#every year the animator population are becoming stronger and I'M LIVING FOR IT

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[house-bound]

I'm trying to make a reversed Alternia AU slightly based on this old drawing but I am having some trouble so if anyone wanna help feel free to.

(The canon trolls won't be part of this AU, I just used these redesigns to sketch out the world building)

More details and doubts under the cut

First of all, they are reversed in that Rust bloods are at the top and fuchsia at the bottom, the aesthetics of the rusts are now of Greek Gods and royalty while the fuchsia are sea witches who wear what they find in the ocean, you can noticed Eridan is covering their gills and that's because to run errands and walk in land they have to do that, Purple bloods mark the line between land and sea but still live in beaches at the margins of land.

While all that is going on, Mutant bloods are universally liked and praised, their rare blood colors are pretty to look at and so most of them show off their grub scars.

This is where it gets complicated because while I am swapping things out, what stays the same is 1-their powers and 2-their numbers, rusts are still the most populous group and fuchsia are still only one every hundreds of years, so their classpects are still the same, Fuchsia are sea witches who steal things, Rusts have to look after everyone so they're still maids, they still mess with dark arts (for funsies) so are witches as well.

And one thing I noticed about the social hierarchy of Alternia (a lot of people did actually) is that being a higher caste allows you to have better technology, Equius makes robots for fun, HIC has a fancy tiara that allows her to do everything, but on Reversernia, the dominating classes have psychic powers which allows them to not rely on technology for things but have a stronger connection with nature, bronzes have animal connections, Golds are linked to the organic technology of the bee combs and various bugs, their technology mastery is different from the ones of Equius and HIC because they never built the hives or the bugs they make games with, they just grow their technology, meaning the that Reversernia isn't a technocracy but they almost worship nature itself.

Another thing is that I don't want to reverse the life expectancy, Rusts still come and go faster than everyone while Fuchsia are stuck living forever as eldritch beings at the bottom of the sea with mysterious abilities.

And their psychic abilities are also changed by this new form of government, and THOSE I want to reverse but not as a meta decision but as in-world thing where the castes under blue were taught to only use their abilities on ways that don't benefit them, for so long they straight up forgot how to use them on ways more similar to canon. Basically:

Ceruleans have reverse mind control, they can invite people into their bodies for the benefits of those that are lending their bodies, that is a lot of Ceruleans line of work even, just lending out while their conscious take a back sit. Warm bloods do that when they want a more resistant body and maybe to escape the boredom of their lives

Purples are entertainers who can use their skills to give people pleasant dreams, and are overall nice clowns

I'm kinda lost on the other abilities, this is where I need help, what would be the opposite of telekinesis or talking to ghosts? Should Bronzes turn into animals instead of controlling animals? What would be a reversed blood drinker?

And another theme I want to work in is the feminine and masculine dominated roles, what if Jade bloods become cool and tough action heroes, what if Indigos become small and petite nuns that worship a technological God instead of an organic mother Grub? Should the trolls stay nocturnal or what? It's hard making a reverse AU and not knowing which things to reverse, specially when I already decided to keep their population disparity the same as canon and their powers roughly the same? I just hope I can get more ppl invested into this.

[psalmsofpsychosis]

okay so!!!! i fucking cried my ass off at Rons Gone Wrong!!!!

turns out we can still have stories with a world of nuance and compassion and love and geniunely terrifying factors without cheap characterizations and fucked up tropes!!!!

[thecarnivorousmuffinmeta]

Why do you think Carlisle doesn't drink donated blood? I'm not asking about the rest of the Cullens because Carlisle is the only one doing the diet because of a true moral reason. He refuses to drink from humans because it would kill them; we know he has access to donated blood and that he could drink it if he wanted because of breaking dawn. I wonder if it's because he can survive without human blood but those bags may save someone else's life; or because he thinks that the people that donated that blood did it to save humans not vampires (I donate and honestly, I wouldn't mind giving blood to vampires, if they need it to survive and they don't torture me or other negative consequence why is it so different to give it to humans? The both need it).

Also if at some point we get to the point of being able to synthesize human blood and vampire's bodies could process it, do you think he'd change diets? (The current one is awful to the environment)

PS: sorry this is getting so long but another blood related thought came to mind. Why doesn't he just... keep livestock and bleed it to have food, or even just buy animal blood from the butcher (you can do that). They live stuck in a hunters gatherers life and the agricultural revolution never seems to come.

Why Doesn't Carlisle Drink Bagged Blood?

Well, drinking bagged blood isn't great either. The reason there's constantly blood drives going on, and that people were once even paid to donate blood, is that there's never enough of it.

Donated blood is desperately needed to save human life and if vampires like Carlisle start tapping into it then he's taking that away from someone who really does need it.

Carlisle can survive without it, has done so for hundreds of years before this was even an option, so why would he start now?

Now, if Carlisle had been born in this modern age, and he'd been in his starvation period. It's likely he never would have found out about the animal diet and resorted to raiding hospitals in shame instead.

However, this is not that Carlisle.

Not to mention that it'd raise suspicion around him, would not be easy to steal in the long term, and would make his life a whole lot more complicated.

What About Synthesized Blood?

If human blood could be synthesized, if the cost wasn't extraordinarily high such that it was in high demand for human medical reasons, and if it was readily available without too much suspicion, then I could see him making the switch.

I don't think being malnourished particularly bothers him but on the other hand this might stop his kids from eating endangered species all the time.

Why Not the Butcher?

I've often wondered this one myself.

In terms of Carlisle and the environment. He himself isn't that bad, Edward reports his favorite meal is venison, deer. Deer have a hunting season for a reason and it's because, as their natural predators have declined, they have tended to become over populous. Especially in the Spring and the Fall, so many damn deer everywhere. Carlisle responsibly hunting in season would actually be a very environmentally reasonable thing to do.

And personally, I imagine before the Cullens came along and became utterly disgusted with him, he lived on a diet of rats and pigeons. Those things are always around.

The rest of them, yeah, they're awful. However, a part of Carlisle likely knows that many of them are two seconds from dropping the diet, so if eating mountain lions stops them from eating Biology... I guess they can eat the mountain lions.

(Seriously, if Emmett can't wrestle bears and torture them to death, then even with Rose being adamant to remain on the diet, I can see him being far more tempted to cheat on the sly than he already is. This is "treat yo self" Emmett we're talking about.)

But back to the butcher, my main guess would be a) this option simply wasn't available for the longest time, b) the other Cullens would "nope" out if the hunting aspect were entirely removed (Emmett and Edward are particularly enamored by hunting), c) the butcher would suspect them of being a Satanist cult and call the police, d) the nutrients might break down too fast.

The first three are something that could be overcome but that last poses a fairly daunting obstacle. Carlisle and the gang are already dangerously malnourished. They're stronger than humans, but compared to what they should be, these guys are on the brink of death. Eyes changing to weird colors, biologically, is never a good thing and a sign that something is deeply wrong.

They honestly might not be able to make it on blood from a butcher.

While Carlisle would choose death if the animal diet wasn't sustainable, I do think he would relent on the "it's sustainable if I eat the blood fresh, but not if I go to the butcher".

But it's a very legitimate question I've often wondered myself.

My best guess is Carlisle tried it in the 1970's and that's the story of how he spent weeks in a coma due to starvation. EDIT: Ah, I forgot a point, perhaps the most important one. Why Don’t the Cullens Raise Livestock?

I believe Edward brings up fairly early that animals live in terror of the vampire and naturally flee from them.

Animals the Cullens raise would cruel lives living in terror, there’d have to be many of them so as not to drain them completely every fortnight (which means cramped quarters), and they’d likely die of heart attacks and stress. It’s not a good life for them

It’s a miserable life for the animals and not sustainable. I think the scheme would fall apart on them within a few months.

[meirimerens]

If you're accepting fandom questions could we have some elaboration about those mgs jupiter family alaskan daydreams please? Also your amazing TEW art got me into the series so thanks, I'm liking it a lot!!

first of all, i’m so deeply honored that my art could get you into a game, and also : god i’m fucking sorry lol

second of all

oh god oh fuck alaskan daydreams time

okay so long /, the read mores don’t work, you’re gonna have to bear with it

so tldr i have… EXTENSIVE imaginated stories about dave, hal and sunny living in a little remote cabin in alaska. 

BACKSTORY 

i’d imagine it’d come somewhere post-mgs2 even though sunny is already a bit grown so maybe like just disregard canon OR imagine a different timeline i don’t know, and it’s from a place where hal and dave don’t have anything to do after the mgs2 incidents (so no mgs4 and love of god NO accelerated aging i can’t deal with this), and there is this atmosphere of… “we’ve been sticking together for so long, i can’t see ourselves just parting ways (plus we have a kid to raise and i can’t imagine raising her alone) so how about we make the rest of our lives together” and dave is just like… “hey, we’ve been running all across the country, jumping from shitty motel to shitty motel to shittier apartments, and i have this cabin i once lived in, how about we just all move into it and re-inhabit it” and that’s just how it starts. 

THE CABIN

it’s a cabin i have extensively thought about (because i’m obsessed with cabins and being a hermit, so that helps). it’d be near the shore of the Twin Lakes, Alaska (taken from the canon fact that this is where snake lived pre-MGS1), so they’d live off-the-grid and in almost-self-sufficiency (they become more and more self-sufficient as time goes on and they make more adjustments to the cabin). 

i imagine it would look similar to Proenneke’s cabin (which incidentally is also near Twin Lakes), maybe on the other shore, all wood with a vegetation/moss roof + a slight porch/elevation to protect the entrance from a bit of the snow. it’d be surrounded by wooden little dog kennels/crates for the huskies (more on that later) similar to the ones in [this video] around the 0:59 min mark (warning for animal death/general stuff that goes on in a trapper’s lifestyle for the vid).

it here’s a floor plan of the cabin, not to proportions because i’m just shit at it :

(good luck reading that)

not pictured : when sunny was smaller (before the addition), her bed was like a little shelf just above the big bed (that hal and dave share) with little like “walls” so she doesn’t fall and a thick mattress, which was discarded when she got her new room.

later would be added an outdoor kitchen and a chicken coop (more on that…….. later)

EATING THERE

as i said, they’d first be living in semi-dependency : every ¾ weeks they’d have to go to Port Alsworth/Anchorage or somewhere else to stock tf up. Snake would fish (you can fish for subsistence if you’ve been living in Alaska for over a year according to law) and hunt (seems to be the same type of law when hunting for food, YES i’ve researched this, leave me alone) for food. As he has done odd jobs to afford his cabin, I imagine he’d have done crabbing, and would show up to help on crabbing boats from time to time to get some of them crabs.

later, I imagine they would get 4 rescue hens to get some of them fresh eggs. snake would build a chicken scoop from forest wood. 1 of the hens wouldn’t be able to make eggs because she was traumatized from the industry but they still took her in because she was close friends with the other hens and they didn’t want to separate them. 

I imagine Snake had been growing his own herbs in the kitchen but maybe they’d get a greenhouse ready.

they’d go foraging for berries, fruits and mushrooms according to the seasons and make a SHITTON of jams and preserves.

LIVING THERE

i imagine there would be a lot of solidarity with the surrounding populations. for exemple, Hal would help set up and manage online dictionaries for Iñupiat, Yup'ik or Alutiiq languages with the local communities, maybe help wire up some schools, things like that, and as thanks some people would go check on them and give em veggies or something.

THE DOGS :

Snake is getting them.

since we don’t know what happened to his huskies around mgs1, i suppose/guess they were at some time confiscated from him, so first, he’s get a lovely husky female from a shelter (i also have long thought about how he’d never go to a breeder and only adopt, because the whole “creature created with a man’s ideal in mind” hits a bit too close for him you feel) that would later be revealed as pregnant with like 5 puppies (it will come back later as relevant as promise). Then he’d do his best to regain contact with his huskies, maybe setting up a call on social media (THIS WILL BE PART OF A BRAIN ROTTING DEGENERACY I WILL EXPAND ON IN A MINUTE) to find them again. i imagined he would get to see one of his old huskies, who has well aged, who was adopted by some nice nice people. then said nice people, after his visit, insisting on him getting his husky back because “since you left she hasn’t been herself, she refused to eat. we think she misses you too much. we love her tons and it breaks our heart to let her go, but we think she would be so much happier by your side” type of deal, i’m fucking crying just thinking about it.

of course, once his team is back in shape, he’s run the Iditarod again. Hed keep contact with hal over walkietalkie during the race. hal would jump in his arms when he crosses the finish line, the pic would circulate in the news. it’d be cute i’m saying.

THE HENS :

as I said, adopted, in a little scoop snake built himself. they give eggs. sometimes they let them roam free and they bully hal when he peels vegetables (i’ve drawn smth about this). sunny feeds them in the mornings. things are good.

MORNING ROUTINE :

Snake wakes up around 5AM because he don’t need no sleep and goes to his huskies. feeds them. then make them run. when he gets back around 8 to 8:30, hal is still asleep. snake makes breakfast. the scents wake hal up. things are good.

SUNNY?

Sunny is taught by snake how to chop wood. he makes a tiny axe for her tiny hands. he and hal teach her how to swim in the Twin Lakes. the waters cold but she grows immune to it, strong and stronger. she learns how to differenciate which mushrooms and berries are edible.

they try to send her to school but she’s WAY too advanced and is bored to death. she stays at home. she’s outside all day or she learns astrophysics with Hal, who’s taking online classes in his free time. she learns some Athabaskan languages at a community class once in a while, she makes some friends.

HOW’S THE WEATHER

They go on hikes a lot. Often, and long ones. At first, sunny is in a little baby back carrier (i have drawn about this), then she walks just right. Alaska has gorgeous national parks, they explore them, year after year. They arrive in a town, exhausted and beat, they find a hotel room. It has a bathtub and warm water. Hal is OVERJOYED.

in the earliest hints of spring, snake takes them to Fairbanks through the beautiful alaskan railroad. they see the most beautiful and powerful of northern lights during the full season. hal and sunny can’t tear their eyes from the skies.

THIS IS WHERE I GO CRAZY GO STUPID.

ok…. so bear with me.

i mentioned an internet/social media presence.

it’s because in a deviation of this daydream, snake has a little youtube channel (and an instagram to go with it).

it’s not much. it’s really not, but hal has a few cameras and more that he finds and fixes.

it’s mostly lowkey, chill vlogs. stuff like 

“slow alaskan winter day (no talking)” 

“sprintime berry picking ( + jams recipes!)”

“alaskan summer outdoor fire cookout ( + wild moose and caribou near the lake)”

“denali national park hike (day 1)”

stuff that like you know. as well as some more…

“i ran the iditarod (and won)”

“we got hens (building a chicken scoop, meeting the rescue hens and more)”

“musher’s morning routine (i’d recommend you didn’t try this at home if you are not the genetically engineered clone of a super-soldier, for your sake)”

and as you guessed…

“so our rescue husky was pregnant… (i’m an idiot who didn’t notice, trip to the vet, building a whelping pen, whelping, bottlefeeding tiny pup + all the puppies’ pictures!)”

where dave would teach hal how to bottlefeed a puppy and you’d be able to hear hal’s “oh god oh god oh god oh god”s from out of frame as the camera focuses on dave’s hands holding his to have him perfectly cup the puppy in his palm and carry the bottle. this type of deal.

then follow-up videos of the puppies climbing the bed where hal is, playing on his gameboy. he chuckles nervously and then heartily when a puppy licks his face.

some winter days, the videos have snake bringing all the huskies in the small cabin. some of them sit calmly on the wide bed where hal studies his astrophysics.

and an instagram with wilderness pictures… all except a few taken by hal. some of snake posing in front of the snowed in cabin. some of warm drinks made on winter days. you know the deal.

and they’d have such a nice… positive… lowkey and easy-going comment section. dave would reply to a lot of them. 

he’d get quite a share of “hey man, i love your vids so much, thank you for posting this content. i was wondering, sorry if it’s a bit too personal, are you and your roommate dating? you two seem very close, but i don’t want to assume anything 😅 absolutely love your content either way, you’re the only youtuber i have notifs on” to which he’d reply “thank you so much, really appreciate it. and we’re not, we’ve just known each other for a long, long time. we’re aware two straight guys raising a child and living together isolated makes for a bit of confusion, but it’s totally platonic between us. thanks for sticking around.” but one day he uploads a vid that’s like 

“crabbing in juneau ! + life update (please read description)”

and the desc + the first 20 seconds of the vid is a text superimposed over embarassing pictures of hal and it reads “hey all / quick personal update, i’ll make it quick / otacon and i realized we loved each other / (as more than friends that is) / so if we seem just a bit closer in the videos from now on this is why / no idea how this is going to turn out for up / but yeah. if he seems a bit more affectionate it’s because we’re dating now, or something like that / and to everyone whom i told ‘it’s just strictly platonic between us’:  / well. ha ha. whoops. / anyway thank you for reading / enjoy the video” and all the comments would be like “that’s so dope i’m so happy for you” and other “tbf we saw that coming” and snake would smash that like button on these comments.

and he’d have a video of the whole iditarod race as taken from a camera on his jacket/on his sled… and he’d have videos of him filming hal film the landscape through the window of the train during their trip to fairbanks… and of hal and sunny in said train sharing a tangerine… and of him building a little axe for sunny…. and he’d always ask her if she is okay with being on camera, and when she’d say no he’d make sure she doesn’t appear on here or add a cute husky sticker on her face so she’s not seen.

just lowkey. chill. upbeat. simple life moments. he’d disappear off the internet for a month because he’s just enjoying the life and when he’d come back everyone would be very understanding and glad to see some cool pictures or vids. you know? just chilling. just chilling. just living.

one day before a “hiking through lake clark national park” he has the same little life update thing and it goes “hey / so otacon and i got married / sunny and aksinya [rescued pregant husky] were our flower girls / otacon cried / i cried / anyway, enjoy the video” over pictures of the tiny alaskan wedding. and it’s well.