#honestly i just can't believe this is happening

[phantom-chirp]

Something I think about a lot with Maruki's perfect reality thing in terms of Akechi is how like, defanged he is for lack of a better term. I know Maruki's actual reasoning for things like that is just that his perfect reality removes a lot of the trauma from people, so they would inherently act differently, but to me it ends up just pushing the idea of "you can't be happy the way that you are"

It's reflected in a lot of the characters honestly, since a lot of their trauma didn't happen or is covered up by the reality none of them are themselves. Aspects of their personality caused by the hardships they faced no longer exist

Sumire is also a big example of this. I could talk a lot about Sumire but in relation to this topic, again her perfect reality being one where she is not herself (literally) and doesn't have any of the past trauma or experiences that made her who Sumire is just pushes that idea even more, not even getting into how it also reinforces her own negative ideas about herself by Maruki doing that

In the perfect reality, Akechi and Sumire are both different people than who they actually are, so it's really not a reality in which they are happy, is it? "You're too broken of a person to ever be happy while being who you are" is the message that gets sent across to me, whether or not Maruki intended that

Sumire is Kasumi now, a happy and determined person who isn't bitter and angry and overwhelmed with grief about the death of her sister, a person who doesn't hate herself and a person who doesn't have those experiences. Someone who now never has the chance to explore who she really is and grow and face her struggles head on, someone who will never get to learn that she is worth more than she grew up believing, replaced by the sister who she always felt was better then her

Akechi is now a cheerful and kind person, a reflection of his Detective Prince act, who is no longer resentful and lonely, no longer traumatized from all the actions he had to take throughout his life and someone who could've found happiness if he just had more time. Someone who had people who accepted the parts of him that would make most view him as unworthy of affection, the less palatable person who longed for someone to want him, as he is, replaced by a version of him that's seen as easier to love

[suplicyy]

Hello!! Can you do tsukki, kuroo, akaashi, kenma, shirabu, suna, and atsumu with a fem reader gf who is an actor and she has to do kiss scenes sometimes and char gets jealous? Tyy!

Also ik this is a lot of characters so take your time :)

— Tags/Genre: Fluff | Fem!Reader | Timeskip

— Characters: Tsukishima, Kuroo, Kenma, Akaashi, Shirabu, Suna and Atsumu.

— Warnings: None!

╰┈➤ Tsukishima Kei

He's definitely one of the most rational on this list, and as much as he tries to look at this situation as normal, he can't help but feel his eyebrows furrow slightly at the idea.

Well, that's your job, and you're not going to stop loving him and he's not going to stop trusting you because of something that both actors are dealing with professionally.

But even if he doesn't show it (at least that's what he thinks), you know the man you have.

The eye roll when you mention what happened, the drumming of his fingers on the table, and also the short but dry answers he gives you.

He really doesn't want to act like this towards you, after all he loves you, but he really can't help but feel jealous.

And speaking of jealousy, he would NEVER declare it to you out loud, this man is is annoyingly proud until the end.

However, you know very well what he is feeling, since every time you mention the recordings of your current project, he always finds a reason to mock about your romantic partner in the series/film.💀

╰┈➤ Kuroo Tetsurou

Even though he is the more playful type with you, so to speak, he wouldn't mind too much if you had to do something like that.

All the moments you spent together, all the words of love exchanged, every gesture, every look, all of this is enough for Kuroo to know that you love him with all your heart, just as he also loves you very much. <3

So obviously he's going to make some sarcastic comments about how 'I'm definitely a better kisser than this guy' or something like that.

But he wouldn't be worried about things like "maybe she won't love me anymore", for him these are silly thoughts.

He trusts you completely, and knows that you always handle everything that happens on set in a professional manner.

I think you would be more worried about this kiss than Kuroo, so he's the one who has to assure you that he knows how much you love him!!

And even if he assures you that everything is fine, he won't refuse the many compensatory kisses you give to him...🤫

╰┈➤ Kenma Kozume

Kenma is really a calm guy, it's rare for him to lose his temper.

And even in a situation like that, I honestly see him continuing to be the same.😭

It's not that he doesn't mind you kissing another man, after all the first time you told him that, you saw his face contort into an irritated grimace.

But he knows it's just for the recording, so he'd just be a little jealous at first!!

I see him as someone who doesn't share much about his personal life as a streamer, but his subscribers definitely know that you are his girlfriend, after all you are a very famous person too.

So they wouldn't be surprised if, At the beginning of his live, out of nowhere, he announced a film that had just premiered just because you were in it.

"Well, the movie is already in theaters, so watch it! It's pretty cool... except for the kissing part..." he says pretending to be jealous, and then gives a small smile, while showing the movie poster in his hands to the camera.

╰┈➤ Akaashi Keiji

Definitely the calmest and most responsible on the list.😭

There's no way he would be jealous of you, because he knows you both love each other, he trusts you and knows he have nothing to worry about.

Just like Kuroo, you might be more worried about this situation than he is, thinking that it would upset him in some way.

And if you're nervous because it's your first time doing a movie scene like that, Akaashi would definitely calm you down and assure you that you'll do well in the filming!!

He sees how talented you are as an actress, and believes you are capable of completing any type of scene, even though they might make you a little worried.

But he will always be there to support you with whatever you need, comforting you with the sweetest words.

╰┈➤ Kenjiro Shirabu

He would be PISSED💀

I see him as someone who, when he's jealous or upset about something, can't hide it at all.

Whether it's his facial expressions, like a contortion of his face, and a slight pout appearing on his beautiful face... or in his own words.

"...Ew." That was the only comment he made when you showed him the photo of the person you were going to record with...

Even if he gets jealous about this whole situation, he would try not to think about it too much, otherwise he might just stay with a sullen face all day long.

But all you have to do is give him a few kisses and he'll melt right away and forget about it!!

If some of his friends (probably Goshiki and Tendou...😭) asked him if he was jealous of your kissing scene, teasing him, he would probably let another comment slip out.

"Why would I be jealous of someone who doesn't even know how to kiss well?"

╰┈➤ Suna Rintarou

When you talk to him about it, you can be sure that he would immediately pull out his cell phone to research the actor who will do the scene with you.

He didn't say this to you, but he did it in the hope of finding some controversy in which the person is involved, so he can show it to you...🧍‍♂️

Somehow, I see him as someone who is very much in the know about things that happen in the world of celebrities, the internet, etc.

So if he was a well-known actor, I think Suna would recognize him and other movies/series he was in and comment on it for you.

"He has the charisma equivalent to that of a door. Why did they put someone so boring in that role?"

I don't think he would be too jealous, but he is too clingy, so I think he would just cling to you all day while making fun of the situation.

╰┈➤ Atsumu Miya

If you told him that the world would be invaded by aliens and all of humanity would be exterminated, it would be less important for him than hearing that you were going to kiss someone other than him...

He acts in such a dramatic way, it's as if you're actually going to marry the person you're going to do the scene with.

"LET ME DO THE SCENE WITH YOU INSTEAD OF HIM!!" "Tsumu... you are not an actor..." "Huh, I guess now I'll have to give up my career as a volleyball player and become an actor..."

He's the kind of guy who when he's jealous, he crosses his arms while tapping his foot impatiently on the floor, rolling his eyes while huffing in annoyance, waiting for you to pay attention to him.

But despite that, of course he would watch your movie, after all, he wouldn't miss any work his beloved participated in!!

But when the kiss scene came on screen, he would do anything to grab the TV remote and skip that scene, swearing that this scene adds nothing to the film's purpose.😭

— A/N: I'm obsessed with Alien Stage and that's all I can think about...... You guys have no idea, this has completely changed my life (for the worse)😍🤩🥰🤩😍🤩😍

[babyangelsky]

It's not that being scolded by Shin's mom was all it took to make Saint pull back, it's that he hasn't forgiven himself for what he did to Shin. And honestly, no true reconciliation is possible until he does.

Saint has been doing absolutely everything he can to apologize. He's been moving heaven and earth to try to atone for hurting Shin and earn his forgiveness but the thing is, forgiveness isn't really something you can ask for or something you owe anyone. Forgiveness is something you do for yourself, so you can move forward in your life after having been wronged and be at peace with yourself.

No matter how much he may want to, Saint can't undo what he did. He can't un-break Shin's leg or un-walk away from him. The only thing that's in his power to do is sincerely apologize, be there for Shin now, and not run away from him again. Because that's what really hurt Shin, even beyond losing his future: Saint leaving him.

And that's what made it so easy for him to misunderstand Saint at the end of this episode. They're just starting to repair their relationship and Shin still doesn't trust that Saint won't leave him again, so he's almost primed to expect it. Saint isn't leaving him of course (wild horses, babes. wild fucking horses) but because he hasn't forgiven himself, it's all too easy for him to fall into this cycle of self-punishment where he does everything he can to atone except what's required. To quote @respectthepetty, he's doing the most to avoid doing the bare minimum.

Like I know it's easy to look at something like Saint's decision to drop out of school and give up Shin as a dramatic teenage response, but I think it's deeper than that. I think there's a part of Saint that really believes that he doesn't deserve to have a future because he took Shin's away.

His default is self-punishment but he doesn't realize that Shin doesn't want him to prostrate himself, take every hit for everyone all the time, give up school, or agree to do wild ass shit to get Kenneth to leave him alone. He just wants Saint to be by his side and stay there. But in order for that to happen, Saint has to forgive himself and believe that that's what Shin wants.

To move forward, they both have to move on, together and that starts with Saint forgiving himself.

[theresthesnitch]

As I have previously mentioned, I'm dedicating November to writing my Wolfstar Royal Arranged Marriage AU. It's making slow progress. Would you like a snippet? Of course you would.

Warning: this fic features Trans Remus, who is not out to anyone at the beginning. In this snippet, James and Sirius discuss Sirius's future spouse using feminine terms. Yes, this is Remus, but they don't know any better yet.

~*~

“So, wedding day jitters? What do you need? Warm socks for your feet? Have you met your lovely bride?”

“I’m not permitted to meet her,” Sirius says. “Apparently, it’s in case I run away first.” 

James walks back over, standing right next to Sirius and fixing him with knowing eyes. “Do you want to run away anyway?” 

“I can’t,” Sirius says. He looks toward James, a small, sad lift to his lips. “I have to have a queen to be the king, and my people need me.” 

James shakes his head. “You know I don’t get it, mate. Why does it have to be a woman? You would be much happier married to a man, and a happy king is a happy kingdom.” 

Sirius scoffs, clicking his tongue as he looks back in the mirror. “You think my happiness is part of the equation at all? Trust me, it’s not. No, most important is heirs, and a gay king married to a man can't make heirs, no matter how much the people may accept that I can love who I love.”

“It's shit,” James says. 

Sirius smiles at him. “It is. But no one ever said being king wasn't shit.” Sirius looks back at himself in the mirror. 

“Should come with some perks, though,” James says. “Like getting to decide who you love.” 

“There are perks! Not that one, of course. But there are definite perks.” Sirius turns around, facing James fully. “It’s fine, James. Royal marriages aren't about love. That was never really in the stars for me.”

James wrinkles his nose. “I guess you could always take after your father and have a consort or two to get you through your very heterosexual marriage.” 

Sirius grimaces. “I’d at least have the decency not to snuff it in his bed.” 

James cackles, clutching his chest. “That is never going to be not funny to me. Do you know if he died like while he was in him? It would be awful for what's his name but–” 

“Evan,” Sirius supplies. “And yes, I do know, and no, I do not want to talk about it.” 

James’s face lights up. “Oh, Circe’s hairy snatch, he was, wasn't he? Your dad was porking his little bed warmer when he kicked it. Please say yes; I need to know. My life will be incomplete otherwise. I mean, may his legacy last an eternity and all that, but I absolutely 

Sirius runs a hand over his face, trying to stifle his laughter. He shouldn't be laughing, but it is just so ridiculous. “No, no, he wasn’t.” Sirius snort-laughs again. “It’s worse. If Evan’s screams are anything to go by, Father was… being porked.” James immediately laughs, doubling over and holding his stomach, and Sirius can’t help but laugh with him. “I can’t believe you made me say that.” 

“I can’t believe it happened! Gods, imagine that. Old King Orion, being fucked by a twink.” That sets James off on another round of laughing. “I’m never going to get over this.” 

“I’m never going to get over the fact that I know this.” Sirius says. He groans. “Evan was wailing it in the hallway. Apparently it was… a while before he noticed.” 

James laughs again, this time falling on the ground. “This might be the best day of my life.” 

Sirius suddenly sobers. “Can’t say the same, honestly.”

[rmbunnie]

It's most likely just Starlin trying to get to Jason dying faster because he did not like Robin, but the whole "Jason's spiraling because of his grief for his parents" thing they were trying to spin was honestly really weird, not supported by the rest of the run INCLUDING the parts Starlin wrote, and kinda reads like an unreliable narrator situation because all of the information supporting it is given through Bruce's narration, him speculating on Jason's thoughts and actions.

The plot thread of Jason's grief for his family affecting his behavior shows up like TWO issues after Jason first becomes Robin back when Collins was writing, and gets sorted out after one conversation where Jason gets to confront Bruce about hiding his father's death from him for 6 months. After that Jason is behaving normally until they encounter three predators in a row, and each time Bruce insists that they can't do anything because of The Rules and assorted red tape/diplomatic immunity plotlines. (The sister of a woman who got dismembered actually tricked the violent-misogynist killer who dismembered her sister (and then got his serial killings dismissed through a technicality) into attacking her, and ends up killing him in self-defense, and then Jason's like "seems fair" and Bruce is like "no. it's NOT. we need to follow laws and not take justice into our own hands. which like wtf Bruce! you are a vigilante who just used a custom tank to fight an evil televangelist! who then got ripped to shreds by his followers while you watched!)

Bruce kinda just decides with Alfred that it must be grief upsetting him and not the dozens of brutally killed women and their predatory killers who the law inexplicably protected, (all written by Starlin, so retconning it for DitF like five issues later would be an odd move) but the only text claiming that's why Jason was upset is from Bruce's POV and through Alfred's dialogue. Jason himself doesn't display any signs of grief in the story itself, or even act or speak in a way that alludes to Catherine and Willis beyond looking at a picture of them and smiling fondly while he sorts through their possessions. He kinda just happens upon the box with his mother's info by chance, and is like ok i guess we're doing mom searches now. He was only going for a walk through his old neighborhood, not actively searching out info on his family. When Jason is deciding whether or not to run off without telling Bruce, he considers telling him and then goes "no, all he cares about is being Batman, he wouldn't even understand why I want to see my mom." Which, I mean, "Bruce wouldn't get it" is a REALLY odd angle if the sole motivator for spiraling, then getting benched* and running away to search out his bio-mom, was because he was mourning his dead parents, a thing he notably has in common with Bruce. That statement only really makes sense if he's thinking about a different thing that was greatly upsetting to him that Bruce brushed past, like maybe a combo of hiding the murder of his dad for half a year and allowing several cases involving sexual violence to freely develop body counts in the name of the law.

Lots of people have written about how Jason's stay in the manor might have seemed dependent on being Robin with how he was kinda just scooped up, but (if we're including Detective Comics in our characterization,) Bruce had offered to let him resign from Robin and just live with him (a little late, but still. It's worth noting Batman proper shows Jason afraid and uncomfortable at the thought of Dick taking Robin back, which lends more merit to the housing-dependent-on-Robin-misunderstanding interpretation, but canon is pick and choose anyways.) The lack of trust involved in his choice to search out his mom kinda reads like it was bred by more than that alone, and Bruce's prioritization of the law over the protection of the people it ignores is notably upsetting to him in the prior issues. tbh I really do believe the outcomes of those cases could have informed Jason's stance that Bruce's method of justice is ineffective right alongside his own murder and his experiences in Lost Days.

It would make sense for Bruce to not consider his own actions while he's thinking through things that would upset Jason, because from his point of view the things there that were bothering Jason were the criminals alone, not the way that the methods with which they were approaching their crimes continually led to the perpetrators evading actual justice. During the point in DitF where he's thinking through motivations for Jason's running away because something isn't adding up for HIM, the idea doesn't so much as cross his mind. It would also add another layer to Jason's sulkiness upon Bruce's arrival if he held the belief that Bruce is ignoring the consequences his brand of justice has on victims (and the way it's affecting him to helplessly watch it play out), starts to hope that Bruce actually can understand his thought processes/relate to him when he shows up, only to be told to his face that Bruce is prioritizing his style of justice over Jason again. With the way everything that led Jason to his bio-mom was comically circumstantial and the context of the previous issues, it's kind of the ONLY way Death in the Family makes sense to me. Tldr: I feel like the grief claimed as reasoning for Jason's actions leading up to his death is mainly speculation from Bruce and Alfred and the more textually-supported reason for his erratic behavior and lack of trust in Bruce is the lack of intervention in several sensitive cases that led them to worsen unobstructed and eventually permitted them to escalate into casualties in 2 out of 3 cases.

*Also, side note, but the idea that Jason got benched for the Filipe situation, while perfectly reasonable, is not quite spot on. The Filipe situation escalated into the fight in the junkyard where his dad is crushed by a car and Bruce is all "everything you do has consequences" which is kinda big words for a guy whose lack of action indirectly lead to a girls death earlier in the storyline, but true. Jason actally gets benched because he jumps directly into gunfire while fighting the third set of predators and Bruce starts to worry he's getting a little suicidal with it. He baits a guy into shooting at him on purpose again trying to protect mom prospect number 1 later on in DitF, so Bruce might have had a point with that one.

[blindmagdalena]

Related to the last ask about Gilded Cage, and reader finding out about Billy/what happened to Becca. How would you go about reader finding out Homelander is a rapist? Not just in that verse, but in any fic?

The only time I've seen this play out is a Homelight fic where Annie knows about what happened to Becca. But she sort of "forgives" Homie or rather choses to ignore it, because she also finds out that (in that particular story, not in canon, obviously) he was repeatedly sexually assaulted as a kid. So, she doesn't justify it, but sort of understands why he did it.

Besides that, I can't think of any story where Homie's s/o found out about what he did. Do you think it would be the end of the relationship? Would reader gaslight herself into thinking it wasn't really rape, as many women (sadly) do? I would love to hear your thoughts about it!

it's a tough topic and i don't begrudge people who choose not to address it. it's also honestly just kind of a difficult thing to work in unless homelander himself freely admits to it (won't happen) or someone like butcher tells them.

there's also a lot of dub/noncon fics where it's just. kind of a moot point. if the relationship evolves from that in the first place, they can't really "find out" that he's a rapist. they've got firsthand experience. and yeah, in that case there usually is a ton of gaslighting and rationalizing going on. this is kind of what's going on in Gilded Cage right now where feelings are developing despite the fact he's keeping her against her will, and she still doesn't know if he's done something like this (or worse) before. which... we know he has.

but i do have lots of fics where the reader has no idea the extent of his damage and what he's done, and they would be properly horrified. Guilty Pleasures is a good example of a fic where i believe this revelation would end the relationship for SURE. she would not be able to reconcile that.

honestly you could take any one of my lighter/consensual fics and follow them up with the events of The Breakup / You Let Me Complicate You, which could just as easily have been about finding out that he's a rapist. it turns into a situation where the reader wants out, and he's simply not going to let them go.

the level of consent in Say It is also extremely questionable. basically noncon early on. would the reader here be shocked to learn he's done this to someone else? no. and she's already pretty well given into his corruption by this point.

whereas the reader in Don't Fret Precious (I'm Here) is a total loon, and would very readily excuse his actions. might actually be jealous because she's just. my ultimate yandere homelander simp. but she's definitely an outlier lol

ultimately it depends on the type of story you want to tell, and what kind of person you're writing against him. it's up to the author if that particular s/o believes the information at all, or if they let themselves believe that it's a terrible lie, and that their hero would never do that. or... maybe it makes perfect, horrible sense to them, and they either can or can't live with that.

i do think it's an interesting (albeit brutal) topic and one i'm open to exploring in the future! i can see myself going down any number of these potential avenues, depending on the vibe/character personality i'm working with.

[everpresence]

hi! sorry if this is a repetitive question, but how can you manifest when you are desperate for something? i try to be nonchalant about it, but i can't help but think about it obsessively and the more i affirm my desires the more i hear the opposite thing. and i know i shouldn't be paying attention to that, but i can't help it. i want to be more strong minded when it comes to loa, but right now i feel defeated.

hiya! i don't think that's a repetitive question that i've answered before, so don't worry about it. if i did answer a question like this before... well, let's just say that i'm expanding on it LOL!

the more i affirm my desires the more i hear the opposite thing

what you said is reminiscent of this passage from The Power of Your Subconscious Mind by Joseph Murphy:

I have talked to many people during the past thirty-five years whose usual complaint is, "I have said for weeks and months, 'I am wealthy, I am prosperous,' and nothing has happened." I discovered that when they said, "I am prosperous, I am wealthy," they felt within that they were lying to themselves. One man told me, "I have affirmed that I am prosperous until I am tired. Things are now worse. I knew when I made the statement that it was obviously not true." His statements were rejected by the conscious mind, and the very opposite of what he outwardly affirmed and claimed was made manifest. Your affirmation succeeds best when it is specific and when it does not produce a mental conflict or argument; hence the statements made by this man made matters worse because they suggested his lack. Your subconscious accepts what you really feel to be true, not just idle words or statements. The dominant idea or belief is always accepted by the subconscious mind.

i have a feeling that you are trying to "ignore the 3D," that you are trying to deny what the 3D looks like through your affirmations. i'm not a fan of how people teach the idea that you should "ignore the 3D."

coming from personal experience, it's exhausting to be told that. you grow weary. hammering affirmations into your head is a chore. you delude yourself by saying that the 3D looks "fantastic" when in reality, the 3D looks like shit. you are lying to yourself -- and you know very fucking well that you're lying to yourself.

when you focus on affirming against the 3D, you are suppressing your emotions and reactions to them. by trying to reject your 3D, you are giving it even more attention.

Your thought can only affirm, for even if you deny something, you are actually affirming the presence of what you deny. Joseph Murphy, The Power of Your Subconscious Mind

i honestly don't think it's even about trying to manifest through the desperation anymore. it's not about struggling or fighting against the 3D to have what you want. it's about learning who you are and what the 3D represents.

your 3D circumstances are the result of your past beliefs, reactions, impressions, etc. when people look out here, they fear it because they believe that it is the "final outcome" or that it's never going to change. but it's not the final outcome. it is always responding to who you are deciding to be in your 4D, and you are always changing, expanding, and growing out of previous patterns. the 3D is just feedback of your 4D. by denying what the 3D looks like, you are literally denying what you made your 4D look like.

be honest with yourself. allow yourself to admit that the 3D looks like absolute shit because you're right, it is not the way you want it to be.

people tend to believe that acknowledging the 3D means that you're giving up, that you're resigning to it. that's not the case here! accepting that the 3D is shit is recognizing the fact that what the 3D looks like is simply a state of consciousness, and it is only one state out of infinite states that already exist in imagination.

so it's okay. you can admit that the 3D looks like shit, but you still have the free will to decide who you want to be within. no worries! you can always come back to the 4D (i.e., your imagination) and remember that creation is finished. you are not the state, you are the occupier of states (I AM). you can still experience the state that you want to be in RIGHT NOW despite what the 3D looks like.

and you're not going to be desperate anymore when you know that creation is finished, that you already have what you want in your 4D. it's a state that already exists! and to desire something is to already have it. you can always come back within and do whatever you want with it, experience the feeling of already having it because that's the truth. you already have it. you already are it. let it sink in.

[scorndotexe]

Out of curiosity, why do you dislike Midnight Mass? It's really like hear your opinions.

it's just so fucking BORING!! the concept is interesting i do find the concept interesting (vampire priest who believes his vampirism is a gift from god) but somehow it was done in the least interesting way possible. sometimes there's like a minute where i thought "holy shit is it finally gonna get better" and then i watched the next episode and it continued to be exactly the same.

all the characters are basically exactly the same. i know it's by monologue flanagan but can they at least monologue in DIFFERENT ways??? dear god. he edited it himself and you can REALLY tell. the fucking ten minute scene that's just "what do you think happens after we die? vcnvncmrnwbvnjef vdmnnc cmnennwneetnewnnwbefnbrtnbemrbermnbmrbtrtbwnrebeb" is crazy who thought that was a good idea. god every character was so forgettable i think i remember like 4 names. genuinely i see people talking about a character and i have to look them up and i STILL don't remember them. don't get me started on the fucking therapy speak. also riley flynn is the most boring protagonist i've ever seen i can't think of a single personality trait he has. i can barely think of ANY personality traits ANY characters have.

i know we shit on his adaptations a lot (as we should) and at the very fucking least he didn't ruin another excellent work of horror with midnight mass but he is NOT a good writer with his own stuff either!! it's so BLAND. even when it's not boring it's bland and uninteresting. i know i'm biased i know i watch extreme horror to find artistic value in underlooked pieces of media so i'm used to "that freak shit" but he did nothing!!! he did nothing with his vampire priest! he was literally irrelevant by the end because he gave that antagonist role to some other character and he was never really the protagonist either. he was just there for a really dumb late-game romance plot/plot twist.

it's such an unbearable show and the ending isn't even good!!! its tone is so fucking weird like everyone dies and yet there's still a weirdly hopeful tone to it. i feel like that's a moment to REALLY lean into the tragedy. it doesn't have a happy ending but it also doesn't let you feel sad enough for it to be truly tragic.

also there's like three different types of vampire in the show and it makes NO sense why they're so different from each other. i'm not asking for extensive lore i'm just asking for consistency.

it's like 8 hours long and i know i've probably spent way more than that complaining about this fucking show but still a waste of my time. it just sucks so much. it could have been an okay movie but as a whole show it's so dragged out and doesn't DO anything with those eight hours. i don't mind a slow burn i really don't but a) the build up has to be worth something and b) it has to have something really really good at the end of the build up.

honestly it looks SO good in gifs and screenshots and fanart that it makes me wish the show was better because you could have a much better experience just looking at those and imagining a good show than actually watching it.

on the plus side if you DO watch the actual show riley's death scene is the funniest shit in the whole thing.

[bokettochild]

Hi, I've been following you lately. Your fictions are so awesome, they really made my day.

I'm currently looking for new works and came across your Opera House AU. It's a bit unfortunate that those main ideas and plot aren't quite on AO3(where I usually read most because I'm not good at English). So I follow your instructions to Tumblr to search by tag.

I don't know and I'm not sure but I have scroll down all the way to find the first post about the idea of it. Well... I've come to the post from 20/3/2023 and it not the first one(?). It seems like you've talked about it for a while before having the tag.

The story plot made me feel so curious because you've been talked about it for a while. What have happened? What are those about? What will happen next? So exciting, can't wait to know!

Sooo... If you don't mind, can you tell me about the first idea of it and the story line up until now. I'm really grateful and thankful for any ideas that will help me know more about the AU!

After all, thanks for answer me and please forgive me for bothering you. I love you so much! Wish you have a great day/night! <3<3<3 💗💗💗

Oh hi!

So, the opera house AU actually did only start around that time! I made sure tag all the posts with the appropriate tag, it's just that ny missing pieces you feel might have existed before exist only in Ds between myself and @/cantankerouscanuck, who I believe was one of the ones to start the AU rolling and really get me making it (him and @/mermain123)

The AU is still pretty new works wise, although I guess it's been around for over a year now!

The main plot is yet to be written, but would focus, theoretically, around a young Hyrule, who, freshly booted to the streets after out-growing foster care, is homeless and working a crappy job while trying to figure out life, and runs into Legend, who is, well, on the run from the cops (he's a graffiti artist in his spare time).

The two boys would sort of connect as Hyrule insists on helping the guy- who literally fell through a window of a (seemingly) abandoned building and landed him while he was trying to sleep there -back home. After this, they meet again and, attempting to help Hyrule in return, Legend gets him a job at the opera house where he's worked since he was small.

The main story would follow Hyrule getting familiar with the cast and crew of the opera and finding his own place among them, either as a performer himself or in some other role (so far unknown because that's something he has to decide for himself).

I fully intend to write this one day, but have a lot of other big stories in my head so it's been slow. that said, there's been so many great ideas, suggestions and prompts given to me that I did end up creating a few one shots for the story, focusing around the other Links and their own respective drama (mostly Legend and Twilight but trust me the OH AU Time brainrot is real rn)

If you have any further questions about the series, feel free to ask! I love talking about this one so very much and it's never a bother for me when I see messages or asks about it (it honestly brightens my whole day!)

[perpetuallyfive]

making some kind of "commitment"

I've been feeling such a strong impulse to write.

But I do know that I've said this before, often in fact, and the final product doesn't always appear. Sometimes life gets in the way, sometimes the confidence in what's already written down dries up, but that's why I've decided to try to say some of it more explicitly.

I'd like to put it out there in an effort to give myself a commitment to something to work toward, sure, but also permission to actually do it and post, even when it's not entirely perfect. The world is largely imperfect, and I might as well chase my bliss.

Currently Writing:

Warrior Nun Dragon Age AU: There's 18,000 words of chapters 3 and 4 written, some of which has already gone to beta. I need to do some revising but this feels very, very close and I'm excited about it again, which is the most vital part.

Really Want to Write:

Frantically thinking about a believably in character way to write something for Caitlyn/Vi in the same vein as You Can't Become Unreal Again. This is the main place my brain is at right now.

A small Agatha idea that's not too intense in world building, dear god please brain just let me write something around 10k and let it go, let it goooo into the world.

Honestly I keep thinking about the idea of Bishova at the TVA. Has this already been done? It's probably already been done. But the time hijinks!

I Promise I Am Going to Finish and Still Think About It Regularly:

RWBY Dishonored AU. It's going to happen. I want it to happen. I have written so much of the next two chapters it's sick that they're not out yet. I just made it so long that I have to go back and reread everything to double triple check which things have already been made explicit and which things I've only been pondering for literally years at this point and never actually put into the text. I am (often) my own worst enemy.

Less Sure About But I Still Wanna Finish One Day:

When The Feast Is Over, the third Bechloe Marvel AU fic where I set myself up to have to figure out the entire first major arc of the MCU as it plays out in my specific universe so I could mess with it. Why do I always try to write ideas that require SO MUCH world building? Why is that the kind of thing that makes my brain so happy? Some mysteries will never be solved.

[swornoffofeggs]

@ofdropeggsonher

I get it. {I simply said with a nod. I didn't get it. Jesse's perspective on this didn't make sense to me. Yes, there was a time I thought the sun rose and set with Finn. I was fully convinced that he was everything I wanted in life... Things changed though. Maybe had he married me back at graduation, things would have worked out between us, and maybe not. I had no way of knowing either way. Looking back on it now though, everything changed the moment Finn forced me onto that train bound for New York. He decided to end things between us... He decided to go off and into the military, and then ghost me even after his brief stint with the military ended. Even after he showed up in New York, I could see a wall had been built up between us. Maybe a part of him was hoping my dreams of New York hadn't turned out like I hoped they would, and that I'd decide to return to Lima with him, as a result since he was dead set against giving NYC a chance. I don't know. Honestly, I don't know about any of it. Sure, in my heart the hopeless romantic wanted to believe that some day when I've made all of my dreams of success and star power came true, I'd return to Lima so Finn and I could get married and start a family... Truth was though, I had no way of knowing. Would I ever want to step away from the spotlight? Would that dream ever pass? Or at least get me to a point that I'd want to return to a small town like Lima? Were we just too different for it to ever work? I think deep down I knew Finn would have found a girl who was more his fit. A small town girl who was content with a simple life there... Not one who had big dreams that she wasn't willing to let go of. Either way though, Finn was gone, so I'd never know what may or may not have come between us} Truth is, Finn is gone, so I have no way of knowing what, if anything, would have happened between Finn and I down the line. Deep down though, I think the reason Finn and I broke up and went our separate ways is because we realized we were on the path for two entirely different directions and dreams. {I shrugged slightly and sipped on my beverage} I can't focus on the past or the what if's in life though. I need to keep my eyes on the future... The here and now. Jesse, I don't know if we'll be in each other's present and future lives, but just know, I'm open to it. As far as I'm concerned, there's always a hope for us, should the timing and paths go in that direction. {Leaving it at that since I didn't know what more to say. I couldn't fairly answer Jesse's question because I had no way of knowing what may or may not have happened between Finn and I down the line. Finn was gone, and as much as I'll always miss him, I can't focus on the could have been's or the what if's}

Continued

@swornoffofeggs

As teenagers you always believe you have your priorities planned out. You always think the big dreams are going to fall into place. Jesse can admit he was selfish, he was the guy that only looked out for himself. He was the star of vocal adrenaline, he only wanted to be the best. And that meant hurting others he never planned on caring about in the process. He saw it as a game; he knew of Rachel when he not so accidentally ran into her in that music store, it was a plan one Shelbey and him had orchestrated. He needed Rachel to fall for him, be distracted, she was his only real competition. And even to this day he knew it had stopped being a game the more he got to know her; the way he saw her smile when he held her hand. When she laughed at his lame jokes when we watched grease. But he was in too deep; and the only way out was for Rachel to hate him. To believe it was all a game, to believe he never liked her. She was annoying, selfish but the truth was she was the one that he fell hard for. 

Each time he found a way to end up back in Lima; he wanted to see her. She had big ambitious dreams, and he wanted her to achieve everything she wanted. It fell right into her lap, the performing arts school; with his aid of course. But that was a story for another time. And Funny Girl; she was the youngest star in the making; and he felt proud of her. It was rare he’d ever admit someone was just as talented as him but Rachel lit the candle. It was a shame the stars weren’t lining up for the pair. 

His passion, his everyday work was in London; we opened shows in a few weeks, and he never expected to feel this strongly upon seeing her again. Upon hearing her voice, it made goosebumps form on his arms. To hold her in his arms again, he felt the racing of his chest as we swayed to the music. I heard it in her voice, she was happy for me, just as I was for her. But there was a hint of sadness realizing whatever we attempted to start tonight; and in the next few days was pointless. But the ache in my heart formed at the thought of not taking my shot. I was here for her; I wanted to hold her hand; tell her how remarkable talented she was as long as I could. The night was young; once we escaped this party the night was ours. 

A smile hinted at the corners of his lips as he dropped his hand from around her waist, the one he still had wrapped around her smaller palm. “ Well the reviews are out on that one. We open in a few weeks, and I’d hate to bail just because I found a better offer.” A tease written in his voice. As he glanced down to meet her gaze. Brief before he tugged the brunette through the mountains of crowded people. Bodies pushed up against us until we pushed through the swinging doors. The slight breeze hitting my face as we landed outside. Cars lined up against the curbs. The people chatting as they crossed streets; some attempting to march into the after party; not that I cared. I got away from prying eyes, I got away from the judgy looks. Now it was only us; me being the trouble in this situation. 

Hands dropping to my side, I kept my fingers locked in hers; letting Rachel decide if she wanted to let go. Tilting his head down narrowing eyes on her. “ As much as I love you having your own driver on the wait for us, I think walking would be best.” Pausing as he leaned down until lips were inches from her ear. “ Besides I’d rather have you to myself Berry.” A whisper against her ear before he lifted his head up with a smirk landing on bare lips. 

[thr3eguess3s]

gUYS!!!!!

Holy fuck!

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[dixidin]

MANLYBADASSHERO LOVERS WE WINNN

[galadhir]

Oh this is nice!!! I know that early 2000s LOTR fandom was extremely hard to deal with so more power to you for this one.

Honestly, I found the fandom a great place to be in those days. There weren't a lot of people writing Celeborn or even the Sindar in general, (other than Haldir and Legolas.) But the section of the fandom that I hung out in, I found delightful. Lots of really good writers, and a playful atmosphere in which we were all being inspired by each others' work and writing our own, and chatting about it with each other. I was lucky, maybe, but I have only pleasant memories.

I do remember what I thought was a thriving Elrond/Celebrian fandom in those days (although anything not-Legolas and not-Feanorian was obviously much smaller than those powerhouses.) I think it's great. Celebrian deserves a bit of development. If we want strong female characters in the Tolkien fandom we should maybe write more of them than just Galadriel, and surely Galadriel's daughter must have been special in her own right.

i think it's interesting that even in that one Celeborn is a Teler, and therefore always associated with the folk that got damaged by the Kinslaying

It *is* interesting :) I think Galadriel nails her colours to the mast as regards her support for the Sons of Feanor with that decision. And would have stood to potentially alienate herself from her whole people if not for Thingol embracing the Finarfinions and (cautiously) being okay with the people of Fingolfin. It's hard to go against your whole family for love - which is an interesting aspect of their story I don't see explored enough.

(Admittedly I haven't been in the fandom for 20 years, so it may have been done to death by now, but... somehow I doubt it.)

Also I like the version in which Celeborn is a Sindar, which also makes the marriage a mixed marriage in terms where Galadriel married a dark elf. There's a lot to be said about elvish racism in the way the Amanyar treat the elves of Middle-earth, and how that makes things tricky not only for Galadriel with her relatives but also for Celeborn with his.

I think that's sad that people ignore this and say that Celeborn never understood the real Galadriel (opinion that came from the show for some reason) or that he's just an useless betacuck with no personality because that's the only way a woman would have indipendence in her marriage, amirite? Because else a Real Man™️ would rather tame her, right ?

Ugh. This is still going on? Of course it is. Because we are more sexist than Tolkien, and we can't imagine a m/f marriage without subordination of one of the parties.

For some reason it seems to be impossible for people to understand that you can have a marriage where both people have their say - and are thus functionally equal - where one of them has more power than the other.

And yet that's easy - the one with power just refuses to exert it over the other person. They respect their spouse's autonomy because they are a good person.

Also it's possible their spouse has qualities other than power that make it only sensible to consider their opinion.

because they are your beloved and you want them to be happy

because they may have more knowledge of specific things than you and you trust their judgment

because they may have character traits you don't have and you need - ie caution, or wisdom. (See where Galadriel calls her husband 'Celeborn the Wise'. She obviously thinks he generally has good takes on stuff.)

etc

I can't believe I'm still having to argue for the equality and independence of spouses in this day and age.

The less said about Peter Jackson the better. To be fair, I loved the first film, but it was him having the elves of Lorien come to Helm's Deep that got me into fandom in the first place. I was like 'no. That's not how that happened. Do you think they didn't have stuff to do at home?' And then I wrote Battle of the Golden Wood to try to produce something that was a bit closer to canon.

If I wasn't so old and tired I would be tempted to write the story of the Fall of Eregion and the Forging of the Rings for the same reason. But omg I am so tired.

Objectively the funniest argument i've seen for the reason why Celeborn isn't in the show is that he's so boring that not even the showrunners know what to do with him and that he would be an useless baggage for Galadriel's story…

Well, they should do their job and think of something. I could do it. I could do it in a heartbeat. It's easy. How dare these people think that Galadriel's husband is going to be boring? What a travesty!

For what you say of the lore… you're right but i think that the Unfinished Tales rights are off so they cannot use them.

Oh yes, I keep forgetting about the copyright stuff, and their insane decision to write a story they don't have the rights to use the canon sources for.

They should have done something they *did* have the rights for, instead of just making up something that almost has to be wrong in order to be permitted at all. I'm sure there are an infinite number of stories that could be told around the events of LotR and The Hobbit.

What about that Haradhrim soldier that Sam wondered about, for example? I would genuinely love to see more about Far Harad and learn what lies Sauron told them to make them trek across Mordor on their war elephants to attack a city they'd probably never heard of.

You could add a female MC, a couple of blue wizards and some ex-Numenorian Corsairs and I'm sure you could mix up something fascinating that no one in Tolkien fandom could complain about at all.

(We still would complain, but it would be fun complaining and not whatever cannibalistic thing this is.)

Simon Tolkien should at least suck it up and if he was ok with Amazon's fic, to open the possibility for fans to publish LOTR retellings.

LOL! That would be great. I'm ready :)

Hoo, boy. I am definitely going to unfollow the Celeborn tag again, since it's full of Haladriel shippers arguing that Celeborn stans are harassing them.

I'm not getting into whether that's true. I have no interest in Rings of Power, and as far as I am concerned, Halbrand does not exist in Tolkien's world. I can't be somewhere where people mix Amazon's fanfiction with actual lore.

Also ship wars are not for me. I was a massive Celeborn defender during the release of the movies, and I wrote several novels worth of fanfic then. I think I'm spent.

Still, as a Celeborn fan I thought the Celeborn tag would be a great place to go to find stuff about Celeborn. How could I have been so foolish!

My poor lad! Not even his own tag is about him. Which is exactly what I should have expected, now I come to think about it.

[screamingcryingnightingale]

So my friend and I watched Good Omens 2