#for people to actually understand the story here

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[coffeegnomee]

Ok just caught up and like. What the fuck man. 

I literally all can do is just sit here and hope and pray that the old members stick it out and help the new members understand what lifesteal is actually about.

Because lifesteal has the reputation of being the lying and betraying and killing people server. 

But it is just Not That. Like obviously those things have happened on the server, fine. 

But lifesteal is far far far more about teammates. Believing that they will have your back. Working together to do cool shit. Trusting each other. 

It’s about commitment and honor and respect and working together on an interesting goal. 

It’s about not screwing over your teammates for a cheap moment that ruins the rest of your relationship on the server. (Mapicc showed this perfectly this week too! He ended the experiments because he’d rather have a teammate than execute a crazy emotional manipulation arc on Zam and really push him over the edge.) 

They sacrifice for each other. They protect each other. They pick each other up when they get killed by their enemies. They encourage them when they’re down. Help them be strong against their fears. Get each other gear and hearts and make sure they’re safe. Spend hours on each other’s arc together in vc all night. 

They lie to OTHERS for their team. They protect the wormhole for months even when they don’t want to or believe in it at all.

They do tiny little things that they know the other person will like just so they know they love them and appreciate them being on the team. They say it too, to each other’s faces. 

It’s about loving each other bro. There’s a massive fucking reason why there’s so much shipping fanart man. They fucking love each other platonically so damn much and so damn perfectly that you can make it romantic and it’s like not even like all that weird.

It makes me so fucking mad that you could boil down this beautiful server into lying and killing and go on it and be like, I heard princezam betrays every team he’s on obviously we should betray everyone and be on the lookout for every single person being a betrayer. 

Zam fucking lost his mind over betraying team awesome and eclipse. He AGONIZED for MONTHS before pulling the trigger for eclipse and he didn’t betray team awesome until after their massive arc together that he was completely loyal to, finished it out as a team, and only when they looked like they weren’t going to give up their unfair advantage did he seek to leave them. And he fought them and left.

The fucking respect he has for a team is insane.

And same goes for Bacon and Mapicc. 

as for others:

Ro only betrays if he gets a better offer (from mapicc) 

Leo betrays when it’s interesting for the story to have a juggernaut.

Spoke betrays only when he has his own bigger plan to execute that will create something interesting for the whole server to encounter. 

Clown only betrays when you go against his morals of creating content by chaos. 

I can’t even think of any notable betrayals from before s5. Most of the server does not betray ever. Most of the server never lies. 

They only lie and betray when it’s for the benefit of the content. 

And that’s what fucking makes me so upset about this. Bacon is doing this arc for the BETTERMENT of the server. He literally says he’s doing it to make other people’s lives on the sever more interesting. It ain’t even about him. He’s not even making a video about this. He just likes to do cool shit on the server because it’s fun to craft an overarching story for everyone to play into.

It’s never been about hearts man. 

The most valuable resource on the server is content. 

And Bacon understands this. In a way that quite possibly could make him a worldender like spoke and clown. He’s really getting into the role of strategizing fun things for the server to do for no other reason than someone has to do it and that it’s good for the server. 

But the new members just do not understand what “for content” means. They just kill randomly. They don’t defend each other. They don’t tell the other teammate to give the heart back bc it’s been proven enough that they’re innocent. They’re constantly suspicious and will only meet if there are no enemies online. 

It’s not about the hearts man. 

It’s about the team.

[utilitycaster]

Do you think the god debate and narrative around it in C3 would be more compelling if Ludinus only focused on killing the Betrayer Gods a la Cassida? As many pointed out, the impact that Primes have on mortals is largely positive. Aside from cool abilities, they give healing, meaning and comfort to their followers. Up until very recently (Braius) we haven't seen Betrayers do much of that and their followers are, more often than not, people who would cause great harm to others.

I actually do not. There's multiple questions in here, and honestly I could probably write 5000 words on any of them, which I'm not going to do, but I will split this up into components.

First: I don't think Ludinus is the problem at all. He is unambiguously the villain, but he is always narratively compelling. It is fun to make fun of him because he is genuinely a fantastically crafted villain. When I dunk on villains who are boring, it's nowhere near as fun because all you can say is "wow what do you even do. boring-ass" whereas Ludinus is full of interesting possibilities and hooks to be like how can you be so smart and have lived for so long and seen so much and come to the fucking worst conclusions. There's a reason why people have been side-eyeing him consistently since at least his first speaking appearance in Campaign 2, if not his first appearance ever, in Felderwin, and it's because he's a great character who I hope dies horribly. So his motivations are fine. I'm not saying the possibility you suggest wouldn't be a very interesting different story, but my complaints about narrative and the gods debate do not require anything different from Ludinus, who has been a consistent bright spot within the muddied narrative by being a consistent blot on Exandria and also sometimes the moon.

The narrative and the god debate are intertwined - the issue is a dull indecision that plagues both of them - so I'm splitting this one up a little differently.

What do I as a viewer think is the most reasonable stance regarding the gods based on my understanding of the worldbuilding of Exandria?

What is interesting to watch?

And therein lies the problem. I, as a viewer, think that killing the gods is a bad idea, and I've articulated this in various spaces and am not going to write another 5000 words about it right now, but between the events of past campaigns; the events of this campaign including Downfall; who within the narrative supports the choice to not kill the gods; and the complete uncertainty regarding the fate of existence let alone mortaldom should they be killed or chased away I have come to this position. Any counter-argument tends to rely either on entirely false statements, or a nebulous "a better world is possible" without any assurances that the allegedly better world is, in fact, probable. Ironically enough, I am not willing to take a leap of faith.

But as for what's interesting to watch? That's an entirely different story. My issue with the the gods debates is that they are endless, circular, indecisive, and between the least informed group of PCs we've had by a large margin. They say the same 5 sentences in different words over and over. It's like watching a bunch of high people while you're sober. It only hits hard if you're stupid. For more on this see here and here. If Bells Hells had decided 30 or 40 episodes ago to side with Ludinus, or to try to only kill the Betrayers, or to oppose Ludinus but kill the gods? Great. Fantastic. I'm not saying I wouldn't have had my critiques of it given the worldbuilding setup as described above, but I think it would have held up infinitely better as a standalone story, at least, than it does now. My problem is that instead they had endless circular indecisive conversations during a bunch of (comparatively much more interesting) fetch quests, finally came to some kind of conclusion that gave the end game some structure and direction like 4 episodes ago, and then had yet another wrench thrown at them. And convention panels and Cooldown have consistently confirmed my suspicions about the lack of planning in the places where this campaign really needed it. In my conversations after the latest episode, multiple people independently used the term "sludge" to describe their feelings about the plot.

In actual play, I want characters who have clear conviction and make bold and decisive moves because handwringing forever in such a slow-moving medium is excruciatingly boring. Like, do I think Percy in the Briarwoods arc is making good, informed decisions that make him a moral person? Absolutely the fuck not. Do I think the story where he's shooting first and asking questions later is infinitely superior to one where Vox Machina can't decide what to do for 50 episodes? Yeah.

The god debates are ultimately a symptom of this narrative aimlessness. The lack of an answer is the problem, not what the answer is.

[bucketsquid]

An Exhaustive List of Octarian F.A.Qs... and Answers!

There's one thing I've noticed about the Western Splatoon fandom.... and that's the weird amount of misconceptions, mistranslations, and misunderstandings about the Octarians.

For some reason it's often lore about them, surrounding them, or about their activities that always seems to have this happen. And so I want to help correct that! They're a super cool faction and I want to work on people hopefully understanding them better, while helping to correct misconceptions about them.

This will be long, there will be many citations and pictures both. Shoutout in particular to Inkipedia and inkfish translator rassicas, and the hard work of both, for this.

If there's any common lore misconceptions that I left out, please let me know! I'm including every single one I can think of, but I probably missed something somewhere.

================================================

General Octarian Questions

Q. How are Octarians made? And are Octolings made the same way?

A. Octarians are made from severed Octoling tentacles (The Art of Splatoon + SplatoonBase) that are then somehow animated. Ones with more tentacles are "more intelligent"; they're sapient, either way.

Octolings are not, to our knowledge, created like this. The existence of SashiMori's Paul suggests that Octolings undergo the same life stages as Inklings do. (Similarly, Diss-Pair's Warabi has lore that mentions having parents.)

There is concept art in HaikaraWalker (the Octo Expansion artbook) that depicts Octolings mutating from Octarians... but it seems to just be concept art.

Q. Did Octavio brainwash the Octarians into obeying him? Wasn't music used to make them obey?

A. No, they were never brainwashed. Octavio uses his music to keep the Octarians in order and to keep their working rhythm correct-- like a military march. Inkipedia compares the Onward! jingle to "a call-and-response clapping rhythm used by teachers to grab students' attention in elementary schools". It does sound like that...

Now, if you want to say that Octarian propaganda is brainwashing, yes, that does exist.

Q. We've only ever seen feminine Octoling soldiers. What's with that?

A. The "rival Octolings" we meet in the story modes are all part of a special military unit that's female-only. They're referred to as "Takozonesu" in Japanese, a mashup of "tako" (octopus) and "amazons". Not every female Octoling can be one of these, and this group isn't completely representative of Octolings in the military.

There are male Octolings, they're just not part of this one group. (Fun fact, did you know that these Octolings are voiced by Callie and Marie's voice actors?)

Q. What's with the green sclera on Octarians?

A. There's no confirmed canon reasons. Octolings are very inconsistent about it, as well; Octavio has it and so do many enemy Octolings, but not other Octolings of note.

It could just be that the whites of their eyes are really reactive to stuff in general, since sanitized Octarians have black sclera. The green color could also just be something that happens with age while living in the domes.

Q. In Octo Expansion, Marina calls Octarian society "oppressive"-- how oppressive is it really?

A. This descriptor is actually inaccurate to the original Japanese, and was added in localization. (The Splatoon 2 Retranslation Project has a more accurate version over here! Thanks @shiverhohojiro for the link.) Octo Expansion has some notorious details that were added in localization, like Craig being more racist than usual or the omission of Commander Tartar's chatter about humankind.

That said. The domes are an isolationist* military-centric society, with emphasis on meritocracy. Octolings go into professions for things they're good at, not necessarily for what they want to do. Resources like electricity are limited, so they have to structure life around that detail, and strictness logically follows. The military doesn't tolerate slackers or nonsense, but talented people seem to do well for themselves based on how Marina's life was. Even so...

A lot of music, culture and artwork gets made down there! And they have things like beachside domes, bowling-themed domes, amusement park domes and even circuses... so it's not completely strict. There's a lot of room for silliness, it just needs to be in the right place.

So, to be totally fair? We don't know much. It's not perfect, but it's also not a hellish place to live if you wanted to stay. * They trade with Salmonids, but don't seem to do so with anyone else.

Q. Can they respawn? Are we killing them when we splat them?

A. Yes, they can use respawn technology in the same way Inklings and Octolings do. The only situation where an Octarian explicitly dies is, potentially, during the escape phases in Octo Expansion!

Q. Where/how did they make the domes?

A. Leftover human technology, meant to be similar "last resort shelters" made by humans. Think Alterna, but on a smaller fragmented scale.

================================================

Questions about DJ Octavio

Q. Why do we always see him in octopus form? Can he shapeshift?

A. Octavio can't shapeshift because of an injury from the Great Turf War. He was able to do so before and during it, however!

Q. We know Octavio leads the Octarians, but what is he? A king, an emperor, or what?

A. He is a Japanese shogun, as referenced by his title in the first Splatoon: "DJ Takowasa shōgun". We don't know if he was appointed by an emperor, if he was part of the previous shogun's family, or if he just sort of... took up the mantle (haha octopus joke) after the Great Turf War.

Q. Did he brainwash Callie?

Based on the information we have... I am inclined to say, no, he didn't brainwash Callie.

Callie was in an extremely stressful period of her life, Octavio reached out to talk, and... we don't know what happened next. But the context feels like Callie might have joined willingly. In reference to the Hypnoshades, it's important to note that hypnosis as a concept is incredibly variable, with one argument made that "you cannot hypnotize an unwilling participant".

"But, didn't he say--"

He likes music puns. He's a DJ. It's supposed to be funny, why aren't you laughing? (What this line was in JP, I wonder...)

... But, I feel like the evidence stacks up. It suggests that Callie wasn't kidnapped or brainwashed or forced to join the Octarians. It was probably an escape from fame and loneliness for her-- the Hypnoshades helped her get away from that and just have a good time. But with Octavio being a guy to hold a grudge, nothing got to be that simple, and Callie was ultimately weaponized against the New Squidbeak Splatoon.

It remains very up-to-interpretation because we don't know, exactly, what happened behind the scenes. But Callie fosters zero ill will towards the Octarians, even after being rescued... and if fiery, outspoken Callie doesn't seem to be angry about it, what does that say about the matter?

Q. Why do all the tentacles piloting the Great Octoweapons have the same scar as him?

A. Because they're directly cloned from Octavio and are then made to pilot them, presumably because they have the muscle memory to operate as pilots. Octopuses have very complicated brains and neural centers that extend out into their arms.. so this cool bit of sci-fi checks out.

Q. How old is Octavio, really?

A. We don't know. But the narrative often parallels him with Craig Cuttlefish, who mentions in Octo Expansion that he's 130 years old. It would be fair to assume Octavio is also, at least, 130.

Q. Why is he so gigantic in Splatoon compared to the other games?

idk man, you tell me. I think this is much funnier and cooler than later games, though.

================================================

Octo Expansion + Octarians Questions

Q. It's suggested that there were thousands of test subjects before Agent 8. Where did Kamabo Co. get all of these people?

A. Not only is it suggested that the Deepsea Metro may be accessible from other train lines, but it's also plausible that the subterranean networks that the Octarians use could be connected to the Metro. (Thank you for your hard work, Dodo.)

Test chambers always reminded me of Octarian domes, anyways, with the large amount of highly versatile space they have, and how it'd only make sense underground.

After all, Commander Tartar offered a glimpse of "the promised land", and that plays very specifically into the Octoling desire to see the surface world again. ("A utopia of light beyond your wildest dreams".) Its appearance as a telephone even seems to evoke an Octarian's face, which they're more willing to trust.

Q. Are sanitized Octarians a hivemind?

A. They're something like that, being hollow shells that have lost their memories and identities while submitting to a higher force. (This can be fixed, as we've learned.) They seem responsive to being assigned roles, what with Acht being made to produce music while other sanitized Octolings act as enemies in test chambers.

Commander Tartar's ideology revolves around a lot of "giving up one's individuality for the greater good" and "joining something bigger than yourself". To "eliminate the general idea of the individual" for "a harmonious world"... "becoming one with existence".

I think that carries a lot of interesting implications. You can draw your own conclusions, since there's no explicit canon answer.

Q. Was Acht sanitized willingly or unwillingly?

A. Public twitter info suggests that they were sanitized willingly, to "get rid of doubts and conflicts involving production" and to commit completely to music. But in Side Order, Acht says that it wasn't done willingly.

There's a lot of ways to interpret this. Maybe they wanted to at first, had a last-minute realization that they got tricked, and ultimately didn't want it. Maybe they committed completely and don't want to say it. Maybe social media is lying to us completely, in the same corporate word-twisting ways that Grizzco also uses, to make Kamabo Co. seem better. So... who knows?

Q. How does the Kamabo Corporation have clones of the Octo Canyon bosses?

A. Uh...

... I don't actually know. Clearly they have pretty advanced technology going on, so maybe they actually did manage to replicate and clone these bosses perfectly?

Or, maybe, it's just a psychological recreation of Agent 8's memories. Octo Expansion has a lot of stuff like that, so it feels pretty possible!

================================================

Anyways, that's all... for now. I'll probably only edit in more sources and tweak details on this post, but it's completely possible that I might need to add more things later.

[iris-in-the-rain]

After yet another awful experience with a doctor, a despondent Ed decides he's tired of living with pain and googles physiotherapy in his area, while lying in bed, sobbing, his knee swollen and hurting. He comes across a place called 'Be Well - The Best Revenge is Living Pain-Free' He makes an online appointment, then falls asleep, tears drying on his face.

The day arrives and Ed, while feeling better, still decides to try it out, but doesn't hold out much hope. The place is welcoming and cozy and instantly makes Ed feel safe and at ease. A receptionist called Frenchie tells him about the place, until a human sunshine, by the name of Stede Bonnet, introduces himself and leads Ed into a treatment room.

'So what brings you here today, Ed?' Stede asks with a warm smile and that does it. Ed bursts into tears. He cries, great heaving sobs, and Stede offers him tissue after tissue, no judgement, just lets him cry.

'I understand, Ed, I do, and it's okay. I am so sorry to see you in this much pain. I'm glad you're here, though.' Stede says, as Ed tries to stop crying and fails. 'It's okay, I promise you, you're safe here.'

Ed eventually stops crying, apologises, but Stede's having none of it. Frenchie brings Ed a cup of tea, while Stede tells Ed about the place, and how he started it, because he wanted to help people live without pain, as much as he could.

And then Ed tells Stede about his stupid, fucked up knee, and his hands, with arthritis and how much it hurts every day, but he's learned to live with it, but he hates his stupid body and why can't he just not be in pain and why do the doctors treat him like shit, and why does his stupid body hates him, too, and he so tired and so alone and he just can't do this anymore.

And Stede listens patiently, and doesn't interrupt him and his face is so full of compassion and when Ed finishes, Stede gently takes his hands and looks at him to really make him listen, his own eyes shining at Ed's distressing story...

'Ed, I am so sorry that you had to deal with so much. My heart hurts for you so much. I promise you that I will do absolutely everything in my power to help you. You deserve to not only not be in pain, but to be happy.' More tears run down Ed's face at that. 'Will you let me help you, Ed? I would really like to help you and make life a bit easier for you. You deserve to be comfortable and happy. And without pain.'

Ed wants to believe him. He wants to believe that there actually is someone in his corner. And something about Stede makes him believe that there is hope.

'Yes' Ed says. 'I'd like that.'

[oswalish]

rahhhh random rant because i’m angry hater mood i HATE HATE HATE people who think miss goldberg did anything to marvin. saw someone go “set those sails is a villain song and people need to accept miss goldberg is a bad person” i’m screaming and crying and clawing at the walls you don’t fucking understand it you don’t understand the goddamn musical.

in trousers is at its core about misogyny, that is its core theme, which is shown by how marvin hurts the women in his life, specifically his wife, his sweetheart, and miss goldberg. it would conflict the themes and narrative if miss goldberg hurt marvin, as this would diminish what marvin does to the other women. marvin does come up with excuses for his actions/ tries to garner sympathy in the musical (im talking 1979 vers here, i’m not as well versed on the 1985) he is immediately hit with trina shutting him down with her telling us how his actions have hurt her more than they’ve hurt him.

another thing is that the women are mostly not themselves, but rather versions of themselves that exist in marvin’s head. this doesn’t apply to trina, as she is the only woman in the musical who tells her own story. for example, your lips and me and its reprise tell us very specifically events that are happening in her life and how she’s feeling, she also tells her about her past. she also addresses marvin directly in breakfast over sugar.

whereas his sweetheart and miss goldberg do not have songs like this. “my highschool sweetheart” doesn’t tell us anything about his sweetheart other than that she’s his sweetheart, she’s a person, and that she wants marvin to pay attention to her more. but there honestly isn’t much in the musical to confirm that she actually is a person at all, she insists her own existence but marvin never pays attention to her or even addresses her existence, in childhood or adulthood.

miss goldberg is interesting. she doesn’t play into marvin’s fantasy and feels like more of a real person than his sweetheart, having her own personality and opinions. she also sings i am wearing a hat where she seems to tell part of a story that could be her own, though it doesn’t really get more specific than “i’m wearing a hat, i am unloved”. she never quite seems to behave like a schoolteacher either, within the story she seems to be more of a narrator, likely due to her importance in marvin’s story. she is the biggest case of marvin insisting his heterosexually, while also forcing him to realise he is gay. she is not actually herself within the musical, the real miss goldberg is probably nothing like her. this is an internalised version of her than marvin came up with, though it’s more authentic feeling than his sweetheart since her role is to pull marvin out of his fantasies, since she’s probably the only way marvin can actually be honest with himself and recognise his actions.

many people bring up the lines “you might tell me you’re a victim, you might get what you deserve, but i won’t excuse, boy i cant excuse, a boy who’s lost his nerve” which i will admit. do not sound great, incredibly suspicious even. but taken in the context that miss goldberg is not actually saying this to marvin, and actually it’s a version of miss goldberg that marvin has made up to make himself “behave properly” it starts to make sense.

marvin victimises himself a LOT. he’s self aware enough to recognise when he does wrong but tends to refuse to believe that it’s truly his fault, and that he’s the victim somehow. this is pretty obvious in falsettos but it’s also true in in trousers. he sings a lot of songs trying to portray himself as the victim, facing a lot of opposition from the women. this is shown in How Marvin Eats His Breakfast where he is sure that he’s in the right and is the victim because he’s not getting what he wants, and the women in the song directly oppose him by describing all the insane things he’s doing and even insulting him. it’s also shown in The Nausea Before the Game, where he’s lamenting about how his life is so hard, and how trying to live up to societies expectations is nauseating (this is a very simplified analysis of the song, i do actually thing marvin’s feelings in this song are valid but that’s an entirely different conversation). the song transitions into his wife singing about how she met him, how he ghosted her for weeks but then came back. that part of the song is much more tragic than marvin’s, essentially telling the listener that while his feelings are valid, he also seriously hurt and damaged this woman, and that that cannot be forgotten. the musical never ever lets us believe that marvin is the victim, despite his insistence.

and then every pony, is what i think the first line of that quote is referring to. how marvin is convinced that he is the victim, he is telling *himself* that. and the part of himself who knows that isn’t true manifests as miss goldberg to tell him that no, no you aren’t. no matter what marvin says, he will never be the victim, he is the one hurting others.

“you might get what you deserve” is slightly more difficult. i can’t really tell if it’s positive or negative. it could either refer to how he got what he deserved by being in a loveless marriage, or how he got what he deserved by leaving his wife and kids (and bird) to leave with whizzer. personally i think it’s the second, going with how marvin is convinced that he’s the victim, he’s convinced him leaving his wife for whizzer is what he deserves after going through so much. he thinks he deserves something good for once. and like yay bro for breaking out of your forced heterosexuality but did you have to destroy your wife’s entire life in the process? when i say marvin isn’t a victim i do mean in the context of the musical, marvin is very much a victim of society and heteronormativity, but he is NOT a victim of any of the women in the musical, which he likes to pretend he is. it’s easier to blame them than himself.

“but i won’t excuse, boy i can’t excuse, a boy who’s lost his nerve.” much simpler to understand, the miss goldberg inside marvin’s head is very much the voice of outside influence, aka wider society, the one that expects him to conform. she can’t excuse him “loosing his nerve” by deciding to cheat on his wife with a man and run away with said nerve.

anyway i hope this yap session help y’all understand that marvin was never harmed by miss goldberg (nor do i think he did anything to her, other than probably be off putting and creepy like an average 14 year old is) i doubt anyone will see this but i loooooove talking about this stupid musical so ask questions please please please or else i’ll post 5 MILLION of these because i can’t stop thinking about this musical

[tragedy-of-commons]

Congrats on 200 followers!!! You deserve everything with how much you’ve made me giggle with your stories!🎉

For your 200 followers event? May I request; Dan Heng + “Let’s meet again, in our next life…” + romantic + angst (I’m not sure if you accept the genre)

I think I’m gonna go crazy with how much angst and fluff I consume in a day

"Let's meet again, in our next life..."

It's a nice sentiment. It really is.

It also just so happened to be the best thing you could come up with, considering you're too focused on the stuttering breaths and tremors wracking Dan Heng's form. He must find it insulting, really, that you'd bring up his disposition like this, but you don't know if he can even hear you at all right now.

The storm normally brewing behind his eyes is replaced by a glazed sheen that you desperately want to remedy. You can barely find it in yourself to speak, words slurring together and becoming lost in the whiplash of the tears and shock. But you keep going. That's about all you can do.

"You--you always said I'd make a good professional nuisance. Well, that one time, anyway - I laughed so hard you didn't talk to me for two days," you ramble, threading your fingers through his matted hair. Your fingernails are caked in red, and it probably doesn't feel good in the slightest, but he doesn't even tense.

Dan Heng is still.

You sniffle, words garbled. "M-Maybe I'll peddle something door-to-door... like vacuum cleaners. Shitty ones that don't even come with a handheld and break right after the warranty expires. You'll o-open your door one day, and sparks will fly all over again."

This hypothetical scene you'd normally be pitching to him over a hearty breakfast or under the twinkling stars doesn't make either of you laugh. Instead you feel bile crawl up the length of your esophagus, threatening to spew with the rest of your guts if you persist with this poor charade.

"Or maybe you'll slam the door in my face. I don't know what could happen," you admit, because of course you don't. You don't know anything else but Dan Heng's nauseatingly cold skin and clammy hands.

There's a small number of people in this universe that will accept you. There's an even smaller number of people who will love you, that will let you inside their heart, no matter how much of a professional nuisance you may be. Finally, there's an infinitesimal amount of people - really just one - who will let you love them in return, despite it all.

And he has just slipped right through the gaps of your fingers.

"Even if you do," you hiccup violently, biting your tongue until you taste iron, "I'll stand out there all night until you recognize me."

There's no response except the buzzing of cicadas, tapping on the soft spot right between your eyes in a dull ache that hurts so bad you can't breathe.

If that's a good or bad thing, it doesn't matter; Dan Heng is not here to soothe the pain with mild-mannered but gentle platitudes. Dan Heng is not here to squeeze your hand back as you try in vain to keep up the one-sided effort.

You are alone, even as you sweep away his bloodied knot of bangs, leaning forward to press your quivering lips against his forehead tenderly.

"You k-know I would," you plead, whispering against his eyebrows and mangled nose, a tiny part of you still holding out for a sign that he's still with you - that he understands how much you love him, even if you didn't say it as much as you should've. "Dan Heng..."

Those three little words are on the tip of your tongue, foreign. It feels like an insult, knowing he won't be able to hear them. Even so, you choke the syllables out, actualizing years of subtle acts of service and inside jokes and wonderful chemistry that you'll never get to share with him again. Cradling your best friend and only treasure, you weep.

When you're torn from his side by first responders, clawing and gasping in abject hysteria, you struggle further, begging anyone who will listen not to take him away. You know he's already gone, you see it in the stiffness of his shoulders as you're dragged away, but you need him. You need Dan Heng, and you need him in not just the next life, but in this one too.

Time passes by in an unpleasant blur, reminiscent of a slideshow. Between clicks, whole days bleed into one another. You feel like you're slathered with monochrome and grayscale while stood against a background teeming with color, terribly out of place and clashing with your surroundings.

Click, you're standing in one place, and then you're not.

Click, you're lying down, only somewhat aware that if you turn over on your side, you'll be met with the barren right side of the bed. Click, you're mulling over flower arrangements and funerary rites without a hint of life in your voice.

Time has never been on Dan Heng's side, you know that for certain. He'd confided in you a few times - in whispers over poorly brewed coffee and in the middle of chaste kisses - that he may never be truly free from the shackles of his past.

Even so, you love him. You'll love him for the rest of your life, and hopefully, all throughout your next one as well. If not, you hope, with all of your shared memories at your back, that Dan Heng will find peace in his next incarnation.

You, however, won't be finding peace until you show up soliciting on his doorstep, peddling those shitty vacuum cleaners.

Until then, you suppose, choking on your tears of yearning.

🏷️: @akutasoda, @aviiarie, @lowkeyren, @synqiri

a/n: did i cry a few times while writing this one? yes. are you evil for forcing me to do this? yes. did i absolutely love every second of it? yes. by the same token, i'm glad i've made you giggle, anon! <3 loved this prompt.

event post here

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[vodika-vibes]

Hey Vodika!

I hope you're feeling better. I don't know if you accept requests, but I'll leave this here. Could I ask for a story with Commander Neyo? The situation would be that Neyo is eavesdropping on her S/O's conversation with her friends. He hears her friends say that she should break up with Neyo because he is a harsh, cold, uncaring clone and that she will not be happy with him. Neyo hears this and is devastated. He knows he may not be the best when it comes to feelings, but he loves his S/O. His S/O finds him and learns that Neyo overheard the conversation. That's why she wants to do everything to prove to him that she loves him and wants to be with him no matter what. 💓

Take care of yourself!

People Who Matter

Summary: Neyo overhears a conversation between his cyare and her friends after returning home from a long deployment.

Pairing: Commander Neyo x F!Reader

Word Count: 1082

Warnings: Toxic friends

A/N: Hi there! I do take requests almost constantly, even if it might take a bit for me to get to your request! I hope you like this!

Click HERE to be added to my taglist!

 Commander Neyo is an asshole.

He knows it. His men know it. His General knows it.

It’s a carefully cultivated persona that keeps his brothers from prying too much into his private life and keeps him from getting too close to men who probably won’t survive the year.

That might make him a cold person, but being raised to die in a war will do that to a man.

The one good thing in his life, the only good thing in his life, is his cyare.

So far as he’s concerned, she’s perfect in every way.

His cyare isn’t a Coruscant native. She’s from some small planet in the mid-rim and came to Coruscant for school. And, once she graduated, she just refused to return home.

He once asked why, late one evening, and she just laughed and told him that she was happy on Coruscant, happy with him, and she was not quite ready for the responsibility that came with returning home.

Neyo didn’t push at the time, and he still won’t push now, if she’s happy then that’s enough for him. Though a large part of him can’t quite understand why she’s so happy with someone like him. 

But, right now, he’s not going to question it.

Because her love for him means that he’s allowed to decompress from the war in an actual apartment, with a proper bed and an even better shower. Not to mention home-cooked meals and as many kisses as he could ever want.

Silently, Neyo keys in the code to the apartment that he half lives in, and he pauses in the doorway, just before he calls out to his cyare. He hadn’t warned her that he was returning early, wanting to surprise her, though now he feels like he should have.

Since the shoes piled at the door suggest that she has company.

He steps into the laundry room, which is right next to the front door, and tugs his armor off, setting it on the shelf that she bought for that very purpose. Then he peels off his blacks and pulls on the casual clothes that she leaves in the laundry room for this very scenario.

It’s not much, a tee shirt and dark red lounge pants, but to him, they’re more comfortable than the softest shimmersilk.

Only then does he step back into the hallway and head towards the living room. However, he stops before he opens the door.

He stops because he hears his name.

“So, the reason we invited ourselves over,” Neyo scowls at the comment and the voice. That is Nalia, his cyare’s oldest friend on Coruscant, and, in his humble opinion, the worst person in the galaxy. “We wanted to talk to you about Neyo.”

There’s no reply for a moment, and then his cyare speaks, “You want to talk about Neyo?” Her accent is thicker than it normally is, and Neyo knows without having to ask that her “friends” have been bothering her about things again.

“We do.” Another woman says. That’s Linly, another one of his cyare’s friends, though she most often plays the role of Nalia’s flying monkey. “I know that you love him.” She almost sounds concerned. Almost.

“You need to break up with him.” Nalia interrupts.

“...I beg your pardon?”

“Listen, he’s cold and mean and uncaring and he’s only using you for your body—” Nalia lists.

“You don’t know him, at all.” His cyare counters flatly, “I’m not breaking up with him.”

“Look,” Linly interjects, “He is very handsome, but if it’s his looks you want, he has millions of identical brothers—”

“Enough.”

“He’s not good for you,” Linly continues, undaunted. “He doesn’t deserve you.”

Neyo winces. As much as he loathes these two women…they’re right. He doesn’t deserve his cyare. He never has. She deserves someone as amazing as she is, and that’s definitely not him. 

He grimaces and rubs the back of his neck, he shouldn’t be listening to this. This conversation isn’t for his ears. And he’s about he walk away, when his cyare replies.

“You don’t get to decide if someone deserves me or not.” Her voice is flat and unimpressed, “The only person who gets to decide that is me, and I’ve decided that Neyo is perfect for me. And now I’d like you to leave.”

“Look,” Nalia says with a sigh, “We’re not leaving until you agree to break up with him.”

Oh.

Oh, absolutely not.

Neyo decides that he’s heard enough, and he slides the panel door open and steps into the living room. Immediately, he feels bad for not interjecting earlier.

His cyare is pressed into the corner of the couch, her hands curled into fists, while her “friends” loom over her.

“She said she wants you to leave.” Neyo says flatly, throwing every ounce of “unimpressed Commander” into his countenance as he can.

“Neyo!”

His gaze flickers over to his cyare as she pushes between her friends and hurries to his side, her arms sliding around his waist and burying her face against his shoulder. Neyo doesn’t bother to stop himself from lazily rubbing her back, pleased to have her against him again.

“You can leave,” Neyo says, his tone just on this side of polite, though the death glare he’s directing at them is enough to have them scurrying out of the apartment.

He doesn’t relax until the front door slides shut, and the lock automatically clicks into place. And then he’s wholly distracted by his cyare’s arms sliding around his neck.

“Welcome home,” Her smile is soft and small, and Neyo leans in to press his forehead against hers.

“Glad to be back,” He replies, his gaze scanning her face for any signs of distress, “You alright?”

“Yeah,” She shifts and lightly rubs her nose against his, “Just annoyed.” Her arms tighten around his neck, “They’re not right, you know?”

“About?”

“You not deserving me. You deserve everything and more.”

“I don’t want everything. I just want you.” Neyo counters with a small smile. “But you know, you could do better than me.”

“Never. Not in a million years.” She corrects, shifting once more to brush her lips against his.

Neyo doesn’t let her get away with that, pulling her closer so that he’s able to kiss her properly. “You need better friends, cyare.” He mumbles against her lips.

“A problem for later,” She replies as she tugs on the collar of his shirt, “I need to welcome you home now.”

@imabeautifulbutterfly

@n0vqni

@bad4amficideas

@justiceandwar98

@Mira-Loves-Star-Wars

@tiredbi-peach

@dukeoftheblackstar

@trixie2023

@kimiheartblade

@padawancat97

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@etod

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@continous-mistakes

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@adriennelenoir

[dr-spectre]

RANT POST ABOUT CALLIE AHEAD!!!

I need to get some old and built up feelings out of my chest before i explode into a trillion pieces, if you do not wish to see a LONG rambling about me getting mad and rageful about this important character to me then by all means skip over and have a good rest of your day or night!

If you can handle me getting a bit pissed off and mean then keep on reading!!

This will also be a VERY LONG POST!!! Because I have a lot to rant about. Some of it i have talked about before many times but i need to talk about them... Again..

So anyways. If you wanna move on, that's okay, if you wanna stick around? That's all good as well!!! I highly HIGHLY encourage you to read all that I have to say. Okay? Thank you!

You know, as someone who has put in a lot of time and research into Hypno Callie and the others. What I've come to notice in media is that people tend to use the words mind control, brainwashing, hypnosis, influence, indoctrination, corruption, all interchangeably despite each word having vastly different meanings and connotations and effects.

Brainwashing has been used as an incorrect word to describe a lot of these kinds of plots in TV, movies, games, etc. and it really bugs me personally. Like, if you see something as clearly hypnosis, they explain that it is hypnosis and there is a hypnotic element at play here, you cannot just slap the word brainwashing onto it. It's like if I called a mango an apple you know? Or if I showed you a squid and you called it an octopus and you were REALLY adamant that it's an octopus.

Another example, if there's mind controlled zombies that are being controlled by aliens or something, slapping the word hypnotised or brainwashing onto that scenario is stupid because they clearly explained it in the story with evidence that it's straight up direct mind control and nothing else.

This doesn't just to apply to Splatoon btw, this annoyance goes for every other time a "mind control" plot has occurred in fiction.

I don't wanna sound rude here, I really don't! But guys, do you realise that we have this cool thing all across the world called a language? And languages have words in them!!!! And words have meanings in them that are brains understand and interpret!?

If I say the word "fluffy" what do you think of? "Fluff, fur, cute, huggable, adorable." You think of cute fluffy things, yeah?

If I say the word "hypnosis" what do you think of? A trance like state, a weird altered state of consciousness, maybe even a weird sleep/flow state?

If I say the word "brainwashed" what do you think of? Cults, militarily, experiments, evil, etc.

You guys see why I take issue? You guys see why I am extremely picky and laser focused on people's word choices when it comes to Callie and what happened? You guys see why I get really angry when people who do fuck tons of research into the events of Splatoon forget that languages exist and fail to see things past a fucking Wikipedia article?!? Is it seriously THAT hard for some people to say hypnotised?

I don't even necessarily blame most people for the words that they use, they don't know any better! And you know what? That's okay! I don't wanna get mad at SOME people since that word has been used incorrectly in media for a long ass time. And you wanna know another reason why i don't blame the casual fan or someone not in the know that much too? Because even the SPLATOON DEVELOPERS use brainwashing to describe Callie which is just... from my research and posts, incorrect.

I have yet to find a single person who can confidently explain to me that Callie was actually brainwashed and provide evidence to me to prove their points. Cause all I see is people just saying that "oh, a wiki and an artbook said so, so it must be true." Instead of looking at the actual game and looking at Hypno Callie's personality, behaviour, actions, etc. and comparing them to regular Callie.

Why do you think 99% of people call her Hypno Callie? Like there's a reason as to why her name is that in most circles... Have you ever talked to someone who calls her brainwashed Callie? Probably not...

God... I'm really sorry if i come off as some gatekeeping fan or elitist snob or some shit. I'm not trying to be and i don't wanna be like that. I wanna educate people, make people think of a different perspective and make people think a little more you know?

I'm just getting tired of it all... It affects how I see Hypno Callie and the events of Splatoon 2. I can't enjoy it when some people throw out these certain words, and it makes me feel so sad and terrible. And not in an engaging way, just a sadness that fucking stings my chest and I'm SO SICK OF IT!!!!!

I just despise this notion in the Splatoon community, Inkipedia, YouTube videos, social media and official sources that Callie was kidnapped out of the blue when she was alone and Octavio forced the shades onto her, brainwashing her and removing her memories. I hate it so much. It's something that truly fills me with great sadness and pain and pure anger. Callie is a comfort character of mine and to hear that scenario for her in official canon is just... no. I can't accept it. I refuse to accept such a vile and awful thing. It makes the Octarians more evil and way less sympathetic that way too, it makes DJ Octavio's eventual redemption make less sense because in one game he's this fucking monster and the next he's like "Hey guys imma help you out!" It makes his character incredibly inconsistent at that point.

it makes his appearance with Cuttlefish at the Grand Fest feel less satisfying because there this huge black spot on his character from Splatoon 2 where he apparently did something truly evil and unredeemable. Why would Cuttlefish be okay with standing next to a man who """kidnapped and brainwashed"""" his grand daughter?! I don't care about their history together, if i was Cuttlefish and I heard about that kind of event for my grand daughter, I WOULD NEVER FORGIVE OCTAVIO!!!

Hypnosis by nature is less evil and has more nuance and agency for Callie and the Octarians. Sure it's still fucking bad but not as extreme and dark as brainwashing is. The two terms are so vastly different and using either word willy-nilly is extremely annoying and frustrating to me.

Hypnosis ≠ brainwashing and you cannot prove to me otherwise. You literally cannot mind control someone with hypnosis, that's not how it works. They are so opposite of each other it's actually insane. I DON'T GET WHY PEOPLE USE THEM INTERCHANGEABLY ALL THE FUCKING TIME?!?! WHY?!?!!? Is it a lack of knowledge?!? Lack of caring?! Is it because of how hypnosis is portrayed?!?!

And the whole "Callie was kidnapped/abducted." My god... Do people understand what words are coming out of their fucking mouths?

Callie was more than willing to join the Octarians and she said to them "okay fine I'll hear you out." That is not KIDNAPPING!!!!!!!!!! THAT STATEMENT MADE BY CALLIE GOES AGAINST THE DEFINITION OF THE WORD!!!!

I don't know why they say this in some official sources either, i don't know why Inkipedia lists it on their pages. i don't know why fans keep wanting to push this idea that Callie was kidnapped, is it because an artbook said so and nothing in the game? I don't know why timeline explainers and people who do a fuck ton of research into Splatoon push it too. If Callie was kidnapped you figure she would mention it. But she doesn't!!!! Marie does and says she was brainwashed in the North American (NoA) localization, but of course she would think that and from her perspective she would figure that is the case from her limited knowledge of what happened to Callie.

God I just.... I hate it when people say Callie was brainwashed. I fucking despise it. It makes me so violently angry and upset and EVERYONE WHO HAS A LOUD VOICE IN THE COMMUNITY SAYS IT!!!

This doesn't even impact just Callie. It impacts the entirety of the Octarians as a species and DJ Octavio too. I LIKE DJ OCTAVIO!! I THINK HE WAS FUNNY IN SPLATOON 1! I like his role in Splatoon 3 and how he redeems himself and how he appeared in the Grand Festival with Cuttlefish. It ties back to before the Great Turf War when the Inklings and Octarians were on good terms and now finally that peace is back....

But this enjoyment... this appreciation of his character growth gets ruined because of the shit Nintendo did and what the fanbase did when Splatoon 2 rolled around... I can't enjoy Octavio as a character anymore because of the notion that Callie was brainwashed by him.

I can't look at his inkipedia page because IN THE FIRST PARAGRAPH THEY SAY HE BRAINWASHED HER!!!!

And don't you EVEN MENTION the line "I remixed Callie's brain!" My brother in Christ, that is not only a call back to a line he said in the final boss of Splatoon 1, but it's also because DJ Octavio is a.. idk... DJ!!!! A DISC JOCKEY!!!! In the NoA version of Splatoon, Octavio's personality is very loud and in your face, compared to his more sinister and intense personality in the European and original Japanese versions. This serious personality was only given to Octavio finally in the NOA version of Splatoon 3 ROTM where his personality actually matches his Japanese and European versions from Splatoon 1 and 2.

Octavio says puns and musical terms to describe shit in the NoA versions of Splatoon 1 and 2. Remixing by definition is taking a song and altering it to make something new. What is Hypno Callie? A REMIX OF CALLIE!!!! It's Callie but she's more aggressive, emotional and impulsive. And you know where we've seen this remix of Callie before? IN SPLATOON 1!!!! IN THE SPLATFEST DIALOGUE!!!!

Octavio didn't literally mean that he "remixed her brain." via actual brain, washing. He just means that he gave Callie a new twist, and Callie in her hypnotic state was like "okay fine I'll hear you out."

Octavio hypnotising Callie who wanted to help the Octarians anyways out of her own free will, planting suggestions into her head that SHE HERSELF ACCEPTED AS DURING HYPNOSIS, SUGGESTIONS GIVEN CANNOT GO AGAINST THE PERSON'S MORALS AND IDEOLOGIES!!! So that Callie would be more likely to stay in Octo Canyon and not decide to suddenly run off as Callie was under a lot of mental distress and emotion from her busy and lonely life, and allowing Callie to put her influence onto Octo Canyon to help his people and boost motivation, fits more in line with Splatoon as a series and Octavio as a character than the whole "he brainwashed Callie" bullshit that has plagued the internet for 7 years and continuing. Why do you think Callie is so chill to see DJ Octavio come back in Splatoon 3 huh? Why do you think she misses shaven Octarians in ROTM? Why do you think she calls Octarians cute? Hmm... I WONDER WHY?!?!?!

Is Octavio still bad? Yes! Did he use Callie to benefit his people? YES!!!! Was Octavio being manipulative and selfish? FUCK YES!!! HE'S THE ANTAGONIST!!!! I AM NOT RESOLVING THAT MAN OF BLAME!!!! DONT GET MY WORDS TWISTED!!! HE'S STILL BAD! just not unredeemable... because once you say he brainwashed someone and forcefully removed Callie's memories like a pure evil monster, then you have a character who is pretty much unredeemable at that point. You have made him cross a line that he can't turn back from. You implanted these disgusting and disturbingly sexual suggestions about Octavio and Callie and her outfit. Why the FUCK do you want that? Why?! Why do you wanna even suggest the idea that Callie was forced to wear skimpy clothing against her consent and knowledge? Do you know how fucking DISGUSTING AND EVIL THAT IS?!?!?! FOR A SERIES SUCH AS SPLATOON?!?!?! DO YOU HAVE ANY IDEA ON WHAT YOU ARE TRYING TO FUCKING IMPLY HERE?!?!?!

WHAT IS WRONG WITH YOU PEOPLE?!?!?! GOD!!!! WHY DO YOU WANT THESE AWFUL THINGS DONE TO CALLIE AGAINST HER KNOWLEDGE AND CONSENT IN THE MAIN TIMELINE!!??!?!?!?!! For AUs I get it, it's your right as a fan to make fanfiction and explore darker topics. I personally won't read it but I won't EVER stop someone from making a darker AU. It has its place in the community and I 100% respect it with all of my heart. I truly respect those who make dark AUs and darker takes on Splatoon because I'm sure it's fun and interesting for some people. To each their own! I actually like hearing my friends talk about Fuzzy AUs and stuff like that, given the time and place, darker toned AUs are something that i find really interesting but I'm not super duper in love with them.

But don't you DARE put these disgusting and sexual undertones about Callie and the Octarians in the main canon. Fuck off. Don't you even try and suggest that the Octarians are this purely evil race that forced Callie into a revealing outfit while she was completely unaware and it was against her consent. And that they just grabbed her... god... Jesus Christ man. Fuck. I hate thinking about that so much dude.

This type of scenario that people push did NOT happen.

THIS DID!

I'm so angry. I'm so sorry for this giant humongous rant. I care a lot about Callie. I only want the best for her. I only want a more engaging and more in-depth take on Splatoon 2. I want to enjoy Tidal Rush, I want to enjoy Spicy Calamari Inkantation, I want to enjoy Fresh Start, I want to enjoy the Bomb Rush Blush remix like how i enjoy Unconscience by Marina Agitando. I want to enjoy Hypno Callie in general, BUT SOMETIMES I JUST CANT AND I GET SO SAD AND MY CHEST HURTS!!!! This has been going on FOR SOOO LONGGG!!

I keep making all these posts about Callie because I still see that kind of bullshit being thrown around. Imagine having a perspective on a character you really love and you try and hold on to it. But everyone else around is pushing that perspective down and you feel so sad and stupid and ridiculous... And so your only option left is to scream and bark and yell....

I am literally gonna keep ranting until I can see the word "brainwashed" in media without having a fucking heart attack. I wanna just be able to enjoy Callie's arc and see it for what it truly is...

A story about two cousins drifting apart... Callie becoming so popular and famous... and lonely... that she became so mentally distraught and overthought everything. She did something incredibly irrational. She went to Octavio and the Octarians. Octavio knows that Callie can be a huge help to him after his loss and so he enlisted her help. And she just said, "okay, fine."

She was given hypnotic shades by Octavio in order to keep her more under control as she was ridden with mental illness and could leave Octo Canyon at any point with her overthinking. But he did NOT put her under total control and brainwash her, he needed Callie's influence for the Octarians, to decorate bases and add her touch into their music. The Octarians became happy and more motivated then ever. He didn't need a drone to help him. He needed, CALLIE.

However... Callie, in the canyon, lost herself, she gave into bitterness, hatred, sadness, anger... She knows who she is, but her memory is so cloudy and muffled by emotion and the shades... She needs help... Proper. Help. You can hear it in the songs found within the Octo Canyon, her reversed vocals sound so sad and deeply emotional...

When Marie arrives, Callie is mad at her, she wants nothing to do with her. But when Marie shoots the shades off of her, Callie is still dazed, upset, emotional, sick, she dances and continues to sing back against Marie's desperate words and pleas... Marie only wants to repair their broken relationship and lend out a hand to her cousin who needs to see the light....

But, when that heavenly melody echoed in that stadium, it was like a rushing tide of memories and feelings flooded into Callie. All of her and Marie's time performing, hosting news, celebrating Splatfests, and arriving to Inkopolis for the first time, came back to her and dispelled the darkness in her heart.

Callie heard the melody and went "wait... This isn't me! What am i doing!? YEAH! I REMEMBER!!!!!!!!!!!!!!"

And well... The rest is history, the pair healed their relationship over the course of a few years and are stronger than ever.

They fulfilled their fresh start, they helped redeem an angry vengeful man from the past, they inspired the present with Off the Hook, and they planted the seeds for the future in Deep Cut.

and they won the Grand Festival... TOGETHER!

Well... At least that's MY interpretation on things ;). And i want my interpretation to be held strong in my head... I'm tired of getting chest pains man... I'm tired of feeling this sadness and pain... I'm tired of going on Inkipedia and seeing that FUCKING word. I'm tired of being scared to watch YouTube videos focusing on lore and the story of Splatoon because deep down i KNOW they will say that word that has such fucking horrible connotations and meaning behind it...

Anyways. I think I'm done. I think I'm just in a huge ranting mode and I had to get it out, my autism was really acting up and i wanted to vomit this stuff out of me. I hope you guys feel what I'm feeling and if you have a character who you feel similar towards, let me know! Let the anger out. Okay?

Have a Callie for sticking around and actually reading. You're amazing.

[ryuichirou]

Why is Ortho included in ship art? He died as a child, and although he was rebuilt, his emotional intelligence and maturity level stayed the same as that of a child. Although I fully disagree, I do want to understand your reasoning. Especially since Ortho and Idia are related and I saw your art of them kissing. I am genuinely confused.

I’ll be honest, Anon: the amount of people who message us pretending to be genuinely confused while having ill intentions are more than I care to admit, and this is very tiring; this is why I might sound a little dry in my reply. But I don’t mind explaining it if you genuinely want to understand it. That being said, let this be the last time I am ranting about this topic because there is nothing new I can say.

Here is the short answer: Ortho is included in ship art because we ship him with other characters. Ortho having a maturity level, mentality and/or intelligence of a child is a myth that contradicts canon and only exists to antagonise people who view Ortho as anything other than Idia’s baby mascot with zero agency. The fact that Idia and Ortho are related is not a reason not to ship them: shipping is fictional and doesn’t reflect one’s views on irl matters. Exploring taboo and problematic dynamics and tropes in fiction is a part of natural human experience. What I care most about in shipping is characters’ dynamic that I find fun for shipping. Their relation to each other comes second, but I won’t pretend it doesn’t exist if it does exist.

Now I’ll give you a long answer. Starting with “Ortho is a child/8-year-old/5-year-old/toddler” argument.

We actually saw real 8 yo Ortho before his death in Idia’s flashback and, wow, we can see that AI!Ortho and flashback!Ortho aren’t the same Ortho. "My largest amount of birthday data comes from eleven years ago, when I was five” is the line that Ortho says in one of his Birthday vignettes, which indicates that even though he does have memories of dead!Ortho, he is not stuck in the age of 8 – he thinks and feels that his fifth birthday happened eleven years ago.

But also just in general, if you listen to him talk and compare it to how he talked in Idia’s flashback (both the voice and the manner of speech), it becomes pretty clear that he is older. He is younger-looking and has a high-pitched voice but it’s due to the fact that Idia designed him to look that way, and there are a lot of potential reasons why he could’ve done it (all non-canon and theoretical, so we won’t dive into them today), but he is definitely not 8 years old. Ortho’s AI constantly learns new information, learns more about being a human – he is clearly maturing as the story goes, thus showing that he is in fact capable of aging mentally, and he’s been doing it from the moment Idia first created him. He is naive and inexperienced, but that doesn’t make him an infant.

Plus, post ch.6 he is always being grouped with other freshmen who are also sixteen years old. This is his age group. This is how old Ortho would’ve been if he was still alive, and this is how old AI!Ortho feels. He’s a proper first year student just like Ace, Deuce and the rest of the boys, and the story keeps highlighting it in all the events that happened post ch.6.

Speaking of post ch.6. At the end of the story AI!Ortho and real/blot!Ortho actually merged a little, as far as you can remember. Blot!Ortho, wow, is also 16. He’s been stuck in the Underworld since he was 8 and he existed all those years and grew up as well despite his terrible situation and more than unusual company, so we can safely assume his age. His merging with AI!Ortho also influenced him (AI!Ortho) in a way, making him more human as a result as well.

Not to sound mean, but I think the majority of people who still insist that Ortho is mentally 8 either don’t pay attention to his character, his story and how he interacts with others at all, or straight-up choose to believe that lie because it makes it easier to attack shippers or anyone who likes Ortho in general.

But also guess what, none of that matters actually because ultimately he is a fictional boy, and fictional characters’ ages are irrelevant. Just like fictional characters’ family relations are irrelevant. Even if you don’t think it’s right, that doesn’t change the fact that it is irrelevant, and the only thing that could be done about it is that you can block people and/or tags that make you upset. There is no shame about it: I avoid a lot of ships and tropes that make me upset.

I would prefer people to stop accusing me, a real person, of actual vile crimes (or having dark thoughts about them? What the fuck is wrong with you?) because of fictional, made-up things. If I want to, I can unrelate Ortho and Idia, and my fanart would stop being incestuous with a snap of my fingers. I can make them enemies, I can make them kill each other over and over again, I can kill Idia instead of Ortho. I say this to show how little it matters, and no, ~the implications~ don’t count. People make them up and choose to believe that instead of listening to the person in question. About a real person, let me repeat myself. You (plural/neutral you, not you, Anon) cannot make shit up about another person’s thoughts, ideas, and views just because you find it convenient.

As for why I personally ship Ortho with Idia despite them being siblings, you’re in luck because in addition to this already long post I have an even longer post for you to read if you’re interested! It’s been more than a year since I’ve written that post my reasoning is still pretty much the same, so I think it’s a pretty good one to read if you genuinely want to understand us better.

But if you don’t want to read another long post but are still interested, here is a TL;DR:

I love their deep love for each other and don’t want to just explore the platonic aspect of it – there are a lot of other scenarios that I want to play with;

there are a lot of tropes related to this ship that we love (us two against the world; AI in love; causing an apocalypse for the sake of your loved one; unhealthy and codependent relationship; obsession, etc);

their story has a lot of motifs that could be read as romantic (i.e. Orpheus and Eurydice analogy) that we really enjoy;

personal reasons; relatability (not elaborating on that; not related to incest though lol);

they’re sexy lol I love robot parts, size difference and a lot of other aspects that I won’t mention here.

I hope that explained some stuff. Just to be clear: I don’t want to force anyone ship Shroudcest, in fact I don’t care if we are the only people in the world shipping them (that will never be the case though lol). I just love Ortho very much, and I think he is a very fun character that has a lot to offer, and I really don’t like that people want to create this aura of “he’s just baby don’t touch him” that stops people for getting to know his character better. He is cunning, he is smart, he is caring, he is psychopathic, he is a lot of things, and all of those things make me want to see him bossing Idia around, acting cute around Vil, bonding with Malleus over their differences and similarities, all of those things.

[vidavalor]

How do you think the Ineffable Husbands reacted to the 1914 Christmas Armistice?

Also, it is autumn now and very cloudy and soggy, so here is a seasonally-appropriate recipe: https://www.hairybikers.com/recipes/view/caramelised-apple-cheesecake

Aw, a recipe! You're lovely. 😊 That looks amazing!

I envy you being in one firm season over there. September is a transition month here in New England. Half-summer, half-fall. It's very strange, though, not terrible. One day is lemonade and watermelon and the next is where's my blanket? and I need an apple something and looking up what day Bake Off starts to air over here. Another week, though, and it'll be pretty much fall from here on out. Definitely going to make that cheesecake. 😊

I think they probably reacted to the Christmas Armistice the same way many of us do when we learn about it-- that it's both beautiful and morbidly depressing at once. It showed people coming together to express a sense of shared humanity but then they went back to killing one another afterwards. It wasn't a new story for Crowley and Aziraphale because they had seen that in people all throughout history but I'm sure they found the same mix of hopefulness and sadness in it that a lot of people do.

The one who understands what it takes to bring about peace now best in the series is actually Gabriel, imho. It's because he understood the deeper meaning of Sandalphon's words that Sandalphon didn't actually understand himself: "you can't have a war without war."

Some short thoughts on ties between war, frozen peas, and one of my favorite of Agnes Nutter's prophecies beneath the cut.

When Sandalphon said: "you can't have a war without war", what he meant was: "Look how clever I think I am to use this word twice in two ways in one sentence! You can't have a war without War: The Character! Mirelle Enos is playing a character that shares a name with large-scale killing and destruction and I pointed it out! I'm so smart!"

Gabriel, though, heard the potential of bigger ideas: "You can't have a war (a large-scale military conflict) without war (people willing to fight in a war and, also, a person's inner struggle leading them to be willing to fight in war)."

Meaning: A war can only happen if people are willing to fight the war.

Meaning: No soldiers, no war.

Gabriel knew Aziraphale heard it like that, too, and was like lol Aziraphale, this guy thinks he's a poet omg let me flatter him enough that he won't notice that I just tried to help you sell more erotica and didn't murder you for having a lover and then we'll get out of here...

Gabriel saying that he "might use that one day" about what Sandalphon says is a line that-- delightfully-- ages quite differently the more we get to know Gabriel.

We know he said it in that moment to make it sound like he was telling Sandalphon that what Sandalphon had said was just so profound that Gabriel was tempted to use it himself... but we also know that Gabriel is neither as dumb nor as vapid as he strategically lets people think he is and that he understood the deeper way of looking at what Sandalphon said more than Sandalphon did.

Looking back on it, it's Gabriel actually joking about mutinying in front of Heaven's most fervent Metatron-worshipping fascist in a way that is very much going over Sandalphon's head. Gabriel is all can't have a war without war-- yeah, true dat, Stasi a Fond. I'm slowly losing it over here and my favorite fantasy is just peacing out entirely of this whole 'Commander of The Heavenly Host' shit and wouldn't that really completely eff up The Ineffable Plan? Oh, my secret daydream... if only I could...

Then, what happens, though, by the end of S1?

Gabriel sees a kid do just that.

The eleven year old spawn of Satan is all yeah, no, you can't have a war without war. I don't want to start a war. I like the world. I've got enough on my plate dealing with my own life-- I don't want to rule over everyone. I want everyone to feel at peace and be happy and take care of each other.

Gabriel was freaked out because of the consequences of this and the fact that he, at the the time, thought The Metatron might kill him for failing to start Armageddon but, after the day was over and Gabriel had a moment to breathe and think about it, you can't tell me he didn't hear Adam saying that it was too much pressure to be in charge of every other living being in existence and he just wanted to chill with the people he liked and live his own life in peace and let everyone else do that, too and think to himself:

Yeah, kid. Me too.

The dude who is told he's responsible for everyone in Heaven and who sees angels falling as partly his fault and whom the humans deify and to whom they make statues was like fucking hell, the little antichrist brat was right.

He realized that it's not about Armageddon, it's about living and building a life until you have all the world you need. It's about what Crowley and Aziraphale have been trying to do and about what he and Beez were as well. Gabriel's proposal to Beez is a simple one:

What if, instead of Armageddon, there was no Armageddon?

What if, instead of war, there's no war?

So, he ended up fulfilling his own prophecy a bit when the one day came when he used what Sandalphon said-- just not in the way that Sandalphon meant it but in the way that Gabriel himself and Aziraphale heard it: you can't have a war without war... no war exists if enough people refuse to fight it.

That's the way to stop Armageddon.

Gabriel came to realize that the best thing he could do as a leader in Heaven and commander of its armed forces was to refuse to fight, come what may. He quits the army and defects to the embassy of the only independent country that exists in the supernatural world: the United States of Crowley and Aziraphale.

As Agnes said:

...the calm cometh when Redde and Whyte and Black and Pale approache to Peas is Our Professioune.

In this case: Redde/Red (Crowley), Whyte/White (Aziraphale), Black (Beez), Pale (Gabriel). To profess: to state. Peas = the talking of frozen peas because homophone: peace.

The calm cometh when Crowley, Aziraphale, Beez and Gabriel talk and each get closer to their own peace and to peace with one another and help each other to spread that mentality throughout all those willing in Heaven and Hell and Earth.

That's what you feed the other ducks-- your frozen peas. Your own stuff that is disturbing your own inner peace and creating inner wars and small-scale conflicts that, if left unchecked, can build into larger-scale ones.

If you break that shit down and talk about it, there needn't be any war.

Sometimes, it means shedding some armor, keeping an open mind, and admitting that you were wrong-- all things that can be difficult...

...especially for those are secretly tender-hearted but put up that armor to survive in worlds steeped in toxic masculinity...

...and, sometimes, it's maddening because people are scared and get set in their ways and do dumb shit and you have to upend power structures and reinforce more positive behaviors to get them to shut up long enough to start listening to one another...

...but the more who learn to unlearn the harmful stuff at the core of their own struggles and who open their minds up to listening to others, the more we're professing our peas to our fellow ducks and getting closer to peace within ourselves and within the world as a whole and that's what it's all about. It might always be approaching Peas is Our Professioune rather than a perfectly peaceful world but the point is the effort of the approach and to just keep making steady progress as much as we can while we're walking the Earth. After all...

[fanfic-writer-and-rambler]

Headcanon time I know people ship Damian with Raven, but I'm a Garfield/Raven shipper and I was kind of bothered with them aging and BB down and then pairing her with Damian. I'm so sorry! No shame to the shippers though, but long story short, Raven and Beast Boy two years younger than Dick, Damian 12 and has a crush on Raven. Raven is painfully aware.

Damian enters the living room where Beast Boy and Raven are sitting together. He straightens with a blush on his cheeks seeing Raven.

Beast Boy (Garfield for the rest of this): Hey, Dami, good to see ya.

Raven (Rachel for the rest of this) waves with a smile.

Damian: Ra- Rachel! What a surprise to see you here. You and... Garfield.

Garfield (resting his arm on his girlfriend's shoulder): That's my civilian name.

Damian glares at Garfield, growling lightly.

Damian (to Rachel): Rachel, you look amazing today. I love your new cloak. I saw you bought a new one when you posted a picture of it on your Twitter. The purple works for you. H- How you doing... Girl?

Rachel (tense smile): Hanging in there every day. It's good to see you as well, Damian. You've gotten taller since I last saw you.

Damian (confident): I have, haven't I? Gotten some new outfits as well and I'm drawing more!

Rachel(nodding): Good for you.

Garfield: You should show us some of your art kid.

Damian: Wasn't talking to you!

Garfield, unaware why the young Robin dislikes him, looks away.

Garfield: Sorry.

Damian (flustered): Ra- Rachel, would you like to see my art.

Rachel: We're actually waiting for Dick-

Damian: It'll only be a minute, let me go get my portfolio!

Damian runs upstairs muttering eagerly.

Garfield (smiling): He's an odd one but a good kid. Does it feel like he doesn't like me though?

Rachel (lying): No, he's like that with everyone.

Garfield chuckles.

Garfield: He is related to Bruce Wayne.

Dick Grayson enters the living room, wiping his damp hands on his shirt.

Dick: All right, used the bathroom, let's go.

Garfield: We should wait for Damian to show us his art.

Dick: Oh, he went to get his portfolio and just a shot in the dark he's going to show them to Rachel?

Garfield (unaware): To both of us. He likes me, just hides it.

Rachel (staring at Damian's brother): Mm-hm.

Dick: Right, well we can drop by later, we're in a hurry. He'll understand.

Rachel: I agree, let's go.

Rachel stands along with Garfield.

Garfield nods then walks out first. Dick looks at Rachel with a knowing expression.

Dick: Yeah he still has a crush on you.

Rachel (sarcastically): Shocker. Don't tell Garfield, don't want him teasing the kid.

Dick: Secrets safe with me.

Rachel leaves with Dick and they close the door behind them.

[qiu-yan]

3 6 7 11 16 20 25

bro is trying to get me killed lmao /s

choose violence ask game

3. screenshot or description of the worst take you've seen on tumblr:

this shit

6. which ship fans are the most annoying?

gonna be honest here, the single most annoying part of the MDZS fandom is that one hyperspecific sort of wang and xian stan who insists on shitting on not only the other characters, but also other wang and xian fans who ship the characters in ways they don't approve of. this kind of stan can not only be relied on to have the worst possible takes on everyone ranging from jin guangyao to jiang cheng, they can also be relied on to harass other wang and xian fans simply for putting wang on the bottom. fun times.

7. what character did you begin to hate not because of canon but because how how the fandom acts about them?

surprisingly, no one yet. sometimes i feel the hater urge to dunk on the morally-pure version of wei wuxian that the diehard wei wuxian stannies have collectively hallucinated, but i still find the wei wuxian from canon to be quite compelling.

11. number of fandom-related words you've filtered

the "canon jiang cheng" and "canon jc" tags. everyone stfu

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

"morally pure wei wuxian who did nothing wrong ever." to me, wei wuxian's hubris, his unique capability for inventing new kinds of cruelty, his failure to think of the consequences of his actions, his tendencies to run away from negative feelings, and his ultimate failure to protect the people he was trying to protect, are what make him a compelling character to me. these flaws in parallel with his courage, kindness, stalwart moral compass, and genuine love make him interesting to me. so i don't quite understand fans who instead insist on erasing all the morally grey and highly interesting stuff he did in favor of insisting he did nothing wrong ever.

20. part of canon you found tedious or boring

not quite what the question is asking, but i found the actual wang and xian romance in the original novel to be a bit lacking. mainly because (as other people have said already) a lot of the romantic development happened when lan wangji was drunk. at the very least, i wanted to see lan wangji's reactions to his various drunken adventures once he sobered up the next day, and i'm rather disappointed we never got to see that.

furthermore, on wei wuxian's end, it did kind of feel like wei wuxian was using this exciting new romance to distract himself from his past problems, even though it also seemed like he didn't actually know all that much about lan wangji. the only version of the romance that makes sense to me is the one where wei wuxian was already into lan wangji (subconsciously or consciously) in his first life; otherwise, wei wuxian falling in love with lan wangji during his second life, when he's yet to process any of the shit that happened in his first life, feels too much like him running away from his problems with a guy he believes will validate all his decisions. meanwhile, on lan wangji's end, i feel like the novel just did not give us a lot to work with in regards to his character. so it feels like, if you want to be a fan of lan wangji, you have to do a lot of the legwork of building up his personality yourself.

what also disappointed me a bit about wang and xian, as well as lan wangji's character arc itself, is that lan wangji is never really challenged on a moral-dilemma level in the same way that many other characters are challenged by the story. how do i explain this...alright, i'll put it this way. i've been brainrotted about madohomu (madoka magica) since i was in middle school. and that's partially because i know for a fact that, if homura was put in the trolley problem and had to choose between [killing 5 strangers] and [allowing madoka to die], she would choose to kill those 5 strangers to save madoka. but after reading MDZS, i realized i legitimately did not know what lan wangji would do in such a moral dilemma. because MDZS equates [being morally righteous] with [supporting wei wuxian], lan wangji is never placed in a dilemma where he has to choose between sacrificing wei ying and doing something the audience would think of as unforgivable.

these are just my own hyperspecific tastes, though.

25. common fandom complaint that you're sick of hearing

gonna put my hater hat on for a second, but i kind of roll my eyes at the jiang cheng haters complaining about how jiang cheng stans keep posting in the "canon jiang cheng" tag. dude, if it bothers you that much, just block the jiang cheng stans. then things will be peaceful in your favorite tag again.

[creatingblackcharacters]

Hi there! I wasn’t one of the people to suggest Timerra, but seeing her again reminded me of her really good English VA Dani Chambers, and so I wanted to share another of the Black characters she played that I really love: Molly Blyndeff, the main character from Epithet Erased!

(Her sister Lorelai is actually my favourite in this series, but because I got to be reminded of Dani Chambers today, I’m making this a two-in-one submission!)

Molly’s family owns a toy store, but ever since her mom died the rest of the family has essentially left her fully in charge of the store, their taxes, cooking, cleaning, etc. She’s heavily overworked and is constantly being forced to be the adult in situations even though she is only 12-years-old. She is heavily neglected by her family and has a hard time telling people “no”. Every adult in her life has failed her on some level to the point she doesn’t even understand how much they were actually supposed to protect her. As a result, she has a very cynical outlook on life. She’s very loyal and protective of her friends to the point that she cares more about them than she cares about herself.

I really love how much the story doesn’t glorify her sacrifices and goes to show just how much stress it’s giving her, leading her to not having a social life at all, but also needing to essentially be the matriarch and breadwinner to a family of overgrown children. This girl deserves the earth, the moon, the stars as well as the nuclear launch codes. She deserves so much more than what life has given her and the series goes on to show her develop self-worth, but also allow her the chance to be a kid again (don’t want to give anything more than that away, cause spoilers).

Now onto Lorelai:

Lorelai Blyndeff is Molly’s teenage sister, who foists all of her responsibilities onto Molly, not realizing how much it’s straining their relationship. She takes up the villain role in the sequel book.

The characters in this series have powers based on a word that is inscribed onto their souls. Molly’s is “dumb”, which allows her to simplify and nullify other things, which essentially gives her the ability to cancel out other people’s powers. Lorelai’s, however, is “amplify”, which lets her create these dream bubbles that she can slip into in order to live out her fantasies. Since their powers essentially cancel each other out, it regularly becomes Molly’s responsibility to make her sister leave these dream worlds in order to do the most basic of chores, often leading to Molly having to do them anyway.

Since her mother died, she has spent almost all of her time in dream bubbles, playing pretend and having whatever she wants magically appear without any need to work. She also uses them to play the main character in adventures where she gets to defeat the fire-breathing dragon, something I think is a very good demonstration of her trying to find some kind of catharsis by trying to win against what killed her mom (Fire. She died in a fire. There was no dragon).

She’s bratty, incapable of accepting imperfection, and has spent so much time in a world where she gets everything that she wants, that she no longer understands the point of responsibilities nor how much she’s forcing her sister to bear.

One of the reasons I love her so much is that I find her to be an excellent example of a character who uses escapism to get through her day. Her grief leading her to run away from all her problems leads her to being very antagonistic to her little sister, accusing Molly of abandoning her because she’s so busy doing all the work and can no longer have fun indulging in make-believe.

Also! I think she has really cute outfits in the book and I wanted to share them:

Here’s her as a witch of the forest

And here’s her as a cute bunny knight waiting to slay a dragon

I love that the series doesn’t shy away from making her antagonistic towards Molly, but also makes her sympathetic in showing how much her playtime is how she tries to avoid thinking about her grief. She’s very much a teenager and even though she’s avoiding the responsibilities foisted upon her and Molly, I feel the story makes it clear that those responsibilities are ultimately their father’s, who is too self-absorbed to act as the adult in any situation.

Another element I really like that I don’t think is talked about enough is how a big reason she doesn’t realize that their home life is neglectful is because the father praises her quite a bit for her creativity and uses her dream worlds for inspiration for new toys. She’s essentially being used as free creative labour without realizing it and the father is giving her unlimited freedom so he has something for his other daughter to sell. (This post isn’t about him though, so back to Lorelai).

She’s dorky, she loves bright colours and her dream worlds are very creative and fun, often reminding me of classic kid’s adventure films (they also remind me a lot of classic save-the-world-with-the-power-of-friendship rpg’s, which leads me to relating to her a lot). She’s boy-crazy in a way that feels like she’s never spoken to a human being before (same, girl, same) and a lot of her story in the novel is trying to impress a boy she just met with a baking competition and the judges trying to make her learn responsibility and how to accept failure. She’s the kind of girl that would marry Shadow The Hedgehog unironically, and I’d be there for the wedding. She’s a very fun character to read, as well as very well acted in the audiobook. She’s the kind of villain you love to hate, but also feel bad for her long before things hit the fan. I’m really hoping we see more of her in future instalments!

Anyway, now that I’ve concluded my rant, I hope you have a great day!

Well hell, you said everything I'd have said! That is deep fr, Lorelai using her dream bubbles as a negative way to cope with her grief via avoidance, and how that poorly affects her and her relationships. Especially with her younger sister Molly who needs her, and is instead forced to carry that weight. Ooooh I love the premise. Tragic siblings is one of those themes that I love and that always break me, because it's like.... You love them and you hate them. You love them because that's your blood and you know what y'all's relationship promised, and you hate them because you feel like they're throwing it away. But you can't bring yourself to fully hate them because... that's your sibling. And how far can it go to break 😭😭😤

And yes, the art style is cute. I know a Dani Chambers lol.

[kikyoupdates]

Heartbreaker ⭑˚💔⭑ 𝑝𝑟𝑜𝑙𝑜𝑔𝑢𝑒

bnha x f!reader

reverse harem, isekai, my hero academia x fem!reader, slowburn

You awaken one day with virtually no memories. The only thing guiding you is some strange system that likes to dictate your every move, and for some reason, it insists that you make certain people fall in love with you. Desperate for answers, you decide to go along with its demands. After all, how hard can it be?

story masterlist | next

When you opened your eyes, everything was dark.  

There was very little that you could feel, apart from your rhythmic breathing, faint as it was. It was eerily quiet too. You weren’t sure why exactly, but you got the sense that this wasn’t how things should be. It didn’t feel natural to be all alone, no sign of life as far as your eyes could see. You couldn’t move your body even after trying for a good while, so you eventually gave up and allowed yourself to settle into the silence.

As it turned out, total silence was loud in its own way. It made your ears buzz from the ever-present nothingness; made your brain feel like it might split in half. 

You didn’t know what in the hell was going on, but the longer this continued, the more likely it was that you would go insane.  

Then, as if by a miracle, the silence broke.  

["𝐘𝐨𝐮’𝐫𝐞 𝐚𝐰𝐚𝐤𝐞."]

Someone was talking to you. Well, not really talking to you. It was strange. You couldn't hear a voice or anything like that. Instead, you could see the words pop up in front of your eyes, like some sort of weird projection. The projection made a slight ping as it popped up, but otherwise, no words were exchanged aloud.  

“Hello?” you called out fearfully. Ah. So, you could talk. Your voice wasn’t lost, thankfully. It was just that you couldn’t move your body forward. Not that you’d even know where to go. Everything was pitch-black.  

["𝐇𝐞𝐥𝐥𝐨. 𝐇𝐨𝐰 𝐚𝐫𝐞 𝐲𝐨𝐮 𝐟𝐞𝐞𝐥𝐢𝐧𝐠?”]

“Scared,” you admitted, swallowing hard. “I don’t know what’s going on. And I don’t... I don’t remember. Anything. I don’t remember a single thing.”

[“𝐓𝐡𝐚𝐭’𝐬 𝐨𝐤𝐚𝐲. 𝐘𝐨𝐮’𝐫𝐞 [𝐋𝐚𝐬𝐭 𝐍𝐚𝐦𝐞] [𝐍𝐚𝐦𝐞]. 𝐃𝐨𝐧’𝐭 𝐛𝐞 𝐬𝐜𝐚𝐫𝐞𝐝. 𝐄𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐢𝐬 𝐠𝐨𝐢𝐧𝐠 𝐭𝐨 𝐛𝐞 𝐣𝐮𝐬𝐭 𝐟𝐢𝐧𝐞.”]

[Name]. Alright. You had a name too, and when you mumbled aloud just to familiarize yourself with the sound of it, you were relieved that it sounded familiar. You were a real person with a name. You had that much, at the very least.  

It was too bad that everything else was a total mystery to you.  

“Why am I here?” you managed to ask. “Actually... where is here?”  

[“𝐈𝐭’𝐬 𝐡𝐚𝐫𝐝 𝐭𝐨 𝐞𝐱𝐩𝐥𝐚𝐢𝐧. 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐚 𝐩𝐚𝐫𝐭 𝐨𝐟 𝐬𝐩𝐚𝐜𝐞 𝐚𝐧𝐝 𝐭𝐢𝐦𝐞 𝐭𝐡𝐚𝐭 𝐢𝐬 𝐨𝐧𝐥𝐲 𝐚𝐜𝐜𝐞𝐬𝐬𝐢𝐛𝐥𝐞 𝐭𝐨 𝐲𝐨𝐮.”]

“Who are you, then?”  

[“𝐈’𝐦 𝐧𝐨𝐭 𝐚 𝐩𝐞𝐫𝐬𝐨𝐧. 𝐈’𝐦 𝐚 𝐬𝐲𝐬𝐭𝐞𝐦. 𝐀𝐠𝐚𝐢𝐧, 𝐚𝐜𝐜𝐞𝐬𝐬𝐢𝐛𝐥𝐞 𝐭𝐨 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐲𝐨𝐮 𝐨𝐧𝐥𝐲. 𝐎𝐭𝐡𝐞𝐫 𝐩𝐞𝐨𝐩𝐥𝐞 𝐰𝐨𝐧’𝐭 𝐛𝐞 𝐚𝐛𝐥𝐞 𝐭𝐨 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐜𝐚𝐭𝐞 𝐰𝐢𝐭𝐡 𝐦𝐞 𝐭𝐡𝐞 𝐰𝐚𝐲 𝐲𝐨𝐮 𝐝𝐨. 𝐈’𝐦 𝐨𝐧𝐥𝐲 𝐡𝐞𝐫𝐞 𝐭𝐨 𝐠𝐮𝐢𝐝𝐞 𝐲𝐨𝐮 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐭𝐡𝐢𝐧𝐠𝐬 𝐚𝐧𝐝 𝐠𝐢𝐯𝐞 𝐲𝐨𝐮 𝐭𝐚𝐬𝐤𝐬.”]

You felt yourself frown. “Tasks? What sort of tasks? I still don’t understand. And my head... it’s starting to hurt a lot. I’m really scared. Why don’t I remember anything?”

[“𝐋𝐢𝐤𝐞 𝐈 𝐬𝐚𝐢𝐝, 𝐭𝐡𝐞𝐫𝐞’𝐬 𝐧𝐨 𝐫𝐞𝐚𝐬𝐨𝐧 𝐭𝐨 𝐛𝐞 𝐬𝐜𝐚𝐫𝐞𝐝. 𝐈’𝐦 𝐧𝐨𝐭 𝐠𝐨𝐢𝐧𝐠 𝐭𝐨 𝐡𝐮𝐫𝐭 𝐲𝐨𝐮. 𝐈’𝐦 𝐨𝐧 𝐲𝐨𝐮𝐫 𝐬𝐢𝐝𝐞. 𝐁𝐮𝐭 𝐢𝐧 𝐨𝐫𝐝𝐞𝐫 𝐟𝐨𝐫 𝐭𝐡𝐢𝐬 𝐭𝐨 𝐰𝐨𝐫𝐤, 𝐲𝐨𝐮’𝐥𝐥 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐜𝐨𝐨𝐩𝐞𝐫𝐚𝐭𝐞 𝐰𝐢𝐭𝐡 𝐦𝐞. 𝐀𝐥𝐫𝐢𝐠𝐡𝐭?”]

Your head was now throbbing without abandon, but you couldn’t so much as move a hand to even press down on the points that hurt and try to ease the pain. None of this was making any sense. You hated that you didn’t remember anything, and even though this system was trying to claim that it harbored no ill-intent, it wasn’t exactly answering your questions either.  

“I want to leave,” you breathed out. “Please. Let me leave. Are you the one who took my memories? If you did, I’m begging you to give them back. I’m terrified not knowing what’s going on. I don’t know how to explain this, but... it feels like a piece of me has been ripped away. I don’t even know who I am.”  

The system didn't respond for a long time, and you felt as though you might drown in this sea of emptiness.

Eventually, you heard another ping.    

[“𝐈 𝐝𝐢𝐝𝐧’𝐭 𝐭𝐚𝐤𝐞 𝐲𝐨𝐮𝐫 𝐦𝐞𝐦𝐨𝐫𝐢𝐞𝐬. 𝐁𝐮𝐭 𝐈 𝐤𝐧𝐨𝐰 𝐡𝐨𝐰 𝐲𝐨𝐮 𝐜𝐚𝐧 𝐠𝐞𝐭 𝐭𝐡𝐞𝐦 𝐛𝐚𝐜𝐤. 𝐀𝐥𝐥 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐝𝐨 𝐢𝐬 𝐜𝐨𝐨𝐩𝐞𝐫𝐚𝐭𝐞. 𝐈𝐭 𝐰𝐨𝐧’𝐭 𝐛𝐞 𝐝𝐢𝐟𝐟𝐢𝐜𝐮𝐥𝐭.”]

The more of its messages you read, the more you doubted whether this system was truly an ally.  

But what else could you do? You couldn’t even move a muscle. You were absolutely helpless, so you could only bite back your tears and try to stay strong.

“Okay,” you agreed. “I just want my memories back. As long as you’re not going to make me do anything crazy... then I’m in.” 

The next ping sounded more chipper, somehow. As if the system was pleased with your response.  

[“𝐄𝐱𝐜𝐞𝐥𝐥𝐞𝐧𝐭. 𝐈𝐧 𝐭𝐡𝐚𝐭 𝐜𝐚𝐬𝐞, 𝐥𝐞𝐭’𝐬 𝐠𝐞𝐭 𝐲𝐨𝐮 𝐛𝐚𝐜𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐫𝐞𝐚𝐥 𝐰𝐨𝐫𝐥𝐝.”]

You didn't even manage to protest before the scene changed.  

Suddenly, you could move again. It wasn’t dark or quiet anymore either. There were crowds of people all over the place. Most of them seemed to be in a hurry to get someplace; some even accidentally bumped into you as they scurried about.  

Unsurprisingly, you didn’t recognize where you were, but for now, it was better than being trapped in darkness.  

“Where is this?” you asked. You must’ve looked rather silly to all the bystanders, since you were talking to thin air, as far as they were concerned. But you could care less about maintaining appearances right now. What mattered was getting some goddamn answers.

[“𝐓𝐡𝐢𝐬 𝐢𝐬 𝐌𝐮𝐬𝐮𝐭𝐚𝐟𝐮, 𝐉𝐚𝐩𝐚𝐧. 𝐘𝐨𝐮’𝐥𝐥 𝐛𝐞 𝐥𝐢𝐯𝐢𝐧𝐠 𝐡𝐞𝐫𝐞.”]

“Alright...” 

It was strange how they said you would be living here, not that you had been living here. Yet another cryptic answer, although you shouldn’t have even been surprised at this point.  

[“𝐘𝐞𝐬. 𝐘𝐨𝐮’𝐫𝐞 𝐟𝐨𝐮𝐫𝐭𝐞𝐞𝐧.”]

“Okay. And... do I have a family?” you couldn’t help but ask. “Is there anyone who can help tell me what I’ve forgotten?”  

The system’s next response made your heart sink.  

[“𝐍𝐨. 𝐘𝐨𝐮 𝐝𝐨𝐧’𝐭 𝐡𝐚𝐯𝐞 𝐚 𝐟𝐚𝐦𝐢𝐥𝐲. 𝐍𝐨𝐛𝐨𝐝𝐲 𝐤𝐧𝐨𝐰𝐬 𝐲𝐨𝐮 𝐞𝐢𝐭𝐡𝐞𝐫. 𝐈 𝐚𝐦 𝐭𝐡𝐞 𝐨𝐧𝐥𝐲 𝐨𝐧𝐞 𝐰𝐡𝐨 𝐜𝐚𝐧 𝐡𝐞𝐥𝐩 𝐲𝐨𝐮 𝐠𝐞𝐭 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐭𝐡𝐢𝐬.”]

You briefly wondered if they were lying to you, but you supposed you had no real way of confirming the truth right now. This was all so frightening. You desperately wished you could remember something—anything—so that it would ease your nerves even just a little. 

[“𝐃𝐨𝐧’𝐭 𝐰𝐨𝐫𝐫𝐲. 𝐈’𝐯𝐞 𝐭𝐚𝐤𝐞𝐧 𝐭𝐡𝐞 𝐧𝐞𝐜𝐞𝐬𝐬𝐚𝐫𝐲 𝐬𝐭𝐞𝐩𝐬 𝐭𝐨 𝐞𝐧𝐬𝐮𝐫𝐞 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞 𝐚 𝐡𝐨𝐦𝐞 𝐭𝐨 𝐥𝐢𝐯𝐞 𝐢𝐧. 𝐘𝐨𝐮’𝐥𝐥 𝐛𝐞 𝐣𝐮𝐬𝐭 𝐟𝐢𝐧𝐞. 𝐁𝐮𝐭 𝐟𝐨𝐫 𝐧𝐨𝐰, 𝐢𝐭’𝐬 𝐭𝐢𝐦𝐞 𝐭𝐨 𝐠𝐞𝐭 𝐬𝐭𝐚𝐫𝐭𝐞𝐝 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮𝐫 𝐟𝐢𝐫𝐬𝐭 𝐭𝐚𝐬𝐤. 𝐈𝐭 𝐣𝐮𝐬𝐭 𝐬𝐨 𝐡𝐚𝐩𝐩𝐞𝐧𝐬 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞𝐫𝐞’𝐬 𝐚 𝐩𝐞𝐫𝐬𝐨𝐧 𝐲𝐨𝐮 𝐧𝐞𝐞𝐝 𝐭𝐨 𝐦𝐞𝐞𝐭 𝐧𝐞𝐚𝐫𝐛𝐲.”]

That sure made you perk up. A person, they’d said. Whoever that person was, maybe they could help you once you told them you were struggling with a severe case of amnesia. Maybe they would know what to do, and you wouldn’t have to rely on this stupid system who just kept stringing you along without even giving you a chance to breathe.  

So, you nodded.

“Alright. Tell me where I need to go.”  

[“𝐓𝐚𝐤𝐞 𝐚 𝐥𝐨𝐨𝐤 𝐚𝐭 𝐭𝐡𝐞 𝐧𝐞𝐱𝐭 𝐬𝐜𝐫𝐞𝐞𝐧 𝐈’𝐦 𝐠𝐨𝐢𝐧𝐠 𝐭𝐨 𝐩𝐮𝐥𝐥 𝐮𝐩. 𝐅𝐨𝐥𝐥𝐨𝐰 𝐭𝐡𝐞 𝐦𝐚𝐩 𝐚𝐧𝐝 𝐢𝐭’𝐥𝐥 𝐬𝐡𝐨𝐰 𝐲𝐨𝐮 𝐞𝐱𝐚𝐜𝐭𝐥𝐲 𝐰𝐡𝐢𝐜𝐡 𝐫𝐨𝐮𝐭𝐞 𝐭𝐨 𝐭𝐚𝐤𝐞. 𝐁𝐮𝐭 𝐦𝐨𝐯𝐞 𝐪𝐮𝐢𝐜𝐤𝐥𝐲, 𝐨𝐫 𝐲𝐨𝐮’𝐥𝐥 𝐥𝐨𝐬𝐞 𝐭𝐡𝐞𝐦.”]

Just as they’d said, the next screen that popped up provided you with a clear visual as to which way you needed to go. You followed it dutifully, somewhat nervous that you were being led into a trap. After all, maybe this system was leading you straight towards a serial killer or something. Maybe it’s true purpose was to get you murdered.  

Fuck. Maybe I should reconsider. Maybe I need to go to the police first.  

Except it was too late for that.  

[“𝐓𝐡𝐞𝐫𝐞. 𝐘𝐨𝐮 𝐬𝐞𝐞 𝐭𝐡𝐚𝐭 𝐠𝐮𝐲? 𝐇𝐞’𝐬 𝐭𝐡𝐞 𝐨𝐧𝐞 𝐲𝐨𝐮’𝐫𝐞 𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭𝐞𝐝 𝐢𝐧. 𝐀𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐡𝐢𝐦 𝐚𝐧𝐝 𝐭𝐫𝐲 𝐬𝐭𝐫𝐢𝐤𝐢𝐧𝐠 𝐮𝐩 𝐚 𝐜𝐨𝐧𝐯𝐞𝐫𝐬𝐚𝐭𝐢𝐨𝐧.”]

The guy in question was a teenager, presumably around your age, with spiky ash blonde hair, crimson eyes, and a rather nasty expression. He was angrily chugging a can of pop, and once he was finished, made the can explode in his hands before tossing the smoking remains to the ground.  

You gaped. “He just littered, but also... how did he do that? I swear I just watched him create an explosion with his bare hands.”

[“𝐏𝐞𝐨𝐩𝐥𝐞 𝐜𝐚𝐧 𝐮𝐬𝐞 𝐚𝐥𝐥 𝐬𝐨𝐫𝐭𝐬 𝐨𝐟 𝐬𝐭𝐫𝐚𝐧𝐠𝐞 𝐩𝐨𝐰𝐞𝐫𝐬, 𝐤𝐧𝐨𝐰𝐧 𝐚𝐬 𝐐𝐮𝐢𝐫𝐤𝐬. 𝐇𝐢𝐬 𝐐𝐮𝐢𝐫𝐤 𝐣𝐮𝐬𝐭 𝐬𝐨 𝐡𝐚𝐩𝐩𝐞𝐧𝐬 𝐭𝐨 𝐠𝐢𝐯𝐞 𝐡𝐢𝐦 𝐭𝐡𝐞 𝐚𝐛𝐢𝐥𝐢𝐭𝐲 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐞𝐱𝐩𝐥𝐨𝐬𝐢𝐨𝐧𝐬.”]

“Wow,” you mumbled breathlessly. “Do I have a Quirk too?”

[“𝐈’𝐦 𝐭𝐡𝐞 𝐜𝐥𝐨𝐬𝐞𝐬𝐭 𝐭𝐡𝐢𝐧𝐠 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐨𝐧𝐞. 𝐘𝐨𝐮𝐫 𝐚𝐛𝐢𝐥𝐢𝐭𝐲 𝐭𝐨 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐜𝐚𝐭𝐞 𝐰𝐢𝐭𝐡 𝐦𝐞 𝐚𝐧𝐝 𝐮𝐬𝐞 𝐦𝐲 𝐟𝐮𝐧𝐜𝐭𝐢𝐨𝐧𝐬 𝐢𝐬 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐞𝐧𝐭𝐢𝐫𝐞𝐥𝐲 𝐮𝐧𝐢𝐪𝐮𝐞. 𝐘𝐨𝐮 𝐜𝐚𝐧 𝐜𝐨𝐧𝐬𝐢𝐝𝐞𝐫 𝐦𝐞 𝐲𝐨𝐮𝐫 𝐐𝐮𝐢𝐫𝐤, 𝐢𝐟 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞. 𝐁𝐮𝐭 𝐰𝐞 𝐜𝐚𝐧 𝐝𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐝𝐞𝐭𝐚𝐢𝐥𝐬 𝐥𝐚𝐭𝐞𝐫. 𝐅𝐨𝐫 𝐧𝐨𝐰, 𝐠𝐨 𝐭𝐚𝐥𝐤 𝐭𝐨 𝐡𝐢𝐦.”]

“What do I say?”

[“𝐘𝐨𝐮 𝐝𝐨𝐧’𝐭 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐬𝐚𝐲 𝐚𝐧𝐲 𝐨𝐧𝐞 𝐭𝐡𝐢𝐧𝐠 𝐢𝐧 𝐩𝐚𝐫𝐭𝐢𝐜𝐮𝐥𝐚𝐫, 𝐛𝐮𝐭 𝐲𝐨𝐮𝐫 𝐠𝐨𝐚𝐥 𝐢𝐬 𝐭𝐨 𝐭𝐫𝐲 𝐚𝐧𝐝 𝐠𝐞𝐭 𝐜𝐥𝐨𝐬𝐞 𝐭𝐨 𝐡𝐢𝐦. 𝐅𝐨𝐫 𝐧𝐨𝐰, 𝐟𝐨𝐜𝐮𝐬 𝐨𝐧 𝐛𝐞𝐜𝐨𝐦𝐢𝐧𝐠 𝐚𝐜𝐪𝐮𝐚𝐢𝐧𝐭𝐞𝐝, 𝐛𝐮𝐭 𝐞𝐯𝐞𝐧𝐭𝐮𝐚𝐥𝐥𝐲, 𝐲𝐨𝐮 𝐰𝐚𝐧𝐭 𝐡𝐢𝐦 𝐭𝐨 𝐝𝐞𝐯𝐞𝐥𝐨𝐩 𝐫𝐨𝐦𝐚𝐧𝐭𝐢𝐜 𝐟𝐞𝐞𝐥𝐢𝐧𝐠𝐬 𝐟𝐨𝐫 𝐲𝐨𝐮.”]

Huh?

You could’ve sworn you misread the message. What the hell were they talking about? Why did they want you to put the moves on some person you’d only just seen for the first time in your life?

Or... was it the first time, actually? The longer you stared at this guy, the more you were starting to feel like he looked familiar somehow. But maybe that was good. Maybe that meant he could help trigger some of your memories.  

The system continued to coax you. 

[“𝐃𝐨𝐧’𝐭 𝐛𝐞 𝐧𝐞𝐫𝐯𝐨𝐮𝐬. 𝐎𝐛𝐯𝐢𝐨𝐮𝐬𝐥𝐲, 𝐡𝐞 𝐰𝐨𝐧’𝐭 𝐟𝐚𝐥𝐥 𝐢𝐧 𝐥𝐨𝐯𝐞 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮 𝐫𝐢𝐠𝐡𝐭 𝐚𝐰𝐚𝐲, 𝐬𝐨 𝐲𝐨𝐮 𝐧𝐞𝐞𝐝 𝐭𝐨 𝐭𝐫𝐲 𝐚𝐧𝐝 𝐞𝐬𝐭𝐚𝐛𝐥𝐢𝐬𝐡 𝐬𝐨𝐦𝐞 𝐬𝐨𝐫𝐭 𝐨𝐟 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩. 𝐉𝐮𝐬𝐭 𝐦𝐚𝐤𝐞 𝐲𝐨𝐮𝐫𝐬𝐞𝐥𝐟 𝐤𝐧𝐨𝐰𝐧. 𝐌𝐚𝐤𝐞 𝐚 𝐠𝐨𝐨𝐝 𝐢𝐦𝐩𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐬𝐨 𝐭𝐡𝐚𝐭 𝐡𝐞’𝐥𝐥 𝐫𝐞𝐦𝐞𝐦𝐛𝐞𝐫 𝐲𝐨𝐮.”]

You figured that would be easier said than done, but... okay. All you had to do was be friendly, you supposed. Just walk up to him and make polite conversation. Yeah. You could do this. It was going to be just fine.  

Taking a deep breath, you picked up the pace and walked fast enough to match his stride. Thankfully, he was alone, which would hopefully make this whole thing a lot less awkward. 

Key word being hopefully.

“Hello!” 

It was the only thing you could think to say. How else were you supposed to greet a total stranger, after all?  

At the sound of your voice, he turned towards you, and his brows furrowed so tight that it looked like he was about to pop a blood vessel. 

“The fuck do you want?” he spat.  

Oh no. 

You hadn’t expected him to be so confrontational. Granted, most people would probably think it was a bit weird to be called out by a stranger, but the normal response was, “Yes?” or, “How can I help you?”

Yet this guy was glaring at you like he wanted to bash your face in, and all you’d said was one freaking word.  

“H-Hello,” you said again, stuttering this time because you were nervous. “Um, I... I saw you walking by and thought you looked really cool. I’m [Name]. Would you mind giving me your number?” 

Internally, you were face-palming. God, you didn’t know what the hell to say, and the fact that the system said they wanted you to make him fall for you was sending your brain for a loop. You didn’t have any memories about the person you were. Was this something you would normally say? Were you actually good at flirting, but your charisma had disappeared along with your memories?  

The system seemed mildly frustrated as well.

[“𝐘𝐨𝐮 𝐜𝐚𝐦𝐞 𝐨𝐧 𝐚 𝐛𝐢𝐭 𝐭𝐨𝐨 𝐬𝐭𝐫𝐨𝐧𝐠 𝐭𝐡𝐞𝐫𝐞. 𝐖𝐞𝐥𝐥, 𝐦𝐚𝐲𝐛𝐞 𝐭𝐡𝐚𝐭’𝐬 𝐦𝐲 𝐟𝐚𝐮𝐥𝐭. 𝐈 𝐬𝐡𝐨𝐮𝐥𝐝’𝐯𝐞 𝐰𝐚𝐫𝐧𝐞𝐝 𝐲𝐨𝐮 𝐭𝐡𝐚𝐭 𝐭𝐡𝐢𝐬 𝐠𝐮𝐲 𝐡𝐚𝐬 𝐚 𝐩𝐫𝐞𝐭𝐭𝐲 𝐬𝐡𝐨𝐫𝐭 𝐟𝐮𝐬𝐞. 𝐎𝐡, 𝐰𝐞𝐥𝐥. 𝐋𝐞𝐭’𝐬 𝐣𝐮𝐬𝐭 𝐬𝐞𝐞 𝐰𝐡𝐚𝐭 𝐡𝐚𝐩𝐩𝐞𝐧𝐬.”] 

What happened was that the guy’s scowl deepened tenfold, and on top of already being angry, he now looked considerably disgusted as well.  

“Piss off, dipshit,” he snapped. “I’m not in the mood. You think I’d just give out my number to some random creep? Get lost.” 

He then shoved his hands deep into his pockets and stormed off, muttering curses under his breath the whole while.  

You didn’t need your memories to know that had just gone poorly. 

A new message popped up, but it looked slightly different than the ones you’d been receiving thus far.

𝐒𝐓𝐀𝐓𝐔𝐒 𝐔𝐏𝐃𝐀𝐓𝐄:

[𝐁𝐚𝐤𝐮𝐠𝐨𝐮 𝐊𝐚𝐭𝐬𝐮𝐤𝐢 𝐭𝐡𝐢𝐧𝐤𝐬 𝐲𝐨𝐮’𝐫𝐞 𝐚𝐧 𝐞𝐲𝐞𝐬𝐨𝐫𝐞.]

[-𝟏𝟎 𝐥𝐨𝐯𝐞 𝐩𝐨𝐢𝐧𝐭𝐬.]

𝐂𝐮𝐫𝐫𝐞𝐧𝐭 𝐩𝐫𝐨𝐠𝐫𝐞𝐬𝐬: -𝟏𝟎/𝟏𝟎𝟎]

“Bakugou Katsuki,” you mumbled. Huh. Even his name sounded familiar, but you just couldn’t place it. You winced and clutched at your head. It had begun to throb again. You felt like you were on the cusp of remembering something, but there was some sort of wall blocking your memories and keeping them from you.

While you were busy fending off the pain, the system chimed in again.

[“𝐓𝐡𝐚𝐭 𝐰𝐚𝐬 𝐚 𝐟𝐚𝐢𝐥𝐮𝐫𝐞, 𝐛𝐮𝐭 𝐲𝐨𝐮 𝐥𝐞𝐚𝐫𝐧 𝐭𝐡𝐞 𝐡𝐚𝐫𝐝 𝐰𝐚𝐲, 𝐈 𝐠𝐮𝐞𝐬𝐬. 𝐃𝐨 𝐲𝐨𝐮𝐫 𝐛𝐞𝐬𝐭 𝐬𝐨 𝐭𝐡𝐚𝐭 𝐢𝐭 𝐝𝐨𝐞𝐬𝐧’𝐭 𝐡𝐚𝐩𝐩𝐞𝐧 𝐚𝐠𝐚𝐢𝐧. 𝐈𝐭’𝐬 𝐢𝐦𝐩𝐨𝐫𝐭𝐚𝐧𝐭 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮𝐫 𝐭𝐚𝐫𝐠𝐞𝐭𝐬 𝐟𝐚𝐥𝐥 𝐢𝐧 𝐥𝐨𝐯𝐞 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮. 𝐓𝐡𝐞𝐲 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐟𝐚𝐥𝐥 𝐢𝐧 𝐥𝐨𝐯𝐞 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮. 𝐔𝐧𝐝𝐞𝐫𝐬𝐭𝐚𝐧𝐝?”]

The system didn’t have a voice, which meant that you couldn’t hear them speak, but there was something mildly threatening about the way the message was phrased.

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