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#gotta say. it's really weird drawing kelly with any kind of muscle
raiiny-bay · 3 months
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>:-)
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♫ Surfing on a soundwave, Swinging through the stars, Take a left at your intestine, Take your second right past mars!
On the Magic School smelly space bus! ♫
SPOILERS for Supergirl: Woman of Tomorrow #2!
This is a comic where, the longer I sit with a particular issue, the more I’m like, ‘yeah. Yeah. YEAH.’
It’s dense in a way that invites the reader to go through it multiple times, and rewards additional readthroughs.
Also, it helps that the art is FREAKING AMAZING.
Seriously. Evely and Lopes should draw and color everything, forever, always.
(I will honestly be shocked if they don’t get an Eisner nom for this book.)
Anyways, all of this to say: Another issue that I enjoyed. It has one of the most genuinely sweet Supergirl moments I’ve seen in the comics in a good long while.
So, if you’re looking for a quick thumbs up/thumbs down rating, thumbs up!
If you’d like some SPECIFICS, though...
THE STORY
King is an evil genius because we don’t pick up where we left off--rather, we start in the midst of the Space Bus journey.
There is technically a Big Action Scene, but I was honestly surprised by how...casually? the story progressed.
Essentially: Kara and Ruthye are forced to travel by bus because 1.) Krem stole Kara’s rocket and 2.) this corner of the universe doesn’t have the right stars, so Kara’s still recovering from being under a red sun for an extended period of time.
The bus makes occasional stops; they encounter a space dragon; Kara takes some Red Kryptonite and saves the day; they eventually arrive on a planet with a yellow sun. 
And again, all of this occurs with a kind of...breezy ease that I was not expecting at all.
I assumed that the space dragon fight would make up the final moments of the issue, after having built up the problem to a point where Kara needed to intervene.
But, noooope. The space dragon happens somewhere in the middle, which helps sell the central idea that this is simply Kara’s life. She’s been there, done that. She’s a badass who takes it all in stride.
But! Important to note! Ruthye still marvels at the sight of Kara taking out the space dragon, as well she should, because:
OH MY GOD. THE aRT.
There’s only so many times I can say, ‘it’s phenomenal, it’s gorgeous, it’s stunning’ before sounding like a broken record.
But it is. It truly is. This is the prettiest monthly book on the stands right now.
(Realizing I’ve been spelling Ruthye wrong this entire time, maybe? IDK. Apologies if I have.)
It’s in the final moments of the book that we learn what transpired after Krem shot Kara and Krypto and fled: Kara managed to get Krypto and Ruthye to a healer, and then passed out for a week. 
Ruthye and Kara recovered, buuuuut...
Krypto is still very near death because the arrow was poisoned.
The healer can’t treat him until he has a sample of the poison.
Which Krem has.
(See where this is going?)
So! Kara regains her powers! Ruthye has a super on her side! KRYPTO’S LIFE HANGS IN THE BALANCE!
Gimme. Issue. 3. STAT.
THE CHARACTERS
Very much enjoyed Ruthye in this issue!
There’s a really tricky balancing act you gotta pull off when writing child characters; you don’t want to just write them as tiny adults, but you also don’t want to be obnoxious or cloying in trying to write ‘true-to-age.’
King gives himself a bit of a cheat, by setting her up as a rock farmer from a...what would you call it. An old-fashioned planet? And thus the kind of character who had to ‘grow up fast’ and behaves more maturely than your typical pre-teen might.
BUT! IMPORTANTLY! This is tempered by placing Ruthye in situations where her (understandable) ignorance is challenged/put to the test. Like, yes, she is mature, and well-spoken, and utterly tenacious, but she’s also out of her depth, and still in need of help and guidance.
(Which is how we get to The Best Scene which I’ll get to in just a sec.)
TL;DR - this issue has really sold me on Ruthye as our POV character and I am officially Invested in the relationship between her and Kara.
Speaking of...
It’s KARA-CTERIZATION TIME!
So, okay. There’s some ‘eh’ stuff in this one, but, BUT!
We got the goods again.
And by ‘goods’ I mean this:
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Whatever other nitpicks I have (and I do! Have one! Which I’ll get to!) THIS. This right here! This is Supergirl. This is Kara.
And what a beautiful line to introduce this moment:
“And it began--as most things begin when you’re dealing with Supergirl--with a moment of kindness.”
It’s the same gentle concern we saw in the previous issue, where Kara knelt down to address Ruthye eye-to-eye. 
Here, Kara’s facial expression, and the way she takes Ruthye’s hands and shows her what to do...
It’s just. SO SWEET.
Ahhhhh it’s so good. :D
So good! In fact! That the above scene offsets my one complaint, which is that Kara came off as harsh, IMO, when addressing the bus passengers, looking for Red K. 
Other good stuff from this particular portion of the book: we get Kryptonese (maybe? I think?) And a mention of Kara’s mother being strict about certain things, which is in keeping with the 2000s series version of Alura.
Ruthye also asks if Kara ever tried to avenge the death of her family/culture and she says no; Ruthye says that she heard a lifetime of regret in Kara’s response, which I suppose could be read one of two ways:
1.) That she regrets her choice not to avenge them, or 2.) that she regrets not having the option to avenge them, as there was no one person to punch, no single action that could rectify the destruction of the entire planet.
I personally prefer the second reading.
Which I suppose contradicts the recent-ish “Killers of Krypton” arc, but who knows what is and isn’t canon anymore, honestly. XD
As for the rest of the issue! I found myself thinking of a Grant Morrison interview, actually.
Morrison apparently met a Superman cosplayer at a con and that’s when the character clicked for them: “[The superman cosplayer] was so in the character, but what really got me was the way he was sitting. It was this absolutely relaxed pose with one knee up and the arm bent over, and that’s what broke Superman for me. Suddenly I realized that Superman wouldn’t be a poser, he wouldn’t be a Muscle Beach steroid guy; he’d actually be completely relaxed because nothing could hurt him. He could be so open and friendly to everyone because no one can punch him or hurt him. He can’t get a cold, or be damaged by anything you’re carrying or wearing. For me that was the power of that, whether you want to frame it as magical or not, it actually informed the stories I wanted to write. I felt I understood him in a way I hadn’t until that moment.”
That’s always stuck with me, the idea that Clark would be the most at-ease, chill guy you'd ever talk to.
And THAT, I think, is what we’re seeing here with Kara. That at-ease-ness.
But in a way that is distinct from Clark! In the above quote, it’s clear that Morrison thinks it’s Clark’s powers that are the reason he can be so relaxed and at ease.
But Kara is de-powered here. So why is she so chill?
Because Kara is an alien.
Kara’s in her element, here. She’s used to space travel, she knows the ins-and-outs, she’s not shocked by any of the weird stuff they encounter on their journey. 
Love it. LOVE. IT.
I am SO GLAD that King decided to go with Kara being the wizened mentor, as opposed to the naïve kid learning to be tough. It’s a much more interesting angle, IMO.
Also NO MENTION OF RIVALRY BETWEEN KARA AND CLARK. WOO. LET’S KEEP THIS ROLLIN’.
Alright, last, but certainly not least:
THE GOOD BOY! KRYPTO!
When I tell you I stress-read this entire comic first thing in the morning...XD
And I am STILL stressed. And a little sad that Krypto doesn’t get to go on another space adventure but! This is MIGHTY PREFERABLE to what I *thought* was going to happen, which is that Krypto would die from his injuries, and Kara would likewise be out for revenge. 
Fortunately, that is not the case! 
So like, the stakes?!?! Suddenly sky high. Find that dirtbag Krem and GET THAT POISON BACK TO THE HEALER!!
ART and MISC. STUFF THAT I LOVE
I generally don’t like to post entire pages of a comic, or panels without context, but the...reach? of this blog is extremely limited so. I think we’ll be okay. XD
So, alright! Some moments that I particularly enjoyed!
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One of the panels that Mat Lopes shared early on! 
I want this lettered version on a mug.
(Also she looks very ’Grace Kelly-ish’ here.)
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Love Kara’s facial expression and her line about space travel being more fun when you can fly.
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From the same portion of the book--such a neat detail that Kara keeps her cash in her sleeve!
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Another set of panels that I think Tom King shared a few months back.
Love Kara’s little smirk, and the, “I’m wearing a big yellow S on my chest, and a very fashionable red skirt.”
It IS fashionable. WE SUPPORT THE SKIRT, IN THIS HOUSE.
Also the slrrrrrrp. XD
It’s good.
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Okay, 1.) VERY COOL SCI-FI DESIGN and 2.) that line is great. “Can you feel it, Ruthye? We’re getting closer. The stars are changing.”
Mmmm, them good cosmic Kara vibes.
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Kara’s attitude about the Red K here is fun, like, ‘WELP, sometimes you turn into a monster, sometimes you don’t!’ but again, the line is what gets me.
“Did my hair move?”
“I do not believe so.”
XD
Honestly? I could post the whole comic here. Evely’s vision of ‘public transit, but space’ is just so immediately...not ‘real’, necessarily, because there’s such a fantastical element to it all, but it is fully realized. I think I used the phrase ‘lived-in’ and that’s it--this world feels like it has always existed; every grimy nook and cranny, every rando space bus traveler.
And Mat Lopes’ colors!
There are like, five distinct color palettes at work in this issue, and Lopes handles them all masterfully.
I think my favorite is the...I’ll call it ‘ethereal space aquarium’ lighting in the bus as they view the space dragon.
The glow and the shadows and the blues and pinks...
GGGGGGGGAAAHHHHHHHHHH so goooooooood
So, yeah. :D
I am very much enjoying this weird, wild ride with small, precocious Ruthye and wizened, crusty Kara. XD There’s some stuff that I don’t *love* but my goodness, it could be a lot worse!
Let us end on the beautiful title page:
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