#don't read if you like the netflix show though
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cleverthylacine · 7 months ago
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Netflix's bastardisation of Three-Body
Oh yeah. I haven't said anything about this. Probably because I've been screaming at people on reddit about it for weeks.
Extensive spoilers below of why you don't want to watch this show if you like the books and should watch the C-drama by Tencent Pictures instead. If you like both you can have fun screaming at this show except that after about 4 episodes even that stops being fun.
The first problem with this show is that they decided to set it in mostly England instead of mostly China, and then cleverly made most of the main characters nonwhite as well as non-Chinese, so that they could point at that as evidence that they're not racist for turning a book set in China with mostly Chinese characters into a show set in England with mostly characters who grew up in the global west (even Cheng Jin/Xin has been raised in New Zealand).
The second problem with this show is that they're adapting a trilogy of 500+ page books and they shoved the first book into 5 episodes and the first part of the second book into 3 episodes. A lot of important and interesting material got cut.
The third problem with this show is that the main character of the novel and the C-Drama is Wang Miao, who is a very sensitive, nonjudgemental and caring male character, the kind of male MC we rarely get. He's also a good husband and father and he's adorable with his daughter. Wang Miao is able to make many connections between people and information because he is able to listen to people, even when he knows they're dangerous, with empathy and refrain from judging them at least until they've finished telling him the stuff that he actually wanted and needed to know.
The character they replaced him with is argumentative, judgemental, and angry. Auggie frequently storms out of conversations with key people in the story in high moral dudgeon without having learned a thing.
Cleverly, they made her female, so that anyone who dares criticise her for being generally terrible is hit with accusations of Skylar White syndrome and being unable to handle angry WOC.
The fourth problem is that they changed the relationship between Mike Evans and Ye Wenjie and in so doing obliterated the internal conflict within the Earth-Trisolaran organisation.
Ye Wenjie is significantly older than Mike Evans and serves as a mentor and sympathetic ear to him while he's in China. She already has had her daughter by her late husband.
in the English show she's his lover and it's gross. I am not even someone who generally objects to age gaps in fiction or even reality as long as everyone's an adult, but this is gross. For one thing, Evans is obviously mentally ill and vulnerable. He becomes the father of her daughter. They then obliterate the faction war that started between Wenjie and Evans. This is important and awful because Wenjie's faction wants aliens to come to Earth and save us from our own idiocy. Evans' faction is anti-human and wants the aliens to come to Earth and save the planet from humans. (Why he thinks they will preserve the animals he values more than people, I don't know. These aliens are fucking ruthless.)
The result of this is that they portray the secretive and malevolent eco-terrorist Evans as a cute elderly space-obsessed grandpa surrounded by little kids that his antinatalist ass would have never supported his followers having (and that anyone who followed him would never have.)
The upshot of this is that we get to see dead children's severed limbs after Our Heroes retrieve crucial information. And we don't know that it is crucial information because they have Wenjie in custody and it is therefore not clear that Evans has been talking to the aliens, they no longer talk to Wenjie, and what they're trying to take is the records of all the conversations Evans had with the aliens, which could maybe be important if you wanted to know in advance how bad the aliens are and what they are planning to do.
I don't want to see murdered children. There is enough of that on the news, thanks. It's an emotionally manipulative choice on the part of the writers. It does make Auggie's worst temper tantrum understandable, but if they had made her the kind of character Wang Miao was, that wouldn't have been necessary. Wang Miao did object to all the adults-only carnage, but he also was able to understand that there were plot-related reasons all those grown-ass ecoterrorist assholes had to die.
So now everyone who thinks Auggie is a rotten replacement for Wang Miao is not only a misogynist but pro-murdered children. And the neckbeards who actually haven't studied cults are all like "of course they put kids on the boat! a cult should have kids!" because they're not aware that there are cults other than the FLDS and the Branch Davidians. Aside from the ecoterrorism aspect, the recent cult that Evans' group is most like is Heaven's Gate, who were so anti-sex and anti-breeding that some of them castrated themselves.
They also added a white male character who was rich. Sadly, he was hilarious and entertaining in a very Seth Rogan/James Franco kinda way, so of course he was one of the first main characters to die.
The usual suspects are claiming that the adaptation was fucked up by "wokeness". I don't believe that, but I do wonder exactly why the extreme environmentalist/animal rights/super vegan/anti-natalist/anti-human bad guys were written out of the story.
Because climate change is important and the environment is important and we really have to fix it. We really do. We have to save our planet, we're the people who live here!
But all good movements have their dangerous fringe people, and people who would do what Mike Evans did in the books exist. For instance, there were animal liberationists who let prion infected squirrels loose 20 years ago and suddenly now in Appalachia, where poor people hunt squirrel, we have an epidemic of prion-related dementia.
(And those of you who read me regularly and know that I've worked in medical research schools most of my life know that I haaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaate these kinds of "environmentalists" so yeah I'm a little bit mad that I didn't get to see Evans die horribly lmao.)
In other words: this show is so bad that it actually makes me contemplate right-wing Hollywood conspiracy theories for a hot second before dismissing them.
They also added a lot more explosions and a lot more interpersonal drama, because that's what Americans like. Yeah fuck you Netflix.
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halohalona · 3 months ago
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Netflix and chilling with logan ( fluff ofc)
Old Enough!
you invite Logan to watch a cute TV show
Logan Howlett x reader
ok i was sifting through my netflix looking for inspo and rediscovered this gem of a show, i recommended it if you're looking for something cute to watch in the background.
second logan fic, again it's been a while since i've written something so bear with me
warnings: none, just pure fluff, this one's a little longer than the last
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It was a saturday. You had nothing in particular going on and decided to watch something on Netflix to pass the time. After a minute of scrolling, you come across this show called "Old Enough." Reading the show description you thought, eh why not, it looks cute, and put on the first episode.
After the first episode you got hooked. I mean who wouldn't?? Little kids doing errands on their own was so adorable. You were about to start the eleventh episode when Logan walked in, beer in hand.
"What're you watching?"
"Old Enough." you answered without looking away from the tv. "It’s so cute! Come, sit and watch."
Logan makes his way to you and takes a seat, an arm resting behind you on the couch. "So what's this about?"
You pause the show before turning to him. "It’s a show where children run errands in Japan. In this episode, the two boys are supposed to cross a bridge to pick up some fish from their grandma in Tsukiji, cross the bridge again to pick up some diapers for their baby brother, and then buy yogurt from the supermarket."
"Children running around alone? Are they sure that's safe?"
"First off it's in Japan, it's pretty safe there. And second, they're not completely alone, there's a camera crew with them. They're just keeping their distance so they can run the errand independently." You unpause the TV.
"I don't see how this would be entertaining." just as Logan said that one of the kids pointed to the camera saying: Oh! There's a camera!
You giggle as they pan to a shot of the cameraman looking absolutely defeated. It didn't stop there though. The kids then noticed the other cameras and adults around them, and being the kids they are, asked what the "box" one of them was holding did. The man they asked also looked defeated.
After the crew member answered one of the boys then pointed out their matching rain boots then continued on to their destination.
You haven't heard Logan speak in a while. You look up at him and see him trying to hide his laughter as the boys in the show (each holding one end of a bag, by the way) walk into a pole, the bag in the middle getting caught on said pole causing the two boys to crash into each other.
A smile made its way to your face, and as you leaned in on his shoulder you couldn't help but think about what it would be like as you and Logan sneakily followed your own kids as they did their errands.
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personasintro · 1 year ago
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Mutual Help | #01
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↳ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬; in order for you to pretend to be his girlfriend, he helps you with your sexual desires ⏤ he calls it mutual help
⇢ 𝐩𝐚𝐢𝐫𝐢𝐧𝐠: jungkook x reader
⇢ 𝐠𝐞𝐧𝐫𝐞: fake dating au, fluff, angst, smut, slow burn
⇢ 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: explicit language
⇢ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 3.4k+
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𝐚/𝐧: this bombass comeback wouldn't be as amazing and special if it weren't for @kithtaehyung who made the best new mh banner anyone could ever make!!! ryen, thank you bub so much for putting up with my indecisive ass and taking the time to make not only this banner but different versions before that! I truly appreciate it and I'm thankful you're a part of this!!
ogs know this one is reposted but I hope everyone will enjoy it whether they're rereading it or reading for the first time! lastly, thank you for the endless love and support, i love y'all ♡
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𝐢𝐧𝐝𝐞𝐱 | 𝐧𝐞𝐱𝐭 ⇢ 
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The hallway looks exactly the same, which there isn't any reason why it should look different all of a sudden, but considering you haven't been in this building for the past few weeks just makes you want to notice the slightest change. But there is none. It still smells sterile with a little bit of sweetness which reminds you of cinnamon. You're not sure why, nor do you really dwell on it too much.
You could imagine your Thursday evening differently, which means laying down as soon as you come home and turn on Netflix, trying to spend at least twenty minutes finding a good show. That's been your routine for weeks now, but you're not complaining. It feels that void of loneliness in your smart one bedroom apartment.
Although, you can't help but feel nervous when you picture the message you got from Jimin.
'come to Jungkook's, he needs us' 
He never explained anything further, nor replied to the tons of your messages or missed calls. You wouldn't be on the edge, if you've seen or heard from Jungkook. Apart from some occasional messages like 'what's up' or 'what were you doing today?', your communication went downhill. But you don't blame him or yourself for it. You were both busy and probably still are, to even hangout like you always used to.
It bothered you for some time, not hanging out with your best friend like you used to. But you've grown used to that small but painful fact that you don't have to see each other every day. Plus, after some time you've realized, you can still be best friends with someone without having to chat with them 24/7. Gratefulness is how you'd describe your feelings. Grateful that your friendship works, even though you don't get to spend your time with each other that often.
Your knuckles meet the wood of Jungkook's front door in a gentle manner, which is a complete opposite of your inside feelings as you've this weird feeling inside of you. The message Jimin sent you was weird and you haven't heard from anyone since then.
And when the door finally opens, you're glad you're met with Jimin himself as he stares at you with hopeful eyes and a breath of relief that escapes his plush lips. You rush inside, already taking off your shoes and jacket while you confusingly stare at your friend that looks more than relieved to see you.
"What the hell happened? You never texted me back." you tell him, or more like scold him rather than properly greet him.
"Ah, sorry," he cringes, pulling out his phone before he notices the bunch of messages and missed calls from you. "It's just—"
"This is bullshit."
The grumpy and raspy voice unintentionally cuts him off, booming inside of the apartment causing your ears to naturally perk up. Is it just you or his voice got deeper? You look at Jimin with a questioning gaze, who sees the confusion on your features as you hear Jungkook's grumpy and annoyed voice. Rather than explaining something to you, he sighs and with a quick cock of his head towards the living room, you both walk inside.
You're surprised when you see Taehyung there as well, opening a beer can before he pushes it into Jungkook's hands. Surprisingly, the mentioned guy is slouched on his beige couch, wearing one of his baggy shirts and loose sweatpants with his hair looking like he hasn't brushed them for days.
Taehyung's eyes meet yours as soon as you step in, noticing the mess around including two pizza boxes thrown on the floor and empty cans of coke and beer on the coffee table. "Oh, thank god!" Taehyung breathes out the same sigh of relief, causing you to greet him with a confused 'hello'.
Although, you don't wait for any reaction because your best friend finally acknowledges your presence in his home, head lazily turning in your direction as you walk up to him.
"Great," he mutters, almost rolling eyes at the sight of you. "Who called her?" he eyes the two of his best friends, scoffing before he takes a gulp of the beer that Taehyung handed him.
"What kind of reaction is that, asshole?" you react right away, frowning at your best friend that hasn't seen you for weeks and this is his first reaction.
"Don't mind him, please. He's just a little bit drunk right now." Jimin quickly jumps into an action, noticing your fireback and unappreciative tone that's aimed at none other than Jungkook himself.
He rolls his eyes at Jimin words, but doesn't say anything else before Taehyung watches you with cautious doe eyes. He sits in a chair, arm leaned against his knee as he anxiously bites his nails even though he tries to act casual. You don't buy it.
"What the fuck is going on?" you ask them, pointing towards Jungkook that looks like a truck just hit him.
Jimin opens his mouth, but Jungkook glares at him which ends up with him shutting it right away and when you look at Taehyung, he doesn't even spare you a glance.
"Which one of you called her?" Jungkook speaks up, eyeing the two of his friends as they point to each other causing you to snort. Cowards. "I'm fine. I don't see a reason why you make such a big deal out of this. I'm fine."
The fact that he had to repeat the same sentence twice, just proves that no — he's not fine. And before the wheels in your head start to work and roll, Jimin's voice speaks up in a clear, yet quick tempo.
"Kiko broke up with Jungkook."
The room goes silent, faint sounds coming out of the television are filling out the thick silence in the room as Jungkook freezes, not even glaring at his friend that apologetically shrugs at him.
One of the reasons why you haven't got to see your best friend that often is, that he simply found a girlfriend. Trying to combine his work, personal love life and you was already hard. But you get it. You're not mad or annoyed at him, because the two of you still kept in touch. It was just a matter of time until some of you found someone and naturally, there wouldn't be that much time to spend your days together. It was bound to happen and you knew Jungkook would be the first one to find someone.
He's your best friend, but you're not blind. He's one of the most handsome guys you've ever met, not just that but his personality is something that most girls would fall for. His attitude is pissy right now and now, you know the true reason behind it. But the Jungkook you know, is one of the most caring people you know. And not only that, but he's funny, intelligent and perfect at almost everything. He's the whole package and any girl would be lucky to snatch him.
And that girl, or perhaps you should say a woman, happened to be Kiko. A Japanese beauty that their mutual friend introduced them to one another. It clicked off immediately. Even you've noticed it when Jungkook Rain checked almost every plan you had together. He started to stare into his phone with all those puppy heart eyes whenever she texted him. At first, you found it annoying because it was just plain rude, watching him text her every five seconds instead of trying to hang out with you. But then, you just stopped caring and whenever you went silent, he'd just pushed his phone away and tried to gain your attention.
It was stupid, because you knew if you gave him attitude or silent treatment, he would just feel bad and tried to focus on you. Until the both of you stopped hanging out with each other that much.
"She did?" you mutter, staring at Jungkook who stares in front of him with a wiped out gaze. You've never seen him in this kind of state. "I'm sorry, Kook."
"Yeah, well, shit happens." he grumbles, clenching his jaw as he takes another gulp of beer that's securely clenched in his hand.
You've seen Jungkook having a couple of girlfriends, but you know that his relationship with Kiko was different. He wasn't just any girlfriend that he tried to get to know, she was someone that he completely fell for and couldn't stop talking about. He's in love. And even though he's being an ass to his friends right now, it's just his coping mechanism and you know that whatever Jimin and Taehyung has been doing, hasn't helped much. He plays tough right now, hiding his true feelings under this cold and uninterested facade but you know him better.
And when he keeps glancing at you before he quickly looks away, it's almost as if he can hear your exact thoughts.
"Well," you hastily speak, clapping your hands together as you lightly smile at everyone in the room. "You don't wanna date anyone whose name is Kiko." you try to joke, a laugh and snort erupting from Jimin and Taehyung who has obviously found your little joke funny.
Jungkook on the other hand, looks even more pissed off because he never looked at you with so much anger and annoyance as he's looking right now, causing you to squirm in your spot. "Real class, Y/N." he barks at you, causing you to slump in defeat before Jimin squeezes your shoulders in comfort.
"I brought you banana milk. I didn't know what happened, so I thought this would be a nice and quick save." you lightly tell him, sitting at the end of the couch, next to his sprawled legs but he doesn't move them away.
"Jeez, I'm not some fucking kid. Banana milk won't fix my broken heart." he scoffs, shaking his head while the three of you are even surprised that he just admitted that he has a broken heart. Well, clearly but since he's been putting up this tough act, it still comes as a shock. Judging by the look of Jimin's and Taehyung's face, they seem to think the same thing.
"I know that, Kook," you quietly tell him, hastily grabbing one of his ankles as you squeeze it in a manner to comfort him. He doesn't budge, that means something. "Is there anything we can do for you?" you ask him, not really sure if he's even going to answer that.
His brows furrow while he fumbles with his fingers, the slightest pout adoring his small lips as he thinks your question through. The three of you watch him with curious eyes, wondering what the hell is this guy thinking of. He looks at you, then at Jimin and Taehyung before he softly sighs.
"I mean... there's nothing you guys can do." he says softly, taking another gulp of beer that tastes like piss. Korean beer is just not good, and you're surprised that Jungkook even drinks it. But he never had any problem with any alcohol, that man can drink and eat anything.
There's nothing you can think of that could possibly help him out of his heartbreak. The only thing for you to do, is to be there for him. And if drinking a beer that tastes like piss is some kind of twisted way of helping him, you're in. So, you reach out and grab one of the unopened cans before you open it with a loud 'click', taking a gulp of it.
"What are you doing?" Jungkook sits up, staring at your scrunched nose and distaste written all over your face.
"Drinking with you." you shrug, taking another huge gulp of it. The more you drink it, the less it tastes awful.
"But you hate this beer." he reminds you, scowling at you and your nonstop gulping, hand twitching to get it away from you.
"I know," you shrug, grinning at him. "It doesn't taste that bad. Now come on," you nudge him with your leg, raising your can to him. "Cheers." you call out to him, ignoring his big doe eyes that stare at you with a slight confusion before he sighs.
"Cheers." he mutters, clicking his can against yours before the both of you take another gulp.
The two of you are completely unaware of your friends' faces that are washed with relief and knowing eyes as they stare at you and Jungkook. All it took was just to call you to save the day. Jungkook might not be in his greatest mood or show his appreciation for you to be there for him, but drinking without constant complaining and cursing is still a better result that Jimin and Taehyung managed to get.
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"I've never thought I'd ever drink this much of this piss beer." you croak out, putting another empty can onto Jungkook's messy coffee table. You sit back, head falling onto his shoulder as you silently inhale his scent. It always reminded you of his fabric softener that smells like a baby, mixed with his cologne that is very faint on his clothes.
"How do you know what piss tastes like?" Jungkook asks, raising his brow at you while the corner of his lips twitches in amusement. "Do you wanna tell me about your weird kinks?" he cocks his head at you, causing you to groan as you hit his shoulder but it does nothing to him, he doesn't even budge.
A chuckle roars in the back of his throat, a first sound that can be considered as a positive emotion.
"It's not like that." you mutter, growing embarrassed at the thought of Jungkook thinking about your kinks. Not that you know about them that much. You might think there are some things you might like, but you never had anyone to try it with. How possibly could you know? But the idea of you having a piss kink, or whatever that's called, makes you want to gag. Maybe it's the beer or just a single thought of it, who knows.
Jimin and Taehyung already left, once they saw Jungkook loosening up, they took that chance to go home and leave the two of you alone. Not even once he talked about his heartbreak, you silently watched a TV show that Jungkook turned on whilst drinking a beer and munching on some crackers that Taehyung handed you before they left.
Glancing at Jungkook, his face is illuminated from the screen whilst he's watching a TV show with slightly furrowed brows. And when it finally stops, he sighs and grabs the remote to browse through some other movies and TV shows. He keeps browsing through them for a couple of minutes, muttering a pair of curses when he can't find anything he likes. You turn on the lamp in the very corner of his living room, causing him to frown even more from the sudden light.
You sit next to him, staring at him as he sighs and looks back at you. "What?" he asks unbothered, the remote still clutched in his hand.
"I'm sorry, Kook," you tell him silently, reaching for his shoulder which you squeeze in comfort, like you previously did with his ankle. "I know that you loved her."
And you see his facade crack, when he sucks his bottom lip as he quickly looks away from you to blink away the tears that are threatening to fall. You've never seen him this vulnerable.
"Love," he mutters, causing you to let out a confused 'huh?' in response. "Not loved her, but love. I still love her." he corrects you.
"Why did she break up with you? You don't have to tell me if you don't feel comfortable enough, but you guys seemed so close together."
It doesn't make any sense. Jungkook kept talking about her even through your messages, and you could practically feel the happiness radiating from his single messages. His whole Instagram is filled with their pictures, or just single shots of Kiko that Jungkook has taken and captioned with a single heart emoji. You've never seen him being so in love before. That's when you've realized that Kiko is different from any other women that Jungkook was seeing.
You don't push him into answering, the last thing you want for him is to get upset with you. But you can't keep walking around eggshells for this whole night.
"Apparently, she just wants some time for herself. She wants to explore other things, whatever the fuck that means." he bitterly chuckles, eyes filled with anger but you know it's just hidden hurt.
"Maybe you'll find someone else, Kook. You're still young."
Scoffing, he shakes his head. "She's the love of my life. I really doubt there's someone else for me. I was about to ask her to move in with me."
Shit, he's really serious about her.
"You did?"
He nods, biting onto his lower lip before he lets it go, fumbling his eyes before he sighs in defeat. "I love her." he whispers, his voice sounding so vulnerable that it makes your heart clench.
You go straight into hugging him, enveloping his huge body to yours as he starts to cry into your chest. For the first time, he finally breaks in front of someone else rather than himself. He clutches to your body, tears wetting your shirt but you don't mind it, grabbing him even tighter. He cries, something he doesn't usually do in front of everyone. You realize how he kept holding himself in front of Taehyung and Jimin when all he wanted was to cry it out.
"It's okay, you're going to be okay." you tell him, cheeks pressed against his hair that got super long since you've last seen him.
He sniffles, wiping his eyes before he slightly pulls away. "It happened two weeks ago and I'm still such a fucking mess." he scoffs at himself.
"Two weeks ago?" you exclaim, surprised by the new information. "It happened two weeks ago and I know just... now?"
He glares at you and you quickly shut your mouth. "Not everything is about you, Y/N." he reminds you.
Rolling your eyes, you're about to curse at him for being so rude but then you remember his state. He's just hurt and in a way, he's right. "No, that's not what I meant. I just... I'm surprised that you didn't tell me sooner. If it weren't for Jimin, I don't think I'd be here right now." you explain, thinking about all possibilities that could happen.
"I was going to," he mutters, reaching for a bottle of water instead as he takes a few gulps. "But I needed some time to myself. I didn't want anyone to see me like this." he points out towards his slightly puffed eyes.
You just wished he'd tell you sooner. But you don't tell him that. It's not selfish to think that, because you just wanted to be there for him sooner. Nobody should go through such a heartbreak alone. Not when he has you and other two friends willing to be there for him.
"You know that you can tell me anything, right? I'm always here for you." you remind him, flushed cheeks when you see his eyes already set on you.
The friendship between you and Jungkook is mostly surrounded with you teasing each other and in a way, he's like an older brother to you. You don't get all sentimental with each other, even though you're always there for one another. It's an unspoken rule and natural feeling that your friendship has.
"I know," he says softly, giving you the best little smile he can muster. "And I'm so grateful for that. I know I was acting like an asshole and I'm sorry, I just... I'm really happy that you're here."
You don't get to hear such words often, especially coming out of Jungkook's mouth, but that's why you're even more pleased to hear them.
You smile back at him, silently thanking him and also saying that it's okay and you get it. It's quiet for a moment. Jungkook fumbles with his fingers as you silently watch him, noticing a few new tattoos that decorate his honey skin.
"Y/N?" he asks suddenly, causing you to hum in return. " You know when you asked me, if there's something you could do for me?"
"Oh, boy. What is it this time?" you joke, causing him to silently chuckle under his breath.
What could he possibly want to know? The last time he wanted something from you, was to clean his whole apartment because he twisted his ankle. But whatever that comes out of his mouth next, never occurred to you before.
"Can you pretend to be my girlfriend?"
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© 𝐩𝐞𝐫𝐬𝐨𝐧𝐚𝐬𝐢𝐧𝐭𝐫𝐨 (𝐧𝐨 𝐫𝐞𝐩𝐨𝐬𝐭𝐬 𝐨𝐫 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐢𝐨𝐧𝐬 𝐚𝐫𝐞 𝐚𝐥𝐥𝐨𝐰𝐞𝐝) | don't forget to reblog ♡
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angry-fandom-mom · 6 months ago
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So back in July I went on a damn CRUSADE to help Good Omens get greenlit for a third season.
I'm talking bullying literally everyone in my life to watch it and streaming S2 on my TV OVERNIGHT for WEEKS to up those views.
Well it's time for me to once again rise to the occasion for Neil Gaiman and drag people into Dead Boy Detectives because so help me GOD if this show gets canceled I will lose my mind.
Followers, if you're reading this PLEASE check out Dead Boy Detectives on Netflix. It's 8 episodes that are an hour long each and it is SO phenomenally good. The show contains supernatural, mystery, paranormal, and LGBT+ themes. I almost want to say it's like if Stranger Things and Good Omens had a baby. Y'all, if you like Good Omens you will like this show. If you enjoy the Sandman, I believe they have similar elements and also take place in the same universe I believe (Don't quote me on that though but both have to do with Neil Gaiman) PLEASE give it a watch it is so worth it.
And if you like Dead Boy Detectives and want to see a 2nd season, GET TALKIN'! SPREAD THE WORD! Bully your loved ones and followers into watching it. Do what you gotta do.
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claireswhisperings · 3 months ago
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claireswhisperings masterlist:
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morgan cheli:
threw her arms around my neck • show me how you do it
at a party to celebrate the team’s win, morgan can’t stop noticing the guy who keeps flirting with her girlfriend
it doesn't matter though • he doesn't have what it takes to be with a girl like me *coming soon
morgan watches you go on disappointing dates with others, all for you to realize it’s her you need (inspired by Super Graphic Ultra Modern Girl)
you looked back at me once • but i looked back two times *coming soon
some moments with morgan where you both toe the line between friends and more-than-just-friends
but i’m a cheerleader *coming soon
request: would you write a Morgan Cheli fic where she has gained a crush on the reader who’s a sophomore cheerleader for uconn. Morgans always trying to flirt with her, and the reader doesn’t register her feelings for Morgan at first ?
paige bueckers:
the love cats
you and paige find a stray kitten on the way to your guys’ apartment
baby, we don't need no towel • i’ma be the one who rub your body now
you can’t help but stare at paige when she comes over to build furniture for your dorm (inspired by azzi’s delicious story)
birthday sex (18+)
why not treat your girl on her birthday?
I just want your lips right between my hips (18+)
Just imagine tying Paige up and fucking yourself on a vibrator while she watches…could read as draft!Paige since she had that tie
“netflix and chill” (18+) *coming soon*
inspired by that one clip of paige and azzi. she’s just a big fan of netflix y’all
nika mühl:
get freaky • she got a tattoo right by her bikini that say “eat me” (18+) *coming soon*
you get a new tattoo, and your girlfriend approves
I could be a good mother • and I wanna be your wife *coming soon*
description coming
kate martin:
save a horse (18+) *coming soon
very self explanatory
more coming, and requests are open!
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demelzathemer · 1 month ago
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I'm watching the Doom Patrol episode for the first time ever and LOSING MY MIND, why didn't anyone tell me this is GOOD??? It's written by Steve Yockey and it SHOWS because the dialogue is absolutely the same as in the netflix series
Crystal is so catty and Edwin is fed up with people while Charles mediates, they're the same characters just played by different people?? I'm gonna add some shitty screensnaps here to yell about it
Obviously spoilers if you care about that;
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Crystal <3 She looks closer to her comicbook self but has the same amount of sass as her netflix self
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I swear I'm so normal about this bit of dialogue. Crystal telling Edwin Charles will protect him (with a baseball bat, mind you, they're in the States!) and their responses, I wish I could see Jayden and George act this part.
(I can hear "I'd do it anyway, won't I?" in Jayden's voice... weeps)
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Edwin sassing out little girls again??? I lost it with the pose and voice
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WEAK FOR THOSE BIG BROWN EYES
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(Jayden's voice again. I know you hear it)
He should've been allowed to drape himself over Edwin like this too. Why would Netflix do this to me
"Love this." EDWIN??? He's way too happy that they're gonna smack their client with a shovel.
And CHARLES (pulls it out without anyone asking, he knows what's going to happen next) HANDS IT TO CRYSTAL so she can be the one doing the smacking???
And she's way too eager as well. What is happening here. Though I love how seamlessly they work as a trio now. Even if it's for the purpose of knocking out their unsuspecting client
"The price to open the door to afterlife is pain, and I'm the only one who can do it."
With the door handle being a BABYDOLL HEAD. With HELL FLAHBACKS. What the actual fuck?
I thought the doll spider was netflix original character??
And Charles immediately being "you don't have to do it, we can find another way in" I might be crying
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Charles is afraid of water??? That's CANON?? It has to be, nothing has been changed about the characters so far!
Charles (with red-rimmed eyes): "I'm not scared! Just so you know."
Edwin (lying to make Charles feel better): "We know."
They're so in love. But what do you mean with "I'll make sure he's fine"? What are you gonna do, Edwin? Hold his hand on the boat ride? (They didn't show that part, so that's probably what happened.)
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They had ONE episode and they still had to make sure that we know Edwin's gay.
I'm OBSESSED with this line and this repressed version of Edwin, I don't have the words right now but I read someone's brilliant analysis about it. (Pls link if you find it)
"I used to think that, too. But it's not 1916 anymore, you know?"
"Well, I'm not like you. But thanks for the concern."
Edwin, oh my god that is so sad. What makes you think you don't deserve happiness? I need to study him under a microscope
...Then STRAIGHT INTO death flashbacks??? They didn't leave anything out, watching this one episode spoils 7 out of 8 episodes of the netflix series?!
"She's good." Edwin appreciates Crystal! I love that they genuinely are a trio here and the boys know about her quirks like they know each other
Also David lore is unchanged too and Crystal bonding with Dorothy was so sweet
...THE NIGHT NURSE IS HERE TOO?? I thought she was a netflix original character too (Cat King, Tragic Mick and Jenny are, at least?)
AND SHE'S RUTH CONNEL??? ALSO WTF JUST HAPPENED
Her character is pretty different alright, and played very differently by the same actress??? And Charles just WENT FOR IT unprovoked?! Do they know about her in this universe, is she like a monster that's actively hunting them down and can be alerted by killing(?) I literally don't know anymore this is crazy
(Edwin was so cute jumping up and cheering lol. A bit jarring how much more he curses here though)
This is actually an insane episode, the trio with their huge amount of lore just drop in in the middle of already established group of characters and their lore and then, they're never seen again after this??
And they had flashbacks to both of their deaths without explaining ANYTHING about what the hell was that. Just five seconds of "being chased and covered in blood", teasing something about their relationship, Crystal dropping her goal of beating her missing memories out of a demon, no conclusion of wtf was "spider-face lady" aka the Night Nurse, etc etc. They needed their own show really badly huh
So netflix hurry up and give us a second season! After seeing this I'm blown away by the execution of Dead Boy Detectives and how Jayden and George really brought the characters to life. I'm so thankful we have that. Their chemistry really is what makes the show.
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chosopie · 6 months ago
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I literally read all your works rn, it’s so good 😩 may I please request some soft sex with Sukuna tho? Maybe Netflix & chill with him when you two watching a movie he doesn’t give a fuck about, instead he’s starting to kiss you and touch you and of course you can’t resist him 😞
NETFLIX & CHILL - RYOMEN SUKUNA
a/n: Hi! Sorry for the very long wait... I absolutely loved ur request <3 I think this just summoned me back to life
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"Kunapie!" You said, hurriedly making your way to the comfortable fort of pillows and blankets you both had set up on the large sectional couch that was stationed across the 65 inch TV Sukuna had bought for you. The numerous bags of chips you cradled in your arms threatened to fall off, but Sukuna had taken most of them out of your grasp in a heartbeat.
"Let's watch Bridgerton," you mumbled while giving him a peck on his tattooed face.
Sukuna rolled his eyes. "Why can't we watch something like The Dictator or Narcos?"
"Narcos," you softly hummed as you internally rummaged through your thoughts, trying to recall what that name meant. Your eyes widened then immediately narrowed them at Sukuna. "Why do you wanna watch shit about a scary guy?"
"It's interesting," Sukuna grabbed you by your waist with one arm and pulled you to the couch. "The Dictator isn't scary though. It's comedy."
"Bridgerton it is."
"Whatever. I don't really care," he leaned back onto the soft cushions.
After a couple of episodes, you felt your eyes grow tired from hours of staring into a bright screen in a pitch dark room. Plus, you were already distracted. It's not that it was a bad show, you just couldn't ignore your boyfriend's exploring hands and his suggestive kisses. His hands were buried underneath your shirt, rubbing your sides up and down, then abruptly stopping just below the curve of your breasts.
"You bored yet?" Sukuna purred before latching his lips onto the soft skin of your neck. He gently sucked on your skin, his teeth lightly grazing it.
"Nope."
"Don't give me that shit."
"What?" You groaned.
Sukuna easily lifted you up and placed you on his lap. You could feel the hardness of his thighs. With his mouth still stuck to your neck, his hands started massaging the plump flesh of your thighs. His big hands kneading them like dough. He slowly made his way up to your core. You took of your shorts and underwear so he could proceed. His excited fingers mmediately got to work and swiped up your folds, collecting your slick on the tip of his fingers. He stopped right at your clit, his middle finger slowly rubbing circles on it.
"Kuna," you meweled. "Inside. Please."
Abiding by your request, he slowly pushed his thick fingers inside your sopping cunt. His fingers were instantly greeted with the warmth and wetness he loved. He was slow and steady this time, which was unlikely of him. The lewd squelches that was made while he fucked you with his fingers made your face heat up. The feeling of his clothed dick poking your ass was not helping you calm down either.
His fingers thrusted into you with ease, hitting your sweet spot over and over again. He was so familiar with your body, knowing every spot to make you tremble with pleasure. It was no surprise that within a few minutes, you felt your legs shake as you grew close to your climax. Seeing you like this, Sukuna immediately swapped his fingers with his cock, his impatience evidently taking over. He was never known for waiting. He let just the tip slide in, allowing you to adjust to his size first. Your poor pussy wouldn't be able to take his girth and length right away. Unfortunately, you had to learn this the hard way. After a few seconds of fucking you with his tip, he slowly introduced his length into you, your wetness dripping down onto his shaft, giving it a shiny coat.
It went on like this for minutes—just Sukuna taking his time with you, his hands roaming your warm body while he would slowly fuck you in a steady pace that made you see stars beneath your teary and semi-closed eyelids. Your arms were tightly wrapped around his neck, your head buried into his ruffled pink hair. You inhaled the fresh scent of his hair and focused on it so you wouldn't cum right away. Who wouldn't want to savour a moment like this?
"I know what you're doing." Sukuna softly spoke.
"Huh?"
"Just let it go and cum on my dick."
How could you say no to that? You eased up and let yourself loose. You focused on his movements and his breathing, your mind entering a haze of lust. With your right hand, you touched his bulging pectoral muscles, slowly sliding it down until you were now palming his abs. You could no longer ignore the bubbling sensation in your lower stomach. Your pussy clenched around his thickness as you let the sensation erupt. Loud moans escaped your mouth and your eyes rolled to the back of your head. A wave of heat enveloped your body, painting your skin red. Sukuna grunted as he followed after you, his warm seed filled your walls. He grabbed onto your waist even tighter.
Suddenly, you gasped, causing Sukuna to give you a worried look.
"Did I hurt you?" He asked you.
"No!" You quickly reassured him with a few kisses. "We forgot to pause the video."
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twig-tea · 1 month ago
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GL odds and ends 6 October 2024
I haven't been as good at posting about shows as I wanted to be, so I'm trying a round-up format instead because it feels like a lot of GLs skirt under the radar. It's exciting that we're in a time when there's enough GL airing that it's worth doing a round-up! This was a great week for the lesbians to figure themselves out, so it feels like a good week to start. No idea how regularly I'll do this, need to figure out a cadence that makes sense.
Currently airing (with thoughts up to Oct 6):
Reverse 4 U 5/8 (Thai, Tuesdays 1:00 PM EDT, Netflix / YouTube) This week the girls finally sorted themselves and we got set up for the main plot to start next week. I was initially really stoked about this one and then a little bummed that it's not taking it's very cool premise and the stakes it establishes as seriously as it could be, but I'm still hoping it will start to have real stakes in the main plot stretch.
The Two of Us s2 ep 6/6 END (Thai, 29 Aug-3 Oct 2024, YouTube) It was so great seeing women in their 40s being romantic together but I did not love the plot of this one; I find their romantic conflicts too juvenile (lots of easily-triggered jealousy). The moments they're being sweet are great though.
Unlock Your Love ep 4/8 (Thai, Wednesdays, GagaOOLala / YouTube [cut version]) This is the first episode that this series felt a little more assured; I liked the series this production company produced with a short run time, it feels like this series has been worse off for its longer episodes. That being said, when these couples get to do their thing like in this episode, they have good chemistry.
Chaser Game W s2 ep 3/8 (Japanese, Thursdays 12:30 PM EDT, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up!
Affair the series ep 6/8 (Thai, Fridays 11:15 AM EDT, iQIYI/ YouTube) Finally! I liked that it was Ek pointing out that Wan was unhappy the entire time she was gone that finally got Pleng to give in to her desire to be with Wan. This show is so melodramatic but the emotional threads follow and the character motivations are clear and consistent; I'm enjoying it in spite of not loving melodramatic storylines in general. It helps that the acting in this one is excellent.
The Loyal Pin ep 10/16 (Thai, Sundays 12:15 PM EDT, YouTube) Glad we finally got confirmation of Patt's history! And I'm relieved Anin knows she has an ally, though I feel like it's given her false confidence that worries me. These two are stressing me out by how bad they are at being careful but I do love how desperate they are for each other, as well as how beautiful this show is.
Red Whisper ep 2/8 (Korea, Wednesdays and Sundays, YouTube) Starting with cheating is not my fave but is par for the course with these SukFilm short series; my fave so far has been their first GL so if you haven't seen that yet I'd honestly recommend that instead.
Recent One-offs
Out of Breath (re-release in a bingeable version; Korean, YouTube) Highly recommended! Also the creator, Soo not Sue, announced she's working on another series to hopefully air before the end of the year, which I am super stoked about.
The Suffering of Xiqing Mountain (Chinese (censored), YouTube)
Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out
Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so
Recently ended that I haven't had the wherewithal to write about:
Hoshikuzu Telepath (fansub) Thank you to @yuiyuihan for your hard work making it possible to watch this series! I I haven't read the original manga but I do know they changed the kiss communication to a forehead rest; Unsurprised that this adaptation, starring idols in the same group, would be left ambiguous in terms of whether their feelings are friendly or romantic. I liked what this series was trying to say, but in all honestly didn't love the execution. It's too bad because I absolutely love the concept of an alien being helped by girls obsessed with building rockets.
The Secret of Us 8 eps [complete] (24 Jun-15 Aug 2024, YouTube) I first included this in my recommendations from the summer and then retracted, but I ended up liking this series and then never updated again. So to set the record straight: Though it lost me in the middle, the ending on this series won be back over. I really appreciated the way this series handled filial piety and balancing that against personal happiness. I appreciated SO MUCH that the main characters decided together how to handle Lada's situation with her mother. I finally understood too late that Earn believed the lies Lada's mother told her in ep1, and that affected some of their decisions in the middle of the series. I still think the execution was wobbly, but the acting and chemistry between the two leads carries this series through. This has some of the best domestic fluff in any GL, as well as my favourite GL counter lift to date. And it's gorgeous. Tentatively recommended with the caveat that you do have to either enjoy or power through the melodrama in the middle.
Starting soon:
Apple My Love, Thai, 12 October, GagaOOLala
Pluto, Thai, 19 October, VIU
The Nipple Talk, Taiwanese, 1 November GagaOOLala
My Ex's Wedding [in theatres in Thailand 14 November]
Petrichor, Thai, 23 November, TBD
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robbie-wallis · 7 months ago
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I need to vent about Watcher, endure it if you can
Relax, this isn't a parasocial thing, but it is a long ass post, which suits me as a long ass human.
I need an outlet to discuss the terrible business decision Watcher has made by announcing their plan to leave YouTube, and this long-forgotten Tumblr account reached from its grave to grab at my ankle.
If you didn't see their video, good for you. It's extremely cringe-worthy in its sentimentality and editing, with blurry shots, pensive pauses and obligatory sad piano.
But at least there's no f'ing Ukulele.
Although, I think we might get the Ukulele in a few months.
Even though anyone who reads this is probably familiar with what the "Ghoul Boys" have done, I feel as though I need to add a little history.
WATCHER HISTORY
You can skip this part if you've been obsessively following the shenanigans, this is for the noobs who were never a "shaniac" or a "boogara".
Shane Madej and Ryan Bergara used to work at Buzzfeed. They hosted the successful Buzzfeed Unsolved shows. In 2019 they followed in the footsteps of the Try Guys and Safia Nygaaard and left Buzzfeed to create their own YouTube channel named "Watcher".
They brought along Steven Lim, another Buzzfeed person who is most known for the "Worth It" series. This series followed Lim and his friend/s spending obscene amounts of money on obscenely overpriced and indulgent products.
Think of it as being similar to the $100 V's $10,000 Sidemen content, only without the self-awareness and British "bad lads" humor.
Notably, even the Sidemen seem to have cut back on those adventures, perhaps understanding how bad it looks when so many people are struggling to pay their essential bills.
Steven became the CEO of Watcher while Shane and Ryan continued to create and present for the new channel.
They were wildly successful by YouTube standards. At the time of their self-spanking on Friday they were close to achieving 3 million subscribers, in just 4 years, based on basically only 2 cornerstone shows. If Social Blade is still a reasonably trusted source in everything but estimating income, they were gaining thousands of new subscribers every week.
Their most successful shows were Ghost Files, Puppet History, Too Many Spirits and Mystery Files.
Ghost Files is the only one of these shows which requires heavy investment, travel, a large crew and impressive production costs. These videos are shot on-location and require a lot of work. The rest are basically Good Mythical Morning style, just the two hosts and their banter.
Aside from Ghost Files, their content could be created with 3 cameras, 2 lapel mics and a good editor.
They were massively successful, solely because of Ryan and Shane.
THE DEMISE
So, what did they do on Friday 19th April? They decided to announce the launch of their own subscription platform.
Not a Patreon for extra content, behind-the-scenes, audience interaction etc, (they already had a Patreon with 6,000 paying subscribers earning them at least $50k a month), but a bespoke streaming platform which looks like a clone of Netflix.
The cost is $5.99 a month, or $60 a year.
Comparable to Netflix.
And by that I mean the price is comparable to Netflix while the content is comparable to a 4 year old YouTube channel.
Don't get me wrong, their production quality is incredible. The quantity, however, is not.
From the end of May viewers will have to pay to be a subscriber on their own platform in order to watch their shows.
They'll still be posting their trailers on YouTube, and the first episodes of new shows, but to watch it all you'll have to pay up or miss out.
Edited to add: Variety originally reported the Watcher crew were planning to remove all their existing content from YouTube to monetize it on their own platform. It's since been confirmed they will not be removing their old content. Fans are undecided whether this was a back-track after the announcement or a misunderstanding by Variety. You be the judge.
Of course, they're entitled to do this. They are creating a product and you can either enjoy it or not. No one is entitled to see it, for free, whenever they like.
Why did they do this?
Half of the sombre video gushes about their "humble beginnings" as "struggling young guys in a big harsh world", which comes across as extremely self-indulgent and ego-stroking.
A quarter of it explains how insanely successful they've been on YouTube and how this is all thanks to the fans who stuck with them after Buzzfeed, how it's allowed them to hire 25 people, how it's given them the freedom to create what they enjoy making and what the viewers want to see, and - most importantly - how it's allowed them to increase production quality on Ghost Files.
The final quarter of the video explains that this isn't good enough, the quality isn't high enough, the finish not glossy enough, it's not "TV caliber" enough! They want more, they need more, you have to give them more, mostly (apparently) because their CEO Steven Lim wants to bring back his show where he flies around the world with his bestie sipping Champagne and eating gold-leaf-covered lobster.
In short, they want more money to make even bigger things, even though their audience never asked for that.
WHY IT WILL NOT WORK
Oh my goodness, this is going to be a ride so strap in.
I'm not a YouTube creator so there are a lot of things I do not know. Having said that, I know a little about business.
This ain't Buzzfeed, y'all
Watcher became successful because of Ryan and Shane. It was their friendship, their personalities, and the content we loved to watch featuring them at Buzzfeed, that brought us along for the ride.
The audience they poached from Buzzfeed is there for them and Ghost Files. It's not there for Steven Lim and "Worth It". His show worked under the Buzzfeed umbrella only because they had numerous sub-categories in that community to support it.
The Try Guys left and created their own channel from their Buzzfeed fans.
Safia Nygaard left and created her own channel from her Buzzfeed fans.
Shane and Ryan left and created Watcher from their Buzzfeed fans.
Steven Lim left and became the CEO of Watcher. He didn't take his audience with him.
The audience of Watcher is not the audience of "watch me fly around the word with my pal and spend $100K on hand-reared, Whiskey marinaded, diamond-encrusted Kobe steak".
And... IN THIS ECONOMY?
Steven chose to become a CEO instead of a presenter. He's missed the opportunity to take that Buzzfeed audience with him.
This is made clear by the Watcher channel itself. Their "man eats food" content rarely breaks 500K views while their Ghost Files breaks 2 million consistently.
If a million of their viewers followed them from Buzzfeed to Watcher, the other 2 million have joined them since, based almost entirely on their spoopy content.
Not only did they base their channel on this genre and format, they have distilled their audience further ever since the creation of their channel and no matter how hard they try to diversify into "man eats food" it's just not working.
This ain't Netflix, y'all
As mentioned, the $5.99 charge is comparable to Netflix and just about every other streaming platform. Only Watcher can't give you even 5% of what a competing platform can offer for that price.
Other platforms also tailor their content and their pricing based on geographical location and localized economics.
You're paying far less than $5.99 a month if you live in an economy where the median household income is $300 a month. YouTube has a global audience. Their subscribers don't all live in a stable economy where $5.99 is considered disposable income.
We don't know the numbers, but I would guess only 60% of their subscribers are based in the USA, Canada, and the UK.
Even for those who do live in a stable economy, their audience is predominantly young adults and students. Most young adults are currently facing the reality that they will possibly never own their own home, they're living day-to-day trying to budget.
They've instantly priced-out a large % of their audience.
I confidently predict that diehard fans who can't see anything wrong with this will sign up for $5.99 a month, binge watch for a couple of weeks, realize there's no new spoopy content and cancel.
They'll come back when a full season of Ghost Files has arrived, pay again, binge it and leave.
Steven Lim thinks they're gonna get $5.99 a month, every month, from thousands of subscribers. In reality they're going to get maybe $12 a year, from people signing up to binge watch what they want, then leaving.
This will then decline naturally as attention wanes during the months where there is no spoopy.
This ain't good marketing, y'all
They're going to be posting "trailers and season pilots" on YouTube.
Sure, I bet YouTube is gonna be totes okay with a channel doing nothing but trying to hijack traffic for an external site.
Posting nothing but trailers and season premiers will mean maybe one full video per month during busy seasons. That's not enough to remain relevant for the algorithm.
If 80% of those posts are also just trailers saying "leave YouTube and come here", the channel will be smacked down quicker than a crypto scam using an AI generated Elongated Muskrat.
Their channel was growing steadily, but that was with full content regularly posted. When the schedule drops off, and when most of it is considered spammy by YouTube, it's going to collapse like a flan in a cupboard.
A streaming platform needs a constant flow of new subscribers just to replace the gradual drop-off (maybe ask Rooster Teeth about that). When your global audience at YouTube is gone, where are those new subscribers coming from?
The platform is also an additional overhead. It's going to cost thousands a month to keep the servers going.
This ain't good financial management, y'all
I don't know if they've already spent hundreds of thousands of $s on Lim's "men eat food" gamble, but I suspect they have.
I know they have spent hundreds of thousands of $s on a new season of Ghost Files, flying to the UK to host live events while filming those episodes.
This means they've over-extended their finances just at the moment where they've cratered their opportunities to see a return on investment.
Just that, on its own, is enough to destroy a production company.
They do not need 25 employees any more than I need an editor and proof-reader for this long ass post.
They do not need a production studio in Hollywood any more than I needed an office to write this.
They do not need to spend tens of thousands of $s on glossy graphics that appear on screen for maybe 4 seconds in one episode any more than I needed to add screengrabs to this painfully long essay.
By leaving YouTube they've lost:
Adsense revenue (which might not be much on a per-video basis but adds up with a back catalogue over years of productions)
Sponsorship deals, which allegedly contributes almost 50% of their annual revenue.
Merch sales, which is about to crash if the only people they can promote merch to are already paying per month in their smaller ecosystem.
Patreon. Why would someone pay $5.99 twice, for the same or less content?
And they've abandoned all of this for maybe a few thousand people who will probably end up paying just $12 a year when a new spoopy season arrives for them to binge.
I'm no Will Hunting, but no matter how hard I try to make the numbers work they just don't, and I don't need Robin Williams to tell me it's not my fault.
This ain't nice, y'all
Some of you are feeling like Ned's wife right now, and some of you will have no idea what that's in reference to.
Most of you will hate that I made that reference more than you hated the SNL skit.
I get it.
Maybe the worst part about all of his, from a viewer's perspective, is the dismissive nature of their sign-off.
They didn't mention the Patreon members once, not one single time in the whole video. It's like they consider the Patreon "too YouTube". They're the deformed cousin locked in the attic. They're the relative who wasn't invited to the wedding because they can't afford a Tom Ford suit. They're the colleague who isn't invited to the staff night out because they only work in accounting and no one has anything in common with Janice anyway.
These are diehard fans who were actually paying them extra to support them and enjoy a little bonus behind the scenes, and the boys didn't even consider them worthy of an utterance.
They also finished with "If you don't follow us and pay up it's been real, peace out". I'm paraphrasing, but that's basically what it was.
They spent so much of the video saying how awesome and great it was that the fans and YouTube got them to this point, but they didn't thank their Patreon members, and they ended with a blunt suggestion that if you don't follow them and pay more then you're not a real fan anyway and they don't really need you.
"Thanks for getting us here, sucks to be you, bye now!"
You made them wealthy, you helped them hire 25 people, you helped them increase production value to "TV caliber" even though you didn't ask for that, but your job is done and now you're superfluous. Only the real fans are wanted.
In the words of the great George Carlin - "It's a big club, and you ain't in it".
They're okay losing the vast majority of the people who got them here if a few thousand of those are comfortable enough to be able to pay $60 a year for a YouTube channel.
Can it get worse? Sure!
We've had a weekend to enjoy the constant heat of this bonfire and it's predictably worsened with each hour of silence from the company and its employees.
The fact that they haven't back-tracked, despite almost unanimous agreement that this is badder than the baddest thing that could happen to their company, suggests they're okay with it.
Consensus seems to be that they knew it would be this bad, and they're cool. They predicted 90% of people would scream "Boo to you good sirs! Boo indeed!" and they could still survive on the 10% who don't see a problem here.
The lack of response reinforces the narrative that they're totally fine with discarding almost their entire audience if they can just squeeze the cash they need out of whoever is left.
This ain't fixable, y'all (maybe)
Note: I don't want this to be mean, but it's going to sound a little bitchy no matter how I try to say it.
If they'd brought out the Ukulele on Saturday, or even teased Ukulele's on their socials before putting out a video on Sunday, they probably could have survived this with much hand-wringing and a little groveling.
But now I think they've grilled this Kobe steak for far too long.
They've lost 100K subscribers, and counting. The venom among Patreon members is allegedly worse than the public comments section under the video, which is startling. Dozens of YouTubers are torching them harder than a $100 crème brûlée.
People are scraping their channel content in case it's nuked.
Shane "eat the rich" Madej's sentiments over the last few years look disingenuous, to say the least. To shamelessly steal someone else's comment: "Imagine being all 'eat the rich' right before throwing yourself on the plate". He's silent while his McMansion burns down, at his own hands. "Why not!?" indeed.
Steven "I drive a Tesla" Lim's socials now make him look like a tech-bro try-hard and his use of words like "early adopter" and "soft launch" in the video only compound the belief that this was all his brainchild. He is the CEO, and that comes with responsibility and the associated blame. You can't steer the ship into the Bermuda Triangle and then disappear without looking like the bad guy.
Okay, you can disappear, but that convoluted metaphor is a mystery for someone else to solve.
Ryan "TV caliber" Bergara now sounds like an elitist who thinks YouTube is "too pedestrian" for his big plans, not big enough to meet his artistic vision. You see, he's more James Cameron, while YouTube is more like your student film club. He's grown beyond this pesky platform with billions of daily hits offering exponential growth with almost zero financial risk.
Even if they released a video today admitting they messed up big time it's still going to be hard to get the taste of this Ghost Pepper Warhead out of the collective mouth of their viewers.
This hasn't just burned their shared brand, it's singed their individual reputations among an audience upon which their careers rely.
What they should have done, on Saturday, is release a video (Ukulele or no) confessing their error. They should have announced their new platform will instead just be a bigger and better Patreon, with early access to everything, behind-the-scenes content, extra features, audience interaction etc.
They should have reversed to make clear their YouTube channel will stay the priority, their main source of revenue, but that you could get more on their own platform if you want it.
And, maybe, over time, people will pay for that. If they grow their channel to 6 million subscribers in the next 4 years there will be a couple hundred thousand of them willing and able to pay $5.99 a month for 8 years of shows, 8 years of behind the scenes content, 8 years of community involvement and regular early access to new episodes.
Maybe then they could try out their "privileged guys eat expensive food in expensive places" show and see how it does? Maybe a majority of people won't be living on the cusp of poverty by then and it won't look as tone-deaf as a 13 year old YouTuber trying to cover Jeff Buckley's "Hallelujah"? Maybe then they could hire another 50 people and make Bergara's "TV caliber" (I still don't know exactly what that means) game shows and reboots?
The clock has been ticking since they hit that "publish" button on their career ending video, but that clock is about to count down to zero and silence will permeate throughout their previously lively community.
That 1980s basement set needed someone crying in the corner, right?
The problem is, their own platform is not a terrible idea. Really, it's not the worst thing they could do. The badness came in the timing, the switch, the middle finger and the f you. They could have released this as an extra, their own Patreon alternative, waited, developed it over time into something sustainable and established.
They could still try to do that and hope this dark chapter is forgotten.
Maybe I'm wrong? Maybe Lim is a financial genius with more skill than the management of Rooster Teeth and their corporate parent company combined? Maybe this gamble will be wildly successful despite all streaming services down-sizing or just going bankrupt? Maybe they won't be back on YouTube in 3-6 months begging for views after having to lay off 20 of their employees?
I know this... if I were one of those 25 employees blind faith would not be enough to stop me from looking for another job.
I suppose this will, for now, remain... a mystery.
EDIT:
I'm not writing another essay about this, but I'm glad to see they've backtracked and made the right choice to use WatcherTV as any sane creator would - to host early access and exclusive content in addition to their YouTube channel.
Over time, while promoting it in every video, building up that trust and fan base, it can be a secure and long-term financial bonus helping them to expand their business incrementally as finances allow.
Why this wasn't the plan all along is anyone's guess. Gambling everything on this was never the sane decision.
I still think they need to scale back on costs. I still think the food content is not currently a viable source of income while being a serious drain on resources. I still think they need to stop hiring all their friends and they need to hire one person who doesn't have personal relationships with everyone there and can make the tough business decisions.
No one likes firing people, it's ten times worse when it's a friend. But this is a reality of business and just wishing it wasn't so isn't going to make it go away. It would be awesome if we could all run a business where we can hire all our friends and family, never have to rely on any outside funding, make whatever we want, make a great living in one of the most expensive cities in the world and continue to grow.
That's just not the reality.
Their apology was genuine, in my opinion. I just hope they can work out the right financial balance.
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gnome-adjacent-vagabond · 3 months ago
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Psst hey *pulls you closer* Canon middle-aged queer relationships and multiple canon queer/queer-coded characters. *lets you go* Go watch Venture Bros.
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There are WAY more than these but I can't put em all up here because queer coding is up to interpretation. I say that everyone in Venture Bros is queer until proven straight but that's just me.
I wrote a whole-ass essay and then accidentally deleted it so the wording on this will probably be off, but it feels important so I'm gonna try be succinct.
Minor spoilers ahead! Skip paragraph three if you don't want those, then resume on paragraph four.
Full disclosure, this is a show that started in the early 2000s and has a LOT of issues in the first few seasons as well as a couple in the later seasons. There are transphobic and homophobic jokes, ableism, racism, and sexism. Sergeant Hatred is a walking trigger warning for about three seasons straight. It goes without saying but I'll say it anyway: DON'T watch this show if you have multiple triggers or are easily offended.
Having said that, these writers realized the problems with what they were writing and have worked to remedy those issues through commentary, retconning, and public acknowledgement of the early seasons' failings. Their opinions evolve and so does the show.
Shore Leave is a flamboyantly gay man who was initially intended to be a one-off joke about the G.I. Joe series and the Village People. Instead he has morphed into a three-dimensional character who presents comfortably as both masculine and feminine. He's in a loving relationship with another gay man, Al, who is flamboyant but tends to be a little less flashy. Steve Summers and Sasquatch have been a happy couple for years now--and all because the epitome of toxic masculinity, Brock Samson, helps them find a quiet cabin away from the government hunting them. Brock's mentor, Hunter Gathers, is a canonically detransitioned trans woman who struggles with her identity throughout the show (I'm still waiting for her to retransition despite the show's cancellation). Hank is perfectly at ease in a hyperfeminine strength suit, and Dean also goes through identity struggles that are never played for laughs and are heavily if not explicitly queer-coded. Vendata's queerness is understated and exists simply as a fact rather than being joked about. Sky Pilot is similar, though slightly more in Shore Leave's camp in terms of presentation. Sheila and the Monarch are self-proclaimed swingers and could be read to be in a poly relationship with Gary, their henchman. Debbie St. Simone has a rather homoerotic obsession with Sheila and is almost definitely bisexual.
The Venture Bros universe is full of queer rep, and the creators of the show write it in with intention. Doc Hammer and Jackson Publick talk about wanting it to be treated as fact rather than completely defining each of their characters--they talk about how few women are in the show and why (Johnny Quest and G.I. Joe, the inspirations for Venture Bros, are heavily malecentric and there's constant homoeroticism in them for that reason). They acknowledge the flaws and work to improve themselves and their writing. This has culminated in a surprisingly moving series about love, death, grief, trauma, and change that radiates queer subtext from any angle--especially Dean's journey.
Try the show at least up to season 4. The first three seasons are on Netflix and the rest are on Adult Swim. If you still don't like it, that's fine. Thank you for trying! Just know that it's out there and that it's an example of how human beings can change and become better people. Doc Hammer and Jackson Publick aren't perfect and neither is the Venture Bros, but for what it is it's a damn fun (shockingly so) show.
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kenmakodz · 8 months ago
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CANDID LOVE ˙✧˖📷
06. brain food ☆
writing in-between cuts!
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a quiet knock on the door catches your attention, which was previously focused on scrolling through random shows on Netflix. a weird feeling, you get. an emotion that seems to be the love-child of excitement and nervousness. there's no time to run away from these feelings, though, so you get up and open the door for the poor boy who's been hauling 3 bags of food.
"my god" he sighs, setting the bags down on the coffee table. "i think my stomach has eyes. there's no way we're finishing all this in one night." you laugh, noticing how he's holding his arm out of pain. "i've definitely done the same, more times than i'd like to admit-- here, sit down for a bit." gesturing to the couch, you sit down and pat a spot relatively close to you. he takes this offer with open arms, considering he'd walked pretty far. "sorry i took a while, hopefully i didn't keep you waiting too long?" his hands fidget together as he takes in your room. it's the size of a triple, but you have it to yourself. it's quite surprising how nice the school treats transfer students, considering how main students are usually shoved into a tiny room with 2-3 other people. you place your hand upon his; a ballsy move, but you know how it feels to be anxious about things. you don't want him to be anxious with you. "it's fine, really. i don't mind waiting for you." you smile, moving your hand back to it's previous position. embarrassment clearly runs through his body, but to you he just looked starstruck. after a moment of pushing these feelings back, he returns your smile. "i'm glad, then. um, can we eat? i fear my stomach is going to wrinkle up if we don't." "yes yuuta, we can eat."
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"okay, okay. this seems good for now, i think?" he sits back from the laptop you two have been sharing, taking a second to re-read the outline. your eyes scan the page as well; it's a very.. rough outline. you start laughing at the last few lines, where he'd begun to give up on being professional. after all, only you two will see this draft. "why are you laughing?" he pouts, thinking you're making fun of the ideas laid out. "oh relax," you lean back with him, realizing he's gotten much closer than before. "i can just tell that you were rushing writing the final scene." his head whips to you and a hand clutches his chest, feigning shock; a sarcastic gasp falls from his lips. "how could you! we worked very hard on this!" your hand pushes his away from his chest, the both of them landing on his lap. "oh, shut up. i'm just teasing." he huffs anyways, a facade you've become accustomed to. after all, one of your best friends is nobara kugisaki.
reaching to a stuffed dog to your side, you hand it to him. "here, will an emotional support dog help?" he sighs, wrapping it in his arms. "i suppose." laughing again, you sit up and grab the laptop once more. "you're so dumb." he grips the toy more, you don't realize it, but he likes the way it smells of lavender just like you do. "what are you doing now, don't you think its enough for tonight?" you stop to think, after sending the draft to your phone. "well, we'll need to send casting calls to the neighboring schools sometime soon.. but i guess we can be done for now." he closes the laptop for you and places it on the table once again, looking back. "good, we can do that another time-" his sentence is cut off due to his phone practically blowing up in the room over. "sorry," he starts, getting up and handing the stuffed dog back to you. "let me go check on that."
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"hey, sorry again. my friends were blowing up my phone for some reason." he comes back into the room where you two were sitting before, unsure if he should sit back down. he can't read your face, and you can't read his either, despite you both feeling the same way. "it's okay. you can sit back down if you want to stay a bit longer..?" you look down for a split second, anticipating the rejection he was about to give you. "i was looking for shows before you got here, but i couldn't find a good one." you try to convey what you say as a question, but it almost comes out as a plea. he doesn't say anything immediately, and you almost get upset? looking back up, you realize he's already getting ready to sit back down with you. "i'd love to stay. i also have an amazing suggestion for a show." your eyes light up, and it feels like the room filled with more air the way you both sighed with relief. "oh really?" you tease him, as he takes back the toy he'd left with you. "lay it on me then."
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fun facts -> TWO PEOPLE PINING FOR EACHOTHER BUT NEITHER KNOW IT!!!! a classic trope. chefs kiss. yuuta offered to go get snacks not only because he was starving, but he also needed time to calm himself down before going to y/n's dorm. he was scared. scared that he'd say something stupid, give her the ick, embarrass himself. you know, the works. once he got there though, it felt like he never wanted to go home again.
-> GOD I LOVE THEM SO MUCh. screams. kicking my feet like a little girl writing this chapter.
previous, masterlist, next [07. i hate men (except you two)]
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taglist is open! @just-a-girlblogger @moryymor @swissy23 @hvnyacoded @sereniteav @k4romis @jayathelostdragon  @h3rmess @olivandeee @lysaray @ari3000dontcare @raechu11 @marifujioka @nyxlai @sonicsolos @saltypuffin1040 @r0ckst4rjk @h8ani @lmaolmaolmao @maya-maya-56 @mittensdun @adrenova @pnkblueberry @morgyyyyyyy @chososwh0r3 @lunecqm @r4veeen @arivsx @levlucs-kiru @mellozhi
if you are in bold, i am unable to tag you :( and if i forgot to add you, PLEASE YELL AT ME
⤷ © kenmakodz
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sweet-little-raven · 2 months ago
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Some more information about Wednesday season 2 from the leaker. I'm 100% believing them, as many things they mentioned got confirmed recently, like Enid's hair being different and more similar to Emma's, Enid not having scars, etc. Again, don't read if you don't want to potentially be spoiled for season 2.
1- A main character will die (I'm certain it can't be Enid or nobody will continue watching the show, so I guess Tyler, Bianca or Eugene? Obviously none of the Addams can die and there is no much main characters, so...)
2- Pugsley will go to Nevermore. He has powers (we don't know what yet)
3- Maxim has magnetism-esque powers
4- Morticia and Wednesday will be close
5- Enid has a few scenes with Pugsley
6- Pugsley will become close friend with Eugene (always knew they'd get along!)
7- There's a lot of flashbacks of young Wednesday, Pugsley, Grandmama and Barry
8- Ajax breaks up with Enid in episode 1
9- Larissa was indeed supposed to have impersonated Lurch at the end of season one, like a lot of people guessed, but the idea was sadly dropped. Gwendolyn and Christina won't be back this season. Though Christina will be 'there' through flashbacks/photos of season 1
10- Esther and Enid gets closer. Esther spoils Enid with gifts (bye bye all the amazing ideas and fanfics where Esther is a real bitch and Wednesday has to confort Enid)
11- Tyler will have a lot of scenes.
12- There's a 'scary' murder scene. This season will be way more gory than season one and definitely not for kids.
13- Bianca's mom has a fight with Morticia and is planning something bad. Probably something related to the cult she mentionned in season 1.
Also, the 2 years time jump has never been mentionned by the leaker or any official source. So calm down everybody. I really doubt this info is true. It wouldn't make any sense, especially for the stalker storyline and characters arcs. That's all for today! Again, nothing confirmed, but a lot of stuff the leaker mentionned months ago got confirmed recently... and they said they are sharing this to 'get revenge' or something because Netflix messed up with their contract or something. So I personally do believe everything they said, especially with the teaser we got that confirmed a lot.
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flanaganfilm · 2 years ago
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Hello and Howdy Mr. Mike Flanagan! I'm excited to see you here on our humble hellsite. I have so much to say and ask about your netflix shows but for the moment, I want to ask about Doctor Sleep because I enjoyed that movie immensely - it filled me with a pleasant sense of dread, which possibly makes no sense, or a lot of sense.
What was that creative process like? Reconciling book and movie canons, following Kubrick's legacy, working with Ewan and Rebecca and Zahn and everyone else. I'm obsessed with King adaptations and I'm just fascinated with Doctor Sleep.
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Alright! Buckle up for yet another long read.
Thank you for your question, and for this opportunity to go back and talk about DOCTOR SLEEP. It's a very special film to me, and a very special time in my life as well.
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It all started with a general meeting with Jon Berg at Warner Bros.
The meeting itself started pretty wild - Adrien Brody walked out of the office as I was waiting to go in. Jon introduced us and we chatted for a few minutes, and I was a little out of whack for the rest of the meeting because I had a very potent "wow that was Adrien Brody" buzz going.
We were meant to talk about DC Comics and see if there was anything to do there. I was really hoping to chat about a horror-slanted Clayface movie, and about my favorite superhero: Superman.
Neither conversation went very far. I had just finished GERALD'S GAME, and Jon was a King fan, so he asked about the production. And then he asked if I'd ever read Warners' script for DOCTOR SLEEP.
I had. In fact, I had tried very hard to get a meeting at the studio when the book was first published. Warners owned the rights to DOCTOR SLEEP outright - it was part of their deal going all the way back to THE SHINING - so they immediately began looking into movie options when the book was published. Akiva Goldsman had written a script, and it was one of the first projects I asked about when I signed with WME as a client years before. "That isn't going anywhere," they told me. "I don't think that movie gets made."
They had tried to get me the meeting anyway, but no one at Warners responded. I never got in the room.
But now, here I was. What did I have to lose at this point?
"I did read it," I said. "I'd take a different approach." Jon sat back and smiled. "I love the book, Rose is one of the great villains of all time," he said. I agreed. He probed. "What's wrong with the script?"
"I don't think it follows the book closely enough."
"What would you do?"
"I'd do the book. Streamline it, combine some characters, and you'd have to rethink the True Knot a bit. But otherwise, just do the book. As long as it's a three-hander between Danny, Abra and Rose it'll work. With one big asterisk."
"What's that?"
"I think you have to bring back the hotel. Kubrick's hotel, I mean."
Jon smiled wider. "Yeah, it's a bummer the hotel burned down. King goes out of his way at the start of the book to emphasize that - no Overlook, look no further."
This was my biggest gripe with the book.
I said "When I read the book, all I could see was Kubrick's hotel. I think you do the book as close as you possibly can, until the big fight at the end. Instead of it taking place in an empty field, let it be in the hotel."
Jon: "Do you think King will be upset if you change his ending? You know how feels about THE SHINING, right?"
Me: "What if we gave him THAT ending? What if we let Danny have Jack's ending? Jack sacrificed himself to save his family and destroy the Overlook - why not let Danny do that? Change the ending, sure, but give him the ending Kubrick denied him."
We shook hands, and I called my producing partner Trevor Macy to tell him it was a good general, but nothing was coming out of my DC meeting. By the time I'd made it back to my car, though, Jon had reached out to Stephen King and asked if he'd be interested in me taking a swing at it. Steve, who had enjoyed GERALD'S GAME, said yes.
I was immediately petrified when the call came in that they might want to engage me on a rewrite of DOCTOR SLEEP, with a directorial attachment. I'd have to rewrite the script from scratch, and I kind of felt like they were calling my bluff. But the deal was made and quite suddenly I was adapting DOCTOR SLEEP.
First order of business was to make King aware of what I intended to do. I had just established a tentative relationship with my hero over GERALD'S GAME, and the last thing - the very last thing in the world I ever wanted - was to upset him. We weren't in direct communication, we spoke through agents and emails at this point - but I had to make him aware of the Overlook thing.
I put together a proposal that outlined what I wanted to do - use Kubrick's visual language, and keep the Overlook standing as a setting for the final battle. The initial feedback we got was "no." King really, really didn't like Kubrick's film, and his priority was to adapt DOCTOR SLEEP - not to revisit THE SHINING.
I told him that if he didn't want me to do it, I wouldn't - I'd walk away from the movie before I made something he hated. But as a last ditch effort, I said "imagine the Overlook, decrepit and rotten. And imagine Dan Torrance having walk in to 'wake it up,' the lights coming on above his head as he walks the halls. He finds his way to the Gold Room. To the familiar bar, where an empty glass is waiting for him. And we see a familiar bartender ready to pour for him, saying 'good evening Mister Torrance.' What if that bartender is his father?"
After a bit of a delay, King got back to us. "Do it," he said.
Writing the script was tough. I immediately felt like I had stepped into a very unsafe space. "This is going to piss everybody off," I figured. Kubrick fans would be livid that the movie was being made. King fans might be angry that Kubrick's imagery was being homaged. There was no way to please everyone, so I set about writing the movie I wanted to see most.
It was a slightly nauseous feeling that would stay with me until the movie came out.
I sat down to write with a hardcover copy of DOCTOR SLEEP to my right, and a hardcover copy of THE SHINING to my left. I read both cover to cover, sticking post-its throughout the pages with ideas, or flagging lines of dialogue (or even prose) that I wanted to protect. I managed to put together a basic outline for the movie, which was intimidating and sprawling.
I finally finished the draft and sent it off to Warner Bros. and King at the same time. I was shooting THE HAUNTING OF HILL HOUSE at the time, and thought it would take a long while and a few more iterations before SLEEP would go anywhere, if it ever did.
Warner Bros. shocked us all by coming back with a green light. I've been told that it was one of the fastest green lights in the recent history of the studio, and I believe it.
It happened so fast, in fact, that Steve hadn't read the script yet. I got an email from him on a Friday saying "I read the first half, and I absolutely love it - my son's getting married, so I'll pick it up in a week or so and finish it, but great so far!" I was nauseous... because I knew everything that King was likely to hate was in the second half.
When he finally did finish reading it, about a week later, he reached out and said:
"I think it's really good. In my experience, this is the kind of script studios don't make, because it's TOO good. Hopefully I'm wrong. But no matter how it turns out, thanks for treating me so well. - Steve"
I had the distinct pleasure of being able to write him back and tell him that Warner Bros. had just greenlit the movie. And we were off to the races.
The pressure was enormous. They were spending a lot of money on this movie, and because of the insane box office success of IT: CHAPTER ONE, expectations were very high.
We were given access to Kubrick's blueprints for the Overlook hotel set, which were still held at Warner Bros. While we set about rebuilding the sets, our attention turned to casting.
For Dan, we met with a handful of actors: Dan Stevens, Chris Evans, Matt Smith, and Jeremy Renner all came in to chat about the movie. But Ewan McGregor, who himself was eight years sober (just like Dan), was the obvious choice. "Let's not talk about the Shining yet," he said. "I want to talk about recovery." He was the guy.
For Rose the Hat, we talked with several actresses, including Anne Hathaway, Nicole Kidman, and my dear friend Karen Gillan - but Rebecca Ferguson knocked our socks off on a 90-minute zoom meeting, and the part was hers.
Finding Abra Stone was more difficult - we auditioned more than 900 girls for the part. We'd narrowed it down to a half-dozen very promising and successful young actresses, including Lulu Wilson (who I'd worked with several times before and adore), but Kyliegh Curran's self-tape audition rose to the very top of the pile. Ewan flew to Atlanta to read with our final picks, and when Kyliegh - who lived 15 minutes from our office, was local casting, and had never booked a job before - finished reading, he turned to us and said "I mean it's her, right?" It absolutely was.
When we cast her, we invited her back to the office after school one day to get oriented. The crew was so excited for her that they decorated the production office in her honor.
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As the rest of the cast fell in, we started doing our camera tests and getting excited about what we were putting together. My feeling over overwhelming nausea only got stronger.
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We started shooting in September of 2018. The shoot was long, but never exhausting. The cast and crew were uniformly pleasant and happy to be there, and after the soul-crushing slog that had been THE HAUNTING OF HILL HOUSE, it was a relief to enjoy working again.
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Kate was pregnant with our daughter Theo at the time. She visited as much as she could, but finally couldn't travel any more. Being away from Kate and our son Cody was hard, but I'm so grateful that we got to share some time on set together.
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All things considered, this was a smooth shoot. But something happened for me while we were making it that would change the course of my life forever.
See, THE SHINING is about alcoholism. King wrote it while in the throes of his own addiction, and it is a novel about the anxiety he felt about what he could potentially do to his family if left unchecked. It's one of the reasons he was so upset with Kubrick's adaptation - all of that was taken away. This is a profoundly personal story for King.
When he wrote DOCTOR SLEEP, he was decades sober. The story of DOCTOR SLEEP is the story of recovery. This was something that Ewan knew very well, and why he was perfect for the part. He knew what the journey felt like. He wasn't alone - there were a number of cast and crew members on this shoot that were sober. In fact, just about all of the actors who played main characters were sober. I was still drinking at the time, though it had already become obviously problematic in my life, I hadn't taken any meaningful steps to change it.
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This photograph was taken on 10/12/2018. This was taken on the day I got sober. I quit cold turkey, in the middle of production. I was clinging to vices at the time. Note not only the cigarette in my hand (I was smoking almost 2 packs a day), but the ash tray that had been rigged to the top of my viewfinder by the camera department. (I don't smoke anymore either, just about four years without cigs as well... and I still miss them.)
I had been writing about addiction for a decade. It was all over my work, going all the way back to ABSENTIA. I didn't realize just how much I was writing about myself, and I still can't believe it took me this long.
I vividly recall writing the scene between Dan and Jack at the bar. My wife pointed out to me after the fact that she could see it then, that something was changing in me when it came to drinking. Something was waking up, and I was processing a desperate need to sober up. That scene represents an internal conversation that is profoundly personal to me. It's still my favorite scene of the movie.
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I've been sober now for over 4 years. DOCTOR SLEEP helped me finally make that decision. I finished the shoot sober, and came home to my life with a lot of uncertainty and insecurity. But with the unflinching support of my incredible wife, and some amazing friends, my life started to really blossom. It was pretty immediately evident that this was one of the best decisions I'll ever make.
Meanwhile, though, I had to finish DOCTOR SLEEP.
I LOVED the movie we'd made, but I was still terrified of what King would think of it - not to mention Kubrick's estate.
When we finished the cut, I flew to Bangor to screen the finished film for Steve. It was the first I'd meet him in person, and one of the most insanely exciting and humbling days of my life.
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We watched the movie together, and I was acutely aware of each and every little reaction he had throughout.
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(With Trevor Macy, my producing partner at Intrepid)
When the show as over, Steve turned to me and said "You did a beautiful job." And ultimately, he added that this film had made him warm up to the Kubrick movie as well.
A week later, we heard from Kubrick's estate that they had also loved the movie.
With King's blessing, and Kubrick's family, I felt that nausea finally subside. I said to Kate, "that's it. That's all that matters. Doesn't matter if the movie crashes and burns - we already won the important battle."
And then, the movie crashed and burned.
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A group of us went to see it opening night at Arclight Hollywood (my favorite theater). We were just about the only people there. And I knew immediately that we were going to have a bad weekend.
The movie didn't perform very well. Warner Bros. was disappointed, and ended up scrapping the Dick Hallorann movie we were planning, as well as the Overlook Hotel prequel.
I was pretty crest-fallen. I'd spent years tossing and turning over whether audiences would be divided between the King and Kubrick camps. I'd been petrified that they'd be furious, venomous, run me out on a rail... I'd never considered that they'd be utterly disinterested. Apathy wasn't even on my radar.
Steve called me the Monday after opening weekend with some words of encouragement. "I remember when THE SHINING bombed," he said. "And SHAWSHANK. Give it some time. It'll find its audience. It's a really good movie."
That has turned out to be true. While it didn't set the world on fire theatrically, the movie has over-performed on VOD and streaming. And when Warner Bros. released the Directors Cut (I'm still so grateful that they did that), it popped even more.
So yes, to answer your question - the pressures were enormous. I hope this paints a little picture of what it was like. The biggest gift I got out of it, though, was sobriety.
I reached out to King a year later, on my first sober birthday. I hadn't told him I was sober, but it felt like time to do it. I got to thank him. "I never told you this, but I sobered up while we were shooting DOCTOR SLEEP, and I don't think I would have done it without your words. Living in that story, and marinading in the concepts of recovery and redemption made it possible. I just want to thank you."
He wrote back his congratulations, and then mentioned "as it happens, I'm off to celebrate 30 years myself. It only gets better and better."
And he is absolutely right.
DOCTOR SLEEP was the perfect project for me after the nightmare that was HAUNTING OF HILL HOUSE. I fell in love with making movies again. And I found a new and wonderful gear for my life. It has only made everything better - my marriage, my work, my experience walking around on planet earth. I'm so grateful for it.
When I think of DOCTOR SLEEP, I think of Ewan sitting at the bar and looking at the glass in his hand. "Man takes a drink, drink takes a drink... and then the drink takes the man. Ain't it so, dad."
Ewan understood those words better than I did when I typed them into the script. I understand them much better now.
There isn't a day that goes by that I'm not profoundly grateful for my time at the Overlook. And for myriad of ways my life has been changed because of it.
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catboy-cabin · 4 months ago
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i think the pictures of the missing child spirits in the lost & found department are the spirits' reflections???
so i just noticed that charles' pins & his earring are on the wrong side in his lost & found picture
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(idk how to get screenshots on netflix so all i have are these pictures of my laptop screen, sorry. feel free to add in the reblogs if you have anything cleaner!)
he should have more pins on the right (our right) than the left.
also it's really hard to see in this picture & not much better in the actual show, but i believe this is his union jack patch? which should be on the right sleeve (again, our right, his left)
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(i'm fully aware that this picture looks like nothing, you're just gonna have to trust me haha 😅)
i can't tell what's above it though, other than that it doesn't really look like his rude boys patch (which should be on the same sleeve). idk what's up with that.
now this *could* be a different outfit, but i don't think so. i can't think of any reason why it would be. it's definitely not what he died in, or even what he was wearing before he hid in the attic. edwin is wearing his normal outfit in his lost & found photo as well (although interestingly not with his brown coat over it. i can't tell if charles is wearing both of his jackets or not though. he's definitely got the black one on, both bc of the pins & bc his shoulders never look that square without it)
his earring is definitely on the wrong side, as i mentioned earlier
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also seems like the buttons on his shirt open the wrong way
(the stripes on the collar are weird too but the design changes several times over the course of the show so i'm ignoring it. his normal red shirt has one stripe, the darker maroon one has two, and the black one doesn't have any as far as i can tell)
i don't have pictures of this one but i believe the buttons on edwin's suit jacket (? idk what it's actually called) are on the wrong side in his lost & found picture as well. that's basically the only part of his outfit that's asymmetrical though (other than a pocket that's next to impossible to make out normally, much less in an extremely grainy photo) so i don't see much point in analyzing it
tldr: if you're like me & you've been wondering why the pictures of the boys in the lost & found department look Weird (beyond the actual quality of the photos), it's because they're flipped!!
the reasons i think these pictures are reflections, specifically, are that:
1. they're flipped, as i just went through
2. ghosts don't have reflections
now i have a tentative theory:
these pictures are from the lost & found department. they're the pictures/reflections of lost (child) spirits; spirits that aren't in a designated afterlife, aka ghosts still on earth
charles & edwin both have reflections in hell (a separate plane from earth)
it seems like they get their reflections back just from being in any afterlife? charles hasn't gotten his afterlife assignment yet, but still has a reflection in hell, which to me implies that he's not considered a 'lost' soul while he's there, even if that's not where he's actually supposed to end up. i'm definitely open to other interpretations on this though.
i also feel like there's some connection between this & ghosts being able to travel through mirrors, but i'm blanking on what exactly that could mean
thank you to anyone who has read to the end of this, i would love to know your thoughts!!
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aangarchy · 9 months ago
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Netflix atla live action review ep 4-6
So, they completely ruined Bumi. Spoiler warning.
The more episodes pass by the more confused i get with the choices that were made. I wrote down commentary for the episodes and the thing that i wrote down the most was "why does this happen?". The writing is incredibly confusing and messy, feels too rushed in some spaces and too slow in others. There's just... so much going on and so little at the same time. They brought in elements that in the OG don't get introduced until later in s1, s2, the comics, or even the legend of Korra. The reason these things get introduced so early here is not clear at all, because they don't serve any purpose other than to be an obstacle to Aang, Sokka and Katara on their way to the North.
Mai and Ty Lee are.. there. They get introduced earlier but they don't serve any purpose at the moment other than stand around, watch Azula train, ask questions so that Azula can give us the answers the viewer needs. My guess is they only got introduced for the audience who watched the OG to go "oh we know them!". We get the secret tunnel story earlier too, but it has absolutely nothing to do with love. Somehow "love is brightest in the dark" now correlates to the badgermoles being able to sense a human's emotion. It's a waste of a storyline, doesn't teach us anything about love, gives us Omashu lore which is useless bc neither Sokka nor Katara actually use love to escape the tunnels. Also Oma and Shu are lesbians now, but you only know that bc they changed Shu's pronouns. Wow, so progressive! We have lesbians in the story now! Boy do i feel represented as a sapphic!
We get Koh early on as well, but his entire gig got changed. Now suddenly he doesn't steal faces but he "feeds", and hunts using the fog of lost souls (which is tlok lore mind you) as a tool to trap humans. We introduce the mother of faces (comic book lore!), or rather pendant of her that Koh owns. There's no reason for her to exist in this story though other than to be an easter egg to everyone who read the search (Not even the majority of the fandom!) and to offer a solution to this problem we've created, which is Koh capturing our friends in order to eat them and us not being able to convince him into letting them go. There's no feeling of dread in the Koh scenes at all because the whole problem of not showing emotion is just not a thing now. No suspense, no fear, just a weird cgi clown face worm. The worm doesn't even menacingly circle around Aang to invoke a feeling of being surrounded, it just sits there. I also just don't understand why Koh is here already bc now who is going to give us information about Tui and La?
This decision also creates a problem that Hei Bai's story just isn't about Hei Bai anymore. We get fed a few lines from a talking fox about how the forest spirit got hurt, but there's really no solution? Aang buries a pinecone in front of the statue and tells him not to give up hope but he didn't even really need to do that, because Hei Bai wasn't the one kidnapping villagers! It was Koh. Why did we appease Hei Bai if Koh was the real villain? Hei Bai/Koh's story leads us to Roku, but Roku is completely useless. All he does is undermine Kyoshi's advice to Aang, tell Aang about the mother of faces pendant so he can appease Koh, and then we leave. I knew in advance Roku wasn't going to warn Aang about the comet here bc Albert Kim already told us working with a deadline like that with child actors is just impossible. But with Roku suddenly not being Aang's main Avatar guide he just gets nothing to do. There's no suspense in this part of the story either, bc the time limit of the winter solstice isn't a thing here at all. Aang also ends up flying over Fire Nation borders without issue, and gets led right into the sanctuary without the puzzle of figuring out how to open the door, and without the problem of Zhao's soldiers waiting for him when he comes out. It creates this issue of there not being any excitement, at least for me. I genuinely am getting a bit bored with the show, which was never an issue with the OG for me. There's a reason all of this extra material didn't get introduced until later on. There's too many characters and they all get too little time to really do anything useful, they're not fleshed out, the stories aren't thought through and it ends up getting very confusing and boring. I'm genuinely curious for the perspective of people who have never watched the OG cartoon, bc i wonder if they're even able to follow along without prior knowledge of this universe.
Bumi is just... not Bumi. They completely changed his character to be this bitter old senile man that resents Aang for abandoning the world. This doesn't make any sense because in this version of the story Bumi shouldn't know that Aang is the Avatar at all, because Aang was told right before he disappeared! So why does Bumi immediately know that Aang is the Avatar, and why does Aang immediately recognize him? Also the original point of Bumi's tests is to get Aang to approach fights and puzzles from a different angle, so he can learn versatility as the Avatar. But here the tests are just happening because Bumi is mad at Aang for leaving and wants to get back at him for being gone so long. He says some lines about Aang having to learn to make hard choices and you can't rely on your friends, but Aang ends up proving him wrong in the end! What is even the point of Bumi's part in the story now, except for him just being another obstacle on the way to the North Pole?
There's a lot of instances where I feel like the bond between characters gets completely lost. We barely spend any time with the side characters like the mechanist, Teo, Jet and the freedom fighters, and the people in the spirit village. It makes some scenes feel very out of place. These storylines all happen at once, and they don't get their individual moments to shine. We have no room to feel betrayed by Jet or Sai, because we barely got to know them to begin with. Jet and Sai only spend time with One member of the gaang each, but when their betrayals come to light the rest of the group acts devastated, as if it was their dear friend. Sokka also gets really mad about the Jet thing, but he only met Jet once when he smuggled them into Omashu, and Jet didn't even tell Sokka his name. He said it afterwards when Katara met him again. It makes absolutely no sense why Sokka is yelling at Katara for trusting Jet only bc she finds him attractive, when Sokka wasn't even there during all of that!
The sense of family between the gaang that we get from the original also just doesn't happen here. Especially because these characters so far have spent more time apart than together. Aang constantly gets separated from Sokka and Katara, leaving no room for them to bond. We get Katara and Sokka bonding, but they shouldn't need those types of scenes because they're already siblings (which isn't very clear in the show either btw!). I ended up forgetting that Sokka and Katara were trapped by Koh, bc we spend so much time away from them (a whole episode, which is now an hour!).
I have little to no criticism for the Blue Spirit story. Want to guess why that is? Bc they left it pretty much untouched. We even get a little bit of an extra scene, with Zuko and Aang talking while Zuko recovers after getting hurt during the escape. I liked this choice, especially bc it highlights how conflicted Zuko is.
This is where we get Zuko's backstory. I have one question here: why did they make Ozai more sensible and less ruthless? Was that a Daniel Dae Kim decision? Bc it feels like a Daniel Dae Kim thing to do. They're very on the nose with the way Ozai is abusing Zuko and Azula, but then they turn around and make this man visit Zuko after he burned him and praise Zuko about finding the Avatar. I understand that they did this to show how Ozai uses Zuko's accomplishments in order to push Azula, but even if it were to do that: the original Ozai would NEVER. The problem here as well is that they don't let the viewers draw any conclusions themselves anymore. They're holding the viewer's hand through the whole thing, leaving no room for nuance or doubt.
I just finished episode 7 and 8 and I have Things To Say. None of which are good. Writing it down is challenging so it might take a day or two.
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jj-5656 · 11 months ago
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I’ve Got My Love To Keep Me Warm With; Anthony Lockwood
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A/N: HEYYYYY. Well if it isn't another six-month hiatus...I fear I've done this too many times to keep apologizing. There are some long-overdue requests in my inbox, and for that I truly am sorry. With college, work, family, I'm not sure how you guys keep up with finding the time or motivation to write. Nonetheless, I just recently re-watched this amazing show, and I'm yet again horrified Netflix canceled it. I put a holiday spin on this and I hope you all like it!
CW: Characters are aged up. I wouldn't be comfortable w/ this if they were played by minors but that's not the case. Let's also pretend ppl don't typically lose their gift til their mid-20s
You're getting ready on the floor of 35 Portland Row's master bedroom. Makeup is littered all around you as you add the finishing touches. The smell of cookies flows from the kitchen all throughout your home, ones you'll decorate later upon Lucy's request. Christmas music sounds from the record player in the living room, crackling every now and again with its age.
Lockwood's leant up against the door frame, moving silently to the worn armchair across you. You can feel his eyes on you, quietly admiring, yet still brooding from a recent look at the newspaper. Kipps and his team were beaming brightly across the front page, having just solved yet another notary case on behalf of Fittes.
"I've told you not to read the papers on our day off, haven't I?" He's pulled out of his trance then, adjusting his slouched shoulders as though he's been caught.
"A bunch of posh showoffs, think their ridiculous uniforms and bureaucratic nonsense makes them superior. I swear-"
"Anthony."
"Yes, darling?" It's through clenched teeth, blinking hard to regain his composure. You brush on your mascara, still chastising when you face the mirror once more.
"It's our day off, isn't it?"
"Because we have yet to find another case-" He stops himself under your look of warning through the glass, fiddling with his rings and straightening. "I suppose it is our day off, yes."
"We don't have much of those, do we?" You approach him, then. Voice soft and sweet, unknowingly easing his tense stature with each syllable. He only hums, forehead pressing into your stomach as you run gentle fingers through his hair, careful not to disrupt the intricately combed strands. "We need this. You need this. So let's make it a good one, yeah?"
"Tell that to George. Why must we do the holiday card today?"
"We're all available, Scrooge. And if I'm not mistaken, this was your idea. Something along the lines of 'it's good for business, people are seeking a company with a personable image, clients need people to relate to-" You only stop your mimicking when he pinches at your side. The overly-posh, deep reenactment enough to bring a reluctant smirk to Anthony's lips.
"I do not sound like that." He tugs at your hips so you'll sit on the arm of the chair he's rested in, keeping an arm wrapped over your stomach and knees to settle you against him.
"Bunch of bureaucratic-" Your own yelp ceases your teasing, the arm that's snaked around you tugging hard enough to have you fall into his lap and victim to his incessant poking at your stomach and sides. Your squirming is no use, both of your laughter echoing throughout the room as you hopelessly swat at his hands.
He stops his torture eventually, avoiding an oncoming lecture on how he's ruined your neatly done hair with his tickling. You're breathless under him, stretching out over him to glance at the other mirror just above the dresser. Even with the reflection upside down, you're able to tell you'll have to redo multiple curls. He's grabbing at you before you can scold him, hand under your head to pull your faces just inches apart.
"Stop it. You look lovely." He's pulling out the charm, of course. Voice low and hoarse, the tone that he knows damn well well sets your skin on fire. He's smug then, knowing smirk playing over his dark features as his eyes dart to your lips and then to yours.
"Looked lovely." You correct, breathless all over again. His eyes narrow, incredulous.
"Can I prove it to you?" He moves only slightly closer, swallowing thickly as his thumb traces your bottom lip. You almost let him, nearly succumbing to his enchantments. Only when his lips are nearly on yours do you turn your head, keen on revenge for his sabotage.
"You've already toyed with my hair, I'll send George spiraling if I had to redo my makeup."
Lockwood, genuine betrayal littered across his face, can't even plead his case before your roommate takes his cue.
"Oi!" His shout rings from downstairs, tinged with impatience and growing irritation. "You two better be fully clothed and picture-perfect in five minutes. The camera's ready!"
Anthony can only bury his face in your neck, sore attitude overcoming him all over again.
****
"Wait!" Lucy exclaims just as the flash of the camera ensues, voice strained with exasperation. "I wasn't ready!" There's a collective groan from the lot of you, George shuffling past the redhead to reset the camera. You take the time to fix Lockwood's collar, dodging his swatting, grumpy hands.
"I assume ghost touch is a more amenable torture than this," he mutters pointedly.
"You wanted the bloody holiday card, Lockwood. And I'm the only one with enough creative vision to make the lot of you look remotely presentable." There's a collective sneer toward him, though he doesn't notice with all his tinkering with the outdated lense. Of course, George had insisted using film would make the photos hold a 'certain sense of novelty' that couldn't possibly be reproduced with less difficult equipment. "Take five, this might take a while." He waves you all off, adjusting his glasses and muttering a string of unintelligible curses as he works.
Lucy turns to you then, biting back a smile as Lockwood flushes under your doting hands, trying desperately to maintain his grouchy disposition. "Where's your chapstick, the strawberry one-"
"You always steal?" You cease grooming your boyfriend, to his relief, in order to tease her. Smiling when she only sticks out her tongue in mock disdain, already headed for the stairs and presumably your bedroom. "Right side of the bureau, just above Anthony's sock drawer." Your tone grows into a shout to accommodate her distance, grabbing onto Lockwood's wrist so he can't escape away to the study.
"Love you lots!" She calls from upstairs, most definitely making more of a mess of the bedroom in her search.
"Would you unhand me, dove? Pretty sure you're cutting circulation." He's got your attention again, face pulled with irritation. The bags under his eyes look particularly apparent this close, a dull ache in your heart at the sight. It's apparent the attitude is only due to all the stress he puts himself under. The pet name a clear sign the animosity is by no means directed at you. You smirk despite him, digging into your back pocket and ignoring his then curious expression.
Only when you get closer does he catch on. Socked feet clumsily stepping on his boot-covered ones to attempt to gain height, your arm reaches up above both your heads. Letting his eyes follow yours, Anthony can't help but let a dazzling smile spread across his features. Stubborn nature no match against the warmth and adoration overcoming him at the slightly crumpled branch above him.
"Is that-"
"Yep." You mutter, straining under the effort to reach above his head. His gaze is on your face then, arm snaking around the smalll of your back to keep you steady. "You're supposed to-"
"Oh, I know. But I'm having so much fun watching this." A small pout puckers your lip at his teasing, tone filled with the familiar mirth and smugness you hadn't known you missed so much with his solemn mood.
"Forget it then, Grinch." Your reaching arm falls to your side, attempting to push at his chest to force distance between you.
The camera flashes just as Anthony pulls you in for a kiss. Soft and sweet, each of you eventually smiling into it.
"I'm not developing that one." George frowns, adjusting the lens before shooting a pointed look to Lockwood, who loosens his hold only slightly on you. "You've got shade 205 right here, mate." The curly-haired boy draws an imaginary circle around the entirety of his mouth. Anthony scrubs his sleeve across his face at George's comments. Flushing as you laugh into his chest.
Taglist: @sunshineangel-reads
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