a "highly advanced" and "reasonable" society? like okay he sees through the veil of his utopian home but i just did not get a sense of how much it was bothering him at all, like i cannot stress enough how him going turbo feels like an insane jump from what his problems seemingly were. why did nobody stop to think this through or communicate to each other? is it because of the bullshit time paradox this game has trapped us in so that nothing we do will amount to anything anyways so we might as well make the most confused villain of all time be responsible for the biggest event in this game's history?

but it annoys me because meteion and hermes felt like such a waste of potential, maybe the biggest waste to me in the entire expansion. i was really intrigued by their wholesome relationship at the start, knowing that hermes was a main villain. and that he can't find connection or meaning in an otherwise "perfect" society, so he has to create it for himself and try to find it elsewhere, as far as the reaches of outer space... he wants to make what's hurting him stop hurting him. i like that he approaches such human desires with meteion despite her non-humanness, and that she can return those feelings to him. he wants to signify meteion’s return with a flower because they both like flowers… like those things we can’t put into words but share with others, moments, emotions, connections……..but nope. nihilism beam. it feels like the worst sort of retroactive writing ever. they didn't even think too hard about dynamis--this hugely important thing, except nobody has ever heard of it, aside from nidhana back at home? while members of the highest office in the most advanced society earth has ever had are left squinting.

and the entire section after you fight hermes just pissed me off. we kicked his ass so that we could stop him from inciting meteion any further, and yet we just let him hear her out anyways? he's yelling at you during the entire dungeon that he just wants the time to hear her out, we're chasing after him so that we can stop him from doing that, and then we just let him hear her out anyways? and then even when we do that she doesn’t even say anything different? she just goes right back to reporting on different worlds and how self-destructive they are and That's All She Really Proceeds To Say For The Rest Of The Expansion But Fucking Who Cares Anymore. so we let her repeat herself. this sends her into a spiral, because she's an entelechy who just got hit by a high frequency nihilism beam, but subjecting her to all that despair is only ever addressed by one of the scions in a throwaway line near the very end of the story in ultima thule... and then hermes...captures venat, emet-selch and hythlodaeus??? he captures two of the strongest characters in the game? did we not just kick hermes’ ass??? what is going on?

emet-selch: that's bullshit, and you know it's bullshit

hermes: *says more bullshit*

i really think hermes might be one of the worst villains in the game. it's a shame bc i think he's such an interesting character. i'm not sure why he started behaving like such an incel when he was right to be troubled by the things he was? why did they even bother have wol relate to him over experiencing sadness from loss if that just went totally nowhere? why does he behave so hypocritically? being saddened by loss leads to him setting the stage for the final days? him hating man's jurisdiction over other lives leads to him wiping emet-selch's and hythlodaeus' memories, and subjecting the entire planet to the worst test ever? he's not even morally grey or anything! just annoying! i saw someone say that it's even worse that he wants the ancients to prove that their life is meaningful to them, bc it's true, they do??? like isn't that what venat interrupts them from doing in the answers cutscene, calling back for that lost life? isn't that what you learn in shadowbringers? didn't an entire half of their population sacrifice themselves so that the other half could live? what the fuck else did they need to prove?

this part was pissing me off even more because i never even wanted hythlodaeus or emet-selch to learn about where wol came from or about the final days coming in the first place. i thought that was an awful writing decision. telling them just felt weirdly cruel to me considering elidibus explicitly told you there was nothing you could do to change it. maybe this is just my opinion, but why would anybody want to know that their planet is going to go up in flames and there is nothing they can do to stop it? telling venat i was like sure, she becomes hydaeyln so this makes a little more sense to me, but the other two…….? this is around when i was getting tired of the emet-selch cameo, because i don't really care to know what he thinks of his future self? i couldn't really understand what the point of any of that was? so it annoyed me even further that it amounts to nothing anyways when they get their minds conveniently erased. it felt like a fucking joke. why did we revive these characters, develop them, and then just treat them like tools...? like now that we're done using their powers and creation magicks--i thought, naively--we just toss them aside? like ohhhhh noooooo now they won't remember all the fun we had on elpis this is so sad......but at least before he got his memories wiped emet-selch, even though he definitely totally doesn't believe a fucking word i say, renews his shb vows to wol and leaves the future in my hands again? yeah, i totally wanted to hear him say that a second time. forget how deeply affecting and important a moment that was at the end of shadowbringers. i really needed to see him do that one more time in this shittier, more contrived context. that's really what i needed from endwalker. also i've been on reddit reading what people have to say about endwalker out of curiosity (ppl make a lot of good points that i haven't) and someone pointed out that moments before all this happens venat literally pulls memories from the aether around you so that we can watch hermes send the meteia to space. what on earth is stopping anyone from doing that for hermes, hythlodaeus, and emet-selch? but whatever, i already know the writing doesn't care how silly it is anymore. two of the strongest ancients get bound by a weakened hermes, only break out after the story conveniently needed meteion to start flying into space, and then venats lets her escape somehow even though doing so essentially dooms their entire planet. ok

so we’re back home and we have to go immediately help the thavnarians who are being punished for not being white again. the sharlayans were going to bring them to the teleporter to the moon in garlemald to start getting them on the moon, but oops, the final days have come to garlemald, so now we can't use the teleporter, so if you're thavnarian your life sucks. who saw that coming? absolute waste of time. so then we have to get rid of more beasts because we need to waste even more time doing something we already spent an agonising amount of time doing in thavnair. and then immediately after this we need to......wrap up yet another asinine plot thread endwalker is so obssesed with adding to it's already convoluted story: fourchenault excommunicating his children...? it seemed really important when he did this in post-shb, but materially nothing for alphinaud or alisaie really changed, everyone still gets into sharlayan no problem. ultimately i just didn’t really know why they chose to pursue this mini-plot at all because how many more pushes does alphinaud (i'm saying alphinaud bc he does not share that spotlight with alisaie lmfao) need to become resolute in his goals? he already does this throughout the series? they ruined arenvald's legs in post-shb so that alphinaud could become more resolute in his goals, why keep dedicating time to this? just keep juggling endwalker, just keep juggling. anyways we’re in garlemald, we calm the final days for now, zenos shows up out of nowhere to remind us he’s still in the game. and to be fair to him that was one of the most interesting cutscenes he’s had the whole time, and, get this--they have him randomly answer hermes' question? about the meaning of life? while talking to jullus? like jullus gets mad at him for not giving a fuck about causing what happened to garlemald, and zenos responds by saying: "ask any creature of this star and those above for answers, and they will tell you what suits their fancy. and they would be right to do so. what meaning there is to be found in the petty vicissitudes of your existence must be gleaned by you and you alone." like......? he just provides the answer right there in a conversation with jullus? did this expansion have any interest at all in putting any of its different parts in conversation with each other, or are we supposed to just try and build a good story like a puzzle, where the pieces, albeit interesting, don't actually fit together? weren't zenos and fandaniel working together at the beginning of the expansion? he should have just posed this question to zenos because the answer was apparently right fucking there, with the flattest character in the entire game, this whole time? whatever, i still liked this scene. alisaie putting a curse on zenos was very cool of her. so we're back in garlemald and....….tonal dissonance! puddingway shows up. cute scene where g’raha’s ears perk up also bc he's the one who hears the loporrits coming. just in case you forgot about g’raha, which is an oxymoron. and then maybe the second worst segment of endwalker...........we go back to labryinthos. 

now i love labryinthos. i thought it was interesting we only collected one aetheryte the first time we were there, and i was hoping the place would be as intriguing to me as it first was when we got back. admittedly learning that the sharlayans' secrecy only amounted to contributing to the moon project was kind of a let down, but i thought maybe there was still more to it. i mean, an ark to the moon? the abandonment of one's home planet? it's not like the ideas aren't there. let's go back to elpis for a second. one of the moments that really stood out to me during that part was a throwaway line that emet-selch says to wol after hermes starts freaking it:

he's right. i don't think hermes found society so truly beyond help that he couldn't turn to any one of his peers for help before devising such a reckless plan. but i'm not trying to rehash my issues with hermes, more that i think an interesting parallel could have been made, possibly, with the ark flying to the moon as currenlty the most viable solution to the final days problem? challenging this notion of just throwing it all away as a last resort? especially because it's so obvious to me that by the end of this expansion nobody is actually going into space to start a new life out there; trying to sort out living accomodations and acquaint the lopporits properly with earth is just a waste of time. so why not pose the underlying question of the entire expansion, about what makes life meaningful, to the last bastion of hope in the entire universe--the sole planet amongst millions of dead stars that still believes in itself? would it not just be free real estate to try and connect this story's multiple parts together by ...connecting this story's multiple parts together? the scions say repeatedly how much they'd prefer to protect their planet rather than leave it, and everyone on earth vouches for you because they don't want to leave, either. could they not have made a connection in some way between that ark and the meteia's voyage to outer space? could the writing not have turned around and asked the actual inhabtants of the planet of that we've helped and saved and laughed with and broken bread with or whatever the fuck what they think about the meaning of life, now that they have to leave that life behind? i guess fucking not??? i guess endwalker would rather only highlight civilians when they're being turned into abominations to drive home the same points about life = suffering constantly, and not the points about how despite the suffering life needs to be lived? because they don't actually seem to care about challenging meteion's nihilism when that can just be lazily solved by beating her up at the end. hermes could have been learning to love the world he was on, the smaller things that make it beautiful. because that's what he does, he creates this creature that is built to understand him, and it does and it shares these small joys with him. but nope, time to waste time doing fetch quests in labryinthos. find every single researcher who is obviously losing their mind with stress in labryinthos and give them their government-assigned lopporit while this hectic music with only one minute's worth of loop value plays in the background. go and deliver these papers with alisaie and alphinaud bc if you do a former friend of their father’s will tell them that their father actually loves them duh that’s why he disrespects them publicly every chance he gets. go follow one of the lopporits around while they sample fruits so that they can learn to make food other than carrots. go and watch urianger reconcile with moenbryda's parents even though she died all the way back in a realm reborn. fuck you. also everyone is still just a bad day away from turning into an abomination. just in case you forgot.

that shit where asahi shows up to take fandaniel away for the final time might be top three most bizarre scenes in all of final fantasy fourteen btw. i almost didn't want to mention it, but i need it on record how silly i thought that was. we are in the final stages of this expansion and it still can't stop wasting time. did we see ardbert's thoughts on elidibus using his body? no. but asahi was who they chose to get upset about this? ok.

i liked the trial against mother. you might have noticed i've had very little to say on venat this whole time. that might just have to be its own post or something if nobody is sick of me by now. but anything to do with working together with your friends to overcome a trial is good.

that's what i liked about ultima thule. at the same time, this is where the game finally just loses me forever. i think, somehow, even despite all the things i didn't like, the way the story is told i still enjoyed, even if what it was saying was often. bad. there's still a lot of moments i really liked despite it all. but after ultima thule i was just done. we get on the ark. great. i like that things don't go as planned because meteion intercepts our ship. but now meteion is finally here, which means it's finally time for me to reckon with the pseudo-intellectual nihilism she's been touting every chance she gets. it's hard for me to suspend my disbelief that every single society out in space wanted oblivion, but if that's what endwalker wants me to believe for the sake of its story making sense (oxymoron) then fine. ok. but that's all that's ever said. "life is suffering" "life is suffering" "the final days are really bad"

just the same pseudo-intellectual browbeating about how living just leads to constant strife and the most beautiful thing to do is to just end it all for everyone ever again. like sure, empath hears death cry repeatedly--i can see how meteion could change so permanently. i think that's fine. i doubt that's why she's so repetitive. i genuinely just 't think there's nothing anyone really had to say on this. and the thing is, we've heard this argument before? the idea that humanity is imperfect so they don't deserve to live? it will all amount to nothing, so why let it continue to exist? these are major points of conflict from shadowbringers because it's what emet-selch was always saying. the difference is that emet-selch is just an easily more interesting and fleshed out character whose arguments are largely more complicated, even if they're just as morally wrong. like it's extremely easy for me to answer whatever meteion is saying with a resounding no. and while i feel that emet-selch can also be easily disagreed with on what he believes, bc i do disagree--he at least introduces ideas that complicate the story and his own character. he challenges the scions on their hatred of primals--their god is a primal. he offers visions of a world where nobody has to struggle ever again, where strife doesn't exist, and so on and so forth. while that doesn’t justify his actions, nor do i think they should, i think he at least gives the characters something to think about. he throws their own actions back at them. why would the scions not want a world without suffering? when emet-selch asks alphinaud if he believes half of the sundered world would give up half of their number to save the other half, alphinaud is unable to answer because he knows that the answer is no. i don't think humanity should be tested, let alone with such an insane standard, but i at least think that the questions being asked in shadowbringers were interesting. there's a point to them. with meteion, all she basically says to the scions is that she’s going to fucking kill everyone they know and love in the worst way possible. nothing to chew on that wouldn't better be solved by just getting rid of the threat. i don't know why they even bother arguing with her ever. she doesn't even feel like a character to me in that last section of the game. and they keep trying to have her seem all scary by having her get really close to the screen or move around without warning which is all very silly to me. i at least did like how much of a threat she was, and the way thancred vanished, and then everyone finds themselves in that dark area in front of the ship wondering where he is while the ultima thule music plays for the first time, distantly and quietly. i actually really liked that part. i thought it was really moving. i wish it had stayed that way.

the first area of ultima thule was the best part imo. i liked the immense darkness and quiet and lack of wind and the foul air and  yet, green grass. i liked the strange horror of being the only person at first who could really see the dragons, and then learning that estinien can see them too. i liked how that was the segue for his sacrifice. having those "final" moments with a specific scion each time until that climactic moment that pushes the group forward i really liked. i liked that thancred was no longer with them but still with them, a presence over them keeping them safe from harm. i found that very touching. but i was actually really confused while going through ultima thule becuase of how they visually shows what happens, like while the swirling vortex each scion would stand in was cool, and then standing to face off against that dark bird, i think what those things actually represented i just did not really understand what was actually being done or going on. i think that might be because dynamis suffers a bit from being just too nebulous or underdeveloped. i don't mind how abstract of a concept it is, i mean aether is used to do all sorts of never-explained things all the time.. it's more like... if ultima thule is going to be a place ruled by emotions, with laws different from what the scions are used to, it's hard for me to see how they were able to really draw any conclusions about where they were or what to do. it actually kind of reminded me of the logic of jojo's bizarre adventure where an attack only overrules another attack not becuase of some fundamental power scale the reader understands, but bc of what araki feels like contriving to get the story moving the way he wants. and that's fine because it's jojo. but this is ffxiv, so in my mind ultima thule should have either remained abstract and they don't try to explain the rules of the place so much, or they should’ve just made what was going on less abstract if they were going to try to logic the place out

what i mean is: the scene where estinien argues with that dragon so that he can overcome its despair is really cool. i liked that he turned into a cool wind. i liked that your friends sacrificed themselves for the sake of their home, that the power of their hopes for wol to overcome this final challenge was the only way they could move forward in such a stagnant place, as well as the only way they could be protected by meteion's violence. but after estinien does it--and he admits that he doesn't know how, just that it was the right thing to do--it feels like the writing immediately tries to specify what's going on so that there's some easy way forward the scions just have to follow the rulebook for, so that they can get to meteion. when urianger takes wol and g'raha aside i was actually just so lost. i don't know what it was i wasn't getting. i still don't. like to kind of say that there’s always one "individual" in these fake worlds who is despairing more than the others that can be located if they just identify a certain set of behaviours... this kind of just waters down what the scions are doing and the magic of being at the universe's end or w/e to me. we use language because of our inability otherwise to really express the depth of emotions and sensations that exist in this world, not the other way around--trying to box in something so complex through things like processes and so on...so to try and narrow down this part kind of rung a bit hollow to me. it was somehow both overexplained and underexplained at the same time. this might seem kind of nitpicky but i guess it was just hard for me to enjoy ultima thule when i was genuinely confused almost the whole way throughout. and bc the ea and the omicrons were so goddamn annoying. trying to do this slapdash learning about their societies at the very end of the game was just like...? okay? why bother, all they really care about is dying anyways. and then that final dungeon, ew's final attempt at replicating the wins of shadowbringers (the amaurot dungeon) with meteion's voice over. like who cares now meteion, you are somehow still just repeating yourself. endwalker is almost at it's end girl, i get it. everyone wants to die.

where i actually started to get annoyed though was where y'shtola says in no uncertain terms not to use the retcon crystal hydaelyn gave you to call their spirits back. y'shtola, you shouldn't have bothered, because you know wol is going to do absolutely that. why even have her say it? there is no sense of risk whatsoever because that crystal is involved. i still liked the sacrificing, but maybe they should have framed it in a way where it wasn't obvious that the scions were going to be totally fine. ew literally didn't seem ballsy enough to kill all of the scions, and i don't think it should've either. but then it just makes this all very wishy-washy. and even worse was when wol used it to summon HYTHLODAEUS AND EMET-SELCH!!!!!!!!!!!!!!!!!!!!!! WHY!!!!!!!! WHYYYYYYYYYYYY?????????????? i was so annoyed. i'm still annoyed. back when their memories got wiped hythlodaeus was like oh yeah by the way emet did you know that in the aetherial sea you can get your memories back haha? and i was like okay cool so when they die they can get their memories back, whatever, still don't think me and emet-selch should've been live love laughing on elpis. i didn’t actually think this game would be so juvenile as to let you get to meet them once more with their memories fully intact. i don't know why ew has to dot every i and cross every t and sign off every single bit of intrigue with the biggest fucking full stop The End ever where emet-selch is concerned, holy fuck man. i hated this decision so much. your friends SACRIFICE THEMSELVES so that WOL can face meteion. they believe that at the very end of everything, hydaelyn believes that at the very end of everything, WOL is the one who can defeat meteion. they all put so much faith in you. and the first thing you do is summon emet-selch and hythlodaeus because what? because you just can't fucking help yourself? just shit all over the importance of carrying your friends’ beliefs in you. christ i hated that. i loved seeing the elpis flowers grow all over that fake sun. why couldn't that have been wol who grew them, wol's turn to use dynamis to overcome meteion's despair, flowers that represent the hopes every single person on earth has placed in them to see their star to safety? why? emet-selch there for what? to set in stone his position as the Tsundere once and for all? is that it? to have him renew his vows to wol for the millionth time just in case you forgot that he wants you to take up the mantle of their future? i wish they would go back to never making emet-selch palatable and less hostile to the warrior of light, it feels like such a disservice to the character he was in shadowbringers and to just their characters in general like i do not want to be canon friends with emet-selch! it's not necessary! it's fucking emet-selch! what's even worse is that for some reason while the flowers are growing, emet-selch is just point blank explaining what's going on. he literally says something like, "these flowers are the hopes of everyone meteion you're washed. by the way, if you didn't catch that, wol. you can summon your friends back now." immersion gone. any sense of playing a game that actually gives a fuck gone. so we call our friends back, only to send them away again with the teleporter because meteion is just too strong for us. to be fair i liked that decision, but why fake me out a second time having me think yes, finally wol is going to face meteion ON HER OWN. and then have ZENOS show up? i actually just stopped playing and went to bed. genuinelly just fuck me. who fucking cares anymore.

and then after you finally get meteion to stop being emo and she offers to reconcile with you by sending you safely back to your friends it's like, actually i can't even accept this meteoin. because i have to go fight zenos now. and then it's crazy to me that after you kick zenos' ass for like the millionth time, we're literally on the edge of the world so i'm finally expecting him to say something worth listening to, he opens his mouth and says "you know, wol, this whole time... i've been so bored... and the only thing that gives me joy is fighting you...” like. stuck record. the writers dragged him all the way out here to be a stuck fucking record

i like endwalker btw. kind of. like i know nobody who reads this is going to believe me but i really do. if it had just, well. i don't even know. there's too much wrong with it. it wastes too much time and just doesn't seem to be able to let go. how is it possible that an expansion can make me tired of callbacks to haurchefant being important to wol? i've never felt that before. like how many more flashbacks to his grave does one need to have to know that when wol is fighting for their world they're fighting for their friends too. but this game just cannot let things go. it NEEDS to make that joke about alphinaud gathering firewood four more times. it makes anything i appreciated the second or maybe even the third time just upset me. they can't let anything go, they have to wave it in front of me like it's a dog treat and i'm a dog. a fucking dog with blonde hair and blue eyes

[imagionationstation]

Hi IS!! I seriously hope you're actually taking a break from Tumblr and social media instead of reading this haha, but I've been a follower for a few months now and couldn't help but send in a little post after seeing your rant. As someone who grew up with 2012 and adores it, and also as someone who respects Rise for what it is, I understand. 2012 is a huge comfort show to me and I've definitely gotten upset when all people do is go out of their way to tell you how horrible the show is without reason. 2012 is by no means perfect!! I am extremely aware of its flaws, but I don't believe that gives anyone permission to go out of their way just to ruin it for you. To target the one criticism that drives me a bit nuts, the "real brothers" thing. Rise has a very valid interpretation of brothers! But as someone with 3 other siblings, it is not sunshine and rainbows all the time. My older siblings would make me cry, we would fight and get hurt and hurt each other all of the time, my younger sibling would tattle on me, etc etc. But we also look out for each other, and have grown out of many of those things since then. I see a lot of my own sibling situations in 2012. Sure, it doesn't get everything right (and can be purposefully exaggerated because it is a cartoon!!), but it isn't wrong either. Everyone has different family experiences, and believing that Rise is the only correct interpretation of siblings would just be a bit narrow minded. I have many, many more points I could make in regards to the sibling ordeal (and other criticisms you mentioned!) but I'll leave it here for now. Overall, just enjoy what you want to enjoy! This goes for everyone. Someone is always going to want to rain on your parade, don't give them the power to do it. It's so much easier and less tiring to spend your time enjoying something you love over dunking on something you hate. :)

Thank you <3

As I mention over here, not really in a place to drop it yet, but I may sometime in the future. Your support is greatly appreciated!

As someone who grew up with 2012 and adores it, and also as someone who respects Rise for what it is, I understand. 2012 is a huge comfort show to me and I've definitely gotten upset when all people do is go out of their way to tell you how horrible the show is without reason.

Exactly! I have nothing against rottmnt. RISE is a great addition to the TMNT fandom. It has its highs and lows like anything else. It didn't deserve the dislike that many fans gave it in the beginning.

So why does 2012 deserve the exact same treatment after its time is over? Why doesn't it deserve the same respect for its diversity?

They experimented with some awesome and iffy things.

Some things worked and others didn't. Why can't we leave it at that?

I try and read the opinions that say "I like this, this, and this, but-" and ignore anything that is pure hate or comes from an account that has never said a single nice thing about the show.

But even then, it's often always the same old list of complaints.

And, like, Donnie is downright awful with his comebacks but sometimes I find myself doing the daily quote thing to the screen when I come across someone who is being supremely unreasonable.

(Not that I'd ever actually say that to anyone. It's my stress vice.

But. I definitely think it. Very hard.)

To target the one criticism that drives me a bit nuts, the "real brothers" thing.

EVERYTHING ABOUT THIS FOLLOWING PARAGRAPH BRINGS ME AN UNNAMABLE JOY.

You hit the nail right on the head!!

My family dynamic is so similar to these boys. One of my siblings very seriously told me a few days ago that I am not at all attractive, but a few weeks ago, the same sibling also reassured me that I deserved a love interest so much better than any person the world has handed me. Freakin' Raph impersonator over here.

Literally, I have siblings who interact like Leo and Raph. Constantly trying to be the superior in the relationship and hating when the other bosses them around. But you'd almost never find them apart because they are the other's shoulder to lean on.

I'm not anyone innocent either. I've said lots of things that I didn't mean in the past and I still slip up from time to time. I'm the type of person to be annoyed with a sibling and smack/shove them. My siblings do the exact same! Teasing and mocking and crude words aren't anything crazy. It's just how our fam do family.

I have a sibling who is just as insane and annoying as Mikey, but it's so frustrating because he's either purposefully stirring chaos and then laughing when we get upset, or so innocent and confused when I'm getting mad at him for doing something similar a while later.

We get so tired of it. But it's not his fault. He's untreated ADHD and lives his life to the fullest. What you gonna do? Stifle that? Please.

We get so tired of each other.

But we're always the first to have each others' backs.

Overall, just enjoy what you want to enjoy! This goes for everyone. Someone is always going to want to rain on your parade, don't give them the power to do it. It's so much easier and less tiring to spend your time enjoying something you love over dunking on something you hate. :)

Thank you so much. I always try to remind myself of that, but some days it can be hard. I really appreciate your kind words! I hope anyone reading this is also making note of them.

I don't ever want to be a hater.

Going giddly over the boys being themselves is so much more fun.

[memberment]

GOOD MORNING EVERYONE

So the Trinitarians brain worm is back and Morning Glory is now longer and biting the dust as far as my focus goes.

But like, I genuinely want to talk to anyone who's invested in what's to come as far as part two goes. SO PLEASE. I IMPLORE THE FOUR OF YOU WHO PERPETUALLY TAKE NOTICE OF MY SCREAMS INTO THE VOID.

We're all aware that Trin is a time loop fic. That is confirmed.

BUT THE PROBLEM IS HOW I'M GOING ABOUT DOING THAT. AND I NEED INPUT FROM PEOPLE THAT ARE NOT ME AS FAR AS PLEASES AND SPARKLES GO, YES?

Because like sure I'm writing it and like fuck everything else, let me tell my story. But it's the how of it all like if I'm gonna throw another 200 give or take hours into this I would at least like one person to be having a wonderful time drinking and driving (I have since remembered this is not a common phrase, I do not mean this in a literal sense, it's an expression) with me right?

Part two is going to be 50 chapters, give or take. (Part one is about 37 for reference.)

So the plan for part 2 rn is (ROGUHLY):

(1-10) is the second timeline. There are a lot of importants and I cannot just glaze over it all more than that. But we're also working in a bit of a shorter time period than the original events of the story and introductions do not need to happen again, right?

(11-40)ish would be me running through the next timelines in a set up structure -> what changes -> the results of said changes and then inevitably what sends our looper backwards. It wouldn't be running through all the timelines but the more notable ones in kind of a four chapter structure, I am not fully sold on four, but rough estimate yk.

And then 41-50 would be the finale of part two. It's literally the last timeline in its glory and then the epilogue which kicks off part three.

COULD AT LEAST ONE OF Y'ALL SIT THROUGH THAT OR DO YOU GUYS HAVE ANY NOTES AT ALL BECAUSE LIKE

I personally kinda like it but if not a soul is reading this I am throwing myself on the curb with the rest of the garbage LMFAOOO.

I NEED THOUGHTS. OPINIONS. COMMENTS. CONCERNS. ANYTHING.

Anyways, I'm going to work. I have off tomorrow and I broke the ff investment seal for today so insanity and updates will be here tonight and homework will be tomorrow.

HOPE EVERYONE HAS A GOOD DAY <3

(9:30) I am literally falling asleep as I lazily write this angel based on Danse Macabre. Expect all of maybe one more update tonight if the tacos I am abt to receive don't wake me up LMFAO.

Also, I am almost saddened by not having something to post tm. Anyone want an early chapter of something that isn't Genesis/Desolation bc they're both on Monday?????? (I am feeling like a menace rn)

(10:19) tacos and the absolute yap session I just had did wake me up a bit. MAAAYBE might write some more. Idk I slept like three hours last night and went to work I'm kinda dead. But we're at 98.2k!!!!!!🥳

(11:06) okay we made it to 99.6k everything besides the flashback for 31 is done. I'm about to relax and watch something and figure out mechanics of some of this because god this series is A BEAST. Like, I still have six planned chapters left.

Pure insanity. I love it here. I hate it here.

Holy shit wait I just came to the realization that I started this fic exactly one month ago. I have belted out 99.6k for THIS FIC ALONE. (Moreso if we're including future shit that hasn't happened yet)

IN ONE MONTH.

THAT IS FUCKING CRAZY WHAT HTE FUCK LMFAOOOO

I may or may not be cooking we’ll find out in 6-26 business hours

(5:28) So I just had a very interesting past few business hours. I read a fic I've been waiting ever so patiently to finish. That's cool, right. I go for a walk at 4 in the morning because I'm insane. Fantastic. I get home at five and I'm like ohhhh well what do I do now it's not sleep time yet. Oh write I'm supposed to be drawing.

Nope I reread the epilogue of morning glory and realized Tweek's first address is for my morning glory and Craig's last sign off is your morning glory and now I'm ready to throw myself on the curb with the garbage as I sob. Someone call a trusted adult for me thanks.

[the-s1lly-corner]

hiii could i get J, P, Q an U for Slender? thanks! and i hope your day is going really well >_<

More Fluff Alphabet /w Slenderman but these letters!

my days been pretty okay! slow, but not terrible :O gonna be slow from tomorrow until next saturday so i might promote requests being open ponders not proof read!! though to be fair i dont. think i proof read any of my stuff

J (JEALOUSY)-

he can get rather possessive in general when it comes to you or his proxies so uh

don't like, try to make him jealous on purpose, it doesn't end well for anyone involved. actually don't try to tick off forest demons in general

i know i keep saying stuff like "oh god forbid someone make you uncomfortable" in these but like. slenderman is still this huge powerful creature, i know my interpretation on him is a bit silly n different but he still has roots in the 2010s fandom interpretation, you know?

there will be... a mess... is what im saying

in the case that someone is being weird with you, he's less jealous and more angry, though, of course not angry at you

though there will be hard boundaries set in place if you try to rile him up on purpose, he doesnt want to waste his time on someone whos going to toy with him like that. both in a "hey thats not really cool or healthy of you to do to me or our relationship" and also "im fucking slenderman im a old ass powerful demon, who do you think you are?"

P (PETNAMES)-

he calls you; love, darling, my dear

he likes being called; really anything under the sun, because as long as its something coming from your mouth hes pleased, because it ultimately means hes yours and youre his

q (QUESTION)-

for more context see this post! dives into lore stuff for my au/hcs but it'll help add context to this segment!:

here!

hope the link copied well enough </3 if not you can find it on my blog, titled "all entwined in one web" or something along those lines

anyways

some variant of "why do you stay"

you could have decided to be with literally anyone else, but you chose a solitary self loathing demon who eats people in order to survive, created for the sole purpose to cause issues and harm to humanity

on one hand he wants you to stick around and keep him company; but on the other hand he wants you as far away from him as possible so you can go out and live your own life without being in danger or having to put up with his whole deal

please give him lots of reassurance, its going to take a lot for him to stop asking those kinds of questions; assuming he stops asking at all

U (UPSET)-

i feel like him being upset is similar to the jealousy part of this post, but just more. broad. like hes not going to take shit if youre going to try to upset him on purpose

hes more patient if its accidental, though. diving into a previous fluff alphabet, if its an accident and something that can be helped in terms of future instances hes likely to work through it with you. he knows his time with you is short, if his partner is a mortal, and he doesnt want to waste that time

soft slenderman my beloved, let this man have complex emotions and desires and whatnot

kinda just. vanishes when he gets real upset, though, since he cant control his anger that well and generally just doesnt want you to see him like that- best way to help him like that is to just give him time

if youre the one upset hes going to listen to you, if you need someone to talk to. man of few words, advice can go fifty fifty

either gives good advice or not good advice; and thats on him being around for a long time but not really spending a lot of that time you know... interacting with others in a meaningful way

bonus if you still live at your place he's going to do a bunch of your chores for you. in. varying degrees of success, similar reasoning as above since he doesnt really have a home of his own to do like. dishes or laundry at. still bouncing between if im going to have the mansion be a part of this au of mine or not, and if so, how its going to tie in to everything

shrugs

[xxnashiraxx]

24, 37, 53, 56 and 63 for the writer ask game! 🥰❣️

Thank you for asking, lovely friend! You can find the original post here!

24. Worst Writing Advice Anyone Ever Gave You? I don't have too many instances where I'd specifically reached out and asked, honestly I was trying to hide it as much as possible, haha. But I think the one that sticks out the most, through no particular source, would be to write all the time, constantly. That doesn't help you, it drains you and takes a horrible mental toll on you if you don't regulate yourself and take a break from time to time. I struggle with feeling like I should always be doing something, always be productive, but trust me- taking a nice step back from time to time can actually help waaaay more. 🖤🖤

37. How Do You Choose Where to End a Chapter? This is such a good question- I like to make a slight impact with my chapter endings and I guess, though it really isn't this complicated in my head when I'm doing it, is to play on an emotion. For romance, I could end on angst or longing, for complicated feelings and emotions I like to end on a realization or the struggle of further confusion and its resulting aggravation. I also like to pepper in little crumbs regarding an ongoing plot that hasn't been fully unraveled yet, mostly so the readers feel like they're wrapping their heads around the mysteries along with me. It's fun! But not always super clear cut. 💕

53. How Do You Spend Your Time When it Comes to Fanfiction? Are You Primarily a Fic Reader, Writer, or a Perfect 50/50 Split of Both?

I have alternated and balanced this ratio out as time has gone on! Back when I first started in high school, I was primarily 50/50. Over the years I kind of lost my muse, or I'd write for myself very sparingly (maybe once a year or so, and less than 10k during that period) with things that I found interesting, but I didn't really delve back into the hobby until last July. I was a reader, consuming literally everything Nalu (Fairy Tail) until resuming a long fic I'd planned out 4 years ago and never finished. Unfortunately, or in other words, fortunately for me, I discovered Baldur's Gate, and after Astarion, there was no going back (rip my Alvarez Arc rewrite, may she rest in peace). Now I tend to lean more towards the writer portion since I'm writing my current long fic (With Stars to Fill My Dream) and doing some Astarion Kinktober prompts, but once this month ends and I'm on my longer post schedule, I am hoping to catch up on all the fics I haven't been able to read that are sitting in my browser (I have 30+ tabs open, it's ridiculous...)

56. What's Something About Your Writing That You Pride Yourself On?

Oh boy... I don't say this as a fish for compliments, but I'm not really sure I do anything too different from other people! I have heard a kind of general consensus on my horror aspects, and while I personally think they're extremely tame for my own standards and I know I'm my worst critic and think they can always be improved upon, that's something that really sticks with me. I have never published in the excess that I have now, and it literally means the world to me when anyone comments on anything they think sticks out when they read my fics. If I had to go with anything else, I'd say that my little details have really improved during the time I've been a writer. I've done many little links back to earlier conversations and imagery with callbacks in WSTFMD that I'm very proud of. I just hope it's not too obscure that people miss it!

63. Something You Hate to See in Smut.

Look, I'm really open-minded, and if anything isn't my cup of tea of course I wouldn't seek it out. That should always be established. Glaringly obvious things would be anything illegal, but going into the real bones, I'd probably have to say some "terms" for "areas" on the body being overused or out of place kind of bother me. I really don't have too many crazy ones here, I'm guilty of using some anatomically incorrect situations simply for the sake that it pleases me and I find it hot- nothing more, lol. It doesn't have to be 100% factual, it's fun and that's all that really matters! Unless you're hurting someone or doing something shitty, I really don't have a lot of issues. 😊

Again, tysm!!! 💖💖💖

[two-sides-samecoin]

I am SO glad I'm not the only one that remembers that post about Robin lying about her crush on Tammy because she secretly had a crush on Nancy. It made me want to SCREAM because I've said before but it's taking away the vulnerability of the moment. The fact that Robin Chose to tell Steve. That she was honest with him and opened up to him and he accepted her! That she decided to come out to someone and hope she didn't lose a friend she "really, really liked."

By making it about anyone else, especially by having Robin lie about the object of her affections, it snatches away the trust that is built between them there. It takes away what the moment means to Robin. What it means to be able to tell someone and let them see her and for Steve to accept that and joke about it with her. What it means to her to be known!! To trust! To be accepted and loved for it all the same!!

And it taints their friendship in such a way that feels like a betrayal? That the moment of vulnerability shapes their friendship into something beautiful and trusting and mind sharing. It, to me, DEFINES stobin, that's the core of them they are vulnerable with each other, and honest, and in that honesty and vulnerability they make each other laugh and be comfortable. By making it about someone else, by having Robin lie, creates space for hurt or betrayal that doesn't belong in that scene. I know I'm preaching to the choir but oh my god why would someone take that away from characters they supposedly love.

oh my god that post annoys me so much espcially because like why would robin lie about who her crush was at first? it honestly just doesnt make sense and also just gets rid of robin's choice to tell steve about this. also it just doesnt even make sense to begin with to lie about it. YEP YEP ITS ABOUT HER CHOICE to tell steve!! people just love to take away the vulnerability of this scene - also for people who scream about steve fans hating women or making the women characters about steve the people who claim this sure love taking away women's choices in st.

literally this moment is about robin and no one else. this is about robin finding someone who she trusts to tell this about herself. it is about her finding someone when she has been lonely for years in hawkins. and people love to make this scene about their ship (ronance or stobin) which lets be real ronance especially when people bring it up in this scene is to just make nancy look perfect and for someone to worship nancy which theyre just self inserting themselves and want robin to do what they already do

oh it absolutely paints their scene as betrayal. both of them are trusting each other in this scene to a degree where they're in a bathroom covered in blood (at least steve) and they just threw up. this scene is vulernability and even in the situation it is so vulnerable that having robin lie just makes this moment about distrust. also they are willing to lay down their lives for one another before this moment so robin lying would discredit everything that they've been through. also what reason does robin have to lie? she has no reason to lie to him so it just doesn't make sense