#general categorization

[heartscrypt]

"this isn't the proper meme format" yeah well i cant control them they're freaks sorry they defy the logic of the original meme okay

[benevolenterrancy]

@hereticcryptid I appear to be slowly but surely developing an entire series about how Hensheng and Baxia apparently get fed up with their owners' inability to express their feelings and take matters into their own hands...

[sergle]

I think I'm going to make a temperature blanket this year

[anghraine]

Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:

I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.

IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.

I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.

Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).

Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.

At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).

Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.

So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.

Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.

Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).

Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.

The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.

[peipakao]

various sonic and flash related tweets i made that i think are at least mildly amusing

[ratwithhands]

Character relations/opinions!

Alright before I post any more Battle Addict stuff I should probably explain what a League Council is. Here's a summarized diagram:

A Pokemon League is a region's network of specialized skilled trainers. It is run by the League Council, which includes finance, HR, marketing, PR, and other managing departments which are divided into different branches depending on who they work with.

This is all to say that everything gets messy very quickly when news of the diagnosis spreads through the network. Originally the diagnosis was supposed to be private information for only the Battle and League departments, however certain higher ups felt it was a safety risk and notified gym leaders as well in the event of future collaborations.

The network is mostly divided into people who are positive/neutral about the news, and people who feel negatively about the twins as a result. Coworkers who were already familiar/close with the two tend to be positive, or at least supportive, whereas those who didn't know them got another reason to avoid them. Some people think they should go on leave for "recovery", but some are more forward and want them terminated.

If you're wondering where Cynthia falls in this, she's a foreign top league worker (Sinnoh Champion) who is hosted in Unova. Basically she has dept. employees assigned to help her connect to people around the region and get different services if requested. She's basically watching everything unfold from the sidelines, with every interview about her opinion boiling down to "lol if you're scared of people stronger than you then get good". She does also bring up historic accounts of CM/HCCM though, mostly to clarify that CM is not a new or scary thing. She's not for or against the twins, rather just hoping to use this as an opportunity to teach others.

I didn't end up drawing her because I got tired but Elesa got the news too!! She actually got it before everyone else since the twins decided to go tell her beforehand. The general scene basically had Ingo and Emmet deliberating in the car, Ingo telling Emmet it's not too late to turn around and go home while Emmet was hesitant but adamant that they needed to tell her first. She probably took it the worst out of everyone but that's mostly just cause it caught her off guard that her friends would just randomly drop in to deliver the news. She's still rooting for them though, mostly trying to support the Subway with more collaborative events to make the twins look better after the hit from the media. She also tries to rework Emmet's restraints where possible, usually trying to make them look more cohesive with the rest of an outfit or trying to make them less visible (cause as much as Emmet says it's not a big deal it's still the first thing he looks at in his reflection).

Here's them in alt clothes :7

Man is cuffed under there (T_T)

Can't really think of too much to say so hope you guys like the art and see you later!

[uniteds]

it’s like passing the spanish shithouse torch lol

[patronsaint-ofthedenial]

I can't wait for gen alpha to be old enough to clown on gen z. Don't go easy on us, kids, I never liked this generation

[utilitycaster]

Hi there,

You said in the answer you just gave that, "the Nein mechanically played really well to the casts strength." Could you talk more about that? I'm someone who hasn't actually played D&D before, and everything I've learned has been through osmosis with CR, and your more crunchy posts have been really interesting to read, too.

Hi anon,

Thank you! I can answer but this is definitely pretty subjective in terms of how I see the classes they played and my view of the cast's mechanical strengths so know that you're getting one very specific perspective here. You will notice as a theme that I am not one for indecision.

Anyway: I think Liam and Travis are both notable within the cast for being decisive, in and out of combat, and both played characters with a huge array of options, as arcane utility spellcasters (plus Fjord's melee and, later, paladin abilities) and so having people who can make a quick, confident decision and stick to it with their spellcasting was crucial. Travis also has, as I once put it, court sense, and so having a character with options at basically any range in combat (from melee to eldritch blast range) was extremely good for him. I also just think they like utility casting, which, as my url indicates, I obviously think is awesome; but not all people like it and that's okay! I also just think they like it - both have mentioned on 4SD that Orym and Chetney are much more limited in what they can do.

I think Sam can get really hung up on the optimal and ideal thing to do at times. Really, the best way to put it - and FCG's death is a great example actually - is that Sam is not precious at all with his own characters but is worried about letting other people down. So I think the fact that Veth had a limited but interesting number of choices was actually quite good for him - he could make creative decisions (and even think outside the box, as with fluffernutter) but didn't have an endless list. It also still provided spellcasting, which is important to him.

I think Marisha is one of the strongest players on adding flavor to combat which is purely non-mechanical but is important in actual play if you are playing a character who does mostly the same thing. For what it's worth a lot of the things Beau played to her strengths were on the RP side (give the notetaker a character who has a reason to know a lot of lore) and also, I like monks but they are very straightforward characters to play in battle for the most part so there's not a ton to say, but I think she had a good sense of melee combat and would love to see her play more melee characters; Keyleth was obviously incredibly versatile, but this meant she did spend a lot of time in melee! Marisha also has decent instincts for tanking (Keyleth as regular tank thanks to wildshape and Beau as a dodge tank) so Beau allowed her to exercise that.

Taliesin is also a generally strong player in terms of mechanics and I think, honestly, his strength is that he doesn't seem to have a strong preference on what sort of class he plays and therefore was able to lean into a character who was almost purely support without any resentment over not getting the kill. In general I think Taliesin is very good at just...doing what his character is built to do, which seems damning with faint praise but honestly I think people who get really obsessive about Subverting Their D&D Class are annoying so this is praise and respect.

Laura is an interesting one in that I think she really likes to do Big Damage but she actually is quite skilled at utility casting. Having Caduceus definitely allowed Jester to shine in that she didn't have to serve as dedicated healer, but she also was a strong healer. Laura can be somewhat precious about her characters and I think being a healer is a good antidote for that in that you have the power to heal yourself if you get worried (honestly, this is why I started off as someone who played healers until I allowed myself to accept that dying on graph paper, as Taliesin once said, is fine). Being a prepared caster is also good for someone who, like Laura, can be competitive - it's interesting because she and Sam have a lot of similarities but I think respond in different ways, and Laura having a lot of options and knowing she can change them works well for her approach.

Ashley is also quite strong at flavor descriptors but I also think she likes doing damage, and I think Yasha was very much a "right character at the right time" for her in that barbarians are complicated in the sense of maneuvering, but not in the sense of options - it's a much easier character to jump back into after being away because she is, for the most part, going to be hitting things with a sword. I think she's doing a great job with Fearne too, but wildfire druid is MUCH harder to put down and pick up.

Really, in short, I think the cast members who thrive on having a ton of decisions had them; the cast members who at times have trouble picking what to do had a much more limited list which helped them; and those who don't really have a strong preference had other stylistic elements that were a good fit.

(I also happen to think, as I alluded to especially for Marisha's portrayal of Beau, that the Nein played to the cast's RP strengths as well and/or were given the time and space for the cast to grow into things they were less confident doing, eg: Travis and romance; and I think that does bleed into combat in that it helps you take actions that feel right for the character which in turn helps the other people around you predict what you'll do. It's the drift compatibility.)

[drumlincountry]

hate being in a horrible little rat bastard mood! Because it drives you to do things for evil reasons! And people can tell the difference, even if its the exact same things you do for nonevil reasons.

[spiribia]

what is a furry? if you don't mind. like i've heard of it for years but i realized i don't actually know what it means other than animals are cool

it just means animals are cool

[locally-normal]

I wrote a draft of a math post, and nearly finished it with "this is too long so I won't do the key example."

Unfortunately, or perhaps fortunately, now I think the key example may be something I've actually misunderstood and figuring it out may, as a very distant possibility, be step 1 of a research project.

[freakshowtwopointoh]

hate to do this to u but chilchuk gives me jordan vibes

hater on the outside, lover on the inside

[itsbasil]

"what if tumblr was more like reddit" what if I shot beams at you

[eightspringdays]

I love consuming media that has canon lesbians that don't fucking DIE. first, I want to thank to academy-

[wiseheartedloki]

Guys who get edit ideas when songs come out. Anyway the Chonny Jash cover of Laplace's Angel huh!