#efalent

[deathmetalunicorn1]

Family RoR x child reader who is learning some words like airplane but the reader says air pain. From the tik tok. Like it’s funny and this idea came to my head. How would the rest of the family react to child reader mispronouncing the names ? I think is very funny to think about it. Thanks

-It was a joyful day in your family, when you said your first word, ‘Fluff’ as that’s what you called anything that was soft and fluffy, like stuffed animals, blankets, those with luscious hair like Buddha, and anything cute.

-However, that led to rules that certain words were not to be said around you, as you were learning by repeating things, and Adam and Odin both threatened everyone if they taught you a bad word, whoever taught it to you was going to be buried in the backyard.

-You had been gifted picture books with all sorts of things from animals to places to inanimate objects that had a picture of the item then the word and everyone’s been taking turns reading to you, saying the word so you could repeat it and learn.

-Some words you had no issues with, thanks to Buddha and Loki who taught you ‘snacks’ and Jack taught you how to say ‘tea’ and ‘book’ properly, running up to him as he’s drinking tea, holding a book, “Papa- book!” which would always make him smile and he would read to you.

-You were sitting in Ares’ lap with Hermes sitting beside him, a look of concentration but also mild frustration on your face as Hermes was trying not to laugh, “Air plane.” You tried to mimic him, “Air pain!” he chuckled softly as Ares ruffled your hair gently, “You got one word- good job, but ‘plane’.”

-He sounded it out so you could hear the word and you repeated it a few times, getting mad that it didn’t sound the same before you finally got it.

-The two beamed at you and praised you, making you giggle as Ares cuddled you close before Ares grabbed a book about animals so you could practice.

-You pointed out the different animals, “Ef-efa- efalant! Tiger! Horsy! Ducky! Papa Hercy!” you were adorable, still having trouble pronouncing elephant, but what amused them was when you pointed at the lion, calling it ‘Papa Hercules’.

-A little while later you were going to spend time with Loki and Odin, you were standing by Loki in the kitchen as he got you a bowl of Cheerios to munch on.

-He handed it to you, and you beamed, “Fank you!” he grinned and the two of you headed to Odin who smiled, seeing you approach as they were going to read to you.

-You tripped and fell, spilling your cereal everywhere, but you weren’t hurt, popping back up, “Fuck!” the two men turned white, looking horrified as many who were also nearby looked at you in horror.

-Odin kneeled next to you while Loki was picking up your cereal, “Y/N who taught you that?”

-You beamed, not realizing that it was a ‘no-no word’ as you spoke, “Papa Polo! He drop his fancy juice and said it. We say when we drop stuff, right?”

-Loki was doing his best not to laugh, his hands over his mouth, trying to stifle his anger before Odin ruffled your hair gently, “Y/N- that is a no-no word, but you’re not going to get in trouble because you didn’t know.” You looked a bit worried about saying a no-no word but you calmed when he told you that you’re weren’t going to get into trouble.

-Loki could sense the impending storm and he wanted to be witness to the ass beating that was soon to commence.

-Nikola came over and smiled, “Want to come and get ice cream with me?” your excited, sparkling eyes were the only answer he needed as he picked you up as Loki grinned, “Odin and I will read to you when you get back! Bye-bye!” you waved at him and your other family members, not realizing that they were about to hunt down and bury Apollo in the backyard, since you were going for ice cream!

[ttaibhse]

i could go o sleep right now it would be so easy. it would be lik efalling asleep

[mehmet147]

"Allahumme Ya

Rabbi efal bî ve bihim âcilen ve eecilen fiddiyni veddunya velahirati má ente lehu ehlun. Vela tefal bina ve bihim ya mevlana ma nahnu lehu ehlun. Inneke gafurun halimun cevvadun keriymun raufur rahiym."

Allah'im! Bana, anne ve babama ve bütün mü'minlere, acil ve genis zamanlarda, dinimiz, dünya ve âhiret islerimizde, Senin lütfuna, sanina läyik sekilde muamele buyur. Bize, bizim lâyik oldugumuz muameleyi yapma.

Sen bagislayicisin, cömertsin, hilm sahibisin, Kerîm, Raûf ve Rahimsin.

[thoughtfulstrawberryanchor]

Ivh hät bissvhen früher hingehen sollen und nich was man darf noe fragen ob man sie stört oder so das war mein fehler einfavh so hingehn als wärs normal sie anzusprevhen dann is das halt so in österreich aber ich bin so hingegangen als wärs unnormal haha ok efal haha

[itsmeimthedoldrums]

I FUCKLIND HAT EFALL OYTR BOY

[greenlodgecypher]

EFall Festivye

from gill†ån

There are different kinds of freedom. There are days off. Long weekends. Leaving work early. There’s planned time to yourself. Unplanned time to yourself. Moments where you can decompress and unwind or explore and fill your moments with action. There are choices that only happen at certain times in your life, or once ever. Spring breaks; winter va ÿÿ  Ler. The single, brilliantly terrifying, moment when you graduate, and your plans seem pale and incapable of molding that future into a life. Moments where you grieve for the feeling of unformed potential as you feel yourself slowly calcifying into spent time and missed chances. Moments where you take stock of yourself and say: I still have time. I must. I need it. Moments when you don’t know how much time you really have left, or whether the world will allow it. Moments when you face down your elders and tell them, no; I am a person, and that is a good thing; and I won't reject myself for someone else's idea of what I must be. My time spent writing for this paper was a pleasure. An excercise of choice when I have so often been told I have a responsibility to do what others demand. I'm moving on, and that's good too. Change means that you don't know whether things will work out, but that's a possible outcome if you stick with things that work, too. (Adria, come live here. You can stay with me. I hope your time is good. I hope your moments of freedom are many and fulfilling. I hope that you may spend much time according to your own wÞÿÿ{Þäÿ###DÈETBL##tXÿþýüT03:36:30Z</ r�l#(#}

[rjhamster]

Member Club - Encanterra Fine Art League (EFAL)

Member Club – Encanterra Fine Art League (EFAL) — Read on members.mytrilogylife.com/clubs/191

[fantasy-escapism-and-dnd]

Country Overviews Part 1: Faerondelle

Country Name: Faerondelle

Ruler: Queen Aerith Trisstaera

Continent: Davresh

Capital City: Talandren

Capital City Size: Large

Government Type: Parliamentary Democracy (Monarch + Elected Officials)

Gov't Extended: Monarchs are not allowed to be Magickally gifted at all. The monarch's advisors are solely mages. The monarch is advised by a council of 15 mages, each with their own specialty.

Population Breakdown: 55% Elves, 20% Human, 10% Dwarf, 10% Halfling, 5% Other

Landscape Breakdown: 60% Forest, 20% Plains, 15% Swamps, 5% Other

Largest Export(s): Lumber, Grains, Ale

Largest Import(s): Stone, Ore, Fabric

Magick System: Magick can be innately gained (born with) or taught via a source.

Magick Source: In the Celeste Greenwood toward the southern border of the country, there is a single, long, complex cave network. Within these caves grow these green luminescent crystals called Kesyt. These crystals are natural Magick enhancers. Kesyt is often used as a focus for those learning Magick, or for those casting more difficult spells.

Kesyt: Often formed into rings or placed on the top of a staff, Kesyt is the only natural Magick enhancer in Faerondelle. Those who seek to use Kesyt for aesthetic as well as power will sometimes put it in necklaces or headdresses.

Military Size: Large

Landmarks: Celeste Greenwood (Forest), Enchanted Valley (Plains), The Violet Marsh (Swamp)

Towns/Cities: Talandren, Aish'ara, Mytf'ehil, Goldshade, Efal Asari, Silvertide, Amberfrost

Guard Names: Queensguard (Captains = Martinets)

Coat of Arms Description: A green background with a large silver tree in the center with golden leaves along the bottom

[deezeyrabbidy]

Bruh imagin efalling down a well, forcefully splitting back into an ordinary rabbid, then just getting fuckin BLASTED by some weird rabbid with a gun right after.-

Ok Mario + Rabbids fans, I have a weird admission

I had this false memory that when you defeated the Phantom, he reverted back into his component parts (like became a common Rabbid and the gramophone and the Boo balloon again). Maybe because that happens with certain other bosses (come to think of it I can only remember for sure with Pirabbid Plant, so it probably only happened when they were merged with another living being which makes sense). Even though I played the game again over the summer I guess I just forgot to pay attention at that part because I STILL thought that's what happened and I even brought it up when I was streaming Sparks of Hope, lol.

It's only recently as we've been discussing headcanons and character stuff I went back to check let's plays and that definitely does NOT happen, he just stays as he is.

So like I had this long-standing headcanon that once he got a taste of being an opera singer who could talk and everything, and then had to go back to being a normal bwaaahing Rabbid, he absolutely could not stand it, it drove him crazy like one who has seen enlightenment and then had it removed, and I imagined him dragging his gramophone and protecting his little balloon, all over the mushroom kingdom until he could chase down Spawny again and beg him to recreate him into what he was before. Because everyone, including himself, wants him to be the character that he was, right? (Even if that also came with its own isolations and downsides)

BUT I guess they didn't need to happen.... though I still like it as a story, so, one more AU into the pile??

[innosen]

when chihiro has a nightmare, her default go-to routine is to sleep in her parents’ room. one time though, when the room was locked, she just slept outside their door T.T 

[secondlifep]

Image by Shachar Efal

[aquablues-archive]

GAS PEDALGHASCPEDAL PASG EFAL GAS PEDAL AUGJ

[commanderxreyes]

tryin to plan fall out boy tattoo i have wanted for a while but idk how to communicate my design properly + idk where the fuck i even want it dbfdofasdrer

[bagilgulhaze]

"Fitst terfs and later maybe radfems" I don't understand, terf literally means trans excl /radfem/. do you just mean transmisogyist? Ppl forget terf is a whole ass acronym smh. Good post otherwise

Dont tell me its a good post otherwise if you dont understand what im trying to say lol. TERF, standing for Trans Exclusionary Radical Feminist, is first and formost about the exclusion of trans women from feminism, as, yes, part of "radical feminism". When you go to those people's blog. You dont see mostly Radical Feminist takes brought up with the assumption they dont include trans women, and maybe a single post about trans women not being women. It's often all their blogs are about, they dont care much about Radical Feminist thoughts as whole, they just want to hate trans women (and often, sex workers). Radical feminists as a group isnt always about priotizing hurting and hating trans women above all, it's just part of a larger ideaology. This isn't whats happening at those blogs and its exactly my point. Radfem, aka radical feminists... as whole opposed butch/femme culture. Butch Femme culture is against their agenda. It replecated heterosexuality, was seen as regressive, the preformence of feminity by surredering to things like make up or heels or girly clothes, no matter why, how and who for seen as literally opressive against women, butcues are seen as those who are trying to be men instead of just be women. Associating witb butch/fem culture is incredibly not radfem. But all those terfs are now doing it because it can be used as such an easy way for them to gatekeep trans women and exclude them by having what they view as a "Born Female" little subculture club. Theyre compormising radfem values (that are also evil..lol) because they only care about hurting trans women.

And no, its not just transphobia and i will not replace it with just transphobia, because transphobia can be many things, it can be the cashier that keeps accidently misgendering you and your parents that think being LGBT in gs efal is wrong. Terfs are a group with a specific agenda and specific form of transphobia that ties to it and this is the one im refering to.

So basically i know what im saying and if you dont, just ask.

[acaseforpencils]

The Ink Well Foundation.

The Ink Well Foundation is a non-profit that helps bring smiles to the faces of children facing adversity such as illness, neglect, and abuse. I cannot begin to express how big of an honor it is to have Elizabeth Winter on Case—this interview brought me to tears, and it means a lot to share her message on here, so that you all can help more children in need to be able to connect with this incredible foundation.

Bio: I am the Founder and Executive Director of the Ink Well Foundation. Growing up, I had cancer my entire childhood—it was a rare cancer that kept getting misdiagnosed, which meant a fair amount of biopsies and days in the hospital, and finally major surgery where I was told I might wake up without a leg. I am very fortunate in that the doctors were able to remove all the cancer without amputating, and I have been cancer-free since I was about 20 years old. 

That experience gave me a lot of empathy and compassion for kids facing long, isolating hospital stays. There were also other issues during my childhood: I experienced a lot of abandonment with a mother who just could not play the role of mother, and who eventually died when I was fifteen. In general, I just had a pretty severe lack of affection and emotional support growing up. All that made me very tough, in some ways too tough and it wound up creating only further isolation and pain. 

As an adult, I saw that pain mirrored in other children's eyes and I began to seek out a way to connect with them, to help them and myself learn to nurture and heal together. I strongly feel that genuine human bonding can fuel both physical and emotional healing. I also think getting out into nature and carrying that same respect to all wildlife helps us to become humble and connected in a very powerful way, so we stress those ideas in our work often.

In 2005, I was working in animation in New York City, and I stood up in a meeting at work one day, and asked if any of the other artists would like to come along with me to draw with kids facing illness and hardship. A couple people raised their hands, and we went together to Gilda's Club out in Brooklyn (that club house has since closed, but we still go to the one in Manhattan). The artists who came along in those early years, like Rami Efal and Ray Alma, Pedro Delgado and Sergei Aniskov—those people are all still volunteers today! That says so much to me about the kind of people this work attracts. We've all become like family over the years and I love those guys so much. 

It all began at Gilda's Club, but then I reached out to places like the Ronald McDonald House, St. Mary's Hospital and Bellevue Hospitals, and we slowly but surely became accepted and welcomed at healthcare and at-risk support centers all across New York, because the kids loved what we did, and at then end of every event they were begging us to come back. So we always did! That is the true mark of success for me every time, when the kids are yelling at us to get back there as soon as we can.

A few years ago, I learned about the great organization on the Upper East Side, The Society of Illustrators. Their Executive Director, Anelle Miller, connected me with all these other great artists like Stefano Imbert, Bil Donovan, Abby Merrill, and Elana Amity (who is now our Event Director at Mount Sinai Hospital, where she hosts a monthly live drawing call-in show that beams to all the kids' hospital rooms at once). They draw along with us and call or text in with questions and comments. It's hilarious and adorable. We also connected with the great people of the National Cartoonists Society, and wonderful artists like Ed Steckley, Adrian Sinnott, Howard Beckerman, Tim Savage, Marty Macaluso, Joe Vissichelli and so many more. 

After MTV Animation New York shut down, pretty much all my colleagues and I from great shows like Beavis and Butthead, Daria, The Head, and Celebrity Death Match all moved out west. So I had this great group of talented friends still living there, and based on the Ink Well's popularity in NYC, I thought, let's give it a shot there too! I reached out to my former colleague from Rugrats and Wild Thornberrys, Joseph Scott, and asked if he'd be interested in running things there. He is now heading up all our operations in L.A. and he is just the most phenomenally kind and talented person on earth. With his art skills he could do whatever he wanted but he devotes a huge amount of time to the kids we work with and I'm so moved by his giving spirit and boundless good energy. And Michael Daedalus Kenny is also stepping up in a leadership role as our newest Event Director, we've got amazing artists like Marla Frazee of Boss Baby genius, Monica Tomova from SpongeBob, Jeanette Moreno, king of The Simpsons, Chris Harmon from Futurama, Ashley Simpson from Phineas and Ferb, Christian Lignan of Teenage Mutant Ninja Turtles, graphic novelist, Jeremy Arambulo and so many others so we're in great hands there. I just wish the traffic weren't such a problem! It really is tough to get around that city, unlike NYC where there's a decently functioning subway that goes to all our locations, so getting around is no real trouble comparatively.

Tools of choice:  Our events are usually very handmade by design so that the kids can feel like they could do all of this easily by themselves. So we come up with themes like, “Who is your Superhero?,” and we ask the kids to focus on their strengths and what superpowers they wish they would have, and we draw their portraits as such. We are not art therapists, but we feel these event themes help to make the kids focus on positivity and their potential, and therefore help them to bond and heal. 

We do sometimes get more elaborate, like when we teach stop motion, claymation, and we once even taught them how to build homemade rockets on the roof of Bellevue Hospital! One of our Event Directors at the time, Nathan Schreiber, used to come up with the most fantastic science-focused events. He now runs a company called Science Ninjas, that helps kids learn about science with fun card games. But usually it's simple by design.

We are extremely fortunate to have Blick Arts as a sponsor. Their support enables us to provide each child with their own art kit after each event so that they can keep creating on their own after they learn new skills with us so thanks to them we have a lot of the arts tools we need.

Tool I wish existed: I think we do great working with anything we've got lying around- we emphasize the potential of just about anything to become art: we often create characters out of inanimate objects, make flip books, sculptures and puppets— using everything from card stock to socks to toothpicks and gum drops. We keep it accessible and inventive. 

How can we support The Ink Well Foundation? Because our volunteers are by definition "the artists behind the kids' favorite books, films, comics, and TV shows," we don't solicit volunteers from the general public. We do have an online application on our site, so other professionals that meet our criteria in the illustration, animation, and cartooning industries are welcome to apply there. 

What the general public can do is to help us spread the word so that more children can see that others are going through what they're going through, and also so that they see examples of adults believing in them and encouraging them. We try to promote the idea of art as self-expression and a way to get through trying times, ideally together. Connectivity and encouragement are critical to healing, and honestly, to just building a better world. So we talk about that a lot on our social media and at the events themselves. We also honor the kids' intelligence by talking about art in general there— we highlight classic and new artists and ideas and encourage them to learn from those masters as they develop their own skills.

Because we are a very small 100% volunteer-run organization, we focus on giving the kids the greatest events possible, and sometimes that means we don't have a lot of time for social media, self-promotion, and fund-raising. So spreading the word is huge and we are always extremely grateful for, and in need of, any financial donations. 

Where are Ink Well Foundation events held? We operate in New York City and Los Angeles because that's where the top artists in our fields are concentrated. We go to hospitals and at-risk support centers like Ronald McDonald House, Gilda's Club, Bellevue, St. Mary's, Mount Sinai, Childhelp, Covenant House and more. You can see the full list here. 

How can children who don't live near Ink Well Foundation events benefit from your Pen Pals Program? This is another reason we want people to spread the word. Loved ones of a child experiencing serious illness or hardship, who is physically or geographically unable to attend our events, can apply to have a special artwork sent straight to them. We ask the kids what their favorite animated films, TV shows, or illustrated books are, and then we have an artist who actually worked on that production make something tailored to that child. We then frame it up, and send it off to them by mail. 

We've done this with artists from SpongeBob, Captain Underpants, and just a week ago, we delivered a beautiful drawing of Curious George that our Event Directors, Franz Palomares and Lisa LaBracio (both of whom worked on Curious George) lovingly made. This was for a girl named, Maryanne who lives in Florida. She suffers from a rare disease called, vein of galen malformation that has led to brain damage and vision loss. She is unable to talk or walk or eat through her mouth and she suffers seizures but she understands everything around her, and she can feel texture. So Franz and Lisa made her Curious George playing in a sand box, and they glued real sand into the picture, so that Maryanne could feel that, and enjoy the art on multiple levels. Maryanne's mother, Sandra, said that she was thrilled, and that she loves to hold it. 

Our hearts are full being able to share these works with kids who need that moment of light, and that knowledge that an adult they admire, someone who doesn't even know them well, can care enough about them to take the time to create careful, tailor-made artworks just for them. We hope that helps to bring a smile in the moment, and build self-worth long term.

Misc. I'd like to mention that everything we do is 100% free of charge. No one gets paid, no money ever changes hands for the art. We have brilliant artists like Peter de Séve who is on our board and attends many events, while also creating characters for Ice Age, The Little Prince, and all his New Yorker covers. He could get a mint for his works, but he comes down and does this for free, and that's a testament to the power of that loving connection we all feel when we are just selflessly helping one another.

I feel this most acutely when I'm working with youth who have suffered abuse and neglect. We have an Event Director, Jane Archer, who leads our work at Bellevue Hospital. Many of those kids are there because they have been through unendurable trauma, and Jane connects with them beautifully. She begins with a meditation where we all envision our strengths together, we talk about our talents, and hopes for a brighter day, we imagine embodying those gifts and then we gently, patiently, ask the kids to help us draw characters step by step. Many kids start out very suspicious and resistant, even angry. But by the end of the events they are almost always laughing and teasing us, and they don't want to stop creating. It is my greatest joy to experience that transition and I hope we may continue to spread this support and faith in one another for many years to come.

Website, Etc: 

We are @inkwellkids on every platform:

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Find more posts about art supplies on Case’s Instagram! There is a Twitter as well. If you enjoy this blog, and would like to contribute to labor and maintenance costs, there is also a Patreon!

[walkwalkfashiontuesday]

Efalent skirt!!

Straggler Skirts Go Live April 22nd at Noon EST

Over the years, we've collected quite an array of straggler skirts! These are skirts that weren't sold either to leave inventory to process exchange requests, were returned by the original buyer, or were never listed because they had defects.

Some of these skirts are as recent as the last RTS drop (including the Winter Hiss From a Rose variant, first printing of the Deadly Florals design, and the Mushroom skirt among others) and some are from years ago (including old styles of the Dungeon Delver and Succulents midis, the Spring variant of Hiss From a Rose, the Bento Babies and Babe Parade designs, etc.)

Because they cover such a broad spectrum of time, some of them have different measurements so please be certain to know your measurements and to check them against the listings.

Any defective/discounted skirts will be final sale (i.e. they cannot be returned) so make sure you also check out the defect pics!

Some designs will have as many as 20-40 in stock (across all sizes), but most skirts have less than 10 in stock (across all sizes), so I am expecting these to sell quite quickly. Because of this, I have decided to set an actual launch time (noon EST) instead of just giving a day.