#he's literally q but if he was pony. sounds like him acts like him has the same powers

[steakout-05]

being real for a second if i had an actual fictionkith/fictionhearted list, Fluttershy would absolutely be on there. like. she is so me. she is just like me. we both have a love of animals, we like having a cosy and relaxing atmosphere to stay in, we have really terrible social anxiety and deeply traumatising childhood social experiences, we have trouble being assertive because of those experiences, we probably both have a huge crush on pony Q (i know i do lol), it's all there. she's so me she's best pony <3

[storydays]

Legend of Korra X Male Reader

Hey guys! I’m loving all the likes you’re giving. I want to hear more of your questions and comments. Also I would really appreciate it if you would tag me and give me credit when you reblog my work. Thanks

(All credit for Legend of Korra goes to Nickelodeon and it’s creators ❤️)

Season 1, ep 5, p2

Kazan and Meelo yawned sleepily, full from dinner. "That was really good, (Y/N)." Pema complimented, rubbing her belly happily. "Glad you liked it Auntie." You then turned to your Aunt Rene who was sulking in the corner with a smug grin. "So, Auntie, thoughts?" you teased, making her start. "Listen little boy! Don't you dare give me attitude just because you're a better cook than me!" Everyone laughed at the banter between you two. "It's late, and the children are sleepy, why don't you guys sleep here for the night? Nagisa can sleep with Jinora and Ikki, and Kazan can bunk with Meelo." Pema suggested. 

"Yay! Sleepover!" cheered Ikki and Nagisa much to Jinora's annoyance. "Here, I'll help but the boys to sleep, Uncle."He smiled appreciatively at you, grabbing Meelo while you carried Kazan. "You did good tonight, nephew." Tenzin said, leading the way to the boys' room. "You heard from the radio?" you tilted your head, adjusting your grip on the young firebender. "No, I saw from the corner. You really are your parent's son."

You stared at his back in shock before smiling. "Heh, thanks Uncle."

*That night*

You inhaled the fresh air as you and Nevermore walked to the arena to get ready. But stop seeing Mako and Korra each facing different ways, and leaned against a pole, out of their sight line. "What kind of game are you playing?" asked the Firebender. "Um, pro-bending? We have a quarter final match." Korra stated like it was the most obvious thing. "No, I mean with Bolin. You got him all in a tizzy, and I know you're only using him to get back at me." Mako accused. 'Ooh bad move, Mako.'

"I am not. We're just having fun. What do you care, anyway?" Korra defended. "I'm looking out for my little brother. I don't want to see his heart get broken." 'That is such bull.' you laughed silently. Korra knew it was too, "Wait a second. You're not worried about him; you're jealous," Korra was smirking and you were too. "You do have feelings for me." Mako didn't miss a beat. "What? Jealous? Don't be ridiculous." 

"Admit it, you like me." Korra didn't realize she was playing with fire, quite literally. "No, I'm with Asami." "Yeah, but when you're with her, you're thinking about me, aren't you?" The Avatar sounded so smug right now, and you were silently rooting for her. "Get over yourself." Mako snapped. "I'm just being honest!" "You're crazy!" Mako denied. "You're a liar!" cried Korra.

That was when you decided to step in. You splashed the two with water you kept in your pocket, and sent your teammates a raised eye brow. "If you two hot heads are done, we do have a match to go to." You then walked away, your pony tail swinging behind you. You stopped the two from entering the room and to keep Bolin from getting him involved. 

"Listen you two, don't bring this energy around Bolin. And while you are out on that ring, keep your personal feelings out of it. We've come too far for you two to mess it up. Am I clear?" The younger teens looked at each other and sighed, when Nevermore snapped her jaws for good measure. "Yes, sir." "Good, I'll be here when the match is over." You walked in and over to the railing, waiting for the match to start. 

*15 minutes later*

"Eight teams have been eliminated, and eight advance into the quarter finals, which get underway tonight. The rookies are about to take on the former and longest running champs--the Boar-Q-Pines. Youth clashes with experience in a battle for the ages or rather of the ages. Korra dodges and--ooh slams right into her teammate! Down goes Mako, and Bolin and Korra." You face palm and growled as the second announcer said, "Round One goes to the Boar-Q-Pines." 

Your (e/c) eyes narrow, noting Mako was saying something to Korra in a very aggressive way. Poor Bolin looked so confused. The waterbender part of you wanted to switch out with Korra, but the airbender part of you, reminded your that this was how Korra and Mako were going to make up. Nevermore nuzzled your cheek making you chuckle and rub her head. "Thanks, girl."

"The Ferrets looking to mount some offense here in round 2. Bolin lets fly a flurry of attacks. He's a one man bending battalion." "Yes! Way to go, Bolin!" You cheered for the Earthbender. "The Ferrets having a tough time finding their rhythm tonight. But thanks to Bolin, they narrowly notch round two." 

Round 3 started and at this point the crowd noticed their was something wrong as well. "Not sure, what's eatin' them, but this is not the same team that took out the Rabbaroos." You winced in sympathy as the Avatar took Earth disk to the stomach. "Round 3 is a tie. We go to a tie breaker to decide the match." A referee tossed a blue and red coin into the air, and caught it, covering it up. 

He moved his hand to reveal the red side. "The Fire Ferrets win the coin toss. Which element do you choose?" Immediately the three tried to decide who would go to fight, until Bolin stepped up with the older Earthbender. "Looks like the Earthbenders will collide in the tie breaker face off. Bolin goes in for the grapple, Chang reverses." You grit your teeth as Bolin was flung into the air but cheered when he fired from mid air. 

"Bolin strikes from mid air, knocking Chang to the edge of the circle, and another strike from Bolin, knocking Chang into the drink!" "The Future Industries Fire Ferrets win their quarter final match!" You, Mako, and Korra sighed in relief as the announce continued talking. "Ooh, close one folks, youth trumps experience tonight." 

You met the trio at the edge and grinned at Bolin. "Good job, Bo! You were awesome out there!" You watched as Korra and Mako went their separate ways. You sighed, and walked over to Mako and whispered in his ear, "You better get your act right, Mako. You maybe my best friend, but I won't hesitate to kick your ass." He looked at you with wide eyes, knowing you were dead serious. "Hey, (Y/N), come with me! I need your help!" Bolin dragged you out the room, making you laugh. 

*Time skip*

You and Bolin walked up to where Korra could be hiding and you stopped seeing Korra and Mako kissing. 'Are they kidding me?!' "Wait, Bo, don't--" 

You were too late, as he stopped seeing the scene in front of you. You hid half your face in your hand, Nevermore trying to hide her head in your hair. It was silent until Bolin started crying and ran away. "Wait, Bolin, this isn't what you think!" He turned to Korra with a glare on his face. "Great! Look what you did." "You're blaming me?" demanded Korra. 

"You kissed me!" "You kissed me back!" Both gasped being splashed with freezing cold water, and turned to you. Nevermore's teeth were drawn back into a snarl, and you had a dangerous look on your face. "It doesn't matter. You are both at fault! Now what matters is how the hell you are going to fix it." You and Nevermore growled as Mako groaned and ran after his brother. You turned to the city view and didn't even look at the Water Tribe girl.

"Korra, I know you've been isolated all your life, and you probably thought you would get your happily ever after with Mako. But there's so many fish in the sea for you to explore with. Don't settle for the small fry." "Well played, Korra." she said, hugging herself. "Live and learn, Korra." you sighed, "Live and learn."

*The next morning.*

You followed Mako into the restaurant.  "Morning, Narook. Is my brother here?" The man behind the counter gestured behind you guys, and Mako waved in thanks. "Thanks." He walked over to Bolin and shook his shoulder. "Come on, wake up. I'm taking you home, bro." That cause Bolin to sniff and look up sadly. 

"Don't call me that. You're not my brother!" He drunkenly slapped Mako's hands away from him. "You're a brother-betrayer." He sobbed into his arms. "The only ones I can trust: are Pabu and (Y/N)! They love me!" "You're a mess, and we've got the biggest of our lives tonight. Let's go." Mako tried grabbing Bolin who screamed at him. "No! I'm not going anywhere with you traitor!" You sighed, pushing Mako and grinning at Bolin. 

"Come on, Bo. I need my favorite Earthbender to fight with me tonight!" He finally got up with his arm slung over your shoulder. "Only you Bolin, can drunk off Water Tribe Noodles." You laugh gently. "I told you dating a teammate was a bad idea." Mako sighed. "You're a bad idea!" You laugh at their antics, even if you were pissed at Mako. 

*That night* 

You finished braiding your hair so it hung down your back, and out of your face, as Korra walked into the room. She looked at Bolin slouching on a bench,and noticed you over at the mirror. You were lost in thought, but it was clear something was bothering you. You suddenly snapped out of it and stood up, putting your helmet on. "Let's go guys. And leave your personal feelings here." 

"You can't find a team more evenly matched. In age, size, and strength than the Fire Ferrets and the Buzzard Wasps. Believe me, I looked." he joked. "This should be a pulse-pounding semi-final, folks." The bell rang and the Buzzards fought first. "The Buzzard-Wasps open with a flawlessly executed combo. 2 of the Ferrets take an early visit to Zone 2, and Mako's knocked all the way back into Zone 3! The Ferrets have been struggling to stay alive since the opening bell. It seems Bolin and Mako are out of sync tonight. (Y/N) taking the brunt of the impact from the front lines." 

The crowd groaned with Bolin as he was hit in the gut, hard. "Ooh, that has got to sting." You heard retching and groaned, knowing it was Bolin. "And Bolin looses his noodles, literally." All the players seem to have froze with that disgusting scene. "Which reminds me, this match is brought to you by our sponsor, Flamey-O-Instant Noodles. 'Noodlest- Noodles in the United Republic.' " Soon Bolin was knocked back into Zone 3 with Mako, leaving you to get defend from Zone 1. 

You were suddenly knocked into Zone 3 by an Earth disk, while avoiding a flame burst. "The Buzzard Wasps fly deeper into Ferret Territory. And Mako plunges into the pool. Can the Fire Ferrets hold on?" You and Bolin looked at each other and continued to fight with all you got. "The Ferrets are backed to the edge now, and are saved by the bell! They had better pull themselves together, folks, for round two. Otherwise they can kiss their finals goodbye. "

"Round 2!"  You used water in a arch to knock two of the Buzzards back into Zone 2. "Oh, what a strong start from (Y/N)!" Mako groaned being knocked into Zone 2, and sent fire towards them, hitting Bolin in the process. He cried out, and turned onto his back to glare at Mako. "Hey, watch it!" He gasped being knocked into the water, from his distraction. "The Wasps take advantage of Mako's unforced error, and move forward." 

You and Mako spun your elements together and knocked the opposing  Water and Earth benders out and into the drink giving the round to you guys. Round 3 came and you looked between the boys. "Look, we've been working for a long time for this. Get your heads in the game guys. Please." You begged slightly; they knew what this tournament meant to you. "Let's get this over with." Mako sighed.

When the match started, Mako was already in the drink, and Bolin's shoulder was messed up,and then he was in the drink. "The Ferret's dream of making it to the finals rests on Councilman (Y/N)'s shoulders." You smirked to yourself, used your waterbending to get the team into a line of three, and knocked them down like dominoes. "It's the big kaboosh! What a knockout!" 

The crowd went wild and you could hear Mako and Bolin cheering for you.  "It didn't seem possible folks, but the Fire Ferrets are headed to the finals." You laughed, waving to the crowd, before walking away. You took your helmet off and groaned when Korra gave you a big hug. "Korra! Korra! I need my....lungs...to breathe." "Oh! Sorry!" she sheepishly let you go. "Sometimes, I forget about my own strength." You sent her a lopsided smile, "It's okay, Korra." Bolin and Mako walked up to you. 

"That was pretty much the coolest thing I've ever seen." "Thanks for not giving up on us; we never would've made this far without your level head. We owe you big time." You rolled your eyes, walking past them, taking your helmet off. The three looked at each other, uncertain. "(Y/N)--" "Look, I know things are confusing between the three of you, but this team means everything to me, and the last thing I need is for some petty love triangle is to mess it up." 

Your sudden attitude caught the other's off guard; you were usually so carefree and cool. You got ready to leave the room when your ex walked in, making a scene. "Ooh, ooh, you boys smell something in here?" Tahno pinched his nose before smirking. "Oh, wait I know what that is. Yeah, it's the scent of losers." "I hope we see you in the finals. Then we'll see who the real losers really are." Korra said back. 

"Yeah, I'm peeing my pants over here." Tahno said confidently before turning to you, with a very faint blush on his cheeks. "I'll win this match for you, (Y/N). Maybe we can go out to that Water Tribe restaurant you like so much." You turned to him with a bored look and said, "Gag me. We are not together anymore, Tahno, I just can't trust you." You brushed your bangs into your face and left without another word. 

You ran into Asami in the hallway. "Oh, hey Asami." she hugged you and took a step back, noting your mood. "Great job! What a comeback! I--Hey...what's the matter?" she asked, green eyes shining earnestly. "Nothing, why don't you go see you boyfriend." You began to walk away when she grabbed your arm. 

"Hey, you don't need to be strong around me, (Y/N), you've been there for me when I needed it. You can talk to me--" "No! I can't talk to anyone and especially not you because on of my main problems is I'm in love with you, and I just think you're wrong for Mako because he and Korra kissed and they belong together and I--" Asami cut you off by hugging you tightly, your arms tight around her waist. "(Y/N), I-I didn't know you felt that way." You took her hand in yours and kissed the top of it, locking eyes with her. 

"Asami..." you left it at that and walked away, leaving her to her thoughts. 

You ran to where you hid Neo, and hugged him with all your might, begging your tears not to fall, and while the polar bear dog didn't know what caused your pain, he simply nudged you with as much warmth as possible.  You took such good care of him, it hurt him to see you so upset.

You sniffed, and looked into Neo's blue eyes with a watery smile. 

"Let's go home, boy."

[frankiefellinlove]

I almost cried because I couldn’t attend this event 😔

Report of Archives shown in Asbury Park today

By Stan Goldstein

What a shame this wasn't recorded or filmed or even photos exist yet. The Asbury Park Music and Film Festival photographer was allowed to take pictures of the talk and hopefully they will appear soon.

This was one for the ages. It was spectacular!! Bruce was there. He did a Q&A at the end. Ten videos shown.

Then they had the talk. Thom Zimny and Chris Phillips came out, there was a third chair. Before they started Thom waved to the side of the stage and said "Come out now" and Bruce walked out to a standing ovation.. What followed was an incredible Q & A. It's a shame this wasn't recorded, but I took a lot of notes.

Some breaking news from it.

Bruce said that a DVD/video will be coming out of the full New Orleans Jazzfest show from 2006.

Bruce said that show was "One of his Top-5 live performing experiences."

Bruce also said he would love to see a full Tunnel of Love show come out.

Bruce said a lot of this footage he had never seen before. He said he never saw the clip with Clarence from Buffalo in 2009 before.

Bruce says he's amazed what he can find on Youtube and suggest fans should go there to find some things.

He was very relaxed. Wore a black sweat shirt (sweater? ladies need your help here) with a "5" on it.

Some quotes from Bruce:

"I have lived many lives, many I haven't seen myself," after seeing this footage.

Bruce said they were "superstitious about being filmed in the early days. That's why we never did any TV. We felt that a magician should not look too close at his magic trick."

Bruce then gave a shout out to Barry Rebo who was in the audience. Barry is the one who shot much of the early footage.

Bruce said he was surprised to find out what they have (in the vaults). "I feel glad that Thom was able to dig up this stuff."

Bruce said when they did the filming for "Live in New York City" in 2000 that he felt "he was finally getting over the wall" of not liking to be filmed.

This was after Chris asked him about the Blood Brothers documentary from 1995 being one of the first things being filmed officially.

Bruce had a funny line about being recorded/filmed: "You always think you are more handsome than you actually are and you always think you sound better than you actually do."

Bruce said the 1975 Bottom Line shows "Really changed the life of the band. We were officially contenders. We no longer had to be good, we had to be GREAT! every night." to which many in the ground yelled out "You are!"

Chris asked about doing 10 Bottom Line shows in five days in 1975 (early and late show) and Bruce said they were only an hour-and-a-half each, so it wasn't too bad.

Chris Phillips tried to ask him about the new album but Bruce said he didn't really want to talk about it.

The 10 songs:

1. When You Walk In The Room - Bottom Line, August 16?,1975

One-camera color. Not great quality but who's going to complain seeing Bruce from this era

2. Apollo Medley - Apollo Theater, NYC, March 9, 2012

Chris Phillips asked Bruce about this. It's the clip where Bruce goes up in the balcony and sings from the front, really dangerous.

Bruce: "I don't know what I was thinking when I did that. It wasn't planned, no one was following me. I just said fuck it and I then fucked up the whole arrangement with the band. I was just glad to find some pipes to hold on to. We do perform some death-defying acts."

Bruce also said it was incredible to play there with all the history of the place and it was a great way to break the band in to start the Wrecking Ball tour. Said it was Jake's first show and "there was no pressure."

Bruce also said to Thom that they should put this out someday too. It was all professionally filmed with multiple cameras. This footage was awesome. The look on Patti's face when Bruce was in the balcony was priceless.

3. New York City Serenade, Dec. 15, 1973, Nassau Community College, black and white, two cameras: Rough footagae but incredible.

Chris Phillips asked about David Sancious playing on this. This was the original E Street Band: Bruce, Garry, David, Danny and Vini Lopez. This clip was shown at the Monmouth U. archives event in 2014. A magical clip. David on the piano is spectacular.

"David is one of the most musically talented people I have met and on the planet. His ability to cover everything, he's a master. I loved to have him in the band."

Chris then said "Well there's the elephant in the room. We have some new music and David plays on it and Bruce said "Yea, he plays on some of it. But we don't have to talk about that."

4. My City Of Ruins - Seeger Sessions, Jazzfest, 2006

Pro-shot, multiple camera footage. Great shots of the crowd singing along "Rise Up!" According to Bruce, this whole show will be out at some point.

Bruce: "The Sessions Band was a great band. I want to do that again. It was a great day. The day before we went driving down to the Ninth Ward. Rock and Roll is best when the stakes are on the table and go go against trouble and hard times. It was good to perform there and serve."

Bruce said to come back to Asbury Park now is so great to see how it is doing. He said he feels like the "Ghost of Christmas past" when he walks around

5. Quarter to Three, Bottom Line, August 16, 1975

Bruce asked Thom Zimny who shot this? And Thom told him Barry Rebo.

Great, color, one-camera footage. Bruce is all over the place. Dancing on the center table in front of the stage. Jumping on Danny's organ then going over to Roy's piano. At one point he drops his guitar pick and a fan hands it back to him. Young, classic Bruce at his best.

Bruce said the band was physically and literally half the size they are now back in those days compared to the Apollo footage now. .

6. Promised Land - Freehold, Nov. 8, 1996

A one-camera close up shot of Bruce in color. Not the greatest video but I'm not going to complain.

Bruce said "going back to St. Rose of Lima was tough enough. I did debut 'Freehold' that night.

7. Who Do You Love/She's the One - Tunnel of Love tour, Rotterdam, June 28,1988.

May have been the highlight clip of the afternoon. Hard rocking E Street Band with the spotlight on Clarence. He's at his peak physically and is all over. "The sight of the The Big Man and the maracas" Bruce said with a smile.

Some epic footage of Bruce and Clarence practically making love on stage. You have to see it to understand. The women in the audience particularly liked this clip.

This is when Bruce said "We should put out a Tunnel of Love show."

8. Patti Scialfa doing "Tell Him" from the Stone Pony 10th anniversary show, 1984 with Cats on a Smooth Surface. Nice color, one-camera shot.

"I almost had her here today," Bruce said. "That's the night I met my wife, 30 years ago at the Stone Pony. As I said in the Broadway show, it was the first time I heard her sing. She was playing with Bobby Bandiera, an Asbury Park hero."

Bruce asked where that footage came from and Thom Zimny said Kevin Buell knew someone who had it.

9. Sandy - Dec. 15, 1973, acoustic with Danny Federici, black and white. Nice version but a bit slow. But hey it's classic Danny and Bruce.

Bruce kidded that "I thought I was going to fall asleep at any moment. I went to the bathroom and came back I was still playing!"

Chris asked Bruce a little bit more about "Sandy" and the writing of it and Bruce said "Sandy was when things were just starting to happen for the band. It was a goodbye to Asbury Park. The last night Danny Federici played with us (Indianapolis, March 20, 2008) I asked him what he wanted to play and he said 'Sandy.' The song was appropriate because I wrote it It as the ending of something wonderful and the beginning of something new. We were leaving Asbury Park just as things were changing,"

10. Growing Up - Buffalo, Nov. 22, 2009. With the story of meeting Clarence.

Bruce said he had never seen this clip before. "The story is completely true, all those things. It actually happened. Looking at that, I really miss the Big Man" Bruce said as he and the crowd got a bit emotional.

Toward the end Bruce thanked Thom Zimny, saying "He has allowed us to use this great footage. He's like another member of the band."

Bruce said how he saw a Jean Claude van Damme movie and called Thom up and said "we should look like that for the Darkness taping right on this stage." Which was done in December of 2009, the filming of the band playing the entire album for the box set.

Bruce also commended Thom for his work on "Springsteen on Broadway" and said "Broadway was going well, let's not fuck this thing up!" Bruce kidded that the "magic begins with: 'Do I look great?'"

There was a little bit of talk about the "Night with the Jersey Devil" film and the short movie made from "Hunter of Invisible Game."

Chris Phillips also asked Bruce about the Upstage movie that is being shown tomorrow and what Bruce thought about the original version which he saw in 2017.

"Why am I not in this?" Bruce said. He then did do an interview for it which will be in the new version. He continued: "That last time I walked into the Upstage it looked exactly how it looked in 1968."

Some notes: Cameron Crowe was in the audience as were the Farrelly Brothers.

When I got to my seat, I was told I was being moved. I bought a single ticket the moment they were on sale and ended up in the first row. They told me my seat was going to be used by Bruce and his family. I got bumped up to a folding chair in the pit right in front of the stage. A little tough to watch the videos but right in front of Bruce for the Q&A so no complaints here. As it turned out, Bruce never sat in the seats anyway. He did watch from the side up against the wall of the lower right (facing the stage) orchestra for a bit

The locking up the cellphones thing worked well. In a way it was kind of nice not having a zillion phones up when Bruce was onstage but what a shame that it wasn't record for "the archives", then again, maybe it was. I don't know.

Great job by Chris Phillips. What I liked is he asked "fan-type"" questions, not like how a New York Times or Rolling Stone writer would try to talk about it.

And if you stayed this long, thank you for reading

[flynnspeaks]

“Frozen” Thoughts

Just got back from my trip and can finish this up from my drafts. Spoilers abound:

So tl;dr thought: Script is basically good, production bad. I think the show, script-wise, is 80% there but it needs some major changes to work effectively as a piece of theatre.

General stuff: - The only things outright cut from the film are Marshmallow, the icepickers, “Heimr Arnadalr” (replaced with a new coronation hymn) and “Frozen Heart” (which is still quoted in the show?? Like at one point a character literally says “born of cold and winter air”, so I don’t know why it’s missing). Every other song and character is represented. - The trolls are changed into sorta mystical ‘mountain folk��, and made into the narrators of the piece (I kinda felt this would happen--the movie has two options for a sort of greek chorus, the icepickers and the trolls. IMO they picked the wrong one). - Lots of new songs - Heavy ensemble--several new numbers incorporate them heavily, and they’re added to “Let it Go” (offstage voices) and “First Time in Forever”

The Good: - Two new songs are excellent additions to the score--a poppy Kristoff/Anna duet called “What Do You Know About Love” and an Act II solo for Elsa called “Monster” (insert Nicki Minaj joke here). The rest of the score isn’t nearly as memorable and there are times where it feels like you’re waiting for a movie number to happen, but it’s still for the most part good. - The score feels a lot more unified than the film--I know people complained about the songs in the film feeling sorta disjointed stylistically, and though that’s not a complaint I subscribed to the whole thing is a lot more cohesive here, both in terms of orchestration, in what the linking material is able to do, and the use of the ensemble. - Speaking of improvements over the film, “Fixer Upper” is vastly better. It loses a verse, and they’ve reorchestrated it to be more rhythmic, fitting with the other musical material the mountain folk get in the show. It’s far less jarring and far less annoying than in the film. - Both Hans and Kristoff get a lot more to do, which is good--less so for Hans, but we’ll talk about that later. - Sven is accomplished really well in an elaborate costume that sorta recalls Lion King but in a more ‘realistic’ vein. It’s very fun to watch, with one drawback--he blinks, and it’s really creepy for some reason. - The climax is really well-staged. It is also the only moment in the show that’s really well-staged, but we’ll get to that. - There were two families on either side of me both with little girls who seemed to be really enjoying the show. That doesn’t actually have anything to do with the show but it was nice. The Eh: - I was actually expecting some of the cut songs featured on the album would be used (”We Know Better”, “Spring Pageant”, “Life’s Too Short”), and they ended up not utilizing any of them. Which wouldn’t be a bad thing except that it often felt like those would’ve functioned better in the show than the songs they actually used--like, the opening number isn’t bad by any means, but it’s probably the weakest number in Act I and isn’t anywhere near as good as what a rewritten “We Know Better” probably would’ve been. “Life’s Too Short” is an interesting one, because I think it was definitely wrong for the moment in the film, but something about where the Anna/Elsa confrontation happens in the stage version feels like it desperately needed that number instead of the “Forever” reprise. - There’s dance breaks added to “Love is an Open Door” and “Fixer Upper”, and they’re not, like, awful, but they’re just sorta there. Here’s a thought: why not dance during the song? - The tone is really slippery in the first half of Act I. I’m probably misremembering, but I don’t remember Anna being this jokey as a kid in the film. It gets better as it goes on (either that or I’m Stockholmed into it by then), but they never quite reconcile the classic fairy-tale stuff with the more modern sensibility, and it jars constantly. - The finale is ok, but also just sort of there. They end on “Love is an Open Door”, which works better than it sounds but is also a really odd song to end on (like, why not just close with a “Vuelie” reprise?) - They try and justify the title of the show in one of the lyrics and it kinda really doesn’t work

The Bad: - Okay, let’s get the worst out of the way: The Act II opening number is the absolute worst piece of garbage I have ever seen committed to the musical stage. It’s an extended comic setpiece called “Hygge” featuring Kevin del Aguila as Oaken (the “Yoo Hoo!” guy, who only appears in this scene) explaining what ‘hygge’ means to the audience, done as a polka. With a chorus in the nude. The entire song exists only to get Anna out of the winter gear she’s wearing into the recognizable winter gear from the film. The audience clearly lost patience with the number halfway through. The song ends with the chorus doing a kickline in the nude with fig leaves covering their privates. It had better fucking be cut before Broadway. - Olaf. Olaf Olaf Olaf. Starting with the script, he’s for some reason far more grating here than in the film, and I think it’s because he’s being written as an iconic character rather than the simply sweet innocent he was in the film. “In Summer” is towards the end of Act I, which is absolutely the wrong place for it--by this point the show becomes a waiting game for “Let it Go” and the song is only an irritating distraction in that context (it clearly needs to open Act II, but we saw how that went). Olaf also gets a second comedic number in Act II that just doesn’t work. It’s not “Hygge” levels of awfulness, but it just falls flat and again feels like a distraction. And then there’s the performance. - Okay, this is gonna be its own bullet point. So the actor himself is fine, but he’s stuck doing a Josh Gad impersonation and can’t really make it his own. But they have Olaf be a puppet, Avenue Q-style with the actor operating him from behind, and it is awful. First off he’s designed to look exactly like the CGI model, which jars immensely with the look of the entire rest of the show. And the puppet itself is actively bad--horribly inexpressive, and the mouth doesn’t appear to actually be able to close all the way??? At first I thought the actor just wasn’t a very good puppeteer but at some point in the show the actress playing Anna has to operate the puppet and the issue persists, so you’re left with this mouth that can only close partway and it looks baaaaaaaad. - Hans. Okay, so I was actually expecting them to do something with the twist--the thing is that worked immensely well in the film, but is also kind of a one-trick pony and in all likelihood the entire audience of the show is going to know the twist going in. So with that I was expecting them to either reveal it a lot sooner, so the audience knows what’s up before Anna does, or else reverse it entirely. Instead it plays out exactly as it does in the film, with the added wrinkle that a considerable amount of material has been added to make Hans more trustworthy and likeable, which makes the twist feel facile and contrived. More than anywhere else this is the spot that needed to be different from the film, and the fact it stayed the same reveals a lot about the show’s priorities. - The set is actually awful. All projections and drops, and very little in the way of actual interactive pieces. It honestly felt like a national tour set--not something you would put together for Broadway. And the “special effects” are laughable--a few moments where they have actual ice shards in the set that are kinda cool, but for the most part Elsa does elaborate hand gestures and they project a swirl of ice on the set. The dress transformation is fun, but the rest of it feels honestly cheap as hell (especially since this really feels like a show that would sell itself on special effects work). - The set being bad impacts the direction, which often has no idea what to do with its actors and leaves the ensemble aimlessly wandering in the background. The staging is bland and lifeless--occasionally enlivened when it’s able to copy directly from the film, but usually staid (”Love is an Open Door” is literally, like, walking. It’s bad). - More than anything you get the feeling this is a production that aims for little more than slavishly recreating the film, and it ends up feeling like something you’d see at Disneyland rather than actually on Broadway. I don’t think the script is bad--it’s got really bad moments, but will probably be fixed pretty well in time for Bway--but this needed a director like Taymor that could make it feel like its own thing. As is...I mean, it’s a Disney show. Maybe it’s expecting too much for it to be theatrically interesting, but damn I really wish it was.

Ultimately this isn’t a show that’s going to change your mind about the film. If you liked the film, you’ll likely at least enjoy the show (though I loved the film and thought this was merely allright, so YMMV), if you don’t like the movie you probably won’t enjoy this very much. Hopefully the script issues that exist will be fixed by Bway, and with luck it won’t be long after that when the licensing opens up--honestly the best possible production of this would be with a smaller company that wouldn’t be obligated to recreate the film but could do their own thing, treating the material seriously on its own. Until then, it looks like this is what we got, and I can’t say right now that it’s gonna be worth your time outside of what will probably be a pretty great cast album.

[blackroseraven]

So yesterday I ate dirt. Today I helped changed a leg wound on a new horse; teacherlady bought a new filly, and literally two days later it slipped, somehow got a leg under a fence, and almost de-gloved itself, which yes is as horrible as it sounds.

Also Jaeger nearly killed a little girl and her pony.

So the filly has like. 58 stitches, some of which are internal, all up and down its rear leg. She asked if we wanted to see it because horse people are weird, and I was interested so we went in early this morning. I went and sat with the El Pasos for a bit first: I’m slowly gaining their trust, I think. Quattro will approach me and accepts me being around as long as I don’t try and get too close. Cue... Que... Queue... screw it, Q, and... Pallisandro? Pally. Q and Pally put up with me and I was able to curry one of them a little. The other just kept. Scowling and huffing and moving away when I tried to curry him, and then he’d do this. Weird. Super head extension towards me. He was less bitey today, though, and while he would act up, he never got aggressive. He just kept. Giraffeing at me.

Then we changed the wound. Which teacherlady said would be interesting because last night she couldn’t put salve on the filly’s scrape without it trying to kick her in the face. But she actually stayed really still for the whole procedure and behaved very well. 

I got Jaeger after that from the pasture, cleaned him up. Got his long reins on and started to take him outside. There was a little girl with Dakota, the one-eyed pony, in the crossties in front of the exit, so I told dumbass to go ahead with Hale so he could undo one side and we could pass through.

Dumbass earned his nickname by not undoing the rope and dropping it on Jaeger’s face because he wasn’t thinking. And since I’m ten feet behind Jaeger, who is a 17 hands Percheron, with only long reins to control him, there’s not much I can do. And Jaeger, of course, gets surprised by the rope hitting him, and tries to dash to Hale through the crosstie.

The little girl of course scattered to the side, which was good. The pony got staggered and did the angry horse scream. Jaeger panicked until I shouted at him to stop and dragged him backwards. I’m really, really glad that I’ve been working on voice commands with him and that he’s a smart horse when he’s not being an anxious baby, because he listened. And he was scared of the pony, which helped.

So I don’t even remember who undid the crosstie, but I got Jaeger through. He was spooked so he took a little bit to calm down in front of the arena. I think dumbass got scolded by literally everyone. 

So it was rough getting going, especially with three people in the arena, including the little girl we kind of almost killed, and Dakota, who kept snorting at Jaeger. But once we got going, he did excellently. Obeyed every command I gave him, and we started working a little with just pure voice commands without any additional rein movements or gestures. 

Not every day will be perfect. But that’s okay. We can still make the best of the bad days if we just keep pushing forward instead of giving up.