#eve newman

[silvyadrakkon]

Finally got this done. I think when I do these in the future, I'll post three at a time or something. I couldn't wait to show everyone the ones I had done, but I had to wait so I could finish the rest.

I realize now that the magic I drew got progressively bigger with each character lol. Whoops Nettie: @ladyofsappho Chris: @diana-bluewolf Cori: friend of @dwightschrute11 Lizzy: @operation-pez Inger: @ethniee (I stumbled across your Yule Ball mood board and couldn't resist.) Johanna: @roses-fromtears1

For Johanna and Cori, I forgot to verify eye colors, and it's so hard to tell on the screenshots. Lemme know if I got them wrong, and I'll change them out easy peasy.

[phinik]

I finally drew all the characters😅

It's been good practice for me. Thank you all!💚

Matty @girl-named-matty

Lyssa @silvyadrakkon

Raven @lilac-ravenclaw

Calypso @dwightschrute11

Will and Elland @ask-elland-n-will

Danny @catohphm

Milena @sparxyv

Millie @the-ozzie

Pola @infernalrusalka

Serena @bassicallymaestra

Johanna @ravenwind-75

Julia @superconductivebean

Oscar @eternalremorse

Inger @ethniee

Faustine @faustinio27

Elaine @mrs-sharp

[sleepynegress]

BELOVED - 1998

[haveyouseenthismovie-poll]

[onefootin1941]

Paul Newman & Joanne Woodward below celebrating NY Eve, 1965.

[fayegonnaslay]

Paul Newman at the Actors Studio, 1955; photo by Eve Arnold.

[mrsannellaperlman]

Anna Clayton and Carol Calvin

Two principals met during the course of Christmas, one adoring the festival to her core while the other felt it was a mere marketing theory and a support for capitalism.

[newyearsrockineve]

I wish I could tell you that Randy Newman was performing LIVE at Rockin Eve at 8/7c on ABC, but he isn't, and I feel like he never will.

[thebutcher-5]

Eva contro Eva

Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo deciso di cambiare completamente argomento, passando dal mondo del cinema a quella dei fumetti e continuando ad andare avanti con Kalya, la serie fantasy italiana che ormai conoscete bene qui sul blog, giungendo al volume 8. Dopo essere riusciti a sfuggire a Varnon e il suo Corrotto, il gruppo di Kalya trova rifugio in delle…

[metamiie]

I HAD A VISION

[hotvintagepoll]

Propaganda

Joanne Woodward (Paris Blues, The Three Faces of Eve, From the Terrace)— She's a talented actress, snagging the best actress Oscar in her 3rd film ever (and is the currently the oldest living best actress winner). She was brilliant on stage and screen, and despite often working with her (voted out too soon) husband Paul Newman, she never played second fiddle.

Tura Satana (Faster, Pussycat! Kill, Kill!)—no propaganda submitted

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Joanne Woodward:

I mean Paul Newman was madly in love with her which counts for quite a lot I think. This post illustrates that

[mrs-stans]

Sebastian Stan’s Crash Course in Becoming Trump

After a long tour of duty in the Marvel universe, the Romanian-born actor is conquering the festival circuit, with starring roles in “The Apprentice” and “A Different Man.”

Illustration by João Fazenda

By Alex Barasch

The actor Sebastian Stan glanced approvingly at the neon signage and old-school menus at the Pearl Diner, in the financial district, the other day. He’s lived in and near New York since he was twelve—around the time Donald Trump swapped his first wife, Ivana, for Marla Maples—and has watched the city evolve. “It’s funny. It’s changed, but it’s also the same buildings,” he said. “And then you’re, like, ‘The buildings are there, but you are not the same.’ ”

Stan took off a white ball cap and ordered coffee with cream; he was jet-lagged, fresh from the Deauville American Film Festival, where he’d received the Hollywood Rising-Star Award. “Rising” is a stretch for the forty-two-year-old, who’s appeared in a dozen Marvel projects, but Stan has lately reached a different echelon. In May, he went to Cannes for “The Apprentice,” in which he plays seventies-era Trump. In Berlin, he’d won the Silver Bear, an award whose previous recipients include Denzel Washington and Paul Newman. “Everyone was, like, ‘Oh, the Silver Bear!’ ” Stan said. “Then you go back and you’re, like, ‘Do we know what the Silver Bear is in America?’ ”

The prize was for his role in “A Different Man,” Aaron Schimberg’s surreal black comedy, which nods to “Cyrano de Bergerac.” Stan stars as a man whose lifelong disfigurement is miraculously reversed; the shoot included a grisly three-and-a-half-hour session spent peeling off chunks of his face.

“The Apprentice” demanded a transformation of a different sort. At the diner, Stan pulled out his phone and swiped through an album labelled “DT physicality”—a hundred and thirty videos of Trump, which capture his tiniest gestures and his over-all mien. Marinating in Trump content was, Stan said cheerfully, “a psychotic experience.” He watched the clips so many times that when the director, Ali Abbasi, asked him to improvise in a scene about marketing Trump Tower, he could rattle off the stats: sixty-eight stories of marble in a peachy hue chosen by Ivana, because, as the real Trump put it in a promo, “people feel they look better in the pink.” (It turned out that he’d also memorized Trump’s lie: the tower is actually fifty-eight floors.)

Growing up in Communist Romania, Stan had just an hour of TV news each night; New Year’s Eve was an event because it meant twelve hours of programming. His instinct for mimicry—he had a habit of imitating family members and neighbors—was the earliest tell that he might be an actor. After he and his mother fled to Vienna, in 1989, Stan got his first credit, in a Michael Haneke film—an experience that nearly put him off show business. “I stood in line with, like, a thousand kids, for I don’t know how many hours—which I hated,” he said. “If I could fucking meet Haneke now, it would be amazing!”

When the family moved again, to America, he experienced pop-culture shock. He binged every movie he’d missed—from “Back to the Future” to “Ace Ventura”—in a pal’s basement. Another friend roped him into the school play. “My high school was really, really small, so I didn’t have a lot of competition,” Stan said. “They were, like, ‘Please be in the play!’ ” Soon he was playing Cyrano himself.

After stints on Broadway, and on “Gossip Girl,” Stan was scooped up by Marvel. “I’ve been lucky to play a character for fifteen years,” he said. The blockbuster paychecks freed him up to explore edgier material. “I, Tonya,” in which he played the ice-skater Tonya Harding’s dirtbag husband, was a turning point. “It allowed me to see that a good director will bring out more in you than you can,” Stan said. It was also his first time portraying a real person—a feat that he repeated in “Pam & Tommy,” as the Mötley Crüe drummer Tommy Lee, and now in “The Apprentice.”

“It’s like learning a piece of music,” Stan said, of nailing an impression. “You’ve got to start out slow—it requires practice. Suddenly, you’re getting it more. You’re still making mistakes—but you’re playing the music. You’re playing the music every day until you can do it in your sleep. That’s when the fun starts.” He sliced the air for emphasis, then caught himself and grinned. “And sometimes it’s months later at a diner, and you’re, like, ‘Why am I doing that with my hands?’ ”

[missinglinksblog]

Eve Arnold (1912-2012) American photojournalist. Photo of Paul Newman taking a class at the actors studio New York, 1955 (Gelatin silver print)

[luckylulu82]

Bummer about the arm Pedro, but happy new year!

Pedro and jamie ray newman during New years eve 12/31/23.

[onlydylanobrien]

Saturday Night Premiere at TIFF 2024

SATURDAY NIGHT

Jason Reitman CANADIAN PREMIERE United States of America | 2024 | 109m | English

Director Jason Reitman captures the frenzied lead-up to the very first episode of Saturday Night Live as a motley bunch of then-unknown and untrained young comedians prepare to step into a revolutionary spotlight that will change history and make them all stars. It’s the mid-1970s, and a flipbook of Watergate, Vietnam, and rising counterculture make everything old in America feel broken, and everything new feel scary as hell. And now, yet another certainty is about to crack. Because in 90 minutes’ time, live, from New York, it’s Saturday Night.

SATURDAY NIGHT dives headfirst into the frenzied hour-and-a-half before a clutch of unknown, untrained, unruly young comedians took over network television and transformed the culture. Saturday Night Live would go on to become the late-night institution that brought John Belushi, Dan Aykroyd, and later Eddie Murphy, Tina Fey, Will Ferrell, and others to our screens. But tonight, it’s barely contained madness backstage, with Canadian Lorne Michaels (Gabriel LaBelle, The Fabelmans, TIFF ’22) desperately trying to channel the chaos towards a vision even he’s not sure of.

On the eve of SNL’s 50th anniversary, it’s a particular pleasure to watch how unlikely it all was at the beginning. Chevy Chase honing the frat boy charm that would make him a movie star. Garrett Morris saying America’s racial quiet part out loud. Belushi a bundle of Id in the corner. Jane Curtin, Laraine Newman, and Gilda Radner holding their own against a tide of comedy testosterone.

Director Jason Reitman (Juno, Up in the Air, Ghostbusters: Afterlife) has made certified classics, but he’s never made a film like this. Fuelled by the same anarchic energy that drove the show to air, he orchestrates this tour de force as a glorious circus of talent, ambition, and appetite for risk, with the clock ticking down to showtime.

CAMERON BAILEY

Content advisory: drug use, coarse language

Showtimes

Get Tickets here

Time Zone: CEST Time zone based on your browser time

Tuesday, September 10 Royal Alexandra Theatre Premium 11:00 PM

Wednesday, September 11 Scotiabank Theatre Toronto Press & Industry 3:15 PM

Wednesday, September 11 Visa Screening Room at the Princess of Wales Theatre Premium 9:00 PM

Friday, September 13 Visa Screening Room at the Princess of Wales Theatre 9:00 PM

Saturday, September 14 Scotiabank Theatre Toronto 3:00 PM

[newyearsrockineve]

Randy Newman should be performing LIVE at Rockin' Eve but he ISN'T, cause Dick Clark Productions doesn't care about real musical genius, I guess.