#he's a sad pathetic cat desperate to be loved -- he also kills people and seduces royalty
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something i enjoy about blitzø as well is that he's not a typical leading man for an action show, nor is he a typical leading man for a queer show. he's capable and got that "extremely bad at communication" thing down you might see in a lot of narratives about straight guys (especially straight guys who shoot guns) but i think is less explored with queer men, and he's also incredibly camp without any shame attached to queerness itself, he crossdresses, he's a punky goth gay, he flirts relentlessly (and often unhealthily) to get what he wants, he's got that kinky switch energy, and he's exuberant, and emotionally closed off, and incredibly rude, and very sad, and very caring, and very action-hero/anti-hero, and all in a narrative that explores these dynamics from an explicitly queer point of view.
i think it's amazing that he's as well-received as he is, considering how much he exists outside of clear categories for what people think a character "should" be, but i've seen him play well for bro-ey types as well as the most faggoty audience members (that's me), and the translation isn't for the queer audience to make, it's for straight audiences to get onboard with a complex queer character and it clearly works!
there's really something to be said about the queer lens for both of the shows, but i do think blitzø has such a specific fascinating pov for what one might call the "badass action guy who's also great at seduction" type character. he's really hitting some extremes for the spectrum of how one typically allows characters to exist
a queer masculinity in a genre show
#blitzø#blitzo#blitz#helluva boss#i think it's especially the exuberance that hits me just right#look at this mess of a man he's so Loud but he's not your typical Angry Man in a show#he's a sad pathetic cat desperate to be loved -- he also kills people and seduces royalty#and then there's the *come to daddy* bit we don't have time to unpack all of that
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