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ashlingiswriting · 1 year ago
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do i know you? chapter seven
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[ 5.4k words ] [ masterlist ] [ prev chapters: one, two, three, four, five, six ] you figure you can be good and still take it a little easier. that’s all you’ve done today, take it a little easier, and it feels really fucking good. richie jerimovich x reader, past mikey berzatto x reader, slow burn
after an eleven-hour stretch of sleep, a three-egg breakfast, and cautious self-reflection, you come to the conclusion that something has to change. and fast. yesterday, richie fucking jerimovich—constant leather jacket tracksuit combo, stab wound, aggravated assault charge, and anxiety and depression diagnoses, that richie—asked you if you were okay. it was a reasonable question for him to ask, and giving him the truthful answer felt like peeling off your own skin.
usually you’d cut and run—you’re not big on torture—but richie’s become as much a fixture in your life as cigarettes themselves. whatever you go through with him, you have a feeling that things would be worse without. so you do the reasonable thing. 
you go to the library and google ‘how to stay mentally healthy.’
sure, it makes you feel like an idiot, but it’s not like you have other options. your health and benefits package consists of stolen medications, a grizzled retired doctor named beth, and weirdly extravagant christmas presents in years when the carusos are doing well. none of these qualify as conducive to mental health.
thus, doctor google. most of the listed mental health tips seem either impossible—you’re not about to make new social connections, you’re not that self destructive—or plain old stupid, as in a stress ball. like a little rubber ball to squeeze. great stuff.
there’s a few things that you think you can tolerate, though. you end up working out every day in your apartment, volunteer stocking the shelves of a food pantry every tuesday morning right before bed, and tackle the miserably unorganized state of your post-michael finances. occasionally you’ll eat a salad, but you’ll curse richie as you do it. 
cultivating mental health for its own sake is not something you’d usually engage in, but mental health as a one-sided competition that you are determined not to lose? it’s a tolerable game.
as for richie, he seems to be holding steady. the new and horrifyingly fancy specter of the bear does seem to freak him out, but at least the bear’s got a future. the beef, as far as you remember, only ever had a past.
though this winter’s turned bitter cold, you never invite him inside, not even past the double doors into the pathetic excuse of a lobby with its single fake potted plant. you had your one little breakdown and that’s fine. but the rules stay strong, and you get a little stronger. he tells you that eva liked the girl who loved horses the best, and you tell him she’s got good taste. there’s still bad nights, but there’s less fear. you haven’t fucked it up, that’s the point. you’re being good.
and then one day he doesn’t come back.
.
.
.
you’re not a fool. you wait for three days before letting yourself go. 
on the third day, you have to wake up to administer alessandera’s iud at the stupidly early hour of eleven in the morning. afterwards, too caffeinated to rest, you decide that you might as well head to the library to check his instagram. 
the most recent picture is from eight days ago, so that’s no help. his two pinned posts catch your attention anyway. in the first picture, eva’s got two blonde ponytails sticking out of opposite sides of her head, and her ponytail holders have huge round sky blue plastic beads on them. the smears of chocolate on her fingers match the ones on richie’s cheek, and they’re both giving the camera a goofy thumbs up. 
in the second picture, it’s him and michael. they’re both grinning, squinting against the evening sun, and staring at something or someone just out of frame. lake michigan spreads out glorious behind their shoulders. it was probably a fishing trip. it’s got to be an old ass photo, cause they’re both wearing shirts that say the original berf of chicago and you stole michael’s in the summer of 2020. you needed to have something of his during quarantine, and you kept it even after quarantine ended. it’s still folded away in your dresser, protected by mothballs. 
michael disappeared on you too. after you broke up, you kept texting him about meeting to give him back some of his things, but he wouldn’t answer. to be fair, all you had to do was ride the elevator up a couple floors and drop off a box by his door. but you kept texting him anyways, texting on into the silence, until finally it occurred to you: he was punishing you. two could play at that game. you stopped texting altogether, and that’s when it happened.
this is no number of push-ups or good deeds or leafy greens in the world that can defend against an experience like that. the silence was supposed to only last a week, a month at most, and then it became forever. 
so yeah, you go to the beef. the bear. whatever.
so much for being good.
.
.
.
the restaurant is closed for renovations, so you go around to the back and find an unusual pair sitting, eating sandwiches off paper plates, and arguing about greta gerwig’s little women. you recognize both of them from richie’s instagram. 
fak breaks off mid-rant and peers up at you from under his baseball hat, as bright-eyed as a squirrel spotting a potential nut. syd, on the other hand, looks neat and cool in an apron, kerchief, and cautious expression. she’s by far the more intimidating of the two to you, though maybe that’s just richie’s influence coming through. she’s on another level and you know it. 
can i help you? syd says.
yeah, you say. where’s richie?
he’s out sick. 
out sick, that makes sense. relief warms you like the first sip of hot coffee on an icy morning, and then you clock the expression on syd’s face. she’s shifted from suspicious to outright dubious.
why, she adds, does he owe you money? 
ah, fuck. you were so worried that you forgot that when you’re wearing your big coat and your stoic face, you look like trouble. 
nah, you say. he doesn’t owe me anything. is he okay?
from the way she stares, syd must think you bizarre, but she humors you. i mean, two days ago he texted me a video of three chimpanzees attacking a gorilla. is that okay? she shrugs. you tell me.
he’s such a fucking weirdo. why?
i don’t know, i told him that one of the restaurants i used worked at was a vegan place and he’s been sending me shit like that ever since. am i vegan? no, i’m not, but why should that make any difference, you know? who knows why richie does what he does.
who knows, you say. it’s fun to grumble about richie, but you don’t actually find him mysterious. one or two scares aside, he’s the easiest person to understand in the whole city. 
i should probably call him, you say. can i borrow your phone? 
sydney looks even more weirded out than before for a second, and then she seems to have a lightbulb moment, just as you see the back door opening. 
he does owe you money, doesn’t he? syd says, exasperated, but not surprised.
quién le debe dinero a quién? says somebody in an undertone, and then tina appears, her curly hair a little shorter than the last time you saw her, but otherwise unchanged. when she sees you, her expression breaks into a smile of welcome while her eyes get complicated. 
hey, julie, she says. how you doing?
usually, you hate it when people ask you that. but with her, you just don’t.
doing okay, tina. you?
oh, we’re doing good, right, chef? she says, with a fond glance at syd that seems to invite her in. 
still fighting for our lives with an auditor, but yeah, syd says. we’re on track.
you want to walk with me? tina says to you, and you nod, grateful that she seems to have instinctively guessed what you need. 
while you’re strolling out of earshot of the others, syd heads inside, which puts you on a ticking clock. the chances of carmy knowing your actual name are slim, but the chances of him coming out into the alley to investigate? those are dangerously high.
tina interrupts your train of thought, stopping by the chain link fence and turning to face you. 
so what’s wrong? she says, and though she’s as warm and genuine as before, you are reminded by the glint in her eyes that she’s perceptive and tough and not to be fucked with. no wonder michael loved her so much. she was one of the few people who knew how to love him back without drowning.
does there have to be something wrong? you say. 
not necessarily. but historically speaking? she says it almost apologetically.
yeah. 
you only ever met her two times, both in his apartment, once in the dead of night and once in the middle of the day. you remember meeting her, but that’s all. in your mind, each emergency blends into the nexxt, and you don’t probe them for details. all you remember is that one time she was there, you called for an ambulance even though he ordered you not to, and he hated that. tina stood firm and carried on amidst all the shouting, even when you lost it.
it’s a wonder she’s being kind to you now, actually.  
i still carry the narcan in my purse, tina says. 
the nasal spray? you say. the stuff that you gave her after the scare in october ‘21. that’s good. gonna find somebody savable eventually, right? and that comes out way more bitter than you meant it to, but you can’t figure out a way to take it back fast enough.
there’s a hint of steel to tina’s voice, a reminder that she’s deliberately granting you her patience and could revoke it at any time, when she repeats, so what’s wrong?
you take out your burner phone, your sad little nokia, and show it to her.
i busted my old phone, lost all my contacts, and i don’t have the money for a new one right now, so this artifact is all i got. do you have richie’s number? you say meekly.
sure, she says, pulling it up and handing it over so easy that you’re startled. you’re not used to being given something that you need simply because you asked for it.
you take her phone with a quiet thanks and start typing his number and address into your own.
i looked for you at the funeral, she says. it stings, whether she meant it to or not.
well, you say, still typing and glad of the excuse to not look up at tina’s face, i figured i’d spare his mom the fun of having multiple women show up. 
that’s not a fair hit, not the full story, but you don’t bother to clarify. 
to your surprise, she doesn’t give you what you deserve. instead, she says, you still mad at him? 
why even ask. aren’t you?
i was never mad at him.
you have to look up, and not just because you’ve run out of stuff to type. 
never? that’s impossible.
not after, tina says, her brown honest. he was just a kid, you know?
he was a thief and an addict and older than you. but yeah, you know. you really do. he was just a kid.
you want to tell tina that she’s a better woman than you are, that to love and forgive at the same time is a trick that you can only envy. but you don’t know how to say that. 
there’s another version, too, a simpler one, one that doesn’t compare the two of you. she’s sunlight and she’s concrete, the type of kindness that defies the laws of physics, and you can’t figure out how to say that to her either. 
how are you doing? you say instead. you already asked her, but you didn’t really ask her in the way she had asked you. this time you try to do it right.
from the way she smiles, you know you got close.
i’m good, she says. really. all the stuff they’ve got us up to out here? herbs and shit, fucking french. i don’t know, it’s working. and they’re gonna send me to the cia. 
delight looks good on her, and it’s infectious. you say, why not the fbi?
the culinary institute of america, dummy.
oh shit, the level up machine. you’ve heard of it before, of course, because it seems to have turned carmy into a rock star, so that’s gotta be a good thing, right? you gonna come back, kick his ass, and take over?
she grins. girl, you know i could already do that if i felt like it.
true, true. you’re grinning too, and god, it feels good.
and then, glancing over her shoulder at the sudden sound, you can see the back door open.
thank you, tina. you hand her the phone back, quick. if she notices the sudden change in you, she doesn’t let on.
anytime, she says, and presses her wrapped sandwich in your hand. here. 
i can’t take your lunch.
she waves you off. nah, there’s more where that came from.
hey tina, a voice calls. it’s carmy’s, so you keep your eyes trained on tina and hope he doesn't recognize you at that distance.
thanks again, you say, and then you flee, clutching your sandwich.
.
.
.
richie doesn’t pick up and your first call goes to voicemail. you’re wound too tight to enjoy the bill murray of it all, so you just hang up and call again.
he picks up after the third ring. 
what? he growls. 
hey asshole, where are you, you say, just as abruptly, but so pleased to hear his voice. 
richie barely skips a beat. you dont have to kill me, i’m already fucking dying, he says, which is his idea of reassurance.
yeah?
i mean, i’m alive, he says, like it’s a great concession. but for how long?
not much longer. where are you. 
dead silence. this, you did not expect and have no idea what to do with. you snap, richie, where the fuck are you? in a voice that makes a passing woman give you a wide berth on the sidewalk. 
calm your tits, secret agent. i’m on my fucking deathbed with saltines and espn, jesus christ. everything’s fine.
you’d really like to strangle him, but you don’t miss his hint. that’s his way of letting you out of this, secret agent, everything’s fine, so don’t cross a line and then regret it. thoughtful of him, but you’re already a world expert in regret. you’ve weighed your odds, you’ll take your chances.
i’ll be there in twenty, you say, unless you tell me to fuck off.
there’s a split second of hesitation before he says, will you bring me a popsicle? 
no. 
you hang up. then you go and buy some popsicles.
.
.
.
you dig out the ring of keys from your pocket, another inheritance. the gold key is for michael’s old place, the silver is for the beef, and the square-headed one is for richie’s. when you turn it in the lock, the door to his apartment swings open, easy as pie. 
his apartment is a mess. worse, it’s dead dull, with only a few old movie posters hung up over the off-white walls for decoration. at least it doesn’t smell. there’s a kitchenette to your left, one huge and incongruously new ikea wardrobe to your right, and across from you, his bed. it’s shoved up right next to the far window, so the deep windowsill serves as a side table to a tiny succulent and a laptop streaming espn. 
richie’s sprawled out sans blanket and sheets, which are all huddled in a lump at the foot of the bed. he’s not bothering to watch espn and he doesn’t bother to get up at the sound the door opening, either. just looks over and watches you. 
you lock the door behind you and take your shoes off out of habit, even though you know you might have to get out fast. as you walk over to him, you encounter some dirty laundry along the way and kick it into the corner. then you’re at hit bedside, looking down at richie.
he’s lying there in a worn out grey t-shirt, looking up at you muzzy-eyed, sweating, and unsurprised. 
come to finish me off? he says.
after a second, you say, open your mouth. 
he gives you a look that says, i could argue if i fucking felt like it, but then he does open wide with a little aah like a kid getting his tonsils checked. 
you take a quick glance inside, then close your hand to imitate a mouth closing, fingers meeting thumb. 
he does as instructed, but you can tell by the glint in his eye that he’s got a joke locked and loaded, so you lean over and put the back of your hand to his forehead before he can say a thing. 
as you expected, he goes quiet. his skin is hot and damp with sweat. 
after a second, you withdraw and straighten up, touch still echoing on the on the back of your hand.
yeah, you’re fine, you say. dehydrated, low fever, but you’re fine. 
and here i thought i was dying, richie says. he’s not usually subtle, but for once you can’t tell if he’s mocking you or not. is that for me?
he reaches for the plastic bag hanging from your shoulder, and you yank it back out of reach just in time. 
business first. when did you take your last tylenol?
richie slumps sulkily back onto his pillow with a petulant look. you’re no fun when you’re in doctor mode.
then don’t get sick, asshole. tylenol? 
this morning, he says, and then before you can volley a follow-up, he skips ahead. bathroom, behind the mirror. 
as a reward, you sling the plastic grocery bag onto his bed before you go investigate. 
sure enough, there’s a miniature pharmacy on the two small shelves behind the foldable mirror. at first glance, the only prescription stuff is xanax and pravastatin. you grab the tylenol and you’re just about to go when you notice, down at the bottom left corner, a small familiar white box edged in magenta. four milligrams of narcan, nasal spray, your old friend. you gave tina way more of it than she needed and told her to pass it on to anyone at the beef that she trusted, just in case. narcan’s not a cure, it just buys you a little time. that’s all you were doing by then, buying yourselves a little time.
looking at the box now, you suddenly feel sorry for richie. it’s been bad enough for you, and you’ve been living like a fucking vampire, no daylight, barely leaving your lair. richie’s had to go into the outside world, and the outside world fucking sucks. michael’s everywhere out there.
.
.
.
when you get back with the tylenol, richie has a grape popsicle already stuck in his mouth, the extra package of saltines on the windowsill by his side, and your sandwich in his hands. he’s trying to unwrap it when you snatch it away and deposit a tylenol in his palm instead.
with a shrug, he takes the popsicle out of his mouth and swallows the tylenol dry. 
trying not to think too hard about that, you turn away and head to the kitchen.
cups? you say.
upper left. he’s watching you make your way through his space, you can feel it. so you went to the beef, huh.
yup. in the upper cabinet, there’s an assortment of cups, none of them matching. you pick the plastic one with dora the explorer on it, then go fill that with water.
richie says, you talk to carmy? 
no, you say, with just enough edge on it to warn him off the subject. on your way back to his bedside, you pause to peek in his fridge and freezer. fuck me, did nobody ever teach you that man cannot live on microwave burritos alone?
news to me. what are you, some kind of fuckin gourmet?
you complete your circuit, come perch on the edge of his bed with the cup in your hand, and wait for him to sit up. 
woman can live on frozen pizzas alone, that’s a whole different thing, you say.
uh huh. he slumps back against the headboard, then accepts the cup from you and drinks. in the silence, you watch him. the small movements of his throat, the glint of gold slipping out over the nape of his neck. he wears that cross even in his sleep. hopefully it protects him. something should. 
you could sit here for a long time. 
but the cup runs out of water fast, and there goes your excuse. you take it back from him and say, just for the sake of saying something, your interior design is severely lacking.
he scrunches up his nose when he smiles, a wry little smile interrupted by a sniff. thanks.
go back to sleep.
but he doesn’t. instead, he reaches for the remaining half of his grape popsicle, so you go for your sandwich, unwrap, and take a bite. this is as good as the middle of the night to your body clock, so you’re not one bit hungry. but food works just as well as a cigarette, permission for silence. 
you get a sando and i get saltines? he says. talk about a raw deal, man.
mouth full, you say, these are actually pretty good, you know?
what, you didn’t think they would be? he scoffs. c’mon, i know you were never a regular, but the thing with the gun, that wasn’t your first time in. 
so he remembered you. even before he knew you had any kind of connection to the beef, he remembered you. 
you pretend not to notice.
i’ve just never had it with the peppers before, you say.
you’ve never had it with the peppers? his voice rises with each word.
i’m not normally a huge peppers girl, you say nonchalantly. 
you’re a fucking heathen is what you are.
for that, you take an extra big bite and chew as loudly and disgustingly as you can. 
it backfires immediately. he gags and presses his fist to his mouth, and you bolt to the sink to grab the trash can from under it, nearly tripping and hoping like hell he doesn’t throw up all over himself because you do not have it in you to do that kind of laundry. trash can in hand, you turn around to find that he’s giving you the thumbs up and grinning. not gagging at all, perfectly fine. 
oh, fuck you. you put the trash can back, stalk over, and drop down onto the bed beside him again, petulantly this time, making the bedsprings squeak. 
he’s still chuckling. you should’ve seen your face.
you know what my problem is? you say.
you think you have only one problem, j? i got news for you. 
that’s not the first time anyone’s used that nickname for you, but you still like it. 
my problem is that you’re not scared of me, you say. i need to make you more scared of me, and then you’ll treat me with the respect i deserve.
okay, well, fyi: you are already the third scariest person in the world to me, richie says.
the third? you echo with mock offense.
third is good, man. there’s stiff competition. like, you realize isis is still out there? his eyebrows raise and he gestures emphatically. and there’s a lot of them?
you snort. isis is not still out there.
i think they are. he tries to tick them off on his fingers. isis, al qaeda. and the other one. what’s the other one?
i think you need to stay well away from middle eastern politics when you’re running a fever, you say, getting up to go.
you said my fever was low! 
and yet you’re fuckin addled. go back to sleep. with that, you head back towards the kitchenette to see what you can do. 
his pantry turns out to be not quite as empty as his fridge, so you pick up a couple things and get to cooking him something basic and nourishing. no sense in trying anything impressive. you’ll be lucky if the result is passably tasty. 
sunlight comes in through the window, throwing a rectangle of warmth on your shoulder. you retrieve a pot, a cutting board, a large knife.
eva’s his number one scariest person in the world, obviously. number two’s probably tiff? donna’s scary, but you get the sense that she’d be worse to her kids, or at least that it’d feel worse to be her kids. richie’s never directly talked about her, though he did made a couple bitter remarks early on about what he did for ‘the family’, and given that sugar hates his ass and carmy wasn’t around, it has to be donna he was trying to take care of. wait, maybe carmy’s number two. no, it’s tiff. it’s definitely tiff.
yo, richie says, what the fuck are you doing? stop.
you look up, bewildered. what? 
he’s sitting at the edge of the bed with his feet flat on the floor, like he’s prepared to stand up and stop you. with the light coming in through the window at his back and the hanging lamp of the kitchenette throwing gold on his front, he really does look like he’s coated in sweat. 
put the knife down, he says. commands from his mouth are usually fruitless protests issued for comedic effect, but not this time. you put the knife down. 
you okay? you say it like a gentle person would, only to have your gesture immediately spoiled.
who taught you to cut onions like that? he says, like you’re physically hurting him. you do not cut onions like that! 
oh my god, fucking stop me. you roll your eyes and pick up the knife again, only to hear a tell-tale grunt from richie. no, that was a joke. don’t—you throw down the knife with an annoyed clatter. i’ll be fine. just watch your baseball or something, okay? sorry i’m not fucking carmy and i can’t go all human food processor on it, but let me do my thing.
after a second, richie says, ‘s gonna taste like shit, isn’t it.
you want me to go? you say, stung.
no, richie says immediately. i just want to know what you’re gonna do with those onions.
you shrug, a touch defensively. i was gonna brown it, add a couple cans of campbell’s beef and barley. something like that. it’s really sad when you say it out loud, just two ingredients: onions and canned soup. 
i don’t hate that, richie says. 
you look at him warily, unsure of whether that’s meant as an insult or the world’s most pathetic compliment. 
just curl your fingers when you cut, right? fuckin—he imitates, to show you how your left hand is supposed to be positioned, while he mimes chopping with his right. it really should not be charming. unfortunately, it kinda is.
yeah, yeah, you mutter, and then you go back to your cutting board and try to practice what he just taught you. 
usually, you have protein bars for snacks, frozen pizzas for meals, takeaway for variety, and pre-bagged salads for your recent attempts at health, so it really has been ages since you cooked like this. 
kind of feels like you’ve been missing out. there’s a peaceful feeling to this simple concentration, a bit like your work but without any of the stress. you take little breaks every now and again to prevent the onion from making you cry. with each break, you take a look at something new: the drawings from eva that he has pinned to the fridge, the poster for the movie white squall, the stack of books that look like somebody’s actually read them. 
when you start shoveling slices of onion into the pot, richie calls over, don’t turn the heat up too high.
i won’t, you say, unbothered.
you get about thirty seconds of peace, stirring your onions as you add some oil, and then richie pipes up again.
seriously, he says, if it doesn’t brown fast enough, don’t turn the heat up, just—
the heat’s at four out of ten, fuck’s sake. your swearing is just for show, because you’re feeling nearly mellow. there’s something so soothing about the crackling sound of the onions in the hot oil. are you drinking your water?
i already drank it all!
not believing him, you walk over, only to find that the cup is indeed empty. you refill it, then linger for a second, trying to make sense of the baseball he’s streaming on his laptop. 
look at this guy, richie says, referring to some player that you’ve never seen before in your life and probably never will again. the guy’s winding up to take a swing. you both watch. the guy hits a foul, and richie shakes his head in disgust. you grunt, noncommittal and happy, and return to your caramelizing onions.
by the time you’re done cooking, he’s asleep. 
.
.
.
you pour out two bowls of soup and put the rest of it in the fridge. that plus the saltines are enough to get him through the night and another day. you doubt the fever will last much longer than that. 
as you do the washing up, you make sure to scrub off every last bit of onion from the bottom of the pot, and then you leave all the clean dishes on the rack to dry.
between soup and saltines, richie should have enough for tonight and tomorrow, and you doubt the fever will last much longer than that. with the cooking and washing up is done, you walk over, sit on the bed beside him, and set down two bowls of soup on the deep windowsill that serves as his side table. his laptop has gone to sleep, and the silence in the absence of baseball is pretty much perfect. so is the sunlight.
you take off your hoodie, finally—you were starting to sweat yourself near the end there, thank goodness he was too sick to notice—and tug down your original berf shirt. it’s safe enough. richie’s out cold, snoring a little. with the tylenol doing its work, he’s not as sweaty as before, so you drag the sheets up from the foot of the bed and make sure they’re tucked over his shoulders.
taking out a sharpie from your coat pocket, you root around in the pile of assorted mail by his bedside until you come up with a pizza flier you can write on. you leave him the phone number of the burner you kept for michael. reason being, it’s the only number you know by heart, and you’re too tired to deal with any more unexplained absences. 
after all, you figure, you can be good and still take it a little easier. that’s all you’ve done today, take it a little easier, and it feels really fucking good.
settling down, you reach over richie again to get your bowl and your spoon. the bowl is warm in your lap, and even though you weren’t hungry before, the act of cooking has worked up your appetite. the soup smells good to you: sweet, savory, a bit like childhood. 
your father used to say grace at the table, and though you never do that anymore, there’s something still left to be said.
you know, you say, you’re the number three scariest person in the world to me too. you sit with that for a moment, and then you add, number two once told me he would shoot me in the face, so. there’s that. 
richie looks completely harmless like this, slumped on his side under the sheets, turned a little towards you with his eyes closed. he’s way easier to talk to when he’s unconscious, go figure. you can't touch him, though.
drink your fucking water, you say quietly. 
and then, still looking at him like he’s a photo to remember, you begin to eat your soup.
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