#he literally says he wants to give her what “she doesn't know she wants” and when in the epilogue she shows actual want and desire that

[zylusmusings]

"what do you think our wedding will be like?" she asks, and rafayel feels his heart still immediately. he gives it a second, letting the two sides of his heart battle it out.

a part of him feels giddy - she wants to be his bride again. it will happen again, because they are fated mates! all of the worrying was for nothing because look! she wants to get married, bonded to him again. sure, the "sanctity" of marriage amongst humans on this earth is laughable and ludicrous compared to the solemn oath he literally has embedded to his chest... but he'll take it nonetheless. he'll take anything she has to offer, honestly.

albeit the other part of him wants to sulk and throw a tantrum. because this question is simply yet another reminder of what was left to be forgotten. the fact that she was already his bride, but the fact to be so horridly and devastatingly taken away from him. ripped away from his clutching fingers. sea of god he may be, but the strength of fate has no competition. what a painful reminder that question is, to be reminded, oh yeah you were my bride... until?..

rafayel doesn't realise that dancing around the two emotions has taken some time. purple eyes swirling with mixed emotions as his lips are pursed to the side in silence. this reaction causes her to shift nervously, afraid that she's made him uncomfortable with the question.

she clears her throat soon after, sitting up after spending hours on the couch with him, slouching against the backrest as his purple hair splays out against her chest. the movement shakes him out of his trance, a brief moment of confusion (and a dramatic look of "how could you!”) plastered on his face as he turns around, sitting up for the first time in 2 hours as well. he faces his blushing partner who is clearly flustered at his lack of response.

"um.. i mean - i'm not saying we will definitely get married or like whatever, it was just a question. i don't even know if you wanna marry me. again, it was just a question, you don't have to answer it if you-"

he gasps dramatically, brows furrowed deeply as he scoots away from her in bewilderment. "did you say you don't even know if i want to marry you?" he scoffs, standing up and begins to pace around the room. "is my devotion and quite frankly obvious and constant yearning for you not enough? for you to even question that?"

"rafayel, i-" "maybe the hunter's association should put you on bed rest if your brain's not functioning properly. oh perhaps, it's not the brain, it's your heart and its inability to feel the love i have for you. is that right, hm?"

"rafayel," she repeats louder this time, sighing. "that was not what i meant - i just. you went completely silent on me when i asked the question, so i thought you felt uncomfortable with the topic of marriage." shrugging, the red on her cheeks deepens as a replay of the scene comes to mind. she shrivels into herself, crossing her legs as she begins to play with the loose threads of her sweater. "and i know we’ve never talked about it either, so i shouldn't have just sprung it on you like that."

his face softens immediately, guilt pricking his chest as he watches the vulnerability she was expressing. while she wasn't exactly wrong - the topic of marriage does make him uncomfortable. as much as he wants her to be his bride, it’ll undoubtedly open new doors for pain all over again. but as uncomfortable it is, rafayel knows that she is someone he'd carve his own heart out for (well....).

"you have nothing to apologise for." he tells her gently, the tone contrasting the loud rant he performed earlier, and he's back on the couch, crawling onto the space next to her. his fingers are careful, he reminds himself he's holding onto his reason of being, his kyrptonite, the atoms of sunlight itself. he feels his stomach flip, and the soft warmth that begins to exude from the side of his chest tells him that if she peeked underneath his shirt, she'd bear witness to the physical embodiment of his sacred vow. "it threw me off guard, yes. but only because i've been keeping it myself for far too long, cutie." he smiles, still ever so gentle as his thumb caresses the smooth of her cheek.

"i’ve known that i have wanted to marry you for years now," and while she'll take that as a mere dramatisation (rafayel being rafayel), he means that as literally as it gets. only he knows about the pain, humiliation and fear that comes with the wait and for a moment, he's grateful that she doesn't know. he doesn't want her to be burdened with such hardship-filled emotions, so he'll carry it for the both of them.

"you won't be in white - maybe a light shade of blue. i'll obviously wear the best suit ever to be worn. we'll have a ceremony by the beach," he's speaking straight from the vision he's replayed in his mind countless of times, the smile on his face unconsciously growing as he mindlessly twirls a piece of her hair. "you'll have your hair down, and it'll probably get caught in the sea breeze - but it just makes sense to me."

"and," he pauses for a moment, hesitating before he continues. "we'll say our vows twice. one for everyone to bear witness to, and one just for you and me." a vow so sacred and intimate, rafayel refuses to share with the world. he refuses to taint it even a little bit, it should simply be meant only for his lover and him, and his pure everlasting love for her.

"oh." he has rendered her speechless, and now it's rafayel's turn to be nervous, fearing he has made her uncomfortable. hiding the embarrassment behind a scoff, he pulls away with a pout. "y-you were the one who brought it up first!" immediately, she shakes her head and pulls him back into her chest and rafayel doesn't fight his body when it relaxes immediately. "i was just a little surprised, raf - in a good way. didn't think you would've had all these little details in mind already." her voice mirrors his previously gentle one, and rafayel feels his eyes flutter shut, coaxed by her fingers running through his hair.

she hesitates, but braves herself to say it. time and again, once peeling off his layers, she's beared witness to his endless courage so why not walk in his footsteps? "i do hope we get married." her voice is quieter, but it speaks volumes to him. he feels a lump form in his throat at the emotions that begin to overflow within him. he reaches out to catch onto her hand that's combing through his hair and brings it to his chest in attempts to quell the tears that threaten to form behind his closed lids.

shakily, his lips whisper against her knuckles, "in my mind, we already are."

in his world, they already were. how lucky was he to get married to her, again and again, and again.

god, he'd do it a million times over.

[girlbowser]

part 3 was that rose was obama.

and that she created davebot as some kind of... (???) against ultdirk. i never was able to figure out exactly what davebot was meant to accomplish. but in the process of doing this, she killed candy!dave.

a semi-recent update basically confirmed this for me tbh.

you know. be more niceys to candy rose. after all, she RECENTLY TRAGICALLY LOST HER SIBLING TO MuRDER.

adfjhgsfkg.

there's more to this, like the obama stuff being an extension of rose being hussie, but that's only believable if you ALREADY believe part 1 of the theory. i do think rose is obama, i do think she had a part in davebot's creation. the davebot scene mirrors a moment in wizardy herbert, where herbert, exploring the moldy, vine-covered ancient remains of the white house, stumbles onto a soulless homunculus/robot of a red-colored figure (reaganbot in WH, davebot in the epilogues). it feels very rose to put an extremely weird and obscure reference to her mom's drunk teen novel (roxy is the canonical author of WH within homestuck's text) as she executes her plan/her brother.

to me, it seems very conspicuous that dave has not a single vision of rose. like, say if you were building a robot to fight an ultimate self, but you were also an ultimate self and didnt want to be conspired against. you wouldn't make this robot be ultimate. you'd *trick it into thinking it was.*

davebot isn't ultimate. aradia repeatedly surprises him, prompts him to explore his ultimate freedom, and expresses that he seems weirdly limited in his so-called perfect powers. and here, davebot witnesses all daves in all timelines -- and not a single one with rose.

if i was building a robot to destroy ultimate selves. i personally would give it Literally No Knowledge of my own ultimate self. i would intentionally leave that out of the data dump. i would make it so that when he is Seeing these streams of Light, he is NOT exposed to anything that could compromise my plans.

and then he dies. he doesn't die heroically or justly -- he dies.

the mechanic here is "ascended essence." it's the concept of dave's godhood itself. it's whatever directs the cosmic spotlight onto "daveness."

that corpse is not a god-tier. he did not die as one.

and that robot is NOT ultimate.

and rose is obama. and that was part 3 and also most of part 4. the rest of part 4 was gonna be going more into the aradia stuff and how she's repeatedly testing him and prodding to see if he is or isn't ultimate, both in the runs of hs2 and hsbc, and even in the 3 sentences they exchange in the epilogues directly. there's some fuckshit going on with these here strilondes and aradia is invested in getting to the bottom of it.

(i wrote an entire fanfic (NSFW) of her trying to investigate candy rose specifically, inspired by all of these theorizings. and then sam gabriel did a STUNNING podfic of it that you should all go listen to. anyway)

yeah.

like all of these theories sprouted in one night after the rosemary update. my friends went insane collectively. and then i said "and of course we KNOW gloves are canon" and they were like "emma what the FUCK are you talking about" and it was all history from there asdfjsgfkgdfg.

anyway yeah

going to go completely bugfuck insane for a little bit here. we need to talk about ultrose

Ultimate Rose, Pt. 1 (establishing facts)

so

ultrose is a fucking bundle of contradictions, huh?

i think its worth immediately establishing postcanon rose as a liar. specifically, there are a few crucial lies -- lies she tells herself as well -- that define the basis of ultrose. (im mostly going to be looking at candy timeline here, because meat ultrose is a whole other tin can of worms.)

the crucial scenes to compare are the last scene where she talks to john at the peak of the war, and the scene where she plays her hand in beyond canon.

i'm going to skip around this scene (candy 33), but stick with me.

this rose.

this rose right here. this rose who is happy. who loves her wife. who has *a* daughter.

this rose, as she herself describes.

is not "true."

rose firmly believes that knowledge means suffering. which, given the state of her body at the start of the prologue, probably feels deeply true! and her ailment disappearing coincides with her sight vanishing, and her knowledge of The Shape Of Postcanon slipping away. (candy 4)

"For some reason" "whatever it was she felt"

i think it's extremely important to establish here that rose wiped her own mind.

or maybe roxy wiped her mind. or the severing of meat/candy wiped her mind, but that last one feels very unlikely to me considering that this mind-wiped-state is at-will.

and we know that, because during the candy timeline, she is two things:

blind to the world

happy

and in beyond canon, this very same rose, days later, is:

too-aware, and in touch with her powers

deeply miserable

she stopped trying the moment the comic came back. she stopped trying because she never started. that was a whole ass different rose. one without the memories or powers.

if you'd allow me to be insane, i think i know which rose.

from ultdirk describing his experiences (with supplementary text from davepeta), we know what being ultimate is like. we understand that he has access to every splinter of himself, some more prominent than others.

so if rose is able to prioritize bringing one iteration of herself to the front of her mind... which rose would be the best?

which rose would be the happiest, the most pleased by living on earth c? the one blissed by love, the one who would be happy with a daughter and a wife.

it's not our main rose. she was not happy during her wedding. she didn't enjoy her life. she didn't think she'd ever be happy until after the meat/candy split happened.

you know who would have loved that?

what

what is this...... very very important thing doing here?

why is she "correcting" herself? why is she making this distinction? we haven't heard a word spoken about complacency of the learned, maybe at all, in the entire epilogues. and we know rose never really finished the story. it was just some amateur wizardfic.

but say there was another rose. a member of the gestalt, who actually DID finish writing complacency. who fought her whole life for the right to have a family, but ultimately failed.

say there was a rose who was an author.

yeah. i think the rose who gets to act out the bulk of the candy timeline (notably NOT yiffy. that was alllllllll ultrose) is alpha rose. roxy's mom. the one who fought the condesce and lost. and i think she's here simply because she's the best choice.

i mean, fuck, in hs2 rose straight up says it.

so . yeah. this is all establishing stuff for my Insane Theory. my real one about why shes doing all this. how shes doing all this. i have been sitting on this theory for months and if you thought "candy rose is alpha earth rose" is unhinged you aint seen nothing yet

gloves are canon

part 2 is here.

[zepskies]

https://vm.tiktok.com/ZGdFgGL1y/

I’ve been loving this trend and then realised this could literally bmd Ben and reader asking him to show how he would’ve moved to her in the 80s and even better cause he literally experienced it, I can see him being unwilling to entertain but slowly caving in when he sees she’s not breaking and giving him attention until he tries

LOL that's adorable. 😂 Thanks for thinking of Break Me Down (Soldier Boy x Reader)! Seems to be a theme this week lol! I went ahead and watched that TikTok and again it got me imaging the thing...

Imagine Soldier Boy (Ben) "Sliding Up" to You in the Club

I can imagine that coming up in conversation if the reader in BMD was being subjected to watching another one of his music videos. She'd be teasing him, of course, but he'd be defending himself and his career choices. It was the 80s!

And for your information, Ben says, women were fucking falling over themselves to have him sign their Rapture albums. It was frankly irritating when he went out. Sometimes, he just wanted to relax with a smoke and a glass of bourbon at the club. You scoff at that one.

He looks amused. "What, you think you would've been the only girl in America who didn't cream their panties when I showed up?"

You shoot him a wry brow raise. Do you have to remind him how you two met? Being tied to a chair with zip ties comes to mind.

But then, something else occurs to you. The first time you and Ben actually met was in a smokey club in Medellin, Colombia. You'd been "undercover" then, and though you hadn't danced with him, it makes you think...

"Okay, let's say we're at the club," you pose, with a sly smile. "It's 1983..."

You find the song "Too Shy" on your phone; quintessential 80s pop. The smooth riffs start playing. You get up to start vibing near him in the comfort of your living room. You're just swaying side to side with a little sensuous, playful bounce to your step, your hand movements simple.

Ben doesn't want to smile, but you're making it difficult as he lounges half across the couch.

"Come on. How would you slide up on me?" you taunt.

He arches a brow. "Slide?"

"You know what I mean. What was your move, huh?" you ask, teasing him with the curve of your ass and the sway of your hips in your yoga pants.

You saunter closer to him, beckoning him over to you. All the while you sing to yourself, "Too shy, shyyyy. Hush, hush, eye to eye..."

Ben rolls his eyes, reluctant to rise to your bait. But eventually, your teasing is too much for him to ignore. He pulls himself off the couch and comes up behind you.

He takes your hand while you're purposefully facing away from him, and smoothly turns you around, guiding you back into his arms like he's Fred Astaire. You utter a little gasp and grab onto his shoulders. Your gaze flicks up to his with a smile.

His lips curve as he looks down at you. He matches the vibe of the song as he moves along with you, but then he turns you around, holding you from behind with steady hands sliding down the curve of your waist. His strength is tempered just enough for you to feel it.

He gradually moves closer with every bounce of the beat, and soon every part of his body is molded to yours. Your hands fall over his as you subtly lean back against his chest.

He bows his head near your cheek, smiling, because he can hear your heart beating a little faster. His lips brush the shell of your ear.

"Gotcha."

AN: Once again, this turned into a little headcanon/imagine that I wasn't expecting. 🤣 Last post before I'm off on a trip all weekend! 💚

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[quartz-oc]

》 Cynthia ⋆𐙚₊˚⊹ ᡣ𐭩

"Man, that girl is creepy!"

"Yeah and she looks and moves weird too.. Almost like some puppet."

"She's a little too pretty to be a puppet. More like.. Some doll.."

"Do you think she has ball joints like a doll?"

"No idea.."

⊹₊ ˚‧︵‿₊୨୧₊‿︵‧ ˚ ₊⊹

Name: Cynthia (Real name: ████████)

Age: 16

Birthday: February 29

Class: 1-A

Club: Sewing and Stitching Club

Height: 174 cm (5'8)

Hobby: Sewing

Homeland: ████

Likes: Pretty things

Dislikes: Things that ruin pretty things

╭┈ • ┈ ୨୧ ┈ • ┈╮

Introduction

Cynthia is an average girl. She loves frills and clothes like an average girl. She loves to dress up and do make up like an average girl. She loves to make friends and hang out like an average girl.

Except she's not.

She doesn't act like an average girl. What is that stiff movement? She doesn't even talk like an average girl. Where is her voice?! I haven't even heard her talk at all! Does she even have a voice? She stares too much. Where is the light in her eyes? She's... well.. a little creepy.

After being sent to NRC from a different world, she's been the talk of the whole school about if she's even a real person.

Did the Headmaster let in a possessed doll? Does she have a condition? Her moves are so robotic. Is she a robot?

Well, the thing is... We don't know! She doesn't say anything! She doesn't even care! Wow!

Personality

Despite her appearance, she tries her best to be kind and generous to the people she wants to be friends with. She's always giving gifts to her hands with things she finds pretty or hand-sewn clothing. Don't ask how she knows their sizes.

She also does not speak so she uses a lot of gestures and hand movements. It is unknown that she has a voice or not.

She doesn't really mind that people spread rumors about her. She kind of uses it to her advantage, making everyone run away if she doesn't like them.

She's very particular about touch. Skin to skin contact absolutely disgusts her and even initiating the touch makes her skin crawl. She only allows touch if she initiates first when she has gloves on.

She treats a lot of her friends or people she likes like delicate glass dolls; like they can break anytime under the slightest of pressure. And I don't mean figuratively. It's literally. Her hugs and small tugs on the sleeve are very gentle and light.

Cynthia also dislikes showing skin so she dresses modestly but fashionably. Because of this, people believe she's hiding her "doll joints" under pretty clothes.

She really adores cute and pretty things. Frilly dresses, cute cat charms, pretty hairstyles, people she likes, small animals, and etc. If anything of those are ruined, she gets scary.

People who ruin pretty things are ugly and should just d̷i̷e̷. That's what she believes. It's honestly such a harsh statement but that's how she thinks. Although, don't worry, she's not that sensitive. Her being that mad only happens to a few people and she understands certain situations.

When she's really mad, she can act very impulsive and her actions get a little creepy at times. Like if you bullied someone she liked, she would follow you home. Oh? You have a stray cat that you take care of when you're on your way to school but you're an actual shitty person? That cat isn't there anymore.

(Don't worry. She gave it to someone who can take care of it. She's not that evil 😭😭 Her goal is to only scare you.)

She doesn't really think of consequences when she's feeling something intense which can lead her into horrible situations.

Small Trivia

• Cynthia hates P.E. because she has to get all sweaty and touch people

• Her favorite color is pink despite herself wearing mainly blue

• Many of the first years had to get used to her staring problem because sometimes she's not seen blinking

• Crowley knows she's from a different world but she won't say which because she literally can't

• She sews Grim so many outfits and he thinks he looks cool in them

• She spoils Grim a lot because he reminds her of something familiar but it's a far memory

• Crewel is impressed by Cynthia's sewing and wishes to teach her more but she always ends up wanting to do her own thing

╰┈ • ┈ ୨୧ ┈ • ┈╯

"I don't even have a voice box! I had to borrow this one.."

[tevantarlos]

Unpopular Opinion 911 - et all

I'm a bisexual woman and I've known that I'm bisexual since I was 11 years old. I legitimately am attracted to both men and women.

I've been watching 911 since 2 months after season 1 ended in 2018. I got into the show for Bathena and have loved them ever since.

I keep seeing people complaining on the official show pages about how Athena abuses her authority as a cop, and while they're not wrong, they're also blowing things way out of proportion. I'm pretty sure the people saying that have never watched the NBC show Chicago PD, because if you compare what Athena's done, to what Voight on Chicago PD has done, you'd know that the stuff she's done has been pretty tame. On Chicago PD: 1. Voight has locked people up in a cage and literally tortured them for information.

2. He has killed people for revenge. He killed the guy who killed his son, Justin. He killed the guy or people who killed Al. There are probably even more occurrences than that, but these are the one's that mainly come to mind for me.

3. He literally threatened Matt Casey, Hallie Thomas, and Gabby Dawson, when his dumbass son, Justin, was on drugs and caused an accident which paralyzed someone, because they could report Justin to other police who would've actually locked Justin's stupid ass up. I get that Voight was trying to protect his kid, but that doesn't make this shit okay. Also, it's weird as hell that Antonio worked with Voight for 6 years. How the hell did Antonio not kill Voight for threatening his sister's life? That's garbage.

4. He literally stole money and drugs from criminals.

5. He has threatened his detective's lives on more than one occasion, and not in some way to make sure they are more careful and protect themselves, but as a legit threat.

Returning to my 911 thoughts.

Oliver Stark has claimed that he's been playing Buck as bisexual the entire time. No, he has not. He just wants the clicks and attention from pretending that this has been happening all along. Buck has had no interest in men until season 7 and the BuckTommy storyline happened.

The episode of Lone Star that's the crossover, doesn't prove Buck is bi. He wasn't flirting with TK, it was a misunderstanding on TK's part. Buck is literally confused when TK says that he's with someone, as he wasn't flirting with TK, he was only inviting TK to come to LA as a friend to hang out. Buck says on the show that he's checked out hot guy's asses before. He hasn't done that in canon. It's one of many things that they claim is canon, but isn't because it happened off screen. He has literally been obsessed with women from the first time we see him, until Tommy returns in season 7.

Buck can't even say that he's bisexual on the show. He hasn't done any research, when he used to research everything. He hasn't spoken to people like Hen, Karen, or even Josh in depth about his feelings for men. There was one scene, right before the relationship ended, where he talked to Josh, which didn't even amount to anything and was just a waste of time since they made Tommy OOC and broke up with Buck. Hell, he (Buck) didn't even know after 6 months that Tommy was gay and not any other identity.

All this to say, 911, TM, OS, they don't genuinely give a shit about Buck, his supposed bisexuality, Tommy, or even the other main characters on the show. From one episode to the next, they have them say one thing and then retcon it right after. The whole Buck is bi thing was a hoax. They just wanted to attract the gay and bisexual crowd back to the show since Henren and Josh haven't been getting that much screentime, and Buck and OS are like the golden child of the show. People think he's an idiot, but that he's a sweet idiot, who can do no wrong. As I stated above, I started watching 911 before season 2 even aired. I don't like the way the show is handling their characters and storylines and I'm finally getting tired of the shitty writing. I love Bathena, I love Henren, I love Madney, I loved BuckTommy. However, if Tommy is thrown aside like yesterday's trash and Buck moves on, only to fuck a bunch of women and/or men with the excuse of exploring his sexuality, I will be checking out and dropping the show.

I like Buck's character, but he's not the reason I watch the show. He's also not enough to keep me watching. Henren are constantly being threatened to have their kids taken away. Bathena is constantly put in crazy life or death situations that end in some super unrealistic way: Kid landing a plane, remember? Madney don't have anything interesting going on. Literally, all they have going on, is that they're having another kid. Eddie has spent years obsessed with his dead wife, Josh hasn't had much of a plot in years, since the only boyfriend he's had on the show was some homophobic jackass who lied and said he was gay, so that he could beat Josh up.

May is gone, Harry is gone, Sue is gone, Carla is gone, Chris is gone. All the side characters that helped make the show a little interesting, is gone. The found family dynamic is lacking or entirely absent this season. Also, making the point to show Tommy sad and longing for a family, only for him to end up sad and alone, doesn't make me want to keep watching this show.

I think I'm finished bitching for now. I know that my thoughts are all over the place, but I've kept my mouth shut on how I feel about OS and Buck's bisexuality, this whole time, but now I'm finally going to fully speak up.

As always, I know many or even most people aren't going to agree with me and that's fine. This is just my feelings and opinion on the show.

[androgynousblackbox]

So I FINALLY finished the book and now I can say with absolute fucking certainty that gringos did not understand fuck all about the book. That gringos did this book SO FUCKING DIRTY. I remember some review somewhere saying about how by the end "the protagonist falls in love with the woman and then kills her", but DUDE, if you read that this man was ever in love with this woman despite blatantly treating her like an animal literally the entire time and only wanting her because of female validation for this ego, I don't know what to tell you. The ending made perfect sense to me because this man literally never thinks of her like an actual person. Multiple scenes basically compared her to the two dogs that he had to put down. When he does think about her, he thinks more about the kid they are going to have (that he is going to be a boy OF COURSE) than about her. He never tries to give her the tools to be her own person. To communicate, to find her own interests. She is viewed and treated like an animal so, of course, like an animal she is going to be treated by the end. And Marcos being a hypocrite, who berates his sister for keeping another human to cut and devour in pieces, while he himself just uses another "head" to replace his dead child, IS THE FUCKING POINT. HE IS A HYPOCRITE FROM THE VERY FUCKING START, because that is required of him to keep working, that is what capitalism and colonization and all those systems of power require of him to keep going, because it was never about compassion or empathy. It's only using the bodies for whatever we want, be it food, be it incubation, be it entertainment, be it hunting, because there is no fucking space for actual real humanity anywhere. It doesn't matter that he is "nicer" because it's all the fucking same: it's all about the devouring of each other. Like, this book is unironically and blatantly about critiquing so much more than the fucking food industry, about critiquing anyone for just eating meat, and you all fucking missed the point so much that is for real embarassing.

OKAY, so I haven't actually finished the book yet so maybe my opinion on this will change, but I honestly feel like the gringo booktubers I watch all have no idea of what to do with Tender Is The Flesh and are fundamentally wrong about it? Like, saw someone trying to say "this book tries to criticize the food we eat rather than the industry", which sounds like absolute fucking bullshit to me because a BIG portion of the fucking book is all about how the industry is treating "the meat" like fucking dogshit and how the characters themselves, the ones who work inside of the industry, are disgusted whenever anyone even attempts to say there is something good about it. There is this constant cognitive dissonance where the characters know what they are doing is inhumane and awful, that they are treating "the meat" horrible, but it's their job, what are they going to do, and at the same time they feel it crosses a line whenever someone call "the meat" human or are even beyond inhumane when someone says the meat "have a good life" because they get treated as studs. Also, like in general, I feel all of them miss the part about this author being argentine and thus how that colors their vision of how the industry works. The biggest industry in all of the argentina, the one that gave us any kind of possibility to survive in this world, was the meat industry, we actually fucking need it because we have nothing else to offer, and yet, all the powerful people who are involved with the meat industry in this work are all foreigners: a japanese man who collects skin of people and threatens his employees with skinning them alive, a gringo, that is literally called gringo, and a german man who is to utterly dettached that has no issue calling "the meat" human and also make inhumane comments about them. At that point is very obvious to me that this isn't about just criticizing an industry, but criticizing a system to whome the industries are merely a reflection of. It's not about the world, it's about a country being so set on their old ways and traditions that are literally willing to eat each other if it means having a foot in the outside world. Because otherwise we have fucking nothing. And this ALREADY fuck us over in the real world. The protagonist is literally the representation of that! He literally asks himself why he keeps working on this shit if it makes him miserable? Because he is the best at it, because he gets paid and he needs the money. CAPITALISM ALL THE WAY DOWN, BABY. Like, the meat food industry is bad, but also think about why they are bad and why the powerful people want it to be bad in the first place. Like, the books says that indigenous, immigrants and other POCs are the first humans to being eaten. The poor and elderly. Why do you all think that is?? Like, I just generally do not understand how you can read that and come out thinking "this person just wants me to be vegan and I don't like that"/"this person doesn't criticize the food industry", like I am a very fucking firm believer that vegans who spend every breath trying to make you vegan are shit and just eat whatever, but even I got that it was meant as something else than that. And how people keep saying that the ending "comes out of nowhere" when it's literally foreshadowed at the beggining at the book while doing the world building? Were you even paying attention at all at that point? Like, I literally saw someone being "I think this book overstimates how much it would take for the world to be okay with cannibalism", like THAT IS NOT THE POINT. The point is not to write "how it's a world where human meat is mandatory", but rather explore the idea in which the way we ALREADY eat each other gets taken to it's extreme. LITERALLY WHAT ALL DISTOPIA FICTION DOES?? Anyway, again, I might change my mind when I finish the work myself, but even by reading the start myself and knowing a bit about the background of this author, I just do not get any of these reviews at all.

[gryficowa]

You know what I hate as a creator? That you can't give a character before the arc without seeing hatred for that character, and often even after passing the arc he will be hated…

Seriously, I saw someone attacking Lumity and calling her "Toxic" because Amity was so bad… Because she rejected everyone… Yes, she literally hates a character who was a victim of abuse from her mother and had to develop a fucking defense mechanism… But you know, if you are a child and you can't cope with the trauma, it's better to kill yourself, because your change for the better means nothing

This is how I feel when I see the fandom and how it treats multi-dimensional characters…

Mabel Pines and Dipper Pines… Just those two…

I know it doesn't fit but it pisses me off that Mabel is hated in the fandom for being a fucking child

So what if Ford was at fault for not telling Mabel about the crack? It's obvious that it's her fault because as a child, she couldn't handle it mentally due to the excess of negative stimuli from that day…

And I'm not saying I don't like Ford, it's just that people don't blame Stan or Ford, they blame a 12 year old fucking child

Stan joked and mocked Dipper, Mabel only repeated his actions but the fanodm forgave Stan because not only did they love him, but in one episode he said that he was a dick to Dipper because he wanted him to be strong… Bullying doesn't fucking lead to that

Can you fucking blame the adult characters and not the fucking children?

I have the same problem with the miracolous fandom that hates Chloe and defends her father who was a fucking corrupt politician

I'm just fucking fed up with the fandom siding with the torturers and not the fucking children…

I know these memes are different (Not about blue MAGA and Zionists but as a creator I'm irritated by all this)

[lunaforyou]

Primes Reborn AU spoilers below the cut, if you want to wait until the fanfic is done don't read.

WARNINGS miscarriage scare, violence, a little angst for the soul.

(everything turns out okay don't worry)

Sooooo, after kid number three, Optimus is already getting used to this. Hey, why fight the Matrix when he can work with it?

Besides, it's vindicative to be able to un-do most of Sentinel's damage, after giving the miners cogs that is. His frag up doesn't have to haunt their entire species forever.

Nevermind that the Matrix takes bits and pieces out of him in lieu of transfluid, since, well, the sparklings have to come from somewhere.

If undoing the damage Sentinel did entails energon, sweat and tears every time, so be it.

So he decides to find a spot he feels safe in and build a nest!

His unfortunate ass only feels safe in the cave of the primes though.

No biggie! He just has to make a comfortable spot.

In a cave full of corpses.

Great.

By the time he is finally done he is so wiped out that he falls asleep in the nest immediately.

And then he wakes up to the sound of a fusion canon. Being aimed at his face.

Oh right, Megatron.

So they start to fight, Optimus is always trying to diffuse it and keep his shit together, like, invading a nest is extremely distressing for the carrier. It's not like Megatron knows he is invading a nest, because even he wouldn't go that low goddamnit.

And then Megatron taunts him with something along the lines of;

"Look at yourself, Prime. You have gone soft with time, literally." (I'm still working on what he says, don't be too rude)

And Optimus, the fool that he is, looks down at himself. He really shouldn't have done that because that gives Megatron an opening to hit him.

In the gut.

He immediately falls to the floor in pain. And Megatron goes "I won't have mercy on you because you feel a little pain, Prime"

He can't even finish the sentence though, Optimus interjects with "She isn't moving"

It takes a second for Megatron to realize what he means.

He immediately scrambles to help, however he can. He lifts Optimus up and places him in the nest, and really he can't do much but it's better than doing nothing!

The blow triggered the emergence, and little Solus is born unconscious. This time, the other primes' spirits are mysteriously absent.

When he has her in his arms, Megatron shakes her up a little bit, to see if she wakes up. To which Optimus tells him that it's useless, her body is weak without a sire bond, and that she'll die.

And without thinking, this other fool just.

Opens his spark chamber.

You see, to form a sire bond, the spark of the carrier acts as a bridge between the sparkling and the sire's spark.

Want to guess where this is going?

.

.

.

.

.

That's right! Megatron and Optimus spark bond to save little Solus, you get nothing for guessing correctly <3

They coax her spark chamber open and the three of them bond. After the bond takes, Solus starts crying, and thank Primus she is crying, Megatron doesn't think he could have lived with the guilt if his little one died because of him.

And then Optimus takes her in his arms and Megatron's world expands by five.

They look so, so beautiful. And suddenly everything that's right in the world is in that cave, in the nest that his love made.

Because yes, that's his love now (never stopped being his love) and that's his sparkling. And Primus damn it he is not going to let go of them.

And then he looks at little Solus, and cries a little and says something along the lines of "She's perfect"

And then Optimus hits him with the "You say that because you haven't seen the other three"

Megatron cries a little more.

And the name of the AU is STILL Primes Reborn. :)

[neverpathia]

well, not for lack of trying

here's Barbie-fied long quiet. jk that's the voice of the smitten

and lineart because I always

dude I don't even swing that way but handsome men are the most frequent thing I've been posting on this blog thus far. I need to do something about that.

now, as always, time to ramble about this little guy

well literally any post about happily ever after will give you a pretty clear picture of his mentality. Smitty is a simp. push him too far and he'll go either enabler or yandere on you.

one thing is clear, though.

this guy is fucking delusional.

he falls in love with a princess he barely even knows. (no shit, Sherlock!) he falls in love with, well literally any iteration of the princess, really. (wow. what laudable powers of deductive reasoning. I am awed beyond words.)

well a pretty obvious thing about slay the princess is that it's quite a desperate situation. the long quiet is stressed and needs to cope. so the voices form to help, or at least act like perfectly unhelpful defense mechanisms. and smitten is one of those very perfectly-unhelpful-defense-mechanisms.

the smitten is still inherently superficial. i forgot where, but I once heard someone say that smitten is the part of the long quiet that still intrinsically yearns to reunite with the shifting mound. that could be the case. either way, the smitten is certainly the voice that cares the most about the mound. he's the one that's most aligned with her desires, or at least he believes he is.

however, I feel like it's more general than that. the smitten, above all, is the desire for connection.

but unlike the broken, he doesn't exactly offer 'unconditional' devotion. of course he wants safety. (no shit they all want safety have you seen the stakes of their fucking circumstances lately?) and of course he wants some control over the situation.

but friendly reminder that the smitten is fucking delusional. he want it? he got it.

the smitten is blind devotion, yes, but to a beneficial cause. the princess more often than not proves more trustworthy than the narrator (not to mention she's clearly more physically attractive like damn look at those big doe eyes she's so cute come on what's not to love. unless she's a mass of razor blades or a faceless abomination but we'll get to those later.)

shady man versus pretty princess. when forced to pick a side, it's initially pretty obvious who seems like the better, more heroic choice. she tugs at your heartstrings. she's just adorable, of course you feel attracted to her. and of course you're going to perceive a greater implied benefit from assisting her, especially compared to shady-man's vague threats.

he wants safety. he wants control, not necessarily over the princess or anyone exactly, but especially over this stressful inescapable scenario he's in. he wants to be free. he wants to have a purpose. and the best source of it all still seems to be the princess herself.

because (the smitten is delusional) they're in love and she would never hurt him. because (the smitten is delusional) she only wants to make him happy.

no, the smitten is delusional due to what the idea of true love offers. (keep in mind: it's not like the broken's submission for the sake of safety. he's still trapped and he knows it, but to broken it's more like he's choosing torture over worse torture.)

the smitten seeks both protection and agency. love is the easiest escape. and this is why even when faced with, say, some terrifying hulking monstrous being that's only vaguely feminine, he tries at love. he clings to love. if he refuses to see anything else, then he can be safe and free and happy. if he's delusional then the reality beyond his little delusion doesn't need to exist. sound familiar? no, narrator, get the hell away.

the smitten requires the idea of love, the idea of affection, the idea of what true romantic connection is.

he's locked himself into believing this is the only way for him to get what he wants, even when all else doesn't align with this. he's locked himself into believing love is the only thing that will always matter and remain constant. because he is delusional.

because he needs to be delusional.

oh I love the little lovesick fucker and his fancy little words

now I don't think a lot of thought really went into his design. I just thought "oh he speaks like a Victorian writer and he's kind of a dandy" and went from there. honestly I kind of modelled him off a preexisting OC of mine and changed up the details and colour palette a bit. he kind of looks like a drag queen but if I'm going to be honest that's not a bad thing on him.

he and the broken are probably going to be the most feminine of my voices, and not just because they give themselves to love, which is always seen as a more 'feminine' concept. no, it's more like they're the voices that emotionally cling the most to the princess. just as they once were one, they yearn to be one again. even if it means casting aside what they were meant to be. even if it means giving themselves up for the sake of another. the long quiet is inherently masculine and it's everything the shifting mound is not. so the voices that most oppose the mound are going to be more masc, ceterus paribus. does that make sense?

also he was supposed to be the hottest voice

why is oppy still the hottest voice

[crossingcrimes]

So like, random thought/prompt/idea I had?

You know how Hannibal is all "Oh you're the one I'd want guarding my home" that first meal with Will?

What if Will internalized that? Cause I mean the whole conversation is basically him saying Jack treats him as a tool, one that Jack doesn't consider worth caring for and will use until it's no longer functioning.

And here's Hannibal talking about how he sees Will as someone he would want to like, protect him.

And of course we know that when Wills brain was melting he became very emotionally dependent on Hannibal, literally went into a fugue state and lost hours of time and came to after interacting with Hannibal.

What if during all that brain melting nonsense Will sorta latched onto the idea that Hannibal wants Will to protect him? Like his brain is nearly dribbling outta his ears, he's losing time and hallucinating sounds, and Jack gives not a single fuck about how Will is suffering. Jack just keeps pushing him into doing something that's not even remotely his job.

(btw does Will get paid for this? Cause like he was rejected from that kinda work prior so like? Is he even an approved and paid consultant? Jack is basically preventing Will from doing his actual legal job which is teaching and I'm curious how that works out legally and payment wise)

Jack is very obviously on the road of using Will like a tool he doesn't care about until he breaks.

Meanwhile you have Hannibal. Who from Will's perspective, is just being so caring and sympathetic to Will. Who disagrees with how Jack is treating him. Who takes care of him by feeding him and checking on him when he disappears from a planned meeting. Hannibal who (again to Wills POV) doesn't want to use Will like a tool. He wants Will to be a shield, a protector!

So what if during his sickness Will got really weird and dependant on the idea of needing to protect Hannibal from those who would hurt him? And Hannibal being who he is picks up on this shift in personality and goes "hey, I could do something with this!".

So he takes Will for another brain scan, with a different doctor, and lo' and behold Will isn't crazy! His brain is melting! And Hannibal plays up being just sooooo apologetic about having trusted the wrong person with Wills care, how could Will even forgive him for this? Truly what a horrible person he trusted who would let Will suffer for some sick desire for research, etc etc. painting himself as a bit of a victim taken advantage of by someone he trusted.

And Will, who is recovering and only has Hannibal actually around to show that he cares that Will was sick and is caring for him even though he's not the best behaved cause of the illness and medicine, is like " how dare someone hurt Hannibal! Hannibal is so good to me and clearly I need to protect him from people who would take advantage of him!"

Ultimately of course, this takes the path wherein Hannibal isolates Will from others by setting up situations where Will feels Hannibal needs to be protected from others, and since that's the case how could Will possibly trust them? And Will's identity becomes so dependent on the idea that he is Hannibal's protector and that Hannibal is the only person who REALLY cares about him that even when the truth comes out he stays with Hannibal.

Maybe Hannibal gives him the tragic backstory of his sister and the path of revenge he took, and how between that and his aunt (probably paints her as someone else who took advantage of him when he was vulnerable, cause I mean, traumatized teen who's step-aunt gets so obsessively in love with him that she kills her own husband paints a different picture here) he just doesn't know how to be a 'normal' person. That it's become such an integral part of him, the killing and cannibalism, that not doing it would negatively affect him.

And sure, Will might be a bit upset initially but like, at this point Hannibal has made Will so isolated and dependant on him for mental/emotional stability that all that'll really happen is maybe Will sleeps in the guest room with his dogs for a week and is a bit sullen. Of course Hannibal plays up the apologetic regretful "but baby I miss you I'm so sorry" thing and Will basically forgives him.

After the reveal could go either way also. Either the idea that Will is just so very protective of Hannibal that he doesn't want Hannibal out doing his dangerous hobby alone/ agrees that these people were rude/unkind to Hannibal and killing them is for the best. OR! Will doesn't get involved in the killing at all, genuinely treats it like Hannibal's weird hobby they can't let the neighbors know about but honestly has no interest in, kiss at the door "have fun with your thing tonight dear" type shit.

Either way obviously protecting Hannibal from Jack becomes a major focus of his. Cause if Jack was a piece of shit to Will when Will was the only thing making him so successful at his work, how would he treat Hannibal who in reality is his forsworn enemy?

[bumblingbabooshka]

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

[hoshizoraorchestra]

idk man just thinking about how damsel3 literally just breaks the narrator. it is worse than the very thing that he will do Anything to prevent. that's how terrible it is to witness and to describe. man. man. i need to lie down.

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[hauntingblue]

WATER SEVEN BABYYYYY

Look at robin reacting when luffy says he wont give her up.... 🥺🥺

This is a joke right now but its actually a one piece tenet aldjsisjka

Usopp aksbaksjakqk the foreshadow is foreshadowing... Also Robin being happy with the crew after the Aokiji incident... Fuck!!!!

Sanji thinking robin just vanished or flew away and suddenly usopp is soaring thru the skies... imagine

AAAAARGGGGHHHH YOU CAN SEE THE GEARS TURNING

Zoro talking to merry..... only while he is alone of course

Why are nami and sanji matching ajdhakjsk look at the citrus sisters

Carpenter: maybe it was the government

Gov agent: I don't think so, also don't say that they are everywhere

LUFFY SUPPORTS WOMEN'S WRONGS!!!

Don't scream att chopper like that!!! Look at him... So small....

Imu tease???? (No) (Also I've changed websites again bc the translation is kinda off , I can't find a good quality b&w spanish translation and the colors scare me (i want the real manga experience))

GET HIM ICEBURG!!!!

I truly forgor if this is just a lie about her wanting to find the rio poneglyphs or genuine because she wants to die and will do it for them... because in skypiea she says she is not interested in the weapons so maybe if the gov pardons her but considering what she wants is illegal then idk abdjabjs this is such a dumb thing to forget... like thats important girl where did it go (reading this after remembering and it's kinda funny... i will make any sacrifice to kill myself (and keep you safe)... she goes HARD)

Little paulie and mozu and kiwi.... omg hello (the SBS says the twins wanted to be shipwrights too omg)

Franky's backstory is small but it does so much for me like it is so central to the themes... boats and people...

DID SOMEBODY ORDER MORE TRAGIC BROTHERS?

The fact that franky needs to learn this lesson to pass it on to robin.... do you understand how big this is.... also Tom does exactly as he says and takes responsibility for franky and what he has done... because he has done nothing wrong AND THAT'S HIS SON and he just punched spandam bc he wanta him to feel the pain franky feels... Tom is such a man..... proud of having built eater 7 up with the sea train.... goes out with a boom.... should we all kill ourselves....

I am crying again................... franky my god.... and the fucking frog!!! And of course franky can't stop Tom's hope for his island... of course he can't.... he hasnt learnt the lesson yet but this guy isn't over yet!! He has a life of being a pervert cyborg ahead!!! Iceburg following Tom's footsteps but franky not being able to do that bc of his guilt....

This is one of the coolest things chopper has done btw...

NAMII 😭😭😭

Robin damning the world for her crew when all she has ever done is damn her companions for her own sake.... how big is this...

I can't take this...... it's always nami in these positions... it happens AGAIN in Zou with Sanji... there is no way

The love letter gag is too good like damn that's so funny

AND IT'S NAMI GOING THROUGH IT AGAIN!!!! SHE LOVES ROBIN SO MUCH!!!!

[mortalscience]

Law and Order Criminal Intent - 1x05 - Jones Deakins: You can kick it over to the 1-5. Eames: Why? We got time for this. Deakins: Chief of detectives… needs a couple of bodies for the Mayor's Drug Task Force. Okay, I should know better. But it's a good opportunity. Eames: (waves Deakins off) Deakins: Suit yourself. (he leaves) Eames: (to Bobby) You like this case, too. Goren: Yeah, I like Angie. The captain's right, the task force is a good way for you to get noticed. Eames: I didn't take this job to get noticed.

[bitchfitch]

help people are mistaking the opening chapter of my psych horror story about a man getting trapped in a demented game of house with a personification of the US Military's rot for a cute gay romcom about veterans relaxing after achieving glory