#i have a lot of complex thoughts abt seoul collection bc like
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okay ik i’ve said a lot already abt my thoughts on how seoul drift is ooo’s most typically 4th gen bg-sounding and least uniquely Onlyoneof track so far and how i wish they didnt go that direction for a title track, but, all of that aside, by god if they didn’t execute it so well by standards of typical 4th gen bg noisy tracks + choreography, bc it rly is such a fun track w interesting layers and vocals, etc, and the choreo has so many interesting points and their performances keep getting better on better, like, the energy, the synchronicity, etc etc etc
also, with regards for it acting as a wrap-up for underground idol, i do feel like it’s a bit more structurally incongruent to ui than i’d like, like i think the mv couldve benefited from a bit more storytelling like the ui mvs, but i also dont think it was ever meant to be, nor do i think it was meant to be, a direct sequel or continuation to the characters in ui, i mean even between ui mvs, they were playing different characters (i.e. kyu playing the teacher in molo/nolo while taeyeob was playing a student vs yolo/kolo), kinda in like an alternate universes type situation, instead of one story, esp since ooo lore and storylines have always been more abt recurring themes in different iterations and contexts rather than continuing one line of lore
and not to engage in like,,extratextual justification or whatever, but i do think tonal dissonance, on some level, can/does serve a purpose, bc like the whole point of seoul drift is that seoul (and loosely by extension other big cities) has a very fast-paced and glittering image that hides the reality of the pain and loneliness that gay youth feel, that feeling of being lost and isolated and wandering, so like part of seoul drift would indeed be abt portraying that fast-paced vibe, in contrast and as an antithesis to the more focused and intimate portrayals of relationships in the ui mvs; whether that dissonance was properly/best executed, i dont Necessarily think so, but i dont think the dissonance itself between the tone of seoul drift vs ui inherently was a bad choice tbh
#ooo#ennuitxt#i have a lot of complex thoughts abt seoul collection bc like#i know ooo can do even more/better#like this isnt nearly as cohesive as for example ip1#but i also know this is under very different circumstances and in a different context from when ip1 was made#and i think they should indeed have room to explore and experiment and we should also have the room to offer feedback#abt the things we liked and didnt like#and yea when i do set aside the more meta criticisms abt the lore/concept cohesion and how#seoul drift does or doesnt do ooo's signature sound justice#it Is a well executed 4th gen bg track and choreo imo#like i Know im biased bc they're my beloveds but#as a 4th gen bg enjoyer in general (as in i like 4th gen noise music a lot of times i'm not a noise music disliker by any means#so what im abt to say is not just an artifact of being a noice music disliker)#i do feel like w such oversaturation in the industry a lot of times the songs and choreos of this vibe are rly lackluster#like for example#i will not lie while i like n/ct's ay-yo /song/ and i usually like a lot of their choreos#i found the choreo kinda boring and generally lacking cohesion and conviction in performance#but i've actually liked seoul drift both the song and choreo more and more with every stage they've done#so u know#there's definitely smth going right#even if it's not everything we wanted/hoped for#this cb season has been v v busy for me since it was midterms week and then right after it's my break rn so im travelling#so ive just mulling over this slowly in bits and pieces in between the busyness
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