#i have been like this since i was a kid i was just out there in like elementary school wearing a watch all the time

[tonycries]

Love Thy D!LF - T.F.

Synopsis. Yes, your neighbor is a hot, pérvy D!LF. Yes, he’s a total tease. No, you don’t think your poor new bed frame is going to stay in one piece…

Pairing. Toji Fushiguro x Reader

Content. MDNI, fem! reader, older! Toji, voyéurísm, pánty-stéaling, male mast., exhibítionísm, he is so DOWN BAD, matíng presses, marathon s, víbrators, oraI (fem rec.), face-sítting, p slápping, p talking, BRÉEDING, mentions of kids, PÚSSYDRÚNK TOJI, proposals, overstím, creampíes, shóoting blanks, he’s a tease that’s shírtless half the time, Megumi’s a real one, pet names, swéaring.

Word count. 8.1k (PHEW)

A/N. Apartment building wouldn’t last a week if he was my neighbor.

Neighbor (UGH): another pair of those cute lil’ pajama shorts made their way onto my balcony again, ma.

Your neighbor was a tease.

Ever since you’d stepped foot into this apartment building a mere few months ago, it seemed like everything and anything he did was to rile your poor head up into a frenzy - and, well, down there…

Because, for lack of a better term, Toji Fushiguro was hot. 

Once your landlord had off-handedly mentioned that the occupant of the apartment right beside your own was a single father, you’d imagined a sweet older man that doted on his young son and would likely steer clear out of your way. 

What you certainly had not expected was for your housewarming gift of a fresh batch of cookies to be oh-so-blatantly greeted by a staggeringly gorgeous man that took up every inch of the doorframe. Shirtless.

Bzzt–!

Your skin burns with the realization of just how deeply you’d been reminiscing back to that heavenly sight, hastily snapping your eyes back onto your blaring phone screen.

Neighbor (UGH): well? hurry before i start to like them too much <3

Ugh, you’re rolling your eyes at that mischievous little heart placed at the end of his text. It was absolutely embarrassing how that was enough to have a tiny squeal slipping through your lips involuntarily. Calling you flirty nicknames, flashing winks your way, lingering his hands just slightly whenever he helped carry your groceries upstairs - Toji did everything. 

You find yourself giving your reflection a slow one-over in your phone camera - just in case. Before padding eagerly down the treacherous pathway that carried you out of your apartment and along the five steps down the corridor to your neighbor’s door. 

Heaving out a shaky breath, you knock.

And Toji Fushiguro never made you wait. He never had you standing in the hallway for more than two seconds before that heavy wooden door swings open…almost as if he’d been suspiciously standing by for this.

“Took ya long enough. Heh, I was beginning to think you almost wanted me to have it, doll.”

Oh.

Oh.

Shit, you should’ve known - and it takes every ounce of will in your body to keep your gaze locked with the forest-green eyes sweeping down the expanse of your figure. Greedily. 

Because Toji was showing off what looked like miles upon miles of slightly-tanned, bulging muscles that were just about seconds away from ripping straight through the thin, white undershirt that stuck to him like a second skin. Molding to every curve and dip down, down, down- 

It’s not something new exactly, and if there was one thing you’d learned during your time here, it was that your eccentric neighbor wasn’t shy to show skin.

Especially around you. 

In one hand was grasped the soft fabric of your cotton shorts, swallowed up by his thick digits. The other propping up on top of the door to flex his strong biceps in a way that makes you gulp. 

You notice with a jolt that Toji’s pinkish tongue briefly peaks out to swipe over that sinful scar sitting prettily at the very edge of his smug smirk. Moving to hum cockily, “Cat got yer tongue?”

He knew what he was doing. 

God, this was already shameful enough without him making it worse. You were only grateful that so far you’d been called over for only a few sundresses and t-shirts - nothing scandalous, yet. 

“No-” you’re mumbling out. Trying oh-so-hard to not let your eyes flicker to the too-tight strain of his boxers around his thick thighs. Failing. “Just wondering how you probably need those shorts more than me, anyway.”

He didn’t - in fact, you’d prefer him without one.

A fat thumb of his finds its way to the hem of his boxers, tugging down so tantalizingly slightly to give you a sexy flash of skin. Lined with a sharp hipbone, and a dark happy trail - “S’that your way of tellin’ me you want me out of this, ma?”

“You wish, pervert.” You try to swipe at your shorts, only for Toji to dangle it far, far away from you. “I just meant those b-boxers look like they’ve seen better days. Years, even.” 

“Hah?” Toji’s dragging out mockingly, leaning his broad shoulders against the doorframe. He’s crossing his hands, letting your sight be obscured by the display of his strong, rippling forearms. So close now that you feel his breath fan your face, could smell every waft of his cinnamony masculine scent. Grin only widening, “M’being nice enough to take the time outta my day to hand over your cute lil’ pieces of laundry and this is how ya talk to me? I have better things to do, y’know.”

Huffing, you’re ready with a quick apology on the very tip of your tongue to get this over with as soon as possible. That is, before-

“He’s lying.”

Both of you snap your heads down towards the direction of the sullen, deadpanning voice. And you already know by the wearied sigh at the end who it belongs to. 

“Why, hello there, Megs-” you’re smiling, reaching out to ruffle those spikes of black hair that’d magically manifested beside the door. Ignoring Toji’s affronted grunts of “he never lets me do that.”

“He’s lying, y’know.” Megumi blinks his eyes up at you, and you silently wonder just how it was possible for a six-year-old to look like he’s seen all the horrors of the world already. He’s ruthless. Pointing a sharp, accusatory finger up at his father, “He doesn’t have better things to do. He’s been giggling disgustingly to himself in front of the door for the past-”

“That’s enough- why don’t you get some homework done, my son.” Toji’s clapping his hand immediately over Megumi’s mouth, wrangling his tiny, thrashing body over one shoulder before briefly disappearing inside. 

“Just tell her!”

“I’m taking your iPad time away!”

It’s just about all that you hear from inside before he makes his appearance again - shaggy, black tresses now disheveled, high cheekbones flushed, and from the corner of your very obvious staring you notice a pearly bead of sweat disappear between his cushiony pecs. Though, your eyes follow, you didn’t mind…

“Tch- kids these days, right?” he’s gasping in a few hurried lungfuls. Planting the shorts into your open palms, his calloused pads linger on your hand. “S-so uh, I take that the dryer’s not working, yet?”

You’re sighing, rubbing your fingers over your throbbing temples. “Yeah, I told Higuruma- our landlord to look at it, but he’s still on that business trip and won’t be back for a while. Sorry about all this, Toji.”

“Please-” he’s waving. “You worry your pretty lil’ head too much, it’s not like m’complaining now. Am I?”

“Yeah but-”

“Besides. Why don’t I take a look at it?”

“What?” your brows scrunch together, and the thought of Toji being inside your home made your words tremble ever-so-slightly with- anticipation? Excitement? Want? Whatever it was, it made his dark brows raise, and you’re sure you had an utterly unexplainable look on your face right now. “Do you even know how to?”

He’s scoffing, eyes rolling at you with practice. “Asking me if I know how to fix shit- of course, I fuckin’ know how to fix a dryer. Probably better than ol’ clipboard Higuruma himself. You need to be taken care of, y’know.”

And, yes, that might be so - but more than that came the idea that Toji had to enter your home to do so. You couldn’t help but think of something else. Making you mutter out a heated, “I’ll…consider it.”

He smiles a smug smile, a tiny dimple digging into the very end of his cheek. “Tha’s what I like to hear, ma.”

The very second that door shuts, you’re rushing back to your own apartment. Shorts clutched to your thumping heartbeat and thighs slightly weaker than they were just a few minutes ago. Slightly…hotter. Ready to scramble back into your bedroom and create just a bit more laundry for tomorrow. 

And only a few seconds later does Toji find himself doing the most pathetic fistbump behind closed doors. The beginnings of a sleazy smile on the very edges of his lips. 

“Smooth, dad.”

“Now I’m serious about no iPad-”

Megumi’s running back into his room before that rasping threat has even left Toji’s predictable lips. Grumbling, he’s making his way to that godforsaken frog-cased iPad cushioned in the middle of the sofa, possibly to hide it away for a few hours.

And then, he sees it. 

Now, one of the very reasons that Toji had rented this apartment in the first place was for that idyllic skyline winking up from over his balcony. Towering buildings, flashing lights, all overlooking his living room couch - which, unfortunately for him - or, well, fortunately more like - just-so-happened to be positioned right next to your own balcony lined with laundry. 

So it wasn’t exactly a surprise for him to catch a fluttering piece of cotton or ratty sleep shirt of yours for him to tease about later. 

With a sigh at the flashing piece of fabric, he’s shuttering the sliding window open - ready to call your pretty self over again before-

“Shit.” Toji hisses, deep baritone wavering. His brows are raising down at the stray cloth, prominent Adam’s apple bobbing with a gulp. You really wear this type of shit? Well, he shouldn’t exactly be surprised but…

But this?

Because wrapped easily around his long fingers was a pair of pretty, pretty lace panties. Panties. All pink and see-through enough that Toji thinks he could see his own fingerprints through that flimsy excuse of underwear. 

All of a sudden…his hands mindlessly raise up, up, up - mere inches away from his nose when…fuck.

“Damn, woman.” he’s spitting, snapping back to his senses. Ignoring the tightening in his pants to speedwalk his hasty way over to his bedroom in search of his phone. Just a few clicks away from texting you- “Gonna be the fuckin’ death of me I swear-”

And, see, Toji Fushiguro isn’t the type to stutter. 

He isn’t the pathetic type to let anyone else’s voice shoot a bolt of electricity down his spine - to choke right in the middle of his sentence. 

But, you always did throw him off, didn’t you?

Because he’s letting his maw slack open in a sharp gasp- no, shudder at the muffled, drawling sound from beyond the walls. Fingers loosening around his phone in sheer shock when he snaps his head towards his shared wall where your bedroom was. 

Where he could hear your honeyed voice. Moaning. 

And Toji gulps…before locking the door to his bedroom.

Like an animal, he’s immediately sneaking up to press his greedy ear against the wall where it was emanating from. Aching for every tiny gasp and whine, he could just imagine the way you were splayed out across your plush mattress, fingers buried deep.

So cute.

“Please- it feels s-so good.” Comes your cute mewl, followed by the buzzing vrrrr—! of what he assumes to be that hot pink rose toy of yours that’d accidentally gotten delivered to his address last week. And Toji almost snickers.

“F-fuck-” he breathes out shakily. Unabashedly listening for more, more, more- “Ya can’t be serious- what a treat.”

And Toji knows he should be the bigger person and stop listening, he knows he should ignore the sultry way your trembling moans were sending shockwaves down to his tight boxers. But he can’t.

“Ngh- r-right there-” you’re whimpering, and Toji tuts at the way he could’ve found your sweet spots much earlier. “-yeah- hah- jus’ a little more- Toji-”

His phone clatters! to the ground.

Did you just say…his name?

“Fuck-” One massive hand of his comes down to clap over his jaw-dropped mouth, biting back an answering moan coming from something dangerously dark, primal from inside his heaving chest. 

Shit, he can’t breathe - he can’t even think right now because every drop of blood in Toji’s entire body was sprinting down to his heavy cock smacking down his thigh. Rock-hard. Angry. Just twitching when your voice repeats his name louder. 

“Toji—!”

Ah, there it was again. And with it, he can feel every shred of his sanity being thrown away. Only once- twice was enough to get Toji addicted. To have his melty mind yearning to hear it again. And again. And again and again and-

Toji feels pathetic. 

Like some hormone-hazed, younger version of himself when his hands frantically fumble their way to hook into the elastic band of his boxers. Feeling absolutely zero guilt when he tugs-

Toji was hard. Painfully, furiously hard just from the mere sound of your voice. Swollen and sobbing. It was enough to have his fat, strawberry-pink tip smack! against his toned abs, smearing down a wet glissade of precum that makes him hiss. All but drooling at the scratch of your panties being wrapped delicately around his sensitive shaft. 

“Oh god.” he’s breathing out, thumbing over a wet glide on the bawling divot of his swollen head. It’s pooling like a translucent little puddle, wet enough that those pearlescent beads gloss a wet trail all the way down to his wrist. And he’s popping the salted-caramel digit into his mouth. “Wh-who the fuck do ya think you are ta get me this hard, ma?”

The fat curve of his thumb latches on to plug up the very ends of his cock, stopping himself from wasting a single precious drop before listening.

For anything.

“C-c’mon–” Toji lets his heavy body lean against the wall after a few more sloppy squelches that pull from your saturated cunt. He could already hear how dripping wet you were. How needy. “Wanna hear your hah- pretty lips talk-”

Toji’s sinking his sharp canines onto his lower lip to hold back a groan. Because as much as he loved to hear himself talk - hearing you moan was worth more than anything. Even if it cost him his rationality to quieten down. Please- 

Ah, his prayers are answered.

Because the wall slightly jitters with your vibrating voice once more. “Oh- sh-shit it feels so good-”

“Heheh, does it?” he’s grunting, drawing a slow wetness of swirls on the underside of his slit. Hard enough to send him seeing stars. “Tell me- t-tell me more, ma.”

And could you read his mind?

Because whatever’s left of it certainly seems to think so at the way that no sooner are the words spilling from his babbling lips that you’re feeding his blessed ears with a few more syrupy sweet whines. And Toji shivers when he hears the creak of your bed.

Damn…he could make it break. He’s sure. 

The thought is enough to send his hips rutting into his fist, furiously fucking up into it like he was angry. Like he wishes he could do with you-

“O-oh-” Toji gasps out a hot, condensed breath feeling the slight massage of your thin panties at his twitchy balls. He’s unsteadily picking its sticky cloth apart to press it even deeper into the drenched tufts of black at his hilt, down every thumping vein that’s lightning-bolted down his length. “This thing b-barely even wraps around my cock, doll.”

He’s hot. So, so hot. Latching onto the hem of his undershirt with his teeth to swipe across his sensitive nipples. 

Burning.

And, really, he didn’t know what was worse for his poor self - your noises from just the other room, or the way your panties felt so good down his cock in this one. 

“Good fuckin’ girl.” He twirls your panties around his fat hilt, meshing against the creamy pink at his hefty base. Fucking it up, up, up with pound after pound that half-leaves the poor thing in tatters. Well, he sure hoped you didn’t like this pair too much. “Probably so fuckin’ oh- wet now, huh? Did I do that? Didn’t know you were s-such a slut f’me.”

Every slobbering drag down his length has Toji’s dark brows knitting together. Back and forth back and forth back and- So hard. 

So hot and heavy. He could barely catch his breath, sweat perspires across his forehead, and Toji could almost taste the metallic tang of blood when he’s holding back every rasping ah! ah! ah! just to hear your voice. 

It was agonizing. 

And he couldn’t help but imagine the way you were probably toying your tired fingers over your clit - the way you’d probably be so shy at how he could so clearly hear you. Killing Toji that it was the only thing he could do.

SLAM!

“Shit-” Toji’s snapping his head up at the mindless way his free hand had come smashing down onto the nearby drawer for any shred of balance. Sharp ears searching desperately for any sign that you’d heard-

“Ngh- yes- jus’ a bit more-”

He breathes out a guilty sigh of relief when the saturated slurps of your cunt only continue. Filling his mind sloppily like his favorite song. Gulping in a harsh wad of saliva before spitting a thick stream right onto the very edge of his plump, reddish head. His hulking body wracks with a violent shudder as it drip! drip! drips down every tender spot on his swollen cock. Beading down to cover his heavy balls in a thin sheen of spit. 

“Look what you’ve done.” he’s spitting. Other hand coming down to rub lazy, massaging circles around his bulbous, cum-filled sacks. The sheer stimulation enough to have his head lolling drunkenly against the wall.

“M’so close-” Your voice only makes Toji fuck into his hand even harder - if only it was you. You, you, you - the only thing playing around his currently stupid mind. “-g-gonna cum ah-”

That makes him bawl out another furious wave of precum staining your panties see-through, glinting with every flutter down his raw cock. Faster. It was building and building up so close-

“C-close already?” he’s snickering, bending at the knees with how weak he was. Toji’s biceps flex and and ache with just how wildly he was fucking up into his fist, abs rippling with each wild buck. He half-wonders if he’d be able to see that pretty frilly pattern of your panties imprinted on his cock the next day. Over and over- “I woulda m-made you cum sooner.”

Would your beautiful eyes roll to the very back of your head when you did?

Would you beg him to cum, too? To fill you up. To breed you. Shit, that had his hefty shaft twitch in his hands, electricity flashing behind Toji’s eyes. 

Would you moan his name - oh, please moan his name.

“P-please-” Toji finds himself gasping, and his entire body was hunched over now. Pathetic. Waiting for any second that you’d reach your high - he was a gentleman, after all. “Cum f’me- ah fuck fuck fuck-” Twiddling a manicured thumb in a slow line underneath his sensitive slit, it was making him moan so dangerously loud. “-please- cum on this fuckin’ cock, ma.”

“Fuck! Toji-” Comes your yelp, and it makes his mouth water. Breath held in a choked-up gasp in his puffing chest, “-m’cumming.”

He could see it already - just how pretty you’d look with your head thrown back and your back arching into his cock when you finally reach your high. 

Now, Toji doesn’t know what overtook him to drag those drenched panties up to his face - to press it thoroughly against his nose and smell your essence. Breathing it in. drinking it in. But he can’t pretend like he hadn’t imagined it many, many times before. 

And it makes him cum 

It makes him shudder with a heavy puff of air, once. Twice. Before dumping and dumping out stringy wads of seed until your soft panties were soaked.

“Oh shit- shit shit shit-” he spews out a slurring slew of profanities, painfully hard cock bursting at the end with wet splatters of cum. So much of it. It’s making such a filthy mess that he almost feels guilty. 

Jaw clenching when he’s forced to part with your panties with a pained gruff, sliding it along his thoroughly coated cock. Hi cum seeps through the fabric and into a milky puddle that pools at his wrist, dripping down a milky sheen across his skin. 

“Mmpf–” his mouth salivates. A low, disappointed scoff bursting at the back of his throat when your own obscene noises quieten down. He missed you already. Dewy eyes veering to the back of his head, he’s only wondering how much prettier these would look on you. Still as ruined. “You’d be lucky to get these fuckin’ panties back, woman.”

Bzzt–! 

From its discarded place on the floor, he can read the notification flashing across the phone screen.

Cutie-next-door: I’ve decided - can you come by tomorrow to fix the dryer, pleeeease?

---

“-ah, ya see when this vent is clogged s’gonna stop working. And so what you hafta do is-”

You weren’t listening.

You couldn’t.

Because Toji Fushiguro was sprawled out across your cramped kitchen - completely shirtless.

You had half the mind to turn him away after he’d knocked on your door with absolutely no sign of any upperwear - that sleazy grin plastered all over his face begging the answer to whether this was on purpose. To tease you. “Can move better this way” your ass. 

But the thought of having even more of your laundry fly away, forcing you to potentially face this very same display multiple times is what had you opening your front door wider to let him inside. 

No matter how much you would’ve appreciated the view…

And so here you were, squirming in one corner of the kitchen while Toji worked on your dryer. Sweat sheening down his swole muscles, disappearing in tempting beads down underneath his low-hanging pants. Slight smears of grease decorate his pecs, and you have to cross your arms to stop yourself from thumbing them away. He was so handy. 

Shit, this was why you’d dolled-up just a bit more than usual. He was so-

“-doll? Doll.”

“Uh-” you’re yelping, blinking your eyes back up to meet an extraordinarily smug smirk now directed at you. “W-what were you saying?”

“Heh, I was saying you should take a picture, it’ll last longer.” he titters with a slight rumble, tools clinking when he’s taking off his bulky gloves. “Ya can enjoy the view later, but I was askin’ if ya had anything to dry right now to test this piece of junk.”

Urgently, you’re looking towards your empty laundry basket. “Sorry, seems that I dried them all out yesterday.”

“No pressure, besides-” You can only watch when he shuffles a hand inside one of his curiously bulging pant pockets. “-I came prepared.”

“Wh-wha- where did you get that?” 

Because held so daintily within Toji’s cocky clutches, dangled one of your missing pairs of panties. They looked recently washed, and you’re reaching with a yelp for it. Falling onto your knees to match his seated position - which, obviously didn’t mean he’d hand it over. 

Why would he? This was Toji Fushiguro. 

He only throws them into your dryer, before closing the door with a dark snicker, “More like why let them fly their merry way over to my balcony again. Honestly- you call me the tease but look who’s talking.”

“You’re saying I’m the tease?” you shrill. The embarrassment was getting to you now - it was overconsuming you - and if the leering smirk on Toji’s face was anything to go by, you were sure that it was visible. 

“If the shoe- or, well, panties fit.”

He was so cocky about his stupid lil’ joke. 

You stab a rude finger right between the valley of his pecs, copping a feel of the velvety smooth skin. “Sh-shut up, if you want to talk about a tease then let’s talk about who showed up to fix a dryer shirtless.”

“Part of the outfit.” he shrugs. Tilting his head up at you, and shit, it finally hits you how precariously close you two are right now. Toji’s splayed out on your cool kitchen tile, while you’re straddling his slender waist with jittery legs, pressed up against the heated proximity of his unfairly shirtless body. Chest-to-chest. “Don’t act like you didn’t enjoy the view, little miss had-a-fun-time-yesterday.”

You blink, “What’s that supposed to mean?”

But in true Toji fashion, the closest to an answer you get is a large hand attaching roughly onto your waist. Jostling your body close enough for him to breathe out in a feverish chuckle - hot, and purposeful against your ear. “The walls are thin. Just sayin’.”

Oh.

Oh, shit. 

You knew exactly what he was talking about - and so did he. 

“...I heard you, too, y’know.”

Ah, you can now live your life happily knowing that you managed to make the ever-confident Toji gasp. You managed to make him part his lips in a slight gape, green eyes glinting with a hint of something dangerous as they widen. His sensory digits pinch at your hips. 

“You mean-”

“Yes.”

Uncharacteristically, Toji takes a few gulping seconds to find his voice. And when he does - the very sound is enough to send shivers down your spine and make you wonder for a split-second whether this was really him. Hoarse, pained when he muses, “You heard me and still continued?”

Instantly, you’re trying to form excuses. “No! I mean- yes. It’s just that…”

“Heh, cute. You continued because of me- didn’t ya?”

Your jaw drops in shock, now a slightly defensive tone bleeding in with the embarrassment of your actions. “I-I mean I was doing- it- just fine before I heard you.”

Toji cocks his head, and only says one thing - “Prove it.”

.

.

.

“T-Toji this is embarrassing-”

But oh, all that Toji was wondering was whether he’d knocked his head on that goddamn dryer and gone to heaven already. 

Because splayed out for all his pleasure on the cushiony bed was you - quivering legs straddled wide open, your back arched in such a delicious curve that makes his mouth water. Your silken sheets were disheveled and sloppy enough that you’d have to pray the dryer works now. Glistening cunt winking down at him eagerly, just begging him in cute, slurring squelches after every buzzing push of your vibrator.

And Toji? Seated right underneath your cute cunt - hovering mere inches away from sitting on his cocky smirk. 

All he’d been imagining. As gorgeous as how he’d imagined you yesterday- no, even more so.

Toji’s leering up at you, muscular thighs manspreading even more to show off his furiously hard erection. “Shhh sh sh-” Toji hums, eyes unwavering from right between your legs. “She’s the one talkin’ to me right now, doll.”

And surely enough, it’s almost like he’s having a conversation with your pussy. Nodding and drunkenly humming along to every slurp that resounds across the heady room. “Tha’s right, make her- make her even wetter for me.”

He’s letting loose his long pinkish tongue to catch the drops of your sweet, sweet juices that slide down his throat. 

His breath is so steaming hot against your cunt. Feverish. You huff out a dragged-out whine, kissing up your plump clit with the very edge of your rose toy. Just barely teasing the sensitive hood, “B-but I need you so-”

“Now now, what did I say?” he tuts away your stubborn moans easily. And you’re gazing over your shoulder upon the utterly unapologetic grin that falls across Toji’s face when he tugs down his own pants to flash you with the fat, rotund curve of his ruddied tip. Curling his fingers over the very top, “You don’t need me, remember- Let that pretty pussy talk with me or all you’re gonna do is watch.”

Except now you didn’t think you could talk even if you wanted to.

Your eyes are glazing over with a fresh wall of need when they fall greedily upon the peaking sight of Toji’s fat cock. So massive that it makes your jaw slip open, your cunt gushing out in a few gushes of slick. 

“Oh shit- shit-” his eyes widen at the sight, so thoroughly honed in. Almost as if he doesn’t even realize he’s speaking to you. Doesn’t even know. And a few ringing squelches is all it takes for him to throw his head back with a groan. “That got ya wet, ma, didn’t it? Made your cute ngh- c-cunt happy?”

“Yes-” you’re gasping, winking away the overstimulated tears in your eyes. “B-but I want you-”

“Tell me exactly  what you want, doll.”

So bossy, you want to snap back. 

But right now you’re too hypnotized by the slutty sight of him to say a word. The way he seemed so ruined. That you can’t help but whimper, “I want you to hah- make me cum.”

And it’s just a split-second later when his brawny arms come wrapping around your jittery waist, hauling you over like some glorified rag doll to seat your fatigued legs down. Your dripping cunt meeting his mouth in a sultry, sultry French kiss. 

He doesn’t waste a second longer - almost as if beating himself up for all the time wasted - before dragging his tongue to open your presoaked folds. Swirling so hotly to smear them out across his lips, Toji dredges his raised scar across your most tender spots and moans. 

Sweet.

So sweet.

“This- this fuckin’ delicious?” He sounded like he was losing his mind, swatting aside your hand. “Move that fuckin’ hand. Y-you were- you were holding out on this? Could eat this cute cunt all the time- could marry ya-”

Proposing and proposing and kissing-

He latches down his glistening canines around your clit and pinches, almost as if a little punishment. And you could practically see the delight lighting up his dark eyes when your cunt slowly grows even more drenched. Little masochist, he’s thinking. 

You yelp when without any sort of warning his cheeks hollow out in a sudden suck at your sensitive nub, swirling his tongue over it. “H-how’s that feel?” he giggles - giggles. “Better than your imagination or what?”

It already was. 

But you couldn’t let his ego expand anymore than it already has, so the only thing you’re managing to do is trap a few sweat-dampened locks of his hair and drag your slobbering cunt down Toji’s mean mouth. Partly because you needed it, partly because you needed him to shut up. 

Choking out, “D-don’t get so full of yourself, Toji–”

“Full of myself?” he’s chuckling - face smeared with a translucent mask of glistening slick that told you exactly why he should be full of himself. It glosses over his curled lips and drips down Toji’s sharp jawline. “Full of myself? Gimme that-”

Instantly, your till buzzing vibrator is being snatched meanly out of your hands. “S’this what ya want, instead, ma?”

Toji didn’t expect an answer.

And you can’t give him one.

Because that furiously jittery probe is being bullied right between your puffy pussy lips, licking a languid line down the edge of your sloppy hole. Before he’s bullying the long end inside your eager entrance-

“Does it feel good?” he’s taunting. Sinking down onto your clit and pulling. “Oh yeah- feels great. Doesn’t it?”

But it’s such a mouthful that sputtered out into your clit. The vibrations of white-hot pleasure making your spine bow like such a slut into Toji’s ravenous mouth. And your jaw slack open in the most strained of whines, “Y-yeah feels so-mmpf-”

Immediately, your mouth is being firmly shut closed with one of Toji’s mountainous palms, and he snickers. Giving you pretty lil’ cunt a pat that has splatters of slick speckling all the way to his lips - ones that he gladly licks up. And then some at the remnant excess all over your thighs. “I was talking to her.”

“Y-you’re so mean.”

At this, he pulls back and blows a heated gust of air against your puckered hole. “And you’re fucking drenched.” That spearing bullet is lodged firmly against a few tenderized sweet spots that make you keen. “And she’s saying…s’not enough.”

You were sure he was talking for himself. 

Or…was he? 

Honestly, you don’t even know - you didn’t even realize what you were missing until the fat girths of Toji’s digits shove their filthy way into your narrow opening. Already so stuffed, yet, he’s scissoring aside the vibrator into the gooey depths of your walls. 

Either you could take him or he’ll make space. 

Whistling out in awe, “Dontcha think this feels muuuch better?” As if to whittle out another one of your syrupy sweet noises, you’re being gifted with another sopping wet thwack! against the ready nub of your clit. Before Toji wraps his scarred lips around it and sucks. “Look- she’s even fuckin’ wetter.”

You didn’t even have to see to be able to know - because you could hear. 

Toji was steadily pummeling your cunt with the most staggering smashes of the rounded curves of his fingertips into your sweetest spots. Jostling the vibrator inside, knuckles smashing it with friction to rub up against your constricting walls. 

Honestly, it was just so much. You felt stuffed. 

“F-feels like m’gonna explode.” you mewl at the heady thump! thump! thump! shuddering all across your body - and you didn’t know whether it was because of the thundering pulse in your ears, because of the way Toji’s fingers were crashing and thrusting against your tender g-spot. His neatly cut fingernails glide soaking wet grazes over and over in a sloppy staccato. “Ah! Right there, it f-feels so good-”

“Tch, you think I don’t know?” Toji’s rolling his eyes, muttering his words into your sopping slit. His free hand comes slamming down in a harsh smack! against your ass to make you lug against his face faster. “Ride yourself on me, ma.”

You stumble through it - yearning for more. 

“Faster.”

“I-I’m trying.’”

But it wasn’t enough. Obviously. 

And Toji’s impatiently revolving one hand around the curve of your waist to make you press down hard in the most sultry gyrations. Around and around it had him hypnotized. “Not tryin’ hard ‘nough. Cuz this pretty lady h-here’s just crying to cum, doll. Ya hear her?”

How could you not?

It’s all that you replay in your mind. Accompanied with a shot ngh ngh ngh that was curdling at the very back of Toji’s throat. Whispered into every graze of his tongue down your slit, you took a quick glance backwards to catch the way that he was properly fucking his fist now. 

Long, thorough drags down his achy cock to bead out wet sloshes of precum. Only getting faster. Sloppier. Red and angry-

“Shit.” you’re whimpering, hands steadying on either side of his bulging deltoids. It felt like your very bones were rattling along with the vibrator. Nails digging in to the muscle, “I th-think m’close- think m’gonna-”

And oh Toji’s eyes stray to the back of his head at how reminiscent this was of just yesterday. Snickering a heavy, “You ‘think’? I know she’s so fuckin’ close. Can feel her. Isn’t she? Gonna cum? Gonna make a ngh- mess on me, is she?”

Answeringly, he’s leaving another few smacks! on your mound that have your gooey walls fluttering, the double penetration of both the buzzing bullet and his fingers too much. Too close. You feel every delicate bundle of your nerves exasperate. 

And it’s impossible not to mumble out drunkenly - embarrassingly. “Sh-she is.”

It’s so rough.

Both your release and the way that Toji was fucking you through it - because the very moment he hears your breath hitch in a saturated manner similar to last time, he’s tugging out your buzzing vibrator and toppling it somewhere over the bed. Replacing it with every long inch of his heated tongue- 

Like hell he’d have you cumming on some damn plastic before his tongue.

“Shit- it feels so-” Barely managing to formulate the words into coherent syllables. Your body convulses when he swiftly pecks your pretty clit with the rose toy instead. “-so good- ngh! M’cumming m’cumming ah-”

Toji’s fucking you through your high with the double stimulation of his fingers and his tongues spreading open your snug insides mercilessly. Ruthlessly. Wave upon wave of pleasure that had your toes curling, vision flashing white. Sensitive pussy dredging up from the very bottom of his sharp chin all the way up to his button nose. 

It’s adorable how tired you were already, already huffing and puffing for breath. He could almost laugh if he didn’t have a mouthful already.

“Yeah tha’s right-” he slurps, more than talks. Thick digits curling tight and thumbing over his twitchy divot to wall up that velvety wisp of cum from escape. Leaving kiss after kiss to have your drooling cunt ride his sexy features faster. “-give it t’me.” Greedy. “Give it alllll to me.”

But even that didn’t seem like enough.

Because even after your aggressive orgasm was petering out into mere tingles at your quivering pussy, even after he’d slurped up every tiny drop of your honeyed juices - Toji Fushiguro was starved. 

So completely ravenous when he speaks, “I think…she’s sayin she wants ta squirt, doll.”

“Wh-what?” you’re breathing - you didn’t even know if that was possible.

With a surprising amount of gentleness, Toji’s placing you to sit all prettily on his spread legs. Just slobbering your pussy lips in an innocent smooch over his hardness. 

“Heh, what? Don’t trust me?” Toji cocks his head down at you in sheer smugness, a glistening gloss stained all around his lips. It made him look so fucked-out. And he felt like he already was - but Toji wouldn’t admit that. No, he’s only murmuring a wet, “Or are ya scared that m’gonna get ya ah- addicted?”

You showcase him with a slight pout that makes his riled-up cock twitch in one hand. That makes him immediately kiss it away - letting you taste him. Taste yourself. 

It’d already taken everything in him to stop himself from cumming just by making out with your cunt. 

“No s’just that- I’ve never squirted before…”

His words are sure. Confident. He’s echoing them from not too long ago, “Lemme take a look at that.”

And apparently Toji’s definition of taking a look is to slide the curve of his thick thumb in-between your dribbling slit. Up and down until his lips curl in a smile, “Well she’s tellin’ me that she can-oh shit, look at that.” Those very same fingers wrapping around the hilt of his thick cock to nudge your folds apart. “So why don’t I fix that, hm?”

God, Toji is so much bigger than he looked - which was staggering considering his sheer bulge was enough to send your mind reeling.

The curve of his fat tip bathes in a few more of your syrupy drops before bullying inside-

“O-oh my god-” Your voice wavers, sweat simmering all down your body at how dizzyingly Toji was spearheading your cunt open. Wide. So much of him that you didn’t know whether to buck your hips away or down for more, more, more- “S’too big- shit, don’t even know if I can ngh- t-take it, Toji–!”

“Oh, say my name like that once more n’ you’re gonna ah- hafta take every inch.” he grunts out, snarling smile making your gummy walls flutter around him. 

You’re being fed every solid inch, Toji’s girth making your tight circumference stutter. Gaping your sloppy hole wide open around his expanding cock- shit, just the slightest peak into your heavenly depths was enough to have his fat length swelling. Pushing into your tender sweet spots when he grows. 

“Y-you got even bigger?” you gasp, and it makes him cackle.

Throwing his head back to laugh, “Of course I got f-fuckin’ bigger when you feel like this, ma.” And two of his roughened palms glide their greedy pathway downwards to spread your thighs even further. Using gravity to his lewd advantage to help you gulp down your every mindless grind to simply fit himself inside. “W-where have ya been all my life.”

And Toji sounded like he was genuinely distraught that he didn’t know. 

He was genuinely so upset, lower lip wobbling with pure bliss once your overstuffed pussy was resting on his sharp hip bones. Giving an experimental little gyration of his hips to swirl his shaft around your walls, it makes you whine. 

“Tha’s what m’fuckin’ talking about.”

And then in a split-second, you’re being slammed onto your back and wrangled into the meanest mating press you never thought possible. 

It’s like Toji was out of control. 

Feral.

A slight trickle of drool trailing down the edge of his growling lips, “Shit- take my fucking cock ngh- take it all, doll. Ya don’t know how long I’ve been d-dreaming of this.”

“Yes yes yes-” you sputter. Edging your uselessly limp thighs to lock around Toji’s straining neck - and if he was going easy on you before. Then oh, you weren’t ready for the way this makes him snap his flexing body down to fold you in half. His sweat-beaded forehead knocking gently into yours, “-been ah- been dreamin’ of this ever since I m-moved in-”

Shit.

The thick pudge of Toji’s relentless head careens into the bullseye of your g-spot easily. And Toji titters to himself about the pretty moans that drag from your shot throat - that is, if he had the self-control.

Because your previous words were still thundering in his pussydrunken mind, and it makes him gasp. It makes him shoot his eyes open almost comically, it makes him crash his lips into your with a sullen hiss. “Give a man a fuck- warning. You c-can’t just say- things- like- that-”

As if to prove his point, he’s planting a few more heated French kisses against your sweetest spots. How he mapped them out so quickly you had no idea. 

His feverish breath hovers over your own mouth, gusts bounding out with every pound into your cunt. He’s bruising the circular branding of his sobbing tip down your spongy cervix, a tiny ah! of disappointment leaving Toji’s stern lips at the recoil that had him pushing back from the very bottom of your pussy. 

He’s so filthy. 

“Because what if–” It takes you a few seconds to realize that he’s still babbling drunkenly, flicking over a calloused thumb over your clit to get your delirious attention. “-are ya listening, woman? What- ah- what if I told ya I was the fuckin’ same. Wanted to f-fuck this cute cunt the moment I saw ya, wanted to ruin her- to breed her-”

And just when he’s heaving in such a sharp inhale. As if he’s spoken too much.

Yet, even through the way that Toji was fucking you stupid - you still manage to latch onto his words. 

“Y-you wanted to ah- cum inside?” you’re blinking up at him innocently in a way that only made his hips jackhammer against yours harder. Teasing your sensitive clit with a pinch. “Tell me, Toji.”

God- you said his name. 

Shit shit shit, didn’t he tell you not to-

“Yes!” Toji’s shuddering out, hefty balls twitching and thwacking their tight, cum-filled sacks against your ass. He’s fucking you so wildly. The mating press that he had you in let him glide a wet thrust down every single nook and cranny inside you. Every forbidden sweet spot. “Wanted- wanted it so badly- ah-”

Batting your teary lashes, “How badly?”

Two of Toji’s mean fingers come up to smush your cheeks together into an embarrassing pout, and he’s using that cutely ajar opening of your mouth to spit. A thick, honeyed wad of saliva that purposefully splatters along the edge of your lips - because Toji had perfect aim. He could’ve streamlined it all neatly between your lips.

But you looked and tasted so sweet this way.

When he could just kiss it away filthily with a drag of his tongue, “Shit- what a filthy fuckin’ mouth. Ya really know how to m-make me lose my mind, hm?” Splaying out one large palm about halfway down your stomach, he’s exploring for a lewd cylindrical nudge. A throb when his thickened head was smashing into your g-spot. “If ya i-insist- m’gonna fill ya up until I can feel it-” Pressing down. Hard. “Here.” And now he’s running his mouth a mile a minute, he’s dazed where his cadence grows sloppy. “Until you’re overspilling. Until yer all r-round and hngh- glowing and shit-”

God, he was flying too close to the sun.

Egging him on, he was fucking you into the bed like he was furious at you. Lurching out rickety creaks from the bedframe at his riotous slams! Teasing, “S-s’that it?”

“Is that it? I-is that it?” he’s repeating. Over and over like a humorless mantra. “No tha’s not- ah- fucking ‘it’. M’gonna shit- make you mine. Gonna fuck a b-baby or two into ya.” Shockwaves of electric white flashing down his spine when your gripping walls cling around him like a velvety channel. Stumbling through words, “So they’re gonna know- ah- th-they’re all gonna know what I did. Hah- how I ruined ya…”

You can only sob, “Toji– m’gonna-”

Stimulating tears gather up beside Toji’s eyelids with every pressurized ram, and he finds it in himself to rasp a drunken giggle. “G-gonna give Megumi a lil’ sibling, ma?”

He doesn’t have to hear your response, he doesn’t think he can. Because no sooner are you crashing into your orgasm that Toji is as well. 

He realizes before you - far, far before you at how you were squirting. 

Drizzling your juices in a coating gloss down his cock, his abs, some spattering up to Toji’s lips. He took a look into it alright. 

Your bolting waves of bliss intruded by his rummaging cock. Twitching once. Twice. Before struggling out thick gushes of sweltering hot seed. 

It’s splattering onto the very back of your bruised and battered cervix in a wet thwack! Oozing out the sides of your silt, you feel your gummy walls being inflated. The tug of ribbons upon ribbons of cum being fucked into sloshes inside and coats your melty walls like a second, sticky skin.

THUD!

Toji collapses onto his wearied forearms, caging you in with his big beefy biceps. Hips slowing down to tiny, subconscious ruts wrenching out the most obscene wet squelches. “Th-the heh- the fuckin’ bed.”

Only then are you batting your fatigued eyes open to realize that one side of the bed was sagging dangerously. “Toji did you b-break the bed?”

“Ah- so what?” And he’s scooping up your pliant body easily into his arms. Lifting you. Manhandling you. Pulling out of your split cunt for just a second to slam! you down onto your nearby work desk. The cool mahogany against your front makes you hiss, “I’ll jus’ t-take a ah- look at it.”

With this, he’s pressing down on the slightly bloated area near your cunt. Gaping. Gushing out thick remnants of his cum - it’s like he was playing around. 

The sight so heavenly that with a dragged-out gasp he’s finding his weepy cock blast out a few more wispy strands of cum. Shit.

“Shit- marry me-” Toji’s throwing his head back with a whimper - a whimper - when his jolting cock veers dangerously into the territory of shooting overstimulated blanks. “Marry me I-I swear. Gonna ah- put a pretty ring on ya, my doll.”

Which is why he’s swirling around his greedy pointer around your gaping entrance. Toying with the creamy ring of seed that’d painted its way around his thick base. Toji pools a few creamy dredges on his fingers and shoves them into your babbling mouth. “Ngh- Toji–!”

“Nowww, let’s see ngh- already finished off th-the bed-” he’s rattling off. Counting on a few fingers of his, “-we have the ohhh fuck- don’t squeeze m-me like that, ma, m’still sensitive- this desk, the floor- the dryer.”

“The dryer?” you mewl. “But you j-jus’ fixed that-”

“Ah, consider it a lil’ payment…along with those panties of yours, of course.”

And it’s only later. 

Hours and hours later, with your bed frame broken on one leg, your desk absolutely shattered, and your carpet soiled with a few whiteish rivulets that you’re finding yourself seated into a tight full nelson on top of the dryer. Toji still splitting you apart inside, shooting blanks before the front door rattles with a sudden knock! knock! knock! 

A deep voice resounding from outside, “Anybody home? It’s Shiu Kong. Higuruma sent me here to fix the dryer.”

“Fuckin’ Shiu…wanna let him in?”

---

“Hello, Shiu? How did the fixing go?” It’s by the next day that Higuruma gets a call in the middle of his important business meeting. One that would probably stay with him for a long, long time. “What do you mean the dryer is broken beyond repair?!”

A/N. Hope you all have a lovely week <3

Plagiarism not authorized.

[martiniblues]

JUNO , spencer reid

pairing boyfriend!spencer x fem!reader

synopsis while babysitting henry for jj, spencer’s seeming disinterest with children starts to shift. this makes your mind wonder into unfamiliar territory you and spencer hadn’t spoken of yet: kids.

genre talks of pregnancy and children (duh), very suggestive towards the end but no smut, this is very self indulgent since i can’t get this song or spencer off my mind so here you go lol.

wc 2k?? (i got a little carried away)

“sorry for this being so last minute!" jj scrambled, passing henry over to you along with his diaper bag. the blonde ran a hand through her short hair, adjusting from where the two-year-old played with it upon their arrival. 

“it’s all good, seriously. you know how much i love babysitting this cute thing.” you tickled henry’s side, making him squirm. 

jj’s eyes averted to the figure behind you, pursing her lips. “you sure he’s okay with this?” you turned your head, noticing spencer trying to look at the two of you without being noticed. 

it’s not that spencer didn’t like kids; it’s just hard to know how to talk to them when you were a child genius. 

you turned back to jj, attempting to ease her worry. “he’ll come around to it.” you shrugged, knowing that spencer would either sit and observe or fully engage. no in between.

after bidding your goodbyes, you walked over to spencer, taking a seat beside him on the couch. “so what should we do, little man?” you perched henry in your lap, resting your feet on the coffee table so he could sit against your perched thighs. 

spencer looked at you as if he were the “little man” in question. henry just babbled, throwing his arms around as you cooed. “what do we do with him?” spencer asked, leaning closer into your shoulder to inspect the baby in your lap. 

you laughed at his seriousness, turning to look at your boyfriend. “have you never been around a baby in your life or something?” you teased, lifting henry so he was closer to you both.

“did you know that babies are born with about seventy reflexes? that’s why when you place a baby on a surface to stand, they automatically start doing a stepping motion.” he spoke, watching henry kick his legs as you stood him on your lap. you looked over at him quizzically. “for someone who’s so awkward around babies, you sure do know a lot about them.” 

spencer flushed slightly, “i just haven’t had the chance to be around any until now.” he nudges your shoulder before crossing his arms. 

“well, here’s your chance.” you held henry out to spencer, which made him squirm and mumble yet again. “hold him while i go bring his bag in here.” 

he hesitated, looking between you and the baby as if this were a test. yet, despite the nervousness, he reached out, mimicking your position earlier. when you were content with how henry laid on spencer’s legs, you walked out of the room.

you’d be lying if you said you didn’t purposely take your time collecting his things, wanting spencer to have some alone time with henry. finally satisfied with your departure, you peaked your head into the room, nearly melting at the sight. 

the once stiff and nervous spencer you had left with henry was now replaced with a content, smiling one. his voice went up a few pitches as he responded to henry’s nonsense. “oh wow, really?” his lips were pulled into a smile as he played with him, letting henry’s small hand encase his slender fingers. 

you couldn’t help but let your head wander; how could you not? sure you thought about a future with spencer. a future where you were married and maybe with kids, but you had never brought it up being too nervous to scare spencer off.

but now watching him light up with henry in his lap, you wanted nothing more than for your daydreams to become reality. 

“someone wants you back in here, i think.” you snapped out of your daze, focusing on the two sets of eyes staring at you. both holding the same smiles and wide eyes. 

god, you swore you felt your ovaries jump.

“i see that you two are getting along now.” you placed henry’s diaper bag on the table, sitting yourself on the ground before laying out his blanket and a few toys. spencer joined you, placing henry on his stomach, then laid beside you, mirroring the baby’s position. 

“who are you and what did you do with my boyfriend?” you laughed, in awe of how much spencer had adjusted to the small being in just a matter of minutes.

he looked up at you as he shook a little plushie in front of henry’s face. “sorry to disappoint, but this is still your boyfriend,” spencer quipped before you pushed his head jokingly, messing up his hair in the process. 

the sound of high-pitched squeals took both of your attentions away from one another. there henry lay, clapping his hands in favor of you and spencer’s playful fighting. 

“yeah, you like when i show him who’s boss, huh?” you caressed the soft skin of henry’s cheek, making him giggle. spencer sighed, “come on, man, i thought we were really becoming friends” he exasperated, laying his head in his hands dramatically.

this only brought more squeals from the baby, making your cheeks almost grow sore from how hard you were smiling. 

“awe spence, it’s okay.” you egged on your act by petting his hair back into place. this caused your boyfriend to lift his head; a big pout on his lips made yours perk up. 

with your attention being taken away from henry by spencer’s rare expression, you hadn’t noticed the stuffed animal caught between the baby’s hands. before you could do anything, the small bear was chucked into spencer’s face, causing an uproar of noises from henry.

“i’m starting to question this whole babysitting thing.” spencer winced, looking at you as you laughed along with henry. 

 

despite the teasing from earlier, spencer continued to be enamored with henry. him even insisting he help feed and change him when time came.

the whole ordeal feeling so domestic, apart of you wished jj could have spent a couple more days for her and will in favor of you seeing spencer like this for longer.

“thank you, again for taking care of him.” jj propped her hip against the counter as she fumbled for her phone out of her purse.

“of course, it really was no problem.” you turned at the sound of spencer’s soft voice, thanking henry for “helping” him clean.

“honestly, i think someone enjoyed this a bit more than we thought.” you gestured at spencer as he settled henry on his hip, the baby grasping onto his button-up shirt. 

your whole body ran hot at sight. spencer looked really good as a pretend dad. 

“no kidding, the team is going to flip when i show them the pictures you took of them.” she glanced at her phone, noting the off-guard photos you stole of spencer and henry. 

one was of him feeding him as he walked around the living room, another of him explaining some of the books organized on his shelves in a very formal fashion despite henry’s lack of knowledge, and finally one of them eye-to-eye playing on the floor with various toys. 

your heart swelled looking back at them, the questions you had been so careful not to ask begging to be verbalized. 

before you could sink any further, spencer came over, handing jj henry and his bag almost reluctantly. noticing the time, jj was quick to leave in order to keep the baby’s sleeping schedule on track but thanked you guys repeatedly before finally closing the door. 

clicking the lock shut, you mentally prepared yourself for the words about to come out of your mouth. 

“you had more fun than you bargained for, didn’t you?” you met spencer on the couch, him reaching out to pull your legs over his, making your heart leap. 

“i did, actually.” spencer began smoothing his hands up and down your calf before continuing. “honestly when you mentioned henry coming over, i was a little- i don’t know scared? i just didn’t want to disappoint him or you.” he bit his lip like he was stopping himself from letting the whole truth out. 

“oh spence, you were perfect. honestly, i’m very proud of you.” you reached out, caressing the side of his face, causing him to look at you. 

he noticed your wondering eyes, waiting for you to continue. “actually i um…” you shifted pulling your legs under yourself so you could sit up. 

breathing in deeply, you continued, “today kind of got me thinking about us and our future.” spencer was looking at you with such admiration that you had fixed your gaze on your hands.

“i know we haven’t really brought it up before, but seeing you and henry today had me-“ 

before you could finish, spencer’s lips were pressed against yours, resulting in a shocked gasp from you. he kissed you, mumbling words each time his lips parted to take yours in again. 

“i want that, i really do.” he breathed, finally separating from you for just a moment. 

“you want what, spence?” you were in shock, to be honest, knowing what he meant but wanting to hear him say it word for word. 

without another word, he positioned you in his lap, legs straddling his own. “i want a family with you. i want a sliver of what we had today to become ours one day.” his eyes didn’t break from yours, his pupils blown wide and sparkly.

for the thousandth time that day, you had to bite back a smile. “you mean that?” you questioned, one hand coming to comb through his hair and the other resting on his neck. 

he kissed your cheek, forehead, nose, and finally your lips before he spoke. “every single one. i mean, one of you is cute.” he cupped your cheek as he spoke. “but two though? that’s something.” he finished, smirking at you. 

you couldn’t contain your happiness, crashing his lips to yours again feverishly. even though you knew the both of you were in no place to have a kid now, there was no harm in playing with the fantasy for now. 

even if the real thing wouldn’t come to be for a good few years.

spencer pulled you flush against him, one his hands leaving your hips to trail up your spine and settle onto the back of your neck. a moan slipped past your lips as goosebumps erupted on your skin. 

you pulled on his shirt, hinting at where this was going as if it weren’t obvious to the man beneath you. he looked up at you, kissing you once more before dragging you to your shared bed. 

your blouse and shorts were off before your back hit the sheets, spencer still standing ahead of you unbuttoning his work shirt. 

you sat up on your knees, crawling to the edge of the bed to take over. after each undone button, you kissed his skin, making him gasp as his fingers raked through your hair. 

pulling his shirt all the way off, you made your way to his pants, pulling him closer by his belt loop. you bit your lip, noticing the gears turning in his head.

“you know statistics say missionary or doggy are the best positions to get pregnant in.” spencer let out in shallow breaths as his belt clinked on the floor. 

“oh, yeah and why is that genius?” you leaned back on your elbows while spencer finished removing himself of his pants. he took you in, the tiny pink bow on your underwear made spencer rethink his crude response. 

“deeper penetration,” he said almost too smoothly, making you laugh. it was hard to take statistics seriously when you were both nearly naked. 

before he could settle above you, you shimmied up the bed. ridding yourself of the rest of your clothes, you positioned yourself on your hands. looking over your shoulder, you saw the way spencer’s eyes widened in shock.

“have you ever tried this one?”

my first spencer fic omg. lowk crazy because i’ve been obsessed with this man since the ripe age of 12 but here we are. will probably be writing a lot more of him since im rewatching cm at the moment so stay tuned! request box is always open <333

[em-ontv]

Need some space — d.w.

Pairing: Dean Winchester x lover!fem!reader

Summary: Dean could never keep his hands off of you, latching onto you whenever he could

Content: fluff, established relationship, clingy/touch-starved Dean, not proofread, English is not my first language, mistakes should be present, sorry!

Word count: 912

Dean was a lot of things—sharp-tongued, reckless at times, stupidly brave—but you hadn't expected "clingy boyfriend" to be added to the list.

Yet somehow, here you were, flipping through dusty books with his head in your lap, eyes half-closed like an oversized housecat. He shifted to a more comfortable position on the couch, clearly uninterested in the research you were trying to get through.

"Dean," you sighed, nudging the book away from where it almost brushed against his face. "How am I supposed to read with your giant head in the way?"

"Don't mind me, sweetheart." he mumbled, eyes closing and voice bordering a purr. "You're doing great. Keep it up."

You gave his forehead a flick, earning a dramatic groan. He swatted half-heartedly at your hand but refused to move an inch. Instead, he stretched his legs out further, making himself even more comfortable.

"Seriously? You're not even gonna pretend to help?" you glared at him. "You know, I'd really appreciate it if you started flipping through some books too."

"Helping," he said lazily, cracking one eye open and giving you a smirk. "Emotional support."

Without waiting any further, he reached up, took your hand, and pressed it to his head. Your fingers tangled in his hair instinctively, and he melted under your touch like butter on a hot pan.

When you stopped and started to pull your hand back so you could flip a page of the book, he let out a pathetic whine, pushing your hand back against his head, like he’d die before letting you go.

"You're such a baby. I have to get this done before Sam comes back." you muttered, squishing his face between your fingers, making him pout.

"Cut it out," he grumbled, frowning up at you, though the way his frown dissolved when you laughed said otherwise.

"If you're not gonna help, you're not gonna complain either." you said, and he retaliated by kissing your wrist, peppering soft, warm kisses all the way up your arm.

You rolled your eyes, biting back a smile. Dean's touchy-feely tendencies had only escalated since you started dating. Take the case last week, for example.

You'd been interviewing a witness at a diner, trying to keep your questions subtle and professional. Dean, however, had other ideas.

"So, you're saying the lights flickered just before you heard the noise?" you asked the frazzled waitress.

"Uh-huh," she nodded, glancing nervously between you and Dean.

Before you could respond, his hand found its way to the small of your back. Not a casual graze either—nope—it was a slow, deliberate caress, his fingers curling just enough to make his presence known. You froze, shooting him a warning glance, trying to shrug him off, but he was already leaning in closer, the picture of shamelessness.

"Sweetheart," he murmured, low enough that only you could hear. "You're doing amazing. Keep it up."

"Dean," you hissed through a forced smile. "Go sit down."

"What? I'm just keeping an eye on you," he replied, all wide-eyed innocence, grinning like a kid caught with his hand in the cookie jar.

The poor waitress looked like she wanted to crawl into the freezer.

And then there was that time in the library when you'd been deep into research, scanning page after page. Dean had sauntered in, plopped down next to you, and proceeded to rest his chin on your shoulder while humming AC/DC under his breath.

"Keep reading, sweetheart. I’m comfy." he murmured when you tried to shoo him off, knowing he'd just distract you. His arm snaked around your waist, and before you could protest, he was already pressing slow, feather-light kisses along your jaw.

Or the night you snuck into the kitchen for some quiet time with a PB&J. Five minutes later, Dean appeared in the doorway, his hair sticking up in every direction. He looked half-asleep, his brows pinched in sleepy frustration.

"What are you doing?" you asked, mid-bite of a PB&J.

"Couldn't sleep," he said, padding over to you with a frown. "Why'd you leave?"

"Dean, I was gone for five minutes."

He made a noise of dissatisfaction, wrapping his arms around your waist from behind, nuzzling lazily into the crook of your neck. "Come back to bed with me." he muttered, his voice soft and heavy with sleep.

It was ridiculous. The same tough-as-nails hunter who'd taken on demons, monsters, and literal death couldn't go five minutes without missing you. But as much as you teased him for it, it brought a certain warmth to your heart.

Because for all his bravado, Dean was just a guy who'd spent most of his life terrified of losing the people he cared about, loved. His over-the-top clinginess? It was his way of making up for lost time.

"Alright, fine," you said, swallowing the last bite of your sandwich and dusting your hands off.

He grinned—smug at first, but it quickly melted into something far softer. He let out a content hum, nuzzling closer.

"Right now, please." he murmured, his voice heavy with drowsiness.

"Alright, just don't fall asleep on me in the middle of the kitchen." you said, rubbing his arm, leading him back to the comfort of your shared bed.

Under the covers, Dean curled up against you, his arms wrapped around your body, his face buried in your neck. His breath was gentle and even, warm against your skin. Just before sleep took him, he murmured faintly, "Love you, sweetheart."

[sleepy-steve]

pt 2 of steve "dies but doesn't stay dead" harrington and eddie "ferryman of the river styx" munson // 1.9k // pt 1 ♡

—

november 1984

Eddie checks. Of course he checks. Asks around, eventually to his superiors to make sure he wasn’t going to get in trouble for not collecting Steve. It’s uncommon, they tell him, rare, even. But not unheard of. People die briefly and come back to life. Usually only the one time. The answer should be good enough. Should be. Isn’t though. It frustrates Eddie to no end. Months of wondering and ruminating with the firm belief that he won’t get to see Harrington again anytime soon to ask.

He doesn’t have to wait long.

This time Eddie is on the boat. Leaning over the edge, a hand dangling low to the black water, staring at the same patch of grass he first saw Steve sitting. In fairness, all souls appeared in that general area. But Eddie is fixated on the exact spot Steve had shown off his deep chest wounds. It’s for this reason that Eddie jumps three feet into the air when Steve materialises in the same spot again less than a year later.

Sitting up with a rattling gasp and a look of fury on his bashed-in face—again?! Eddie briefly thinks—Steve yells, “Fucking Hargrove!”

“Christ, Harrington!” Eddie shouts, hand over his chest despite the distinct lack of heartbeat. “Could give a guy a bit of warning.”

Steve looks around, eyes surrounded by more dark bruising taking a second to focus on Eddie, chest heaving as he calms down. “Shit, sorry, man.”

They just look at each other for a few long moments, Eddie standing like a frightened cat on his still wobbling boat. He clears his throat to break the silence. “Who, uh. Who’s Hargrove?”

Scoffing, Steve drags a hand down the side of his face, then winces as it passes over bruising. “Douchebag new guy.” He sighs, settling his forearms on his knees. “His sister is friends with some kids I know. Was coming after them, so I…” Trailing off, Steve gestures to his face.

“What? Offered yourself up as a human punching bag and got yourself killed? Again?” Eddie says, trying not to sound too judgemental.

“Yeah, well,” Steve sighs. “I wasn’t just gonna let him beat up a kid. They’ve been through enough without some dickhead coming in and kicking the shit out of them.”

Eddie feels his brows pull together slightly as he sits back down on the bench of the boat, arms crossed over the edge. It’s not like Harrington was the big bully of Hawkins High, but defender of local kids is… new. “Sounds like a grade-A asshole.”

Steve snorts. “He is.”

“Kids were lucky to have you around as their… babysitter?” Eddie offers, cracking a grin.

Steve rolls his eyes, a small smile playing at the corners of his mouth. “Something like that. Probably didn’t need me at all. Stuck around long enough to see her drug him, so they should be fine.”

Humming appreciatively, a thought moves across Eddie’s mind, and he can’t help himself. “…No monsters this time?”

“Ha, ha,” Steve rolls his eyes. “Yeah, I know you don’t believe me, but the monsters did actually come back, which is why I was with those little shits in the first place.” He sounds annoyed, but there’s a fond look behind those bruised eyes. One that gives Eddie a little spark in his chest. “But no, this death was just a regular guy.”

It’s Eddie’s turn to snort. “This death. So casual.”

A full grin breaks out on Steve’s face, contrasting heavily with the bruises and the blood under his nose. “Well, when it’s happened this many times, kinda hard not to view it as like. Just this thing that happens, y’know?”

Eddie doesn’t really know. Of everything he’s learnt about death—through his own and through everyone he’s met since—this thing Steve goes through is beyond him. Incomprehensible. He nods anyway.

“How many times have you died, Harrington?”

“Hmm…” Steve looks up as he thinks for a moment. “This would be… five? Or six?” He shrugs. “I’m not sure if it happened when I was a baby.”

He says it so casually, so matter-of-fact, Eddie almost wants to double-take. It sounds so truthful, he struggles to not believe him. Even though Eddie knows he’s not losing much by believing him, a small part of him still has doubts. And worries for his job. “You gonna get in the boat this time?”

Steve snorts. “Not this time, buddy.” Something jolts in Eddie’s chest at the familiarity. “Maybe next time though.”

“Next time,” Eddie mutters under his breath, shaking his head. “You anticipate dying again?”

“Well, no,” Steve chuckles. “But based on how things have been… and apparently I’m not too careful.” He gestures at his bruised up face, eyes bright with humour between the blues and purples and reds.

“The monsters?” Eddie supplies, just teetering on the edge of sarcasm.

“Monsters, douchebag guys, car wrecks… you just never know.”

The casual tone in which Steve talks about his deaths still has Eddie reeling. It’s been well over a year and Eddie is surrounded by death constantly, and he still struggles to think about his own. Tells himself he’d rather not dwell, which is true, but it also hurts. He shakes it off, shifting his focus to the bruised and beaten boy in front of him.

“Or… you could save yourself the trouble, and get in the boat now?” Eddie gestures down at his boat with a little hand flair. He’s joking. Mostly. If Steve did have the chance to go back to the land of the living, Eddie didn’t want to take that away from him. Not that he thought Steve was getting that chance. Not completely, anyway.

“Wish I could, but I don’t make the rules.” Steve grins at him, like they’re sharing a secret. And they kind of were. Eddie wasn’t sure how many people knew about Steve’s semi-regular dances with death.

“And since when have you ever been one to stick to the rules?” Eddie asks, propping his arm up and resting his chin on his palm. Looking at the boy on the grass. His hair is longer this time.

Steve laughs, head tilted back. “Fair point. But if you want me on that boat, you’re gonna have to come over here and drag me onto it.” He raises a brow at Eddie in challenge.

Eddie rolls his eyes. “Wish I could, but I don’t make the rules.” He repeats Steve’s words back at him, mocking him.

“Well, well, well,” Steve says, tone playful. “Look who’s being a stickler for rules now.”

“I know,” Eddie drags it out, struggling to hold back his smile. “Crazy, huh? Divine punishment for being born the son of a criminal, I guess.” Eddie’s gaze drops down to the black water beneath him.

Steve scoffs at him. “Like you never smoked pot or broke speeding laws in that van of yours.” 

Eyes widening before he can stop them, Eddie’s shocked Steve even knows about the van. Shocked that Steve knows anything about him at all. What world is he in where the king of Hawkins High knows about Eddie and his beat up old van? Even being in the grade below him, Steve had a popularity pull that was noticed by those in Eddie’s grade. Confusion and surprise subsiding, Eddie finds himself leaning forward even further.

“Coming from you?” Eddie challenges back. “We all know about the famous Harrington ragers, Mister Keg King.”

The title makes Steve roll his eyes. “Never saw you at one.”

It was true. Eddie hadn’t attended any of the parties, for fear of his reputation making him a target. He drops his gaze again. “Didn’t think I’d be welcome there.”

Steve doesn’t respond, and the silence grows between them. They haven’t moved, but Eddie feels further away from him. Like the weird little familiarity they’d developed was being forcefully shoved apart. Eddie doesn’t look up to see Steve’s reaction. Doesn’t want the pity.

“So, you really can’t get out of the boat?” Steve breaks the silence with a complete topic change.

“Nope,” Eddie responds, popping the P. “She’s my new baby, now that I don’t have my van.” He pats the side of the boat with his free hand.

Steve shifts forward until he’s sitting as close as he can to the water’s edge without getting wet. Close enough for Eddie to see the broken capillaries under his skin and the little green flecks in his eyes. He takes in the cuts on Steve’s jaw and forehead, the two black eyes, the blood under his nose. The way his knuckles are bruised and bloodied to match. Something in Eddie feels oddly… protective. Like he wants to jump in front of anything that might hurt this guy he doesn’t even really know that well.

“Change your mind about getting in the boat?” Eddie asks, voice low, now that Steve is so close.

“No,” Steve huffs a laugh. “But you can’t move, so I figured I should.”

“Just that desperate to be close to me, are you?” It slips out of Eddie’s mouth before he can think about it. And Eddie wants to punch himself in the face over it.

But to his surprise, Steve doesn’t recoil away or yell at him. Instead, he laughs softly, cheeks faintly pink beneath the bruising. “What can I say? The allure of your… baby…” He says it with a smirk. “Very tempting.”

Taken aback by Steve’s… flirting is the only word to describe it, but that can’t be right, Eddie immediately switches to joke mode. He won’t entertain the idea that Steve Harrington was honest-to-god flirting with him. He won’t.

“I’ll get you into this boat one day, Harrington. Mark my words.” 

He knocks on the edge of the boat twice before smoothing his hand over the wood. Watches as Steve’s eyes follow his hand, seemingly fixated on it. Eddie briefly wonders what would happen if he touched Steve. Would that commit Steve to being stuck here? Commit him to moving on? Would Eddie even be able to feel him?

Gaze shifting back to Eddie’s face, a smile grows on Steve’s face. “Maybe. One day.” He shrugs, like his eventual death is a fun, whimsical topic.

Eddie is about to comment on Steve’s tone, but before he can, Steve’s head whips to the side, hearing something Eddie can’t. Just like last time.

Unlike last time, Steve doesn’t get up right away. “Looks like my time’s up.”

“How do you know?” Eddie is so curious, he can’t help but ask.

“I can hear—” Steve waves vaguely around his ear. “—stuff. From where I am. The kids are yelling. Hope they’re not too freaked out.”

“Guess you better get back then,” Eddie says, trying to hide his disappointment.

“Yep.” Steve pulls himself up into a standing position, now suddenly looking down at Eddie, who leans back on instinct, shifting back on the boat bench. “But I’ll see you next time.”

“I’ll be here.” Eddie gestures at the boat, palm up. Like he has anywhere else to go. “See ya, Harrington. Stay away from monsters.”

“I’ll try,” Steve laughs, walking backwards on the grass. Keeping his eyes on Eddie as he retreats.

“Try not to get that pretty face bashed in again,” Eddie calls after Steve’s already fading form, grinning wide.

Steve just laughs, the sound of it echoing even after his body disappears from Eddie’s sight.

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[ukkoperkele]

Just to share my own thoughts, I don't think that was the point. @fortunatelyginger

The article is not taking the male perspective into account since this time the writer is focused on girls. I doubt she was bringing up girls' and women's problems in her book about men's problems either, because that wasn't her focus. Not focusing on the male perspective in this article doesn't makes boys' and men's experiences with bullying from women any less real.

The article is showing one possible explanation why teenage girls are feeling unwell. These girls are telling about their experiences with harsh online and in-person bullying from these certain boys in their school. Not from men as a whole. It is also true that people who are struggling are more likely to take their anger and sadness out on others especially without proper support or knowledge about healthy coping mechanisms. Boys still often lack support.

Regular cruel comments and sexualization are undoubtedly a valid cause for someone to start feeling unwell. Teenagers are at an age where their identity and emotional regulation skills are still developing. Receiving this kind of treatment will usually take a bigger toll on teens than adults.

It's been a while since I was a teen, but I remember this kind of bullying from both girls and boys. Both also received it. Teens in general can be cruel as hell.

However, in my experience teenage boys were doing this kind of bullying more often, or at least they were generally more aggressive and open about it than girls. The worst bullies were usually from dysfunctional families. Girls also usually had, and most likely still have, more pressure than boys when it comes to looks, and that pressure is not only coming from boys. This is an indivual experience, but I wouldn't be surprised if this was still the case in some schools.

Andrew Tate has some good points when it comes to self-improvement, but he also has more harmful takes on human value and mental health. "This is why women should not vote, they're morons" comment after a (trans)woman was expressing stress over elections is not something I would like my own sons to hear or look up to. Someone like HealthyGamer, a Harvard trained psychiatrist focusing especially on boy's and men's mental health, would be a better choice.

Tate's followers from what I've seen are not usually the kindest to women, some of them being blatantly hateful online. When young impressionable boys who have no proper critical thinking skills or media literacy skills yet see this kind of content and comments, there is a risk they will absorb all the things they're fed, including hatred towards women, without a second thought. They don't have the maturity to pick the genuinely helpful tips and ignore the rest. This in turn can affect the way they treat girls and women in their close circle. I think this is what the article was trying to convey by mentioning Tate.

These bullies might not be the only or the main reason why girls are unwell, but it is certainly still a serious problem that parents and teachers should pay more attention to. Teenagers are old enough to understand right from wrong. Behavior like this needs to be corrected not only in boys, but in teens in general.

Social media is creating more apathetic and cruel kids. You can also see it from the way those boys reacted to a fellow boy trying to stand up for her. Basic human decendy shouldn't be ridiculed or seen as something negative.

Why are British teenage girls so unhappy? Here’s the answer (Caitlin Moran, The Times, Sep 13 2024)

"The report, by the Children’s Society, found that British 15-year-old girls are the most unhappy in Europe.

British girls aged 10-15 are “significantly less happy” with their life, appearance, family and school than the average boy — and their happiness is still declining.

Boys’ life satisfaction, meanwhile, remains broadly stable. (…)

But I still didn’t have an “aha!” moment about why this so disproportionately affects girls until… I talked to some teenage girls.

It was at a party, and I went to vape with them on the patio. Because I take my nicotine like children do.

“Duh — it’s the boys,” one said when I brought it up, as all the others agreed.

“The boys?” I asked.

My last book, What About Men?, had been all about how much boys struggle these days: their loneliness; their suicide rates. I’d spent the past year feeling very sympathetic towards boys.

“Yeah, well, who do you think they’re taking out their unhappiness on? It’s us,” another girl said.

“One boy at school used to draw a picture every day of how ugly I was,” a third girl said. “Every day for two years.”

“They’ve all got ‘Rate The Girls’ polls on their WhatsApps,” the first said. “They mark you down for weight gain, haircuts, what you say.”

“But then, if you’re hot, it’s just as bad, in a different way, because they’ll be talking about how they want to f*** you.”

The girls discussed coping techniques. Bad news: none of them worked.

“The only way you can stop them is if you become ‘one of the boys’ and hang out with them. But then,” the second girl said with a sigh, “all the other girls call you a slut. Because you’ve gone over to the boys’ side.”

“Surely it’s not all the boys?” I said. “There must be some nice boys?”

“Oh, yeah,” one girl said. “But they keep their heads down. Because… well, look.”

She showed me the Instagram account of her friend. Under every picture she posted of herself — smiling in a new dress; with her dog — dozens of anonymous accounts had replied with the most rank abuse.

“Fat.” “Slut.” “You gonna try and kill yourself again, for attention?”

“They’re all boys from her school,” she said. “And look, this one boy tried to defend her.”

I saw a series of messages from a brave teenage boy, posting things like, “You’re all big men, leaving these replies under anonymous accounts.”

As I could see, this boy immediately became a target too. Mainly accusations that he was “white knighting” this girl: “You wanna f*** her, bro?”

“So,” I asked, “you don’t think it’s social media pressure to be beautiful, or the economy, that’s making girls so sad?”

“Well, yeah, them too,” the first girl said. “But, Monday-Friday, 9-3, I’m not on social media. I’m not… in the economy. I’m just with these boys. And no one talks about how horrible they are.”

I thought about another recent report, showing a 30 per cent ideological gap between Gen Z men, who are increasingly conservative, and Gen Z women, who are increasingly progressive.

I thought about Andrew Tate, who has nine million mostly young male followers — and faces human trafficking charges, which he denies.

And I thought: maybe these girls are on to something. Maybe more people need to vape with teenage girls and ask them for the school gossip."

[luveline]

Hii, Jade 🤍 please bring back singledad!spencer, reader and Amanda 🥹 they r so special

—Spencer experiences your first Spencer-brought-upon baby fever, to his shock. fem, 2k 

(cw: reader is written as enthusiastically wanting kids) 

Spencer’s been reading to Amanda since the moment she could open her eyes. By two months she was cooing in delight whenever he spoke, and that included during story time. He didn’t mind that she didn’t understand, he just loved being with her. He still does. 

So when Amy interrupts your conversation to beg for him to read her something, he gives you an apologetic look, asking, “Do you mind?” 

“Of course I don’t mind.” You wouldn’t, you’re like an angel, leaning back on the couch with little urgency as Amy climbs into Spencer’s lap.

“Thank you. Sorry for interrupting,” Amy says. 

“Gosh, you’re so smart,” Spencer says, tucking a curl of her hair behind her ear. “Interrupting, that’s a big word.” 

“Go ahead,” you say, getting comfortable in front of one of Spencer’s woven cushions. “I’ll listen too, if that’s okay.” 

Spencer opens the storybook to the first page. Amy likes this one. The corners of the pages are soft with use. “Cerys’ Brave Day,” he begins, grinning as Avery pushes herself up his chest to look down at the illustrations. “Cerys wakes up without mommy. Cerys makes her own way out of bed. There is no mommy to wipe her face or brush her hair. My mommy, she thinks, is not there.” 

Amy smiles into Spencer’s cheek. He wraps an arm around her, as if to say, I know, angel, it’s exciting. “Her mommy must be having a slow day. She doesn’t appear to give Cerys any help. And Cerys says–”

“No way!” Amy finishes, pointing at the drawing of a bathroom sink and toothbrush. “I don’t want to brush my teeth by myself!” 

It goes on like that for some time. Spencer notices you getting closer as he goes on, your arm pressing to his side. 

Cerys finds that her mommy is having a slow day. Cerys’ mommy is just as loving as the other mom’s, but sometimes she takes longer to help Cerys brush her hair, and get dressed. Cerys has to be a brave, smart girl, and help her mommy with the small things. Spencer enjoys it, and thought it was a great expression of empathy for Amy to one day understand.

“Later, when mommy feels better, she says I’m sorry for being so slow. Mommy didn’t mean to forget her, she just struggles to get up and go. 

“Cerys doesn't want her to be sorry. She loves helping her mommy out. Because mommy loves Cerys, and Cerys loves mommy, and that’s never been in any doubt.” 

Amy turns her face to Spencer with a huge smile, somehow bigger than when it started. “I love that story,” she says. 

Spencer lets the storybook fall closed in her lap. “It’s a good one, huh?” 

“What do you think, Y/N?” Amy asks. 

You’re delighted by Amy in a way Spencer’s used to seeing in the mirror. “I loved it. Daddy’s a good storyteller, and you’re such a good assistant. You know lots of the big words.” 

She preens. “Thanks.” 

You can’t resist her, pushing against the top of her head with a nice palm. “You’re welcome.” 

“Can we have another one?” she asks. 

Spencer checks the time on his watch. Amy realised it was bedtime before he did, it seems. “Come on, lovely girl. Let’s start getting ready for bed, and you can have any story you want.” 

He’s obviously not expecting you to leave, but at the same time, things are new enough between you that when he asks if you want to sleepover, your grinning “Yes, please,” throws him for a loop. 

You have spare clothes and toiletries in the bedroom. You ask to take a quick shower and get all smiley and shy when he says you never have to ask. 

“So dad,” Amy says. 

“So Amy,” he says, pulling down the blankets on her bed. She has five layers because suddenly November is cold. He wonders if she needs a sixth. 

“I can’t sleep in the big bed tonight.” 

“Well, that depends on how badly you want to.”

“Really?” 

“You’ve known Y/N for a long time, right? She’s been my friend for a long time, before she was my partner. I think she’d be okay with having you sleep in the big bed again if you need to. It was your place before it was her place, and she knows that.” 

“Well…” 

He grabs her under the arms and places her in bed. She could use her stepping stool, but he likes picking her up and putting her down. It makes him feel super paternal. “Just think about it, angel. If you change your mind, you can just come and knock the door. 

“Promise?” 

“Honey.” He kisses her forehead twice, before pulling the blankets up over her, and turning on her mushroom night light. “How’s that? Okay, I promise you can still come knock my door. Cross my heart.” 

“Can you stay for a little?” she asks. 

Spencer sits on her bed by her legs. They feel weirdly small under his hand despite the padding he’s given her. “Babe, are you sure you’re warm enough? This does not feel like enough blankets.” 

“It’s loads. Give me a hug.” 

Spencer lays down in her bed, almost falls off, and covers her with his arm. Their curls tangle together on the pillowcase. 

“Like this?” he asks. 

“Exactly.” 

“Amy, you’re using such big words, you’re so smart.” He’s gonna take her for an assessment at some point. He doesn’t care if she’s super intelligent or not, but lately it’s like she’s so much older than she is. A few days ago she said the word discombobulated. “My smarty-pants.” 

“I like big words,” she says. 

“I love you.” 

“I love you, too.” 

“Remember what Amanda means?” he asks. 

Amy giggles as he shakes her by the tummy. “She who must be loved.” 

“Exactly. Loved by everyone, deserving of love. Always, from the second you were born!” He leans down to kiss her cheek, meeting her eyes as he pulls back. “Okay?” 

She certainly feels loved, he’d wager. He loves her so much it’s like an extra part of his soul in another person. “Story?” she asks. 

“Yes, I did say we’d have one, didn’t I?” He’d almost forgotten. Spencer grabs a couple of her soft backs from the book stand and lets her choose. 

After he’s read a few books and given her a couple of cuddles, Amy begins to list. She presses her nose to his shoulder and mumbles something he doesn’t hear. 

“What did you say, sweetpea?” he mumbles. 

“Just goo’night.” 

“Goodnight. I’ll tuck you in, okay?” 

“Spence?” 

He’d almost forgot you were here. You’re standing in the doorway, arms still damp, pyjama pants stuck to your calves. “Where’s the fire?” he asks. 

“What?” 

“In a rush?” 

“Oh, I just wanted to hear story time. Did I miss it?” 

Spencer kisses Amy again. “I think so. I’m just saying goodnight.” 

You lean against the door. “Goodnight, then, lovely girl.” 

Spencer forces himself up to tuck her in. “Goodnight,” he says again, stroking the hair from her eyes, though they’re closed already. She doesn’t manage to say goodnight back, just touches his arm before he goes. 

You take his hand when he’s close enough. He follows, pressing his face to your shoulder from behind. 

“I like watching you be a dad.” 

“Yeah?” 

“Mm, you’re good at it. It’s… I don’t know, I know Amy isn’t my baby, but I do love her, so it’s never not gonna be nice to watch you, and… I’m worried to say this.” 

“Just say it.” 

“Maybe one day, I…” You catch his eye and give him a panicked smile. 

You climb into bed together. He tries to get you to finish what you’d been saying but doesn’t succeed, no matter how nicely he draws that shape you love into your neck. It’s alright, though. It doesn’t matter. He nearly forgets you’ve brought it up at all until you’re lifting yourself up from your place on his chest. “Spence?” you ask, so close it makes him nervous, his stomach twitching of its own volition. 

“What?” he asks. 

“I know it’s soon. I know we’re not… locked in. I was just thinking about our future and our family, and I’m really happy. And– and if you did want to, I guess I wanna know if… would you ever have more?” 

“More kids?” he asks, dumbfounded. 

Your pupils are massive, staring down at him, giving your eyes this darkness so rare in your gaze. “Have you ever thought about it?” 

“Of course I have, especially with you.” 

You fluster but push through. Your laugh warms his lips as you lean down. “Don’t say that.” 

“Isn’t that what you just said?” 

You kiss him. He lifts his chin too fast to follow you and ends up pushing you away. His cheek is burning in your hand, your index finger to the corner of his eye and so, so tender where it touches an eyelash. “Amy’s so much like you, honey,” you say, tucking a long flyaway strand behind his ear. “And it’s all you.” 

Spencer wonders if you’re perhaps entering the ovulation stage of your period, but forbids himself from asking, should he sound like a freak. But surely you can’t be feeling as strongly as you are about this from story time alone. He’s not that good at telling them. 

“It’s not all me. Amy’s herself, and she’s parts of everyone she’s ever met. I think she’s been a lot braver since she met you,” Spencer says. 

He’s not sure what he said there, but you peer down at him like he’s entirely new. 

“Spencer,” you murmur, drawing a line across his cheek.

“I’d love to have a baby with you, I just thought saying that might be too much too soon.” 

“Well, it is,” you say, sounding insanely pleased, at odds with your words, “that’s so soon. You shouldn’t say stuff like that.” 

He thinks he gets it. Spencer covers your hand where you’re been caressing his cheek and brings it to his mouth, giving your knuckles a kiss. “You’re already so caring, you’ll make an amazing mother.” 

“Not just if we have babies though.” 

“No, I know.” His hand acts for itself as he tucks your hand against his neck. “Amy loves you.”

“She’s brilliant, Spence.” And whatever adoring you’d been ladening on him comes to an end. “Her vocabulary is insane for her age, she really is her father’s daughter.” 

You lay yourself across his chest again for a hug. 

Spencer applauds himself for surviving whatever that was. You, eyes dark and imploring, asking him about babies and touching him like that. “Amy would love a baby sibling,” he says. 

“How many should we have?” 

He laughs loudly. The taboo of everything being too soon is forgotten as you and Spencer talk about babies, houses, what middle school Amy might go to, what daycare you could send your babies to. It’s so exciting it makes his chest pang, thinking about living with you, about marrying you. And your enthusiastic answers make it worse. It’s clear you’ve thought about some of this stuff at depth. 

You could really get married one day, Spencer thinks. There’s a real possibility you might say yes. 

“Do you really think Amy wouldn’t mind a sister?” you whisper. 

“She’s asked me a couple of times how she can get one, so yeah. I think we can safely assume she’d like that.” 

“She asked you that?” you coo. “Aw, lovely girl, what did you tell her?” 

“Well, I told her she came from a pumpkin.” 

“You did?” 

“Mm. It was my fault then when she got very excited at Halloween.” 

You giggle into his neck. “When we have a baby, we’ll buy her a pumpkin.” 

“Or a squash, but I don’t think we could fit a baby in a butternut.” 

You hug him nice and hard. Spencer isn’t sure, but he suspects this is the beginning of a very new, very enjoyable chapter of your lives. Even more so when you nose at his jaw and mumble something about his ‘kissability’. 

[c0n-fus3d]

𝚂𝚑𝚎 𝙻𝚒𝚔𝚎𝚜 𝙰 𝙱𝚘𝚢.

(Older!Powder x fem!reader)

I'm sorry but I finished ep 1 of act 3 and had to write this to get my emotions out about ekko and powder being a thing in an alternative reality bcz just RAHHHFHSHEHSHHS my gay ass is crying (no offense to the timebomb shippers, you do you!! If you like this that's cool💪💪) ENGLISH ISN'T MY NATIVE LANGUAGE, IF I MADE SOME SPELLING MISTAKES I'M SORRY ALSO SPOILERS FOR ACT 3!!

Warnings: uhhh just angst, mostly angst, this is for my girlies who might be feeling the same

༺ღ༒ ༺ღ༒ ༺ღ༒ ༒ღ༻

You've always liked Powder, every since you were kids, and still when you are teenagers.

Their was always something about her. The way she made the most creative inventions, the way she always seemed to have some sort of spark in her eyes. Her laugh, her hair, her eyes, it's hard for you to explain the feelings you have towards her.

You knew the way Vi's death was heavy on her, you could see that with the days, and soon years that came after. You we're always trying to be there to support her, make her feel a little better. You gave her space when she needed it, and we're there for her when she needed you the most.

And then there was Ekko.

You never hated Ekko, you 𝙙𝙤𝙣'𝙩 hate Ekko. he was a good guy, you got along with him. He was around Powder nearly just as much as you we're, maybe even a little more. When you were around Powder, he wouldn't take long to show up as well. You didn't mind.

But you couldn't deny that you we're jealous of him, of Ekko. The way he charmed his way into Powder's heart over the years. With his sketches, ideas, personality, kindness and understanding. You wanted what him and Powder had as if what you already had wasn't enough for you. You could see the way she looked at him, how 𝙝𝙚 looked at her the same way.

You often wished it was you instead of him. You try to forget about your jealousy, push it asside. You try to push your jealousy and selfishness asside, keep everything natural between you three. But it got harder and harder the more time went on.

Ekko has been acting strange recently, or at least that's what Powder told you. How he 'seems not to remember anything' and how he says these things about how in a dream her and Vi we're completely different. You noticed yourself too, how he was more around then usual. You assumed it was because of his project or whatever.

Now you find yourself here, on the dance floor in the last drop. Inventions around you everywhere as music and colorful lights fill the bar. You look into the crowd, trying to spot Powder. It took you a whole 5 minutes to finally spot her, but to no suprise, Ekko was there. On the dance floor, with her. Dancing together to the beat of the music like it was just the two of them. You tried to move your eyes away from the sight, let them be happy and together. But the jealousy ate you from the inside out, this all just left a bitter taste on your tongue. It all got so overwhelming so quickly, so you decide to leave the place before you explode and do something stupid.

So you decide to go out to Powder's little Hideout for now and go back once you've cooled down. You look at the massive invention across the room, stunned as fuck how they made this. You don't want to pay too much attention to it though, so you continue walking through the massive space before sitting down in front of the small memorial that Powder made for Vi.

You lighten the place up before just.. Sitting there. You sigh, looking at the picture sat on the desk. Vi always knew you had a thing for Powder, she always encouraged you to tell her how you felt. Whenever the situation was on your mind, you'd go here. You'd talk, like she was still there. Because to you, she was. To everyone, she still was. Now wasn't any different, you talked about what has been going on recently. With Ekko, Powder, and everything else.

"I just.. Don't know what to do, I know I'm supposed to be happy for them.. Ekko is a great guy, a-and if they become a thing, I'll be fine with it but.. Theirs this voice in the back of my mind that just doesn't seem to go away.." You groan, your head in your hands as you thought for a moment.

You knew you couldn't hide your feelings forever. If Powder wasn't going to feel the same way towards you, you might as well tell her what you've been feeling all this time. Just for an answer, a yes or a no. Anything. If she didn't feel anything as well then at least she'd know.

"I'll tell her, tonight. Like you always wanted me to do.. I'll.. I'll get this over with, okay? For you."

You found yourself walking back towards the last drop, but then you see Powder, going in the direction of what you knew to be the place where Vi always took her to. So you decided to follow.

If only you weren't blind enough to see Ekko walking along with her.

You climbed up to the place, heart racing in your chest as you tried to think about the things you could say. Your mind was running a million miles and you tried desperately to calm your nerves.

You we're finally gonna do it, you we're gonna tell her how you feel.

But just as you nearly reach the top, you see her. And Ekko.

Their kissing.

In front of your eyes.

Your heart dropped, hope that you knew was useless in the end shattered as you saw the image.

Wrong fucking timing. You stood there, frozen in time before quickly getting out of there. Trying to hold back the tears that we're threatening to fall.

She likes Ekko. She only likes Ekko. It was never you. Not in childhood, not in teenage years.

She likes a boy. That boy.

Your not that boy, and for now, you had to live with that.

You we're never going to being the one kissing her. It was always going to be him in the end.

[chestersturniolo]

good cop , bad cop

Matt Sturniolo x fem!reader x Chris Sturniolo

Summary; You have been a moody guts all day. Matt goes straight to comforting mode.. Chris, not so much

disclaimer; Chratt poly relationship dynamic! if you are not comfortable with this, do not read // suggestive // pet names // most likely a one shot.. based on this request

You flop onto the couch with an exaggerated huff, crossing your arms over your chest. Your irritation at an all time high for no real reason. It’s been one of those days, and it feels like nothing is going your way.

Matts attention is caught by your dramatics, he glances over from where he sat on the other side of the couch. “Hey-” he says softly “-what’s wrong sweetheart? You’ve been in a mood since this morning” his voiced concerned

You groan dramatically, rolling your eyes. “Nothing. I’m fine.” you snap,

Matt frowns, “C’mon, talk to me. Did something happen? Did I do something?” His voice is still patient, gentle, but for some reason it only makes you more annoyed.

“Ugh, Matt can you not?-” you sass back. “-I said I’m fine. Why can’t you just leave it alone?”

Before Matt can respond, Chris speaks up from the kitchen, his voice cutting through your tantrum “Alright, that’s enough” he says firmly, turning to face you. His blue eyes locking onto yours,. “What’s with the attitude, kid? You’ve been whinin’ n actin’ like a little brat all day”

Your eyebrows immediately raise, taken back by his tone.

“Chris!” Matt snaps, shooting him a disapproving look. “Don’t talk to her like that, she’s just—”

“She’s just what?” Chris interrupts, standing his ground. “Throwing a tantrum because she’s gotten herself all worked up for no reason? Don’t coddle her, Matt. It’s not helping.”

You glare at him, but Chris doesn’t waver. “look I get that you’re not in the best of moods today-” he says, his tone softening just a little “-but that doesn’t mean you get to take it out on us. We’re here to help you, not be your punching bags kid”

Matt sighs, running a hand through his hair “You didn’t have to put it like that” he mutters, clearly torn between defending you and acknowledging Chris has a point.

“Maybe not-“ Chris concedes, his gaze flicking back to you “-but she needed to hear it”

You shift in your seat with an subtle eye roll. Chris wasn’t wrong…you had been a little over the top today. But still, his bluntness stings.

Matt scoots over to you on the couch, his hand resting gently on your knee. “listen-” he says softly “-whenever something’s bothering you, just tell us, okay? We can talk anything out”

“Yeah-“ chris starts in agreement, making his way over to the couch “-we’ve got your back ma, next time lose the attitude, huh?” he says,crossing his arms as he stands infront of you

You sigh, the fight draining out of you as you mumble, “Okay, m’sorry” feeling slightly guilty

Matt smiles, giving your knee a reassuring squeeze. Chris smirks, tossing a wink your way “There’s our girl”

Your lips instinctively curl upward at his coo..you’d always found it quite hard to stay mad at them for long periods of time. They had this way of breaking your attitude down, sometimes without even trying. You let out another small sigh, “i think i’ve just been a little stressed lately that’s all..” you say honestly, your eyes flickering between them both.

Matt clicks his tongue “ah baby, why didn’t you say so? i know just the thing for that..” he says before throwing a glance to chris with a smirk. They share a quick knowing look before Chris’ smirk forms also, knowing exactly what his brother is getting at.

Before you could process what was happening, Chris leans down, scooping you up off the couch. You let out a surprise squeal as he hoists you up and slings you over his shoulder in a fireman’s carry, before placing a firm smack to your ass as he starts walking off toward Matts room.

“Where are we going” you giggle,lifting your head slightly to see Matts figure following closely behind

“We’re going to relieve all that stress of yours baby-“ Matt mumbles, wetting his bottom lip, his hand coming down to unbuckle his belt as he walks “-jus’ relax, we’re gonna take good care of you hmm?”

MASTERLIST LINKED HERE

[mxrcielaguito]

Oh boi, I've been wanting to write Elliott x Farmer for a while so here we go:

Based off one of the comments of the original post

"I would suggest we make time for a little 'rendezvous' in my old cabin... But I'm afraid it's become rather... Musty... In my absence" Elliott says. I'd like to think he's being playful but I can't really tell. His words are mischievous but his eyes seem melancholic. I mean, well, he writes angsty stuff all the time, why would this be any different, he loves feeling melancholic. He's an overemotional drama queen, and that's pretty much why I fell for him in the first place. But something's off today.

I look at him, up and down. Wouldn't be the first time we escape a social gathering and make time for ourselves. I work relentlessly. He writes relentlessly. Our kids mess around the house relentlessly, too.

"Why not?" I suggest. "It's not like anyone's paying attention."

His green eyes widen, his face blushes for just an instant and I recognize his look. He bites his lower lip, grabs my arm and pulls me into the cabin so quickly I can't even react. As soon as I step into the cabin I understand what he meant by "musty". The air feels heavy, humid, and the wood is starting to decay. His old piano is still there; withering away.

He locks the door behind us and I can already feel his heavy breath. I can't help but find it cute. It's been three years and he still gets all hot and bothered. He's turning his back on me, his hand still on the door knob.

"Elliott? Are you all right?" I ask.

"I have really neglected this place, haven't I..." He murmurs. "It's- it's not romantic at all, I-..."

"Love, it's okay, I don't mind" I try to reassure him, rubbing his back. Something's wrong but I'm not can't put my finger on it. "It's been quite some time since the last time you came here, huh."

Elliott laughs nervously and forces himself to let go of the door knob. He turns around and looks at his cabin, his eyes scanning every corner.

"I really used to live like this, didn't I?"

"I didn't know this place brought you bad memories", I say, my voice soft, almost a whisper. I know we don't talk much; my words are usually rather scarce, I can't remember the last time we sat and spoke to each other. I'd rather listen, but Elliott doesn't speak too much, either.

He runs a hand through his copper hair.

"Once upon a time, there lived a man by the sea..." Elliott speaks quietly, absently. "He dreamed of fame and greatness; he dreamed of people remembering his name. However, that day never came, and his little cabin by the sea, he let it rot away."

I frown, trying to make a meaning off of this.

"My father bought this cabin a long time ago, we used to have our vacation here, when I was a kid. With time I guess we all forgot about it, then I remembered it when he kicked me out."

My eyes widen.

"He... Kicked you out? Why am I learning about this just now?!"

"Well, he wasn't happy when I said I wasn't pursuing a career in the family business." Elliott runs his hand through the dusty desk, then fidgets around with an old inkwell. The ink has been dry for a very long time. "I didn't have much money. I was running out when I met you."

"That part, I remember, yeah", I reply.

"It's not that this cabin holds bad memories, as you said. It just a reminder of almost everything that hasn't worked out in my life. All the scrapped manuscripts. All the arguing with my father. All the times I stayed up late, trying to come up with the perfect plot, the perfect words, the perfect... Everything" he closes his eyes and sighs. I look at him and take his hand in mine. I love it: it's so soft. "And then, one day, you showed up and took care of that old farm nobody cared about. And you took care of me..."

He leans his head over mine. His hair tickles my nose, and it smells like pomegranate shampoo.

"I can take care of this place, too" I suggest, trying to cheer him up. "Just like I did with the farm."

"No, no. This place is mine to bear, not yours. However I would like to take your example and make this old place something worth the effort. Something out kids will be happy inheriting."

I look up at him and smile.

"Yeah? You wanna do that?"

Elliott smiles and nods. I feel his hand make its way through my eternally sore back to my waist. I rest my hand on his, fidgeting with his wedding ring.

"It's not that musty", I tease, after a very long silence. "The bed's still in good shape."

When you're just trying to make some goddamn soup but Elliott wants to have sex in his mouldy ass cabin.

[demonic0angel]

OWO, you take prompts? How about this?

Danny was born a premature and with a heart defect. The Fenton's try to make a clone so they can get his heart transplanted without fear of organ rejection. But they end up making a full on baby and don't have it in them to kill another version of their son just to save their original boy. Danny ends up pulling through and the clone gets filed as a twin that no one noticed was still in when Maddie was in the hospital. So Maddie "had him at home" and went back so he could be medically examined. The new parents feel ashamed of what they initially were going to do and give the child to a cousin who couldn't conceive.

Tim Drake doesn't know he's adopted until a DNA test reveals that the 'Meta' running around Gotham is his 'twin brother'. And the babies he has, that he does babysitting gigs with, are his twin's 'children'.

(I don’t exactly take prompts, but I don’t mind if you send them. Also, I’m going to assume that the twin’s “children” are Dan and Dani, since that seems to be what people prefer.)

“… are you serious?” Tim asked through the phone.

“Yep,” Dick said, sounding like a mixture of amusement and concern, “How do you feel about it?”

Tim thought about it and then responded, “I guess it makes sense why my parents neglected me so much, since I’m adopted.”

“Awww, baby bird…”

“I’m fine, Dick,” Tim said. He picked Dante and set him on a baby chair. Said child stared at him with electric blue eyes, scowling with his pudgy cheeks as if he wanted to tear Tim apart with his nonexistent teeth. Tim rubbed his chubby cheek with a finger before moving away, still holding the phone to his ear as he picked up the other baby.

Dick continued, “Yeah… also, Bruce says that he’s sorry that he checked your blood without telling you.”

Tim snorted, “No, he didn’t.” Bruce was never sorry for that kind of stuff.

Dick sighed. “Yeah, I lied. Sorry. But he did look guilty! He didn’t want to tell you at first, but Jason convinced him so I’m the one telling you right now.”

Tim hummed, picking up little Ella, who was stubbornly holding onto a small cardboard box. Tim let her hold it and placed her onto the baby chair next to her brother, who immediately reached out for her. It was kinda funny seeing how clingy he was compared to his sister.

“We have more information too. We tracked down the new meta and we’ve been looking into his routes. We suspect that he’s living around here, in Bristol,” Dick said. “We think he’s living in an apartment, at XXX on XXXX street, possibly with a roommate named Jazz.”

Tim paused, suddenly hyper aware of the fact that he was in the same building, babysitting a bunch of kids on the same street, who also lived with another woman named Jazz. “Uhh. What else?”

“We think he lives on the third floor and possibly also works at a pizza delivery place? Or maybe a fast food restaurant? He’s been flying back and forth between two places besides the apartment.”

Tim began to sweat. “Uh… anything else?”

“There’s a high chance that his name is Danny Nightingale, and Jasmine Nightingale is in on the fact that he’s a meta.”

Fuck.

Tim looked at his niece and nephew with a new light, eyes wide. Ella beamed at him, giggling while Dante just glared.

Welp. At least Bruce would be happy to be a grandfather now. Even if it was to Tim’s secret meta twin brother.

[monabee-draws]

Some TimeBomb Analysis I felt was very heartbreakingly necessary in this trying time:

Ekko comes to realise by being in this world that Jinx was always Powder, in the same way that Vi comes to reconcile the two 'versions' of her, Ekko sees all the ways Jinx's savvy-ness and cunning and brains were always Powder. He gave her up for dead - like his dream of a beautiful Zaun - a long time ago, and painted the mural to show it. But being here with Powder makes him realise he can still have this is he's willing to take her as she is now, flaws and all.

So we all know Ekko is really talking about Jinx in the line "I used to dream the undercity could be like this", but I also think the opposite is true for his last line: "Can we pretend like it's the first time?" is about the kiss, but it's also about this version of reality. It's about Benzo being alive and Powder being Powder. It's about stepping back from his real world for a second to pretend that this is his real world. He was always going to go back, but just like his use of the Z-drive means that he could theoretically re-do and undo all of his mistakes ad infinitum, this is an acknowledgement that this 'redo' is how he wished it has been, and that it isn't real for him at the same time. Because it isn't the final time he will pull the plunger and reset. But he wishes that it was.

3. Jinx has a very difficult relationship with abandonment, obviously. But these lines encapsulate her journey towards accepting that no, actually, the people who love her will always refuse to give her up no matter how much she believes doing so would save them (including Silco and Isha and even Vander since the enforcers come after the kids for the stones she steals.) Never giving up on her empowers both Ekko and Vi in the final hours of the show. Their relationships with Jinx and the strength of that connection in the fullness and acceptance of all of its flaws and history means that they can do and achieve anything. Not giving up on her means not giving up even when everything falls apart around them. It's the crux of Ekko's time travel ability - he will always remember what really happened in all of those loops, he still carries those scars and physical damage, but he keeps trying anyways and that is what saves the world.

4. Jinx is the 'someone worth building for.' Yes, this line is about TimeBomb but it's also very strictly about Jinx. It's about Jinx needing to know that her life also have worth for herself. Her inventions have by and large been built for the sake of others - her toy weapons to impress the others/keep up with them, the canon for Silco. She rebuilds Sevika's arm because she wants to feel useful for someone again. But she doesn't value her own input into the world for her own sake. Ekko isn't asking her to fix the world here, or to make good on her mistakes. There is no 'fixing' or 'undoing' or even 'rewriting' the way Vi wants her too, the way the Zaunites do with her legacy. There is only something new. And her life is worthy purely for whatever creations she adds to the world, regardless of whether they can undo the past. There's something so achy about that coming from the Boy Saviour. He isn't really here to save Jinx from herself - he just wants her to know she can do that saving on her own.

5. Jinx always knew what she needed to do to break the cycle. But she grew up with too many people who never wanted to let go of the past. In the end, we see her airship fly not towards Piltover (in some desperate rewrite of her failed story in Zaun) but away from it. She gets out, she pursues something new, the image loops but moves towards a new trajectory with a different (better) ending, just like Ekko shows her is possible with the Z-drive.

Two sides of the same coin. She leaves Zaun to see something new, and he returns to Zaun to see it in all of its fullness. I think they'll be alright.

[wonderjanga]

Funny idea a Fawcet entirely just being full of magical drugs and everybody just chilling I'm just imagining a spell here the Justice League get hit with a de-aging spelling Fawcet that are now just stuck in there convince know that he knows what he's doing tricks them to believe in that he has a form where he can turn into a kid and teaches them everything about Fawcet City like the police to get the best cereal with the most edible yummy drugs

And how to make soup and stuff from rainwater and a bag of magical drugs that he's like soup if you boil them right

The JL had gone to Fawcett as a surprise for Marvel. They all wanted to give him a special little gift. Though unfortunately, Cap had been caught up fighting an evil witch. So they stood to the side, in civvies, and waited. That was until a stray spell from the witch happened to hit them. Next thing they knew, all of them, excluding Marvel, were children.

Marvel: “It should wear off in about a day.”

Flash: “A day? We have places to be!”

Aquaman: “Are you sure you can’t do some magic and reverse us?”

Marvel: *little frown* “I’m sorry but I can’t.”

See, the thing is, Billy actually could. But he wanted to use it to his advantage. If he could get them to think that his Billy form is just a form he can take, then in the future if he ever gets detransformed, this could be a good excuse. Since all of them were children, he just let them back to his apartment and shazamed back to Billy. Here are a collection of wonderful instances of their time together:

Billy: “Here’s a favorite treat of mine.”*gets out some cereal and puts it in a bowl, with no milk mind you*

Flash: “No milk?”

Billy: “No?”

Flash: “You are a vile creature…”

Billy: “Am not! I just like eating it as chips!”

Flash: “Oh that’s less vile than I thought- Wait, but then what do you use tfor the milk when you want to actually eat it as cereal?”

Billy: “Water?”

Flash: “I take back my statement about you being less vile.”

Billy: “Shush. Go get a little plastic baggy of white powder from one of the cupboards.”

Flash: “Aye aye, Captain.” *salutes before zooming off and coming back with the little baggy* “This?”

Billy: “Yeah, thanks. This is my special ingredient. Just scatter a little bit over it-” *scatters it over like flour* “-mix it,-” *shakes the bowl so it mixes in* “-and voila!”

Flash: *leans over to look at it* “What is it? Powdered sugar?” *takes a piece of cereal and eats it*

Billy: “No, cocaine.”

Flash: *spits it out onto the floor* “Dude, what the fudge!”

Supes: *peaks his head into the room in concern*

Billy: “Aw cmon, Flash. What the buck, man?” *sounds disappointed and looking at the chewed up piece of cereal on his floor*

Flash: “What do you mean what the buck?! You just made me eat cocaine-laced cereal!”

Supes: “What?!”

Billy: “I didn’t make you eat it. You ate it before I could tell you what it was!”

Flash: “Only because literally no one would suspect that you lace your own cereal with a hardcore drug!”

or

Doctor: “Ah Billy! You have another sibling?” *looks at Bruce* “Golly, he looks just like Patrick Wayne’s boy.(Ref my posts mentioning how every Fawcitizen thinks Bruce is Thomas Wayne) And who are these other little friends of yours? Why’s that one green?”

Billy: “He’s a Martian. He can’t control his shape shifting stuff yet. Anyways, can I please get my usual dose doctor?”

Doctor: “Of course, let me just get that for you.” *leaves and comes back with a little baggy of meth*

Billy: “Is that methamphetamine?”

Doctor: “No, it’s magic methamphetamine! Blessed by some faeries.” *gives it to Billy*

Billy: “Thanks, Doc!” *sees him on the bag of meth* “You want some?”

Batman: “Mmm… Yes.”

MM: “Bruce?”

Batman: “I want to study it. What’s wrong with that?”

Then, Bruce, Billy, and J’onn got back to the apartment, Billy made them all some soup. Soup that was made with magical herbs. Herbs that had intense hallucinogenic properties to those who aren’t from Fawcett. So while Billy was feeling a mild euphoria due to the herbs, everyone else was flipping hallucinating.

Hawkgirl: *in a corner intently staring at her hands because she’s hallucinating hung waaaay to many fingers*

Flash: *running up and down walls chasing a hallucination*

WW: *hallucinating being a cowboy and running around with a piece of string trying to lasso GL

Billy: *sleeping peacefully in his bed*

They all passed out together in a kid sleep pile on top of Billy after all this.

[justineps]

Me now investing in sealed pokemon product.. while caving into temptation at times, passing packs to … no one near me, (since i dont have friends to share and open packs with being alone for 2+ years now, but i can finally geek out the way my inner child ive been hiding inside myself way more longer than i would’ve wanted to), and feel like we’re scratching lotto tickets. I want to share and open packs with someone who enjoys it simply because they enjoy it so that the together part ends up just as a lucky luxury. I find joy looking at friends and partners who genuinely are gratuitous of each other’s accompaniments and some realizing how their friends even look like when they’re actually glowing to the point that only others but themselves can only see.

Caught a glimpse of this when we gave booster packs to little kids at a local card shop for a set opening. One of my first times doing something I wanted to do and didnt ask anyone to come with because.. well everyones always “busy” in their own way nowadays!

It was kinda like a light or warmth that radiated and didnt need to be returned in any way

werealljustkidsingrowingbodies

If someone says to grow up, tell them to die a little inside 🙂‍↕️

[biancadoes1]

FAVE ANON HERE 😏

It’s been a minute since I’ve submitted but after the vitriol I have seen on Twitter this weekend, I felt the need to speak…

First things first, all of us are brought here with one definitive common thread - we are all fans of Bridgerton. If we were not, we would probably not find ourselves in this fandom at all.

With that being said, if you’re on this blog you are probably a fan of both Nicola AND Luke. More than likely, you want them to be together romantically or believe they already are. And if you don’t want any of that, I don’t know why you’re here reading this posts. This is how you become a troll.

You are allowed to be a fan of one and not the other. This is not a dictatorship and no one is holding a gun to your heads. But this is the point where it is VITAL for me to remind you how many times Nic and Luke have a real love for each other and at the core are best friends. WHAT THIS MEANS IS you cannot call yourself a fan of one of them while simultaneously spreading hate and contempt and overall nastiness about the other one all over social media.

Now I have approached the topic of the RUMORED insignificant others. Did you know that there is no general rule of fandom that states if you are a fan of a character performer that you must also become a fan of any performers they may date now or in the future? WHAT THIS MEANS IS THAT no one is required to become Jake’s #1 fan just because the rumor mill wants to say Nic is dating him. Hell no one has to become his #1 fan if Nic herself came out and said she was dating him. Again, there is no need to speak with malice about his looks or his talent all over the internet but you do not have to be a fan. Same goes for the dancer who shall not be named (I know it’s a trigger for many around here). And if they act in deplorable ways - such as the dancer has displayed in the past - you are allowed to speak out on it while using decorum.

This is ultimately bringing me back to why I wrote this today. Tell me why I’m seeing tweets talking about how Jake is a more successful and more talented actor than Luke. Tweets saying Luke can’t act and how amazing Jake is. These tweets are from Bridgerton “fans”. These tweets are from Nicola “fans”. Based on everything I’ve written up until now, the math ain’t mathing on the word “fan”.

I’m not spreading hate to Jake. Fact of the matter, he’s a 24 year old kid almost fresh out of drama school. He has had one season of a failed show on a streaming network riddled with failed shows. He now has a small part in a movie that probably is not even recognized yet out of this fandom and extreme movie fans - if we’re being honest. Luke is 31 and is on his 4th season of one of Netflix’s top shows. He was the male lead last season and the season broke records. He was on a Disney channel show when he was younger. He was on multiple stage shows on the West End. He’s had many other roles in smaller projects and just picked up a lead role in a new film. While it is considered an independent film, it is a LEAD role.

With that evidence laid out, how can anyone actually say with their full chest that Jake is the better and more successful actor? Oh right they can’t. What it comes down to is the fact that the “Jakola shipping” movement is not based on anything more than being an Anti-Luke Newton movement and it is GROSS. No matter what they tell you, there was no “relationship” being universally talked about prior to late summer. On August 25 those festival pictures were released and some very twisted narcissistic people in this fandom took them and ran with them. They created a narrative to help dictate what and who people in this fandom are allowed to discuss online. They’ve bullied creators off of TikTok and Twitter and gaslight the hell out of everyone when called on it. A 24 year old gay man (OMG I SAID IT) is being bullied on the internet and the blame is fully being put on “Lukolas” when the truth is that no one would be paying any attention to him if this narrative wasn’t perpetuated in the first place. (Side note: if you’re sending hate to Jake on behalf of being a Lukola, please stop. Please treat him like you treat every other one of Nic’s male friends. No one should be getting hate.)

The majority of the hate and toxicity in this fandom stems with the Jakolas Jackholes and those who blindly follow and defend a certain creator. I’m not going to say her name because I know how much she gets off on people talking about her (even when it’s bad) AHAH. This is the shit that everyone else is afraid to say out loud but it’s true. And for those of you in that discord reading this to report back, hiiii!

Oh and if anyone has a problem with this and wants to call me out for being on Anon, let me know and I’ll DM you because I’m not afraid. I’m grownup.

Xx

Finally seeing people with common sense!

My fave anon pulls through yet again.

Everyone say thank you fave anon.

[aro-absol]

[ID: A digital comic with a simple drawing style. It consists of long text that is accompanied by small drawings, matching what is said in the text. The text reads as follows: "I've always been a big reader. I was treating earlier and faster than most of my peers my whole childhood. [Three books: one is titled "Magic treehouse" and has the caption "kindergarten", one is titled "Harry Potter" and has the caption "first grade" and the last one is titled "Percy Jackson" and has the caption "third grade".] and my tastes have alwaystended towards the magical. fairytales, myths, and fantasy have been longtime favourites as far back as I can remember.

As I got older, my tastes didn't change all that much. They did expand, to being ok with things like horror, violence (and mild gore), death... As children's tastes tend to do. But I still loved fantasy stories just as much. When I hit eighth grade, however, they noticed a bit of a problem. I was getting a bit old for a lot of the middle-grade fiction books I liked. I thought: "Okay, sure! I've read adult-level books with no problem before, I'll just head for the fantasy section!" I asked a couple of friends for book recommendations, and culture reading except… [A drawing of many different scraps from books, all clearly from romantic and/or steamy scenes] ... All of it was just so stuffed with sex and romance. [A drawing of a person shaking their heads in disbelief and saying "ew" while reading the book, with an arrow pointing to them saying, "14 and very aro/ace"]

Needless to say, I did not want to read those books (and haven't to this day.) Thought bubble of the person just described continuing: okay, this is probably just my friend's stuff. I know they like these kinds of things. I'll just look for myself! [A drawing of a person standing in front of a big bookshelf that is labeled "young adult and teen fantasy". There are many different phrases pointing to the box on the shelf. The phrases read: "sex scene on the first page", "sex", "twilight", "romance "' subplot'", viscerally upsetting description of making out", "fade to black sex scene", "no sex but only technically", "sexy elves", essentially a romance really", "insane amounts of kissing".]... you gotta be kidding.

Over the years since then, I've tried to find fantasy stories that I can actually enjoy. [A drawing of a list titled "typically good". The bullet point read: D and D based (sex jokes but party focused), comics, fanfic, older media (pre-90s), MG fiction (last resort)] I've had some success at finding patterns that work for me, but a lot of these categories are very digital. (At least for me.) And because of that, all the time I once spent reading is now on my phone.

I don't really know where this is going, or what the solution is. Most people do like sex and romance, and reading about them. And this is just a thing for making a terrible comic day. I think it's pretty common for aro and/or ace people to feel left out, since so often these are treated as universal ideals. But to anyone feeling that way: I promise you are not alone. Also, allos: get better writing material, seriously. And better friends, since yours are apparently so terrible you can't write deeply meaningful relationships without kissing. (Half joking.) / End ID]

Note: this image description is not fully complete, as I left out some smaller drawings that I couldn't add into the text in a way that makes sense and weren't crucial for understanding. Also, I apologize if this description isn't clear to people who use screen readers but I do not know how to make it any better. If you have any suggestions, tell me please.

My (late) contribution for Make A Terrible Comic Day! I've been going to the library more often lately so this has been coming up a lot, cause I want something to read but have had trouble finding anything that I'm comfortable with.

If anyone has recommendations please please let me know because I am struggling.