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toastess-with-the-mostess · 2 years ago

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Let's Rewind! Toast watches Voltron: Defender of The Universe (1984)

Season 1, Episode 25: Short Run of The Centipede Express Season 1, Episode 26: The Invisible Robeast

Episode 25: Short Run of the Centipede Express apparently the gg are still in contact with arus because they're sending status reports of a centipede robeast blowing up asteroids in its path i'd rather not hear from the gg ever again thanks

i know this is post ep 20 now, but coran letting the team go observe that damn robeast who's literally a whole galaxy away is eating me whole, i will never forgive coran

Honestly the one thing dotu did right is showing straight up torture, like yea we know the rulers of doom are evil but seeing people forced into a gladiator ring against a robeast for refusing to work on a secret weapon and having the rest of the slaves watch is fucking despicable

Revolt! The slaves snapped after watching one of them get eaten by a robeast and are demanding freedom, sucks to suck lotor, if you kill them you won't get shit done, but if you listen you ALSO won't get shit done

Apparently planet Mora (the planet the weapon is being build on) helped Arus at some point, Hunk seems to remember it, so it must be real recent that's probably the writers way of justifying hunk and allura wanting to go down to help the people, but I think freeing them from slavery against an oppressive government is a good enough reason LMAO

Surprisingly, Keith Lance and Pidge went planet side through the lion head attack, where green literally disconnects her head and launches away, I thought they were going in green because she seems to be the smallest lion also allura wanted to go with Lance and Pidge, but Keith essentially told her to sit the fuck down because he was going instead and to keep watch with hunk LMAO

Where the fuck did pidge go, is he staying in green's head while Keith and Lance act out their spy kids dreams?

Oh god, they tried to censor some guards drinking on duty by calling it some kind of juice OINVSD It's a flask, it's so obviously a flask, though definitely would've worked on kids since they shouldn't have known what it was

ooh real talk time, this dude is swearing loyalty to lotor because he feels abandoned by Voltron, apparently his people helped arus after one of the attacks on it but when their planet own got taken over, voltron was busy elsewhere I understand where he's coming from, it's hard to ignore bad things when it's happening to you so when you actually need help and nobody comes it's devastating

The plan to destroy the secret weapon, which is a laser that's able to fry voltron, goes wrong because of that guy so keith and lance make a break for it the only reason the guy stopped the plan was because lotor was going to kill him, so i don't think he would've said shit if that didn't happen

Why is pidge still in the body of green lion?? I thought he fucking went with them! Everything is so confusing

Time to take down that laser gun, that dude is in charge of aiming it but after keiths pep talk about trusting voltron and not zarkon he ends up shooting it at the centipede express that's coming in for a landing with zarkon and haggar in it it misses, of course, but the guy ends up taking down a tower anyway

i mean i assumed the centipede express was a robeast but seeing it actually set itself up to be one was cool as fuck

Voltron was formed waaay earlier but the robeast is destroyed and the bad guys escape also keith and that one guy have a really weird and really emotionally charged stare for a bit lol

/episode end

Episode 26: The Invisible Robeast Haggar found out how to turn things invisible,,, great Lotor obvs is going to use that to kidnap Allura, sometimes I think that Zarkon isn't on his ass about being driven by his dick more than his head because taking Allura would still make voltron weak enough to destroy

Ew Nanny Pidge keeps inhaling apples, so now his favorite fruit are apples because I say so

your honor i love them

Lance giving Pidge advice on how/where to shoot so the princess doesn't get hurt is the cutest thing, I want to see more of them just being dofuses together

"i just don't like things i can't see" - Nanny you mean like your fucking attitude, but you can definitely see that so no wonder you don't have a problem with it

Keith saves the day from a falling boulder, I know allura going back for nanny was the ethical thing to do but also LEAVE HER TO DIE YOU DON'T NEED HER EVER ESPECIALLY WHEN YOU WERE GOING TO DIE BECAUSE OF HER

The boys tell allura to stay in the castle since the robeast is going after her specifically, for once I agree since for now it's good for her to keep her distance as long as she's still watching Keith and Lance bait it to the desert and watching for it to cast a shadow before all 4 let loose on the thing, smart plan

Animation error? keiths background when he's in his lion is all white and just outlined oh all their backgrounds are like that, maybe to save money

the robeast attacks the castle and lures the boys underwater to blue's launch area, turns out we get confirmation that every lion but blue sucks at being in the water also it's princess time now, she's the only one who can actually do well down there

aaand she's knocked out again, but on the bright side the boys had time to figure out how to beat up the robeast and get her back while it was distracted

Voltron's formed, robeast defeated, everyone's safe, hooray!

/episode end

#voltron #voltron defender of the universe #voltron dotu #80s voltron #let's rewind!#toast talks #these two felt like filler episodes tbh #something not as serious as other episodes are

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jasacucitasterdekat · 11 days ago

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grantgoddard · 1 year ago

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The day the (reggae) music died : 1981 : Bob Marley, Linton Kwesi Johnson, Matumbi

“Bob Marley has died!” I exclaimed. Having switched on the car radio before starting the engine, one of Marley’s songs was playing on John Peel’s ‘BBC Radio One’ ten-to-midnight show. I knew immediately what that meant. Peel was a longtime reggae fan, though I had not heard him play a Marley track for years. There was no need to await Peel’s voice announcing the sad news. I had read that Marley was ill but had not understood the terminal gravity of his health.

Peterlee town centre was dark and desolate at that late hour. I had walked to my little Datsun car across a dark, empty car park adjacent to the office block of Peterlee Development Corporation, accompanied by my girlfriend who was employed there on a one-year government job creation scheme. We had attended a poetry reading organised by Peterlee Community Arts in the building, an event she had learnt of from her marketing work. It was my first poetry reading. Only around a dozen of us were present, everyone else at least twice our age. But what we heard was no ordinary poetry.

Linton Kwesi Johnson had coined his work ‘dub poetry’ in 1976 and already published three anthologies and four vinyl albums, voicing his experiences as a Jamaican whose parents had migrated to Britain in 1962. Peterlee new town seemed an unlikely venue for a ‘dub poet’, a deprived coal mining region with no discernible black population, but working class Tyneside poet Keith Armstrong had organised this event as part of his community work there to foster residents’ creative writing. Johnson read some of his excellent poems and answered the group’s polite questions. It was an intimate, quiet evening of reflection.

Due to my enthusiasm for reggae, I was familiar with Johnson’s record albums as one strand of the outpouring of diverse innovation that Britain’s homegrown reggae artists had been pioneering since the early 1970’s. Alongside ‘dub poetry’ (poems set to reggae), there was ‘lovers rock’ (soulful reggae with love themes sung mostly by teenage girls), UK ‘roots reggae’ (documenting the Black British experience) and a distinctly British version of ‘dub’ (radical mixes using studio effects). One name that was playing a significant writing/producing role spanning all these sub-genres was Dennis Bovell, alias ‘Blackbeard’, of the British group ‘Matumbi’. His monumental contributions to British reggae are too often understated.

Until then, there had been plenty of reggae produced in British studios and released by UK record labels such as ‘Melodisc’, ‘Pama’ and ‘Trojan’, but most efforts had been either a rather clunky imitation of Jamaican reggae (for example, Millie’s 1964 UK hit ‘My Boy Lollipop’ [Fontana TE 17425]) or performed by ‘dinner & dance’-style UK groups such as ‘The Marvels’. I admit to having neglected Matumbi upon hearing their initial 1973 releases, cover versions of ‘Kool & The Gang’s ‘Funky Stuff’ [Horse HOSS 39] and ‘Hot Chocolate’s ‘Brother Louie' [GG 4540]. It was not until their 1976 song ‘After Tonight’ [Safari SF 1112] and the self-released 12-inch single ‘Music In The Air’/’Guide Us’ [Matumbi Music Corp MA 0004] that my interest was piqued as a result of the group’s creative ability to seamlessly bridge the ‘lovers rock’, ‘roots reggae’ and ‘dub’ styles. Both sides of the latter disc remain one of my favourite UK reggae recordings (sadly, these particular mixes have not been reissued).

In 1978, Matumbi performed at Dunelm House and, after attending the gig, it was my responsibility as deputy president of Durham Students’ Union to sit in my office with the band, counting out the cash to pay their contracted fee. They were on tour to promote their first album ‘Seven Seals’ self-produced for multinational ‘EMI Records’ [Harvest SHSP 4090]. It included new mixes of the aforementioned 12-inch single plus their theme for BBC television drama ‘Empire Road’, the first UK series to be written, acted and directed predominantly by black artists. Sensing my interest in reggae, the group invited me to join them for an after-gig chat, so I drove to their motel several miles down South Road and we sat in its bar for a thoroughly enjoyable few hours discussing music.

As part of my manic obsession with the nascent ‘dub’ reggae genre, I had bought albums between 1976 and 1978 credited to ‘4th Street Orchestra’ entitled ‘Ah Who Seh? Go Deh!’ [Rama RM 001], ‘Leggo! Ah Fi We Dis’ [Rama RM 002], ‘Yuh Learn!’ [Rama RMLP 006] and ‘Scientific Higher Ranking Dubb’ [sic, Rama RM 004]. They were sold in blank white sleeves with handwritten marker-pen titles and red, gold and green record labels to make them look similar to Jamaican-pressed dub albums of that era. However, it was self-evident that most tracks were dub mixes of existing UK recordings by Matumbi backing various performers, engineered and produced by Bovell for licensing to small UK labels. I also had bought and worn two of their little lapel badges, one inscribed ‘AH WHO SEH?’, the other ‘GO DEH!’, from a London record stall. During our conversation in the bar, Bovell expressed surprise that I owned these limited-pressing albums, and even more surprise that I recognised Matumbi as behind them. They remain prime examples of UK dub.

It was Bovell who had produced Linton Kwesi Johnson’s albums, and it was Matumbi who had provided the music. Alongside a young generation of British roots reggae bands such as ‘Aswad’ and ‘Steel Pulse’, Johnson’s poetry similarly tackled contemporary social and political issues with direct, straightforward commentaries. It was a new style of British reggae, an echo of recordings by American collective ‘The Last Poets’ whose conscious poems/raps had been set to music (sometimes by ‘Kool & The Gang’) since 1970, and whose couplets had occasionally been integrated into recordings by Jamaican DJ ‘Big Youth’ in the 1970’s. Of course, MC’s (‘Masters of Ceremonies’) had been talking over (‘toasting’) records at ‘dances’ in Jamaica since the 1960’s, proof that the evolution of ‘rap’ owed as much to the island’s sound system culture as it did to 1970’s New York house parties.

In Peterlee, Johnson read his poems to the audience without music, his usual performance style. It was fascinating to hear his words without any accompaniment. For me, the dub version of Johnson’s shocking 1979 poem ‘Sonny’s Lettah’ (retitled ‘Iron Bar Dub’ on ‘LKJ In Dub’ [Island ILPS 9650]) is brilliantly effective precisely when the music is mixed out to leave his line “Me couldn’t stand up there and do nothin’” hanging in silence. Sadly, memories of Johnson’s performance that night were suddenly eclipsed by the news of Marley’s death. I drove the eight miles to our Sherburn Village home in stunned silence. I was sad and shocked. It was only then that his sudden loss made me realise how much Marley had meant to me.

Despite having listened to reggae since the late 1960’s, I admittedly arrived late to Bob Marley’s music. Though I had heard many of his singles previously, it was not until his 1974 album ‘Natty Dread’ [Island ILPS 9281] that I understood his genius. At that time, I was feeling under a lot of personal pressure which I tried to relieve by listening to this record every day for the next two years. At home, my father had run off, leaving our family in grave financial difficulties. At school, I was struggling with its inflexibility, not permitted to take two mathematics A-levels, not allowed to mix arts and science A-levels, not encouraged to apply to Cambridge University. Back in my first year at that school, I had been awarded three school prizes. However, once my parents separated and then divorced, I was never given a further prize and the headmaster’s comments in my termly school reports became strangely negative, regardless of my results.

Feeling increasingly like an unwanted ‘outsider’ at grammar school, Marley’s lyrics connected with me and helped keep my head above encroaching waters rising in both my home and school lives. I knew I was struggling and needed encouragement from some source, any source, to continue. For me, that came from Marley’s music. While my classmates were mostly listening to ‘progressive rock’ albums with zany song titles (such as Genesis’ ‘I Know What I Like In Your Wardrobe’), I was absorbed by reggae and soul music that spoke about the daily struggle to merely survive the tribulations of life. After ‘Natty Dread’, I rushed out to buy every new Marley release.

During the months following Marley’s death, I was absorbed by sadness. It felt like the ‘final straw’. The previous year, I had landed a ‘dream job’, my first permanent employment, overhauling the music playlist for Metro Radio. Then, after successfully turning around that station’s fortunes, I had unexpectedly been made redundant. I was now unemployed and my every job application had been rejected. That experience had followed four years at Durham University which had turned out to be a wholly inappropriate choice as it was colonised by 90%+ of students having arrived from private schools funded by posh families. I felt like ‘a fish out of water’. I loved studying, I loved learning, I desired a fulfilling academic life at university … but it had proven nigh on impossible at Durham.

“This is what I need This is where I want to be But I know that this will never be mine”

Months later, my girlfriend awoke one morning and told me matter-of-factly that she was going to move out and live alone. She offered no explanation. We had neither disagreed nor argued. We had been sharing a room for three years, initially as students in a horribly austere miners’ cottage in Meadowfield whose rooms had no electrical sockets, requiring cables to be run from each room’s centre ceiling light-fitment. Now we were in a better rented cottage in Sherburn, though it had no phone, no gas and no television. Her bombshell announcement could not have come at a more vulnerable time for me. I had already felt rejected by most of my university peers and then by my first employer. At school previously, I had passed the Cambridge University entrance exam but had been rejected by every college. At Durham, I had stood for election as editor of the student newspaper, but its posh incumbent had recommended a rival with less journalistic experience. A decade earlier, my father had deserted me and his family, and now the person I loved the most had done the same.

I just could not seem to navigate a successful path amidst the world of middle- and upper-class contemporaries into which I had been unwittingly thrown, first at grammar school, then at Durham, and now in my personal life too. Most of those years, I felt that circumstances had forced me to focus on nothing more than survival, whilst my privileged contemporaries seemed able to pursue and fulfil their ambitions with considerable ease. I had to remind myself that I had been born in a council house and had attended state schools, initially on a council estate. My girlfriend had not. I had imagined such differences mattered not in modern Britain. I had believed that any ‘socio-economic’ gap between us could be bridged by a mutual feeling called ‘love’. I now began to wonder if I had been mistaken. I felt very much marooned and alone. My twenty-three-year-old life was in tatters.

Fast forward to 1984. I had still not secured a further job in radio. I was invited to Liverpool for a weekend stay in my former girlfriend’s flat. We visited the cathedral and attended a performance at the Everyman Theatre. It felt awkward. I never saw her again. It had taken me months to get over the impact of Bob Marley’s death. It took me considerably longer to get over my girlfriend ending our relationship.

“That clumsy goodbye kiss could fool me But looking back over my shoulder You’re happy without me”

#Bob Marley #career #commercial radio #Durham University #Grant Goddard #lovers rock #Metro Radio #music #Peterlee #Peterlee Community Arts #radio #radio station #reggae #Sherburn #Strode's School #student

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thefactualsphere · 1 year ago

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The metal in his face plates continued to get warmer the longer this went on. He arched his back down in order to go in the angles that Keith wanted him to go in, gentle huffs coming from his ventilation with just how much vigor he was putting into this- hes... never been touched all that much. He was carried up to the surface by Rick after his final repairs, and of course Buddy seemed to crawl all over him- but he couldn't even compare anything to these bizarre sensations he was feeling now.

"Gg....good god..-" He wobbled a bit on his feet. He didn't even realize how sensitive those handles of his were- he's never been grabbed this violently by them afterall..

And Keith was so in deep with his self monologuing, he probably didn't even realize what he was doing to him.

He needed something to hold on to- something to stop him from toppling over from both the weird sensations and the craning of his neck. There must be something wrong with him- has to be.

"K...Kee..ith..? Fuckk-"

The body the corrupted core chose was one that kept it's original form, but allowed him much more mobility. A simple, deeply buried design that was attributed to someone named Keith Astor. The core had indicated to the AMA its location within the files of the large, mazelike systems Aperture ran on... And judging by the software inside the core, he had some knowledge of who had created the files.

It had been a visionary piece. Not all of the materials were even available to AMA... But of course, it likely did it's best. Recplacing and substituting wherever it couldn't do the exact job the schematics entailed.

And finally, the core was able to be released from the chamber on the plate, unsteady and barely calibrated. He leaned against the wall for balance, the optic in his head spinning and blinking slowly... He'd kept the main body of a core for his head, minus the limiting handles, and his body was a slightly modified version of the regular models of this time.. Though it was much more modular... Whoever had made it had done so with the ease of modifications in mind..

He felt as if he were biting his tongue, anxious to speak for fear it would still come out wrong.. He hadn't spoken a word of sense in decades, it was perhaps only fair that he were tense...

@adventuregunsphere

The A.M.A had looked over its work. The arm it had used was seemingly a bit tense itself as it tried to analyze what it had done. It was unable to be exact with the schematics provided to it, so it wasn't entirely happy with how it came out. It wasn't perfect.

Nevertheless, it tried to push this aside. It did its best with what it had. The parts for this model were outdated afterall...

[Please proceed with caution; calibration has not been sufficiently completed.]

It watched quietly afterward. What could it have done better? What substitutes should it have used that would have been closer to the original blueprint? What if its estimation caused any errors or discomfort? It would not know. Not until the problems were found. So it sat in unease, anticipating a major flaw.

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shslpunkartist99 · 2 years ago

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Would yall get annoyed if I posted the animations I made before again tomorrow?

Just rewatched Ami ranting about rice and I'm giddy

#Punk Posts #yeah I need to work on that Keith GG animation too I remember

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gentle-giant-swag · 2 years ago

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I just can't remember his last name his real name is Keith

Sky High is like the definition of golden retriever himbo

He has two dogs (John and Johnjohn)

This man?

#btw second image was for autistic characters #loving the autistic himbo rep in this house #tiger and bunny #keith goodman #anon ask #not GGS related

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void-tiger · 5 years ago

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...so apparently Shiro gets to have a family outside of Ryou and a space-tube twin in the B Plot, because I can’t resist Jiro’s anxiety over “there’s MORE of them?? But what if they hate me???”

#writing wip #it’s gentron’s faulf #so apparently Shiro’s family didn’t die in a car accident #maybe they all got really sick with the flu instead so Taka and Ryou were stuck at the GG over winter break instead #still sucks. but since Jiro holds A Plot Shiro’s memories...so could’ve been so much worse #(now...uh. to name Shiro’s family.)#(I kinda settled on Chihiro for the twins’ baby half sister and prolly takeshi for their grandfather? but...)#(not exactly sold either. and kinda need a name for their mom and deceased maternal grandmother)#(basically Shiro’s mom wanted kids but wasn’t going to wait around for The Right Man/Partner to do it)#(and ended up with twins during her first pregnancy then a daughter with her second)#(hee parents live with her and the kids so that she could focus on her career too)#(thinking something in stem. basically shiro and ryou got exposed to sciences thanks to their kickass mom)#(chihiro’s [name pending] also interested but a lot younger. like Pidge’s age or slightly younger)#(Shiro’s so good with Pidge and Keith then the others because he IS a big brother before FoundFam)

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toastess-with-the-mostess · 2 years ago

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Let's Rewind! Toast watches Voltron: Defender of The Universe (1984)

Season 1, Episode 6: The Right Arm of Voltron

The episode title worries me a bit, what the hell did Lance start now

Castle looks super shiny, how many times did it flash the light in someone's eye lol now some of the Arusians have come by to live in the castle

Hunk reduced to a fat joke, as per usual unfortunately Pidge why did you have to flip to reach the button for the door, you could've just walked

Pidge once again being a cutie, his little arm flaps when he's walking through the pantry is adorable

Nothing good ever lasts, another attack on the castle, but now it's worse because people are living in it

Coran said he was activating the robot defenses so I'm sure that the people I saw manning the turrets outside the castle are supposed to be said robots but I think it's cool that the Arusians just arrived at the castle and some are already fighting for Arus again

Ah, that's why Coran said robots, because people literally die There's the princess taking over for the barely dead guy on the floor Now sporting her typical bun!

OH SHIT THEY'RE FORMING VOLTRON BEFORE FIGHTING A ROBEAST?? I mean there is no robeast yet but my point still stands

"Somehow they built a new castle, it's awesome!" I know awesome is an old word, but man is it weird to hear still

Ok so Allura does have some weird clairvoyant powers then, because Haggar mentions that she's the only other one that knows the secret to make Voltron, and it's because she talks to her dead dad

More discrepancies, Zarkon has been saying he wants Allura brought to him, but only now do we get a reason for it, and apparently he thought she was dead after they first attacked Arus

Oh god is this the episode where Haggar actually does something to stop the team? Not good

Planet Doom is apparently 10 mil light years away from Arus, interesting I do have the canon map of the universe, so I'll have to look at it again to actually see the distance

Damn it we're back at the Galaxy Garrison again, at lease the building looks cool IS THAT THE GUY WHO FUCKS OVER THE TEAM?? MOTHERFUCKER

Why does the Garrison believe that Zarkon was defeated, he has a whole kingdom at his disposal and has literally attacked multiple times before even after Voltron formed Oh ok so this was trying to show that the GG does shit even though they're absolutely useless at best and STILL can't do things for the team like giving them an early attack warning Like their frequencies are blocked because of meteor showers which is why they can't, but man was that scene unnecessary

Allura mans a food cart, more at 10

Hunk reduced to a fat joke again Also, a scene is reused where pidge and hunk try to get more Arusians to come by again

Pidge says he's seen Haggar's cat before, but I don't believe it Yeah, this is the episode I thought was playing last time

Aw cute Lance is protecting Pidge, Very much the second parent to Keith's first

Oh shit both Sven AND Lance run after the cat And now Lance is captured ONLY TO BE SAVED WITH SVEN BY A SWORD LETS GOO

Haggar pulls a hydra on Sven, no matter how many times he slices her she just doubles See you later my dude, don't worry it'll get better because you'll become a trophy husband

Man these fight scenes are weird Pidge Hunk and Allura fuck off to the castle

NO SVEN HE GOT FUCKING TAG TEAMED oh shit blood! That's not something you can easily censor

I like the symbolism from golion seeping into voltron, Sven's sword is still standing after being stuck in the ground, but after Sven begs for the hospital it drops Tears and sorrow, Keith and Lance are crying as they hold their close to death friend This makes for REALLY GOOD LANCE ANGST

Now the robeast attack is ACTUALLY happening, that must be horrifying, losing a friend and the ability to protect the planet I'M SORRY SVEN IS VOLTRONS RIGHT ARM?? BITCH I THINK YOU RIGHT LEG

I can't tell if Lance is being self-sacrificing because of his guilt for leaving Sven alone which got him mortally wounded or not He purposefully led the robeast to a lava pit, so the team would push both of them into it, but then red is immune to really high temps

Well they defeated the robeast by melting it in lava, lucky break They're still celebrating though which I think is weird after your friend has to be sent to a far off planet to get decent medical aid

Episode end! I'm excited to watch golion at the end of this entire thing, the themes just come through because of the animation, it'll probably give me more of what I want tbh

#voltron #voltron dotu #voltron defender of the universe #80s voltron #let's rewind!#toast talks #almost didn't post today because my day so was packed #maybe i'll skip wednesdays then

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