#guys i'm having so much fun digital collaging

[oscarpiastriwdc]

oscar piastri x when the pawn

[fortunesfavours]

time travel in ten - sequential narrative collage piece done for my class, Artifact.

ramblings below the cut for those interested in the process/life update for friends who have noticed i've been gone

right lmao. i had two weeks to do this project and had a completely different idea that i just could not get myself to be excited about. emailed my prof in desperation, but it being like 10 pm meant that she was not about to respond. within 30 minutes, as it goes, i got struck with divine inspiration by whatever force of nature governs procrastination-induced genius, and i promptly spent the next 12 waking hours non-stop working on this.

my class, artifact, is a requirement for the foundation year at the college i attend. it centers around time-based media, ranging from the sequential illustration here to video later in the semester, and a bunch of other projects designed to get us thinking in 4d. artifact is the theme of the class - my peers are doing the same projects under a variety of different themes (tragically, haunting filled up too quickly and i missed out on enrollment in that one).

our first project was designing an artifact and doing a write-up of the story behind it. the girl to my left made beaded spiders members of a fictional cult carried. the guy across from me made an amulet of a long-dead god. you get the vibes. mine, which I still need to take professional photos of, is a pocketwatch that lets you time travel. cause, yknow. i'm me. it was gonna be about time travel.

i had originally intended to do a bunch of drawings of the watch's owner, building out her backstory and the world she lives in, and explaining why the watch exists,,,, then i couldn't bring myself to pick up the stylus. I just can't seem to find the energy for my usual digital art (sorry friends i miss yall i'm still here i swear).

here's the bit about my life so feel free to stop reading if you just care about the art 👍

I haven't drawn fanart or my ocs in months now, since last semester, and I miss it a whole bunch but right now that creative energy just. is not happening. i don't plan on abandoning it forever by any means, but p much everything i have is going towards school right now. sad as that is, i'm having so much fun, and i'm so proud of the technical improvements i've made. I've got so many things i want to create, mostly for my ocs. i still love crit role, but i've fallen of campaign three. i don't have the time, and the story hasn't been engaging me for a bit.

i've been really into dr who lately, and am eagerly waiting for the spare time to sit and watch all of candela obscura. i'm in a new dnd game. i've got friends! real life friends! irl friends who called me the wizard friend within a few hours of knowing me before i even opened my mouth about dnd lmao. i've discovered a new love of collage, and i've just declared my major in something unique to my school, a program called Studio for Interrelated Media. i'll be learning about illustration still through the extra electives i'll have room for, but i also get to explore printmaking in more depth, as well as event planning, installation, curation, and theatre work as well.

i miss being on here a whole bunch and want to be more active when i get more time. don't plan on abandoning this blog by any means. boston has been kind to me, and though i have had some Real Low Points, i've also been living the life i've hoped for since i was a kid. i'm good, really really good.

to my friends, ily, i miss you, and i hope you're well. can't wait to catch up on all yalls art and fic. sending all my love. <3

[apparentabstractions]

Some unstructured thoughts

My reaction to the trend of "AI artists" has been pretty viscerally negative—it's a clear off-shoot of the same Silicon Valley tech bro bullshit that gave us NFTs—but I've also been left grappling with the reality that there are very real similarities between much of my APPARENT ABSTRACTIONS work and images generated by AI. The latter involves someone inputting text and hoping for the best. My edited ROM corruption screenshots require similarly little "effort"—ask a program to inject some junk data or alter a few bytes, then wait for the results. In the end, we both have very little control over the actual output. I often make edits to the shape or color to make mine stand out more, but that's not a tall task either.

Furthermore, both are built off the backs of others' work. I think my only real saving grace here is that the "sources" I pull from are commercial, mass-produced products. Of course video games are an art form, and artists worked to create the graphics which I then ask a program to mangle, but at the end of the day I'm pulling from the works of corporations. Fair game for editing? Fair game for collages and sampling? The music enthusiast in me has always felt that way, at least. I wouldn't have a guilty conscience screencapping and editing something from say, Ninja Gaiden—as opposed to trying the same thing from some DeviantArt user's work. One like myself, maybe. I also illustrate as a hobby, and yeah, I don't want my drawings used in AI training datasets. And these days, it's getting harder to trust the websites we host our work on to protect us.

Maybe the big difference between what I'm making and what "AI artists" are doing comes down to ethos. AA is a project that's been going on for four years now. The works have always been released into the public domain. I just think what I'm doing is cool, and I wish more people would do it. It's not really even about the individual pieces but all of them as a unified gallery. I've always viewed AA as one singular ever-expanding art piece. I think it's why I enjoyed making the Tower Unite gallery so much. Very few "AI artists" ever seem actually interested in art. Or at least, they weren't interested in the concept of "art" until they saw that it could be an easy way to make them popular or rich. But you probably know that already.

We saw it with NFTs, too, though maybe less so percentage-wise—I saw a lot of legitimate artists I admired become grifters. I almost bought a John Karel (jjjjjjjjjjohn, the one with the low-poly skeletons) shirt and now I'm glad I didn't. Mark Vomit, the guy who made that "you are not immune to propaganda" meme, is actually a talented audiovisual producer that I liked a lot. Ironically, he tried making NFTs but threw a fit when no one wanted them and people started making fun of him. I don't think he's tried again since. Probably my biggest disappointment in this field was Osamu Sato—the guy behind LSD: Dream Emulator among a slew of great albums. And don't forget a bunch of musicians who were probably forced to engage with NFTs by their labels. But also, like, 80% of the people making "abstract digital art" like my own started getting into it! I had to unfollow the vast majority of them. At their height, it was so bad that you could just tell someone was probably doing NFTs by looking at their art because it had become so popular with certain cliques—my own included. I started using the "AGAINST CRYPTO / AGAINST NFTS" avatar around that time not just because I wanted to make a bold statement against it, but also because I didn't want people to have to check.

[sonicenvy]

a solid 80-90% of my coolest craft/art/writing/making ideas come to me at the most inconvenient of times:

late at night when i am trying to sleep

in the shower

at work while im helping someone out with a thing

while i am biking or driving

when i am on a train car or bus having to stand instead of sit

tonight's inconvenient idea was for a new, different embroidery hoop that wasn't the pattern i downloaded and printed onto my dissolvable stabilizer, stuck onto fabric and mounted into a hoop (and then bought the thread for) and started on.

This idea was to do some of the images from the book of kells. I am especially fond of the very famous folio 27v which is from the gospel of matthew and depicts the symbols of the four evangelists (matthew, mark, luke and john as the man, the wingèd lion, the wingèd calf and the eagle). The one that seemed to be the least technically difficult to stitch in my mind was the wingèd calf (luke) so I cut the image out of the page in photoshop, enlarged it and printed it out. Once printed out I made a (clumsy) tracing of it onto another paper, which I'll have to refine and ink later. For now, I'd call that proof of concept.

After inking, ill probably scan it back into the computer and make a vector of it and print that vector out on the water dissovlable stabilizer to attach to my fabric. I decided to go about this route because, frankly, I'm shite at tracing things digitally with my ancient wacom tablet (and my ipad is too old to do apple pencil + procreate which would probably be better. Plus, like, I have a light box, why not use it?

As a side note I cannot draw AT ALL, but I am passable at tracing because of embroidery and because I traced stuff all the time for assignments back in primary school that we were supposed to draw stuff for if I couldn't get away with doing layer collages cut out with my x-acto knife for the project instead. (yes i was a single digit age child with an x-acto knife. my dad had an a+ parenting moment when I was like, maybe 5 and taught me how to cut out things (mostly my paper dolls) with an x-acto knife. I didn't even know how to use scissors at the time lmaooooooo. because x-actoing shit out is soooo much better, as I result i still stink at scissor cutting things.)

anyways. in case you were wondering about what the little guy im planning to embroidery looks like.... boom!

he's just a little guy! medieval monks drew all kinds of fun and funky creatures and frankly, dear old irish/scottish medieval monks, im obsessed. y'all dont get me started on medieval art and illuminate manuscripts or ill be here for 100000 years. my bones will be telling you about medieval art.

the other embroidery projects that are totally still going to happen:

the sea shell pattern i downloaded. good thing i didn't have to pay for it....

a blue morpho or a paper kite butterfly.

some kind of stitch sampler

other fiber art projects:

that crocheted shawl i downloaded a pattern for a kajillion years ago

the giant blue crocheted scarf that I got about 60% of the way through making from that pound o' love yarn skein.

mending. so. much. mending.