#don't listen to people who have NY Times Top Writer on their twitter profiles
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congrats on finishing a wip!! Whats ur secret!!!! lmao
This isn't my first WIP I've finished, so that helped me a bit. (There's a reason I don't talk about my Vampire WIP anymore, it's done, just sitting archived for me to go in and edit it, and do a new draft of it)
Knowing my limits, taking breaks, and shelving when I start to get frustrated. If I find myself dreading the writing process, it's time to take a break and focus on something else.
I also shelved other WIPs to focus on one, otherwise I wouldn't finish anything. Too many projects meant my mind is split onto too many things, and HEMLOCKS was already established with a few interested beta's that weren't on Tumblr or any writing server - just a couple of friends I could trust with the document and liking the synopsis.
I also had Lyric's voice stuck in my head until I wrote her story and re-wrote it until I was mostly satisfied with it. I also did writ a lot of it when I was feeling low or in a bad state of mind, so some of it was just mostly vent works, drawing from my own past or a late partner's past (minus the "parent killed the other parent" part of it all), especially something that Lyric talks about that I and my late partner personally went through at different times.
It was also just reminding myself that there's no rush to finish it, perfection is never going to be achieved so I may as well just do it and write what I want to write and see in a story. It helped me that it is actually an entirely different genre than what I normally write, so I actually had to test myself and see where my limits actually lied.
Also, I didn't talk about it too much on social media so I didn't feel like I had to write a WHAM line every time or feel like I had to create, create, create and make every sentence and line meaningful and deep. It felt pretentious more than normal.
I also stopped complaining. I stopped complaining about the writing process, how I didn't know what to say or what to call it or what to do or how much I hated it, hate that, and jokes of "why can't it write itself" jokes. I stopped insulting it. It didn't feel good, I didn't feel good, it just made me hate what I was doing more, so I just decided to stop complaining about it, and started sharing what I was proud of with a select few friends.
If you speak negatively about your stuff, why should anyone else like it? Why should anyone else read it? "This story sucks and I hate writing it" vs "Some scenes are giving me trouble and I'm getting a little annoyed" are two incredibly different statements, one puts most readers off and the other is relatable. Like on A03, "I suck at summaries" won't net you shit. "This story probably sucks" won't do anything. And you'll also eventually start to believe that - what then? If you hate what you're writing it, why are you writing it?
Was it frustrating sometimes? Did I run into writers block? Yes, so I shelved it and came back to it later when I had some more inspiration. I wrote it in Google Docs entirely and would link my friends to get live responses, I wrote at home and not at work because if I wrote at work, I'd associate it with work.
If I wanted to stop writing it, I did. HEMLOCKS got put aside for awhile for fanfiction because I found not working with my own OCs for awhile genuinely helped me.
I stopped editing as I went. The best advice I ever received was, edit later, write now. Worry about mistakes and perfection later and then accept that perfection isn't possible, and that's okay!
I start writing it when I was awake and stopped when I was tired, I took breaks, I ate when I needed to, drank water when I needed to, etc. None of that, "I won't eat or drink or do anything until I write 5K words today!" Absolutely the fuck not, and I still see shit like that in writing spaces. TAKE CARE OF YOUR BODY, your brain needs that shit to WORK. A healthy body DOES equal a healthy mind, drinking some water does wonders, so does going for a short walk or focusing on something else. You need to listen to your bodies signals :/
...And I honestly stopped participating in NANO. Camp or Novembers. I honestly didn't like it, didn't like the pressure - it stopped feeling fun after awhile and started to feel like work. And I stopped talking about it altogether, except with a few friends who are close to my heart and may be the only ones to ever read it. Likely if I am asked if someone can read it, I will say no.
Lastly, I stopped posting on here. Like, I absolutely love writeblr, I've met some great people on here but - I found not posting in writing communities helped me a lot. Notes had become a big thing and I was too fixated on it, and then I realized that if it was wrecking my mental health, it's time to leave. I hate sanitizing things or writing for the masses, I like to write what I like and often times, that's WLW and not MLM. And sometimes even not romance and more something like HEMLOCKS. And I found that I was posting more about my WIPs than actually writing them or feeling motivated to write them.
I have plenty more, especially when it comes to HEMLOCKS but that's between me and the two people that know why I was working on it and what was happening like two nights ago that made me finish it.
SO this is Novel Number Two that is finished for me and I feel like I've only been able to talk about it with like three people. I am incredibly proud of myself.
#writing advice#ymmv#don't listen to people who have NY Times Top Writer on their twitter profiles#their advice is usually bad#except neil gaiman#always listen to him
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To any newcomer joining the industry after they graduated college or just getting into the field, what is your advice on what they should do? Like if they are in LA/NYC or not in LA/NYC, what can they do?
Sorry if this is left field!
That's a huge question with a lot of variables, but fortunately our mods are also newcomers in the industry and have been through this ourselves so hopefully this is helpful :)
A couple things you can do to prepare yourself:
Unpaid internships, though clearly and obviously exploitative of vulnerable populations, are sometimes (UGH) the only or best way to get in the door and have something legit on your resume. (The paid internships are unfortunately so much more competitive, but definitely apply if you can!) A lot of internships and jobs are posted regularly on LinkedIn. This is a good Linkedin group to see job postings for young people working in entertainment.
How do you even make a resume for Hollywood internship/entry-level positions? Great question. Highlight any media experience (yearbook, newspaper, journalism, graphic design) and leadership experience. (Unless it's like, from middle school. That's too far back.) If you have the chance to submit a cover letter, focus less on trying desperately to prove yourself and more on who you are as a person: someone who is determined, yes, but would also be a good, solid coworker; any stories that reveal your talent for narrative and showcase your skills.
If unpaid internships aren't possible for you, consider checking out adjacent jobs in podcasts or journalism or other media, which would still be good on your resume before you make the switch to film/TV.
Get a nice, recent headshot (doesn't have to be a professional shoot, you just want to look professional in your social media and email profile pics.)
Join the picket lines in LA/NY if possible (WGA has the locations here). Everyone out on the picket line is supporting the future of the entire industry. It's not only the current workers on strike, but you and your peers too, who depend on the outcome of these negotiations. Also, if you consider yourself "pre-WGA" (interested in being a writer/WGA member in the future), there are a handful of groups organizing strike support for pre-WGA folks! Get plugged in with them.
Read the trade publications daily, or at least a couple times a week, to stay on top of what's going on in Hollywood. The typical places are Deadline Hollywood, Variety, The Hollywood Reporter, and I also like IndieWire and the NYT movies section personally for their profiles and reviews. Basically you just want to be someone who knows what's going on in your own industry and can talk intelligently about the state of things.
Likewise, podcasts. If you're going into TV writing, I can't recommend Children of Tendu enough. If that's not your specific field, search around for what other people in your field are listening to!
I hate having to say this, but... Twitter. Lots of WGA members, directors, actors, and industry people are active on Twitter, despite the, er, problems with the platform. Look for both pre-WGA and WGA people, connect with them, start building a community, maybe join a writing feedback group. (Again, since I'm a writer, that kinda applies to just writers, but I'm sure you can find other departments there too!)
On a similar note: You've probably heard a lot about the importance of networking—getting to know people in the industry who might be your coworkers in the future. That's important advice, but even better advice than that is to network horizontally, not vertically. Translation: Don't always seek out people who are in more advanced stages of their career than you: they're probably very busy and their lack of interest in lower-level people could be discouraging, even if it's just a reflection on their lack of time and not on you. Instead, network with people at the same stage as you—people who are new in LA/NY/the industry, people who are coming up and have similar passions and goals as you, people who are your coworkers and peers. I'm coming up with a lot of really cool people and it's very likely we'll all be in a position to help or hire each other 10, 20 years from now.
That said, you could also try to find a mentor who knows more than you do, but that's tricky territory because again... Hollywood. People are busy. But if you do get the chance to apply for a formal mentorship program, or if someone you know shows interest, having a mentor to go to for questions/advice is super valuable!
Acquire skills. Microsoft Excel skills. Standard screenplay formatting skills. Final Draft skills. Graphic design skills. Website building skills. A lot of people start in the industry at the assistant level, and these things are invaluable on your resume.
For writers specifically, I've heard the advice that you need to get 5+ shitty scripts out of your system before writing something decent. And from personal experience, that adage holds true. You need to write a significant amount of crap before you find your voice and get a handle on script formatting. Online classes and writing groups can help a lot with this.
Also for writers: You should not be trying to start your career as a professional writer without 3+ SOLID, GOOD SCRIPTS in your portfolio that match your voice as a writer, fit your (ugh) writer "brand", and have been revised based on feedback from writers you trust. If you have any doubt about the state of your sample scripts, go back to the drawing board and write a new pilot script.
If you want to be a creator, watch stuff extensively! Old stuff, new stuff, award-winning stuff, stuff that you'd want to write/direct/act in someday. Pick a director and watch everything they've made (or the same for writer/actor/costume designer/cinematographer.) You need to be decently fluent in what has come before you. This industry is only 100 years old, so it's very possible with time to become someone who knows the art form inside and out. Don't watch shallowly, either; watch deeply for analysis and critical thought.
Some final words from someone who cares deeply about the overall wellness of young people in the industry. This industry terrorizes people, and there are a lot of stories of abuse and breakdowns. (Oh, another recommendation, though pace yourself because it's a difficult book with a lot of potential triggers: Burn it Down by Maureen Ryan talks about industry abuse, written by a journalist who's tackled a lot of breaking news about abuse in Hollywood. Essential reading for people going into the industry.)
So prioritize taking care of yourself, and not just in the uwu self-care way, but the bone-deep "know thyself", "if you don't take care of yourself, you will literally cease to function" way. Love yourself enough to know when to step back and take time off. Love yourself to gain good time management skills so you can live a less stressful life. Love yourself enough to build a community of people who will look out for each other.
Wishing you the best of luck. If any pre-WGA/early career folks in the industry want to continue this conversation, this mod's main is @captaincrais.
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