#he's cis but also has transgender experiences solely because of his mutations

[thisiswhatwereupagainst]

The Forgotten LGBT Characters of 1990s Marvel Comics

Hey X-Men fans! It’s still June, still Pride month, so I wanted to talk about three lesser-known LGBT Marvel characters. They’re very obscure, and they’re all also all from the early 1990s. Like Mystique, one might consider them pioneers of Marvel becoming inclusive of LGBT people. Unlike Mystique, no one really knows about them, as they never became major players (far from it, in fact) Be warned, two of them are villains and very much products of their time and the unfortunate way that society was still treating LGBT people; Marvel was starting to include them, sure, but in very demonized, stereotyped ways. But problematic or not, they existed and they’re close to my heart, and I’d like them to be remembered by a greater amount of fandom. Who knows, if enough people like them, maybe they will come back in canon one day and be treated with greater sensitivity!

Shinobi Shaw (bisexual) - Shinobi Shaw appeared as the young estranged son of Sebastian Shaw, who abused him terribly as a child. While he looked pretty badass at first by killing his father (it turned out not to take, alas) he spent the rest of his time being pretty much a joke as a villain. He preferred to just get drunk and hang out with a bevvy of hot men and women than really do any villainy, and what villainy he did commit was largely limited to trying to get X-Men he liked (Warren and Storm) to join him. Seriously, he sent Warren an invitation to a Hellfire Club party on a PERFUMED card with a LACEY border written in LOOPY PINK INK, and wanted him to be his White King. He totally had a crush on him. Jubilee drives it home with a “Liberace” comparison just in case that was all too subtle for readers. And of course he was attracted to Storm because...STORM. All bad guys like Storm! That’s not where the hints of bisexuality end, though. And by “hints” I mean “on more than one occasion he’s surrounded by men and women who are in various states of undress” like basically the art is trying to tell us that he’s in the middle of an orgy at any given time. At one point, his butler asks him if he’s having oysters or snails tonight, which is an old-timey way of saying “women or men”, and Shinobi replies he thinks he’ll have dinner first, just so the readers are sure he AIN’T talking about food here. Also he dresses in a purple pirate coat and lilac pinstripe pants. I don’t like stereotyping but COME ON GUYS. Fashion bicon right here! Shinobi is definitely and blatantly depicted as bisexual, but he’s really not what could be called good bisexual representation. He’s not only a villain, he’s played up as simultaneously despicable and ineffective, as too effeminate and damaged (his status as an abuse survivor is not treated sympathetically either) to be any real threat, but still as disgusting nonetheless. He’s also depicted as something of an attempted sexual predator, but also as, again, not really enough of a “real man” for it to be scary, just gross. He’s also played up a LOT as a decadent hedonist obsessed only with pleasure, which is an age-old stereotype of gay people and bi people both, but especially bi people. There’s a lot of problems with Shinobi. But he’s still a lot of fun as a character, at least to me, and the hints of how emotionally damaged he is from aforementioned abuse and the implication he may have a substance abuse problem and that all this decadence might just be his only way of coping because he’s clearly unable to connect with people but WANTS to somehow...there’s a great character arc here waiting to happen, if some writer only sees it. Those familiar with the far more famous Daken might notice some similarities in design; both are the eastranged predatory  bisexual abused half-Japanese son of a burlier, hairier, pre-established white male character. Of course, Daken was far more competent and became a much more major, complex character. Maybe Shinobi was sort of his first draft? Who knows! All I know is that as of June 19, Shinobi has finally re-appeared alive in Uncanny X-Men #20, and I’m hoping for more shenanigans--preferably in the flamboyant bisexual disaster Shinobi style! Mindmeld (transgender) - Mindmeld appears solely in X-Force #62 as a bodyguard in the employ of Shinobi Shaw. No alternative name is given for her, and it’s my headcanon that “Mindmeld” is her chosen name as both a mutant and a trans woman. How do we know she’s a trans woman? Well, we don’t. But she’s drawn with the same body type and facial shape as all the male characters are, because this is comics and there’s one mold for guys, one for ladies. However, despite big muscles, a strong jaw, and a distinct lack of breasts, she presents pretty feminine, with makeup and a lot of jewelry. The other characters (the heroes, no less) express confusion about her gender, saying things like “Now, Mr. or Mrs. Mindmeld...” and “What is your real name? Pat? Chris?” (get it? those are unisex/androgynous names?) However, only “she” pronouns are ever used for her. Given all this, I think it’s fair to say that these jabs along with her physical appearance are meant to hint to the audience that she’s a transgender woman. She could fall into some other trans category, such as non-binary or genderqueer, but considering this was the 90s (when those identities were less known) and being written by straight cis guys (the least likely to know about said identities) I think that her being a pre-op/non-op/non-passing trans woman is a safe guess. My bet is that her presence was meant to add some shock value and play up Shinobi’s own bisexuality (since it’s a common misconception that a straight man couldn’t possibly be into a trans woman) In any case, she was short-lived and ill-treated by both the story and the other characters, but I find her intriguing. She’s also very important despite her obscurity, as she’s the first representation of a transgender mutant that I’m aware of that didn’t involve something like shapeshiting or or bodyswapping (though her powers could swap the brains of other people!) or being an alien with no knowledge of gender norms, or any other “explanation” that accounted for being trans that had no real-world equivalent. She just seems to have been trans in the way REAL people are trans, something that thus far no mutant I’m aware of (save for another one-time character, Jessie Drake) has been. And I think she damn well deserves some love for that. Plus look at her, she’s just cool! Nocturne (wlw) - Nocturne aka Angela Cairn (no, not TJ Wagner, this is a different Nocturne) is the only non-villain on this list, and the only one whose sexuality was treated sympathetically, perhaps because it was only hinted at and her story was told largely in metaphor. Ironically, she’s also the only chracter here who is not a mutant or an X-Men character, despite X-Men being the publication that’s supposed to be all about embracing the different and downtrodden. She first appears in the 1993 Spectacular Spider-Man Annual #13, and had a few subsequent appearances before disappearing from the page altogether. Angela Cairn was a police officer of Black, Cuban, and Native American (tribe unspecified) heritage. As a lifelong victim of prejudice, she joined the police in hopes of using the law to protect others from being victimized. She is implied to have been in a romantic relationship with a fellow female officer, Jackie Kessler, and the two may have co-habited. After Jackie is murdered in the line of duty, Angela went on the trail of a serial killer who she believed was the same supervillain that killed Jackie. Following a false lead, she was lured to a warehouse where she was trapped and experimented on by one of the nameless mutates created from humans by Baron Zemo. Unlike the other monstrous mutates, this one did not seek to return to human form, and, for reasons unknown, wanted Angela to become like her. As a result, Angela was transformed in the mute, winged, vampire-like being called Nocturne. No longer able to live in human society or even explain to others that she’s Angela, Nocturne becomes homeless and protects those who also live on the fringes of society, including a boy who is the victim of a gay-bashing. Her journey ends up being not a typical superhero tale, but an introspective single-issue saga of pain and self-acceptance. It’s told largely in what I interpret to be metaphor for coming to terms with being open about her sexuality only after she lost her partner, which I write more extensively about HERE, and I personally find it to be a surprisingly deep and nuanced story---especially for comics, which are usually about as subtle as an anvil when it comes to whatever social commentary they’re trying to get across (not that this is always a bad thing either!) Anyway, if you read this far, I’d very much appreciate it if you would reblog! I think these characters deserve to be more well-known, and I think a lot of people will enjoy seeing their representation, flawed and dated though it may be.