#his terrible ex pseudo father figure made him the gun

[coffeecakecafe]

I’m not actually sure how I managed to forget to post gun Yancy here but I *did* so here he is Now, almost a year later. if it helps his party had to wait for a year of sessions to find out that he’d had a revolver all along

[nellie-elizabeth]

Supernatural: The Big Empty (13x04)

This season is kicking serious ass. I love it so much I cannot even tell you. Let's just dive right in!

Cons:

My complaints are really minor. There's a moment at the end when Jack steps in and saves the day, but the special effects looked pretty goofy. They did this sort of subwoofer sound effect and slow-mo and his eyes glowed gold and it was just kind of hokey.

Pros:

That's literally my only complaint. I sat there for a second trying to come up with something else I disliked, and I couldn't.

The main story involves Sam, Dean, and Jack hunting down a shifter who is disguising himself as lost loved ones before killing his victims. They think they've found the culprit, a therapist named Mia, but she proves her innocence. She is a shifter, but she uses her powers to give her patients a chance for closure. Turns out, it's her terrible, abusive ex-boyfriend, Buddy, who is also a shifter and who is trying to take away her happiness. The shifter gets the best of Mia, Dean, and Jack while Sam is away following up on a lead. It looks like Sam is going to get shot when he walks in the door, as Buddy has the whole situation rigged, but Jack manages to access his powers in time to save the day.

First of all, I like that the plot was simple and straightforward. We didn't need five different twists, we didn't need too many detours. Dead people are killing living folks. Ghost? No. That's ruled out. Shifter? Yes. The first shifter they find? No. I was almost waiting for yet another double cross, and was pleasantly surprised when it never arrived.

And speaking of, I really liked Mia! The moment when Sam realizes she's a shifter, and comes bursting into the room with a gun, was the perfect subversion of expectations. Sam and Dean both hold a gun on her, but she explains her innocence and the boys actually let her explain herself. They've certainly come a long way from shooting monsters on sight! And I loved the parallels that this created with Jack. Mia has learned to believe that being a "monster" isn't everything. It's not what you are - it's what you do with that. I was really pleased that while the disgusting, abusive Buddy got the ax, Mia lives to fight another day.

Jack is... just adorable and precious in all ways and I want to adopt him? I love that Sam and Dean are taking on pseudo-parenting roles with him, albeit very unwillingly in Dean's case. Sam accuses him of being like their father was, and Dean shoots back defensively, wondering if there's a problem with that. Both Sam and Mia point out to Dean that Jack is clearly scared of him, and just wants his approval. There's such a sad echo of Dean's own desperate seeking of approval with his father. It seems pretty clear that Dean can't look at Jack without being reminded of what he's lost, but by the end of the episode he throws the kid some praise, telling him he did a good job when saving Sam and Dean's life. This is such an utterly fascinating dynamic and I can't wait to see where it goes from here.

One of the highlights of the episode is Jack and Mia's private moment, where Mia shifts into the shape of Kelly, to give Jack the chance to talk to her and hold her and feel as if he's with his mother for the first time. This was just so emotional in every way shape and form, and the acting was spot-on.

Then you've got the Sam and Dean dynamic going on. The two of them, along with Jack posing as their little brother, go to therapy with Mia to try and figure out what's going on with the deaths in town. It's meant to be just for show, but Dean lets his resentment out into the session when he accuses Sam of being delusional for not admitting that Mary is dead. Sam lets out with one of the key reasons behind his grief - Dean was the one who had the relationship with Mary. Dean's the one who remembers her from when they were little, and Dean's the one she connected with upon her return. How is Sam supposed to accept that he's lost the chance to have a real relationship with his mother? He storms out of the room.

Now, in any other episode of Supernatural, Sam and Dean might have a fix-it conversation at the end and things would get a little better, but in this one, the outburst literally happens in front of a therapist, who calls Dean out in no uncertain terms: "you just made your brother so upset that he had to leave the room." In the end, we do get that fix-it conversation, and it's even more heartbreaking that you'd imagine. Dean apologizes for being a dick, and then Sam reveals an awful fear - what if Dean is right, and Mary really is dead, and he's just been in denial? Dean says he doesn't want to hear that - "I need you to keep the faith for both of us, because right now I don't believe in a damn thing." Dean admitting that he's hit rock bottom and he's willing to accept help from Sam is just such a critical turning point for their character arcs this season. I'm all about it.

This episode's title is "The Big Empty," which of course refers to the subplot with Cas that I'll be talking about next... but it also refers to the theme of grief that's prevalent through the episode. It's notable that nobody in the main plot ever mentions Cas' name. On the surface, the grief in this particular story is centered on the loss of mothers - Jack grieves for Kelly and Sam and Dean grieve for Mary. Jack learns that Sam wants him to help save Mary, and he's all on board for the plan, while of course Dean doesn't believe it's possible. We get all of these conversations and moments to talk about grief and the emptiness and lack of faith that comes with it, and meanwhile the specter (not literally in this case) of Castiel is hovering over the entire episode. We know he's not really gone, but on earth he's just left an emptiness.

Okay. Misha Collins. You're amazing, dude. This week, he gets to pull out yet another character, playing The Empty as a manifestation of the nothingness that came before the creation of everything. It's just a black nothingness, infinite and older than time itself. I love the idea of a place where eternal sleep is really a thing. It's not Heaven, but it's not Hell. You're just... done. And the manifestation of the Empty is eternally asleep as well, that is until Cas wakes up (thanks to Jack's powers) and starts disturbing his beauty rest. Cue a series of scenes where the Empty tries to get Cas to just give up and go back to sleep, and Cas stubbornly refuses to do so. In the end, we see Cas wake up, apparently back on Earth.

The Empty had this weird accent and this sort of jittery sense about him that reminded me a little bit of Crazy God Cas or Casifer, but not enough that it was just a copy of either of those things. Misha did a great job of creating a properly sinister yet still undeniably charming entity in the brief time we had with the Empty. The character creation was also good from a writing standpoint. It makes sense why this guy wouldn't be a mover and a shaker in inter-dimensional politics or power struggles. He's made of nothing and he'd just like to be nothing for the rest of time. Cas being awake is messing with that for him.

You've also got the fact that Cas' first guess when asked why he's awake is that the Winchesters must have made a deal to save him. He's not sure what's up, but the minute he has awareness of himself, all he wants is to go back, because Sam and Dean need him. The Empty tries to get through to him with self-loathing, telling him he's a worthless burden, that there's nothing waiting for him back on Earth... he says some stuff about knowing Cas' inner soul, and mentions knowing "who you love," which my shipper heart reacted to quite violently. Jury's still out on that one, though - it's possible the Empty was talking about Kelly. Or, I don't know, "humanity" or some crap like that. Regardless, the most incredible thing about all of this is that it doesn't work. Cas does not waiver in his desire to escape from the Empty, because he knows that his family wants him to come back. This is such a big step for Cas, who just a few seasons ago was allowing Lucifer to possess him because he didn't think he was worthy of helping out in his own right.

I've seen some rumblings in the interweb worrying that the figure we saw at the episode's end was the Empty, and not Castiel. I definitely see the worry, but I'm really hoping, for the sake of selfish desires and narrative building, that this is Cas, truly back from the dead. They created such a cool concept for the Empty, a creature of nothingness that just wants to sleep. It would be weird if that creature popped into the mortal realm for no good reason. And also, we've got the scene transition, where Dean tells Sam that he doesn't believe in a damn thing, and then literally the next shot is Cas appearing back in our world, pretty much ordained with the sole purpose of restoring Dean Winchester's faith. I am just all about that.

So... there you have it. This was an excellent episode. I'm enormously pleased that Jack seems to be sticking around as a more permanent figure in the season instead of jumping in and out of the story like so many cast members have in the past. I can't wait for Cas' return and all the epic reunions!

9.5/10