#dyble

[britrockaholic2]

Fairport Convention - RENO NEVADA - 1968 Bouton Rouge TV clip, 

"Part 3 of the 1968 Bouton Rouge French tv show. Featuring the original Fairport Line up of Judy Dyble, Iain Matthews, Simon Nicol, Tyger Hutchings, Richard Thompson, and the late Martin Lamble. Staggering, rarely seen performance, capturing the band in their very early, and now often said best period."

*

Fairport Convention (Original line up, Judy Dyble etc) Morning Glory, 1968 https://youtu.be/N9syNEpLrHs

[rastronomicals]

1:00 AM EDT August 25, 2024:

Giles, Giles and Fripp -   "I Talk To The Wind (Judy Dyble Vocal)" From the album The Elements (2021 Tour Box) (July 2021)

Last song scrobbled from iTunes at Last.fm

[closertotheheart]

Judy Dyble.

[julio-viernes]

Si los "ultra cool" del beat británico fueron The Walker Brothers a pesar de ser norteamericanos, los del folk rock fueron los primeros Fairport Convention con Judy Dyble e Iain Matthews como pareja de cantantes principales.

En su versión de "Reno, Nevada" de Mimi and Richard Fariña comienzan cantando los dos, Matthews de brazos cruzados sin inmutarse. Al llegar el solo de guitarra de Richard Thompson en la parte jazzy, ambos se quitan de en medio, Dyble se sienta y mira a cámara sin parpadear. Matthews está sentado en otro lado con la cabeza agachada. Acabada la parte de improvisación, ambos se incorporan y terminan la canción como si nada.

La versión de los Fairport no vio la luz hasta 20 años más tarde de su grabación en el LP "Heyday: the BBC Radio Sessions 1968–69".

[swallow-wind]

Judy Dyble's version of I Talk to the Wind...........man. life-changing

[jbaileyfansite]

The Bridge Theatre has announced the full cast for Richard II, opening on 10 February 2025 and running until 10 May.

Directed by Nicholas Hytner, the production will star Jonathan Bailey in the title role, supported by a cast that includes Royce Pierreson as Henry Bolingbroke, Christopher Osikanlu Colquhoun as the Earl of Northumberland, and Olivia Popica as Queen Isabel.

Additional cast members include Amanda Root as Green and the Duchess of York, Phoenix Di Sebastiani as Thomas Mowbray and Groom, and Clive Wood as John of Gaunt. Returning to the Bridge Theatre is Michael Simkins, who will play the Duke of York.

The ensemble is rounded out by Adam Best as Sir John Bagot, Seamus Dillane as Lord Surrey, Vinnie Heaven as Aumerle, Jordan Kouamé as Sir John Bushy and Harry Percy, Gerard Monaco as Sir Stephen Scroop and Keeper, George Taylor as Fitzwater, and Badria Timimi as the Abbess of Carlisle. The understudy cast includes Emma Bown, Martin Carroll, and Stephan Boyce.

Richard II sees Shakespeare delve into themes of political power and authority, foregrounding on the contrast between the impulsive Richard and the practical Bolingbroke.

The production will feature design by Bob Crowley, lighting by Bruno Poet, sound by Carolyn Downing, and an original score by Grant Olding. Robert Sterne is the casting director, with Lily Dyble as associate director.

The creative team includes Jaimie Todd as associate designer, Charlie Smith as associate sound designer, Eleanor Dolan as costume supervisor, and Lily Mollgaard as props supervisor.

You can still buy tickets here and here.

[1264doghouse]

Judy Dyble

[fugengulsen]

Judy Dyble / Talking With Strangers

[dollarbin]

Sandy Saturday's #4:

Fairport Convention's Suzanne

There was nothing wrong with Fairport Convention in the Spring of 1968. They had the best lead guitar player in England, plus two skillful singers, an oddball but talented bass player and a rock steady rhythm guitarist and drummer. They weren't The Beatles or The Stones, but they knew what they were doing and they did it well.

Only two ingredients were missing: songwriting chops and a lead singer who could truly front the band.

The first problem was a significant one; Richard Thompson, who would soon become transcendent in the songwriting department, was still about 14 years old (okay, he was actually 18, but you get the idea) and he leaned on random roommates to write his lyrics. And no one else in the band showed any real songwriting promise.

But in 1968 you did not need to write your own songs. You just followed Judy Collins lead and let Dylan write your songs for you, along with Richard Farina and a very precocious Leonard Cohen. Witness the band's version of Suzanne:

There's plenty to be said for this version: the band's female vocalist, Judy Dyble, sits it out and lets the strident and angelic Ian Matthews carry the lyric (Dyble would bring her knitting on stage at this point and darn away whenever she wasn't needed). And Richard Thompson's brooding, harsh solos, whenever the choked off electric rhythm gives him room, are something to behold. You want to take him with you, and you want to take him blind...

But the track is not yet timeless. Something is missing. And that something is Sandy Denny.

Go ahead on this Sandy Saturday; lean into the band's version of Suzanne just a few months later when Dyble had been given the knitted boot and Denny had stepped up to claim the band as her own.

Matthews still carries the opening verse, yes, and the original arrangement remains in place. But now, the moment Ian's novelties begin to wear thin, we've got Denny gliding in for the second verse, and there she is alongside Matthews in the final verse as well. Sandy quavers with power and understatement throughout, commanding Matthews to raise his game a giant step. She glows within the track and turns it into big deal art. I trust her perfection with my mind.

Note the constraint Thompson brings to this later take; he knows he no longer needs to solo under the vocals; he knows he now had a peer in the band, someone to write songs alongside; someone to try and live up to. Like any other sensible male (paging Stephen Stills; Stephen Stills please get a clue), he knows he's stronger when deferring to a true peer.

[newmusicunited]

King Crimson - I Talk To The Wind (Ian & Robert Early Take With Greg Master Vocals)

Ian McDonald and Peter Sinfield’s beautiful ballad had been through a few iterations before the final version that found itself sitting between the chaotic explosion of 21st Century Schizoid Man and Epitaph’s foreboding prophecies on side one of King Crimson’s 1969 debut album. First, there had been the version with Giles, Giles, and Fripp featuring the wonderful Judy Dyble, late of Fairport…

[parkerbombshell]

Rules Free Radio May 28

Tuesdays 2pm - 5pm  EST Rules Free Radio With Steve  Caplan bombshellradio.com On the next Rules Free Radio with Steve Caplan, we’ve got new and recent music Marc Valentine, Monogroove, Arcwelder, Orin Stone, Mark & The Clouds, Lizz Wright, Julian Lage, Hanemoon, The Sylvia Platters, Brent Seavers, Of Montreal, Meatbodies, Rome’s Azure Sky, and a few more. A lot of classics including Quicksilver Messenger Service, The Yardbirds, The Electric Prunes, Adrian Belew, Pink Floyd, Cal Tjader, Donovan, The Lovin’ Spoonful, The Beau Brummels, and more. And speaking of classics, the recent passing of Australian pop singer Frank Ifield got me revisiting some early 60s music with a certain sound. We’re going to start with his one big hit, I Remember You, featuring some great harmonica work by Harry Pitch who taught young John Lennon how to get a sound that ended up on early Beatles tunes. Set 1 Frank Ifield - I Remember You The Beatles - Chains Harry Pitch - Lonely Street John Barry - Midnight Cowboy Lovin' Spoonful - Lonely (Amy's Theme) Nancy Sinatra - You Only Live Twice The Valentines - To Know You Is To Love You Rome's Azure Sky - This Boy Katydids - Heavy Weather Traffic The Kennedys - River of Fallen Stars The Sylvia Platters - Kool Aid Blue Hanemoon - Let The Sun Come In Blueboy - Air France Marc Valentine - Complicated Sometimes Monogroove - My Town The Records - Starry Eyes Brent Seavers - Of Poetry Mark & The Clouds - Whatever Happened to the Future The Yardbirds - Shapes of Things The Electric Prune - Train for Tomorrow Quicksilver Messenger Service - Pride of Man Spirit - 1984 Arcwelder - State of Decay The Kinks - 20th Century Man Odin Stone - Revolution The Galileo 7 - You, Me and Reality The Grip Weeds - Tomorrow The Triptides - Heavy Cloud Of Montreal - Rude Girl on Rotation Donovan - Jennifer Juniper Meatbodies - Gate Project Gemini - After the Dawn Eirlend Oye - Mornings and Afternoons Pink Floyd - A Pillow of Winds Sylvain Luc - Julia Julian Lage - Omission Julia Pratt - Backseat Lizz Wright - I Concentrate on You Adrian Belew - Matte Kudasai Judy Dyble - C'est la Vie The Beau Brummels - Magic Hollow Donovan - Bert's Blues Cal Tjader - Afro Blue Goran Kajfes Tropiques - Unity in Diversity Read the full article

[rastronomicals]

10:19 PM EST November 4, 2024:

Giles, Giles and Fripp -   "I Talk To The Wind (Judy Dyble Vocal)" From the album The Elements (2021 Tour Box) (July 2021)

Last song scrobbled from iTunes at Last.fm

[ghostie111]

1967 - Sandy Denny With Alex Campbell - The leaves of life

Very unhappy pairing released year before she replaced Judy Dyble in Fairport Convention.

[dustedmagazine]

Listed: Tomten

Photo: Tony Kay

Tomten are a baroque pop quartet based out of Seattle, Washington. Brian Noyes (vocals, keys, guitar) and Lena Simon (bass, vocals) (Kairos Creature Club, formerly of La Luz) met in 2008 and began demoing each other's songs at Cornish College of The Arts. Their latest album, Artichoke, is less prickly than the name suggests, drawing influence from the acid folk of the Incredible String Band, Bridget St. John and John Martyn, the lushly arranged soul of the Delfonics and the country pop of Gene Clark. Jennifer Kelly wrote about the disc in the last Dust, noting that “Tomten’s songs billow and swell in that frictionless, effortless way that often indicates great care and craft.”

Here Brian Noyes digs deep into the archives via two compilation series. He writes, “There are two compilation labels that have meant a lot to me over the past few years, Grapefruit Records is a subsidiary of Cherry Red and issue primarily British Psych and Folk, and Cairo releases incredible 1960s-1970s soul comps. I decided to pick five of my favorite tracks that Grapefruit and Cairo turned me onto.”

Jackie McAuley — “Turning Green”

I was familiar with Jackie McAuley being the former keyboard player of Them and the other half of the amazing and underappreciated folk pop duo Trader Horne with Judy Dyble (Fairport Convention.) But I wasn’t familiar with any solo work he had done. This song instantly stuck with me. I love the string arrangements and stately piano. In an alternate universe it could’ve been at the end of a 1970s Hal Ashby or Robert Altman movie.

Carolanne Pegg — “Open The Door”

I could listen to this song over and over, it’s so fun. I love Carolanne’s vocals on it, kind of shrill and mystical, like proto-Kate Bush. I also love the cosmic banjo rush during the later chorus and the throaty guitars.

Matching Mole — “O Caroline”

I’ve always loved Robert Wyatt, but I’d missed out on his earlier group Matching Mole. This is such a sweet and touching song. I love the mellotron and wah guitar and the line — “if you call this sentimental crap, you’ll make me mad.” Gotta love Robert Wyatt’s wooly little voice.

Robin Williamson — Strings In The Earth and Air

This is the opening track off his 1972 solo record “Myrrh.” Strangely enough, I first heard Dr. Strangely Strange’s cover of it — I love both but prefer Robin’s. Such a haunting and beautiful song. I believe the first half is part of a James Joyce poem. I want it played at my funeral… I also love Mike Heron’s solo record from a year or so earlier, Smiling Men with Bad Reputations. Two over-looked solo efforts from the Incredible String Band.

Heron — “Take Me Back Home”

Tomten has loved Heron for a long time, so much so that we covered their tune “Yellow Roses.” They are all over Grapefruit Comps, so I wanted to include them for that reason. This song is off their second record Twice as Nice & Half the Price and it is my absolute favorite. It’s such a loose and lovely performance. Makes you wish you’d been hanging out in the house with them having some frothy ales.

Bettye Swann — “Then You Can Tell Me Goodbye”

Bettye Swann has so many killer songs, this one really sticks with me. Great morning song. Love the production and backups too. John Holt has a cool version on A Love I Can Feel as well, but Bettye is best.

Diamonettes — “Don’t Be Surprised”

Great tune from a somewhat obscure Miami group. Classy strings. They also have another tune I love called “Rules Were Made to Be Broken.”

The Raelettes — “Many Rivers To Cross”

A fantastic song and so many good versions, Jimmy Cliff and Nilsson… But I hadn’t heard this version until semi-recently and I love the mood of it — somber smokey horns. The Raelettes were backup singers with Ray Charles for a time, and later changed their name to The Cookies.

Eddie & Ernie — “I’m A Young Man”

I LOVE EDDIE & ERNIE! Their voices together are fabulous, this is one of my favorites. There is an awesome comp called “Time Waits For No One” everyone should go out and buy now!

The Ordells — “Sippin’ a Cup of Coffee”

A good song for ruminating… Eerie, dreamy and gorgeous.

Various Artists — Strange World

On a final note, there is a compilation by a partner label of Cairo, Pyramid Records that did a release called Strange World described as “Cosmic and Earthly Doo Wop and R&B from America and Jamaica” that if you come across you should absolutely purchase. I probably play it at home once a week, hehe.

[weaversplanet]

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[leftoverluck]

biked to taco bell while smoking a cigarette and listening to this song life is beautiful like that

i talk to the wind ♪