#got a bit sappy at the end but i don't mind humanity is always worth loving

[applestorms]

morality in the world of good omens

so i wrote another (admittedly very messy) essay on good omens not long ago right after watching season 2 but after finishing that, rewatching all of both seasons multiple times, and reading through the book, i have a couple more distinct ideas to get out...somewhere...if only for my own sanity. this is me throwing my thoughts into the internet before i pop, if you will. just 3 sections, below the cut.

1. environment, characters, & transformative fandom creations

to start this post off a bit more broadly, i've been thinking a lot recently about transformative fandom and the reasons why we write fanfiction/create semi-original works in the first place, as well as why certain aspects of fandom (writing, art, analysis, etc.) will be more appealing to me for certain shows/series than others. correct me if you have a totally different view of this, but in my experience i've found that i tend to naturally gravitate towards different parts of fandom depending on what the original medium of the story was- podcasts tend to lead to some of the most interesting art trends, for example, since there's more room for interpretation and character design tends to be more of an ongoing community project than something set in stone like for a tv show with live human actors.

in my own observation, i've noticed that a lot of the really big & excitable fandoms, the ones that generate tons & tons of fanworks more naturally (a.k.a. just because of the story itself & not other factors like a pre-existing franchise or hype about new great gay representation, etc.) tend to surround stories that fall into a kind of "sweet spot" that makes the creation of fanworks really appealing. if you've ever wondered why there are so many ravenous artists bending over backwards to draw gorgeous fanart for stuff like homestuck or south park or even minecraft youtubers, it's likely because those stories all fall into a sweet spot for drawing, with character designs that are recognizable at a glance and yet still simple enough that there is plenty of room for personal creative touches. (think also, if you're familiar with such kinds of homestuck terms: hyperflexible mythologies, A4:1524, and/or this archive link cause the official thing is down now for some reason)

the conclusion i've come to is thus that even something as basic as the original medium of a story can dictate a lot about what kinds of fan activities are more common or popular within said story's fandom.

so, back to good omens- for me, this all relates back because of a question i've been messing with in my head recently, about why i've been less interested in fanfiction for good omens than i have been for the last few fandoms i've been, almost all of which have basically broken my ao3 bookmarks.

this question has been fucking with me for a while now, largely because i'm not entirely sure what's motivating it. a lot of times i can figure out pretty easily why i might personally not be interested in some parts of fandom, but that's not really the case here. from what i've seen this fandom seems to be pretty mixed in terms of age, & the writing that i have read is certainly no worse than i've seen elsewhere, perhaps even better in some places- and yet, i can't seem to get entirely into it, even getting frustrated as i can't find something to my tastes for an ao3 bedtime story as i've grown so accustomed. what caught me off guard is that this was an issue that i ran into while watching season 1 as well, back when the series was still quite popular but not blowing up like it is right now.

a lot of this may seem like (and likely is, at least in part) basic overthinking, but i mentioned it all here because the answer i eventually came to is reminiscent of my previous reflections above on the nature of fandom & how/why fanworks are created.

a couple paragraphs above, i used the example of art as an example of how fandoms that generate a lot of original artwork will often do the most when the original story falls into a sweet spot of character design, but notably i think that this sentiment applies to a lot more than just art. if you've ever seen the copious amounts of kpop & hockey rpf fanfiction that lives on ao3, it should be clear that this applies to writing too.

i wrote this essay a while back responding to an observation about the lack of a more extensive symbolic language in fanfiction & i've toyed around with the idea more since, particularly in considering the question of why a lot of what we see as the staples of fanfiction exist in the first place. in that post, my response largely revolved around an argument of why we create fanfiction- namely, that fanfiction is created as in tandem with deeper analysis of the original story/series, as a way of trying to practically apply character analysis to a new context.

the key part of that last sentence to me is how a lot of this revolves around character analysis (and shipping, but really it's the characters that motivate the shipping in most cases so. same difference).

i tend to instinctively separate fanfiction into two separate categories: fanfiction that is based out of the original world/canon of the story (including but not limited to fix-its, deeper analysis fics that take a scene & extrapolate from it, continuations, etc.) and fanfiction that takes the characters from the original story & plops them in an alternate universe/AU. while i separate these out as two distinct categories of fanfiction, i should also clarify that i don't think these two groups are necessarily equal in terms of number of fics- rather, the vast majority of fanfiction tends to be AUs, keeping the original characters & changing any & all aspects of the world around them. again, this may vary depending on the story & Vibe of the fandom at the time, stories like game of thrones or harry potter or homestuck might have a lot more in the canon category by nature of any major dissatisfactions the fandom has with how the original story was told, but in most cases AUs are more popular. this was a lot of the basis behind my argument that fanfiction is created as character analysis in fact, since the characters are the most important part that carries over from original story to fanwork, as well as can end up being one of the most debated/scorned parts when it comes to fandom drift (i.e. "that's out of character"/"he wouldn't do that"/and all other such arguments about fanon vs. canon characterization).

basically, my conclusion in this case was that i was a lot less interested in gomens fic largely because i have a really hard time separating the characters from the world in the case of this particular story. aziraphale & crowley being an angel & a demon and dealing with all of the bullshit of their world when it comes to heaven & hell are such integral parts of their characters in my mind that i have a much harder time getting behind AU fanfiction that plops them in a totally different context. it's just a much harder sell for keeping the characters in character for me. (i also tend to not like s2 fix-its just cause, idk they're just not my style, which is where a lot of the recent blast of energy has led us.) to clarify, this is not a judgement, just a matter of personal preference and a reflection of why, even if a lot of fandoms will look the same from the outside/involve the same things like art, fic, etc., an individual's mileage can vary wildly when it comes to how they interact with different things online.

*additional note, also for clarification: i do want to acknowledge that a lot of this depends on pure popularity as well, popular fandoms will often end up with basically everything in terms of fanworks just by nature of how many people are interacting with & thinking deeply about the story. my point here is more along the lines of the fact that even within the more well-populated fandoms, certain types of fanwork will often Stick Out more to me than others, or even be visibly much more common than in other fandoms, due largely to the original medium/structure of how the story.

so, speaking of aziraphale & crowley in more depth now- why does the world of good omens feel like such an integral part of their personalities when it comes to characterization? up next, let's talk about morality within the context of good omens' perhaps surprisingly secular take on heaven & hell.

2. the amorality of heaven & hell (ft. the crowley quote apples you know the one)

(warning in advance that this section may be a bit limited since i'm not going to get super far (or very far at all, really) into the whole religious-analysis aspect of good omens.)

i've been binge-reading the original pterry & gaiman book for good omens over the last few days and it's been very fun seeing all the slight changes between the tv show & the original. you can really see the hand of the original creators in how the tv show was translated, even just by looking at which parts made it and which parts were deemed worth cutting out. i suppose having one of the original creators right there helping build everything really helps make a book -> show translation work, since the ASOUE tv series was also pretty well received- something about knowing what's the core of the series & truly important to keep in, and having more time to tell the story itself?

anyways, i have a short list of notes that i've been taking as i read, conversations that stand out to me or footnotes that particularly amused me, but i keep coming back to one line that stood out to me quite early on. in context, this line comes from crowley during the conversation where he is first attempting to fully convince aziraphale about stopping armageddon, specifically when they're talking about exerting equal forces on warlock to make him normal:

"You're saying the child isn't evil of itself?" [Aziraphale] said slowly. "Potentially evil. Potentially good, too, I suppose. Just this huge powerful potentiality, waiting to be shaped," said Crowley. He shrugged. "Anyway, why're we talking about this good and evil? They're just names for sides. We know that."

(pg. 67)

"They're just names for sides." if i had to pick one line to sum up the view on religious morality of this series, this would likely be it.

on the one hand, i tend to interpret a lot gomens' take on heaven & hell within the context of its political stance, something that is particularly obvious through a line from gabriel in s2e2 where he tries to clarify to aziraphale that heaven isn't trying to hurt job directly, but instead is just not stopping hell from doing horrible things to him. while there may be some additional nuance to add to this take within the context of british politics that i don't really know well enough to add about, i'm inclined to see this from the side of my own familiar american politics, which might hold some weight considering how long mr. gaiman's lived around here. point is, my current interpretation of that line is that it helps in more clearly establishing the analogy of heaven & hell as the story moves forward into newer seasons and thus more contemporary politics, equating heaven with mainstream liberal politics & politicians and hell with conservatives.

this stance seems to be emphasized even more in the tv show than the book which makes sense considering its been coming out more recently, and especially in season 2 which is still quite caught up in a lot of quarantine-based reflection. (the tv show puts a lot more emphasis on heaven & hell in general, actually, perhaps initially a byproduct of actually being able to see those environments in their entirety and all the angels & demons that populate them- but we'll get to that.)

the book takes a slightly different stance that, fittingly, seems more reflective of the time it came out. in particular, i was struck a lot more when reading the book by adam's rise (fall?) to power, and how much of it was motivated by a burgeoning nervousness/pessimism about climate change and the anxieties of younger generations that comes with inheriting an earth that feels so fucked up. honestly if anything it's only gotten more relevant in that respect, what with the current vibe on the internet & the hopelessness of the doomer gen z gang, but it also has a distinctly different flavor to me from the tv show, which i think is largely because it's less connected to Formal politics since again we see a whole lot less of heaven & hell as such distinct, bureaucratic entities.

instead, there is a very distinctly amoral aspect to heaven & hell that we get through lines like the one above and especially from characters like crowley. this is why i argue that good omens, despite having so many religious elements, is such a deeply secular take, especially when it comes to its ethics & morality- Good and Evil, notably with the capital letters in this case, has very little to do with actual actions and much more to do with the name that you stamp on top of said actions. heaven & hell and the angels & demons that we see directing and watching and generally fucking with aziraphale & crowley throughout the story are distinctly separate from humanity, and as we see even more as the story progresses, distinctly unaware about what it even means to be a human, in both a deeper philosophical & very basic and literal sense. Good and Evil is simply another name for the sides- and thus the true ethics is something separate, and based in a deeply human experience.

in my opinion this is also why aziraphale & crowley, lovers of humanity and also to some degree spokespersons of it from how much they've "gone native," tend to be so deeply at odds with both heaven & hell and always end up agreeing with each other over their own supposed sides. what makes aziraphale & crowley so distinctly different is that they ascribe to the same ethics & morality that humanity does, or at the very least are trying to figure out ethics & morality & How to Be a Good Person in the same horribly messy way that humans do, separating them from the black & white "this side Good & this side Bad," logic that the rest of heaven & hell instinctively ascribe to.

there's a lot of nuance here, which is also why i think there is such an emphasis on moral ambiguity (and love, but we'll get to that) throughout season 2. the story of job, grave robbing, & questionable attempts at matchmaking- aziraphale is working through a lot of Shit right now when it comes to trying to figure out what the Good thing actually fucking is, and i think it's key that a lot of that is motivated by crowley himself. crowley might'e been cast out of heaven for asking too many questions, but aziraphale is there & listening to them & giving them the serious thought they deserve, and that can't be overlooked.

sidenote: i couldn't figure out a place to shove this in, but i also wanna point out that a lot of this is tied to the idea of growing over time too. on the same page as the quote transcribed above is another line from crowley leading up to aziraphale's question that puts a lot of emphasis on the fact that warlock is going to be a product of nurture, not nature. again, this is an argument against basic black & white assigned-at-birth morality for the ability of humans to grow & change over time and be influenced by the people around them.

it's notable that despite adam's supposed origin as a Son of Satan, what really gets him to stop the apocalypse in the end is the fact that he doesn't really give a shit about all this big plans but instead just wants to hang around his friends. there's a lot of emphasis in the book placed on how beautiful & nice tadfield is as a place for a young kid to grow up, how well loved & fiercely protected it as as something beloved to adam. while he might be overwhelmed when faced with the full picture of how horrible the world can be, ultimately what he cares about is loving & taking care of the people & places that he grew up learning were precious, and the only way to do that is to keep growing & changing yourself within that world and trying to help it also grow into something better, not throw it all away just for the slightest chance that you could restart. a message worth taking the time to think about, at the absolute very least.

3. finding morality w/in humanity: crowley & aziraphale and speculation for s3

i have complicated feelings about both aziraphale & crowley throughout a lot of the show and especially in season 2. i think a lot of people, myself included, are inclined to see crowley as the voice of reason in this season, and for good reason- as i mentioned before, a lot of aziraphale's deeper questioning of the status quo and goodness (Goodness) as a whole is motivated by questions from crowley.

i kiiind of mentioned this in my previous essay, but to state it more clearly, my take on crowley is that he's arriving at the right answer for the wrong reasons, and, conversely, aziraphale is arriving at the wrong answer for... kind of also the wrong reasons but also slightly for the right reasons. let me explain.

crowley is clearly much more aware of the flaws in both heaven & hell than aziraphale is, which seems to be the basis behind a lot of his motivation in asking aziraphale so many questions in the first place. he's also, as maggie & nina point out in s2e6, deeply lonely, often running away or getting ready to fight literally anyone that isn't aziraphale (or humans, but that's a little more complicated). from his reaction to beelz & gabriel getting together, i think it's pretty clear that he still hasn't entirely given up on the whole alpha centauri idea, and it makes sense- as i said in that last essay, crowley basically won the argument at the end of the previous season when it comes to aziraphale & crowley, "making [their] own side," so he doesn't have much reason to face any of his personal fears until maggie & nina basically point out that they exist directly to his face. once they do point it out, however, he's very motivated to act & does so almost immediately, even after hearing what aziraphale has to tell him and being pretty thoroughly devastated by it.

my point here is that crowley is correct in seeing the toxicity of both heaven & hell, he's just flawed and largely motivated by fear (up for debate if that's all it is, but i certainly think it's a big part of it) in his desire to run away from it all. it's not quite armageddon, again he's going more flight > fight here, but he's still ultimately giving up and that's not a great conclusion.

on the other hand, as some others on this site have pointed out, aziraphale is certainly showing a lot of strength in his willingness to keep fighting & try to change things for the better, but it's not hard to see how that belief has been twisted. one of aziraphale's biggest flaw in motivation at this point imo is that he doesn't just believe in goodness but Goodness, the kind that's tied to heaven always being right & all actions being morally Good so long as they're done under the name of heaven, and that clearly also isn't great.

thus what i think the both of these two really need ultimately is that deeper connection to humanity, and the ethics born from humans interacting with humans. we can already see how strong these two are when they collaborate, even when they're doing their absolute best to be as subtle as possible, but what i think they need is to once again be grounded by humanity, not to get so caught up in the bullshittery of heaven & hell and Good & Evil, but once again find a goodness defined by the world that they mutually love so much and stick with it.

i keep tossing a question around in my head about whether or not aziraphale & crowley are going to end up human by the end of this series. it feels natural that they would, they're already so at home and in love with earth & around humanity, but i'm also not entirely sure if that would be a happy ending for them considering how long they've watched & loved the world as it's changed. perhaps taking this post into account is another push towards humanity as a happy ending, not running away to a cottage to get away from the world (i just can't see running away to a cottage to be together as as happy ending, sorry- it might work for beelz & gabriel but not for aziraphale & crowley), but choosing to settle down within that world that is so dear.

[wordsinhaled]

You said that your ask box was open a little bit ago so hello! ik you're currently on a dr. who & GO streak but I recently heard the song "Til You Love Me" and I was curious as to your thoughts on it regarding Dreamling, because. uh. :

Please, don't say I'm wasting my time I've got nothing but time so I'll do all that I can to catch That ghost of a chance

&

But if dreams give you power Then I'm strong enough to offer my heart And never give up till you love me Until you love me

&

I looked in your eyes, so bright and so blue And that's when I knew that you could be mine If good things come to those who will wait Well, I guess I can wait if that's what I have to do Oh, it's worth it for you

And I'm aware that that's like half the song quoted but it is so them coded in my mind.

It admittedly came out in 1995 so not something that Hob could be thinking about during the Missed Meeting (tm) but still. look at those lyrics!

yes - my ask box is always open for anything at all! thank you so much for the ask <3

this song IS so dreamling coded, gosh!!!

this is possibly a PATENTLY ridiculous idea but—

i'm imagining modern day dreamling (maybe post-reunion and post-dream telling hob who he is, but before they actually get together?) where there's a Classic karaoke night at the new inn and hob invites dream. he thinks dream will probably find it deeply silly and trivial and beg off, seeing as he's the king of dreams and all, but dream actually shows up and hob is thrilled to see him... and he ends up singing this song to dream in the cheesiest possible way, as the night is dwindling down.

it may take him all night to work up the courage to do it but it's both the goofiest and most earnest slightly-tipsy-but-completely-serious love confession of all time, in the end. everybody who works at the inn and even some of the regulars have been hearing robbie talk about how gone he is on his best friend for AGES so there may or may not be some cheering when hob sways up to the mic and goes "you know i don't often sing at these things, but i'm dedicating this to someone very special to me. so, erm, here goes," and then grins right at dream.

after the song is over there's a bunch of clapping hob's not actually sure he deserves for that rendition but dream is giving him an inscrutable look, and hob is blushing like mad as though he's a lad of barely twenty and not nearly seven hundred years old. he passes the mic to the next person and shoulders his way through the crowd to dream, who is still looking at him. hob's inner monologue is something like, well, he either wants to murder me for embarrassing him or eat me alive. murder'd be fine right now actually.

"hob gadling," dream says.

"hello," hob says—and despite himself can't keep the soppy grin off his face. it's still so new having dream here, again, in the flesh. "didn't think i'd see you tonight."

"you are a fine singer, my friend," dream tells him.

hob barks a laugh. "hardly! i was just—" this is where he can play it off as a joke. dream had just called him his friend. this is where he can still save even a tiny bit of face and pretend he hasn't been in love with dream since thirteen fucking eighty nine. but... in the end he can't bring himself to pretend. "well, that song's always reminded me of you, i suppose."

"it has been a long time since someone offered up a love song in my honor," dream says. it should come off as a totally pretentious thing to say, really, but dream's mouth is turned up at one corner in the beginnings of a smile, and instead the words make hob's heart do a little flip.

hob tries not to think of all the people (humans? gods? fey creatures? other immortals?) who have dedicated romantic ballads to dream in the past. he wishes he had something to occupy his twitching fingers with, to make it easier to fight the urge to reach over and take dream's long pale hand where it rests on the table next to his wine glass.

and basically like. REALLY SAPPY trying-not-to-flirt-but-still-flirting! and hob is trying to be all chivalrous about it, all, "it doesn't have to mean anything that i badly sang you this soppy song!!!! you called me your friend and i value you so much as a friend!!!!!! i promise i'm not trying to pressure you!!!! i just want you to know how important to me you are—" and dream is all "calling someone a friend is something that can be So Much Deeper Than That if you're dream of the endless" and then they have a sappy lil first kiss because clearly the thing that broke the dam on his Feelings for hob was hearing a mediocrely-sung karaoke version of a reba mcentire song performed for him under dive bar mood lighting :))))

<3 <3 <3

[everlasting-stories]

To Feel Again [M]

Genre: light angst, romance

Warnings[!]: smut, penetration, creampie, unprotected sex, mentions of adult toys

Pairing: Doyoung x Reader

Words: 4.4k / One-shot

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Valentine's Day: the day of roses and hearts and chocolates and romantic candlelit dinners. When people proposed marriage and professed undying love.

You sighed, staring unseeing into your bowl of cornflakes as they succumbed to their milky grave and turned to soggy goop. Funny how a date on a calendar could open the pit of despair that lived somewhere near your stomach. It had to be near your stomach. You've been reasonably hungry until you've noticed the date and the pit opened. Your hunger had fallen into it, and the memories and pain rose out of it.

There was a time when this day had been wonderful. Life had been wonderful, you didn't need Valentine's Day, but you celebrated it with reverence and, sometimes, wild abandon.

You knew what love was, what it felt like to love a man and how it felt to lose him. You remembered what he'd said that last morning, how he'd kissed you; how the sun had lit his face as he smiled, promising he'd be back. You also remembered the police, how the sun seemed to dim as they told you the phrases out of courtesy. They were sorry for your loss. They will let you know of details as soon as the investigation on the accident comes to an end.

Since that time, Valentine's Day had passed unheralded, unheeded and uncelebrated. You knew you were a joke of the office - entering thirties soon and never been fucked, that's what they said. The borning woman who had no idea what fun was, wouldn't have known what to do with a man if by some miracle you did catch the attention of one. They were wrong, of course. Not that it was any of their business; it certainly didn't affect your ability to do your job.

If you chose to act and dress your age and spend your evenings quietly, rather than as mutton dressed as lamb in some gaudy nightclub, surely that was your right?

You sighed again, getting up from the table, taking your cereal bowl and dumping the gloop down the sink. A bleak day of petty jibes and pitying looks lay ahead. At least you knew what to expect this year.

Last year had been your first Valentine's Day with this particular company and, therefore, your first with this particular bunch of malicious people - your fellow employees. As front counter receptionist, you were the company's first "public face" and some of your co-workers had decided it didn't look good if that face wasn't surrounded by gifts from admirers on this day.

When the first bunch of anonymous flowers had arrived, you've been flustered, flattered and flabbergasted that anyone would send you flowers. You had hurriedly cleared a space on the counter for them, proudly displaying them, fussing with them to show them off at their best and make them visible from the greatest distance. You kept touching them, moving them slightly, reaffirming they were really there. Your heart sang; someone had noticed you. Maybe he was too shy to reveal himself; maybe he was married and couldn't: your mind was alive with questions, trying to solve the mystery of their origin. You were all in all happy.

Then a large box of chocolates arrived, closely followed by more flowers. By lunchtime, these had been joined by a little plush cherub, two red plush love hearts, a pair of earrings, three more bunches of flowers, four assorted boxes of chocolates and a large jar of candy hearts. They all carried the same anonymous message. And you knew then and there what is the catch behind this.

By the end of the day there were nine flower arrangements, ten boxes of chocolates, three cherubs, the two red love hearts, three teddy bears, two jars of candy, the earrings and a gift box containing four pairs of edible undies. Just before the close of business the final humiliation came - a fantastically wrapped see through box containing an inflatable male doll with vibrating tongue, a massive purple vibrating dildo and a copy of the Sex for The Beginners book.

You had to stay at your post until the last visitor or client left. But the rest of the staff was already heading out of the building. Some boggled at your desk, some snickered, a couple made loud crass comments and a very few had appeared horrified at the pile of stuff surrounding yourself. The building had almost emptied before that last visitor departed. You were sure that, too, was a set-up, particularly when you saw it was the client that had been visiting quite frequently lately.

Myungsoo ushered the man to the street and turned back to you as you gathered your coat and handbag, ready to escape.

"Gee, you're a popular girl. Who would have thought?" He reached your counter and began collecting up the flowers, grinning madly. "Let me help you with all that."

Before you could say a word, he bundled all the flowers, chocolates and assorted other items into your arms. You could barely see where you were going. Myungsoo put his arm around your back and shepherded you out the door, peeking at the vibrator in its transparent box. "There you go, sweetheart. Looks like you're definitely gonna get some action tonight." He turned smartly away, laughing as he rapidly put distance between the two of you.

You obviously had thrown the whole lot in the nearest dumpster and hurried to the relative sanctuary of your car before breaking down and sobbing, burying your head in your hands to hide from prying eyes of curious passer-bys.

Standing at your kitchen sink, you wondered what they'd pull this year. It couldn't be worse, could it? You sighed again and then abruptly shook your head, standing straighter. To hell with it - you were not going to let them get to you today.

It had already begun when you arrived. A bouquet of irises sat at the front of the counter. You were tempted to throw them straight in the garbage, but decided they were too pretty, too unusual. So they stayed. Curiosity got the better of you as you looked at the card, expecting it to say something sappy and insincere, as last year's cards had.

"You are worth far more than they will ever realise. Hear the flowers."

You pondered the card. Hear the flowers?

What on earth did that mean? You raised an eyebrow as you settled into your post: at least it seemed this year would be more intriguing than last. During quiet moments throughout the morning, you'd pick up the card, reread the cryptic message and study the beautiful bouquet, but its secret was never revealed.

No gifts arrived for you, no more flowers. You were relieved, but it only served to deepen the mystery of the flowers. As your lunch hour approached, other staff began filtering out of their offices to take a break. They all noticed the irises. Several of the women stopped and commented on their beauty. No one laughed.

As always, you left the building for lunch. You would usually grab a sandwich somewhere and do a bit of window shopping. Anything to get away for an hour - if you stayed in the office, someone always "needed" you for something.

When you returned, a neatly typed page was on your desk: "The meaning of flowers". One line was highlighted in blue: "Iris: Have Faith. Don't Give Up On Hope." A single purple violet was pinned to the page. You scanned the page to find "Violet (Purple): You occupy my thoughts". You put the page to one side, but still in view, unsure whether to laugh at it and throw it along with the flowers away before the punch line or wait it out. This was definitely a far more sophisticated assault than last year.

Throughout the afternoon a steady procession of couriers arrived, carrying flowers and gifts. You nervously watched each one approach your counter, only to breathe a sigh of relief as the teddy bears and hearts, the chocolates and flowers were all destined for other souls.

At 4:30PM a man approached your station: nothing unusual in that; everyone that came to see someone had to check in with you. What was unusual was that he actually saw you as a fellow human, not a robot programmed to take names and give directions. He smiled at you, a real smile that reached his eyes and warmed your heart. Something familiar in his eyes...

"Good afternoon. My name is Kim Doyoung. I have an appointment to speak to Choi Myungsoo. Would you mind letting him know I am here, please?"

Quickly, you dialled Myungsoo's extension, giving him the information. Myungsoo, as usual was brusque to the point of rude, telling you to "entertain the idiot 'till I'm ready for him - he's not supposed to be here for another 15 minutes".

You were tempted to tell the polite gentleman exactly what Myungsoo had said, but instead used your tact and diplomacy (that was why you were hired after all) to tell him that "Mr. Choi is a little delayed. He will be available in a few minutes."

With that being said, you offered him a seat.

Again he smiled. "Those are beautiful flowers," he said, nodding towards the iris bouquet. "A discerning choice for a lovely lady."

You lowered your eyes, feeling the heat rise in your face, knowing you were blushing.

His voice softened and became much quieter. "You don't remember me, do you?" Your eyes flew to his face, confused. Were you supposed to know this charming man?

"I had an appointment here at the same time, on this day last year. I was waiting outside for a taxi when you left. That was uncalled for, the whole situation that happened - mean and heartless and exactly what I would expect of Myungsoo and his friends. I deal with them only because I must. They offer a service unparalleled in this town."

He leaned across the counter, his voice so low only you could hear. "How they manage it, I cannot tell. They are pig swill and don't know a pearl when confronted with one." Doyoung paused, seeming to weigh up his next statement, then leaned closer to you. "Did you hear the flowers?"

Your eyes again flew to his face, your mouth falling open a little. "You sent them?"

"I did. And the violet. I had hoped to counter whatever crass display they had planned this year. Would you possibly consider spending the evening with me?" His face was eager, hopeful. "A nice dinner?"

You were stunned, flattered, amazed - but also wary. This was Myungsoo's client. He could easily have been put up to this. You studied his face closely, seeking any hint of a lurking cad. His face fell. "But, of course, you have other plans. I apologise for embarrassing you." He moved away and sat, abashed, on one of the hideous lounge chairs to await his appointment.

You studied this man. He didn't seem to fit the mould of Myungsoo's usual cohorts. For one thing he was unerringly polite. He was also good looking, very, very good looking, without being outstanding or flashy. He was also much closer to your age than Myungsoo's and had an air of quiet confidence, like he had nothing to prove to anyone and nothing to fear from them either. You looked at the flowers. Could Myungsoo have possibly thought of something this elegant? You didn't think so. You took a deep breath: to hell with it.

"Mr. Kim?" He looked up. "What time would you like to pick me up?"

In your bedroom, staring at the clothes hanging limply in your closet, the cool bravado that had claimed you as you agreed to the date vanished. In its place indecision, doubt and outright terror took hold. It seemed painfully obvious to you now, away from the office and that lovely man, that it was all another twisted joke, something for the office beautiful people to laugh at during tomorrow's coffee breaks. Why did you say yes? Your wardrobe was woefully inadequate. It was years since you'd been out with a man; you were bound to make a fool of yourself, even if it wasn't a set-up.

At that thought your heart jumped and lurched. The possibility that Mr. Kim - no, Doyoung; this was a date not a business appointment - was sincere in his wish to take you out only heightened your confusion and indecision.

Finally, in desperation and the realisation that if you didn't decide soon, you'd still be in your underwear when he arrived; you chose a chanel-knee length cremé skirt and baby pink cashmere sweater, topped off with knee length boots. The heels were quite high, but you remembered him being tall, so that wouldn't be an issue, as long as you didn't fall over in them.

You were saved from an overcritical examination in the mirror. You had just completed applying your makeup when Doyoung arrived. You grabbed your coat and quickly walked out the door, before you had time to rethink and back out.

"You look lovely," Doyoung said, smiling down at you. Feeling the heat creeping up your cheeks; you weren't used to receiving compliments, particularly from someone like him. You mumbled a shy thanks as he helped you put on your coat and led you to his car.

Sitting in the car as he drove, you were able to study the mysterious man that is Kim Doyoung. He was extremely handsome, not in the classical sense, but he certainly was far from a plain looking man - a man at peace with himself. He knew who he was and was content with that; he knew what he wanted and how to get it; and what was beyond his capabilities and lost no sleep over it. He obviously managed quite well; his car was expensive but not too flashy.

The restaurant he took you too was a quiet small place, away from the standard eat-and-entertain strip. It was intimate without claustrophobia; the decor was elegant without being overbearing; the lighting low but not dim; the service attentive without being intrusive. The food you could not describe - later, you barely remembered what you had eaten beyond it being "nice" - your attention was totally taken by Doyoung.

He was gallant and charming; helping you with your coat and holding your chair for you at the intimate table for two tucked away in a corner. Doyoung quietly suggested items on the menu he thought you might like. It was obvious he'd been here before, was a regular, but usually without company. His choice of wine was perfect to go with the excellent food as you enjoyed each other's company.

And you talked.

You learned a lot about him. Doyoung was 34, older than you had thought; he had been engaged, but his fiancé decided to break off the engagement for simply falling out of love. He had had a series of short term relationships that had petered out and, for the past several years, had lived a solitary life, rarely going out with women. He didn't work as such; his livelihood came from investments, which explained him being a client of the company you worked in. Myungsoo may be a jerk, but he was the one of the best investment brokers around.

He had been attracted to you the first time he met you, a year ago, but had been intimidated by the evidence of all your admirers. When he realised it was all a cruel joke played by his adviser and the other brokers, he was mortified. He had seriously considered changing brokers, going to another organisation but that would have meant he had no chance of meeting you again. So he stayed. He had been in your office on three occasions since then, and each time had seen your quiet, unflappable charm and how your talent and lovely nature were either ignored or taken for granted by those around you. He was determined to gain your attention, but without the office cricus freaks being able to use it against you, hence the mystery flower delivery this morning.

You found yourself opening up to Doyoung. He seemed sincerely interested in hearing what you had to say, hanging on your every word. It was a liberating and wonderfully powerful feeling. You weren't used to being the centre of anyone's attention. You told him of your pride at the independence since the loss of your lover, all those years ago. You were happy in your little home, content with your work, rarely coming to the attention of the office jokers.

It was over coffee that you admitted to Doyoung something you haven't admitted to yourself: your life was lonely and you missed the affection of another person. You missed the companionship of sharing your life with someone.

Immediately after the words had left your lips you regretted them. You have given away too much of yourself, been too forward. You lowered your eyes, not wanting to see the closed expression you knew would be on his face, so you didn't see the fleeting look of pain, quickly followed by understanding and hope.

However, you did feel his hand close over yours and squeeze lightly. You looked up into a face of gentle eyes and soft smile. "Would you like to take a walk with me," he said quietly. "I think it's time we leave - they want to close the restaurant anyway."

You looked around yourself noticing that you two were the only people other than staff left in the restaurant, and many of the lights were dimmed. You gasped in wonder - you had no idea you've been there so long. "Yes, a walk would be lovely."

Doyoung ushered you along the street and across a small, neat park to a promenade along the riverbank. It was enough lit to feel safe and you walked along arm in arm. You felt his arm snake around your waist hugging you closer to him, and you snuggled against him, your arm around his back. The moon was up, the stars were out and the night was peaceful and clear.

Your heart was singing and your eyes sparkled. You've been right to take this gamble. He was sincere, and it was wonderful. But the night was late, and it was rather cold.

You shivered. Doyoung felt it immediately and turned off the promenade proposing to head back toward the street where he had left the car. "I'd better take you home. It wouldn't be much of a date if you ended up ill."

At your door, Doyoung formally thanked you for a lovely evening and asked if he could see you again. You smiled and surprised yourself only a little by reaching up and kissing him lightly on the lips before saying: "Would you like to come in for a nightcap?"

Doyoung blinked, looking mildly bemused for a moment before studying your face. "Are you sure?"

Oh, most definitely, you were sure. You have thought of nothing else since you two have left the river. He looked right, he felt right, and he smelt right. You wanted him but was sure he'd never make a move. He was too much of a gentleman to ever force the issue.

You took his hand and led him into your home, kicking the door closed with your foot, shutting out the rest of the world with its mean people and ugly attitudes. You reached up to kiss him again. This time he lowered his head to yours, cradling your face in his hands as he returned the kiss. The lips met and parted, allowing the tongues to join and caress each other. His hands moved down from your face to caress your body, yours moving up from his hips. Both of you parted, searching each other's faces for confirmation of your desires.

"I think we're on the same page," you said. "Why don't you leave your coat on the couch? Do you want the nightcap now, or after the tour?"

"I'll put a hold on the nightcap," Doyoung answered, reading the desire in your eyes and knowing it was mirrored in his while stripping off the coat.

"Right."

You took his hand again. "This is the lounge. There," you pointed to the right, "is the kitchen and dining room. This way," pulling him down the hall, "is the second bedroom, the bathroom and," dragging him through a doorway, "here is the main bedroom."

"Very nice," he said, looking around, trying not to focus on the bed.

Suddenly shy, you both looked at anything but each other, awkward in a lack of intimate knowledge of each other. Doyoung tentatively reached out a hand to you, aiming to caress your breast, veering off at the last moment to your shoulder, but still lightly brushing your breast with his fingertips. Your gasped breath emboldened him and he reached his other hand, caressing your other breast lightly as you shivered under his touch and sighed.

Your own hands went to his chest, running down the front of his shirt and back up, then beginning to undo the buttons, pulling the shirt from his trousers and teasing his bare skin with your fingers.

Doyoung pulled his shirt off and then raised the sweater over your head and off the arms, moving in to kiss you as his hands went around your back to undo the clasps of a bra and returned to cup your breasts. The sensation on your breasts as he caressed and pinched the nipples sent a sharp message straight between your legs. You could feel yourself becoming moist and shuddered under his touch; breath becoming uneven.

Pushing him away you removed the skirt, letting it pool at your feet while looking into his eyes. Doyoung took the hint and began unbuckling his belt, then grinned foolishly and sat beside you to take off his socks, sneaking kisses of your neck and shoulders as he did so. You both stood again, slightly apart. He dropped his trousers and you could see his briefs pushed out of shape by his erection, the fabric straining.

Doyoung stepped up, taking you in his arms, kissing down your neck and across the collarbone, his hands lowering to your hips, sliding under the elastic and beginning to tug your panties down. Your own hands flew to the top of his briefs. Together, you pulled down the underwear, stepping out of them and standing naked before each other. Again Doyoung moved first, holding you and gently pushing backwards onto the bed, following after you onto it.

He ran one hand down the body of yours, teasing and tickling the beginning of your womanhood and beyond, teasing you with his fingers, tickling across your mound and easing around your damp centre. You moaned as he explored, your hips twisting and twitching. It had been so long since another man had touched you there. It felt amazing, wonderful, but achingly short of what you needed. You could feel his hardness against your thigh. Reaching down, you took his cock into your hand. It was hot, hard and pulsed under your touch. Doyoung groaned and his hips jerked convulsively. You kissed him hard and whispered fiercely, "Please, it's been too long. I need you, now."

"For me too, far too long," Doyoung gasped back, rolling you onto your back and positioning himself before gently splitting your lips and sliding steadily but firmly into you. Your moans were prominent in the air as he stretched and filled you right, not stopping his steady thrust until he was wholly inside you, your warm walls gripping him tightly. Your eyes met and locked as you lay still, immersed in the feeling of each other's body.

Being warm, wet and a safe haven, you were engulfing his cock. Doyoung was filling you with his hard heat, owning your body completely. You fit each other perfectly; you could see it in each other's eyes. You belonged together.

As great as this feeling was, you needed more. Doyoung slowly withdrew, till only the very tip split you. Both groaning as he pushed back in, again slowly feeling each other with delectable inch. Slowly in and out, in and out, revelling in the feeling of each other's bodies, gradually building up speed as your need increased.

You could feel the fire building, the tension increasing as sensation on sensation smashed into you with each thrust, your body twitching, your hips writhing. Still it built; higher, tighter, fiercer. Your entire being was wrapped around Doyoung's cock as it pumped in and out of you. You could hear him grunting with each thrust, feel his body trembling as he got closer to his climax. His speed increased and you breath got caught in your throat, your back arched, legs went stiff as you began to twitch when the white light exploded through you, spreading warmth and scattering your senses.

You felt, from far away but deep within you, Doyoung losing his rhythm before coming, pumping wildly into you, grunting and thrusting hard one last time as he shot deep inside you feeling spent but overly fulfilled.

Your hand was making lazy circles on Doyoung's chest as you lay, curled against his side with a head on his shoulder. You weren't sure how you've come to be in this position, but it felt so right and he smelled so good.

You were at peace while drifting off to sleep.

Waking up without feeling body by your side, you immediately felt the loss. Doyoung wasn't there. Your heart dropped, the pit near your stomach threatened to open and engulf it. Sensing the tears coming up, you accidentally feel something on your side with a hand.

He wasn't there. But there was a note.

"I am so sorry. I hate to leave you, knowing you will wake alone. There is something I must do."

You had just finished reading when the phone rang, disturbing your thoughts. Grudgingly, you moved to answer it. "Hello."

"Wish I was still beside you."

Your heart flipped again. The pit dissolved so you could breathe again before whispering, "Doyoung."

"Y/N. Tell me, what are you planning for breakfast?"

"Uhm. Coffee? Maybe some toast. Why?"

"Don't move. I'm on my way. With breakfast. And it's better than toast."

You lay back in bed, listening to the dial tone after he hung up. Surprised, you smile softly. You must remember to thank Myungsoo for introducing them.

If this is how you will feel loved and feel free to love again, you have no complaints.

Your new chapter is about to begin and hopefully, it will last for a very long time with a man named Kim Doyoung.