#i can't take this mr weinstein

[very-bad-poetry-captain]

Yeah McCoy that's a NORMAL thing to tell your captain and best friend-

ACTUALLY WHAT'S WRONG WITH YOU *bites him*

Page 90 of The better man ☠️

[dragoneyes618]

"In my opinion, one need not take any side, any political side, to understand that this was a totally unjustified terror attack from a humanitarian point of view.

How can the attacks on small children, infants, elderly people, innocent civilians be justified? How can anyone validate these brutal attacks on people in their own homes, in their beds, on a Shabbat morning? If you're a human being, you simply can't justify these horrendous attacks.

In that area of Israel, as is known, lots of the residents were actually pacifists.

I feel betrayed and frustrated by the progressive left in North America who have failed to support Israel in the aftermath of the largest one-day attack on the Jewish people since the Holocaust.

You don't need to take a position on the war to condemn the heinous attacks committed against innocent civilians. It should be as simple as that and I'm sorry that for some people it isn't. It is unfathomable, and unjustifiable."

- Mrs. Ariel Duckler, cousin of hostage Judi Weinstein, Hamodia Prime, page 19, December 20, 2023

[collymore]

Mohammed Al-Fayed allegations - a payday being sought as opposed to justice!

By Stanley Collymore

Relatively soon it'll be a criminal offence to ask an adult female you don't specifically know but take a fancy to out for a drink without being prosecuted for actual sexual abuse! Personally, I honestly, really have a lot of trouble logically with all these historical cases of sexual abuse, or obviously rape because there's discernibly always zero evidence to substantially support them. Therefore, truly, my very first question always is why didn't the alleged victim simply come forward at the time these incidents did essentially, happen? And my second question quite consistently is this: do you have, a personal motive specifically for coming forward, now? Money, personal revenge, or basically very unquestionably, something else?

For as the sun very impeccably and irrefutably rises in the East, such women are always invariably definitely going to claim that they were sexually assaulted, or actually raped if there's really money to be made, from these damningly, but unsubstantiated accusations that can't be indisputably proven; and how aptly coincidentally and rather ironically also, we always see when one woman literally comes forward she is quite instantaneously rapidly followed by a surfeit of them doing the same thing spontaneously!

(C) Stanley V. Collymore 19 September 2024.

Author's Remarks: What intelligently is the point of all of this? Mr. Mohammed Al-Fayed has passed away and ostensibly he can't be brought back to face charges, dubiously real or discernibly concocted! The time to have come forward was when he was alive and could not only face charges but similarly also, essentially defend himself in a court of law.

And to all of you brainwashed and similarly braindead morons who quite spontaneously  and vitriolically as you're MSM distinctively directed to, vilely state that Mr. Mohammed Al-Fayed is/was guilty, let me quite candidly remind you that even the judges evidently in the Weinstein case - and he's distinctly very much alive - didn't believe over half of those women who when cross-examined basically couldn't provide a shred of evidence to truly support their essentially acquisitively and as well essentially monetary contentions.

Flying in a private jet and flirting obviously with a billionaire who distinctly owns it, is clearly exciting to lots of utterly feckless as well as ordinary women impressed by the obvious trappings of ostentatious wealth, both at the time of its happening as clearly also when it's over, until they monetarily in their excessive and compulsive greed quite obviously for their own sick reasons decide to play the victim and do a money grab!

I know and would logically and intelligently imagine why similarly rational and equally intelligent persons would think the same as me for Mr. Mohammed Al-Fayed being now and so ruthlessly being targeted with these discernibly uncorroborated and supposedly quite banal, specious allegations again him. And, moreover, at a time and specifically so now that he's evidently dead! For ostensibly quite apart from an over-hopefully expected financial pay out to these distinctly spurious accusers, what is there really to be gained?

I've asked that question, fully cognizant in my doing so that Mr. Al-Fayed was clearly a most virulent critic of the British monarchy and its attendant hierarchical elites and as well the Establishment generally, evidently all of whom are currently going through a series of quite embarrassing faux pas, and deliberately, callously and lyingly spreading muck, that doesn't exist except in their own sick, evil and conspiratorial minds might be a good way in conjunction with their clearly likeminded and very aptly sycophants in the MSM to undoubtedly deflect from their own genuine paedophile assignations!

Rest therefore in eternal peace Mr Al-Fayed with your beloved son Dodi!

[cazzyvintage]

After seeing @toobruhlforschool post the article, I had to translate it!

English translation by google translate below the cut

Daniel Brühl tried for the first time as a director - and he succeeds very well. His debut “next door” (in theaters July 15th) is full of black humor about how embarrassing, tricky and exhausting it can be to be a famous actor. Especially when you meet a neighbor in the corner bar in a Berlin neighborhood, played by Peter Kurth , who obviously hates you. The story is based on Brühl's idea, and very vaguely on his own experiences, from which the writer Daniel Kehlmann draws("Measuring the World") has made a script in which the price of fame is demonstrated with relish. In addition, allusions to Daniel Brühl himself are hidden in the film, who not only directed the film, but also plays the protagonist, a famous actor, in “next door”. Brühl, who last worked in the international Marvel series “The Falcon and the Winter Soldier” , speaks in an interview about what made him decide to make this story into a film and how to approach such a project.

Interview with Daniel Brühl: About the price of being in public and the success of projects

Mr. Brühl, in your directorial debut you investigate the price a successful actor pays for being in public. Why did you want to do this film?

One topic I've always been interested in is gentrification. The initial spark was an observation I made in Barcelona. That was about ten years ago. I moved to the city for a while. That made me very proud, because I've always felt very connected to Barcelona, ​​I was born there and finally wanted to say: “I'm a Barcelonian now”.

Instead, did you attract attention because the actor Daniel Brühl was recognized?

No, I just acted very silly, always walking through the streets with my key fob to show that I don't live in a hotel, I'm from here now, then I always talked loudly to the people in the market where Street, via FC Barcelona et cetera. Then I always enjoyed going to such a lunch spot and one day there was a crusher in front of me, such a real edge, and looked at me piercingly without blinking. Forever long. Like Clint Eastwood.

Just like in your film a man from the neighborhood, played by Peter Kurth, who takes on an actor who is very similar to you.

Yes, with the man in Barcelona back then, I immediately felt that he couldn't take me. As I sit there with my trolley suitcase, just flown in from Berlin. The jet set that somehow rattles around loudly with the waiters, makes each other mean and wants to please. That totally exposed me. Then my imagination started. I thought it was a scaffolding builder who had been able to look into our apartment from a construction site for months and now wants to confront me with everything he knows about me.

How do you relate this story to gentrification?

There is such a constant feeling that you are not to blame for gentrification but are part of the process. I've been dealing with this since I've lived in Berlin and I noticed it again in Barcelona. Then the mind game started that an actor, someone who is in public, offers a completely different surface to attack.

How do you translate that feeling into a project?

I enjoyed the way such a person was approached in a masochistic way. As he is told, “I found your film poop. I think you shit as an actor. " Then I moved the story to Berlin, the East-West topic was added, but at some point I realized that I couldn't write it alone and approached Daniel Kehlmann. He could do something with it immediately. While we were writing we noticed how much more was there. That was around the time some public careers were collapsing. That was an interesting component, people who outwardly have perfect lives, whose careers are ruined by rumors that come out about them.

Which personalities are you thinking of?

Well, of course the case of Kevin Spacey, the very different case of Harvey Weinstein. There have been many cases, some of them based on real crimes. It became an interesting topic for me because I wanted to play someone who would completely lose himself in his career and then be held up in the mirror.

If so much of you went into the script, why is Daniel Kehlmann the only one who has the credit and you don't?

There are so many Daniels. At some point I just felt uncomfortable reading my name so often. In addition, Daniel Kehlmann did the most on the script. I couldn't have made the film without him. That a Kammerspiel (From what I learnt in my film studies, Kammerspiel is a certain type of German cinema) remains exciting for over 90 minutes depends on the dialogues and they mainly come from him. I was a sparring partner who fed him ideas.

You have had a veritable career as an actor for over 25 years, appearing in blockbusters and playing a leading role in an international Netflix series. Then that's a fundamental step in deciding whether to direct. How do you manage to take such a new path?

You can't take a quick shot. I've been waiting for the right time, but you can't let it pass. That's what happens when you're too scared, too respectful. At some point you have to trust yourself. Now that I've done it for the first time, my humility towards directing is even greater. I consciously wanted to do something small. I would not have believed myself capable of certain other substances. Then I would have the feeling that I am falling out.

How do you know that you are on the right track and that you can get started with a project?

If an idea remains interesting for you after long deliberation and reflection, and does not suddenly become stupid or boring, you can ask yourself whether this idea is reasonable, i.e. whether you trust yourself to implement it. I knew this was a world and that there were characters - I just know my way around that. If you are also lucky enough to be able to set up a good team, then you are on the right track. It is of course a total luxury that someone like Daniel Kehlmann has promised me to write this. Peter Kurth replied with a handwritten letter within 24 hours. We met and hugged in his local pub.

The role actors and actresses play in public is not only the topic of your film, but was also discussed in the course of the #allesdichtmachen campaign, a campaign against the measures taken by the federal government to contain the corona pandemic. Were you also asked about this?

I was actually not asked, but I know many of those involved. I wanted to stay out of this heated Shitstorm number and clarified that privately with those I know. I not only found the action unsuccessful, but also the counter-action excessive and absurd. I can see that in many areas at the moment, how quickly such a thermal rises, which is toxic. That's a bit of the theme of the film.

Then again quickly an easier topic: What is the most absurd thing that has ever happened to you as a public person?

Haha, a scene that also made it into the movie. In Barcelona a couple came up to me in a park, two blondes, with a camera in their hand. It was immediately clear to me that they were Germans and they wanted a photo with me. I instinctively put my arm around the woman. They were Swedes, of course, who didn't recognize me at all, but wanted me to take a photo of them. It was so embarrassing and even more terrible than in the film because then I started to explain in English “You know, I'm a famous actor…” The way they looked at me! Haha, that was one of those moments when you notice how you blush. Well then I think I could tell you about embarrassment for an hour.