#i don't know how exactly how he managed to alter my brain chemistry

[titaniumions]

anybody else want to chew on this guy with me

[cherrytastiq]

Time Squad Character Analysis #1: Buck Tuddrussel

Hi guys ^_^ I've been wanting to do a genuine, in-depth analysis on the TS main trio for a while, based on what we're told / shown canonically or by the writers. And since Tuddrussel is the face of the Time Squad, I felt it was only fitting to start by analyzing him.

Backstory

Although we never get any deep insight into Buck's backstory, the show sprinkled a few hints here and there that allow us to have a pretty darn good idea of what his life was before Otto and the Time Squad.

The first time Buck mentions anything about his past is in Freud, where he goes on a small ramble about his time at "The Academy".

While we don't know what this Academy is exactly, it's safe to assume that it sounds like some sort of school for wannabe Time Squad cops, training them in combat and whatnot. It also seems to feature some sort of mental health faculty / therapy evaluations. These sessions were possibly forced, too, because Buck's not the type to go to therapy on his own will.

The therapy guys absolutely hit the nail on the head, though. Buck has a lot of trouble managing his anger; he has a very short fuse and tends to choose violence as his first option when going on missions, causing more harm than good to everyone involved. Of course, Buck ignores all of this and reduces it to "junk" and "head-shrinkin' mumbo jumbo". Speaking of Freud, I couldn't forget his psychoanalysis at the end of the episode!

Freud describes Buck as having an "overactive superego, which causes [Bucks] to force [his] will on those around [him]". My knowledge on Freudian psychology isn't great, but, I mean, do you really think the writers took their time to properly research it either? Skimming through a few websites (I am NOT studying Freudian psychology for a 2000s Cartoon Network show), the superego is in charge of making us act "civil" based on what our parental figures teach us in early childhood. Therefore, according to the show, to have an overactive superego means to have a strict set of rules and behaviors perceived as "wrong" that the superego wants to achieve, to a point that it expects everyone to follow said rules. Very fitting for a cop! Though the rules he follows aren't the ones society expects.

Buck's time at The Academy is explored further in Out with the In Crowd and Feud for Thought, both episodes telling us one key detail:

Larry's fatphobia aside, we learn that Buck was overweight back then, and even went to fat camp. Feud also tells us he was in chemistry club, meaning Buck isn't all brawn with no brain.

I'm 99% sure the "glandular thing" is just an excuse Buck makes to "explain" why he was fat back in The Academy. We see multiple times in the show that he's obsessed with working out and staying in shape, although his eating habits aren't particularly healthy. This tells me he was probably laughed at for his weight, and quickly began working out to stop the constant bullying. His reactions in both episodes to comments on his weight (embarrassment in In Crowd and straight up cowering in fear in Feud) tell me that, while Buck likes painting himself as a tough guy with no fears, he is horrified of the past and being seen as a wimp.

We get more insight on Buck's past, and specifically his childhood, almost immediately after Freud. One episode later, in Big Al, he reminisces about his life back on Earth:

Tuddrussel is clearly proud of his Texan / Cowboy heritage (something I'm sure Larry is veery fond of... More on that in his analysis) and absolutely adores guns. He was taught how to handle them from a very young age (around 7 or 8) and seems to be continuing a long heritage of policemen.

(Not pictured: Buck's gun magazines in Larry Upgrade, his reaction to Larry doing a "few alterations" to his Demonitor (?) 800... the list goes on)

A bit off the canon record, but co-writer Carlos Ramos once said he imagines Buck's dad to have been a "hard ass".

It's only fitting for his personality, after all. Speaking of fathers...

Tudd as a Father Figure ....of our country(EXTREMELY LOUD WRONG BUZZER)

Buck is damn proud to be what is basically an adoptive dad. In Father Figure, we see him get furious at George "I'm a better father to Otto than you will ever be" Washington, even flaunting his victory when Otto chooses him over the guy.

Tuddrussel's relationship with Otto is weird. He is as much of a parental figure as he is a prankster, an immature sibling. Sometimes he teaches Otto things like riding a bike and fishing (although in non-productive ways... I wonder what that says about his own upbringing?), and other times he's a sore loser at video games and is generally a bad example for a developing kid. In many ways, Otto ends up having to teach him, using flashcards and infodumping history lessons.

There is another analysis that goes more in-depth into this, though, in my opinion, ends up theorizing a lot of things we never see nor are implied, but I recommend you read it here. What it does get absolutely right is that Buck is a deeply complex character, afraid to fully commit to being a parental figure and instead retreating to childish actions. Just like Sheila explains in Ex, "[H]e's a man totally at the mercy of his own fragile male ego, who hasn't progressed emotionally or intellectually since early childhood!"

Buck and Sheila

As we learn in Kubla, Buck and Sheila got a divorce an unknown amount of time ago, and while Sheila holds no resentment, Buck seems bothered by their separation. When Otto tries bringing up the topic at the end of the episode, Buck immediately shuts him down.

Buck gets upset when learning Sheila took back her maiden name, even calling Sheila "hun". It's clear that Tuddrussel is very much hung up on their divorce and somewhat misses Sheila, although he's mortified of the idea of remarrying, as shown in First Flight when Amelia Earhart suggests the idea of wedding him.

A bit later, in Peace Surprise and Ex, Buck and Sheila start getting along more as friends who have fun together, while understanding that they could never work as a couple.

Toxic Masculinity

It's clear that Buck suffers from a lot of toxic masculinity. He refuses to engage with anything mildly feminine (like the pink cake in Poe), he deems himself tough and strong, and no strong man needs therapy. In fact, he doesn't need any help with anything! He's not weak, he can't afford to show weakness, he's a brave man. This sort of thinking is what most likely caused his divorce with Sheila, a topic he doesn't like bringing up at all. What was that thing about repressing old memories?

Although... this shell ends up breaking a little in Hate and Let Hate when he tries out cooking and ends up really enjoying it. And not just any cooking, it's foo-foo cooking. As the show goes on, Buck starts learning that maybe it's okay to like girly stuff... Sometimes. Baby steps.

Buck and Larry

Oh boy. Larry and Buck's relationship is... something for sure.

First off, Buck absolutely despises Larry. He hates how feminine he is, how he's a coward, a wimp, a sissy. He semi-frequently threatens Larry with hurting him one way or another, and insults him like the manchild he is. But you know what other feeling Buck has for him? Fear. Tuddrussel is terrified of Cartoon Network's sassiest (excuse my french) gay-as-fuck robot, and hates him having any kind of power or agency over him. Once again there's already an analysis on this here, so check it out. All in all, Buck's fear translates to anger and violent tendencies.

As per any other kinds of feelings, it's hard to say. Buck sees Larry as a robot who's supposed to follow his orders, him being the officer of the Time Squad unit and all. Comparing his beliefs on robots as servants to Sheila and JT's beliefs of robots as partners, we can assume this sort of thinking is old-fashioned and doesn't really reflect how the futuristic world sees robot society. Buck can't stand Larry acting like a human person with feelings, aspirations and a complex set of emotions.

(Stealing screenshots from my old analysis TEEHEE)

In some part, he's right to be mad. Larry wasn't programmed in the subject of history and doesn't act the way other robots like XJ5 and Lance do, so he's not a great help when it comes to their job. Tudd at least tries to do his job, while Larry A.K.A. The Robot Able To Look Up Anything, is too stubborn to try.

But, despite everything, Larry is still his partner, his buddy. Buck may not show it too often, but deep down he cares for the guy.

Final Thoughts

Jesus Christ I didn't think I would write this much. And Tuddrussel's not even my favorite character!

I'd say Buck Tuddrussel is the character with the most growth in the entire show, and he really makes an effort towards being a better person. He may not be the brightest and it might take a while for him to learn his mistakes, but his determination to keep moving forward really goes to show how strong he is.

[becauseplot]

i woke up at 5am :'D it's ok tho im officially coherent enough to form words letsgo

"I am genuinely not as bad in these fandoms as I have been in some." Goddamn so something worse than child endangerment and child torture. Okay (<-FEAR) And yeah makes sense, Ordem Paranormal already has enough character death, no need to add to it lmfao. And yeah whump as a form of venting is soooo real. If I was more comfortable writing needless whump, I'd definitely do it more often. Love putting my guys in the angst blender after a hard day. My problem is like "ohhh I'd love to do terrible things to this character unprompted" and "okay so what should I do to them?" and then [crickets]. Whump prompts work sometimes, but figuring out the Situation that gets the character to the whump is a struggle somehow lmfao. It's a lot of fun when I can manage it tho.

Yea yea yea, you get to fill in the gaps! And having Lucie's death simply narrated to you (with an amazing backing track tbf), describing how she was slowly torn limb from limb, hearing her lower spine break, how she felt all of it, was conscious for all of it... It's a level of detail that you can't get in a purely visual medium (in this, you know exactly what is happening to her and what she's feeling, you are immersed in her experience) but at the same time, without explicit visuals to guide/distract you, you are forced to imagine all of this on your own. It makes your mind fill in the gaps! For me, watching it was definitely one of those experiences where I was like, "Wow this was absolutely devastating and my brain chemistry will be altered forever and I will not be sleeping tonight. Fantastic writing 10/10 would watch again."

(Yeah the subtitles on op and osnf are incredible, the fact they distinguish between IC and OOC. Epic.)

God yeah the way that the players balance IC and OOC knowledge. I think I've mentioned before (maybe??) that I adore the way that the players will put being in-character before "winning the game" in every single decision. Countless times, the players will known better, but they honor their characters and only act in how they think their characters would act. Can't think of a specific example but it happens a Lot. And yes, Arthur does deserve better than this. Obsessed with the theme of being unable to unsee/unlive/unlearn whenever a character comes into contact with the Paranormal, as I talked about with Thiago's hearing loss earlier. Once you're in it, you're in it. You can't go back to a normal life afterwards. Cursed by knowledge. You either end up working for the Order, end up insane, or you end up dead because...what else are you going to do? The horrors will follow you now. And Arthur has literally nothing left except for Ivete and her bar which she can't afford to keep open anymore.

Assuming Arthur survives this series (PLEASEPLEASEPLEASEPLEASE), I'd love to see him as a recurring character with the Order. Even if he only gets cameos/references, I want to see how he might fit in with everyone else, if he finds his place there like Liz and Thiago have (PLEASEPLEASEPLEASEPLEASE).

Fhjdfj yeah it's like that princes bride meme. "This qsmp au still has potions!" "Oh, so you'll use them to make the characters feel better, right?" ":)" "So you'll use them to make the characters feel better, right." (I mean I am still healing them! The potions are in fact healing them! You can't deny that! (Unless it's that fuck-you-bleed-forever-idiot potion you mentioned.))

The one time a high roll on healing kinda sucked ^-^; I'm happy to hear your Words once I get caught up.

(Cultish is right what the fuck is goin on here.)

Ohh neat. Just so I can understand, you n your team(?) host these sessions and ppl come play? Like how does this actually work lmfao. You don't need to respond w anything in-depth if you don't want to I'm just curious. I know like nothing abt larp apart from like that one scene in Hawkeye where Clint has to work with some larpers and he gets roped into "fighting" them. (<-barely remembers this series)

Yeah I'm the same way with minecraft. I barely ever play it but I lovelovelovelove working game mechanics into my fics and also just the world building and the way that the "story" in the game is told almost purely by environment alone and and and!!! For the record I once wrote a (small) essay about the Minecraft End Poem and how it relates to Mysticism for one of my classes. Let me reiterate, AN ESSAY. ABOUT BLOCK GAME. FOR MY CLASS. AT UNIVERSITY. THAT WAS WORTH A GOOD PORTION OF MY GRADE. (I got a good score on it and the professor liked it and the poem so much he said he might actually fold the Minecraft End Poem into his curriculum as another example of Mysticism in modern media, so we win these.) I'm normal about Minecraft I swear. I played a lot when I was younger, and I started playing probably around the same time as you maybe? Idk all I remember is that Enchanted Golden Apples were still craftable when I started and apparently that's Old.

Huh. If I think about it, I'm still playing in the world of Minecraft, just in a different way. Neat.

Bastille music!! They've certainly got a vibe. (Icarus still remains one of my favorites. The animatics in my head go crazy you don't even know.) (Face down on the floor you don't even know.) (Why did I have to choose to be a writer all the animations won't ever leave my brain.)

finished ep 10 of osnf (long post under the cut oh lord)

crying sobbing kicking over chairs screaming CELLBIT IS AN EVIL EVIL MAN WHY WOULD HE DO THAT. FOR WHAT REASON. POR CUAL RAZÓN. LO ODIO. <-said with the utmost adoration and respect of a writer but the fury of a fan who just had to endure all of that my hearttttt 0(-(

god fuck i have thoughts and feelings regarding episode 10 of osnf. obviously. i don't even know how to start.

okay. first of all the way that he was able to orchestrate the like 57839 different POVs of the nightmare happening at the same time was actually pretty smooth, all things considered. being able to forcibly mute/deafen the others is a good thing to be able to do yesyes.

second, im losing my mind over how he hides the fact that "it's all a dream" WITHIN the "it's all a dream" trope by having the creatures be manifestations of dreams/guilt in "reality" themselves. idk if i'm making any sense, but like, you get it, right? like, it's the fact that we thought we had already discovered the dream-based deceit in the segment because of what the "Hotelier" told Joui at the start of it, but it turns out that THAT was a red-herring of sorts for the TRUE dream-based deceit, that EVERYTHING was a dream, not just the creatures. god there are fucking layers to this im foaming at the mouth that's soooo good.

i guess that's what makes the "it's all a dream"-style trope present here feel less cliche. because, you know, it is a trope, and it's not really a trope that i'm fond of, but because there's actually more going on, it feels less cheap. what certainly helps is that the fact that it's roleplay, so the reactions from the characters are so much more raw, and there are some irl stakes (character dead = out of the series = can't play anymore). that definitely keeps you on the edge of your seat.

edit: something i forgot to mention—what i dislike abt the “it’s all a dream” trope the most is that it is very easily something that can be so, so cheap. all angst, no stakes or consequences, no lasting impact on the plot on the characters. however, not only is there a “physical” impact via several characters losing SHITLOADS of sanity (something not easily recovered) but we get to see a little more into the psyche of the characters. which i suppose is often the point of the “it’s all a dream” segments, but this dream—one with a lot of references to past major character death and itself contains major character death—rings especially true for the themes of the series: the world they live in is dangerous, and the work they do is lethal. people have and will die. and they do and will feel guilty, reguardless if they are at fault. it’s not a horrifying death dream just for the sake of being a death dream, it feels grounded in their reality, and i love that.

third, man he did not hold back. when Arthur was being beaten to a pulp by not!Brúlio, i was actually in shock, i was screaming. plus, i think the fact that Cellbit rolled a 001 when not!Brúlio attacked actually helped to hide the fact that this was a dream. it made it look like it was bad luck rather than the segment was designed to kill the characters (well, at least until he revealed that the damage was 1d4+1d6, but i'll get to that later).

gosh the narration of how not!Brúlio killed Arthur. holy shit. i don't. i don't even have words, that is DEVASTATING. that is probably one of the worst ways for a person to go. i know it's a dream but if i were Arthur i would be emotionally fucked up beyond belief. beaten to a bloody pulp by the father who once loved you so much, screaming at you for abandoning him and that it's your fault he died a horrible death. and then he drops your body on the ground like you're nothing but a pile of useless meat. god. damn.

and then Liz. ohhhh Liz. i just. i was devastated. her whole struggle with Alex, the man she treated so horribly. yes it's true the real Alex never would have said these things to you, but how do you know he wasn't thinking it? that he didn't want to? that what not!Alex says doesn't hold some truth? christttt. and of course the way she dies: in complete agony. and did she forgive herself? because, unlike with not!Brúlio, the creature turned into that weird wispy black thing just as she died, and i would assume that means she forgave herself (if those rules even apply considering this was all a result of the parasite's deceit (holy hell my brain is melting i am the man with the hand on the conspiracy board)).

fourth: the 1d4+1d6 thing! when he read that out, i was stunned. that is a LOT of damage considering all of the characters have ~10 HP. with an extreme roll, that's basically an insta-kill, or it's easily a two-hit-kill. i thought Arthur was unlucky, but when Liz also went down, i was---well, devastated, at first, because that's Liz, she's my absolute favorite and i love her, but i started going through all five stages of grief at once, and at some point i arrived at "no that can't be right" because Cellbit is a good writer. and to deliberately construct a scenario where it would be VERY hard for a character to survive while still in the middle of the story? yeah. and yknow the fact that there's still 6 other episodes fhdsjk. (then again the series continues regardless if a character dies and i haven't looked at other episodes' thumbnails or anything like that for this exact reason. so. i was going in as blind as i could reasonably be.)

in any case, realizing and connecting all of this and then hearing the "Hotelier" start yelling at Joui right after Liz died explicitly blaming him for it sealed it for me: this is a trick of some sort. this is a dream sequence of some sort. these aren't real deaths. (a smaller part of me was still scared that they were real because i know that Cellbit does not shy away from killing off his players' characters, if op and opq are anything to go by. but i digress.)

and then the characters turned to black goo. and i just about threw my computer. rip Luba who got absolutely targeted by the GM lmfao.

anyway uhhh that's about it regarding the dream sequence! loving luzidius!joui and how he just keeps switching back and forth. ((and it further supports my little side-theory that the mysterious blond woman last seen with Team Kelvin was a luzidious we win these.)) i was surprised to see Liz thinking it was so cool when she's been so suspicious of everything in Santo Berco since she got here, but i think she could definitely be using it as a distraction from what she just went through, and honestly she's just happy to see Joui is okay. (the way she gave on up words and just hugged him, the way she held his face in her hands, the way she dragged him down the hall to show Thiago and Thiago was just telling her to fuck off (/aff) because he was getting dressed, my heartttt i love these three, mentor-mentee dynamics my fucking beloved)

also new outfits! sweet! istg the new outfits are so Cellbit's way of apologizing for putting his friends through that. "hey sorry i killed your character in the most emotionally devastating way possible it will happen again wOAH LOOK AT THESE NEW CLOTHES AREN'T THEY SO COOL YOU SHOULD TRY THEM ON!!!"

i've been having mixed feelings about the sudden setting/genre change since the group arrived in Santo Berco. i really, really loved the urban horror-fantasy vibe that they had going on in op and the first 8 eps of osnf, but evidently, this is good as well. the genre is most definitely still horror yippee. i definitely miss the urban-modern setting, but i think i can get adjusted to this. (i'm just,,, not the biggest fan of the auto-heal crystals im sorry i had to say it they feel too op i know their use is limited to visiting the doctor but knowing they exist lowers the in-world stakes for me im sorry---)

anyway, ep 10! you beautiful monster! i have been typing for an hour! i need to go eat food! k bye!