#i am an idealistic romantic and do think about romance a fair amount so i'm not entirely happy w/ it but what can i do lol

[pekoposting]

n e ways on the topic of love, starting to realise that i am probably greyromantic because in all my 18 years of living i think i have only gotten a crush/romantic feelings once. my picky ass/lh

happy valentines to the arospecs! hope your days are full of love! of all kinds!

[westernchords]

2020: a replay & reflection

so... here we are at the near end of a very long, unsettling & strange year. and at this particular moment in time, spotify has released its 2020 wrapped feature, an annual highlight for gay people everywhere (self VERY included). since the world is very large & this is a personal blog with a limited scope, i'll talk about what i know best: the view from my corner of the musical world.

i only had two songs in common with any previous year -- i wish i missed my ex by mahalia & sugar by brockhampton (... i know, the heartache is loud already,)

4 unique rain asmr audios made it into my top 15 (they help me sleep lolol)

show tunes was my #4 most listened to genre and yet not a single one made it into my top 100. (i'm pretty sure it was all of my late night waitress sing alongs)

i discovered 1,012 new artists and 162 new genres

all very fun and interesting things! however, in looking at this year, there are two things to discuss that are most important: the amount of time i spent listening to music (111,989 minutes) and my top song, fake mona lisa. let's discuss both.

on time: in short, music means a lot to me. in long, i mean that music has been central to my life for as long as i can remember. i think of my church choir and my mother singing eartha kitt and corrine bailey rae in the kitchen, my father's surprise talents at piano when he would play in chapel, and how i like to make up little ditties to sing for my dog or while i cook or to solely entertain myself. if one was to take a look at my journals, each entry is annotated with the song i was listening to or suited my mood at the time i was writing. at any moment, i am capable of revisiting the emotional landscape of old memories all set to the very soundtrack that holds that particular past closest.

i still remember plucking violin strings at 5, how i used to stack music books so i could sit up straight on my piano bench because i was too short at 7, picking up woodwinds in highschool and letting my best friend act as conductor, and now, singing endlessly- day in and day out, because it makes me feel like i am traveling home. i think of creole folk songs that connect me to my family, my diaspora. i remember the favorite songs and artists of people i don't know anymore, but still. it stays with me. my friend cj says i have a great emotional sensitivity to music, but more so, music simply connects to every cornerstone of who i am. the creation of it, the listening, the love of it. the constancy.

music is integral to my daily routine and life. since i was 13, maybe younger, i have always believed that the first song i hear in a day sets the tone so i always try to play something i love and makes me feel joyful to start off on the right foot. i will do this my entire life. every day is permeated by sound and the data shows it. 111,989 minutes is almost 3 months straight. this doesn't even count soundcloud listens or youtube tracks or music i play on my own. this felt fitting. music, this year in particular, has been a salve to both new and old hurt. and maybe i am picking at my scabs, but 2020 has amplified so much anger and shame and fear and despite that, there is so much joy in art. music is a balm for the world, it is poetry in its own right.

on fake mona lisa: so .. i am kind of obsessed with this song. fifteen hours worth of listening, i text my friends i'll join the video call soon - i just need one more replay, i got high and played this song while lying in the middle of a meadow and experienced more emotions than i had had in a very long time, my friends lovingly tease me about it so it's sort of like a character trait now, kind of obsessed. my turning to this song was the sort of romance that i didn't anticipate, but fell very hard into and, if you know me, you know that's my favorite kind. let's get into why: when dedicated side b came out, i was heartbroken. there's really no other way to put it. i was alone, back in my childhood bedroom, and harboring a reopened wound from past relationships that maybe had never closed in the first place. i was in this strange, melancholic knee-deep-in-emotions place & if you're an avid CRJ fan, you recognize that's a place she knows and sings about well.

as a song, fake mona lisa tends to be one of carly's more lyrically opaque tracks. which is fine, i'm a storyteller at heart, i'll craft my own narrative. (and honestly, there wasn't much legwork here.) without doing a full blown analysis, here are pieces that i find important to note about the song lyrically and resonate most with me -- big or small.

(transcription at bottom)

what i'm basically saying is that this song is about risk and young love and sex. its about secrets, cheap thrills, fast & easy desires, and the fantastical euphoria of a dead-end-but-still-fun “we're young so what's the matter,“ relationship. (very reminiscent of LA hallucinations, imo) and to me, someone who has been in and out of this same subset of emotional affairs, fake mona lisa stuck with me. vegas is a city of high risk, high reward- where else to chase that superficial, unattainable someone? more so, the song gives you the understanding that the relationship doesn't last, but that was not what carly ever truly wanted out of it. fake mona lisa is, at its core, about over indulgence in pleasure as a stand in for actual love + commitment, something i am oft to do myself & only did more of after dedicated side b dropped. i latched onto the slow and simmering exposition into glittery pre-chorus, starlit imagery, shiny-faraway vocals, and frankly, there was no competition for my song of the year. the song is a dream. i love it and i know what that says about me, but i stand by it. 

dedicated side b, especially fake mona lisa, carried me through the healing process of heartbreaks that crystallized into many other things- indulgence, desire, risk, short lived romances, secrets, joy, kisses i should've kept to myself, spontaneous dance breaks, tears, etc., it is an album about love, recovery, and returning to the self. fake mona lisa is just my favorite stop on a long train ride to an okay-ness with aspects of romance (both with the self and others) that i am still figuring out the messy, rose-tinted, contours of.

and sonically? i just adore the key of d minor.

as a last touch point, fake mona lisa was only the tip of the iceberg of songs  i obsessed over about not-exactly-ideal romances. again and again and again, heartbreak anthems appeared in my top 100, a deviation from my typical warmth towards romantic sentiments that appeared in past years. instead, there is a sense of love-at-a-distance, a painting yourself as the object of desire, a severed attachment, a not wanting to commit at all (see let's be friends, heartbeat, want you in my room, all by crj ... all appearing on the list.) however, much of what appeared celebrated love and having tremendous, special, struck by cupid, feelings. it's all there. what i'm saying is that carly rae jepsen writes music for lovestruck people- both lucky and not so much, hopeless or hopeful -- you name it. she writes about how you can fall in love with almost anyone, soundtracks for the highs of the first throes of intimacy, the first (and last) kiss, the shared moments between two people when they are each other's whole world, and the palpable distance of heartache, separation, and the landscape between. 

she writes as though she is both eros and psyche, armed with arrows of cascading melodies, tipped with a salve for suppressing+healing+amplifying heartbreak, and lyrics so intimate and dreamy, you really can't help but believe in love with the way she speaks of it. love is a venture from shame, a fantasy that is more real than anything else, tender and kind, pleasurable, and escapable into. the world is better in it, the world is better because of it. in carly rae jepsen's discography, love is the defining pillar of experience. a northern star and guiding principle. it is the only thing, no matter what form. & frankly? i cant help but agree.

as a final note, in hanif wills-abdurraqib's emotion review for MTV, carly rae jepsen's public displays of affection, he says this:

thats all for now. bye 2020.

- august

///

transcription of my notes:

verse 1:

city/star light imagery

i am known for wearing a star stamp on my cheek

infatuation & attraction

paints a photo of a starlet and her lover, a fair weather affair

pre-chorus:

always waiting fro a chance the object of desire

a high from love, addictive pleasures

chorus:

sex & art & risk taking (art synonymous with beauty. + seduction)

she knows she cant handle this in a real way, but wants it

desire vs/& (in conjunction with) pain

verse 2:

an idealistic worldview, hoping for the best, always somewhere else not present. 

dreamy lyrics + dreamy state of mind, cloudy even.

specifically the words fake mona lisa:

contrast, beautiful yet fully acknowledged to be unreal/superficial

a stand in for “real art“ aka “real love“

[bubonickitten]

So what do you think are anders best traits (other than him worrying about mage rights and him being a compassive healer?) I really love him and I love the way you write about him so I'm just curious.

There’s a lot I love about him :0

I mean, on a personal level, he’s a really relatable character for me, so that’s part of why I like him so much.

But I also like him as a character in general. (I’ll put this post under a cut bc it got long.) 

Him being a compassionate healer and being incredibly passionate about mage rights are huge parts of his character and they’re honestly two of the biggest things that make me like him so much. 

Like, here’s a person who was subject to systemic abuse for most of his life, who knows full well the repercussions of rebelling against the status quo, but does it anyway, because his convictions are just that strong. He knows that the Circle and the Chantry are fundamentally wrong. He’s experienced and witnessed firsthand what happens to people who fight back. Hell, when we meet him Awakening, he’s only just recently been released from a year of solitary confinement for running away - he just got out and as soon as he was able to, he ran again. If he gets caught and sent back to the Circle again, he’s going back into solitary confinement at the very least, and by the time he’s in Kirkwall, he’s also possessed by a spirit, so he’s risking just being killed outright. He’s risking everything by fighting back so openly and actively, but he does it anyway. 

And it’s not just Justice’s presence that makes him so willing to fight. Even when he was running, he was fighting back, because by constantly running away, he was refusing to submit. But in Awakening, Anders did feel like he couldn’t have any impact on the status quo - he believed that things would change eventually, he believed that the way mages are treated is inherently and fundamentally wrong and one day things would be different, but he didn’t think he’d ever see it in his lifetime, and he didn’t believe he of all people could do anything to enact change. Justice helped him realize that he could be an agent of change, but that fire and that strong sense of right and wrong were already there - it just needed to be validated and encouraged, which Justice did for him. 

And I do like that Anders needed support to be able to get to that point, bc I feel like that’s... realistic, y’know? I don’t like the idea that everyone should have to fend for themselves and not have to rely on others to stand up and fight. He couldn’t do it alone, and there’s nothing wrong with that. He hasn’t gotten much support from others throughout his life, so I like that in this instance, he had someone to lean on. (And I still wish there were more opportunities to support him more actively in DA2.)  

Like, it was difficult for Anders to admit to those feelings of powerlessness - which is entirely understandable, because in his experience, showing that kind of vulnerability could get him killed or worse (if the templars considered a mage to be weak-willed, they might not even give them a chance at the Harrowing and just make them Tranquil outright - and Anders is canonically mentally ill, which I imagine added an extra burden in terms of hiding his vulnerability). So, outwardly, he talked a big talk about only being concerned with his own freedom and pretends to be more apathetic and careless than he actually is. 

This also shows a lot in terms of his sense of humor - it’s a lot of morbid sarcasm, irreverent joking, gallows humor even - because he uses it as a shield and a coping mechanism. Ngl, I love that aspect of him, it’s one of the things that started endearing him to me in Awakening first. I play my Hawke as having a similar sense of irreverent, snarky humor, so they play well off of one another. Humor as a coping mechanism is a character trait I tend to appreciate and relate to a lot, haha. 

Anyway, I think in actuality he cares so much it hurts. It might not seem like it when we first meet him in Awakening, but I think it’s just that it’s easier and psychologically safer for him to pretend he doesn’t care than it is to admit that he does care but feels powerless to change things. It takes a lot of strength (and also support from others, which again, is something that Anders hasn’t had much of throughout most of his life) to be able to confront your own vulnerability and try to channel it into something that benefits others. 

But even in Awakening, his actions often contradicted the “I don’t care about anyone but myself” talk - if you tell him to run away in the beginning of the game, he’ll do so, but he shows back up like five minutes later because he felt like he couldn’t leave the Warden to fight the darkspawn alone (he jokes about being “bad at the whole ‘fugitive from justice’ thing”, which... turns out to be way more accurate than he may even realize in that moment). In the endgame, he’s not eager to go along with the Warden to Amaranthine, but if you do bring him, he’s one of the companions who will argue against leaving Amaranthine to burn - his instincts might tell him to run, but he cares too much about the survivors in Amaranthine to leave them to their fate. 

Not to mention, canonically, spirit healers are kinda rare. They derive a lot of their power from spirits of compassion, which means earning spirits’ trust and cooperation. A person who isn’t compassionate probably wouldn’t be able to earn that cooperation of a spirit of compassion in the first place. Not to mention his interest in being a healer in general - it’s a big part of his identity, to the point where in DA2, one of the things he worries most about is not being able to heal anymore because he’s so afraid that he or Justice will accidentally hurt one of his patients.

I think a lot of his attachment to the healer role is also tied up in his own internalized belief that he has to be a Good Mage in order to deserve freedom - it seems contradictory, it’s something that goes against his stated principles, mages shouldn’t have to prove themselves and be ‘good’ mages according to the Chantry’s fucked up doctrine to deserve freedom and life and love, but he lived in the Circle for at least half his life and he definitely internalized a lot of the hateful messages they taught about mages. Fighting against those teachings is a constant battle for him - which also ties into his occasional crises of faith, because he’s an Andrastian and all the spiritual authorities in his life have taught him that he’s a non-person, that he’s inherently sinful and cursed and deserving of subjugation because he’s a mage. 

So, he has a lot of moments of self-doubt. He has a lifetime of trauma and abuse that affect his present well-being. He has a lot of self-loathing and a lot of fear of himself (the latter esp after merging with Justice). He doesn’t see himself as worthy of love or care, even if he talks passionately about how mages deserve those things - he often doesn’t give himself the same consideration that he’s willing to give others. He has an incredibly complicated relationship with his own anger - because his anger is totally and completely justifiable, but it scares him, because he associates rage and anger with demons and loss of control. (I think a big source of the conflict btwn he and Justice is how they differ re: embracing and accepting anger. For Justice, that anger is righteous fury, it’s justified, it’s a source of passion and change. For Anders, it’s a source of fear and insecurity a lot of the time. I think a lot of their miscommunication is rooted in that fear.)

But Anders works himself half to death trying to help as many people as he can for as long as he can, and even though he’s barely making a dent in all the suffering he sees in the world, even though he’s risking everything, he just keeps going, because that’s how strongly he believes and that’s how much he cares. Every mage he helps escape the Gallows, every patient he helps in his clinic is worth it to him. That kind of perseverance in the face of hopelessness and doubt and a world set against you is really admirable to me.

And I also like how clear it is that it doesn’t come easy to him. It’s not just some inspiration porn “you can do anything you set your mind to if you just try :)” thing. He stumbles a lot. He fails a lot. He spends most of DA2 in a constant state of anxiety and desperation (esp since he really doesn’t get much support from the people closest to him, except like… Justice and Hawke, if you play Hawke in a supportive role). He’s idealistic, but he can’t help but dip into periods of hopelessness and depression and doubt - partly because he has a mood disorder, partly because that’s just… expected for someone who’s seen as much shit as he has. His life is messy and he’s tired and it shows. But even when he’s running, he’s fighting. Sometimes, survival is in itself a form of rebellion and he’s a walking example of that. He is stubborn and although sometimes it’s a negative, it also has its perks. And that passion doesn’t just manifest as rage - it’s also love, because lbh, he is a hopeless romantic (in a dorky, endearing way at times) and in his romance route he loves Hawke fiercely.  

It’s a shame that he didn’t get more positive character development in DA2 (it’s no secret how resentful I am toward the writers, he and Justice really deserved better). I headcanon him over time learning how to communicate and coexist with Justice; learning to practice self-care and be kinder to himself; more fully accepting that he has a right to be angry and he doesn’t have to prove that he’s deserving of personhood or love.

And he has a fair amount of flaws for sure - he has a tendency to project his insecurities onto others (e.g. Merrill), he’s not a good ally to other marginalized groups (e.g. elves), he sometimes lashes out at others when they don’t deserve it (which, although I understand why he behaves that way, it still isn’t fair to others who are on the receiving end), he was manipulative in the ‘Justice’ quest (I understand his motivations but despite his intentions it wasn’t acceptable behavior) - but I think he has an ability to better himself in those areas and I like to headcanon that personal growth for him. (That’s not to say I want him to be a flawless character - nobody’s perfect, and a flawless character would be pretty flat and unrealistic, but I also like when characters are allowed to have personal growth in a positive direction.)

I guess, in all, he’s an interesting, likable, and relatable character for me - I wish the writers treated him better, I have a lot of criticisms wrt how he (and Justice) were written (including how Anders was treated as a bipolar character), and I’m also willing to criticize him where it’s deserved (I have a whole tag full of meta w/ my criticisms of him) - but overall he’s one of my faves.

 Tbh the reason why DA2 is my fave game in the series (despite all of my criticisms of the writing in it, esp Act 3) is the characters. Hawke is my favorite protag and DA2 has probably my favorite companion group - like, Anders, Merrill, Fenris, Isabela, and Varric are some of my fave characters in the whole series - so the characters are ultimately what make me like that game.