#i really love getting to answer them!

[becca-e-barnes]

Ma’am, you are deviously incredible 🔥 We’re begging for an exploration of him saying “I love you” while fucking her like he doesn’t 🥹

My brain keeps picking up the storyline a few splendidly torturous hours in when her body’s completely spent & quivering & she’s a blubbering mess & that’s when he picks her up & takes his sweet time positioning her so she can limply yet eagerly watch their reflection has he finally gives her… exactly what her twitching body’s been craving. 🥵

I'm so glad you all enjoyed the thought of this as much as I did because I've been dying to expand on it 😵‍💫 (Part 1 here)

I like to imagine by that stage, he's absolutely desperate too though. He's got to feel your sweet little pussy clench and flutter around him, contracting so tight every time you cum that he swears it's going to be the end of him.

He's been too hard for too long, buried inside your body and he swears he's never felt you this wet or this hot before. It's been fucking luxurious, forcing you to cum against his fingers, feeling how your body's natural reaction is to coax him to drain his balls into you but that alone isn’t enough. He needs more than that.

He wouldn't admit it to you but he can't take any more. His balls feel like they're fizzing; overfull and beyond ready to flood your waiting, overstimulated body.

He arranges you gently, laying you on your front because he doesn't trust your trembling arms to support you. "That's it, good girl." He coos, hearing you whimper and sob pathetically because he needs to slip out of you to slide a pillow under your hips.

"You've made such a mess." He groans, taking a second to appreciate the delicious, inviting, slick little cunt he's about to indulge in. "You're dripping, sweetheart. God, I just know there's no way I'm going to be able to pull out."

His huge hands are gripping your hips and with one sharp, brutal thrust, he's back inside you and you both sob pathetically at the feeling of your bodies being joined again. This is exactly what you've needed but you don't have the words to tell him that. All you can do is whine and will your body not to cum again so soon.

"I meant. What I said earlier." He punctuates his sentence with soft groans, drawing back until he almost slips out of you before pounding back in.

He leans forward, tilting your chin up, making sure you can see the way he's fucking you in the mirror at the end of the bed.

"I love you. And I don't want you to forget that." He sounds sincere, one hand trailing up from the small of your back to right between your shoulder blades and then back down again. It feels intimate and tender but all that is forgotten by the very next thrust.

"I love you. But for now, you're just a mindless. Little. Drooling. Breedable. Cunt for me." He slows his thrusts down, determined not to cum so soon but it's going to be difficult to last until he gets the first couple of loads out of the way.

"Baby..." You whimper, feeling the tip of his cock nudge against your sweet spot, making you shake from overstimulation.

"I know sweetheart, I know. It's too much. But you're being so good for me. You're so perfect. How have no idea how you feel. So wet and warm and I can feel you fluttering around my cock. It's like you're trying to squeeze every last drop of cum out of me. Is that what you want? Because angel, I'll keep this delicious cunt stuffed full of load after load until I have nothing left to give you."

His thrusts are punishingly fast, thumping against your raised ass, half chasing his orgasm, half holding it back.

"And when I do, I'll remind you just how much I love you. And the baby I'm going to give you tonight."

With that thought, he can't stop himself from cumming, his dick twitching inside you as he shoots thick ropes of his seed right against your cervix. You're so cock-drunk you can only rut yourself millimetres back and forth but that's all you need to send yourself spiralling into another orgasm that leaves you trembling and sobbing.

"Fuck, you want that as much as I do, don't you?" He kisses the back of your neck, breathing you in while letting the euphoric rush subside. He notices he hasn't softened in the slightest despite such an intense orgasm but he knows he needs to be gentle with you for a moment before he can get any rougher.

[luna-loveboop]

'I've never been in a dungeon before' and 'Who's Ganon?' have literally made some of the BEST reaction panels in Lu I just-

They are very similar conversations- where a Link is pointing out/asking about something that the others have experienced and they haven't. Which is really cool to compare and contrast but they all just freak out about it

Genuinely some of the best conversations in Lu

The lesson here is that apparently the Links will always be freaked out when one of them has missed out on one of the Zelda Fundamentals™

.

Art by Jojo @linkeduniverse au :)

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[bixels]

I'm not getting into The Giving Tree discourse...

[myokk]

Hi! I'm still feral for these two, would you mind giving us some art of them in their later years together!?

Hello angel!!!!

Sorry it’s taken so long to respond🫶🫶 but I wanted to draw some new art for this ask💓

We have: Sebastian and Eloise trying out their new fancy camera with a selfie, pictures of them with their daughter, and finally…idk I just always felt like this drawing is when they’re a bit older💓

I want to take this ask as an opportunity as well to talk a little about how I imagine their future (I have no chill & you can ignore this and just enjoy the art if you want😇).

I am a COMPLETE pantser - I never know how a chapter’s going to end when I start writing it (I always just have a few scenes I know I need to include to keep the plot moving forward). Although I have different *big* scenes I’m always writing towards, and themes/plot elements I’m always foreshadowing (shout out to @elliecutte for catching *almost* all of my hints and appreciating my general no chill😆), IM STILL NOT 100% SURE HOW I WILL END THINGS !!! 😳 I have a lot of endings I see as possible, and I think soon it will become more clear to me what will work the best💓

HAPPY ENDING:

Eloise and Sebastian become Unspeakables. I have a LOT of thoughts on this profession that could be its OWN post, and I feel like Unspeakables are generally specialized in one or two departments, but as their interests/research change they also change.

Eloise becomes an Unspeakable in the Mind and Death departments, with the occasional foray into Time. Her ancient magic is connected with all of these things (my version of AM is NOT like the game) & the Department of Mysteries is one of the only places that gives her any useful information about these things. Plus she thinks too much (it IS her hobby after all😆💓) and is very introverted so a hermit job like this is a perfect fit.

Sebastian becomes an Unspeakable as well, but I feel like it takes him a long time to specialize in anything, if he ever does. I just feel like becoming an Unspeakable is the adult equivalent of sneaking into the Restricted Section🥹🫶

They grow old together (I won’t explain TOO much) & have a lovely little family🥹 at least one daughter that they both dote on. Sebastian had an amazing childhood (idyllic until it wasn’t), and wants to give his daughter the same, and Eloise works hard to make sure their daughter feels the love that she never had growing up🥺

When Sirius is burned off the family tree, Eloise and Sebastian take him in🥹🫶 (they’re like 100 years old but WIZARDS LIVE LONGER…) The same happened to her all those years ago, and she wants him to know that his whole family hasn’t abandoned him.

Eloise LOVED her nieces - Bellatrix, Andromeda, and Narcissa - when they were younger, but as Voldemort becomes more powerful & people realize WHAT he’s doing, she has to separate herself from them. Her heart breaks seeing Bellatrix go mad, and seeing Narcissa engaged to a Malfoy out of obligation😔 (iykyk)

I haven’t thought any more about happy ending but I think it’s fun to think about how their future story might weave in with the actual canon events, ESPECIALLY since Eloise is a Black🥹💓

SAD ENDING:

After Sebastian gets his hands on Slytherin’s relic, it really starts to consume him and makes him even MORE obsessive than his natural tendencies - I imagine it similarly “talking” to him like Slytherin’s locket/horcrux did in Deathly Hallows (😳)

Eloise is deathly afraid of the changes she’s seeing in Sebastian and steals it from him (he would never willingly give it to her ESPECIALLY if it starts to feel like a precious item to him)

BUT the relic triggers the latent Black Family Madness in her - the madness that afflicts almost every woman in her family since…🤭 - and she herself starts to lose touch with reality. Her body and soul are already destroying themselves between the curse and the ancient magic inside of her, and the relic is what triggers it in her.

Sebastian becomes an Unspeakable, focusing on the Mind, in a desperate attempt to find a cure for his Eloise🥺

He never gives up his research, and sometimes when he comes home she is lucid and they talk about his research - otherwise, he just loves and takes care of her.

(He’s never successful in finding a way to reverse what he feels he caused in the first place - his ambition and single-mindedness is, to him, the reason why all of this happened)

Honestly who knows if I end their story either of these ways😌 I just love thinking of AUs and different endings and I have a few others I’ve considered as well!!! And whatever endings I don’t write will be immortalized on this blog and in my art as well🙏

[necrotic-nephilim]

bruce and alfred: *thinking they managed to tag team jason into staying the night at the manor* 🤡

tim: *just existing as tantalizing eye candy for jason* 😒

jason: 😏

help i love this i'm cackling-

i think it's funnier if Tim also doesn't know and half the fun for Jason is getting to stare down Tim and make Tim wonder what on earth is going through Jason's head. he'd probably assume it's an intimidation tactic, or Jason thinking about all the ways he wants to kill Tim. it's delightful miscommunication of Tim being wary around Jason, always expecting a fight. and Jason damn well knows it, but he does nothing to correct Tim's assumption. He likes seeing Tim tense and ready to throw hands at a moment's notice. Jason just likes seeing what Tim is capable of, knowing how dangerous the little rich kid is. he wants to see how long he can stare before Tim breaks and asks him what his problem is.

and of course, Bruce, Alfred, and Dick are obvious. Cass is curious but not interfering because she just wants to see where this goes. Bruce is so caught up in the happiness of Jason finally playing nice for once pulling his punches and being willing to listen to Bruce that he's overlooking the obvious tension. Jason hasn't actually hurt Tim yet, so Bruce can't get mad for a little staring. he reminds Tim to just not sink to Jason's level.

when Tim does break and he does call Jason out for it, Jason just makes a lewd comment. just to throw Tim off and see how Tim reacts. it sends Tim sputtering and doubting Jason. he calls Jason's bluff and well. we all know how that ends.

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[canisalbus]

It's quite funny having followed you for years and years and knowing Machete as his dark, bloodied, cunning (and always on the edge of getting horribly murdered for his hubris) incarnation, and coming into 2024 and just... yeah he's gay now. Maybe he's even happy. Redemption at last... perhaps he DID get assassinated indeed and all those AUs are just his personal afterlife (does he get to go to Heaven? Seems so!)

.

[0m3n-0f-d3ath]

D3-C1

with sardines

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[larcenywrites]

Look at Kurt and the lil bamfs! 🥺

[starflungwaddledee]

offering three cookies 🍪🍪🍪

(<< part 1)

[em-exceeds-change-zearu]

middle-aged opposites

[reineydraws]

i just. wanted to draw them kissin'. so here's a modern au mistletoe thing. :') happy december!!! also i think shanks would look amazing in a cream-coloured cable-knit. 😌💞

[squidthusiast]

What’s your favorite fic by theashemarie? I want to read her stuff, but I’m so intimidated by how much there is!! Where do I start?

OH ANON HOW I’VE BEEN DYING TO ANSWER THIS ONE!!!!

You’ve opened up THE can of worms my good fellow…

I am so sorry for the person i’m about to become

I’ve actually spent the last couple days making a simplified compilation of Ashe’s works, to make it easier for new readers to visualize them.

It’s the reason why it has taken me some time to answer this haha.

As for my favourite fic…. That’s such an insanely hard question to answer T_T

I’ll put the compilation & my thoughts under the cut to minimize dashboard noise.

(Disclaimer: i’m not a writer so some of the terms I use are from my loose understanding of literature!)

Warning for rambling ahead!!

I tried to make the fomatting as straightforward as possible! If there are any other questions you can drop a comment :)

As for the fav fic stuff:

I don’t think I can have a hard singular favourite of Ashe’s fics, because they’re all different and encompass different themes and vibes and ideas, and fuck man they’re just so good. Ashe has a masters degree in writing and it SHOWS, but also just her writing style & way of developing stories.. it’s so captivating, rich and thoughtful. I love analyzing their work & being rewarded with the amount of detail and effort that is put into it.

Here’s a couple that fucked me up particularly good though, if you must know:

LDR AU | Meet Me on the Rink | And Take Off Your Mask | Simulacrum | Language Barrier

At least two of these majorly impacted my life & mean a whole lot to me because of the themes, topics and characterization in them.

I think one of my favourite things about Ashe’s works is how visceral and raw and real they feel while you read ‘em. There’s a real strong focus on the plot, which makes for a fantastic build up throughout the story. There’s also emphasis on characterization, and by the gods it’s deliciously crafted. The direct and indirect ways in which Ashe portrays the personalities, flaws and motivations of characters… MAN.

A lot of people read fics for a quick hit of fluff or angst, so plot-heavy, meaty fics with a lot of undertones and somewhat unconventional themes can be very different from typical expectations.

Still, I stand by the fact that it’s exactly because of this that Ashe’s work is so refreshing and fascinating to read through, and I strongly encourage everyone to give it a try, especially if you like Off the Hook.

She also has a lot of oneshots and shorter stories that I listed above, if longer ones feel daunting. They’re just as good!!

I’m really grateful that they share all of this work online; creating entails a lot of work, whether it be art, writing, cosplay, etc.

Posting it for free on top of that??? I think we need to appreciate our fic writers more, honestly. They’re a huge pillar in fandom spaces that often goes unnoticed.

That’s my little ramble on the topic, thank you for reading if you went this far!

I hope this helps Anon, and if you need more pointers or thoughts you can hit me up again.

With all that said, big shout out to @theashemarie , this is my big propaganda post for you all to follow her and/or check out their work, and leave her a comment if you enjoy the fics!! I know they appreciate them a lot :)

[youssefguedira]

V, JoeNicky & Nile

V. An abandoned or empty place.

When Joe pulls the sheet off the couch it kicks up enough dust that it makes Nile sneeze. The couch underneath is old, wooden frame rotting, fabric stained and full of holes where moths have eaten away at it. 

“Sorry,” Joe says to Nile when she finally manages to get the sneezing under control. “Didn’t realise it was that bad.” He puts his hands on his hips and looks down at the couch. Nile looks it over.

“There’s no saving that,” she says, wiping at her eyes. She can heal from falling over ten stories, but she can’t get away from allergies.

Joe frowns. “I liked that couch.”

The house is older than anywhere else they’ve brought her, and has been abandoned for long enough that it’s falling apart. But through some trick of posing as their own sons, or something, Joe and Nicky still own it, even if there’s a giant hole in the roof and all the windows are broken. Why they’d decided to come back here, Nile doesn’t know, but it’s a nice enough area, and a good distraction from, well. Everything. Growing back a leg, she’s discovered, is not fun. 

From one of the other rooms – she thinks it’s the kitchen, she’s not actually sure where Nicky had wandered to – there’s the sound of something breaking and crashing to the ground, and a muffled curse. 

Joe makes a questioning noise in the vague direction of the kitchen. A few moments later, Nicky appears in the doorway, covered in dust. “I am okay,” he says. “But I think we will need to go out to eat tonight.”

“Nothing?” 

Nicky shakes his head. “Unless you want to start a fire and go hunt some rabbits.”

Joe grins. “Just like old times, right?”

Nile shakes her head firmly, which makes Nicky smile. She loves them, but there’s no way they’re doing that. 

“We can probably clear out enough space in here,” Joe says, gesturing to the floor. “Get the sleeping bags out of the car. Probably have to start a fire anyway, but…”

Nile looks around again while Joe says something to Nicky in Arabic that makes him laugh. The house is falling apart, sure, but it’s structurally stable, and the bones are all there. It could be something. They’ve got time to make it something. 

Nicky is the one who goes for pizza in the end – he doesn’t trust Nile and Joe to order it if left to their own devices – while they try to clear out a space in the living room. Eventually, though, after Nile has another sneezing fit, Joe suggests they just take the sleeping bags outside instead, which works out a lot better. He sets about starting a fire with practiced ease while Nile sets out the sleeping bags around it. They’re far enough away from civilisation that she can’t hear cars passing by, which is kind of surreal, and the stars are brighter than she’s ever seen them. 

When Nicky gets back, two boxes balanced on one arm and a bottle of wine in the other, he looks over their makeshift camp and laughs. “Just like old times, then?” he asks.

Joe grins. “Except we have pizza.”

“And actual sleeping bags,” Nile says.

“Ah, these modern inventions could never quite match the comfort of a pile of furs,” Joe says wistfully. Nile gives him a look. She’s ninety percent sure that one’s bullshit, but she can never quite tell with him. 

Nicky sets down the pizza boxes, and jogs back to the car to grab the pack of plastic wine glasses they’d bought before they got here. 

“We should’ve bought marshmallows,” Nile says. “Could have made s’mores.”

“Well, we’ll have to go to the hardware store tomorrow anyway,” Joe points out. “And I think it’ll be a little while before we can actually sleep in there.”

“Tomorrow, then?”

“Tomorrow,” Nicky agrees.