#gorakh

[csswingandeasy]

“you are a puzzle”

[bhishmsharma95]

Kundalini Yoga vs Sanyas ~ An in-depth exploration

Best wishes to all friends for the Maha Kumbh fair at Prayagraj Friends, this time I thought that whatever is in my mind, I should keep writing, of course it may not become a systematic post. It often happens with me that I sit down and start writing and that article itself becomes a systematic post. This time many great personalities were seen as sanyasis in the great Kumbh Mela. For example,…

[blueworldcity001]

Top Locations for Vacation Homes in Pakistan

Pakistan offers an abundance of scenic and serene locations, making it a fantastic choice for vacation homes. Whether you're seeking the cool, crisp air of the mountains or the quiet charm of coastal retreats, the country has something for every type of traveler. Here are some of the top locations for vacation homes in Pakistan:

MurreeLocated just a few hours from Islamabad, Murree is a popular hill station offering lush greenery, pine forests, and breathtaking mountain views. It’s perfect for those seeking tranquility, and the area’s real estate market offers a range of options for vacation homes.

Hunza ValleyKnown for its dramatic landscapes, Hunza Valley is one of the most sought-after destinations for a second home. With its picturesque valleys, serene lakes, and towering peaks, it's an ideal location for nature lovers.

Naran KaghanNaran Kaghan offers some of the most beautiful landscapes in Pakistan. With its pristine lakes and rugged terrain, this area is a favorite among those who love the outdoors and would enjoy owning a vacation home in the midst of nature.

Gorakh Hill StationFor those looking to escape the crowds, Gorakh Hill Station in Sindh provides a quiet retreat. Located in the Kirthar range, it offers cool weather, scenic beauty, and a peaceful environment.

KarimabadSituated in the Hunza region, Karimabad is another excellent choice for a vacation home. Its awe-inspiring beauty, coupled with cultural richness, makes it an attractive place for investment.

[mysterioushimachal]

Jwalamukhi Fair Jwalaji: A Spiritual Extravaganza in Kangra, Himachal Pradesh

[kabirisgod231]

#jab# Kabir# Saheb ji# Gorakh# nath# ji ne #aayu# puchi#

[6266114847]

Gorakh Nath told Kabir Saheb to look at one more power of mine. Saying this he started towards Ganga. The crowd of spectators also moved along. There was river Ganga at about 500 feet. He jumped into it and said, "Find me." Then I (Gorakhnath) will become your disciple. Gorakhnath became a fish. Saheb Kabir took the same fish out of water and transformed it into Gorakhnath in front of everyone. Then Gorakhnath ji accepted Saheb Kabir as the Supreme God and became his disciple.

[subhashdagar123]

[jeevanjali]

Gorakhnath Chalisa: जय जय जय गोरख अविनासी जरूर करें गोरखनाथ चालीसा का पाठGorakhnath Chalisa: गोरखनाथ चालीसा का पाठ करने से बाबा गोरखनाथ बहुत प्रसन्न होते हैं और अपने भक्तों पर विशेष कृपा करते हैं। गोरखनाथ चालीसा का पाठ करने से जीवन की सभी कठिनाइयां दूर हो जाती है।

[pyaariposting]

Ho Bhi Nahin Aur Har Jaa Ho (you are not present yet you are everywherе)

Tum Ek Gorakh Dhandha Ho (you are one tricky puzzle)

Har Zarrе Mein Kis Shaan Se Tu Jalwa Numa Hai (in every atom speck with what splendor, you are present)

Hairan Hai Magar Akal Ke Kaisa Hai Tu Kya Hai (shocked at the intellect of what you look like and what you are)

Tujhe Der-o-haram Mein Mainay Dhoonda Tu Nahin Milta (i searched for you in temples and mosques, but i could not find you)

Lekin Tashreef Farman Tuj Ko Apne Dil Me Hai (but i found you residing in my heart)

Tum Ek Gorakh Dhanda Ho (you are one tricky puzzle)

- Nusrat Fateh Ali Khan

[qalbofnight]

translate:' Indeed my lord is near'.

Nit Naye Naqsh Banatay Ho Mita Daitay Ho, Janay Kiss Jurm-E-Tamanna Ki Saza Daitay Ho,

Kabhi Kunker Ko Bana Daitay Ho Heeray Ki Kani, Kabhi Heeron Ko Bhi Mitti Mein Mila Daitay Ho,

Zindagi Kitnay He Murdoon Ko Ata Ki Jiss Nai, Wo Maseeha Bhi Saleebon Pay Saja Daitay Ho,

Khuwahish-E-Deed Jo Kar Baithay Sir-E-Tuur Koi, Tuur Hee Bark e Tajaali Say Jala Daitay Ho Nalay Namrood Mein Dalwatay Ho Qudrat Na Khaleeq, Khud Hee Phir Naar Ko Gulzaar Bana Daitay Ho,

Chahay Kin Aan Mein Phainko Kabhi Maah Kinaan, Noor Yaqoob Ki Aankhon Ka Bujha Daitay Ho Day Ke Yusuf Ko Kabhi Mirs K Bazaaron Mein, Aakhir Kaar Shah-E-Misr Bana Daitay Ho,

Jazb O Masti Ki Jo Manzil Pe Pohonchta Hai Koi, Baith Ker Dil Mein Anal Haq Ki Sada Daitay Ho Khud He Lagwatay Ho Phir Kufr K Fatway Us Per, Khud He Mansoor Ko Sooli Peh Charha Daitay Ho,

Apni Hasti Bhi Wo Ik Rooz Gawa Baith'ta Hai, Apne Darshan Ki Lagan Jiss Ko Laga Daitay Ho

Koi Ranjha Jo Kabhi Khooj Mein Nikle Teri, Tum Usay Jhang K Bele Mein Rula Daitay Ho,

Justujo Lay K Tumhari Joh Chalay Qais Koi, Us Ko Majno Kisi Laila Ka Bana Daitay Ho Jot? Sassi K Agar Mun Mein Tumhari Jagay, Tum Usay Taptay Hoay Thal Mein Jala Daitay Ho,

'

Sohni Gar Tum Ko Mahiwaal Tassawur Ker Le, Us Ko Bikhri Howi Lehroon Mein Baha Daitay Ho,

Khudh Joh Chaho To Sar-E-Arsh Bula Ker Mehboob, Aik He Raat Mein Mairaaj Kara Daitay Ho,

Tum Ek Gorakh Dhanda Ho

Aap Hi Apna Pardah Ho Tum Ek Gorakh Dhanda Ho.,,

[bollywoodirect]

Birthday greetings to the living music legend of the Hindi film industry, Sri #Pyarelal Ramprasad Sharma (03/09).

The iconic music director duo #LaxmikantPyarelal is synonymous with Hindi film music, particularly its popular hits. Born on September 3, 1940, Pyarelal Ramprasad Sharma is the son of the renowned trumpeter, Pandit Ramprasad Sharma, also known as Babaji. Under his father's guidance, Pyarelal started learning the violin at just 8 years old, dedicating 8 to 12 hours daily to practice. He further refined his violin skills under Goan musician Anthony Gonsalves. The song "My Name Is Anthony Gonsalves" from the film Amar Akbar Anthony is a tribute to Gonsalves, featuring music by the Laxmikant–Pyarelal duo.

At 12, Pyarelal began playing the violin in various studios, including Ranjit Studios, to support his family financially. His brother, Gorakh Sharma, also contributed by playing guitar for songs composed by Laxmikant-Pyarelal.

The duo first gained widespread recognition with their music for the 1964 film Dosti, produced by Rajshri Productions. Despite relatively unknown lead actors, the film's memorable songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" made it a hit. Many initially thought Laxmikant–Pyarelal was a single person. They won their first Filmfare Award for Best Music Director for Dosti, beating industry giants like Shankar–Jaikishan and Madan Mohan. Their subsequent work in films like Lootera, which featured famous Lata Mangeshkar songs, also gained fame.

By 1966, Laxmikant–Pyarelal had firmly established themselves in Bollywood. They continued to earn acclaim for their music in films like Aaye Din Bahar Ke and Pyar Kiye Jaa. In 1967, they had a series of hits, including the Golden Jubilee musical hit Farz, and other big-star films like Anita and Shagird. They won their second Filmfare Award for the film Milan.

Laxmikant–Pyarelal, along with contemporaries like Rahul Dev Burman and Kalyanji-Anandji, represented a new era in Bollywood music, overshadowing earlier composers. They were frequently chosen by major film producers and consistently delivered exceptional music.

Their significant collaboration with lyricist Anand Bakshi led to some of Bollywood’s most iconic songs, appearing in over 250 films. Anand Bakshi wrote the lyrics for all the films that earned Laxmikant–Pyarelal Filmfare Awards, except for their first. #RajeshKhanna also had a long-standing professional relationship with the duo, choosing them as the music directors for 26 of his films.

Another fruitful partnership was with singer Asha Bhonsle, who voiced numerous hits composed by Laxmikant–Pyarelal, including chart-toppers like "Dhal Gaya Din" and "Hungama Ho Gaya." The latter song was re-recorded for the 2014 film Queen and became a massive hit again. Between 1980 and 1986, Asha Bhonsle was often the lead vocalist for their compositions. Laxmikant–Pyarelal also scored music for the Telugu film Majnu in 1987, which was well-received for its musical numbers.

[bhanadasi]

#सिद्धि_बड़ी_या_भगवान #Gorakhnath #kashi

#NOIDAGBNUP16

Satguru Kabir Sahib gives a description of his age to Shri Gorakh Nath siddh.

Koti niranjan ho gaye, paralok sidhaari. Hum to sada mahboob hain, swayam brahmachari.

Kabir Sahib states that crores of Jyoti Niranjan have died, but my age has not even lessened by a second i.e. I am Eternal Purush (God). Kabir Sahib says that I am eternal. The other Gods resorting to whom you are doing bhakti, they are mortal. Then how can you be immortal?

[rahmamustafa99]

V gorakh moyo serdtse (1967)

[nuancedcreation]

The Nath Yogis

From: Embodying the Formless: Spiritual Practice in the Nath Sampraday

Photography: Sriram Sabhapathy Curation and Captions: Kartikay Khetarpa Source: Sahapedia

The Nāth Sampradāya today comprises an order of renunciate ascetics and a householder caste, both of which trace their lineages to a group of nine Nāth gurus headed by Ādinātha (“First Nāth”), who is identified with the god Śiva. Next in most lists of nine Nāths comes Matsyendranātha, followed by Goraksanātha (Gorakhnāth), who is ̣ said to have founded the Nāth order of ascetics. he earliest references to the Nāth ascetic order as an organized entity date to the beginning of the 17th century, but its irst historical gurus, Matsyendranātha and Goraksanātha, lived much earlier, probably in the 9th and 12th centuries, respectively, and during the intermediate period there are numerous references to both ascetic and householder Nāths in texts, inscriptions, iconography, and historical reports.

"An idol of Gorakhnath at the Jwalamukhi Shaktipeeth in Himachal Pradesh. Perhaps the most important figure in the tradition, Gorakhnath features in many popular Hindu legends. According to one such story, which is often connected to the origin of the sampraday, he is said to have ‘saved’ his guru Matsyendranath (who is believed to have been a direct disciple of Shiva) from the land of women where he gets entangled in worldly pursuits. Gorakhnath, his disciple, eventually rescues him and exhorts him to return to his original renunciant condition, setting up the Nath sampraday in the process."

"A Nath yogi at the Shri Gorakshnath Mandir (Barah Panth Dalicha) at Pushkar. Pushkar is an important center for the Naths with separate mathas for both the ascetic as well as the householder branch of the sampraday. A mela or festival is organized here every year on the Kartik Purnima (full moon of the Kartik month of the Hindu calendar) which is attended by hundreds of Nath ascetics travelling from all parts of the country."

"Shrines to local folk deities at a Nath matha in Pokhran. Nath mathas can either be panchayati (communal) or niji (private). The panchayati mathas are centres for the ramta ascetics to congregate on festivals of importance and for elections of leaders. They are much fewer in number in comparison to the niji mathas which generally come up around the figure of charismatic Nath ascetics and have an independent mode of functioning. In Rajasthan, apart from gurus and deities associated with the Nath sampraday, such mathas also often house shrines dedicated to local heroes and folk deities."

A depiction of the Navnaths and the 84 siddhas at the Guru Gorakhnath-ji matha in Myajlar (Jaisalmer). The Navnaths are revered alongside the 84 siddhas (an archetype that in some sense symbolizes all individuals who are able to achieve spiritual perfection in their lifetime).

"A defining attribute of Nath ascetics are the large round earrings that many of them wear. Also known as the darshan mudra or kundal, these earrings are worn through the cartilage (not the lobe) and can be made of wood, horn, gold, silver or any other material preferred by the yogi. The ear-splitting ritual is performed only after a Nath initiate has spent considerable time as an apprentice. Comparable to a second birth, it is also treated as testimony to the initiate’s spiritual perfection.'

"A Nath yogi working on preparing the seli."

"The Naths in Rajasthan are said to have sustained a flourishing relationship with royalty who often bestowed land grants and other munificient giftson them in regard for their supernatural powers. The lavish interior of the Mahamandir is an indication of this."

"This is also the time when the ramta Nath ascetics travel to the temple. Hundreds of them gather at the Gorakh Dibbi which is a separate section of the temple governed by the Naths. A special religious ceremony is performed here at this time of the year."

"A Manganiyar family in Kanoi (Jaisalmer) sings from their repertoire of Nath bhajans. Bhajans and kirtans are an important part of the devotional life of the Naths. In Rajasthan, while Nath bards themselves perform the epic tales of their ascetics, heroes and kings, on many occasions other communities, including the Muslim Manganiyars, are also invited to Nath gatherings and mathas to sing from their repertoires, which can relate either to the Nath sampraday specifically or to the larger nirgun bhakti tradition in the region."

"Amolakhram ji, an elderly from the Meghwal community, recites bhajans associated with both the Sant and the Nath traditions. As he sings, he plays the tandoora (an instrument akin to the veena) with his right hand, and a jhinjha (wooden hand cymbals) with his left. The Sant and the Nath traditions draw from as well as compete with each other in the Rajasthani public sphere. While both tend to emphasize nirgun bhakti, one can often also come across songs that are written as dialogues of one-upmanship between a prominent Nath figure like Gorakhnath and a prominent Sant like Kabir. Where the loyalties of the singer or the patron lie is what generally determines the outcome of such a parley."

[r1kysblog]

Avatar ANG a character I've always seen as mirror of three every powerful yogis,krishna vasudeva, gautama Siddhartha, Adiyogi shiva,

In each of these three legendary being, are quality, potential and possibilities, that I think Ang has, that if he was a real being he would have sweep threw the yogic process of liberation with such ease that it would make buddha and krishna his equal,

Imma start by telling you abt each of these three characters, first up,

krishna, the lover, the prankster, the playful, the fighter, the kingmaker, the lawgiver, the statesman, krishna is know for his immense love, joy,happiness, bliss, everything abt him just screamed the highest form of pleasantness,

Gautama buddha, a yogi ova the mind, he's spent 6 years as a seeker on the yogic pass, it is in the tradition that realization is the goal, not attainment, in this awareness he set abt dispelling every form of inner constructs of the mind everything his mind created before he became a seeker he destroyed, and so one day under that now famous bodhhi tree he found peace of mind, thus liberation Nirvana

Adiyogi is significant to every human alive because this being is the first yogi. He is the man that opened all the gates to humankind, without him, we wouldn't have krishna, buddha, gorakh Nath, or other very power yogi, because of Adiyogi this earth has witnessed thousands of realized being, powerful people, beautiful people, glorious people,not just in India, spirituality is said to have be given to humanity threw the 7 sages or saptarishi, who are the deciple of shiva,

Now Ang, in my mind, I've seen Ang character, and I hear people say he's boring or two nice, but I don't think he's boring or just nice, to me he is one Hella guy, but like krishna, Ang has that type of love that can be playful, joyful, and compassionate, and so like krishna love, Ang love keeps him evolved with just abt anything, this right here, Ang ability to be evolved in the moment is what krishna life was all abt, but going threw life no matter what happens but with love in his heart, Ang love for katara is one krishna had to many people, there is a yogic process could bhakti yog, yoga of emotions or devotion, or to be devoid of oneself, soo I'd say falling in love, this here is a significant word, couse Ang fell hard to the point he denied his own cosmic nature for katara, this is someone who doesn't need a big idea abt who he is, as fare as he concerned he packed up full of love for her, like who the fk cares if you ain't got money or big brains or what, Ang knew love in all its beauti and that is worth more then fancy ideas,

Ang the seeker, or gautam the seeker, from day one Ang life after katara saved him, his life was on the move and he was made to be both aware, alert and responsible for himself his friends and the world, as a seeker it is best to be alert thus you don't miss any possibilities, aware so you can map out the depth of ur ignorance, and responsibility to know that what happen, happen because ur making it happen, responsibility if you look at it from an understanding of union and unity of life couse and effect, then ur whole being is talking and listening to everything in the cosmos, or responding, like gautam, Ang finds peace, but it doesn't End there no,

This is where Ang next journey begins, and one i believe could change atla, soo ADIYOGI or shiva. It's my belief that because of the ancient lion turtle, Ang has been given the seed of possibility. In yoga, they call this kriya yog, and sense the time of shiva, yogi have been transmitting knowledge,experience,or energy through many form of practice but the most legendary way of transmitting it, is threw energy,I've made a post abt my thought on the potential of energy bending but it doesn't complete what I think,only bits and pieces of my thoughts,

Energy in yog is described as a serpent or Shakti, so believe it or not Shakti husband is Shiva, he is the one she dance for, shiva means no thing, but it is said threwout the world that nothingness is the foundation for energy, so Shakti dances and shiva sits and allows her to express her nature,

Ang and katara relationships are like a cosmic dance, in that Ang allows her to grow before him, doesn't interfere, but is ever so involved, he is there for her wen is needed and is still , silent and stable for katara to grow and dance and build on, look at katara growth, Ang life is that type of foundation or ambiance that grace her with a new possibility, one of freedom, strength, love, compassion, and continual growth,

Ang now given the power of the lion turtle opens up a new possibility one I believe could have change the atla vers forever, in my eyes just like Shiva Adiyogi was for human kind, Ang has that type of potential, to create such a spiritual bomb that it could create hundren thousands of power being in atla, Anyway I'm tired I'm going to sleep byy

[kataraslove]

I've just re watch atla, and I was looking at the posture Ang was in as he ride the air scooter, in yoga they call that posture gorakhnath asana, and it is a very painful and difficult posture to stay in, it's named after one of the most famous yogis and spiritual seekers/ Guru in all of Indian, bharat, gorakhnath founded one of the most famed and well known spiritual community known as the nathy or naty, whoes still after five thousand years are still strong as a community, gorakh asana was created as a form of punishment for him because of what he did to another yogi, and his guru know as matsyendranath, order him 12 years in the Himalayas but gorakh wanted to cut the time short so matsyendranath said he'll cut the time to 7 years but he has to perform yog asana and a very difficult asana, so for 7 years he stayed in gorakh asana as both a punishment and teaching to himself to never use yogic occult or tantra on anybody, so yeah I just thought sense I recognize the posture Ang performed on the Air scoot, to remedy that this posture is famous ancient and sacred who's was created by an enlightened being just like gautama buddha, gorakh nath was said to have been very powerful,

that’s so interesting! thank you for sharing this with me.