#i cannot believe i haven't seen any gif sets of that part
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zepskies · 1 year ago
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Yay! I finally had a chance to dive into this. Very excited to read more of this story!
Her panic in the beginning was both understandable and believable lol. But SO interesting that one of her friend's numbers actually led to Dean's phone. Color me intrigued! 👀
I'm not sure who Camille is since I haven't seen the other show, but it's a cool touch that she's still in this universe that she's in, but Camille just doesn't recognize her since they've technically never "met." Ahhh alternate universes.
Before Camille could reply, you quickly hung up and stuffed your phone back into your pants. I have no idea what to do, you thought. It was then that you finally allowed the tears to come.
Poor thing! 😭
Dean didn't see how he had a choice. Yeah, they didn't know what awaited them, but really, when had they ever truly known what to expect? As far as he was concerned, this was just going to be like any other hunt until proven otherwise. Until then, him and Cas would have it covered.
Lmfao facts. But this was very much a "Dean" thought process here.
"Relax, Sammy, we've got it. We're not gonna march in there and get ourselves blown up. You know me, I'm a careful guy!" He grinned at Cas, who just raised a brow at him.
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As far as he was concerned, he tolerated the Nephilim, no more, no less than that. Sam had clearly already forgiven their mother's death. Dean didn't see that in the cards for him anytime soon.
Oooh interesting point in time to set this story in. Perhaps some angst ahead?
"However, I do believe it's necessary to investigate how Athea gained knowledge of our plan. We cannot afford a spy in our midst, even if the evil has been defeated."
Oh shit, more drama on that side too? This is getting really interesting already...
How could a voice provide so much comfort and pierce your heart so harshly at the same time? It pained and gave you solace at once. There she was, polishing a glass with that warm, expectant smile she gave to any lost soul that stumbled into her bar.
Aww loved this paragraph, especially the first line. ❤️
I'm not sure who Vincent (thinking he's part of the other cast as well), but I'm now really wondering how she and Dean and the rest of Team Free Will are going to meet! Good stuff so far, friend. 💕
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Out Of This World
Chapter 2
Masterlist
Pairing: Elijah Mikaelson x fem!Reader x Dean Winchester
Summary: You and the Mikaelsons are fighting a powerful witch that’s trying to take over New Orleans. The only solution: banishment to another universe. However, the spell goes… wrong, and it’s not the witch that ends up in another universe, but you. - At the same time, over a thousand miles away in a bunker in Lebanon, Kansas, an alarm goes off: a rift has opened up. The Winchesters and their angel partners in crime decide to investigate. What will they find when they get to New Orleans?
Word count: 3213 words
Warnings: angst, panic attack, high anxiety
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Previously: “No… no, no, no, no.” Your whisper grew more panicked with each syllable. The faint humming sound in your ears picked back up as your blood began to rush through your body again. Panic rose in your chest and tightened its grip until you felt like you couldn’t breathe, oxygen be damned. The spell had worked. They had successfully sent someone to an alternate universe, just like they had planned. It just wasn’t Athea who’d been transported from one universe to another. It was you.
Your heart was hammering in your chest as you stood in the entrance to the alley. You kept taking deep breaths, trying to hold the panic at bay - or more like, keep it in check, before you had a meltdown right there and then. It was hard to keep yourself from spiraling, but you knew it would be of no use. You had to figure out what to do.
Your hand reached into your pocket and found your phone and before you knew it, you had Elijah's number dialed. A small voice inside you whispered that it was pointless, but you didn't listen and instead held on to the part of you that was still hoping that you were wrong. That you were somehow just hallucinating. There was no denying the spell had gone wrong, but maybe everything could be explained somehow, if you could just get in touch with your people.
It didn't even ring once before a mechanical voice informed you that the number you had reached had been disconnected or was no longer in service. Your stomach dipped, but you quickly dialed Klaus instead. "The number you are calling doesn't exist." By now, you felt bile climbing up the back of your throat. Your hands were beginning to shake, but you forced them into fists, willing them to still so you could dial the next number. Hayley was next. Then Freya. With every announcement that the number either didn't exist or was disconnected, your panic grew a little more. You tried Jackson's number and almost threw your phone against the wall in frustration when the same message was repeated to you again, groaning and tears stinging in your eyes. "Come on!" you exclaimed and clicked on Rebekah's contact next. Everyone you'd tried so far had been part of the team on scene. Maybe, if you'd tried Rebekah, who'd stayed home with Hope... Someone had to pick up. Someone just had to. They won't. They can't, the small voice whispered in the back of your head, but you ignored it and pressed dial.
The fact that the call went through and it rang almost made you cry with relief. Finally, you thought and impatiently shifted your weight from one foot to the other and back. "Come on, pick up, pick up pick up pick up," you urged Rebekah on as it rang twice, three times, four times, but no one answered. Then you were connected to her mailbox.
"This is Dean Winchester. If this is an emergency, leave a message."
You stared at your display. You'd clearly dialed Rebekah's number. "Who the hell is Dean Winchester?," you muttered to yourself. You tried Rebekah again, but instead got the same mailbox message.
Clearly, this was going nowhere, but you refused to give up. You swiped back up your contacts and dialed Camille's number. It rang twice before the line got picked up.
"Hello?"
It was like someone was pouring warm honey over you and washing you clean of anxiety from head to toe at the sound of Camille's voice.
"Oh my god! Finally! I've been trying absolutely everyone and no one's picking up. I think something went wrong, everyone's gone, Athea too but I don't-" The words poured out of your mouth until Camille interrupted you. "I'm sorry, who's this?"
The temporary relief you had felt at Cami picking up the phone started crumbling away. "Wha- this is Y/N?"
"Oh, I'm sorry, but I think you've got the wrong number!" Camille's voice was cheery, if a bit empathetic. Your phone dropped from your ear as your arms sunk down in defeat. It was pointless. Of course Cami wasn't going to recognize you. How could she, if she'd never met you to begin with - not in this universe.
"Hello?" Her voice squeaked out of your phone's speaker. You took a big breath and then lifted the phone to your ear again. "You're right, I misdialed. My bad. Sorry to have bothered you." Your voice sounded small and defeated. The lump in your throat was so thick now that you'd barely gotten your last words out. Before Camille could reply, you quickly hung up and stuffed your phone back into your pants. I have no idea what to do, you thought. It was then that you finally allowed the tears to come.
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"Go ahead Sammy, you're on speaker." Dean handed his phone over to Cas while keeping his eyes fixed on the road. The angel held it up between the two of them.
"So we've looked at what little data we have, and I can't say I've got much for you," Sam's voice croaked out of the speaker, just loud enough to be heard over the sound of Baby's engine and rain softly drumming on the car's windshield. "All I can tell you right now is that, so far, no other rifts have opened up." "Well, that's good," Cas stated in his typical matter-of-fact voice. "Sure, but I don't like how little information we have. Dean, we have no idea what you guys are walking into." Sam's worry wasn't unjustified. He had a point. But what was he supposed to do? Dean didn't see how he had a choice. Yeah, they didn't know what awaited them, but really, when had they ever truly known what to expect? As far as he was concerned, this was just going to be like any other hunt until proven otherwise. Until then, him and Cas would have it covered.
"Relax, Sammy, we've got it. We're not gonna march in there and get ourselves blown up. You know me, I'm a careful guy!" He grinned at Cas, who just raised a brow at him. Cas had gotten better at catching sarcasm, but it sometimes still eluded him. Sam scoffed on the phone. "Right, because that's what you're known for." Dean shook his head, both at Sam's response and the angel's failure to recognize his joke.
It was true, of course. If there was a word to describe Dean's life with, 'safe' definitely wasn't it. Their job came with undeniable risks, risks that both Dean and Sam were acutely aware of. It was precisely why Dean had ordered his brother and Jack to stay home. If anything went wrong, at least Sammy wouldn't be in the line of fire. As for Cas... well, Cas had powers. Powers that could come in useful. And he trusted Cas a hell of a lot more than the baby Nephilim back home in the bunker.
"You said we don't know much. What do we know, then?" Dean decided to change the subject. He didn't want his brother worrying about him. "Honestly, no more than when you left, really. I can't even tell you if the rift's still open." Dean grunted in response. They really had close to nothing. "I don't think the rift is still open." Jack's voice was quieter than Sam's. Dean couldn't tell if the younger angel was further away from Sam's phone or if he was afraid to speak up. Jack had been behaving extra cautiously around him for a while now, and Dean hadn't exactly given him any reason not to. As far as he was concerned, he tolerated the Nephilim, no more, no less than that. Sam had clearly already forgiven their mother's death. Dean didn't see that in the cards for him anytime soon. "What makes you say that?" Castiel inquired, saving Dean from having to respond. "The blinking stopped, didn't it? From what I understand, the table is set to sound an alarm for a specific amount of time once it has picked up a frequency. Wouldn't it still be going if the rift was still open?" By now, the rain had picked up and was coming down in buckets. Dean set Baby's windshield wipers on the highest setting. "Sam?" It took Sam a moment to respond. "I think Jack has a point. The original settings of the table allowed to track anything supernatural for as long as it was putting out a frequency. Once the radar picks up a frequency, the system should put out a warning for a minimum of ten minutes. Theoretically, if a rift stayed open any longer than... however long this one was open for, then the system should continue to alert for that amount of time in addition to the warning itself."
"Dude. English. I'm not Charlie." Dean couldn't see his brother, but assumed he was rolling his eyes at Dean's lack of technical know-how.
"When I updated the table, I didn't change the previous code. If the rift was still open, we should still be getting a signal, just like Jack said."
"Well, you could have just said that, nerd," Dean countered. He was certain that Sam was now definitely rolling his eyes.
"So we know the rift is closed. That makes it harder to find." Once again, Castiel hit the nail on the head with his matter-of-fact-ness.
"Yeah, well," Dean said, trying to make light of the situation, "we won't get to NOLA before early morning. We got time to figure it out until then."
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Hope giggled in Rebekah's arms as she happily played with the fountain in the foyer, getting the both of them wet as her tiny hands repeatedly hit the surface of the water. Rebekah couldn't help but smile at her niece's joy. She leaned down to place a kiss on Hope's head when she heard hurried footsteps approaching the main entrance of the compound. Not a second later, her siblings stormed in, followed by the rest of the party that had gone out to deal with Athea.
Rebekah instinctually knew that something had gone wrong. Instead of boasting about their win like Nik' normally would have, he wore a grim, tight-lipped expression. However - and more disturbingly so - it was Elijah who had a murderous look on his face, when it was usually Niklaus who was known as the more temperamental one. Behind the two, Freya, Hayley and Jackson followed, all of them looking similarly upset. You, however, were very noticeably not part of their entourage.
"What happened?," Rebekah asked as she handed Hope over to Hayley, who had beelined straight towards the duo. Hayley accepted Hope into her arms and pressed a kiss to her child's forehead, but didn't offer an answer. Rebekah looked back at the compound entrance, expecting you to walk in any second as she waited for a reply. "Where's Y/N?" The silence that followed was stretched uncomfortably long.
"Freya? What happened?," Rebekah inquired again, this time with more urgency in her voice. Her sister sighed as she braced herself for a retelling of their recent failing when Elijah interrupted them.
"Yes, Freya, why don't you explain what happened."
The tone in Elijah's voice didn't go unnoticed, but Freya straightened her shoulders and recounted what had happened in the alley. It didn't take her long to catch Rebekah up. "Am I to understand that Athea is dead, but Y/N is trapped in another universe?" Rebekah couldn't believe it. Here she thought they'd finally found a way to trump Athea and that old crow had still outsmarted them. "But how is that even possible?"
"That, my dear sister, is something I'd like to know myself." Elijah had stopped pacing around and was now watching Freya intently. Freya, in return, took on a defensive stance.
"Are you implying something, brother? Do you honestly think I had something to do with Y/N's disappearance?"
The two siblings stared at each other for a moment before Elijah's gaze ultimately softened. "Of course not. You have proven your loyalty to this family. My first concern is to get Y/N back. I don't expect arguments over why this issue should take precedence." He paused briefly as if to give room for possible interjections, but none came. He briefly nodded at the unspoken collective agreement and continued. "However, I do believe it's necessary to investigate how Athea gained knowledge of our plan. We cannot afford a spy in our midst, even if the evil has been defeated."
"I'll put word out, see if our people can find out anything," Jackson volunteered. Klaus nodded appreciatively but held a hand out to the man. "Be careful. It shouldn't become known that we're chasing mole. We wouldn't want the rodent to scurry in fear and bury itself before we can find it." Jackson grunted in agreement and headed towards the grant entrance.
"I'll go back to Kol's playhouse, see if we missed anything. He had the banishment spell, perhaps he's hiding a retrieval spell somewhere as well." Freya shot Rebekah a look who instantly agreed. "I'll come with," she said and linked her arm through her sister's. "Four eyes see more than just two. Six eyes might see even more," she added with a look at Klaus. "I'll keep my eyes on our brother instead," the hybrid replied and patted Elijah on the shoulder. "Make sure he doesn't shred the place to pieces." He winked at his brother. Elijah scoffed. "Don't mistake me with yourself, Niklaus." Klaus grinned. "We'll hold the fort. Call us when you've got something." Freya and Rebekah nodded and left for the cemetery.
With the two Mikaelson sisters leaving, only Hayley and the two Mikaelson brothers were left at the compound. She hesitated briefly, then walked over to Elijah with Hope on her arm. She squeezed his shoulder briefly. "We'll find her, Elijah. Don't worry."
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The doorbell jingled, announcing your presence to the room, but only a few eyes darted your way as you entered the bar. Your heart clenched at the familiarity of the place. This might not have been your universe, but this was every bit your Rousseaus' as you knew it. The same familiar smell, the same furniture, the same decorations. Hell, even the patrons looked the same.
"You look like you could use a drink."
How could a voice provide so much comfort and pierce your heart so harshly at the same time? It pained and gave you solace at once. There she was, polishing a glass with that warm, expectant smile she gave to any lost soul that stumbled into her bar. You'd seen her put it on about a million times and had always wondered how she always just knew. Camille wasn't a vampire, but she had a fine nose regardless that gave her the ability to sniff out the dispirited ones from a mile away. Admittedly, it sort of came with the territory. Half the people who sought out bars came to forget, not to mingle. You'd always been one to mingle. Tonight, however, you might just switch camps.
"Why don't you take a seat and I'll pour you one? First one's on the house."
Ah, there it was. The line that put a smile on the mingler's faces and got the wary ones to stay. Not that you'd needed any convincing to stay in the first place. You had nowhere else to go. Literally and figuratively.
You slid into a seat at the counter near the register. Your eyes briefly darted to the right, far-off corner of the counter, just quick enough to notice your usual spot close to the kitchen was empty. Your nails scratched at a dried spot of something unrecognizable in front of you. The chatter of the pre-evening crowd and the subtle music faded into the background as the buzzing in your ears picked back up. To have a place look and feel so much like home when it couldn't possibly be any further from your own reality...
A glass clunked down in front of you, pushed into your field of vision by a delicate hand.
"Here you go!"
You fixated on the glass for a couple of seconds before your silence stretched too long and into the territory of discourtesy. "Thank you." Your voice was small, barely above a whisper. Nevertheless, Camille had heard you, as her hand moved over to yours and squeezed it gently.
"You're welcome. If you need to talk, wave me down. I'm a good listener!" You didn't have to look up to know she'd winked at you warmly. You'd heard it in her voice, and you'd seen her do it too many times to not know. You'd always been in awe of her ability to have her warmth, combined with a drink, provide immediate, albeit small relief to people she didn't know. It would have worked on you too, had it not been for the fact that your best friend showed no sign of recognizing you. She was giving you the same lonesome duckling treatment that she gave all her customers. You'd always wondered what it would have felt like if you hadn't know Camille and had just randomly wondered in one night, looking to forget and to be provided with her solicitude. Now, that you were on the receiving side of it, it was just painful.
Two drinks later, you still hadn't said a single word. Cami had wordlessly replaced your first drink once you had emptied it and hovered around you from time to time, to see if you would open up. But you couldn't bring yourself to talk. Hell, so far, you hadn't even managed to look her in the eyes. You just couldn't. To look up and find absolutely no recognition in her eyes - you were sure it would wipe out the last of whatever was keeping you upright in your seat right now.
The doorbell jingled again, followed by a quick set of steps that approached the register. "Hey Cami, you got a quick burger for me?" You felt your insides tighten as the man who'd stopped next to you spoke. He was drumming on the countertop with his index-fingers, blissfully unaware of your reaction. "You got it, Vince. Just give me a couple minutes," Camille replied and turned away from the wall of liquor she'd just been busying herself with. She was about to pass you by when she slowed down in front of you. You could feel her eyes watching you, piercing the top of your head. You hadn't only not spoken, you also hadn't looked up once since you'd come in. "Hey, why don't you wait over by the kitchen? You can snack on a few fries, if you want," she added after a brief pause. You heard Vincent clap his hands together in excitement. "You ain't gotta tell me twice," he quipped before he strode off to the kitchen. A hand snuck into your field of vision again, softly tugging at one of your fingers. "Hey, make sure you don't break this one, yeah? Blood is such a bitch to clean up." Your brows furrowed in confusion before you realized that you were clutching your glass so tightly, your knuckles had turned white. You forced yourself to relax your fingers and in return received an approving pat on your hand. "There you go. Thanks!"
You couldn't help it but glance up then. Camille smiled and winked at you, before she sauntered off after Vincent. You watched this world's version of your best friend as she disappeared into the kitchen and couldn't help but wonder if anyone had ever felt more lonely than you in this very second.
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A/N: Only took me forever to get here, but we've made it, chapter 2 is here! I had this chapter planned out for so long but couldn't find the right words. Not a lot of action compared to the previous chapter, but I promise, there is more to come! How's Y/N gonna get on all by herself? And how are Dean and Cas go about finding out what happened to the rift in NOLA? Stay tuned to find out! 😉
Feedback is greatly appreciated! Let me know if you’d like to be added to the taglist ☺️
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@vicmc624 @foreverrandomwritings @imoompalumpa @wildernessflora @spnaquakindgdom @zepskies @starkleila
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wordsmithic · 2 years ago
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What would you say is the worst retelling of Greek myths,
At this point there are THOUSANDS, so you can understand why I cannot answer this by taking every book into account. I can tell you about some retellings I saw that will stick with me forever - and not for good reasons. Let's begin...
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The winner of this shitshow: "The good side of wrong" by Jenika Snow.
A ddlg erotica posing as a HxP retelling. And before you say anything, it's not about the kink, okay? It's about many things, including Persephone being barely legal and Hades being predatory and abusive, and her actual blood-related uncle in a modern setting. I only stomach some pages desperate friends sent me because of the violence and even blood related to sexual acts. Out of many nsfw and violent excerpts, let's go with the "mild" one. (Uncle Hades harasses his niece Persephone at school)
Daddy: Bunny, when I call you, answer. I went into the contacts, clicked his name, and promptly changed it. I’m at school. Leave me alone. I was just about to toss the phone aside when it chimed with another incoming text. Asshole: Did I ever tell you how pretty you are when you sass back? I shouldn’t have liked that praise. Asshole: Are those little fuckers at your school leaving you alone, or do you need Daddy to come and break their kneecaps for looking at you? DO I NEED TO GO ON? I don't think so
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Wanna write erotica? Fine! Do you absolutely HAVE TO have the supposed "Greek gods" as the characters who spank each other and tie each other from walls? If that writer was me I would never look even an ancient statue of Persephone or Demeter in the eyes EVER AGAIN!
I want you to look AN ACTUAL ANCIENT VENERATED STATUE OF PERSEPHONE (this one was to be placed near a grave I believe), I WANT YOU TO LOOK AT GODDESS PERSEPHONE, AND TELL HER "I am writing ddlg about you hehee". You are sooo out of touch, people! No, look at her! Look at her and think of ddlg, I fucking dare you
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I've also seen some Anglo USian authors on Twitter crying about "people not respecting the greek gods" and when you go on their profile they write this type of erotica with the Greek gods....
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Second "honorable" mention: Lies We Sing to the Sea, by Sarah Underwood
As the author hasn't read the Odyssey and yet her book is a published for profit retelling based on the Epic, I am not going to read her book but still provide my opinion on it. Magical how that works, eh?
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Let me start by saying I despise the author for saying that the most important Epic of my culture is "but it's so long, and written in a 'prose-y' way that's kind of impenetrable." Oh, but also she did us the favor to mention that "parts of it are very beautiful". Oh thank you dear, white anglo author, for recognizing some value in that overcomplicated primitive culture of ours!
In Greek school we studied whole poetically translated rhapsodies of the Odyssey in GYMNASIUM, what the hell… And she said she owns "various translations" but I think that's an outright lie because, ma'am, how haven't you read the Odyssey but you own it multiple times??
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The writing may be okay-ish, from what I've heard. I put it in the "worst" category because if you like Greek myths in your books, this won't have any Greek myth in it. The author herself ignores the nature of Greek myth, how the themes are woven there, why the characters do what they do, how the gods and humans behave there, and so many other cultural conventions.
If your joy is reading books that fool everyone with how they market themselves as "Greek mythology retellings" just because they have characters with Greek names (and a Hebrew name for a Greek character who isn't Hebrew, because what is basic research? 😂) then, fine, maybe this book is for you. Go, live your girlbossing life, babygirl.
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And last (nightmare) but not least: Circe by Madeline Miller
Because you can still fuck up Greek myth despite managing to avoid it the first time. Maybe this case is worse than Lies we sing to the Sea because this author has degrees (not too relevant to Greek antiquity) and can hide behind them when people call her out. And more people are going to believe she knows what she is doing.
I have a #Circe tag for this horrible retelling, about the girlbossification of Circe which ended up disrespecting the myth, the characters - especially Circe - and making a distorted version of how the author thought justice looks like in the context of that myth. Seriously, did Circe HAD to be raped and abused all her life?? She was pretty badass in her own right on the myth. (Westerners don't idolize every evil and violent woman / female creature from the Greek myths challenge).
As I've said before, writers like Miller love forcing violence on foreign eastern women as an escapist fantasy of righteousness.
The book can bore you to death or offer you ample cringe with pieces of dialogue and character behavior that reminded me so much of USian teenagers I wanted to claw my eyes out.
“And how were our father’s (edit: Helios) golden heifers?” “Beautiful.” Perses laughed. “She doesn’t know! Have you ever heard of anyone so stupid?” “Never,” my sister said. I shouldn’t have asked, but I was still drifting in my thoughts, seeing those severed bodies sprawled on marble floors. “What don’t I know?” My sister’s perfect mink face. “That he fucks them, of course. That’s how he makes new ones. He turns into a bull and sires their calves, then cooks the ones that get old. That’s why everyone thinks they are immortal.” “He does not.” They howled, pointing at my reddened cheeks. The sound drew my mother. She loved my siblings’ japes. “We’re telling Circe about the cows,” my brother told her. “She didn’t know.” My mother’s laughter, silver as a fountain down its rocks. “Stupid Circe.”
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Ours is the Land of Comedy (derogatory) so we Greeks know one thing or two about embarrassing stuff.
Also Helios didn't fuck his cows. His cattle just didn't die because it was blessed. Correct me if I missed something here but it seems that Circe took a SACRED cattle and shoved zoophilia into the whole situation because "I must show ancient Greek males bad".
Speaking of Greek men... she describes Prometheus like this:
His skin was beautiful, the color of polished walnut. It smelled of green moss drenched with rain.
Yeaaah No... It goes without saying that no Greek, today or in antiquity, describe other Greeks in their circle (or outside, as far as I know) like this. The world you are looking for is μελαχρινός, Miller. You want to write realism, I am giving it to you.
This description is not exactly neither natural or realistic. It looks like exoticization. Tree/dirt/crop colors are not in our language to describe colors in humans unless it's for "ebony" hair, so this description along with the "pressed olives" skin color from TSOA makes me think Miller sees skin tones not pale as hers as something "other". I might be wrong here but it feels... icky. It's like she thought, "let me describe these marvelous otherwordly skin tones of these exotic people in breathtaking prose!" Meanwhile the dude is just a bit tanned, and two tones darker than Miller herself.
Ok, that's it, I can't do this anymore.
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lipstickstainz · 4 years ago
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true lies - s. r. (12/?)
Pairing: Spencer Reid x Reader
Series Summary: Spencer is furious, when you rejoin the team after a year and after you left him, when he got arrested. Little does he know, that you leaving him was the only option to ever get him out of prison.
Chapter Summary: A collection of letters Spencer and you share while you're gone - and then you're gone forever. At least, that what he thinks.
Warnings: some fluff, angst, angst, angst, smoking, slight ptsd, grief and loss
Word Count: 2.2k
A/N: I'm sososososo sorry. please don't hate me. I love you. gif not mine.
Series Masterlist
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previous part
Dearest little bear,
two months have passed since you had to leave, and not a day goes by that I don't think of you and wish you were here with me.
We are trying to do everything in our power to be able to bring you back home. But unfortunately, it seems to be taking longer than I would like.
I was told you were working on it as well. You are strong and smart and even though you can't be with me, I'm sure we can do it together.
Take care of yourself.
With love,
Neruda
-
Dearest Neruda,
I was very happy to receive your message. I always carry it with me, although I would rather be in your arms, but I can't.
I can't tell you where I am right now, but still I wish you were with me. It is warm and beautiful and I am sure you would like it here very much.
Except for these letters, I'm not allowed to talk to any of you, but I like talking to you best anyway. We've come this far. And we'll make it.
Thinking of you.
With love,
little bear
-
Dearest little bear,
It's been four months and with each passing second it becomes more unbearable. But a light is appearing at the end of the dark tunnel. We think we know who she is.
It won't be long before we can see each other again. And I can't wait to be able to hug you again. To be able to touch you. Or kiss you.
Not much longer. And then nothing can separate us.
Take care of yourself.
With love,
Neruda
-
Dearest Neruda,
It would have been too good to be with you again at last. But it still takes time.
I have found something that can help us, but for now, just know that I will do everything I can so that I can return home. Back to you. No matter what it costs.
Keep your eyes open. We're closer than you think.
I'm thinking of you.
With love,
little bear
-
Dearest little bear,
I was given time off to take a break. I was with my mother and she told me that a kind young lady had been here. She doesn't remember you, but she knows you are familiar and that she can trust you. As I do.
I am infinitely grateful. And I'm tired of waiting, but for you I do. For you, I do it all.
Take care of yourself.
With love,
Neruda
-
Dearest Neruda,
I can no longer grasp a clear thought, because whenever I close my eyes I see everything I have done in review. I can hardly sleep and the nightmares plague me.
I just hope that everything will end soon. It has already been a year since we saw each other. I can't promise you anything, but I hope you know that everything I had to do was for you. For us.
Thinking of you.
With love,
little bear
-
Dearest little bear,
it's been a few weeks since I've heard from you. I hope you are doing well.
We have found a trail that will take us further.And brings me a little closer to you. And that will bring you back home. I can't wait.
Take care of yourself.
With love,
Neruda
-
Dearest little bear,
It's been two months since you wrote to me.
Get back to me as soon as you can.
Take care of yourself.
With love,
Neruda
-
Dearest little bear,
Words cannot describe how much I miss you. Or how great the pain in my chest is.
I can't eat, I can't sleep. I can hardly breathe without you.
Thinking of you.
With love,
Neruda
-
Dearest little bear,
they hung your picture today. In the portrait you are smiling, proud to finally be part of the team. I can't look at it.
I was sent home, but everything there reminds me of you.
Thinking of you.
With love,
Neruda
-
Dearest little bear,
I keep your letters in a small box next to my bed. They are a part of you that I don't want to lose, even though I have already lost you. They are a part of you, just as you are a part of me.
Thinking of you.
With love,
Neruda
-
Dearest little bear,
I went to our bookstore and found a book of poems that you would like. I'll put it with your letters.
No book in the world could have prepared me for the grief I feel. The pain is too engaging for me to talk about it with anyone but you.
Thinking of you.
With love,
Neruda
-
Dear little bear,
it's been almost two years since we last saw each other. I don't remember what you sound like, or what you smell like. Why can't I remember that? Is it wrong of me not to think it's bad? It takes away my pain a little.
Thinking of you.
With love,
Neruda
-
Dear little bear,
A lot has happened in the two years we've been apart. Too much to ever be able to write down all the things. I just want you to know that this time was not easy for me. Not for any of us.
I put your letters away safely because you will always be important to me. But I have to let you go. And with this, I release you.
I love you. Forever.
With love,
Neruda
-
You pinch your leg to wake up. Your neck is wet with cold sweat and you have to blink several times to realize that you are in a cab. You run your hand through your hair as the driver looks at you curiously through the rearview mirror. He says nothing, which is why you glance out the window.
The drive from the airport to Quantico only takes an hour, but you still take the opportunity to close your eyes for a moment and doze a little. You haven't had a decent night's sleep in ages, you don't even know what a healthy portion of sleep feels like anymore, because you haven't had that luxury in the last two years.
As the car comes to a stop in front of the FBI building, you pay the driver and get out with your small bag. The building seems much bigger than you remember. You used to spend every day here, it had once been your home. But now you're not even sure you have a home anymore.
You take a deep breath and enter through the large doors, but are directly approached by a security guard.
"Miss? Are you visiting?", he asks suspiciously, extending his arm to keep you at a distance - something that wouldn't do him much good if you were actually trying to get past him.He eyes you up and down, which you can't blame him for. In your ripped jeans, dirty sneakers, and loose sweater, you don't look like someone who belongs here. By now, you don't either.
You look at him. "I'm here to see Unit Chief Prentiss", you reply coolly. You know he's just doing his job, but you're too impatient to let all this wash over you. You know Emily is already in the office. You know her too well not to. Why doesn't he just go get her? You just want to see your friend.
"Chief Prentiss?" He raises an eyebrow. "And what is your request?"
Your gaze is rock hard and your tone cold as ice. "Tell her Y/N Y/L/N is here to see her."
You wait outside the building, letting the morning sun warm your skin and the cigarette burn between your fingers before you put it to your lips and take a drag. Afterwards, you stub it out on a trash can. As you exhale the last bit of smoke, you turn around. And there she is.
Emily is standing at the door, and when you see her, you drop your bag and wrap her in your arms so tightly that you can't breathe. You cling to her, afraid that maybe this whole thing isn't as real as it feels, but you imperceptibly pinch your arm. And she is still with you.
"I thought - they said", she stammers, and it's the first time in your friendship that she's speechless. You hug her even tighter.
"I know", you answer softly, blinking away the tears that have formed in your eyes. The moment is too beautiful to cry. As you break away from each other, Emily wipes her own tears from her cheeks, but some have already landed on her blouse. There are dark stains now.
"I don't even know what to say", she says, smiling at you as you enter the building together. The guard gives you a look, but doesn't ask any questions as you walk past him toward the elevator. Inside, she pushes a button that takes you to the BAU floor. "I can hardly believe you're really here."
Neither can you.
The office is completely silent because no one is here yet except for you. Although nothing has changed, everything has changed because you are now someone else. It's been a long time since you've been here. Two years, but everything in this room is all too familiar to you. The coffee machine, the law books, the files. It feels like you've never been away. It's déjà vu all over again.
While Emily gets you both coffee, you sit down at the round table and wait for her. Your friend sets the cups down on the table before sitting down next to you. She smiles faintly. "How are you?"
You pucker your mouth. How are you? You haven't been asked that question in ages, and to be honest, you don't know how to answer it either. How could you possibly be?
When you don't answer Emily, she phrases her question differently. "What are you feeling right now?"
Your lips become a thin line. "I don't know. It feels like all of this," you point to the room, "isn't a part of me anymore. Nothing has changed, but it still feels foreign."
Emily nods. "You've been through a lot, I guess." She takes a sip of her coffee. "You're right, Y/N. Nothing has really changed here. But you're a different one now, aren't you?"
You open your mouth to answer her, but you don't know what either. Part of you feels at home here, but a bigger part of you knows your place is somewhere else. You just don't know where exactly.
"Do you want to see the others?", Emily asks. "I'm asking you because it's been a long time since you've seen them. And they think you're...you know. Are you ready for that?"
Are you ready for that? You haven't seen either of them in a long time, and it would probably be better not to see them for now, but to let Emily sort it out first. But the team is your family - the closest thing you have to a family. And you've missed them all terribly.
You nod and take a sip of your coffee as JJ and Rossi enter the room. When they see you, they glance uncertainly at Emily, as if they're not sure if it's just imagination, but she nods at them. And that's when all the dams break for JJ.
She pulls you from your chair and hugs you like the salvation of the world depends on it, and David has to pry her cramped arms from you so he can put his around you as well. They affirm to you how much they missed you and ask how you are, wanting to know what happened, but Tara and Penelope join them and that's when it gets too loud for you.
Penelope cries with joy and Tara also can't believe that you are standing in front of her. They besiege you and ask you questions to which you have no answers, so you just smile weakly at them. They definitely don't mean any harm, after all, you've just risen from the dead for them, but you've spent the last while in silence and are no longer used to this volume. So you turn away from them. They look anxiously after you as you sort of flee from them. You hope that this will make the headache go away.
Without paying much attention to where you're going, you find yourself facing the wall where the pictures of the deceased agents hang. And yours is hanging there, too. You don't know how long you've been standing in front of it - minutes? hours? -until a familiar voice snaps you out of your thoughts.
"Y/N?"
You turn around and there stands Spencer. His hair is a little shorter and he looks like he's seen a ghost. Well, he sort of has.
You want to throw yourself into his arms, kiss him, and never let him go. Seeing him knocks the air out of your lungs, which is why you can barely breathe. The two years without him had been hell on earth, but you got through them. For him.
For Spencer, who doesn't take his eyes off you as the blonde woman next to him, whose fingers are intertwined with his, looks at him and asks, "Honey, who's that?"
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crazyyfilmyfreak · 5 years ago
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The Devil All the Time ( 2020 )
OBVIOUSLY SPOILERS FREE REVIEW
"There's a lot of no-good sons of bitches out there"
Okay alright first of all 
This is not your generic go-to netflix crime thriller if you are watching it with that intention everything is wrong with you 
This Film is dark , not just dark but dark as hell which is filled with gore elements which also includes a multi layered story telling and the film is filled with a group of astonishing cast members and every one of them has a potential to carry the whole film on their shoulders with no hard work but just with grace and ease so these reasons altogether might have over hyped few people's expectations and i think that is the main reason why i am seeing some mixed reviews here and there online or maybe just because you started watching this film with a very wrong intent or wrong mind set like i said before and i am stressing this so much because of in my opinion this film is just perfect maybe there are flaws obviously every film will have flaws but i just couldn't see them ? Maybe because i am a big fan of tom holland i might be little biased but to me this film is top notch and this is a perfect film film 
Now speaking about the cast & film overall 
This is a very slow paced slow burning piece of art 
It takes you to the places you can never think of mentally and it makes you feel completely lost in emotions by the end of the film making you numb 
Antonio Campos is a fucking genius i love his way of story telling 
He's honest , he knows what he is doing , he loves taking risks and he never fears when ever he goes out of the conventional film making style and i very much love how he connected every character in the film like i mean every character in the film is interconnected and if you remove any one character you will feel the void , disturbance and unbalance in the film. 
Film lovers might argue with me or hate me for saying this but i feel this film is so much better than christine 👀🤝🏻 atleast to me ? And this is coming from a person who also loved it a lot 
Now the cast 
I cant speak about everyone in the film because this has such a long list of talented actors 😭 who rocked in the film i am only going to speak abt some of my favourite performances as of now i promise to speak about every other cast member and their performance in the later days coz i am very sure this is a film i am going to talk a lot from now and this is also a film that i am going to watch and enjoy in the future days 
First TOM FUCKING HOLLAND 
I have been seeing this dude's films even before the civil war where he played the spidey role and i always felt he was a very raw and potential actor since his childhood but after seeing him in civil war and spider man hoco its just impossible for me to not like him as an actor ? HE IS SO GOOD ON SCREEN and he makes you believe everything when ever he's on screen maybe its swinging from wall to wall or putting a donut or whatever into a guys mouth while kicking his ass and making it look bad ass af🔥 few might feel this are such a silly examples to say but to me this is about how tom brings a realistic approach to a scene and makes it good and i have always been a big fan of tom holland since spiderman hoco and this is nothing related to tdat but y'all might already know timothee was the second closest option of mcu to cast as spidey and tom grabbed that role ever since tom is just busy with mcu films and where as timothee had a incredible and unbelievable growth as an ACTOR for real to me that is stunning because he did it in such short of span and to me as fan of tom holland part of me was always loving him as spidey but a big heart of me felt a void and sad because tom is missing a lot of great opportunities which has a chance to showcase his real acting abilities which made me think what if timothee got the spidey role instead of tom? Maybe we would have seen a serious tom holland as an actor and this thought killed me everytime but everything happens for a reason and tom holland is undoubtedly the best spidey we have ever got and anyways when films like tdat happen many people realise and understand how great and how fucking incredible tom holland is as an actor and i love when everyone appreciate him for this !! It makes my heart very happy and this is the exact reason why this film is so personal and special to me 
Sorry for completely deviating from the film but this is tumblr and i am not a serious film critic lol so forgive me. 
And speaking about his performance in the film he is just surreal and outstanding . The character that he played is a very complicated one not many relate to that character but every one can understand his emotions, actions and intentions in the film and all the credit goes to tom for bringing a life to that character and playing it in such a beautiful way listen to me very carefully when i am saying this not many actors from this generation can bring bundle of emotions at the same time in a same scene but tom holland does that with such an ease and i stg i am not exaggerating if you watch the film you will know what i mean !! And i am very proud to say i am his big fan 
Now Robbert pattinson 
What the fuck should i talk about this asshole 😂🖕? 
My dude's been killing it since remember me and as an actor like i said in the Tenet Review he has matured a lot as an actor since good time and he played a very powerful and sick role in the film i am not gonna spoil it for others just go and watch the fucking film atleast for him he did a great job and i dont understand how the women and gays are dealing with him? Seriously even as a straight guy its hard for me to concentrate on the film or scenes where ever he's present because this asshole is so fucking hot and sexy 👉👈 The directors should either deglamorise him by making him fat or bald or just hide his face with prosthetic make up or sth just like how directors hide tom hardy's face in every film he's in 🙄. Now coming back to his performance its really hard to dominate him when ever he's on screen dude just want all the attention towards him , such a selfish actor huh 
Bill Skarsgard 
He played a very important and crucial role in the film he maynot have big screen time but we can totally feel his presence through out the film i think this one sentence explains how important his character is to the film and how well he potrayed the role and he's the only guy in the film who got an incredible character growth throughout his journey in the film
Harry Melling 
It would be very unfair if i dont speak about harry's performance in tdat 
DUDE KILLED IT . HE SCARED ME WITH HIS EMOTIONS AND EXPRESSIONS . He didn't even a play a negative role but he just added a lot of depth not only to his character but also the film with his intimidating portrayal 
Sebastian stan 
This is the most honest and a very raw performance from Sebastian stan so far ( i am saying this based on the films that i have seen of his ) i just wish he had more screen time thats the only thing that i didnt like in the film also there are so many blanks that needs to be filled about his character 
Eliza Scanlen
I dont remember her from any film or tv series that i have seen before but she's outstanding in the film , the character doesnt have much something new to offer so i can't speak a lot for her but as far as the character concerned she did her best and her performance is a impressive one and many people are gonna love her . 
Riley Keough 
Unlike the previous films & tv series she's been in 
This film gave her a very challenging role and she's the only women in the film who's been through ups and downs and has a very complicated but a impressive character growth with minimal limitations and dimensions 
She was fabulous and incredible . It just stuns me how the character has begin and how it ended at the end 
And special mention to jason clarke and the old couple who played grandparents ( kind of ) to Arvin Russel and lenora . Not all heroes wear the cape. 
Finally despite the mention of god several times in the film this is not really about god at all its about the DEVIL , The DEMON that carries and plays a very pivotal role in the film you cannot see it but you can sense it and feel it 
Its about the blind faith, its about the irreversible & inescapable fate . I really love how Antonio Campos has connected all the dots by the end of the film with a very impressive film making and with a steady gothic theme running till the end internally and i haven't completely finished the book ( The devil all the time ) but if anyone really wants to completely bring the book life they cannot do it in a single film it will take you atleast 4 or 5 tv series to do so but Antonio Campos did it with a single film and added a very deep meaning to the core of the film w/o deviating from the roots of the book & even touched the aspects like duality of a man and some of you grateful fucks are complaining about him 
OBVIOUSLY films ard subjective but you all need to be more open about this film 
In simple words please fucking watch this film guys 🤗❤ 
This one is not for everyone but everyone will have atleast a small aspect in the film that y'all are going to like / love / hate / discuss about. 
The devil all the time is violent , brutal , honest and perfect in every possible way atleast to me and i really want you all to watch it if you're into such type of stuff 
Remember No country for old men ? Now make it 10 times more violent but add some meaning to it with a realistic approach but more slow burning drama and a little bit of darkness ... now that is what The Devil all the time is .
Gif credits : Milesgmorales
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hottubpoolparty · 4 years ago
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Film Review: Song To Song by Terrence Malick
Hello to the four people who read these blogs :) Just kidding, my mom said I'm gonna make it big as a critic, so, hello to all my fans as well. I believe my mother because she said I would grow up to be so handsome, and she nailed that prediction. Today I am going to do the review of a film by Terrence Malick. You may have heard of him or maybe even seen one of his films. He's got such a way with filling each scene with raw emotions. Anyway, here we go!
Quick summary (from Wikipedia): Set against the Austin, Texas, music scene, two entangled couples -- struggling songwriters Faye (Rooney Mara) and BV (Ryan Gosling), and music mogul Cook (Michael Fassbender) and the waitress (Natalie Portman) whom he ensnares -- chase success through a rock 'n' roll landscape of seduction and betrayal.
What did I feel about the film?
For the first time, I actually felt something different watching this film. I felt myself connect to the emotions in each shot. The movie may not have aced every "check-box" in a commercial-film sense, but you got to give it to the musical score. I was in love with it. I felt myself grow a little naïve towards the ending of the film. Perhaps a part of me wishes to have what Ryan Gosling and Rooney Mara did, but for the sake of this review I shall try to remain professional. *sniff*
What were my after thoughts?
I felt happy, emotional and conflicted. yeah, I had all those emotions in THAT specific order. No, I am still somewhat qualified to keep this review going. I feel like Cook got what he deserved. I felt a tad bit upset, because Rhonda's mom sacrificed so much for her, yet Rhonda (Natalie Portman) just gave in and took her own life. I suppose I can't judge her decision because I've never been in such a situation. Though eventually, I did like the ending, as Kaye and BV ended up together. They did seem like they were meant for each other.
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On a mental level, how do I process this film?
There were moments where I was lost. I didn't know where the story was going, luckily the narrations kept me in the loop. I felt a connect to the characters in the film. Most of all to BV. I haven't completely finished a Terrence Malick film, but after this, I was glad I did. I think I mentioned it before, but I'm glad my professor makes us watch these films, because there is so much for all of us to explore. And today I got to explore the world of Terrence Malick. The presence of nature in our increasingly urban lives, the poetic approach to the story lines, and the thought-provoking questions being laid out, I enjoyed it all.
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What film grammar did I notice?
Just like any other Terrence Malick film, this film flowed like water for me. Crystal clear, cool blue water. The narrations of each character helps us understand their true wants and needs. I noticed how certain shots focused on a particular sound in the shot more than any other sound that may have had been occuring. I felt like this was a way of communicating the message in the particular scene. Like how you can here the interstate highway, while BV(Ryan Gosling) was in the country side. Or how you could only hear the water splashes when Kaye and BV were hiking on the small hill, towards the end.
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What film theory can you put down here?
Very often we can see the close up of our main character mostly when they cry. I also saw a lot of close ups of flowers and other nature related references. This film felt more like a realism based one to me. LOTS and LOTS of non-diegetic sound, which I really liked.
What similarities can I draw from other films, if any?
*inhale*......... None. No, I seriously cannot relate this film to any other kind of film. Films not made by Terrence Malick, that is. Its a unique method and I am glad to say that I like it.
Alright lads. This brings us to the end of our third review. I hope you guys found this to be a useful review. If you are a film enthusiast, please do like and share. I feel like with each review, I grow to understand what not to do. So stick with me fellas, I'm going to get better at this. For the sake of my grades. Have a good day, and goodbye.
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