#heterosexual sympathisers do NOT interact
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I'm not fond of the pairing but from what I've seen General public actually loves Sylki very much. Even the trade reviews called the relationship "genius" which,,,ok. Someone did a poll on various platforms, yt, reddit, fb, twitter etc comparing which ship is better (Lokius or Sylki) and it was Sylki who won by large margin in the end. I suppose mostly they just don't care because it's sci fi and a pairing in a totally unrealistic show, and after Wandavision I guess weird ships are 'in' but yeah it makes you think. But the writers already said they won't give in to the fan pressure bc they have their own story to tell (which ok, valid, you do you) but idk. I guess we will get even more Sylki in second season. Tom already said Loki won't stop searching for her
Sometimes I think casual fans are the most irritating thing about being in a fandom :/
Just as a disclaimer (bc I don’t want people coming for me): I think lokius is really cute, and I love fics/art/headcanons about them, but I never thought they were canonically romantically interested in each other. I never thought lokius was gonna be canon, and I never wanted it to (because I didn’t want ANY romance in the series), so I don’t even include it in my argument against s*lki.
Ok so….. listen. This is gonna be a long ass post, so I’m putting it under a cut. Sorry, anon, but you’re the one that opened the Worm Can.
The viewing public, in general, tends to heavily skew towards heterosexual-presenting ships. Partially because a portion of the general audiences are homophobic, and partially because a lot of non-tumblr fans are so sick of hearing tumblr stans go on and on and on about how they were queerbaited by certain gay ships not becoming canon, when in reality, said ships are trash.
Listen. I sympathise with that. I get that. I know I’m beating a hornet’s nest with this, but…. D*stiel? J*hnlock? St*cky? None of those were written in any way to invoke queer undertones, they were always supposed to be platonic, and tbfh even as platonic relationships the first two are literally toxic and abusive as hell, anyway.
So I definitely understand how a casual straight fan on Twitter or Instagram would see some of those same crazy “we were queerbaited” tumblr stans ranting about lokius not becoming canon and how much s*lki sucks and……. it makes sense that they’d be like “These people are just pissed that their gay ship isn’t canon, that’s why they hate s*lki.”
But here’s the thing. I don’t think those people realise how callous it is to say something like that when the only reason queer kids are so quick to ship any two male characters who express a modicum of affection for one another, is that they’re so fucking starved for representation in the first place, they’re willing to see queer romance in any same-sex interaction. They’re just that desperate. That’s where the whole crazy gay stan thing comes from. And yeah, it’s annoying that these people put their whole chest into defending gay ships that are total trash, but you have to realise why they do it.
So, what I’m saying is, for s*lki shippers- who are already winning, because their straight ship had the privilege of easily becoming canon despite all its flaws- to look at queer people who are frustrated to the point of tears that they were once again conned out of any form of queer rep (for the mcu’s first canon queer character, for gods sake) after actually genuinely being queerbaited this time (with his bisexuality/genderfluidity)….. and to essentially gloat that their straight ship became canon and taunt queer people by saying “oh you’re just desperate for two men to kiss”………… idk, man. It just seems real cold to me. Reeks of straight privilege and heteronormativity.
Ok, so with that being said.. let me respond to your actual ask lol.
I’m not surprised at all that s*lki won the popularity polls. I think a large reason for that is the fact that it was pitted against lokius, which sorta rubs a lot of casual viewers the wrong way for reasons listed above. I’m also not surprised that casual viewers liked it outside of its opposition to lokius- because, um, casual viewers aren’t very smart.
They tend to analyse exactly nothing, they don’t look any deeper than the surface, and if the writers of a show stick a hot man and woman together under a blanket, they eat it up. Because the narrative tells them it’s sweet. Just like the narrative tells them Loki is a greasy asshole who had no character development up until this point, and they eat that up too. Just like the narrative tells them that sylvie’s the best thing since sliced bread, and they eat that up too. Just like the narrative tells them it’s completely in character for Loki to try to subjugate a group of 3 random Mongolians in the middle of the dessert for absolutely no reason other than his “narcissism”, and they eat that up too. Just like the narrative tells them that one throwaway line about liking “a bit of both” is somehow this groundbreaking example of lgbt representation, and they eat that up too……… See the pattern here?
And as far as being concerned about the pseudo-incest angle, I don’t even think casual fans even dug that deep. They literally just saw two main characters- a pretty white woman and a hot white man- doing cool fight scenes together and giving each other goo goo eyes, and they were automatically sold.
And the writers saying “we won’t give in to fan pressure, we have our own story to tell” is honestly complete bullshit. What the hell is the POINT of working for a corporate film company and telling a story on screen if not to please the fans??? They do what they do to get people to watch their shows to get lots of money. That’s literally what they’re there for. Mike Waldron must have a pretty damn inflated sense of self importance if he thinks his own “artistic vision” or what the hell ever is the priority here lmao.
And I wanna be mad about Season 2, I really do. But at this point Season 1 ruined the character so much for me that I legitimately don’t even care what direction they take him in.
#this is probably all over the place and semi-incomprehensible but oh well#sometimes ya just gotta rant#topic: queerbaiting in cinema#loki deserved better#antisylki#anti mike waldron#anti sylvie#@marvel I hate you#anti casual fans#frosty bby#queerbaiting#anti loki series#loki series critical#loki series negativity#ask#anon#language tw
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WOWM
so What Once Was Mine came out and I read it.
My General Thoughts are that this book was something of a rollercoaster but in like a pop up carnival with dubious safety regulations and diseases in the DIY log flume water kind of way. I had some fun reading it but I also feel like I picked up a rash.
If you're like me and you enjoy picking a book apart for morsels of interesting concepts then you might enjoy it, if you think holy shit why the fuck is a literal real historical serial killer in this book I need to see this then you might enjoy it, if you care about engaging plots and character beats then you probably won't.
If you want to ask me anything specific go ahead, but otherwise for more in depth thoughts: spoilers ahead
Basic Summary of the Plot
Okay so here's the deal. The story has the framing device of two siblings in a cancer ward, where one tells the other a story. I'll get into that later, but that's how it starts. Our actual story starts with a pretty long prologue: We learn that the King & Queen got the Moonflower thinking it was the Sunflower, Rapunzel was born with silver hair, and then baby Rapunzel kills a maid who accidentally hurt her when brushing her hair.
Oh, by the way, Max is a human man named Justin Tregsburg. Yeah.
Anyway, the royal family puts out feelers for legit witches who can safely take care of Rapunzel because the baby is too dangerous, and Gothel shows up to take her away. Queen Arianna visits Rapunzel once (but is only allowed to watch through a peephole) and decides watching another woman raise her child is too painful and throws herself into restoring the kingdom's orphanages instead.
Now we're in the present. Rapunzel is nineteen and she wants to go and see the lanterns (a mourning tradition of the Dead princess in this story). She tries to argue with Gothel but gets shut down, and Gothel makes her kill a chicken to prove the point that she can't go outside because she's too dangerous. However we as the audience already know Gothel plans to sell Rapunzel off as a bride or a servant or a weapon to some other nobles, because she's evil.
Also by the way Gothel still has access to our Sundrop Flower and is using it to live forever that's just a thing that happens in the background.
When Gothel is gone Rapunzel watches as a man (Flynn) stores a satchel in a tree outside of her tower, and that motivates her to leave the tower for the first time. Then she goes back inside the tower with her prize of a crown, and a skink she found and named Pascal. Rapunezl and Gothel have another spat, and Rapunzel decides she will run off to see the lanterns and she will find Flynn and make him her guide.
She ends up at the Snuggly Duckling and she doesn't find Flynn but she does find Gina, a young career criminal girl looking to break the glass ceiling. Gina agrees to help her find Flynn. They find Flynn, and he agrees to help guide Rapunzel to see the floating lanterns for a split reward of the crown with Gina.
The Snuggly Duckling gets burned down by Countess Bathory (yes that Elizabeth Bathory) and the Pub Thugs are pissed about it and also they're helping Rapunzel even though she didn't sing the I've Got A Dream song don't worry about it. We learn that the nobles that wanted to buy Rapunzel are now hunting her down so she can go to auction.
Gina takes them to her adopted mother's cottage. Gina's mother is a white witch, who goes by the name of Goodwife. She doesn't get an actual name she's just The Goodwife. Anyhow, the cottage is a magic safe space (for now) and Goodwife teaches Rapunzel that her hair isn't inherently evil and may not even be all that deadly! Rapunzel learns that her hair has other powers too, like the ability to turn skink Pascal into a sentient Chameleon. Yeah.
Also Goodwife tells Rapunzel she's the dead princess but this isn't like, an immediate call to action. Not a lot happens until we get this story's version of the Mother Knows Best Reprise where Gothel finds Rapunzel again but has to flee, but this Rapunzel has a bigger support network and isn't buying it. Flynn and Gina decide the safest course of action is to bring Rapunzel to the castle, but along the way she gets kidnapped by the Countess.
Gothel is pissed because she still wants the money for Rapunzel, so she rallies the armies of all the opposing bidders. Flynn and Gina convince Max the Man to send for his troops, and he joins them in going to the enemy castle. Flynn tries to sneak in, gets caught, and meanwhile there's a bloody battle out the front between the noble armies. Max jumps into the fray, Gina turns around and rallies the Pub Thugs.
Rapunzel uses her shrinking magic (!) to disappear half the castle and escape with Eugene, and the Pub Thugs arrive and basically end the battle. The Captain is dying but it's okay! Rapunzel turns him into a horse :) Also Rapunzel sees Gothel and tells her to fuck off.
The story ends with a tearful reunion between Rapunzel and her parents, Eugene and Gina are implied to be biological siblings, and things are good but of course in direct parallel to Cass Gina leaves at the end to become an adventurer. The end.
(There are a few other smaller plot beats, but you get the idea.)
MY THOTS
So here are my thoughts™.
Framing Device
I'll just state that I didn't like that the story was told via the vehicle of an older brother telling his 16 year old sister a different version of the Tangled Movie in a cancer ward. From what I've heard it also isn't normal for the Twisted Tales series to use a framing device for the AUs either.
I sympathise with the author's personal story, of course I do. That doesn't mean I'm stirred with compassion every time the flow of the story is interrupted to remind you to be sad because this is a story being told to a girl sick with cancer. It feels more than a little tragedy-porny rather than emotionally touching, and maybe that's because I'm too burnt out on real life tragedy to waste emotional energy on fictional cancer patients but we don't need to do Fault In Our Stars discourse again.
Real World References
This story goes heavy with Real World references. And another issue with the framing device as above is that you do feel like this is a story being told by someone namedropping every historical figure they know which makes it harder to get into the story.
There's like... a lot of references to Christianity, particularly in the prologue. There's a priest that thinks Rapunzel's hair is the work of the Devil or whatever. It's a lot. The Patriarchy is a thing. And that's not even getting into the Countess. I put it very succinctly in my notes so I'll paste it here:
I wish she’d just been an OC who could exist to chew scenery because the fact that she was a literal historical serial killer is super. Off putting. Like, she could have been an obvious reference to Bathory, but it feels like Miku Binder Hamilton levels of uncomfortable to me.
I miss Lady D.
Which basically sums up my problem with trying to take the setting of Tangled and put it somewhere in the Real World and somewhere on the Timeline. Who thought this was a good idea.
Misc. Thoughts
So, I used the five highlighter colours my ipad allows to organise my thoughts and organised them accordingly: Yellow for out of place IRL references, Blue for worldbuilding/character points that aren't plot relevant but still interesting, Pink for when something I find personally amusing happens, Purple for when the story feels like it's trying to 1-up the movie in some kind of way and Green for Heterosexual Nonsense. I'll touch on those last two in the Character sections but be prepared.
Also: for a book about giving Rapunzel killer hair, her hair isn't very dangerous. I wanted to see Rapunzel kill someone, and I'm disappointed that I didn't.
Characters
I'll do a deep dive into my thoughts about the characters before wrapping it up. I'm starting with Gina because she's honestly the easiest to get through.
Gina
Gina is a new character introduced for the story. She's a young woman trying to make it as a career criminal but keeps hitting that glass ceiling. So here's the down low, for all those who want to know: Gina is basically Cass, only not really. She's implied to be Eugene's biological sister, as previously mentioned, but you can imagine she's Cass the entire way through without breaking your immersion because if you imagined Cass if she were adopted by a Goodwitch rather than the Captain and had a looser, more wilderness survivor than trainee guard upbringing then you get Gina.
I liked Gina! I think she's fun as her own character too, and her best moments are when she's interacting with her mother Goody Goodwife, and she of course picks up a natural sibling rivalry with Eugene, but I was disappointed with how little she really bonded with Rapunzel because she needed to make room for Eugene and Rapunzel's romance.
Rapunzel
Okay, here's our protagonist. There's a notable effort to make Rapunzel more active in her destiny and whatever, and sometimes it works but sometimes it doesn't. I was worried they'd try to go full butt-kicking girlboss with her but I was pleasantly surprised that Rapunzel was pretty useless in most scenes, genuinely love to see it.
With a more intimate look into Rapunzel's psyche through the medium of prose, we see Rapunzel really questioning Gothel's behaviour even before she leaves the tower, and while I appreciate that she can develop her own cynicism I feel it starts unnecessarily early. This is my purple colour; the movie needs to be "fixed" by showing the readers that this Rapunzel is quicker to distrust Gothel. She's also quicker to hatch a plan to go outside of the tower on her own, and she makes a plan to make Flynn her guide for the lanterns even though he never stumbles upon her in the tower- and even though she has a perfectly rational reason not to trust him which is that he is a stranger and a Wanted Thief.
In the moments where it does work is when Rapunzel is surrounded by her new support network: Flynn, Goodwife and Gina, who encourage her to question Gothel's sincerity, and Rapunzel comes up with her own defences for Gothel so that she can poke through them herself.
I have some other thoughts about Rapunzel's hair and her powers, like how the story provides the interesting concept that her hair gets different powers with the different phases of the moon, but a lot of the powers are uhhh stupid and also I feel like it really robs the story of the whole gripping conflict of "Yes I'm Rapunzel Yes my hair kills people what of it".
In as far as just Rapunzel herself though, she still felt pretty in character nonetheless, and maybe that's all I can ask.
Flynn Rider / Eugene Fitzherbert
My boy I am so sorry. They neutered my boy.
Long story short: Eugene in this story is the sexy lamp. He contributes nothing to the plot except to be there for Rapunzel to drool over. And of course because he won't get any character development, he starts from the very beginning as a sweet soft boi with none of the Flynn Rider characterisation from the movie because we don't have time for that, he needs to be husband material stat.
His whole character is the colour green for Heterosexual Nonsense.
So, here's the problem. In the movie, there's not a lot of time for ~friendship~ between Rapunzel and Eugene because they kind of immediately see each other as a romantic prospect. And whatever, it's a movie and there's only so much time. But this book had the opportunity to take things a bit slower and instead chooses to make Rapunzel get jealous whenever Eugene and Gina interact and for her to be constantly wishing he was holding her hand.
Say what you will about Lost Lagoon, but it tells a good romance story just by virtue of not intending to be a romance story, because the author is trying to convey a strong bond between Rapunzel and Cassandra without using "and they kiss" as a cheatcode. What Once Was Mine says "he was a boy, she was a girl, could it be any more obvious?" and leaves it at that.
Now as for how this all pertains to Eugene's character? Well, it just robs him of any flavour. In the movie there's a clear distinction between Flynn and Eugene, when we learn Eugene's real name about halfway through. We see a clear difference between the Flynn we knew- kind of an asshole, wanated to drop Rapunzel off at the Snuggly Duckling and get rid of her- and Eugene, who is sincere and chooses Rapunzel as his New Dream in opposition to his Old Dream of living alone on an island with a bunch of money.
This version of Eugene is basically Eugene all the way through, because the plot doesn't really need Eugene there but he has to be there because it's a Tangled AU so there's no Rapunzel rescuing Flynn from the guards and healing his hand scene, he just loves her immediately and that's that. They have a little spat at one point but it's cleared up later and not because they actually communicate but because they kiss.
Rapunzel only learns Eugene's real name at the very end of the story, and gives a speech about how Eugene is the real him, but it's just so flat because 'Flynn' has been sincere this whole time? Anyway he does nothing of value for the entire story except be there for Rapunzel to lust after. Eugene I'm so sorry.
Gothel
Gothel's sort of the Big Bad and is characterised as an abusive asshole, the usual. I wish there were a bit more nuance to her character but then again in this story she's not just being passively evil- taking care of Rapunzel for selfish reasons but nevertheless maintaining the status quo- she's being actively evil in trying to sell Rapunzel off.
It's notably funny that Gothel sees the Countess Bathory and is like "what the fuck".
Anyway Gothel in this story also feels very weak in part because this Rapunzel is more critical and in part because this Rapunzel has a new support network. It's for that reason the Mother Knows Best Reprise scene doesn't really work, because the original has Gothel pit Rapunzel against Eugene, whereas she can't do that here so it remains a Gothel vs Rapunzel thing.
She gets a boring death as an epilogue addendum that someone rips out the Sundrop flower, which tbh? lame. It would be a lot more fun if it were open ended but I am also preferential to Rapunzel actually using her killer hair to kill someone. Please
Captain Justin Tregsburg
It's Max. He was a human but then he got turned into a horse. what the fuck you guys
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