#i do think it's interesting that this is such a prevalent music genre nowadays: mixing trad/folk with electro/club music

[andresylupin]

I had fun making a playlist last year, so I'm doing it again!

(songs info here:)

鳩間節 (Hatoma Bushi) is a japanese folk song from the Hatoma island. It's a very small island, culturally part of the Okinawa region, and this famous song describes how beautiful the Hatoma landscape is from the Nakamui forest, one of the highest points of the island where you can admire the comings and goings of the boats.

"Chant et Likembé" comes from the album "Chants de l'orée de la forêt", a 90s folk recording by Didier Demolin, which features music and chants from the Efe people. They are one of the pygmy groups living in the Ituri forest of Congo.

The Halluci Nation is a canadian band, who blends First Nations music with electro, dubstep, etc. They are very vocal politically, with songs actively speaking out about First Nations' plights. "Mother Mother" features other First Nations artists, and calls back to the relationship between land and people.

ዋሽንት (washint) is the amharic word for a traditional ethiopian flute. It is a very important instrument in ethiopian music, and shepherds and cattlemen use it daily to communicate with each other and call/direct their flock. The player here is Tasew Wendim, who founded the Moseb Cultural Music Band, which mixes ethiopian traditional music with ethiopian jazz and other music styles.

"Fulenn" was France's entry for Eurovision 2022, by britton artists Alvan and Ahez. The lyrics are entirely in britton, telling the story of a woman dancing with the devil in the forest without a care. Big pagan-electro vibes, and I genuinely it could have performed well, but Go_A had a similar number the year prior (also better imo, even if I think Fulenn is still a bop), and so we ended up on the bottom, saved only from last place by Germany.

Kulning is a type of herding call from Scandinavia, used mainly by women. While these voice techniques had originally a very mundane use, they seem to have acquired nowadays a very mystic aura, similarly to other kinds of nordic folk chants. This particular recording is from the album Lockrop & Vallatar, entirely composed of Swedish pastoral music.

Otyken is a Siberian indigenous group who, much like the others on this playlist, incorporates folk music and traditional instruments with modern styles. They apparently blew up on TikTok, but I'm not on there, so I feel lucky that I stumbled upon them, they're very cool! The song is named after a siberian forest spirit and mentions how sacred the forest can be.

手向 (Tamuke) is an old traditional japanese melody, that is played on a shakuhachi (traditional chinese/japanese flute), during funerals or commemorations. "Tamuke" means spiritual offering to the gods or the Buddha, and this piece represents a time of prayer, contemplation with the deceased.

So I'm aware this is not the most seamless playlist ever with these very different styles back to back, we are kinda playing whiplash haha!

But I actually really like how they all respond to each other in a way: flute pieces (washint and Tamuke), modern takes on folk music (Mother Mother, Kykakacha and Fulenn, although Fulenn feels a bit out of place politically lol), herding traditions (kulning and the washint again), deep bond with the land (Hatoma Bushi, Efe people, Kykakacha)... In the end all of them speak of one thing: in the forest we are not alone 🌲🌌