#god I can't believe how long ago I wrote this!!! feels like a lifetime!!!!

[ineffablyruined]

In Defense of an Angel

I know this has probably been done before, but I'm working on a fic at the moment and found myself needing to puzzle out where I think Aziraphale is coming from in that last 15 minutes. He's catching a lot of heat in the fandom right now, even from me initially I admit, but I think I understand more after trying to put myself in his head. It got a bit long, so I've put most of it under a Read More.

We all generally agree that there was zero chance that the Crowley we all know and love was going to be allowed back into Heaven, right? At the very least, he would have been memory wiped and reset as the innocent angel we saw Before the Beginning, and at the very worst, Metatron would have permanently destroyed him before actually welcoming him back. I mean, this face isn't the face of someone who is going to just let Crowley come back to the fold, no matter what lies he's about to tell Aziraphale.

But, sweet summer's child Aziraphale, religious trauma and all, has no idea that the Metatron has exactly zero intention of letting Crowley accompany him to Heaven.

So when he says, "The Metatron said I could appoint you to be an angel," he means it. You. Not the angel you were. Not some innocent carbon copy from millennia ago.

He fully, completely believes Crowley will just be Crowley, but as an angel. He doesn't believe Crowley will have to change at all. And why should he?

Because Aziraphale is keenly aware that you don't have to be good to be an angel. Look at him. (Thanks to @saryasy for all the perfect gifs)

He's spent most of his existence being a terrible angel, just like Crowley has been an absolute disaster of a demon. They are cut from the same cloth.

And if the Metatron is going to make the angel who lies over and over again to God, to archangels, to himself, into the Supreme Archangel, then surely there's room for a demon who regularly engages in truly good acts as well, right?

And it's the solution to all of their problems. They will be on the same side, not just in their eyes, but in Heaven's eyes, and in God's eyes. They won't have to hide anymore, won't have to be so careful about admitting they are even friends, can be something more. Because now it won't be Romeo & Juliet.

They can be together. Properly together. Doing good the way they've always done, together. Importantly, without the risks! Crowley won't have to worry about retribution from Hell. There won't be any from Heaven because Aziraphale will be the Supreme Archangel and no one can tell him no.

And that's why he's so confused that Crowley's saying no. And he tries.

Because Crowley can't possibly understand or he wouldn't be saying no.

But then he does. He says he understands, that he understands better than Aziraphale does, and the answer is still no. He says no. And what can Aziraphale do with that?

He's been rejected. And there's nothing else to say.

Then it gets worse. Crowley points out, "No nightingales." And we can see that they both know exactly what that means. For Crowley to point that out and to kiss him after rejecting him feels, at best, manipulative and, at worst, downright cruel. Aziraphale just offered a safe way for them to be together, and Crowley wants no part of it if it isn't the way he wants it - just the two of them going off together - even when he knows and has been explicitly told over and over again that Aziraphale doesn't do running away.

And if Crowley is going to be cruel with his words and actions, then so can Aziraphale.

And he knows - HE KNOWS - what those words are. How they call back to the other times they've gone their separate ways. And he says them anyway. Because Crowley hurt him and he's going to hurt him back.

He's spent lifetimes reading books, collecting them, coveting them. Of course he can wield words as deftly as any weapon.

(Sorry for the emphasis there, but I'm particularly proud of that turn of phrase. I wrote it for a fic I'm working on and it's what made me do this whole thought exercise in the first place.)

FWIW, he then immediately regrets it when Crowley leaves. See this post highlighting all the times Aziraphale just keeps looking for him in the fallout.

[yououui]

" i'm trying so hard, but... i can't stop myself from falling in love with you. " - but it's kurogane saying it! because you know he tried to stop himself before deciding this was just his lot in life and it was time to wife that boy

I accidentally wrote a 5 page fic of Kurogane just being a lovesick idiot enjoy

They sit in silence after Tomoyo leaves them. Kurogane wants to yell at her a bit because what the hell is she playing at dressing the mage like that?! but it turns out that cutting off an arm is exhausting and he doesn’t have the energy to fight her. He does give her a glare as she exits the room and she winks back at him.

Tea is brought for them eventually and Fai carefully pours them each a warm glass. “How are you feeling?” Fai asks while handing Kurogane his cup, the first words spoken since he socked Kurogane upside the head.

Kurogane shrugs, a natural instinct that proves to be a mistake as pain shoots across his left side. Fai notices his wince and moves closer in concern, like he thinks Kurogane will need to be caught before fainting, but Kurogane waves him off. “I’m fine. Just tired.”

“And in pain,” Fai says. He almost sounds angry, but the sad look on his face betrays his tone.

“It’s not that bad,” Kurogane tells him instead. “As long as I don’t move too much.”

Fai regards the empty sleeve hanging at Kurogane’s side and the white bandages wrapped tightly around his chest. “You’re such… an idiot,” He says eventually. “What the hell were you thinking?”

“Thought I made it clear a while ago,” Kurogane responds, as easily as ever. “I’ll do anything to protect the people I love.”

Fai laughs, though it sounds more like a sob, and shakes his head. “If you love me then you’re even more of an idiot.”

“Trust me, I know,” Kurogane says. When Fai lifts his eye, Kurogane offers him a small smile just so the idiot doesn’t get the idea in his head that Kurogane is serious. Somehow, even for as upset as he is, it gets Fai to smile weakly as well. That gives Kurogane the encouragement he needs to continue. “Y’know mage, I’m trying so hard—I’ve been trying for a while, but…”

But…?

When did it start exactly? When did the annoyance towards the insufferable man sitting beside him turn into curiosity? When did he begin finding himself wanting to know more about him—when did he begin to care?

He can’t be certain but Outo springs to mind first. The moment Fai’s casual admittance that he wanted to die spiked anger in Kurogane. Anger not towards Fai, as Fai believed, but towards the mere idea of him going through with it. And the moment he saw the mage’s ribbon on the ground, no body to be seen as demons surrounded him and that anger returned like a tsunami wave engulfing him until he could barely see or breathe.

And the relief when he saw the idiot was actually alive. And the frustration at himself for feeling so relieved for someone that didn’t care about Kurogane or himself. Kurogane knew that it was pointless to let himself be interested in the mage; Fai was a liar that carefully kept them all at arms length and Kurogane had no idea who he would see when the mask finally fell.

But he didn’t want Fai to die. As grating as Fai could be, Kurogane wanted him to stick around. He didn’t care about Fai’s past, but he wanted to understand him more. He wanted to know what he liked—liquor, music, cooking, annoying Kurogane, cats, dogs?—and what he disliked—hangovers, waking up early, pickles, personal questions, green tea. He wanted to understand what had Fai so guarded, what had him so afraid, and he wanted Fai to understand that he could let the walls down every now and then, that Kurogane would protect him from whatever he was running from.

And then Yama, Piffle, Lecourt, seeing those walls break down brick by careful brick. Feeling the strength of Fai’s magic for the first time as it engulfed them, the sheer power of it suffocating and brilliant. And Kurogane felt a brief spark of hope that maybe, maybe, Fai was beginning to learn that caring wasn’t such a bad thing.

And then the fear that came with the weight of Fai’s limp body in his arms, the way his blood fell like morbid tears and stained usually flawless skin. Kurogane had felt that once before as a child, the night his life was burned to ruins but he still refused to let his mother go. Kurogane also refused to let Fai go; he needed to feel the mage’s breath and heartbeat, no matter how weak. He needed to know with certainty that Fai was still alive.

It may have began earlier, but it was then that he realized that his minor curiosity had grown into something he couldn’t control or bury or pretend not to notice. In that moment, his worldview narrowed down until he could only see Fai, the noises around them dulled except for Fai’s wavering breath and weak voice, and suddenly anything else he’d ever wanted didn’t seem to matter. He made the wish and paid the price and bound himself to Fai, a man who would keep running seemingly forever.

Well then, to hell with Nihon—he could find a new home or wander around new worlds with Fai until the day he died. He could give up his own life, tear out his own heart, anything it would take to keep that idiot alive for one more day.

It was only after it was over and the price paid that Kurogane reminisced about his parents and realized that there was a word for what he was feeling.

“But I can’t stop myself from falling in love with you.”

Fai says nothing but the breath he takes is sharp enough to cut the stillness around them. Because sure, Kurogane loved him, he cared, they were friends after all. But to fall in love…

It was something he knew he shouldn’t feel as soon as he realized it. He knew he should avoid it. If he tried to pursue someone who did not want to be chased, it would only end in disaster.

And gods did he try to stop it before it reached that point. Kurogane had heard of heartbreak of course, through others lamenting the loss of their beloved or reading about it in books, but he’d never experienced it himself. He didn’t understand how such a feeling could overwhelm someone completely and scoffed at characters in stories that threw themselves from high windows or drank poison rather than live a day without their love.

But then he felt it, that hot knife of rejection stabbing him straight through the chest. Each cold word and hostile glare twisted the blade until he was certain his heart had been crushed to a gruesome, mangled mess, and yet there were still tender bits of it left for Fai to sink his claws into. And then Kurogane understood the windows and the poison and honestly, he’d rather cut off his other arm than ever experience that again.

But at least Fai was alive. At least he was there, and Kurogane would take the bitter pain and more for Fai. Only for Fai.

Kurogane chuckles to himself now, the entire thing so miserable it’s almost humorous. If the person he was before Tomoyo cast him away could see him now, he’d probably call himself a moron, just like those characters in the stories. Kurogane never knew one person could change him so much. “Even when you hated me, I couldn’t help it.”

Fai’s head falls forward and he digs the heel of his palm into his eye as if it could shove his tears back inside. His other hand trembles and fists his kimono so tightly, Kurogane is worried he’ll tear right through the silk.

“I never—hated you,” Fai gasps, shoulders trembling. Kurogane feels bad for making Fai cry—Fai’s cried a lot recently. It comforts Kurogane to hear the truth, though, and he thinks the mage needs it. He has about five lifetimes of tears built up. “I couldn’t. So I tried to make you hate me but—gods, even after all I did... how I treated you…! You still wouldn’t...”

Kurogane turns his body a bit so that he can reach Fai with his right hand. He ruffles Fai’s hair and the indignant squeak Fai lets out as his head is pushed down feels entirely worth it. “Guess we’re both idiots then,” Kurogane tells him quietly.

Fai peers up at him through his hair that Kurogane has made a mess of. His face is shining with tears, his cheeks splotched red and his eye swollen and Kurogane marvels that such a beautiful person could ever exist in the mortal world.

Fai weakly—playfully—swats Kurogane’s hand away and wipes his sleeve against his cheeks. Kurogane snorts, humored that the outfit Tomoyo carefully picked for Fai to wear for a very specific reason has been reduced down to a rag to dry his face. “I think Kuro-sama must be on all kinds of strange medicine,” Fai says with a fragile but honest smile. “He’s in such a good mood and saying all kinds of weird things.”

“Mm. Don’t expect to hear this shit when I wake up tomorrow,” Kurogane tells him with a nod. He’s still smiling though, smiling like a lovesick idiot with hearts in his eyes but damn it he’s been through too much and has almost lost Fai too many times to care about it now. Hearing the slightly teasing tone in the mage’s voice and seeing him here, alive and at Kurogane’s side, soothes his torn up heart and begins stitching the pieces back together.

Fai’s smile grows as well, the fragile edges chipping away and leaving behind a look of pure happiness Kurogane has never seen on him before. Fai reaches over, letting go of his own kimono to grab the empty sleeve of Kurogane’s. “I’m sorry,” He says. “And thank you. But never do something like this again.”

“Don’t almost get yourself killed again and I won’t have to,” Kurogane tells him, grinning.

Fai nods, still smiling. “Fine. You’ll live a long, long life with me by your side, Kuro-sama. I hope you know what you’ve gotten yourself into.”

It’s probably the strangest proposal in the history of any world, but it’s one Kurogane is happy to accept.

[p---leia]

Ancient Writer of dreams and nightmares: I am 71 (-one month), and have been writing (making up tales) since I was three. I can still remember my Pawpaw whittling a pencil for me, and Mawmaw tearing a piece of brown grocery bag for me to write on. They weren't 'poor', but writing paper wasn't to be wasted on a 'kid' just for fun. I carefully scripted my first short story.

Of course my 'letters' looked more like ancient Hanguel, so I had to read it to my "captured" audience. I really don't remember the story, but as my grandparents had a yard full of chickens and my dog, Mutt, liked to chase them (because of this we 'both' got into trouble -- because I always joined the chase) I most probably wrote about that.

My Pawpaw was a story-teller. For several years I thought there really was a baby found in the wilds of the African jungle and raised by the great apes. I thought he was the luckiest babe, EVER!

Then I found Pawpaw's books about three years after he died. I was eleven when he died, and felt that my best friend had abandoned me. But when I found those books I realized just where Tarzan actually came from and went to. I read everyone of those books and got the complete picture. THEN..

Well, Pawpaw also told stories of Daniel Boone and Davey Crocket...before I saw them on Disney. Then, of course, I went to school and learned what I already knew. Pawpaw was an excellent story-teller and never mixed up his facts, time-lines, or characters.

Growing up under his influence had a lot to do with how I developed as a story-teller. At family gatherings when I meet cousins I haven't seen in decades, they STILL remember me and the stories that I used to tell them. My children and grandchildren have grown up with me re-telling Pawpaw's old stories, and sharing many that I made up on the spot.

But I think what I read in my early years developed my writing style.

I was just turned eight when I read my first Shakespeare, MIDSUMMER NIGHT'S DREAM. He was my first favorite author. Then I was forced to read Romeo and Juliet. I was disgusted by the fact that TRAGEDY was made famous as a ROMANCE! Even at the innocent (then) age of fourteen, I was disgusted with the idea that it was considered romantic for 'anyone', let alone 'teenagers' to commit suicide over unrequited love.

My sister (now 68) and I recently discussed this play. Because she had a 'forbidden' teenage love, she said that she related to the story (even though she had never read it). GASP! It was required reading in ninth grade!

I remember our dad breaking up my sister and her boyfriend, who was really cool. He was a hard working farm boy who had saved his money to buy a motorcycle. AND his own car. But he wasn't good enough for my sister. smh

I always thought her story would make a great LifeTime movie. But I'm not touching it. She would 'skin me' for sharing with the world her broken heart. And if I added the stuff that sells today, she'd scalp me for lying. Not a win situation at all. So, I will write notes in my "Random Jottings Journal" for future decendants who might grow into writers or story-tellers.

By the way, the title "RANDOM JOTTINGS" came from a sci-fi book that I read as a kid in the fifties. I don't remember the author, although I'm pretty sure it 'might' be from a Heinlein juvenile book. But I've never found a reference to any sci-fi books using that term. SO!!! If anyone recognizes "RANDOM JOTTINGS", which was a note book that a professor/scientist/genius used to keep his 'thoughts', PLEASE share the author's name and the title of the book!!! Thank You.

In the meantime, I referenced Shakespeare. James Oliver Curwood wrote about Kazan, the Wolf Dog, and later Baree, Son of Kazan. From those two books, read when I was eleven, I searched for and found other books about Canada. Later there was Walter Farley, author of the Black Stallion, and the Island Stallion series. I think I met my FIRST friendly alien in the Island Stallion Races.

Of course, Edgar Rice Burroughs taught me much false history about the jungles of Africa, as well as the Moon and Mars. But I loved every 'read-under-the-covers-with a-flashlight' minute! I believe he was a contemporary of Zane Grey, because he wrote a few non-jungle and non-space stories, too. Which led me to Zane Grey.

Having read both of their biographies at a young age, I learned about the hardships of being a writer. I should say 'the hardships of a struggling writer'. I have never had a problem writing. Since I write for 'fun' and not 'profit', the few short stories I've had published were by local press, and a State magazine.

No, my struggles have centered around graduating high school, and completing college, stuggling to satisfy my husband, a 'Mr. Spock in the Flesh' personality, and later raising two children without benefit of parental support or child support. But we survived in the middle of laughter and many tears. And my made up stories about children lost in the woods who were rescued by a great friendly bear, or wolf. Or dog. And sometimes by a great Black Panther - a by product of one of my Pawpaw's 'local historical tales'.

I understand that publishers detest stories that begin with "It was a dark and stormy night.." But let me tell you, some of the BEST bedtime stories occur on stormy nights when the power has gone out, and it's too hot for candles or lanterns. That shadow that stands darkest in the corner and seems to be moving towards the bed is actually grandma come to check on the kids, and stands quiet so not to disturb the kids if they're already asleep. But since they are awake, and they see her 'shadow', she becomes the old crone who lives in the castle dungeon, and has slipped her chains to visit with the 'wee folk'. But there are no fairies out on such a blustery night, so the old crone comes to visit with the 'wee bairn', who fall all over themselves to get out of bed and sit around her to hear her stories of 'long ago' and other 'dark and stormy nights'. Again -- unpublished, because publishers don't like ... LOL

Of course there's always On-Line publishing. But that involves more work than actual writing.

Back to the writrs who influenced my writing:

While I enjoy a good Western, an adventurous space trek, or time travel, I also enjoy the occasional Historical Romance. Georgette Heyer was my first! I still re-read her amazing books. Of course there's Jane Austen.

There are a myriad of modern writers that I have read over the last five decades. Heinlen, Asimov, Norton, Bradley, McCaffrey, Moon, Stirling, Krentz/Castle/Quick, and Moening, just to name a few of the ones whose books I have in my personal library.

Those older authors did affect my writing style to develope as I read their stories. The later authors helped me to move into the late 20th century. But I'm not so sure that I like the 21st century so much. It's all about being politically 'correct'. If you aren't ashamed of your gender, your race, your country, your religion, your culture, your family, your history, then you are prejudiced. That's just too much guilt to have to live with.

I'm still dealing with my mom's death from ten years ago. I was her care-giver for five years. Her doctor had given her nine months. I still worry if I did enough for her in those last years.

And though my children are grown with their own families, I worry that I wasn't a good enough parent. And I worthy as a grandmother? How was I as an older sister? I was responsible as a moral guide when our parents were at work. Was I a good neighbor? A good support in our Church? And Hollywood wants me to feel guilt about something I can't change?!!

I'm an old woman who still likes being a woman and enjoys liking men. I'm not just white. I'm also mixed with a bit of Native American, and even a drop of -- OMG!!! --- Black. snicker.

That's a serious joke, because as a kid I had a recuring nightmare that I was a black man being judged by a group of people in white hoods I was hanged amidst their fiery torches. I always thought those white hoods represented the Catholic Church, because at that young age I didn't know about the Ku Klux Klan. Even though I grew up in the South, my family was not involved with that group of out-lawrey. Thank God!

Still, I'm supposed to feel shame? For something not even my family supported.

I've always believed there's a hint of Fae in my DNA. Because I love dancing in the light of the full moon, and flying with the owls who perch outside my bedroom window and call to invite me to follow the moon's shadow. If I am part Fae, I know it came from my mother's people. They were Irish mixed with Alabama Indians who believed in the Nunnehi aka Immortal, and the Yunwi Tsunsdi, aka Little People.

ALSO, while there's no DNA proof of ancestry, I've always been a 'closet Chinese'.

In the Fifties, when WW2 was still fresh, and we were involved with the 'Korean Conflict', and at odds with China, I would sneak around the radio, turn down the volume, and tune into 'that wierd channel' that sometimes played Opera, or Chinese music. Ahhh. I would close my eyes and wander through the few visuals I'd found in books, or the occasional movie. (before color tv)

A year or two ago I was totally depressed and disgusted with American TV. Hollywood has become so political, so wierd. Their programming is no longer for entertainment, but to 'educate, enlighten, or to inform'. zzzzz

Then I found KDrama!!!!! Korean TV. Japanese Tv. squeal!!! Chinese TV.

The rom/coms are sweet and 'pure'. Okay. I'm realistic. This is not a reflection of real life on any planet. But the innocence of the early 1950s programs is there. Similar to Disney's 'Summer Magic'. I'm happy with those dramas that remind me of thati nnocence. I have found a few dramas that shared more than I cared for, and I do enjoy an occasional 'romp'. But I've always preferred the Lady and Gentleman characters.

And watching these programs have reminded me of those fairy tales and legends from my childhood that had been sprinkled with the Occasional Oriental myth, legend, and children's tale.

Then I remembered my FIRST historical legend. "The White Stag" by Kate Seredy, is the tale of Atilla the Hun!

I recently found a copy of that book and am waiting for a quiet time, when the power is out and there's nothing to do. Then I will use one of the many flashlights I bought for a huge hurricane, and relax on the sofa beneath an open window and read this legend once again. I live in Florida. The odds of this happening increases as the summer progresses. I can't wait to learn if my memory of this tale of Atilla the Hun remained true, or has been distorted in the last half of a century.

Most of the tales that I write involve space adventures, the occasioanl ghost, and encounters with fairies, the evil ones, not the romantic ideal fairy. smh

I've never been very good with romance or comedy. But thanks to the recent influence of the Asian productions, I have re-formatted one of my dark adventures and turned it into a rom/com.

I love a good joke, but very seldom get the point or see the humor. And I can NEVER remember the punch line if I try to share a joke. My family have said they will write on my tombstone --

"I don't remember the punchline ... but it was funny."

But as I write humorous lines or events I find myself laughing. Or crying at sad events. And I am all 'giggly' when I write what is supposed to be innocent romance between a young and shy couple. But I have never felt that my own reactions were a true guide to how the story might come across to a 'reader'.

As it happens, I have two sisters younger than I am. My middle sister is bored easily and immediately redirects our conversation to something about 'her'. Okay. I understand. She is lonely, needy, and maybe a bit selfish? Not judging. She's the 'middle child' and that's her excuse. ROFL..

But the youngest sister is my greatest fan who declares that I am an awesome writer. "I love you, sister, dear."

So she visited me last week and patiently listened as I read the first chapter. She listened quietly, and I wondered if I had 'read her to sleep'. sigh. Boring books are often the best sleeping pill. Then I heard her laugh.

Squeals/Dancing/hooting/flying around the room in ecstasy!!

Okay! At least one person has laughed. And she's not that easily 'tickled'.

So, I will always carry on and write. But now I feel that at least I might be following a path strewn with "Black-Eyed-Susans, honeybees, butterflies, and bunnies".

I don't know if anyone will read this, or will enjoy it. I hope so. While sharing bits of my youth, my worries, and my concern about certain ones of my 'stories', I actually had ideas for developing 'new' stories.

I am always amazed when writers say they are 'blocked'. I have only to open my eyes to see a world around me that no one else can envision. I listen to a song, and I'm in a different world, time, planet. A gift from Pawpaw, and Mother's DNA.

It is my oldest granddaughter's birthday this month, and I don't know what to give her for her birthday. But when she was younger, she always asked me to tell her a story. I think that I will pull out one of my OLD/ANCIENT tales that I wrote when her dad was her age and make it into a book for her.

p---leia aka Mamma KayeLee

7/19/2020