#gj the lead guitarist

[jeriafterdark]

May 3, 2022 - 813 - the Reprise Part 8.1/? KEEP CALM and "ZZH"'s new video

Masterpost here

F*ck I have so much work to do but I feel it's necessary to make a post on this.

New video posted on his hacked instagram, check it for yourself.

Zhehanzi has posted an ENG subbed version here.

All right, I will activate my research scientist brain for this. Although I'm out of the field now, I was an NSF Graduate Fellow (National Science Foundation) in the US and was lucky to receive valuable and advanced training in research science (biochemistry/structural biology) in undergrad and during my PhD in a few research universities, I think it's time to use this skill, my one logical brain cell left is for this moment >:(

As background, when looking at a problem, I will lead you through the steps that researchers will ask and take in order to solve a problem. I think in these times of emergency, it's important to force yourself out of your own shoes and look at the big picture, then zoom in on the details, separate yourself from the facts at hand, ONLY then can we actually start finding out what's happening.

For example, if we want to create a new vaccine for a disease, we ask, what is the problem at hand? An example answer, there is a new infectious disease and it's causing deaths in the population. Then we ask, what is the new virus? What is it made of, what is the outer envelope or shell made of? What do we ALREADY know? We compare it to similar viruses. We try to completely understand the virus inside and outside. Then when we have full knowledge of it, can we develop a strategy to combat it, i.e. creating a vaccine (its own long steps).

Let's try it with what happened with this video today.

What is the problem?

How did it happen? Why is it important?

Why did this information come out now? Is it believable? What is the method we should use to break this down? Do we need repeat trials in duplicate, triplicate and what are the statistically significant facts?

What can we conclude and how do we move forward in future directions? Why would someone fake this?

Follow the money.

Let's begin:

1 - What is the problem?

Facts: A video was posted on ZZH's instagram featuring his likeness and vocal affectations. An english subbed video is linked above. He discusses these issues ONLY: the cp fandom, his merchandise, his journey to learning poetry and guitar, and blaming/flaming people for his current state.

2 - How did it happen? Why is it important?

There were three sources of "ZZH" - the WeChat profile of ZSJ (now gone), Li XueZheng Uncle Li (his weibo is now deleted), and this hacked instagram account.

The video was uploaded to his known-to be hacked instagram. We can glean that this instagram is hacked because of QuelleVous2 and various videos debunking each and every new post on his instagram. I, myself, have also made a post debunking the ZSJ (Zhang Sanjian) video that accidentally showed a portion of the guitarist's face/chin - this was posted on the ZSJ WeChat profile that is now deleted.

We know that ZZH's instagram was hacked because Xie Yihua, his ex music manager in 2021's son, Abner, liked to talk up his connections to famous people back then. He made a post saying that many people have access to ZZH's account, and the phone number linked to it isn't even ZZH's phone number. He didn't realize that people would be going through all his comments and posts to find out what he's said.

This is important because he has an ongoing legal case against CAPA. Anything that affects his image will affect public perception, will affect government perception, will thus AFFECT HIS CASE.

3 - Why did this information come out now? Is it believable?

Timing: Today is the fandom's happiest day, the anniversary of the Word of Honor / Shan He Ling concerts. It's also CPF's happiest days. The timing of this video is in itself, suspicious. Why post it today of all days? I have two answers: 1) To have maximum impact against ZZH/GJ's fandom and break CPF's hearts. 2) In having this maximum impact, it was either HIS OWN intention to do so, OR whoever orchestrated this video's intention to use their strongest weapon against us, and therefore, HIM.

Is it believable?

Deep Fakes exist. It uses computational AI to calculate and map out a person's facial features, and in doing so can manipulate those features into different expressions. AI is trained to do this by just going through large databases of human faces and expressions and slowly forms an algorithm that the user can manipulate. One can also do this with voices. Look at this famous deep fake of Tom cruise. I'm NOT saying it's a deep fake, because with sufficient technology, it's hard to actually TELL that it's a deep fake, it's just ONE possibility.

2. Another example of someone using deep fake technology to play around with ZZH's face on a woman's body lol

3i - What method should we use to break this down?

So the next question is, is the video authentic?

First, it could be a deep fake (like above).

Second, since sometimes we can't even believe our own eyes and ears in today's world of advanced technology, I have to rely on what I KNOW from previous years. Compare the data to known data sets, known circumstances.

Facts we know: From LXZ's audio interview, ZZH is very focused on gaining back his name and reputation and his fight against CAPA. This instagram video, however, mentions NOTHING about his case against CAPA. Which we know, for a FACT, that he's filing with the Beijing Police Department against CAPA. Uncle Li showed this. Who could possibly benefit from distracting us, the public, and fandom from CAPA SO MUCH? HM? WHO.

3ii - ZZH's vocal affectations are free-style, but not in this new video.

Also in this audio interview, and previous interviews if you've watched his, ZZH tends to make very deep statements in REAL time. So he's often just freethinking and word vomitting and sometimes it doesn't make sense. lol. He says "uh", "um", "and," a lot. Compared to the instagram video, that insta video is definitely scripted. He's very smooth here and it's like practiced lines, which is against his character to do so.

Just listen to his birthday live stream and compare it to the new insta video, it sounds noticeably different, you don't even need to know mandarin??

Compare ZZH's audio interview with LXZ vs this new video, notice the difference? This is also AFTER the trauma of 813. Why would there be such a marked difference between when Uncle Li posted the video and now?

ZZH himself said in interviews for SHL/WOH that he rarely read his lines before the day of filming, he liked to read them right before or the morning of so he could really get the feeling of what he's saying and not wear it out.

Conclusion so far: This "ZZH" is different from what we know. He's distracting from his own legal case. His speaking cadence is different. He's reading off of a script. It DOESN'T mean that it isn't him, but it casts a lot of doubt on the circumstances of this video, doesn't it?

What else do we know about ZZH? He hates making fans spend money on shit that's out of their comfort zones. He's apologized to fans for his albums costing them money. THIS IS ZZH. In this video, this "ZZH" is peddling his new merch, which is notoriously overpriced and costs a few bucks to make, but is charging like 10x the cost. It's also PROVEN TO BE REUSED DESIGNS from other idols that Xie Yihua has managed.

3iii - Xie Yihua's history: She's been known to have many failed/de-registered trademarks. She's been involved in a company with CAPA's president, and she's lost a lot of money and may be in bigtime debt $$$.

Why would a person who is in massive debt want to suddenly start shilling merch for a cancelled idol? And that idol couldn't speak up or else it would jeopardize his legal case? And the fans are so desperate for his safety and well-being that they'd be fooled into purchasing these outlandishly priced items? Is this not too convenient a case for her to pass up? Free money to pay back her debts? It's certainly a possibility.

In most scandals, most cases, as you would know if you've lived in this world long enough, all you have to do is follow the money.

Follow the money: Let's not FORGET that Xie Yihua and her sister own 100% shares of the company that sells this "ZZH" / "ZSJ" merchandise. THIS IS A FACT. It's public information and listed, check QV's tweets for it. I don't have time to go find it rn. SO, if Xie Yihua is so indebt and attached to CAPA, is it not in her interest to distract us SO BADLY that ppl stop caring about CAPA? That ZZH truly loses his fans for good? That she can use him to make a quick buck to pay off her loan sharks and debtors? IT absolutely is. Always follow the money.

IF IT WERE TRULY HIM, why wouldn't this company be registered under ZZH or his mom? He's said so in interviews that he doesn't even look at his own bank account bc his mom handles all of that. He owes his mom so much, she gave up their house, her job, her life to make sure he succeeded as an actor. Of course he would give her and trust her with his money. It's not even illogical to make this leap, it's just fact?

Other items from this instagram have been debunked:

The handwritten letter was already debunked bc the handwriting style is different, the signature is TOTALLY different, the thumb is photoshopped, the shadows are unnatural. And this video mentions the fake letter as being real, so does it not cast doubt on the authenticity of the video itself? That it tries to make a fake letter real? Then what does it mean? The video itself seems fake, then. Just by the transitive property. A=B, B=C, therefore A=C. The letter is fake, so the account is fake. If the account is fake, the video is fake.

The guitar and phone-drop video was debunked by a sound engineer, and several other people lol.

The photoshoots were probably older and already been debunked. His necklace seemed to be photoshopped on because you could see the reflections in it that didn't reflect the buildings of the Forbidden City. His earrings were probably for promoting Ambush, could've been an endorsement that didn't go through. Also on Bluebirdmuppet's twitter or QV's, go check it.

3 iv - ZZH's character as we know it is different from what this video shows

In an unofficially published set of interviews, ZZH talked about his motivations as an actor and career goals. It was pre-813, last year. He talks about having responsibility to criticism, to shaking off the bad feedback, to focus on moving forward.

This ZZH is consistent with the LXZ Zhang Zhehan. He takes all the hits on the chin, he picks himself back up, he believes in procedural justice, he takes things slowly, and life slowly. He doesn't jeopardize his own case even when his whole world was shutting down in 813. SO why speak up now? He wouldn't. The timing is for MAXIMUM hurt for us, the CPF's. The fandom that Xie Yihua has been trying to break up. The fandom who loves Gong Jun, who Xie Yihua hates, and has been actively goading her ZSJ stans to attack. The Gong Jun who has had to endure cyberviolence the past couple of weeks, who had his private information leaked.

ZZH's character isn't one to point and blame, if he doesn't like you, he just won't listen to you, but he won't call you out on it. He's said so, if the fans want him to do something, he won't listen, he just does whatever and if you like it, you like it, he's not gonna go after you for it. He's a grown man who has real shit to deal with? Not fandom disputes all the time.

3v - Do we need repeated trials of his character? How do we compare this version with previous? How many instances do we need?

If you can't trust your eyes and ears, and you need more information, rely on information that's already been confirmed. On facts that are already out there. In science, if a new virus emerges, we immediately compare it to what we know, what DNA/RNA sequences does it have in common with other viruses? What protein structures? What infection mechanism is it using that's similar? This will guide us on how to analyze the new virus. It's the same here.

We know ZZH wouldn't goad his fans into fighting, wouldn't sell his merchandise vs getting on with his own legal case, wouldn't speak from a script instead of from the heart. These are valid conclusions based on his previous actions, interviews, interactions, and observations of personality. There are HUNDREDS if not thousands of instances that we can compare this ONE video from a DEBUNKED instagram account to. That's how many trials we have, how many repeated observations we've made.

This video is statistically insignificant compared to the literally boundless endless piles of evidence we have that this isn't "ZZH" as we know him.

4 - So then what? What can we conclude? How do we move forward?

So now that we've established the facts:

Follow the money: Xie Yihua is involved in many failed companies and trademarks, and may be in debt enough to manipulate an easy target (ZZH) and milking him and his fans out of their $$$. Why wouldn't his ZSJ merchandise be registered under him and his mother? And why do all proceeds go towards Xie Yihua and her sister?

ZZH's voice and vocal affectations are different from this instagram video, which may mean the video is scripted

ZZH's personality is calm and chill, even after 813 as shown during LXZ's audio interview with him about his case against CAPA

This new ZZH's personality is markedly different: cold, and harsh, and pointed. Especially at CP fans.

Deep fakes exist. It can mimic both faces and voices and bodies.

So the answer to, "Is this video authentic?" can be

1) No, it's not because of all the previous evidence listed above.

OR 2) Yes, it is, and he's being coerced into saying these things as we know how shadowy and corrupt c-ent actually is. His face does not look okay. He doesn't look healthy and happy.

OR 3) Yes, it is real, and he's a changed person, which is a conclusion that is easy to make at first glance, but does not benefit him AT ALL. It only serves to break up his fandoms, drain him of his support in the public eye, and distracts from his case against CAPA.

Point 1 is what I believe. Point 2 is possible. Point 3 is what I believe Xie Yihua and the minions behind the instagram account want us to believe. Point 3 easily knocks out all of her problems, doesn't it?

No one would be around to debunk her shit bc mostly CPF's do it or people who like both GJ and ZZH as individuals like QV/Blue. This shitshow will take over weibo and cause public opinion to turn back, after the leader of the justice for the people movement - Uncle Li - was deleted. It will cause a distraction against the real ZZH's legal case against CAPA. AND CAPA will be let off the hook because no one will be around to care anymore. See? In what way would point 3 make sense? He's actively advocating for his own social and legal suicide? No.

So how to move forward? The journey is the same. I still support him and his case to clear his name. I still support THEM and their love, which after hundreds if not thousands of interactions and so-called "candies" have already proven. This one video is NOT enough evidence to debunk thousands of things, although it may be the MOST emotionally provocative - as it is its intention to be.

Now I have to go do actual work now, I thank you for reading this far and hanging in there. Wait for the next days. I will update as I see fit.

Hold onto your rational brain cells, everyone

[jazzworldquest-blog]

JAPAN/CANADA : Pianist/composer Satoko Fujii debuts new trio This Is It! with recording and Canadian tour

Pianist/composer Satoko Fujii debuts new trio This Is It!

with recording and Canadian tour

September 15 – October 8, 2018

Appearances in Guelph, Montreal, Kingston, Ottawa, Vancouver

1538, the trio’s debut CD, earning wide acclaim

4.5 stars “A rambunctious stew of explosive group dynamics and interludes of gorgeous piano ruminations beside prickly percussive keyboard moments. There are also fleeting, bright splashes of notes, odd noises from extended techniques…and driving rhythms in a wide array of time signatures.”—Dan McClenaghan All About Jazz

“The music is of the utmost simplicity, yet the works produce an effect of extraordinary voluptousness, as simple tonal chords drift in and out of focus, while the soloists describe a slow and wayward ascent, climbing higher by infinitesimal degrees.”—Raul da Gama, Jazzdagama

Acclaimed pianist/composer Satoko Fujii, celebrates her new trio This Is It! (Fujii, trumpeter Natsuki Tamura, and percussionist Takashi Itani) with a Canadian tour from Saturday, September 15 – Monday, October 8, 2018. The band’s debut CD, 1538, is part of Fujii’s 60th birthday celebration for which she is releasing a new CD every month during 2018.  The group will also tour to six US cities including Philadephia, PA; Cambridge, MA; Portland, ME; Brooklyn, NY; Mission Viejo and Los Angeles, CA.

Canadian performances include:

• Sat, Sept. 15, 2 p.m. ­– Guelph Jazz Festival, Cooperators Hall, River Run Centre, 35 Woolwich St.  Guelph, Ontario.

Tickets $20-$25. GJF: Groven/Lumley/Sadhouders will also perform. For information visit http://riverrun.ca/whats-on/gjf-groven-lumley-stadhouders-satoko-fujis-this-is-it/ or www.guelphjazzfestival.com. 

• Tues, Sept. 18, 8 p.m. – La Sala Rossa, 4848 St. Laurent, Montreal, Quebec.

The Craig Pedersen Quartet will also perform. Presented by Suoni Per Il Popolo and CKUT. Tickets $12. For information visit https://www.lfttckt.com/tickets/lfttkt-casa-1511276966-20703 or https://casadelpopolo.com/en/la-sala-rossa/.

• Wed, Sept. 19, 7 p.m. – St. Marks Church, 263 Victoria Street, Kingston, Ontario.

Presented by Kingston Jazz Society. Tickets $15 at the door. https://kingstonjazz.ca/2018/08/20/sep-19-satoko-fujii-trio-st-marks-church/

• Fri, Sept. 21, 7 p.m. – Natsuki Tamura Solo, Improvising Musicians of Ottawa Fest, General Assembly, Ottawa.

http://www.improvisedmoo.com/

• Sat, Sept. 22, 3 p.m. – Natsuki Tamura, trumpet; Satoko Fujii, piano; Jesse Stewart, drums, Glebe St. James United Church, 60 Lyon St. S., Ottawa.

https://www.glebestjames.ca/

• Sat, Sept. 22, 10 p.m. – Improvising Musicians of Ottawa Fest, Gigspace, 953 Gladstone Ave., Ottawa.

Tickets $75 festival pass, $40 Saturday only. For information visit http://www.improvisedmoo.com/imoofest-2018/this-is-it/. In addition to the concert by This Is It!, Tamura will perform solo on Friday, September 21, 7 p.m. at General Assembly; Fujii will also perform solo on Sunday, September 23.

• Sun, Sept. 23, 6 p.m. – Satoko Fujii Solo – Improvising Musicians of Ottawa Fest, Gigspace, 953 Gladstone Ave., Ottawa.

http://www.improvisedmoo.com/imoofest-2018/satoko-fujii//

• Sun, Sept. 23, 9 p.m. – Satoko Fujii directs IMOO Orchestra with tenor saxophonist Bernard Stepien, alto and/or baritone saxophonist Linsey Wellman, trumpeter Natsuki Tamura, trombonist Rory Magill, guitarist David Jackson, cellist Mark Molnar, drummer Takashi Itani, Scott Warren on sound inspiration – Improvising Musicians of Ottawa Fest, Gigspace, 953 Gladsone Ave., Ottawa.

http://www.improvisedmoo.com/imoofest-2018/imoo-orchestra/

• Fri, Oct. 5, 8 p.m. – NOW Society Creative Music Series #5 at 8EAST, 8 E Pender St., Vancouver, BC

By donation $10-$20. Also performing are two duos: Nikki Carter and Kenton Loewen; Meredith Bates and Elsa Thorn.  https://www.nowsociety.org/event/now-society-creative-music-series-5-october-3-5

• Mon, Oct. 8, 4-6 & 6:30-8:30 p.m. Improvisation Workshops – Western Front, 303 E. 8th Ave., Vancouver, BC. Suggested donation $5-$20.

Satoko Fujii leads improvisation workshops. https://www.nowsociety.org/2018-fall-workshops

Pianist-composer Fujii is always searching for new colleagues to help her in her quest “to make music that no one has heard before.” She found what she was looking for on 1538 featuring her latest trio with trumpeter Natsuki Tamura and drummer Takashi Itani. She calls the band This Is It!, and it’s little wonder why. After a long search, she’s found one of her most free-spirited ensembles, capable of playing her compositions with a natural élan as well as soloing with emotional intensity. The album was released June 22, 2018 via Libra Records.

This Is It! evolved slowly over several years from Fujii’s New Trio with bassist Todd Nicholson and drummer Itani. After their 2013 debut CD, Spring Storm, Tamura joined them in concert to form Quartet Tobira, which recorded Yamiyo ni Karasu in 2014. With the departure of Nicholson, the remaining band members played as Tobira – 1 (Tobira Minus One), but as they continued to play, a distinctive trio identity emerged and Fujii rechristened them with an original name. “I always like to have smaller units that can play my compositions,” Fujii says. “I have led small groups like Satoko Fujii Quartet, Satoko Fujii Trio, ma-do, and others since the beginning of my career. Right now, this trio is the one I really like to work with, so I just named it This Is It!.”

Fujii wrote some material especially for the group, but most of the compositions come from what she calls her diary. “When I sit at the piano, I always compose for 15 minutes before I begin to practice. After doing this for more than 10 years, I have 12 books of written compositions. The short pieces in these books can help me to make long pieces. I often turn to my diary books when I start to compose something.”

As Tamura attests in his CD liner notes, these pieces are often fiendishly difficult to learn but they always have structure and flow that sound unforced and that open up new possibilities for improvisers. The trio fully inhabits Fujii’s pieces, taking different approaches to each one. The trust and confidence among them create deeply layered performances that blend melody, sound, and rhythm in endlessly inventive ways. For instance, they each twist and bend the melody of “Prime Number” as they solo, creating variations that build a unified performance. They take the high-intensity title track (1538 is the melting point of iron in degrees Celsius) in multiple directions as they improvise. Tamura shrieks and brays with tormented abstractions while Fujii alternates between high energy thundering and a melancholy lyricism, and Itani’s unmoored rhythms ebb and flow.

Some of the most otherworldly sounds to issue from a Satoko Fujii band are heard on this album (and that’s saying something). It’s often hard to tell who is making what sound. The opening of “Yozora” (which means “night sky” in Japanese) and the dreamy abstractions of “Riding on the Clouds” are bravura examples of the trio’s ability to manipulate pure sound and tone color into emotionally satisfying music. A highlight of “Swoop,” a feature for Itani, is the drummer’s virtuoso command of timbre and his sure sense of construction.

 “I just let the band play in their own way,” Fujii says. “I just love to hear how Natsuki and Takashi play my pieces. In music, I like to feel 120 percent free and I think we can do whatever we like. This is the advantage of the music!”

Drummer Takashi Itani plays everything from jazz (Max Roach was an early inspiration) to folk music, to rock. He’s been a sideman with a truly bewildering range of musicians, including singer-songwriter Yoshio Hayakawa; new wave rock guitarist Masahide Sakuma; singer-actor Hiroshi Mikami; Michiro Endo, front man of the influential punk band The Stalin; West coast jazz saxophonist Ted Brown; and best-selling Japanese American pop star Hikaru Utada. In addition he has performed with some of Japan’s most prominent poets, including Mizuki Misumi, Shuntaro Tanikawa, Gozo Yoshimasu, and the late Takaaki Yoshimoto.

Japanese trumpeter and composer Natsuki Tamura is internationally recognized for his unique musical vocabulary blending extended techniques with jazz lyricism. This unpredictable virtuoso “has some of the stark, melancholy lyricism of Miles, the bristling rage of late ’60s Freddie Hubbard and a dollop of the extended techniques of Wadada Leo Smith and Lester Bowie,” observes Mark Keresman of JazzReview.com. Throughout his career, Tamura has led bands with radically different approaches. On one hand, there are avant rock jazz fusion bands like his quartet. In contrast, Tamura has focused on the intersection of folk music and sound abstraction with Gato Libre since 2003. The band’s poetic, quietly surreal performances have been praised for their “surprisingly soft and lyrical beauty that at times borders on flat-out impressionism,” by Rick Anderson in CD Hotlist. In addition, Tamura and pianist (and wife) Satoko Fujii have maintained an ongoing duo since 1997. Tamura also collaborates on many of Fujii’s projects, from quartets and trios to big bands. As an unaccompanied soloist, he’s released three CDs, including Dragon Nat (2014). He and Fujii are also members of Kaze, a collaborative quartet with French musicians, trumpeter Christian Pruvost and drummer Peter Orins. “As unconventional as he may be,” notes Marc Chenard in Coda magazine, “Natsuki Tamura is unquestionably one of the most adventurous trumpet players on the scene today.”

Critics and fans alike hail pianist and composer Satoko Fujii as one of the most original voices in jazz today. She’s “a virtuoso piano improviser, an original composer and a bandleader who gets the best collaborators to deliver," says John Fordham in The Guardian. In concert and on more than 80 albums as a leader or co-leader, she synthesizes jazz, contemporary classical, avant-rock, and Japanese folk music into an innovative music instantly recognizable as hers alone. Over the years, Fujii has led some of the most consistently creative ensembles in modern improvised music, including her trio with bassist Mark Dresser and drummer Jim Black, the Min-Yoh Ensemble, and an electrifying avant-rock quartet featuring drummer Tatsuya Yoshida of The Ruins. Her ongoing duet project with husband Natsuki Tamura released their sixth recording, Kisaragi, in 2017. “The duo's commitment to producing new sounds based on fresh ideas is second only to their musicianship,” says Karl Ackermann in All About Jazz. Aspiration, a CD by an ad hoc band featuring Wadada Leo Smith, Tamura, and Ikue Mori, was released in 2017 to wide acclaim. “Four musicians who regularly aspire for greater heights with each venture reach the summit together on Aspiration,” writes S. Victor Aaron inSomething Else. She records infrequently as an unaccompanied soloist, but Solo (Libra), the first of her 12 birthday-year albums, led Dan McClenaghan to enthuse in All About Jazz, that the album “more so than her other solo affairs—or any of her numerous ensembles for that matter—deals in beauty, delicacy of touch, graceful melodicism.” As the leader of no less than five orchestras in the U.S., Germany, and Japan, Fujii has also established herself as one of the world’s leading composers for large jazz ensembles, leading Cadence magazine to call her, “the Ellington of free jazz.”

www.satokofujii.com/

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