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robd-if · 9 months ago

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✭ Rhapsody of Broken Dreams ✭

You were going to be rock stars!

And then suddenly you weren't.

That was four years ago, and since then things have not gone as you expected, as you said they would when you started the band with your friends in college, eyes full of hope and head filled with dreams. You're not sure how it all turned this way, how you ended up with a boring desk job of all things and a mortgage. But life was funny like that sometimes.

Still, you’re missing something, a part of you incomplete.

But when a chance encounter with a band desperately looking for a replacement gives you a second shot at stardom, will you take it?

Highly inspired by INFAMOUS IF. Go read this masterpiece!!

✭ Customise your MC - general appearance, gender (he/she/they), personality and vaguely age (anywhere between around 25 and 35 though it will always be in comparison the other characters and not a fixed number).

✭ Choose between being the new vocalist, guitarist, bassist or drummer.

✭ Help your new rock band win America’s S Factor and keep the morale up.

✭ Survive allegations, injuries, blackmail and the stress of stardom while cameras follow you everywhere.

✭ Choose how you want the public to perceive you, a pacifist or a troublemaker.

✭ Go full Pam & Tommy and have your sex tape leaked (accidentally and optionally).

✭Was stardom all you ever thought it would be?

You can't change MC's past a lot - MC finished an unnamed college, got a good-ish unspecified desk job and has a mortgage on a studio apartment in NYC.

MC has a good relationship with parents, I AM SORRY!

Trigger warnings: This story will be rated 18+...++ for sexual themes/content, alcohol and drug consumption, violence, strong language, suicidal thoughts (not MC's).

This is a romance story firsts! There will be some friendly platonic options here and there, but you'll be forced to lock in a romance around chapter 5 (out out 10). It will be a fairly short story, pretty fast paced and generally nsfw-ish, taking place over only 6 months, from slightly before the auditions in June up to the grand Finale in December.

All the things you should expect to come with being in a rock band, thrusted into the spotlight and tasting fame.

River Jones - (M/F) customizable-ish, same age as MC

Your ex best friend that you started your old band with. They did not take well the dismantling of the band and moved across the country without a word. Four years later, will you be able to rekindle the relationship that was once there? Or will the competition between your bands ruin any chance for it?

You can customise River’s general appearance (height -short/average/tall-, body type - lean/muscular/voluptuous -, skin, eye and natural hair colour) and gender (male or female). Otherwise, they are your former college classmate, turned best friend (optionally turned lover or who you harboured a crush on). They keep their hair short and spiky, a reminder of their mohawk days, and usually dye it in some unusual colour, vibrant green, blue or pink. They like to hide behind an assortment of oddly paired and always too large clothes.

River is a talented musician, being both a song writer, vocalist and playing the keys and guitar. They are classically trained to play the cello, though it’s not something widely known. They are currently the keyboard player and backing vocalist of Vicious Lovely.

Alex “Silvertongue” Arisaka - M - 1,95cm / 6′ 5″ - 38yo

One of the judges and your eventual mentor on the show. He’s one of the biggest rock stars of his generation, a typical troublemaker that comes with the territory of his profession. Or is he? Going through a messy divorce from his highschool sweetheart and mother of his child, will he be able to resist the gruelling months of filming for the show?

Alex is half Japanese and half Dutch. Tall and broad shouldered he seems to fill the room with both his presence and his stature. He keeps his long black hair in some type of messy bun, that’s always on the brink of untying. He is covered in weird tattoos in black and red, depicting various Japanese monsters. He was discovered when he was still in highschool and has been in the spotlight ever since.

Alex is the vocalist of the famous rock band Samurai and father to a 17 year old daughter that seems to hate him.

Morgan Williams - M/F - 1,80/1,70cm/ 5′ 11″/5′ 7″ - 2 years older or younger than MC

Initially a stranger you meet at the bar (or not), they turn out to be the drummer of the band you are in direct competition with. Intimidating at first, covered in dark leather, piercings and chains, they are a charmer at heart and real sweetheart with their heart on their sleeve. You can see why they have become close friends with River over the years.

Morgan has dark skinned and warm brown eyes. They are lean and fairly tall, and keep their hair in shoulder length box braids, usually decorated with a few silver loops. They prefer dark clothes and are never missing a chain or two on their belt loops. Piercings? Yes, they challenge you to discover all of them.

Morgan is the drummer of Vicious Lovely and usually the pacemaker of the group.

Hazel Sloane King - F - 1,60cm/ 5′ 3″ - 25yo

Assistant producer and former host of the show, she is, in her own father’s words ‘an angry old man in the body of a petite woman’. Heads turn when she walks by, but she needs none of that. She’s all work and no play… unless it’s her rare day off.

Hazel is short and lean, her figure a perfect hourglass. She has luscious copper hair and vibrant green eyes, but it’s the mischievous smile that gives her an air of mystery. She’s always dressed to impress on set, not a hair out of place, in an assortment of expensive looking pantsuits and dresses.

Hazel was born into the industry and will become a full time producer like her daddy even if it kills her. Scratch that. Even if she needs to kill her way through. You better not throw a wrench in her plans!

Levi "Leviathan" Lawson - M/F - 1,90cm/ 6′ 3″ - 2 years older or younger than MC (same age as Morgan as they were classmates)

Vicious Lovely singer and de facto leader of the band. And the bane of your existence. When you first meet Levi you think they look like an angel, with an innocent baby face and charming smile. They also have the voice to back it up. You’ve never seen anyone do a 180 so fast though.

Levi has pale ivory skin and light blue eyes that look almost grey. They have luscious curly blonde hair, male Levi keeping it ear level short and female Levi letting it grow past her shoulders. They are tall, with male Levi being more athletic and female more Levi curvy. They have sharpened their canines for a more menacing look, but otherwise, their body is piercing and tattoo free. They wear eccentric outfits for their performances, but you often see them in sweatpants and a T-shirt when the cameras are not rolling. Wears glasses in their off time, contacts when on stage.

Levi is confusing and manipulative and will sacrifice anyone in the name of winning the show. Even you, darling. Don’t fool yourself.

Kai Vela - M/F - 2,06cm/ 6′ 9″ - 34

Kai is an ex-military who was honourably discharged after suffering an injury. They worked various jobs in the private security industry until they ended up as a regular bodyguard on America’s S Factor. Despite their status as a civilian, their good looks and stoic personality generated quite the fandom, with various blogs and even fanfiction written about them.

Kai is tall and muscular, with tan skin and wavy dark brown hair that barely touches their shoulders. They have hooded slightly downturned brown eyes that look stuck somewhere between bored and menacing. As per their contract, they have to wear a suit when filming, but they find it all kinds of inappropriate for the job, usually preferring black cargo pants, T-shirts and boots.

Kai is the silent and brooding type and has a no-bullshit approach to life. They enjoy being a bodyguard and the pay is definitely a bonus, but they are weirded out by the cult like following some stars have.

Bonus RO -> romanceable for female MC only, with a more choice restricted route. Read more about it here.

Seth - M - 1,85cm/ 6′ 1″ - 32yo

Born Sebastian Shaw, Seth is one of your new bandmates, who is going through a messy breakup with the band member you are replacing. He has the boyish charm of the rocker next door, always soft spoken and polite despite his dishevelled hair, leather jackets and distressed jeans. He is a rule follower to the very bone, but you sometimes wonder if there’s really no darker side of him.

Seth has lightly tanned olive skin, wavy dark brown hair styled in an undercut and piercing blue eyes. He is tall and athletic, “his body a temple” and other similar quotes that earn him a laugh from his friends. He loves his bike and will take any excuse to ride around town.

Seth is the guitarist/ vocalist of your new band, but lately he’s been thinking the spotlight is not for him.

✭Other notable characters✭

Jude - MC's current bff (she/he/they).

Zain - Seth’s brother and your band’s drummer/ vocalist (and Jude’s future husband, probably).

Dannika Brown - your new band’s bassist/ vocalist.

Mr. King - Hazel's father and the owner and producer of the show.

✭DEMO coming soon

#Rhapsody of Broken Dreams #RoBD #RoBD-IF #twine if #interactive fiction

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murdocsagaypirate · 6 years ago

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The Fall of 2D

A Character Essay

So.. this ended up being a nice long read.. but.. I think some of y’all might enjoy it. I just kind of got carried away. But I’m done~ Back to fanfiction~ I’ve done more thorough analyses of most of these songs that I touch on here in the past. If you go to my blog and type in the songs name in search you’ll find it ... unless I haven’t done it yet... and in that case go ahead and request it if you like.

Remember when you were a little kid and you would look at the clouds in the sky as the sunlight bounced off them? And something that simple would make you feel a part of everything, and all alone at the same time. And the feeling’s not something you can ever put into words, so you spend your whole life chasing it. Making music, taking pictures, painting, whatever. In the hope that other people will understand that sense or… feeling. As creative entities, we look for signs of life outside ourselves for a connection to alleviate the sense of solitude. That’s why we all do what we do. Whether we know it ourselves or not.

Phase 1: Someone Else’s Dream

2D never dreamed he’d be famous, or even successful, in any capacity. No one ever treated him like he possibly could be because he was disabled. He had chronic pain and hindered cognitive ability from childhood that shaped how others perceived him. His bright blue hair growing out of his damaged head made it so that everyone knew he was different- he was stupid. And that perception shaped him. It shaped him into someone with no big dreams, someone that tolerated being bullied, someone with poor self-efficacy and no sense of independence or developed sense of identity. He liked films and he liked music and it didn’t go much deeper than that. Not because he was stupid and shallow, as he’s clearly always been a very deep and creative thinker, but because no one ever gave him the options and opportunity to pursue something bigger. He says in the phase 5 football interview, “My mum and dad taught me not to aim too high.” No one ever believed in him....

Until Murdoc came along. 2D’s blue hair is directly associated to the event that handicapped him but to Murdoc it represented anything but a handicap- it gave 2D the unique looks that would make him a priceless asset in Murdoc’s pursuit of his personal dreams. For the first time in his life, Murdoc made 2D believe he was capable and valuable because he was talented and attractive. 2D didn’t need to be worshiped like Murdoc, he just needed to be worth something, and Murdoc gave him a way to do that. That’s what 2D means when he says that Murdoc “saved his life”, that’s a big reason WHY he idolized him in addition to the fact that 2D appreciates that Murdoc is genuinely talented and driven.

I can’t impress this enough: 2D was only 19 years old. Old enough to know you’re expected to be an adult, to make something of yourself, but for many still not old enough to be one - especially for someone that grew up disabled, whose independence wasn’t fostered ... Make no mistake: 2D was vulnerable and Murdoc, who was 31, took advantage of him. This is a 2D analysis so I’m not going to go into why Murdoc did this, but at the end of the day, Murdoc was a fucking shitty shitty person and there no good excuse.

Already by the time the first album came out, 2D had already figured out he’d been taken advantage of. That’s what New Genius (Brother) is about. It’s about Murdoc and the promises he made him about the path to success he was going to take him on, about the river they were going to ford together and how 2D felt betrayed.

Besides what we learn in RoTO, there are some songs that you can’t totally parse out what lyrics on Gorillaz debut album belong to 2D and which belong to Murdoc besides simply what makes sense. It’s interesting though you can easily argue that there are shared sentiments in songs like Slow Country about working hard to succeed and being lonely. In RoTO a lyric for this song is included, “City life, leave my soul in deep water.” which mirror’s “The river ain’t deep.” in New Genius (Brother). Sound Check (Gravity) is a song he sang straight from his heart on a rooftop in Jamaica with Noodle, that repeats themes of feeling pressured and betrayed and the theme of a confusing and broken love which will reoccur, over and over. At that time (in Jamaica, no less) that love is actively breaking, not broken yet, but he doesn't know what to do. Latin Simone characterizes his depression and the realization that he’s just not happy on this path he’s started on, but there’s no escaping it now. Then you have a song like 12D3, that very directly characterizes him as a simple person that takes simple pleasure in music. There are various songs and lines on Self-titled that characterize drug dependency both for 2D and for Murdoc. Phase One, overall, sets us up with a picture of a 2D who is still enthusiastic about his future as a musician for no other reason than his passion for music, yet disillusionment is quickly setting in, both toward the lifestyle of fame and his idol and best friend.

Phase 2: Feel Good?

This is where 2D starts talking about his never-ending quest to “find himself”. 2D never got to gain independence. He went straight from dependency on his parents to dependency on Murdoc, living at his mansion studio and literally letting him tie his shoes. His parents never fostered an ability to self-care or a sense of ambition, so Murdoc gifted him his ambition and without Murdoc, 2D doesn’t have his own sense of identity.

So, of course, leaving Murdoc after phase 1, he went back to his parents, to work for his dad. He returned to his hometown, to a bunch of people that treated him like a worthless idiot. But now he’s famous. So now he’s surrounded by people that want to validate him... Which he fucking eats up, because it fills the hole left by his upbringing... Not to mention all the very fucking irresponsible sex. There is much that goes unstated about this phase of 2D’s life, it seems he chooses to paint it as wholly positive, yet we know the lasting consequences of it (child support for for several kids for the next 18 years) as well as the fact that he ultimately chose to leave it behind and return to Gorillaz and back into the same lifestyle that he hated and is only getting worse as Gorilaz’s popularity hits it major peak in 2005:

The Feel Good Inc music video give shit tons of insight into the characters and the lyrics. Notably, the way that 2D is placed at the center, on a throne, and how utterly miserable he is on that throne. It’s not JUST the debauchery he struggles with, but the position of stardom and idol worship he’s been thrust into.

“Take it all in on your stride” run’s parallel to Latin Simone’s “Give up, if you want to survive.” He’s resigned to this path, never exhibited any desire to fight it really, because he’s never known another path. Without Gorillaz, he’s aimless. “Turn forever, hand in hand... It is ticking, falling down. Love forever, love has freely turned forever you and me. Windmill, windmill for the land. Is everybody in?” The windmill represents freedom, Noodle’s freedom contrasted with 2D’s imprisonment specifically, yet here he sings about it “falling”, foreshadowing El Manana. He talks about the utter destruction of hope happening to all of them. “Is everybody in?”

Remember the theme of a “breaking love” I’d say would be returning over and over? 2D is trapped in the tower with Murdoc who watches him like some kind of predator throughout the video. Russel is there too, which characterizes him as lacking the freedom that Noodle has but coping through staying focused on drumming, making music. This person that 2D is turning with forever, falling, hand in hand is mainly Murdoc.

While much of this album was written by Noodle, 2D has specifically talked about writing chorus of Feel Good Inc. And there are other songs on the album I’ll touch on that, although lore never specifically states, I can only assume are written by 2D by how well they fit into his character arc at this point in his life and make no sense in characterizing Noodle.

O Green World continues with the themes of Feel Good Inc with the line “Hope, sex and drugs will rust into myself holy. It feels holy,” further characterizing the disturbing dichotomy of pleasurable addiction as a destructive force. Placing “hope” on the list of things that 2D clings to for comfort that destroy him is heartbreaking and we’ll watch how this “hope” becomes more and more painful to hold onto throughout the years. The larger focus of O Green World is the narrative about a failing relationship: the current state of his relationship with Murdoc. A desperation and confusion over a crumbling relationship is also explored in Every Planet We Reach is Dead. Lines like “For all the sacred selfless days, only left with heartache. I want to see you again. I love you... But what are we going to do?” paints the same picture 2D will eventually paint for us again in The Now Now. He will look back on this era of their relationship where he clung to hope that they’d be close, happy and healthy again. And yet... we know how that turned out...

Phase 3: Alone Together

I only really joined the band to make music, and now, I'm being held captive by a bastard bass player in an underwater submarine, being attacked by sodding pirates who are trying to take over this rotten piece of broken plastic in the ocean that Gorillaz call 'home'. All this, just to make a video. It's making me want to die!

So... this is a major phase for 2D, but of course, that fact is often overshadowed but what a big deal it was Murdoc. We have hours of podcast and a whole album to witness Murdoc’s deterioration and precious little to witness 2D’s, though there is certainly enough to analyze especially later in the phase.

2D doesn’t seek attention like Murdoc does. He’s motivated by validation, sure, but not in the practically narcissistic way Murdoc is. 2D isn’t the one that is constantly engaging with fans, soaking up our attention and admiration. He wants to connect to people through music, not as a celebrity, just as a musician. He’s private, and that loss of privacy that comes with fame is probably yet another factor that caused him to hate it.

2D struggles with emotional isolation like Murdoc but in a completely different way. It’s not that he fears and avoids connection and vulnerability like Murdoc, in that quote I started this with he shows that he finds it to be something important and profound. It something he simply finds difficult for many reasons. One, his disability that clearly effects his communication skills. Then the inherent isolation that comes with stardom. And finally,��an inability to connect with himself first and foremost, his undeveloped sense of personal identity comes back into play, that theme of struggling to “find himself”.

Little Pink Plastic Bag characterizes the isolating feeling of drifting through life without purpose. 2D has lost control of his life, knowing he was going to school before this phase might indicate he was beginning to find purpose but once again (and in a much more literal sense) he’s forced away from his own dreams to serve Murdoc’s. “What you want in life? Someone here'll gonna get past by” hearkens back to so many themes present in the first album. In New Genius (Brother) he sings, “People passing through me.” 2D still feels overlooked, underappreciated, so many years later.

2D talks about Revolving Doors: “As I was walking through the doors of the hotel - the revolving doors - and the dislocation of being away, you know, out of sorts, away from home. and the image of this door permanently revolving, the endless repetition and the pointless rhythm of it all I guess struck like, a melancholic image within me. It paints a similar aimless image to pointlessness of plastic bag floating on the highway. Revolving Doors also pretty explicitly references drug use, specifically about buying drugs and getting shorted by the dealer. It’s not news, just notable that substance abuse is still very much present. Another major theme is 2D lamenting how much fame has changed him and his fear of what more is to come which come up again in Amarillo.

Amarillo is such a fucking beautiful song. “I got lost on the highway. But don't ask me where I've been. Or what I've done.” The trials of the last few years have changed 2D, he recognizes this and fills him with regret. And again, he expresses that utter lonely we’re familiar with by now.

Finally, we have DoYaThing giving us incite at the very tail end of this phase of the state of 2D’s relationship with Murdoc, which has quite obviously suffered but enough time is past that they are ready to start healing again. The line “If you're thinking that I don't know what you're thinking, baby. You do more thinking and I'll go out and make it alright“ expresses a concept 2D explored a few times on Demon Days, “I know you now, I know you know me too.” in O Green World characterizes there relationship as legitimately intimate, they understand each other. This sort of relationship is suggested in interviews too, mostly Murdoc relying on 2D to help handle a crisis, while it doesn’t seem that Murdoc is emotionally equipped to return the favor, yet another way Murdoc contributes to 2D’s chronic loneliness. Despite how much 2D is struggling with at the end of phase 3 he still expends energy worrying about Murdoc. After their live recording of Detroit, 2D responds to Murdoc thanking him, presumably just for the fun of the moment, “I was just glad to help, really.”

DoYaThing expresses this dynamic of expending energy and getting little in return with frustration. Before, 2D was confused and hurt, now he’s angry and impatient. “Every time we try, we get nowhere“... “I've got no patience. Oh, it's all a part of the process. Nothing's new, it's true, cool, I admit. Shit, I guess you're right“ 2D is holding on but growing bitter...

Phase 4: Gone Gone Gone

It’s obvious in this phase that his drug abuse is at an all-time high. The entire phase, songs, pictures, interviews, portrayed the band as going all out partying, which, of course, involved drugs. Recreational is one thing, but we know it’s more than recreational for 2D. Sleeping Power was the big 2D song of this phase. All the way back to Tomorrow Comes Today’s music video we see 2D’s drug abuse almost being portrayed as a fun aesthetic as brightly colored pain pills fly at the screen and now with Sleeping Power 2D is having a hell of a good time singing about a day he spent “gone”, completely strung out. He starts the video with the old “This is your brain on drugs” ad, which is practically become a joke in modern culture. and it’s an interesting contrast with the extremely emotional way Murdoc writes about his alcoholism in Plastic Beach, or the dark and completely unflattering way it’s portrayed in White Light.

There’s no denying 2D is depressed, but when it comes to his coping methods it seems he copes even further by making it a part of his identity. It’s not difficult to understand why he’d be so inclined to see his addiction as a positive thing, not only does it help his mood but it manages crippling chronic pain. No matter what though, addiction and substance abuse are never sustainable for mental health and 2D has struggled with this issue or a long.. long.. time.

As for his relationship with Murdoc at this point, it remains in pieces. We see the bitterness 2D feels toward him throughout phase 4. We lose 2D’s voice on Humanz but find so much incite exploring his phase 4 room. Murdoc’s face is plastered on his wall vindictively covered in darts. And yet we find his poems promising, “Yes I am still with you.” and “I will stay. The storm abates. The levy holds.” He’s angry but still refuses to give up. Whether you want to interpret it romantically or not, he clearly still loves Murdoc and we see this even more in The Now Now...

Phase 5: Reflection

On Plastic Beach, if 2D is trapped on an island of isolation then it’s only because Murdoc is the ship that stranded him there. In Magic City, if 2D is on the moon - shining brightly for everyone to see - it’s because Murdoc was the rocket ship that crash landed him on it. The Now Now is chalk full of callbacks and beautifully shows where 2D has come from and where he is now, especially in his relationship to Murdoc. “You put me up here in the penthouse.” Murdoc is the force that made him successful, the reason he’s famous. "I filled the canyons with my ego” The canyon, the hole in himself. We get a call back all the way to New Genius (Brother) as he changes the effect on the vocal’s to sound like some distance voice from the past of someone promising 2D ease of passage only to betray him by leading him to danger, “Let me take you this far. This crossing isn't much to me. There's lightning in the storm clouds. And I'll send you there to stay” and of course, that voice is Murdoc’s.

Like he’s been for years, he’s trapped in this lifestyle. Looking all the way back to 5/4. He talks about the same debauchery and spoils of fame he feels trapped back in Feel Good Inc and calls them “magic”. It’s ironic but at the same time addresses the fact that he was promised they would be magic, promised they would feel good, only to feel betrayed when they weren’t. “Magic on me. Really got me down... Magic’s funny. Magic get me through.” The same magic that depressing him, he relies on to get through: drugs, sex, the validation of fame, you name it. It’s a common tale we see for celebrities time and time again. Trapped in this “Magic City”, he wants to make it “home”. He talks about making his journey home in Kansas as well... where exactly does 2D consider “home”? I wonder if even he knows. Our sense of home is so tied to our sense of security and identity, something 2D has always struggled with. On his quest “home”, by the end of the album the thing that he truly returns to.. is Murdoc. In Souk Eye he decides to come back for him... after all this... he’s still willing to give him yet another chance. Throughout the years he’s had one anchor and one anchor alone: Murdoc. So in the absence of this anchor, his sense-of-self changes dramatically as he tries to emulate the man that was once his idol. Of course, we see this play out in the lore... But... at this point (9/28/18) anything I say about 2D actions in this phase beyond the early characterization through the album is just speculation... So, back to the album...

There are few places where 2D talks about how much he’s sacrificed for Murdoc’s sake, how he’s stood by and suffered for him, even made music for him when he really just didn’t want to anymore. Idaho references this and the level of idolization he once felt for Murdoc so long ago, “Playing it all for gods Yesterday/Faraway” and the role of Murdoc in pressuring him, ““Ride on," said the king of cool. you've got nothing to lose“ and how his hope faded through the years, “Silver linings getting lost”. Fireflies again frames Murdoc’s role in driving him, “You were in the kind of game that put the force in me“ and overall speaks to his desperation to hold onto hope throughout the last 20 years.

The lore supports these songs are about Murdoc in far more obvious ways then has ever been done. Between the Souk Eye visualizer and 2D’s journal, the depths for which he feels for him becomes undeniable. The deterioration we’ve witnessed has caused him so much pain and yet his love remains. “If loving you’s a felony now, then I’m a renegade.”

2D’s story serves as a tragic retelling of the path that so many real-life famous musicians have taken. Being in the limelight is rarely something normal people are able to cope with, and clearly, 2D is no exception. It changed him, caused him to make decisions he hated. He never would have chosen this lifestyle without Murdoc pressuring him, and returns over and over even when he has the choice to stay away because it’s one of the few solid things he can grasp as part of his identity. Meanwhile, he’s bound to an individual that’s even more unhealthy then he is, enabling his isolation, denying him support, taking advantage of him from day one, manipulating his poor sense of self-worth. All of it crushed his once child-like spirit... only time will tell where he goes from here. Maybe one day he’ll finally see the end of his abuse, heal with the man he’s forgiven too many times, and find security in his own self-worth...

Now if all that made you too sad here’s a video of 2D being absolutely adorably happy because he has the opportunity to connect with fans through sharing his passion for music.

#character analysis #2d #i hope you cry

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1dreality · 7 years ago

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It must have been well over a year ago now, when Liam Payne realised he had absolutely nothing interesting to say. The singer, known to most as ‘Liam from One Direction’ until the group’s indefinite hiatus in January 2016, had returned to the studio, settled into the idea of being a solo artist for the rest of his days, and promptly drawn a blank. He was, he says, just too darned happy to think of anything.

Everything in his life had fallen into place. He’d found love, moving in with Cheryl (formerly Cole), a fellow junior royal of the Top 40. Their first child, a son named Bear, was well on the way. He had signed a huge record deal with Capitol. He felt fitter and healthier than he had in years. And, yes, there’s no denying it: he was pretty pleased that he no longer had to be in the biggest boyband in the world.

‘I had a bit of a problem formulating what was going on in my brain into the music at first,’ he says, ‘because I was so content with everything in my personal life. It’s easy to spill your guts out on a ballad. But I was thinking, “Oh God, I’m really happy – what am I going to write about?!”’

More than 12 months on, the answer to that question still isn’t entirely clear. Payne’s debut album, as yet untitled, won’t be released until early 2018. There have been two singles, though, with a third, the unsubtly titled Bedroom Floor, arriving next month.

Of those we’ve heard, the first, Strip That Down, a R&B-inflected club hit released in May and co-written with Ed Sheeran, marked a departure from One Direction’s stadium pop-rock. It was also chock-full of hoary by-the-way-I’m-an-adult-now signposts: there are references to nightclubs, drinking rum and coke, driving Ferraris and having girls ‘grind’ on him. And mixed in with all that were lyrics that caused a minor stir among his acolytes: ‘You know I used to be in 1D, now I’m out, free / people want me for one thing, that’s not me’. Payne, it seems, is keen to reintroduce himself.

‘When I left the band, I felt a bit stranded,’ he says, when we meet in an enormous boardroom at his management’s offices. ‘It took time, but I know as an artist I am starting fresh now.’ He slaps the table with melodrama. ‘This is Moment One. It’s the start line.’

Liam Payne is 24 years old. He is athletically built, as anyone who has seen his shirtless Instagram posts will know, and kind of everyday handsome, in a Love Island, former-youth-footballer way. Both his arms and hands are almost entirely upholstered in tattoos, highlights of which include some thick black arrows on one forearm that look like road markings; the number ‘4’, in reference to One Direction’s 2014 album of the same name, on his ring finger; and, on his left arm, a scale depiction of Cheryl’s eye, that appears to follow you around the room as he gesticulates. ‘It’s so my missus can always keep an eye on me,’ he likes to say about that one.

He is impossibly nice. Before we meet, he plods through the office, saying hello to everybody in the building individually, and in most cases remembering something about them: that they beat him at Fifa last time he dropped by, so they must have a rematch before he leaves (‘I’ll whoop ya with West Brom!’), or they’ve surely had a haircut, haven’t they? (‘It looks really great anyway, man!’). It is the manner of somebody both impeccably raised and intensely keen for people to like him, and it appears genuine and successful.

To an extent, Payne says, the five members of One Direction – or four, after Zayn Malik left the band in 2015 – ended up playing characters over the six years they were together. Whereas the Beatles (arguably the only other group with a comparable scale and speed of world domination), grew increasingly cantankerous towards the end of the 1960s, One Direction stuck resolutely to the caricatures that fans and management assigned them right to the end.

Malik was brooding and mercurial, Harry Styles was a cool, flamboyant ladies’ man, Niall Horan was charming and laid-back, and Louis Tomlinson, who has since admitted to feeling a little redundant, was fun and energetic. And Payne? Well, Payne was The Responsible One.

‘I’ve always been a bit of an older soul,’ he says, mulling over his place. ‘It’s funny: there’s a thing on the net where the fans put what they think are our mental ages. All the boys were around their real ones, but then they put me at about 37.’

Payne admits to feeling a little daunted in 2010, when Simon Cowell thrust the band together on X Factor after they’d auditioned as solo artists. Keeping up with the other personalities in the gang was exhausting, so his coping mechanism was to attempt to rein them in as best he could, and work with management in doing so. Like the popular schoolboy teachers identify as mature enough to be a trusted emissary for his recalcitrant friends, Payne carved himself a valuable niche.

‘I was put with a group of rowdy teenagers, and when I was a teenager, I had mates, but I was always with my dad. I’d go out to the pub and chat with him. So when I was stuck with these boys I was thinking, “F— me, I don’t know how to do it.”

‘When something was going wrong, I’d get a phone call. If there was an apology needed, it was me. I was the spokesperson for the band, as it were, with the press and the label.’

Along with Tomlinson, Payne shares comfortably the most writing credits of the band on One Direction songs. Over their five albums, dozens of songwriting collaborators contributed to the group’s success, but it seems nobody worked harder than the two least-heralded members. Neither was the showiest or best singer; but they kept things ticking over.

One Direction’s hordes of fans around the world noticed the assumed roles, and nicknamed Payne ‘Daddy Directioner’. He lived up to it with them, too. In 2013, on tour in Australia, Payne tweeted a message to warn girls waiting outside the band’s hotel of snakes living in the surrounding fields. ‘It’s just not worth it someone’s gunna get hurt [sic],’ he pleaded.

Two years later, he gave an interview lamenting the fact he and the other boys were being sent sexually explicit pictures of themselves drawn by underage admirers. While the rest of the band seemed to find that funny, Payne called it ‘the sad and sorry side of what we’ve done.’ Yeah, all right, Dad.

Becoming a real-life father has at least given the nickname some purchase. Rumours swirled at the end of 2015 that he had started dating Cheryl – formerly Fernandez-Versini and Cole, née Tweedy – after her second marriage ended in divorce. By the next summer, she was pregnant with the second One Direction baby (Tomlinson, the eldest of the bunch, had one first).

The couple live in a mansion near Woking, Surrey, and aren’t married, but he considers them ‘basically at that stage’. Bear, with whom Payne is besotted, was born in March, and named for the growling noises he was making during his first sleeps. So far, no photographs have been released, but he instantly shows me one on his phone. And here, I can exclusively reveal that the heir Bear is – as you’d expect of a baby with that name, born of two professionally good-looking parents – very cute.

‘We’ve only shown him in glimpses,’ Payne says, explaining their decision to shield him. ‘We don’t want him to have the pressure that me and Cheryl have, as household names. We want him to enjoy himself first and then figure it out.’

Born and raised in Wolverhampton, Payne has an unexpectedly thick Midlands accent that gets thicker the longer he talks – which is a lot. His preferred conversational feature is the anecdote, resulting in a version of the phrase, ‘I remember, there was this one time…’ prefixing the majority of his utterances, which are in turn regularly punctuated with singular handclaps of self-incredulity. It can be mildly alarming, like interviewing a young, heavily-tattooed Ronnie Corbett, but I suppose it speaks to the amount of life experience he has already accrued.

Growing up, Payne’s father, Geoff, worked as a fitter, while his mother, Karen, was a nursery nurse. Money was tight and the house small, but he remembers it as a happy one.

‘My place was on the floor with the dog, there was no space on the sofa. It was great, though we didn’t have much. Dad was in debt, but they did the best they could. It makes you dream a bit, you know?’

As a child, he had two routes to possible stardom, both of which Geoff pushed hard for. One was singing, the other was long-distance running. For a time in his teens, Payne was one of the fastest 1500m runners in the country, getting up to train before school and seconds from qualifying for the London 2012 squad. It was before that, as a 14-year-old in 2008, that he first applied for X Factor.

Auditioning with Fly Me To The Moon, since it was one of the few songs he could manage while his voice was breaking, that year he got as far as the ‘judge’s houses’, before Simon Cowell told him to come back in two years and try again. He became a mini-celebrity back home in that between-period, and carried on performing around town. The adulation was short-lived, though.

Once, performing a Justin Timberlake cover at an under-18s gig in Oceana Wolverhampton, somebody lobbed a coin at his face and managed to draw blood. He laughs about it now. These days – admittedly a largely cashless society – it’s only bras and knickers they fling.

‘I had become less and less famous. One time, I was in McDonald’s with a girlfriend and someone shouted ‘X Factor reject!’ at me. The whole restaurant turned. It was like coming out of fame. So I knew what it was like at 15, and it helped me.’

Following Cowell’s advice, he returned to X Factor in 2010 and found himself shoved into One Direction with the four other boys, eventually finishing the competition in third place, but with easily the brightest future. Within weeks, he had moved out of his Wolverhampton bedroom and into a penthouse apartment in Canary Wharf.

And six years later, One Direction had sold more than 20 million records, become the first band in history to have their first four albums go to number one in the US, touring the world numerous times, and earned a preposterous amount of money in the process. Payne is now estimated to be worth £40 million. He hasn’t been back to Wolverhampton in a long time, but he paid off his father’s debts years ago, and bought his parents a new house in addition to funding the renovation of their family home. He refers to his time spent in One Direction as ‘like uni’.

When they were in the thick of things, all the boys used to obey Cowell’s omertà – relentless enthusiasm at all times, please – and never discussed any negative aspects of their experience. Now safely out the other side, Payne is frank on matters of burnout and claustrophobia.

‘Cabin fever. It sent me a bit AWOL at one point, if I’m honest. I can remember when there were 10,000 people outside our hotel. We couldn’t go anywhere. It was just gig to hotel, gig to hotel. And you couldn’t sleep, because they’d still be outside,’ he says, before telling several stories of how he and Tomlinson would sneak out of hotels just to feel freedom, only to find themselves bored once they got out.

‘People were speaking to me about mental health in music the other day, and that’s a big issue. Sometimes you just need some sun, or a walk.’

Every stop on tour became the same. Earlier this year, Payne was asked which was his favourite city of those he visited with One Direction. ‘One in Italy with a big white cathedral,’ he responded.(The band performed in Milan at least five times.)

‘One of the problems was that we never stopped to celebrate what we’d done. I remember us winning loads of American Music Awards and then having to get on a plane straight away. It got to the point where success was so fluid. I don’t even know what happened to our songs, we just sang them, then sang some more. It was like a proper, hard job. Non-stop. I can concentrate a lot more now.’

The paparazzi and fan attention sounds just as draining. It must feel weird having a Twitter following larger than the population of Australia, as he does, but especially odd to have fans so obsessed that they’ve set up multiple fake profiles pretending to be your mother, for some reason.

Moreover, footage of One Direction out and about makes A Hard Day’s Night look tame: thousands of screaming fans all over them, police escorts everywhere they went, an unending run of selfie requests... It came to a head in New York in 2012, when Payne was walking to a restaurant with his parents and a paparazzo accidentally pushed his mother over. He was incensed.

‘I was like, “Oh, f— this. F— this s—t.” There was a swarm of them and I just wanted a burger with my parents,’ he says, unsmiling for a moment. ‘I cried my eyes out. I thought, “I can’t do this”, and really hated my life.’

He soldiered on, but it wasn’t a healthy lifestyle; none of them seems to miss it now the ‘break’ is on.

‘It’s great that people can see what we’re really like away from each other,’ Payne says. ‘It got to a point in the band where we were just playing characters, and I was tired of my character. Apart from the daddy thing, I was really loud and bubbly. There were a lot of personalities in the band to keep up with, so I had to be all, ‘Ey!’, the rowdy lad, and I don’t have to now.’

There were times when the band would celebrate hard, and in that, Payne had catching up to do: as a child, he was diagnosed with a scarred kidney, meaning he didn’t taste alcohol until he was given the all-clear at 19. Tell a teenage millionaire they can now safely drink, and they’ll go for it. He admits ‘the floodgates opened’ that year.

‘I wasn’t happy. I went through a real drinking stage, and sometimes you take things too far. Everyone’s been that guy at the party where you’re the only one having fun, and there were points when that was me. I got to 13 stone, just eating crap. I got fat jibes, and it affects your head. I have nothing to hide about it…

‘As I say, it was like a musical university. We were pretty reckless, but I got it out of my system. I had my fun.’

The hiatus seems to have come at just the right time. But before he could take a breath, Payne lurched on in life, becoming involved with Cheryl almost at once.

Nobody asks how they met; their introduction is on YouTube for all to see. Ten years his senior, she was an X Factor judge in 2008 when the 14-year-old Payne shuffled in, all mop-hair and waistcoat, to perform his Sinatra number. He winked at her, she called him ‘cute’, they bumped into one another over the years, ended up working on a remix of one of her songs in 2014, and the rest is recent pop history.

Not everybody was happy when the relationship was initially confirmed. That Cheryl was in a quasi-pastoral role when they met raised eyebrows in the usual eyebrow-raising camps, as did the couple’s decade-wide age gap. Liam doesn’t care. In fact, he can still barely get over the fact she’s his girlfriend.

‘It’s a ridiculous place to be in,’ he says. ‘She’s even more amazing than I thought. I was watching her do Fight For This Love [her debut solo single, from 2009] when I was a kid, and now we’re together with a kid. I feel like I’m X Factor’s biggest winner.’

It helps having Cheryl around to ask about business matters. Like Payne, she was scouted on a TV pop contest (2002’s Popstars: The Rivals), had massive success in a group (Girls Aloud), and then went solo with a more urban sound. She is also the unlikely possessor of the record for number-one singles by a British woman.

‘We think about the same things. She understands what my life is like. She knows what it’s like to sit on the Graham Norton couch [or] we can talk about her L’Oréal work. It’s not that we’re “a brand” as a family, but we can help each other.’

In Who We Are, one of One Direction’s seven books, published in 2014, Payne writes in his chapter that he’s ‘worried about the idea of failing outside of this band’ and declared he’d become a low-key songwriter, because ‘there would be less attention on my life’.

The opposite of that is what’s happening, I inform him.

‘Yeah, that was a point when I was scared of our success, and we didn’t want to take a step back from it,’ he says. ‘I just wanted to be a songwriter and not be famous, but happy. Then Simon and Cheryl told me this is where I am supposed to be, and I’d miss the stage. The pressure of what was coming next was scary, but they talked me down.’

The solo product he’s come up with is the sort of music he’d always wanted to make: radio-friendly R&B in the style of his heroes, Justin Timberlake, Usher and Pharrell Williams, and more informed by the rap music he listens to than the pop he’s famous for. Who knows if he can shake the ‘embarrassing dad’ brand to pull it off, but the signs point to success. Strip That Down has been streamed more than 300 million times on Spotify alone.

‘I wanted this to be for people my age. The themes are a bit older, but you have to grow up with your fans. I can’t make bubblegum pop any more,’ he says.

One Direction fans needn’t despair. They might have dispersed and almost all signed elsewhere, but Payne is excited about the idea of a comeback gig in years to come. As, I’m sure, are the band’s accountants.

But that won’t be for a little while, if Payne has it his way, because – as he keeps on telling me – he is just far too happy with his lot at the moment to take a step backwards. When it reaches our time to wrap up, he’s still at it.

‘I feel great about what’s going on in my life,’ he says, giving it one last handclap and springing to his feet. ‘I’m extremely lucky. I feel like I’m in a comatose dream. I’m like, “when did I last bump my head?” because I can’t believe this…’

Liam Payne’s next single, Bedroom Floor, is out on 20 October

#liam payne #liam's solo project #liam's promo #liam for the telegraph #liam & cheryl #dad liam #baby payno #1d hiatus or split?#liam about 1d #liam about simon #liam's album #Wow Liam could have been an Olympian... That's pretty impressive #That was a great interview where he finally let go and was honest. The guy must have had so much pressure while in the band #reading this once again reaffirms that what Zayn said first and was hated for has been corroborated by other members now that they are solo #I hope that fans realize now that people see what you write about them or hear about it.. Poor guy he must have felt like shit when people #were making fun of his weight.. Or every single time fans tweeted at him in outrage for something problematic. Like these boys are human #Also him kind of letting you know listen what you saw onstage while there was a bit of us in there it was mostly characters that we had to #keep on playing....Also him talking about the lack of recognition even though him and Louis had the most songwriting credits #Him confirming that the 4 his for their album FOUR which I guess holds a special place in his heart #And he reiterates that he is in a period of his life where he is blissfully happy. He has a child with a partner that understands & support #him and it looks like he has found what he wants to do career wise and is getting his footing as a soloist #Interestingly enough in this interview he is letting you know that the reunion if it overcomes it's not going to be anytime soon

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