#fantastic 4 icons

[bestwitchsam]

Deadpool & Wolverine Post Credit Scene Leaked

Chris Evans Human Torch is back

[onlymenicons]

[marvelsgirl616]

Johnny Storm Icons

[ Chris Evans as Johnny Storm aka the Human Torch in Deadpool and Wolverine (2024) ]

[ink5age]

Susan Storm, the woman that you are

i'm actually so hyped for first steps lol it's like revisiting an old friend and i'm so excited the 60s period setting is such a cool stylistic choice and i hope they stick to it, so in that honor i wanted to draw everyone's favorite team mom with another certain vintage (or technically future) icon tsk tsk

(also fallout season 2, please gimme it already)

[silkjade]

thinking about a winged au / bird hybrid au where if haitham were an eagle n i were a swan …. the courting rituals would be so different because i’d be doing a pretty little dance n a curtsy, but he would drop us into a death spiral

& i’d be freaking out lolz but instead of separating right before we hit the ground, he does The flippie midair to catch me ↓

[marina-na-na]

[dietcokeangel2004]

Johnny Storm ~ Human Torch

“Oh I don’t fly coach.”

[liquidsludge]

RRRRAAAAAAHHHHH I WANT THIS

[imfromsixam]

The Princess and the Vampire Kids Bedroom (CC Pack for The Sims 4)

I'm happy to share my latest CC pack with you, the magical realms of "The Princess and the Vampire Kids Bedroom".  This CC pack is a celebration of childhood fantasies, with two distinct themes: the grace of a princess and the mystique of a vampire.

Imagine a bedroom that captures the whimsy of a fairy tale princess or the playful spookiness of a vampire's lair. It's not just furniture; it's an adventure waiting to unfold!

In the Princess Bedroom, elegant fantasy takes center stage. A canopy with drapes and an elegant puffy bed that are fit for royalty. In addition to other items such as a brand new activity table, a rug with cute designs, a little cloud wall lamp to enhance the room, and some other elements perfect for your little prince or princess. This bedroom is out of a fairy tale.

On the other hand, the Vampire Bedroom brings iconic vampire aesthetics to life in a kid-friendly way. Think bat-themed decor, coffin-shaped bed that's both spooky and inviting. A toy box with some mysterious plush friends and a cute Dracula lamp. It's a perfect blend of darkness and fun that'll leave your little Sims feeling enchanted.   I can't wait to see your Sims' kids embark on fantastical journeys in these enchanting bedrooms! 🌈🏰🧛‍♂️

▶️GET EARLY ACCESS HERE

Check out all the info about this pack on my website here.

[circuloearth]

Hetalia Masterpost

Anime Episodes

Hetalia Episode Links (google doc) here Hetalia List (google doc) here Hetalia episodes + EP Guide (google doc) here

Comics

Hetalia World Stars 1. Shonenjumpplus (JPN) here All Hetalia Comics 1. Hetarchive.net (ENG trans.) here 2. hetascanlations.tumblr (ENG trans.) here

Musicals

Hetalia - Singin' in the World [1st musical, performed in 2015] 1. Veoh (english subs) here 2. bilibili (upload 1) here 3. bilibili (upload 2) here 4. Tumblr (subtitle file only) here Hetalia - The Great World [2nd musical, performed in 2016] 1. Veoh (english subs) here 2. bilibili here 3. Tumblr ( subtitle file only) here Hetalia - In the New World [3rd musical, performed in 2017] * 1. bilibili here Hetalia Final Live - A World in the Universe [4th musical, performed in 2018] * 1. bilibil (live in Osaka version) here 2. bilibili (live in Makuhari verison) here Hetalia - The World is Wonderful [5th musical, performed in 2021] 1. bilibili here 2. Youtube (upload 1) here 3. Youtube (upload 2 - HQ & unlisted) here Hetalia - The Fantastic World [6th musical, performed in 2023] 1. U-Next (Japanese streaming site) here * 2. MEGA (video and ENG sub file) here + here Hetalia - The Glorious World [7th musical, performed in 2024] 1. TBA (live performances start 08/2024) All Hetalia Musicals 1. MEGA (musicals 1-4) here * 2. MEGA (musicals 1-6) here

Drama CDs

Hetalia Drama CD 1- Track 4- Lithuania Works Away from Home 1. Dailymotion (english subbed) here

Games

Gakuen Hetalia (unfinished demo project for PC) [released 2007] 1. Mediafire (JPN) here * Gakuen Hetalia Portable (PSP) [released 2011] 1. EmulatorGames (Eng.) here 2. romspure.cc (JPN) here Gakuen Hetalia DS (Nintendo DS) [released 2012] 1.Romsfun (JPN) here 2.wowroms (JPN) here Other- Game Emulators 1. PPSSPP (PSP emulator) here 2. desmume (Nintendo DS emulator) here

Anime OSTs

1. TBA

Fandom Creations/Stuff

** PLEASE READ THE DESCRIPTIONS OF THE YOUTUBE PLAYLISTS LINKED BELOW FIRST (LOCATED ON LEFT SIDE IF ON DESKTOP) ** 1. Hetalia Cosplay Panels (yt playlist) here 2. Hetalia Cosplay Panels *Incomplete/Shorts* (yt playlist) here 3. Hetalia Skits (yt playlist) here 4. Hetalia Gatherings (yt playlist) here 5. Hetalia Fan Animations (yt playlist) here 6. Hetalia MMDs (yt playlist) here 7. Hetalia CMVs (yt playlist) here 8. Hetalia AMVs (yt playlist) here

---------------------------------------------------------------------------

**NOTES** ( PLEASE READ)

Please DO NOT play mega videos directly on the site or else they will be removed, just download them !!!

There are two versions of Hetalia - In the New World: One performed in Osaka and the other in Tokyo University.

There are also two versions of Hetalia Final Live - A World in the Universe: one performed in Osaka and the other in Makuhari.

The Japanese streaming site U-Next probably needs a VPN and a paid (?) account to stream musicals.

For the site bilibili, if you have trouble using it on your browser you can download the app and then try to open it from there. You can turn off the text zooming across the video by clicking on the first TV icon on the bottom of the video player.

Remember, Google translate is your friend if you can't navigate any of the sites. I don't know Japanese or Chinese so unfortunately I won't be of any help navigating some of these sites.

This is all for educational purposes only!

**THIS LIST WILL BE UPDATED CONTINUOUSLY**

** So please consider reblogging from the source instead and/or look at the replies to see any update news! **

Please feel free to message me if there are any mistakes in the info provided or have working links to some material. Thank You.

[visenyaism]

ASOIAF POV characters ranked by how good of a guest judge they would be on drag race (definitive ranking)

24. Arys oakheart. spectacularly bad in a way that would also be bad TV because he simply would not know what to do. and would be icky about it.

23. Ned stark. canonically gets suspicious of people just because they are gender nonconforming.

22. Aeron greyjoy. people are going to wonder why i put him as Victarion on this list. this is because I think victarion has a better personality for reality TV.

21. Victarion greyjoy. good TV, would win reverse GLAAD award for most homophobic event on television.

20. Areo hotah. too stoic.

19. Quentyn. little nerd in over his head. if Barristan Selmy is telling you that you are not serving hard enough it’s already over.

18. Barristan selmy. a #ally for revealing that egg legalized gay marriage for his kid daeron and being happy about it, but does not have a lot else going for him. would probably say everyone looks nice

17. Bran. seven.

16. Joncon. IS gay, but does not seem like he’s super into all that.

15. Jon. Would probably awaken something in him.

14. Jaime. does not serve cunt, is one.

13. Brienne. Listen she’s trying her best okay.

12. Samwell Tarly. Would DEFINITELY awaken something in him. too busy blushing and telling everyone they look great to be an actual judge.

11. Arya. One thing about her is she WILL be finding people and she WILL be talking to ALL of them which makes her a great TV personality, but i think she would get bored.

10. Davos. Can’t explain this one i just think he would be down.

9. Cat. Serves, afraid to FULLY serve. Ally.

8. Asha. gets off on being mean to pretty boys so you know she is having a great time.

7. Dany. what can i say she’s a star.

6. Tyrion. definitely has the personality for it.

5. Cersei. is a fascist but showing up in full rhaegar eleganza to her husband who she murdered’s funeral. cuntress. You KNOW she would kill it.

4. Arianne. Definitely the first person you would think to ask to guest judge and for good reason.

3. Sansa. 13 year old fashion icon who loves gay people so much. Is so into it the whole time. meticulous notes.

2. Theon. could be the greatest to do it if he could ever get over himself but as it stands simultaneously knocks it out of the park and is a total train wreck. extremely fun to watch.

1. Melisandre. Serves like her life depends on it which she thinks it literally does. Obsessed with appearances and performances. off putting antagonistic cryptic and weird. fantastic TV.

[taylorswiftstyle]

The Eras Tour | Fearless section | Version 5

Roberto Cavalli custom

My very first thought upon seeing this dress was, “Oh that’s very Roberto Cavalli.” Which makes all the sense in the world why Taylor would want to time a new Cavalli creation (by Creative Director Fausto Puglisi) in Milan - one of the fashion capitals of the world and home country to both Cavalli and Puglisi.

Roberto Cavalli is known for many of its signature house code prints, like those of big cats. We see that reference in other Fausto-created pieces for Taylor on the Eras Tour such as the cat head emblem on the tops of the 1989 2.0 sets.

On this new Fearless dress, we see another classic print come to life: Roberto Cavalli’s iconic ‘Ray of Gold’ print. 'Ray Of Gold' was first introduced by the designer in 2007 and revived and recreated by Puglisi for a limited capsule collection in 2024. The original inspiration source for Cavalli was the beautiful refraction of a sunbeam on the golden facade of an art deco lighter. To me, the fan-like visual calls to mind the windblown hair toss of the Fearless cover albums.

After recreating the 'Ray of Gold' print, Roberto Cavalli CEO Sergio Azzolari told WWD that Fausto is “very respectful of Roberto, yet at the same time he succeeds in reinterpreting his style in a more contemporary way, without distorting the brand.”

There’s something refracting light meets lionfish meets Flintstones meets sand through an hourglass meets animal print about this look. Which is to say I think it looks fantastic and eye-catching. However, I personally find Versions 1 and 4 come closest to honouring the original aesthetic of the Fearless era. Your thoughts?

Photo by Vittorio Zunino Celotto/TAS24 via Getty Images

[medievalandfantasymelee]

THE HOT MEDIEVAL & FANTASY MEN MELEE

SECOND ROUND: 36th Tilt

King Richard III Plantagenet, The White Queen (2013) VS. Will Scarlett, The Adventures of Robin Hood (1938)

Propaganda

King Richard III Plantagenet, The White Queen (2013) Portrayed by: Aneurin Barnard Defeated Opponents: - “Taunting French Guard” [John Cleese], Monty Python and the Holy Grail (1972) - Robin Hood [Richard Todd], The Story of Robin Hood and His Merrie Men (1952)

“These puppy eyes could turn anyone into a Yorkist. "He's so pretty I want to cry".”

Will Scarlett, The Adventures of Robin Hood (1938) Portrayed by: Patrick Knowles Defeated Opponents: - Syrio Forel [Miltos Yerolemou], Game of Thrones (2011-2019) - King Caspian X [Samuel West], BBC’s Prince Caspian and the Voyage of the Dawn Treader (1989)

“Will Scarlett: red Gucci boots. a little lute that he likes to strum. does absolutely nothing relevant to the plot and I think punches a guy, MAYBE once? is otherwise functionally useless. nonviolent king of the twinks. clearly the best character in robin hood (1938)”

Additional Propaganda Under the Cut

Additional Propaganda

For Richard III:

“Beautiful Richard. Were I Anne Neville, I too would have been in love with him from the moment I met him. His voice is like the wind; but a whisper, unless he must needs raise it, and then it is a roar; loud and powerful and terrible. I desire him.”

���He's supposed to be the most villain ever but he's so hot in a wet pathetic way. your kingdom for a horse? no need dicky you can ride me.”

For Will Scarlett:

“Will Scarlett, gorgeous, useless vision in red that you are. Truly the template for the useless vibing Merry Man who does nothing but chill and sing little songs.”

"reasons to vote for will scarlett:

he's useless. he does 0 things that contribute to the story beyond vibes. he is the icon for all of us who would drop into a swashbuckler adventure story and then do nothing besides look fantastic and fuck the hot male lead.

resources are limited and yet for some reason robin hood keeps around a man with 0 backstory, no fighting skills, who wears bright red when they're trying to sneak up on people and reacts to robin actually trying to save lives by looking like this:

"3. he plays the lute. he sings little songs when robin is getting his ass kicked. again, deeply relatable and who we all want to be

4. he is visually linked by wearing scarlet with robin's other main love interest, maid marian, who wears red at the pivotal moment she falls in love with robin hood (will scarlett, already happily esconsed in permanent fuckbuddy status, wears it continually)

"this tournament is full of manly men, heroic men, good and true men. but if we're getting truly hot we need to include some Useless Bastards, and peregrin took can not hold down this important coalition alone."

[tiredspacedragon]

Ranking the Metru Kanoka symbols by intelligibility

#1. Ko-Metru: First place goes to Ko-Metru for a fantastically clear image representing the district. The clearly discernible shape of the Knowledge Towers, the Metru's most iconic feature, even cleverly arranged to match the silhouette of the the Coliseum on the Metru Nui skyline, and the two dots on the sides possibly representing Metru Nui's dual suns/moons, emphasizing Ko-Metru's focus on astronomy, astrology, and all else to do with tracking the motion of the heavens. It doesn't get much better than this, folks.

#2. Le-Metru: Coming in at a close second place is Le-Metru, its symbol instantly recognizable as a collection of Chutes filled with cargo, a simple and elegant means of of showing of Le-Metru's status as the transportation hub of the city. Straightforward and to the point, exactly what we want to see.

#3. Onu-Metru: Third place starts to get a little more abstract, but the artistic intent remains fairly clear. The Onu-Metru symbol appears to depict a hallway of the Archives, with exhibits on either side and a steady stream of Matoran visitors and/or workers filing through the corridor. It is slightly less obvious than the two above, but if understood correctly, it is an excellent representation of exactly what Onu-Metru is all about.

#4. Po-Metru: Fourth place is where we start to see these symbols go off the rails, and where I'm going to have to start providing visuals to illustrate my interpretations. Po-Metru's symbol had me stumped for a long time. It is carved in the notch that held the Po-Metru Great Disk, but that isn't much to work with. I think I've finally figured it out though. I believe it speaks to the Po-Matoran's sculpture work, specifically one of their favourite subjects: maskless faces.

To my eye, the Po-Metru symbol appears to be six of these^ pieces arranged in a circle, or at least faces of similar shape. If that is indeed the case, then I commend the artistry, and the choice to use it as Po-Metru's symbol, as using the Po-Matoran's art to represent them is perfect. However it loses points for being less immediately recognizable than the preceding three symbols.

#5. Ga-Metru: And in fifth place, Ga-Metru veers further into obscurity. While simple and elegant, this symbol lacks any easily recognizable features to connect it to aspects of Ga-Metru's culture or architecture. At best, I can offer theories.

Perhaps the top-heavy shape of the blue section is in reference to the Ga-Metru lighthouses? It's possible, but seems unlikely as the shape is not an exact match and only bears superficial similarities.

Then perhaps the connected circles represent the connected pathways here at the Protodermis Falls, and likely across many other of the Metru's canals? Or even the long bridge from the coast to the island where the Great Temple sits? These possibilities seem more likely to me, but not enough to say it is either for certain. Regardless, the fact that the best I can do is offer some maybes is enough to land Ga-Metru squarely at the bottom of the list, kept out of last place only by...

#6. Ta-Metru: What is this. What-- What am I even looking at here? Is that a disk launcher? An eclipse? Is it meant to be the foundries pumping out the clouds? Is it an extreme close up of Lhikan's Hau or some other mask?

I don't know, I just don't know. I'll grant you that out of all six Metru, Ta-Metru is the most lacking in terms of iconography; the Great Furnace is not a terribly inspired building, nor are molten Protodermis vats exactly visually striking, but there had to be something that could have been done. If it is meant to be a mask, that's actually a fantastic idea. Kanohi are Ta-Metru's primary export, they'd be the perfect way to represent the Metru. But if it is a mask (zoomed in way too far), it's not at all recognizable as one, or as anything else for that matter. And had all six Metru's symbols been similarly abstract, that wouldn't be a problem! There's nothing wrong with a good old-fashioned Shape. But when at least three of the other symbols do such a quality job of showing off aspects of life and work in their Metru, Ta-Metru's symbol being so undefined places it firmly at the bottom. Last place.

[lime-bloods]

Reading Roxy and Meenah as doppelgangers: a digression on manifestation theory

A brief introduction to manifestation

Manifestation theory sounds scary - the idea that the appearance of trolls and other fantastical creatures might double as insight into the psychological goings-on of our human protagonists is not one that necessarily comes intuitively to all readers. But as blogger azdoine succinctly put it: it's basically "just symbolism". Characters in a story symbolise something, and, understanding that Homestuck is chiefly about its human protagonists, it's logical to presume that the non-human elements symbolise things that are relevant to the protagonists' human experience.

mmmmalo has written at length about what he identifies as the signs linking Meenah to Roxy's inner psychodrama - the things that make Meenah an "esoteric mirror" or "doppelganger" of Roxy. For comprehensiveness' sake, I'm going to outline from scratch what I have identified to be the key signs, and to that end this post is going to discuss the topics of reproduction, reproductive coersion and miscarried pregnancy (with text-pertinent allusions to grooming and incestuous abuse).

One big happy family

Looks like a little girl's room. This all strikes you as a bit odd.

Hussie suggests only briefly in commentary that the young Roxy's (β) upbringing was at the hands of "a younger grandpa Harley" (Book 2, p. 106), but we needn't take their word for it; the scenery here speaks for itself. Roxy grew up in a dark green basement, trained from childhood to become an agent of Harley's goals, just as Damara (β) - and then by succession Meenah (β) - would be trained as English's agents. So, by analogy, Grandpa Harley is Lord English.

This is another point mmmmalo has (in)famously already made, but regardless of your thoughts on the particulars of that specific reading, the key clues pointing to English as a manifestation of the "Grandpa" character are still plain to see. When John says "the worst case scenario" would be "[facing] our grandfatherly paradox-dad as a last boss", he's explicitly referring to he and Jade's family patriarch, but he's also implicitly foreshadowing Lord English - a character who, in the maturity of 2024, we should now all be able to recognise is in one way everyone's grandfatherly paradox-dad. He represents the same upper echelon of paternalistic power on a cosmic scale that Jake (β) represents on a familial level.

Moving this along towards my point: essentially all of Acts 1-4's adult characters form part of this elaborate Nuclear Family Roleplay - a pantomime of the 'Suburban' setting Homestuck is founded upon. In the same way Jake being known as simply "Grandpa" symbolises his arch-patriarchal position, the reason Roxy is known only as MOM for the first five acts of the comic is because this is the archetypal, impersonal role she has been reduced down into. Her relationship with the character named DAD is a direct invocation of this - the two are essentially playing house, living out the gendered roles that have societally/cosmically been laid out for them. The comic's exposition coyly brushes over this, but a deeper look at Alternian culture gives us a much clearer vision of why 'MOM and DAD' make such an iconic matespritship: on Alternia there ARE no real family units, only procreation, and therefore matespritship is understood by the planet's inhabitants as a mere expression of "mating fondness". MOM and DAD make such a cute couple because they are exactly what their assigned titles depict them as - a breeding pair.

This is basically the crux of Roxy's arc right up to the very end of the comic; though Roxy's (Α) post-apocalyptic anxieties about the extinction of the human race bring these thoughts to the forefront, her struggle within the patriarchal structures of the household / society / reality itself has always been that she is only valued as a MOM - as a breeding machine.

The problem therein is that Roxy is seemingly incapable of having children.

The grieving mother

Within Sburb's scheme of universal childbirth, a "void session" is one that simply doesn't have the eggs required to bear fruit. So it's immediately easy to see why the Hero of Void would have similar trouble bringing a pregnancy to term. But certainly not for lack of trying!

Sorry, Jaspers [...] your final resting place is already a mockery. You should have decomposed years ago under a bed of petunias like a normal cat. Not given to a taxidermist and fitted with a tiny, custom-tailored suit, and then stuffed in a coffin built for infants.

When Rose was still very young, Jaspers was found dead. Roxy took the death of her CAT so hard that Rose found it difficult to take her grief seriously, interpreting the cat's elaborate mausoleum as a "structure erected with a spirit of scornful IRONY in response to [a] youthfully innocent request to hold a funeral for the animal." But more than any other, Rose and Roxy's relationship is one defined by miscommunication, and this assessment of Roxy's grief doesn't even seem to hold up to Rose's own recollection of events: later, we hear that the funeral service was something Roxy "insisted upon".

And thus begins probably Homestuck's most clear-cut example of a character's arc stretching across multiple iterations, because from this point - parallel to her neverending quest to settle down with a nice hubby and start a family - Roxy (both β and Α) becomes fixated on bringing back her baby - I mean CAT - only to produce failed mutant after failed mutant. These freaks of nature are not Jaspers, and by the laws of time travel dictating the lives of Paradox Clones they can never be Jaspers. The younger Roxy's first few attempts are literally stillborn; while she's eventually able to create what she calls "healthy felines", she still keeps those monsters locked in the basement they came from, for fear of upsetting her real CAT.

Even as over the course of her Sburb quest and her interactions with the new arrivals from the other session Roxy is seemingly able to address and even overcome some of this obsessive gnostalgia for the things she's lost, her apparent inability to bring to term resurfaces when she's made the reproductive object of another grieving mother.

The lamenting queen (or: the other mother)

Her Imperious Condescension is not so immediately recognisable as part of the family pantomime because the troll social structure doesn't use the same terminology we're familiar with, but she's always been there; just as Lord English is grandfather of grandfathers, Meenah is the family tree's literal grandmatriarch of grandmatriarchs, placed upon the Earth in the guise of Betty Crocker - archetypal nurturing housewife - so that her children's children might seed the events architected by her master. This kind of familial roleplay is exactly how English and Meenah's story is passed down to her descendants; Jake recalls that "the witch used to be married to a terrible man named english." Dirk is insistent, though, that this is a masking of the truth, and that English was only ever "her superior". And while it's true that we can't say for sure a young Meenah (β) slept in the same bed Damara grew up in, the fact that Meenah was only formally recruited after Damara's death should not be mistaken for suggesting that Meenah was not one of English's many daughters. She was "the Lo+rd's slave all alo+ng", even if implicitly.

ARANEA: Once she claimed the throne, she would have to serve for many thousands of years, until the next successor was ready.

For all the differences between Meenah and Roxy's cultures, slavery in the form of motherhood has always been the expectation of the female fuchsia caste, right from the very beginning of Meenah's arc - not as the empress of Alternia, but on Beforus, where the hemospectrum is reframed in far more familial terms:

ARANEA: The jo8 of each 8lood caste was to serve the needs of all those 8elow it. ARANEA: We were to use our progressively greater longevity and wisdom to help the lower castes learn and grow. To listen to them and try to provide whatever they were missing. Like a hierarchy of caretakers with increasing social responsi8ility.

Crucially, this is where Meenah and Roxy appear most to act as reflections but not carbon copies of each other; because where Roxy constantly strives to contort herself into this motherly, wifely role, Meenah perpetually runs from it. Saddled with the "incredi8le responsi8ility" of sitting atop Beforus' structure of care, Meenah "viewed the empress as a glorified slave" and fled to the moon, and even forced into ascendancy on Alternia she finds implicit ways to be absent from her children, spending her life flying further and further away from the planet where they're born and taking every opportunity to hand off any real political authority to clown rappers (a tendency reflected in her human heirs - the company is always passed on to the son and never the daughter).

But when Meenah finally returns home to find her children suddenly massacred by a galactic apocalypse, her arc begins to pull into line with Roxy's in earnest.

A fluffy twitching prison

TT: The rumors say it was her own "pet" who killed them.

From the moment of her dramatic introduction, Meenah's tragedy is that though she can extend life indefinitely, she cannot have back what she's lost, and this continues to be true as she attempts to resurrect her children on a new planet; attempt after attempt, her babies all die. Despite Gl'bgolyb's explicit death in the meteoric holocaust which claimed the rest of her family, the creature has inexplicably returned on the trolls' prospective new homeworld with the apparent sole purpose of making sure Meenah can't carry to term. We're left to our own devices to figure out just what's going on here.

Act 6 of Homestuck introduces Watchmen to its repertoire of intertexts through Jane's poster of cobalt beefcake MANHATTAN. Watchmen's Dr. Manhattan is an omnipotent world-shaping being who flees the responsibilities of Earth to settle on the planet Mars, iconically rendered in beautiful rosy hues by colourist John Higgins - when we hear the story of Meenah's refusal to the call of being Beforus' own god-empress, it's against the backdrop of a photograph of Mars literally hue-shifted pink (see fourth image), and images of Meenah's ship flying over a settlement on the red planet are included among the products advertised by Crockercorp. Far more explicitly, though: Watchmen originated the idea of using the screams of a psychic alien squid as political leverage, and that's why Gl'bgolyb has to be here for this part.

Alongside commenting on the political landscape of the 80s and the fascist undertones of the superhuman archetypes found in comic books, Watchmen pays particular attention to these characters' sexual eccentricities, and particularly their hangups with women. It stands to reason that of the latter closet homosexual Ozymandias' are the most severe, but they also become the most explicit: the artificial 'horrorterror' he uses to usher in his new world order is his fear of the female body made manifest. With its single clitoral eye and sphinctered mouth, the creature is unmistakeably yonic, and included in the horrific psychic imagery it broadcasts to instill fear into the Earth's population are nightmarish images of juvenile aliens chewing their way out of their mother's womb - the very same image trolls use to describe their disgust at human reproduction in The Homestuck Epilogues. Meenah's relationship to Gl'gboylb should be thought of the exact same way; one of the rare insights we receive into the adult Meenah's psyche is that she finds the process of giving birth "revolting", and it's for this reason she insists that humans procreate only through impersonal cloning. Gl'bgolyb reappears as Meenah's own manifestation: alienated from her own lusus after spending centuries literally running away from it, and traumatised by repeated miscarried attempts at reviving her race, she sees her own reproductive organs as nothing more than a hideous, baby-killing monster. It's no coincidence that when we see our single glimpse of the enigmatic emissary to the horrorterrors on Earth, it's with its tendrils wrapped around the throat of a symbolic depiction of the Genesis Frog (see above image) - the baby that grows in the womb of Skaia.

Breaking the cycle

By Act 6, the matriorb has already long been associated with failed and aborted pregnancies, having been rescued from the first mother it killed and taken into the care of Kanaya, who is then blasted through the abdomen just as it's destroyed, symbolically miscarrying through physical trauma. So when Roxy is tasked with finally bringing a dead baby back to life, it's a coalescence of multiple disparate threads.

(p. 6463)

Meenah unwittingly - or perhaps uncaringly - perpetuates a patriarchal cycle which has been repeating for eternity by selecting a younger, more fertile doppelganger to take over the role of mother, and locks Roxy in a dungeon with the intention of making her have the baby in her place. But, cycles being cycles and doppelgangers being doppelgangers, the same problem arises. Roxy can only create mutants.

When Roxy does ultimately overcome this, ending the comic with the culmination of this long, meandering motherhood arc, superficially it's because of time spent blitzing her Void chakras in the space outside of reality, and with the help of Calliope as a Muse. But in the time Roxy spends in the white nothingness, she's crucially able to take steps to end her own obsession with reviving the past - not just by burying a version of her own mother, who she spent so much time hoping to resurrect in sprite form, but also in sharing a tearful reunion with the literal ghost of her dead CAT. As with so much of Homestuck, the key to ending the suffering is breaking the self-perpetuating cycle that causes it; made literal, in this case, by Roxy's slaying of her dark mirror image using a sword known for splitting vinyl records - symbolically, for breaking the ever-turning circle of time. And in passing the matriorb off to Kanaya rather than letting Meenah have control of it, Roxy never actually brings this baby to term herself, either - at the end of the day, the minutiae of biology aren't really what motherhood is about:

ROXY: the way i see it is you shouldnt have needed to worry about makin the thing ROXY: i think it will be challenging enough like... ROXY: hatching it?? ROXY: and tending to all the stuff that comes next ROXY: isnt that basically being responsible for the preservation of an entire race of people?

Physically overcoming her demonic doppelganger isn't the end-all of Roxy's struggle with gendered expectation, either. Roxy's complicated relationship with their sex and their motherhood, introduced to us only indirectly through the relationship between Meenah and Gl'bgolyb, becomes central to their understanding and exploration of their own gender identity as they grow into adulthood. Anxieties about the inherent femininity of a childbearing body - the glorified slavery that is seemingly inherent to the cosmically-assigned role of the mother - give way to an understanding of the human body as "something altogether different [...] A flesh machine" with "a specific, practical purpose."

But I digress

The threads running between Roxy and Meenah exist along the types of lines most Homestuck readers will already be familiar with in some form. When two characters share a class, or an aspect, we expect that traits from one character can be used to analyse and further our understanding of the other. Manifestation theory simply asks that we look for even more subtle and non-literal connections between characters than these - a process which Andrew Hussie themself has identified in authorial commentary as part of what they call "persona alchemy". (Book 4, p. 151)

Roxy and Meenah's particular relationship, though, should also be thought of in terms of another phenomenon which is central to Homestuck's structure - escalation. Homestuck constantly reorders and transmutes the alchemical elements that compose one character into 'new' characters, but it also consistently stretches these fundamental concepts to their logical extremes. Just as a game that destroys planets works its way up to the destruction of universes, John striving to leave his house in Act 1 should be taken as the logical precursor to our heroes leaving reality itself in Act 7. The forces keeping these children in their houses - essentially the story's first ever antagonists - are their parents, and as we scale this story up to a cosmic level, we find that the cosmos is dictated by the same suburban family structures; by celestial GRANDPAs and MOMs, raising/grooming/training/neglecting entire worlds or even galactic empires at once.

By allowing us to meet not only the teen MOMs and BROs and NANNAs, but also the teen Lord Englishes and the teen Condesces, the scratch takes us in the opposite direction, reducing these faceless, larger-than-life figures into their smallest, weakest, most fundamentally human forms. And in some cases, as in Roxy's, this creates the opportunity for the child-form to confront and overcome the very darkest of their potential; by being the one to put Meenah down, Roxy not only liberates herself from her own expectations for what a mother has to be and do, but shatters the very cosmic image of MOM itself, breaking the mold that reality had set in stone for her entire sex - her entire caste.

[handmade-witch]

Another round of Incorrect Quotes Generator x Slytherin Boys:

Part 1 ☆ Part 3 ☆ Part 4 ☆ Part 5 ☆ Part 6

Mattheo: Sorry I'm late, I was doing stuff.

Draco: YOU PUSHED ME DOWN THE FUCKING STAIRS!

☆☆☆

Draco: Hey, quick question. How petty am I allowed to be?

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Mattheo: I’m not stupid, you know.

[Y/n]: Well, you’re doing a really good impression of it!

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Mattheo: She's the girl of my dreams!

Theodore: You say every girl is the girl of your dreams.

Mattheo: I have a lot of dreams!

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[Y/N]: *banging a pen on the table out of frustration*

Mattheo: Stop that. How would YOU feel if I banged you on the table?

[Y/N]: I—

[Y/N]: I don’t know the correct answer to that question.

☆☆☆

Draco: I have an idea.

[Y/n]: A good idea?

Draco: Let's not get ahead of ourselves.

☆☆☆

*Draco is laying on the floor with their eyes closed*

Mattheo: Hey, are they sleeping or dead?

Theodore: Hopefully dead, I hated them.

Mattheo: Yeah, me too.

Draco, sitting up: First of all, fuck you guys.

☆☆☆

[Y/N]: That sounds like a terrible plan.

Theodore: Oh, we've had worse.

☆☆☆

[Y/N], texting Mattheo: Text me when you’re home safely.

Mattheo: I’m home dangerously.

[Y/N]: Stop it.

Mattheo: I’m home lethally.

☆☆☆

Draco: Hey, what have you two been up to?

Mattheo: We were helping [Y/N] write their vows, but they kicked us out because Lorenzo was making inappropriate suggestions.

Lorenzo: How is “Theodore, I love your sweet ass” inappropriate?

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[Y/N], talking about Mattheo: Is this a friend of yours, Draco?

Draco: Kind of? Not really. They're in my life and there's nothing I can do about it.

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Theodore: What is wrong with you?

Mattheo: Loaded question. Elaborate.

☆☆☆

Draco: Guess what I'm about to get!

Blaise: On my nerves.

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Blaise: All of your existences are confusing.

The Squad: How so?

Blaise: Your presence is annoying, but the thought of anything bad happening to any of you deeply upsets me.

☆☆☆

Draco: How did you convince everyone to betray me? What did you offer them?

Blaise: I just asked if they wanted to embarass you and they all said yes.

☆☆☆

Theodore: Hey, are you okay?

[Y/N]: Yeah.

Theodore: You don't look okay...

[Y/N]: Then stop looking.

☆☆☆

[Y/N]: Ah ready for another fantastic day of being better than Draco.

☆☆☆

[Y/N]: Kill me nowwwww.

Mattheo: Sorry, no can do. I need your help with my homework.

☆☆☆

Mattheo: Lorenzo! For the love of god, please turn down that music. I have a hangover.

Lorenzo: *blasting the mii theme at full volume* That sounds like a you problem, not a mii problem.

☆☆☆

Draco: You read my diary?

Blaise: At first I did not know it was your diary. I thought it was a very sad handwritten book.

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Blaise: [Y/N] won’t come out of their room!

Mattheo: Just tell them I said something.

Blaise: Like what?

Mattheo: Anything factually incorrect.

Blaise, shrugging: If you say so.

[Y/N], arriving moments later: Did you just say the sun is a PLANET?

☆☆☆

[Y/N]: If you got arrested what would be the charges?

Lorenzo: Theft.

Blaise: Disturbing the peace.

Theodore: Aggravated assault.

Draco: Arson.

Mattheo: All of the above. In that order, probably

☆☆☆

Police: You’re under arrest for trying to carry three people on a single motorcycle.

Blaise, with Theodore and Mattheo behind them: Wait, what do you mean THREE?!

Police: Yes…three.

Blaise: Oh, my God— What the fuck!?

Police: Wha-

Blaise: Lorenzo FUCKING FELL OFF!

☆☆☆

Mattheo: I said ‘No’ to drugs, but they wouldn’t listen.

☆☆☆

[Y/N]: Name a more iconic duo than my crippling fear of abandonment and my anxiety. I’ll wait.

Lorenzo: You and me!

[Y/N]: *tearing up* Ok.

☆☆☆

Theodore: *yawns*

[Y/N]: Yeah, being that pretty must be tiring.

Theodore: Then you must be exhuasted.

Blaise: Will you two shut up? Some of us are lonely.