#i am too tired to put the whole thing on tumblr (the text post editor isn't that good for that)
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ressarioth · 2 months ago
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Spectres of Death
Fandom: Fire Emblem: Three Houses
Characters: Sylvain Jose Gautier, Byleth Eisner
Relationship(s): Sylvain & Byleth
Other Tags: Character Study, Verdant Wind | Golden Deer Route (Spoilers), Divine Pulse
Warning(s): Character Deaths Mentioned
Rating: Teen and Up Audiences
Status: Complete (2 Parts)
Summary:
Sylvain half expects his death in this war, Byleth would rather not see that happen.
Notes:
I started this like five years ago, and finally figured out how to finish it. Expect character deaths canon to Verdant Wind and the mentions of deaths that were undone with Divine Pulse.
***
Death is looming over Sylvain's head. Maybe it has always been there — like a curse he can sense in the back of his mind, reaching for him but never engulfing him. Maybe the fact it's claiming others before him is part of the deal. He was never sure whether he's super paranoid or incredibly lucky.
Sylvain dreams of dying sometimes, the images of the battlefield and the fatality of war seared into his mind. It's better than the nightmares in which he clings to the lifeless body of a friend. Those have him wake with a start, breath sped up with the rhythm of his racing heart. The visions haunt him till the break of dawn chases them back into the dark corners of his mind.
If Sylvain got any say in it, he'd die before his comrades. He's not trying to get himself killed — that much was as true when he told it to Felix as it is now — but if it came down to his life or that of a friend, he would rather be the one to take the fatal blow. His companions are precious to him. It's bad enough that he was separated from some of his childhood friends and former classmates in the course of this war. He wants to keep the comrades save that remain by his side. What is his miserable existence in comparison?
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meruz · 4 years ago
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Aforementioned long ask post please excuse me while i try to figure out tumblr's new text editor. I’ll get into the art meme questions first and then the rest at the end.
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Ok first of all thank you all for sending in questions! Giving me an excuse to talk hehe. I’ll address these in number order. Here’s a link to the ask meme for reference but also I’ll restate the question for ease of reading.
1. When did you get into art?
Super cliche answer but I don’t remember a time where I WASN’T the weird art kid! I started keeping a dedicated sketchbook when I was about 12? But here’s a page from my kindergarten journal about what I want to be when I grow up.
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2. What art-related sites have you ever signed up for? 
LOL this is a weird question. Not sure why so many people want to know. Anyways I definitely had a dA. more than one dA account. I used to browse oekakis when I was a kid but I think I was only signed up to some small ones that internet friends owned. What else...? Mangabullet,Tegakie, Paintberri, iscribble back when that was a thing, instagram if that COUNTs, I used to post art on livejournal and dreamwidth too. Patreon, I guess. Gumroad, inprnt, bigcartel, storenvy all for selling stuff.
In terms of resources.. I have a schoolism account that I’m sharing with friends. Used to take classes on coursera for free. I signed up to textures.com for work recently haha. I can’t remember if I ever had an account on posemaniacs. Did they have accounts...? I definitely used to visit all the time.
3. Show us your oldest piece of art you have on hand.
Alright here’s me actually logging into my old deviantart account. These are from September 2008 So I was 13 years old. I don’t have a deviantart account from before then because 13 was the required age for having an account and I didn’t want to lie about my age because I wanted people to be impressed by how young yet clearly incredible at art I was LOL.
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4. What defines your artistic style?
You guys are probably more equipped to answer this than me but uh... I wanna say... Focus on colors. And... a slightly heavy hand? Like confident... not always well-considered mark making HAH...
Also I think I have a pretty healthy mix of american comics/manga influences. I feel like people who are into american comics always think my art is too manga and people who are into anime/manga always think my art is too american. And I’m taking that as a good sign.
5. Do you practice other styles/have you tried other styles in the past?
I like to think I switch it up a bunch! I mean, these are pretty different, right?
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I think I’ve mentioned this before but one thing I really took away from art school is that, for an illustrator at least, art style shouldn’t be consistent. Your greatest weapon is changing the aspects of your style based on the task, the emotions and message you want to illustrate etc. So depending on the project I’m working on, the fandom I’m drawing for, whether I want something to be funny or serious or dramatic, I’ll change things about my style all the time.
One thing I don’t rly post on here is really tight polished work and that’s because I do that for my day job haha. If you’re not paying me... I’m probably not gonna color in the lines.
6. What levels of artistic education have you had?
I have a whole ass diploma LOL. Bachelor of Fine Arts in Illustration. from the Rhode Island School of Design. And I had a great college experience tbh. Besides the student loans. If any of you guys are thinking about art school feel free to e-mail or message me questions or concerns, I’ll be happy to help. Be as honest as I can be.
7. Show us at least one picture you drew or sketched recently that you did not put on a public site.
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heres the wandavision kids. Uhh what else do I have...I feel like I’m rummaging for loose change here...
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assorted valentines prep doodles
8. What is your favourite piece that you have done?
Well, obviously this is gonna change all the time and generally it’s gonna be my most recent piece LOL. So yeah, why the hell not. I’ll say it’s this one. I have a pretty short memory which I count as a blessing for an artist. I don’t dwell that long on older work and it keeps me moving forward.
10. What do you like most about your art?
I like that it’s something that only I would make! I had this thought fairly recently and I wrote it down in my sketchbook, it’s pretty cheesy and rambling but it felt revolutionary at the time:
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So yeah. I like my art best when it’s the most me and for me. And I like it least when it feels like I’m just making something for social media or for other people’s expectations or whatever.
14. What do you like drawing the most?
Kids in baggy clothing are like my go-to LOL idk if that’s obvious. but also I like being challenged so lately I’ve really loved drawing multi-character compositions, environments, weird angles, etc.
oh i LOVE drawing the underside of shoes lol. And bandages. People that are kinda beat up.. I think it comes from getting a bunch of cuts all the time. I’m always patching myself up and I want to patch characters up too.
15. What do you like drawing the least?
mmm I try to find something to like in every drawing but lets see... I don’t like doing commissions of people’s dogs. Just because it’s normally like... a family friend and my mom volunteered me without my consent and I don’t even really know what they’re expecting me to draw and I don’t even get to meet the dog. Also I’m not that great at dog anatomy. Trying to learn though.
18. What is your purpose for drawing?
This could have a million answers! Uhhh to GIT GOOD??? But also to express myself... and also to make money... I mean it depends on what the drawing IS. I draw fanart mostly to connect to people in the fandom so if you ever see me drawing fanart please take it as like an open invitation to talk to me about the character haha. 
20. How would you rank your art? (poor, mediocre, good, etc.)
Good!!! I have a lot of self-confidence primarily born out of ignorance and a short attention span. If I don’t think too hard about how many other artists are mindblowingly unfathombly good... its easy to think I’m good too! LOL
In all seriousness though, I think the opinion a person has of their art is like a crazy balancing act, right? Like you have to think you suck enough to want to get better but also you have to think you’re good enough to not want to give up. I think we’re all walking that line, I know I am! But also I’m a glass half-full type of person so. Most of the time I feel good about it.
22. List at least one of your “artspirations.”
This is a good question because I’ve been trying and failing to put together one of those “influence map” memes for like a full month now. What’s giving me a hard time is I feel like none of these are actually really obvious “““influences”““ in my art? Like it’s hard to see a lot of them in the work I make...? But idk maybe you guys’ll see what I can’t.
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And these are just a couple! God there’s so many more. I could talk about other artists for ages, from all different genres of art. Daumier, Rockwell like every illustrator out there, Dana Gibson, Alex Toth, Hiroshi Yoshida, a lot of the Brandywine School. Lots of current working artists too, Karl Kerschl, frikkin Masashi Kishimoto lol, Jake Wyatt, Richie Pope, Edouard Caplain, Matt Cook, Sachin Teng, - lots of big internet artists, Sophie Li, Freddy Carrasco, Milliofish, Angela Sung... like all my friends from art school too. I could just keep going but I’ll stop for now lol.
24. Do you have a shameful art past? (recolour sprite comics, tracing art, etc.)
I mean if that’s how we’re defining shameful?? sure LOL. It’s not sprite comics but I used to do pokemon sprite recolors all the time. And I used to trace manga panels and color them... Granted this was all when I was like under 12 yrs old so it’s not even embarrassing. Can you really call it shameful when a 7 year old wets the bed or whatever? Not really. In fact some of these are cool as fuck. Look
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25. Draw a picture!
Man I’m so tired now but here.
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I used to get a lot of compliments for drawing people smiling lol but I don’t think I’ve drawn a lot of smiling lately.. here’s proof I’ve still got it.
OK MEME DONE. onto the rest.
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I read this ask first thing when i opened my computer in the morning and it made me really emotional.. I’m so glad my sketches could help you!!
I think a lot of artists on social media talk about the struggle of making art but imo not enough people talk about the joy! Like I know it’s corny but. I really meant what I said at the beginning of that sketchbook about re-contextualizing art around process and progress > product and perfection. I think its super important..! The strength of messy, unfinished, and energetic art! For the feeling of it, for the love it!
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That's crazy!!! I hope you like 'em. The whole line of x-books is really good rn imo.
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Hi! I totally have the answer for digital stuff on my faq lol. But in terms of drawing on paper.. it varies! I tend to use sketchbooking and any on-paper doodling I do as a way to loosen up/warm-up or experiment. But right now my go-to aresenal is:
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from top > bottom
- kuretake no.55 doublesided brush pen
- tombow fudenosuke
- muji 0.38 ballpoint
- medium size poscas
- grey tombow double brush pens
- good ol bic mechanical pencil
not EXACTly sure which inking you referring to from my sketchbook but if I had to take a guess it'd probably be the kuretake no55. That's been my main inker, lately. Great for sketching with the thin end too.
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You can print out and eat my art if you like. Just please don't mass produce or re-sell. <3
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Thanks! I've come to accept that my art is always gonna be sort of gestural and painty naturally. It's getting it to tighten up enough to be legible that's hard lol...
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uh yeah lol I agree actually. I think yolei is great.
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I assume these asks are related? LOL
1) Yeah totally true. I love David.
2) I don’t take requests, sorry! But if you want to commission me to draw Legion i would be MORE than happy to. Just e-mail me at [email protected].
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muggle-writes · 5 years ago
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Happy Storyteller Saturday! What are some ways you organize your notes/writing thoughts?
thanks for asking! Sorry I'm answering late, I had a rough headache and tried to sleep it off for most of Saturday so it's like 2am Sunday now (3am when I finished because I'm tired enough to have very little filter which means it's ramble time) but I'm awake so I'm answering.
to be honest, it depends on where I am and whether I have free time where there's nothing else I "should" be doing.
if I'm out and about, or if I "should" be doing something else I'll be writing on my phone. usually with a program called Quip, occasionally with a program called Bookstack. I'm out at my QP's right now, and she and my wife are talking video games, and I don't have my laptop handy so I'm writing in Quip. it's kind of a dropbox/google docs alternative, and it has a not-terrible app. I sort everything into a personal writing folder (i used to use quip for other things too, which I kept in other folders since it has a decent checklist ability) and if I expect something to be a long story I'll create a folder for it and put different scenes in different documents in that folder. if I expect it to be short, I'll just create a document straight in the writing folder and hopefully remember to give it a descriptive name. If I'm intending to write something especially short and post it immediately, like this, I won't usually give it a title. sometimes this bites me in the butt but mostly it's fine. I write things in quip rather than directly in the tumblr editor for two related reasons: tumblr mobile has a really annoying habit of eating my longer posts instead of posting them. i haven't figured out if this is more related to the length of the text added, or the length of time I have the draft open. on top of that, if I type it in tumblr mobile and try to make a backup copy, the largest unit I can copy at a time is a paragraph, not the whole document, so it would be a hassle to copy out. often, for posts this long, I wind up copying in three or four paragraphs at a time, saving the draft again, and waiting for tomorrow to display my changes before I click edit draft and add another few. it's easier to copy text into tumblr than out of it
if I'm on bookstack (a mediocre Google docs/scrivener alternative but it's open source and my wife runs an instance so I've tried it out. among other problems, it doesn't have an app so I have to write through my mobile browser and I have to have internet. quip stores locally regardless and syncs with the internet when possible so I tend to use quip instead) When I'm using bookstack, I'm forced to use its organization system. broadest to narrowest categories: shelves books, chapters, pages. you can put pages directly into books, or into chapters. I usually use pages as scenes, and keep them sorted into chapters. in theory I like bookstack but it needs some major improvements (options for variable theme, offline mode, general mobile UI, etc) before I would actually recommend it.
If I have my laptop I occasionally write in bookstack but more often Microsoft Word (I got a free student copy when I was in college and whenever my current laptop dies I'm going to get Open Office or Libre Office instead rather than pay for Microsoft.)
I sort my writing into fanfiction and original works. there's very little in the original works side, sadly. Within fanfiction, since I generally publish to ao3 as I go, I separate it into folders incomplete and completed. within each, I sort it into fandoms, within incomplete, I then have a folder for each fic, and then documents titled "published" and "unpublished" within each. within completed, there's individual documents for each fic (equivalent to "published" within incomplete) I cut and paste things between documents, or move documents around as necessary
for editing, it's a different story:
in Word, if I'm writing a variant of a scene I've already written, and I want to keep the old one and decide later which one I like better, I'll strikethrough the old paragraph and write another. If I get several of these I'll color code the old scenes so I can tell which one's which (sometimes I reuse parts of sentences in like. 3/5 variants so they're usually intertwined. my drafts get colorful) If I'm going in a really drastically different direction, sometimes I'll create a new document and in the title describe what the difference is.
In Quip (actually, in bookstack too, when I'm on mobile, so probably it's just my phone keyboard not playing nice with long documents. somehow I never have the same issue when I'm writing directly in the tumblr app) if I try to select large sections and replace or delete them, it deletes significantly more than I want it to, probably twice as many characters? twice as many minus one? idk. if I'm not happy with something in quip, it's a little glitchy about strikethrough so I'll just put a few blank lines, a line of squiggles (~) and/or an all caps "ALTERNATELY" and another line break and then the replacement.
anyway. that's all for when I'm composing prose (or publishable poetry)
when I'm scribbling down notes to keep them because I'm plotting a longer story or because I want to write but don't have time, I'll open up one of the above programs (usually quip or word) and create a bullet point list of sentence fragments and notes. I put major points at the top level of bullet points, indent for the next level of detail under each one. the top level bullets are usually vaguely in chronologial (or storytelling) order, but flashbacks/"this sets up for..." often show up in the nested bullets.
If I have a really thorough outline, with a full sentence for every scene, in word I'll make a copy of the outline with a page break between each outline point, and then I'll skip around between scenes based on my inspiration and write the scenes in their corresponding place in the draft so that the end result is pretty effortlessly in order. (in bookstack, I'll create "pages" for each scene. in quip I put three or four line breaks between the scene prompts or occasionally split them into separate documents.)
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