#don't hesitate to let me know

[linkyu]

god i've been wiki editing all day I need to DRAW Now or i'm gonna fucking implode

[brendleellipsis]

Me when I wish people knew more about my silly OCs and stories so I could talk about them more but being too nervous to infodump to people because if they're not interested I'll Cry and then Explode and probably Die or something idk

[reginrokkr]

Suspicion runs rampant at its highest within Twilight Sword's mind since the arrival of an outworlder that people wasted no time to revere as the kingdom's princess when, in reality, royalty has fallen with King Irmin as the last king. It was sufficiently bad when awareness that he was rocking the foundations of this world with his deeds made itself manifest, and ultimately it fell into Dáinsleif's hands to do something to remedy it when the other five carriers of Khaenri'ah's hope didn't lift a finger for the cause. Let alone when the primary reason of crowning that girl that came like a fallen star as a princess out of a sick belief that she embodies the abyss.

Reason why Dáinsleif has always made everything in his power to stay away from her, for he's never wanted to partake in anything remotely dangerous that is interwoven with the Abyss— as many seem to have forgotten, it's their enemy that has been breathing at their neck and lurking at their doorstep since the very foundation of Khaenri'ah. So in view of the reasoning of the nobility turning her into the kingdom's princess, it is the easiest to believe that she would agree with their ways.

Or perhaps that is his own prejudice speaking and the reality is different.

His maneuvers could bring him so far until he was appointed as her personal guard —mainly for events, thankfully— by the regent. Such as tonight's, in which he was pushed to start as early as he was told by visiting the residence she inhabits to guide her towards the royal palace, where the event is bound to take place. And so he dips his head, his hand balled in a weak fist over the spot of his heart as per the Black Serpent Knight chosen salute to show respect —perhaps he could've shown more than that, he has seen many kneel before her presence—. ◜Regent Alberich has appointed me as your personal guard effective immediately. So from now on, I may protect you as the Twilight Sword.◞

@lunaetis ✧

[scyathan]

Law and the subsequent punishment to the guilty as a means to remodel themselves and repent for their wrong deeds are intrinsically connected together. Nevertheless, it is widely known that the Court of Fontaine is not to involve itself in the matters of the Fortress of Meropide and so is true for the other way around. This is one of the many reasons why Neuvillette's presence would rise more than a set of eyebrows were they witness him strolling his way into the Duke's office and emerging no more from that enclosure.

The reason of his visit being none other than to see Fortuna one more time after finding out that in his absence on the surface due to a lengthy talk with a lady from the abyss, Wriothesley put it to use. For a good one, at that. Perhaps upon forgiving the original sins of the people of Fontaine the great ship' lost part of its meaning's purpose had to be adjusted with the new needs. Thankfully it didn't lose meaning as the Fortress did with the passage of time with the first repentant ones who found purpose anew in their life upon encountering the former Hydro Archon's light.

"The seeds of your effort to make Fortuna functional were harvested that day." Preventing the people of Fontaine from drowning as a result of Narwhal's product of sorrow and desire to devour is no little feat, after all. It is not by his own merit alone that this was made possible: it began with a drop of water that wished to deceive the Heavenly Principles, it continued with everyone's faith in Justice and it culminated with everyone as actors of this big play that only recently reached to a curtain call. Draconic eyes seek the Duke's icy ones. "Thank you."

Thank you for not letting lady Focalors and Furina's part to go to waste under the inclement waves of the Prophecy.

@maquiscursed

[sagechan]

heads up, the hands in blood is all AI

FUUUUUUUUUUUUUUUUUUUUUUUCCCCCKKKKKKKKKKKKKKKING HELL. IT IS HELL HERE.

FUCK AI

FUCK MACHINE-LEARNING DATA-MINING CYBER-SCRAPING IMAGE-FRACKERS CALLING THEMSELVES ARTISTS

[syoddeye]

woke up possessed by the need to write soapgaz x reader smut. i have no excuses. ~1.6k, lightly edited.

cw: dubcon/noncon elements (reader is drunk), alcohol, public/semi-public sex, oral, surprise you're in a throuple

dating kyle, whose best friend soap keeps showing up on your dates. 

you try to make a fuss about it, tired of ruined movie nights and dinners. the insufferable bastard’s jokes are lewd, his eye contact too sharp, and he’s so damn touchy. always grabbing your and kyle’s knees, looping his arms around your necks, or sandwiching you in hugs that flatten either your chest to his or slot your ass to his pelvis.

the last straw is when soap spoils what was supposed to be a couple’s trip. he cards into your hotel room just as you’re about to give kyle a show. barges in with a big dumb grin on his face.

“what did i miss?”

you drag kyle into the bathroom and barely keep yourself from yelling. you demand he sends his friend packing. this is supposed to be a romantic getaway. kyle tries to soothe you, explaining that soap’s just going through a hard time.

“he needs us.”

“he needs a reality check.”

you storm through the room past a smiling soap, gather your clothes, and hastily dress. if kyle needs you, you’ll be at the hotel bar.

a couple of mai tais later, you’re still in a foul mood, but the edge is off. you’re worn down to a weary resignation that you’ll have to share this stupid holiday, thoughts clawing through the syrupy haze of rum and orgeat. kyle’s texted and asked you to return to the room twice, but you’ve ignored both. knowing he’ll probably come looking, you slip out to the beach with one last drink.

past sundown, it’s quiet. a few fires dot the shore, and you glimpse other couples. despite the sweetness in your mouth, your stomach twists into knots. if only you were so lucky. if only your boyfriend put his foot down. you’ll have to suffer through listening to soap snore on the room’s sofa instead of falling asleep thoroughly fucked.

you plop down away from the hotel and drain your cocktail until it’s half-full, stabbing aggressively at its garnish with the little straw.

the ocean hides their footsteps until they’re upon you, and you nearly drop your drink when two bodies bracket yours.

“so this is where you’ve been hiding and pouting.”

you instinctively tuck into kyle. despite being pissed at him, the vulnerable, tipsy part of you seeks his comfort. “i’m not hiding or pouting.”

he wraps an arm around your shoulders. “no? then why’d you run off earlier?”

“i was mad, i’m still mad.”

kyle runs his hand from your knee to your thigh and toys with the hem of your shirt. “why’re you mad?”

“soap, he’s—“you hiccup and turn your face against kyle’s chest just enough to see the other man. soap’s smirking, eyes half-lidded. “he’s going to take you from me.”

they say alcohol loosens your tongue and encourages the truth. and there it is, your awful secret. your real fear, dangling out in the air for both of them to see.

a beat passes, and you hide your face again. you feel kyle’s laughter before you hear it.

“oh, babe. you’ve got it all wrong,” he squeezes you and kisses your temple. “soap, why don’t you show her how wrong she is?”

“aye, with pleasure.”

the scot shifts, and you realize it’s not kyle’s hand toying with your shirt. soap glides a palm up your side, pushing the fabric with it, and cups a tit before finding your lips in a hungry kiss. his tongue slips into your mouth, greedily sipping the whines he cajoles out of you.

you’re dimly aware of kyle plucking your glass from your hands, too distracted by the fact your not-boyfriend is leaning you backward. the back of your head is cushioned by sand, nipple hardening as soap brushes his thumb over the cup of your bra.

they make short order of pushing your shirt up and pulling your tits out. your shorts are dealt with, your panties left in place for the moment.

“stay still, babe,” kyle whispers as you surface from the onslaught of soap’s kisses. soap lifts your head carefully so you can watch your boyfriend kneel beside you. he holds your cocktail up and then carefully tilts the glass until a few drops splatter across your stomach. you squeak from the cold and squirm, but soap holds you in place.

the look in kyle’s eyes is pure sin as he dips down to chase after the streams of liquor, tongue blazing over your skin. it dips into your navel, fishing a reluctant giggle out of you, then continues south.

he pauses to ruck off his shirt, then lifts your hips to carefully guide it beneath your lower half. he pinches the swell of your ass.

“you’ve been so good, babe. so patient. you’re learning, aren’t you?” he asks, licking his lips as soap moves to kneel at your head. “soap isn’t here for just me, is he?”

your eyes roll blearily in their sockets to find the man in question staring down at you. the heat in his eyes setting off more sparks in your belly.

“n-no.”

kyle beams and curls his fingers in the elastic.

“no. he wants both of us. isn’t that nice?”

you nod stiffly, eyes fixed on your underwear as he pulls them to your ankles. you should be embarrassed. humiliated, to have a man who isn’t your boyfriend see you like this. but alcohol and desire blur together, and you raise your hips with a tiny noise. a word. “please.”

“needy girl. i’m gonna make you feel good, babe. but if i’m gonna do that, i need you to make him feel good, yeah?”

soap’s fingers leave your tit to stroke the side of your head, gently nudging your face toward him. you’re met with the sight of his cock straining against his shorts, his free hand palming it slowly.

you glance up and realize this is the quietest he’s ever been. he’s always loud and boisterous. annoying when he invades your space. now he’s dead silent, save for the deep breaths from his nostrils. blue eyes narrowed in a predatory stare.

in an instant, you know. all this time, he’s been trying to run you down. wear away your resistance. get you accustomed to his near-constant presence. and apparently, he’s tired of waiting, wielding your boyfriend against you to sweeten you to some sort of package deal.

you should scream. tell both of them to piss off. instead, you slowly reach for the waistband of soap’s shorts, and help tug them down.

the alcohol coursing through your system makes you sluggish and clumsy, but soap does most of the work anyway. his cock languidly glides over your tongue and into your throat, erasing sugar with salt—the lines of your relationship along with it.

kyle’s tongue and fingers coax you into a state of euphoria, vision wet and glassine at the edges. you don’t think you could run away even if you wanted to. your legs are jelly, body pliant as hands grope at their leisure. kyle shushes you when you wiggle at the sound of distant voices, silencing you with a third finger and the seal of his mouth on your clit.

the muscles of your legs start to shake and tighten, pussy clenching around kyle’s fingers as he curves them inside. his mouth is sloppy over your cunt, partly due to how you writhe on his shirt. 

“christ, i’m close.” soap grits out overhead, his thrusts into your mouth becoming more erratic.

kyle unlatches his lips, “she is too.”

soap chuckles and pats your cheek, meeting your eye with a coo. “this’ll be special, pet. you an’ me at the same time, aye?”

a garbled moan around soap’s cock makes him jerk and curse, prompting his big hands to cradle your jaw. angling you with surprising gentleness to continue. you gag as he slips in too deep, too eager, but your attention’s split between needing oxygen and needing to come. kyle hasn’t let up, fucking you on his hand and groaning at the wet, sticky squelch cutting through the sound of the waves.

you come first with a gurgled shout, eyes rolling back in your head as you spasm and kick fruitlessly in the sand. soap’s a quick second, giving you a half-second warning before shooting thick ropes into your throat. kyle’s tongue laps at your folds as you swallow, both sensations overwhelming you to the point of tears. soap tucks himself away, and you hear him tut.

“gie it a rest. she’s still got to ride you back in the room.”

kye laughs breathlessly and crawls over you. “still with us?” he smirks at the delirious nod you manage. “good girl. need help standing?”

you let them dress you and haul you to your feet. the world’s gone wobbly, and you list heavily against kyle. your arms are also negotiated around soap, slotting you firmly between them. kyle’s shirt hangs into a pocket, soaked, and with every step back toward the hotel, clarity and embarrassment steamroll you.

“i can’t—this was a mistake.” you hiss, though the three of you know your words don’t carry the weight you want them to.

kyle plants a kiss on your cheek. you smell yourself on his face. “we’ll see if you feel different in the morning.” 

“aye. probably just have sand where the sun don’t shine. i’ll personally see to—”

with your waning lucidity, your elbow finds his ribs in a harsh blow. he sputters and stumbles, almost releasing you from his hold, but not quite.

“jesus, our girl’s got some fire, garrick.”

“tried to warn you.”

you mutter something mean, setting the men off into titters of laughter, and try to ignore the flicker of warmth at our girl.

[thelilylav]

Hmmm... very interesting to me that Taylor Swift is trending rn and yet for some reason no one in that tag is complaining that her trending is taking away from what's going on in Palestine and what's happening in Rafah. And yet for some reason, people couldn't seem to shut up in the Kendrick Lamar tag when he was trending about how the whole beef was just two celebrities beef (it's much deeper than that) and were making up theories abt how the whole thing was taking attention away from Palestine and everyone talking about it should feel ashamed of themselves (every single account I saw in that tag was posting about Palestine too).

And the thing that's really getting me is that Taylor is trending bc of a change to the Eras tour. An objectively unimportant change to make, especially when compared to what's going on in Rafah. But that's not what gets hate, no, it's the predator getting called out in an industry known for exploitation by one of the biggest artists in said industry. The racism isn't even implicit atp...

Edit: ok so just to clarify no this wasn't meant to insinuate that Taylor trending was some setup of Israel (that's just... like objectively wrong lmao), it was to point out that when it comes to a black artist in hip hop (a predominantly non-white genre) people wouldn't let fans of said genre just enjoy the music and shenanigans happening in that genre and that's it's hypocritical to act like people can't care abt two things at once, but they can enjoy their white "feminist icon" pop star (a much whiter genre) without anyone bringing hate into that tag. like i put in the tags, the anti taylor tag is for filtering bc i honestly don't see this post as particularly negative for taylor swift, it's a critique of the fans. and i'm calling out swifties particularly bc the ones who were saying that the beef was manufactured to take eyes off of rafah were swifties, and the ones being racist in the kendrick tag were swifties. i'm not exaggerating like almost every hate post i saw mentioning the beef being manufactured was a swiftie account. it is weird to act like people caring about very serious allegations happening in a genre of music isn't reason enough to make a big deal of the situation and go INTO THE TAG and complain, but it is especially hypocritical and frankly quite infuriating to see the same people who complained about a big deal of a situation being a "distraction" from gaza and then blog abt taylor swift . it's fine if u want to blog abt music u like, honestly idc abt that, if that's all u do then this legit isn't targeted at u, this is targeted at the swifties who came into the kendrick tag to complain and then went back to talking abt swift two seconds later like they weren't doing the same thing they were complaining abt two minutes before. (sry for the long explanation, but i just don't want ppl taking my words out of context and i rlly tried to word this all clearly, but idk man sometimes u think u word something well and then nobody undrestands wtf u were on abt so i wanted to make sure it was clear) also, if you're a zionist or israel supporter, i will be blocking u if u interact with this post. ok ty bye bye

[spooky-month-archive]

A poster signed by Sr Pelo, given away at the La Rocket Convención

[travisdermotts]

HOW THE HECK DOES BASEBALL WORK? (Part 1)

Have you thought to yourself “I hate hockey, I need a sport that can break my heart every night!” OR “Who is that mustached man all my mutuals keep reblogging?” OR “I want to get into baseball but what the heck is an ERA?”? If you have, you’ve come to the right place. In this first installment of my “How the heck does baseball work?” series, I’ll be going over the basics of the game.

(if anyone needs or is interested in a PDF version of this, please DM me and I'd be happy to send it out!!)

[royalarchivist]

Roier: Well look who came on, The one who wrote to me on Twitter– he told me today "I won't enter today guapito, I won't enter today guapito, I don't know about today guapito." Hmm, what happened Cellbit? What happened Cellbit? He lied to me, he lied to me, your dad lied to me, your dad lied to me, Richarlyson. I thought that–

Cellbit: ROIER YOU ARE VERY HANDSOME

Roier: I can't say anything now. You as well, you as well, you too, you too. How do you say "You more" in Portuguese, Richarlyson? Você mais? Is that it? No, I don't know how to say it. I don't know if I said it wrong. No, it scares me man, because maybe I said something wrong.

[mdzs-fanon-exposed]

MDZS Fanon VS Canon: 7/?

Mo Xuanyu and Xue Yang were Jin disciples at the same time

Rating: FANON – SUPPORTED

There's a not insignificant amount of fanworks that depict Xue Yang and Mo Xuanyu interacting during their time as guest disciples of the Lanling Jin sect. While we do not have any concrete evidence that the two characters ever met, it is (mostly) possible to discern whether they were guest disciples at the same time.

The timeline of Mo Dao Zu Shi is often hard to follow because specific years and dates are rarely given in the books, but using context clues, I can piece together a rough estimate of when both characters were present at Golden Carp Tower and use that to identify any points they may have overlapped.

Xue Yang:

Xue Yang's time as a guest disciple is easier to define, so I'll start with him. The earliest time we see him, chronologically, is during the flower-viewing banquet that Lanling Jin held directly following the end of the Sunshot Campaign:

Xue Yang was extremely young at this point in time. Although his face still had a boyish cast to it, he was already very tall. He also wore a Sparks Amidst Snow robe, the very picture of carefree youth as he stood beside Jin Guangyao, like a spring breeze caressing the willow. (Seven Seas Ch. 10, Part 2)

He is already a disciple of the Jin sect, although he hasn't been one for long, according to Nie Mingjue's reaction:

Nie Mingjue frowned. “Xue Yang from Kui Prefecture?” Jin Guangyao nodded. Xue Yang was already infamous at a young age. Wei Wuxian could clearly sense Nie Mingjue’s frown deepening. (Seven Seas Ch. 10, Part 2)

Note that at this point, both Wei Wuxian and Jin Zixuan are alive (and attending the flower-viewing banquet as well). We can assume that this happens approximately 1-2 years before Wei Wuxian's death, due to factors such as time skips and a reference to the Sunshot Campaign from when Xiao Xingchen leaves the mountain, which we know is about a year after the Siege:

At the time, it had only been a few years since the end of the Sunshot Campaign, and the Siege of the Yiling Burial Mounds had just concluded. (Seven Seas Ch. 7)

and

Twelve years ago happened to be the year right after the Siege of the Yiling Burial Mounds, so they had just missed each other. (Seven Seas Ch. 7)

We can also approximate when Xue Yang's time as a disciple ended. He had to have been a guest disciple of the Lanling Jin until between one and two years after Wei Wuxian's death. We know it was at least one year afterwards, because he meets Xiao Xingchen and Song Lan while still associated with the Sect:

Xiao Xingchen smiled, seemingly well aware that it was in Jin Guangyao’s nature to speak in an ingratiating way. “Lianfang-zun speaks too highly of me.” His gaze then turned to Xue Yang. “He may be young, but since he ranks among the guest cultivators, he must still exercise self-discipline and restraint. The Jin Clan of Lanling is distinguished, after all, and should strive to set an example in many aspects.” (Seven Seas Extra 3)

And it must have been up to two years or less because Xue Yang was both imprisoned and exonerated for the crime of the Chang Clan massacre (and therefore no longer a disciple) while Jin Guangshan was still alive:

“I’m not shielding him,” Jin Guangyao defended himself. “The incident with the Chang Clan of Yueyang shocked me greatly as well. How could I have anticipated Xue Yang would slaughter a family of over fifty people? But my father insists on keeping him…” (Seven Seas Ch. 10)

and

Jin Guangshan began thinking of ways to pull Xue Yang out of jail ... until finally, the Jin Clan of Lanling successfully persuaded Chang Ping to change his story. He withdrew all the grievances he had stated before and announced publicly that the clan extermination case had nothing to do with Xue Yang. (Seven Seas Ch. 7)

And we know Jin Guangshan died eleven years before Wei Wuxian was resurrected, from Sisi's story.

“I’ll go first, then!” She casually curtsied to the crowd. “What I’m about to tell you is an incident that happened roughly eleven years ago.” ... And the half-dead man on the bed must have been Jin Guangshan! (Seven Seas Ch. 19)

Therefore, Xue Yang's time as a guest disciple lasted anywhere from two to four years in total, beginning at the end of the Sunshot Campaign and ending approximately a year (give or take) before Jin Guangshan dies.

Mo Xuanyu:

Mo Xuanyu's timeline is harder to define, because we never actually see him while he's a disciple, and have to rely on rumors and circumstantial evidence. The only reliable information we have, date-wise, is that he was fourteen when he was called to Golden Carp Tower by his father:

And sure enough, when Mo Xuanyu turned fourteen, that clan leader sent over a grand party to officially take him back. (Seven Seas Ch. 2)

Although knowing he's fourteen isn't particularly helpful, we do know that Jin Guangshan was still alive at the time. As for the exact time frame in which Mo Xuanyu could have been accepted as a disciple, Jin Guangyao says this:

“Did you think that I would rise in position with Jin Zixuan’s death? Jin Guangshan would rather bring back another illegitimate son than have me succeed him!” (Seven Seas Ch. 10)

This implies that Mo Xuanyu was accepted into Lanling Jin after Jin Zixuan's death so that Jin Guangyao would be further down the line of succession. This sentence is said when Nie Mingjue confronts Jin Guangyao about sheltering Xue Yang from the consequences of the Chang Clan massacre. Therefore, Mo Xuanyu could have (theoretically) entered the Jin sect at any point between Jin Zixuan's death and Nie Mingjue's confrontation, the latter of which took place after Xue Yang's imprisonment.

However, I believe it is more likely that Mo Xuanyu was brought in during the aftermath of Jin Zixuan's death, for the sheer reason that it would shunt Jin Guangyao out of the line of succession quicker.

We do know that Mo Xuanyu was present at Golden Carp Tower after Wei Wuxian's death, because Jin Guangyao gave him access to Wei Wuxian's manuscripts on possession:

He had written plenty of these manuscripts back then, all penned on a whim and tossed aside just as easily, scattered all around the cave where he slept in the Yiling Burial Mounds. ... He’d wondered where Mo Xuanyu had learned such forbidden magic. Now he knew. Never in a million years would Jin Guangyao have allowed unimportant people to glimpse the remains of a manuscript on forbidden magic. (Seven Seas Ch. 10)

And although we don't know exactly when Mo Xuanyu was kicked out of Golden Carp Tower, we can infer that it happened before Jin Guangshan's murder. During the events in the Sword Hall of Lotus Pier, after Sisi and Bicao's testimonies, one unnamed cultivator says this:

"He spent the last few years before Jin Guangshan’s death busily clearing the land of his father’s illegitimate sons, for fear that someone would suddenly pop out of nowhere and challenge him for the position. Mo Xuanyu was probably one of the lucky ones. Had he not gone crazy and been booted back home, he would likely have ended up disappearing like the others." (Seven Seas Ch. 19)

This implies that Mo Xuanyu's expulsion from the sect happened at some point before Jin Guangshan's murder. Theoretically, this was done because he would be a potential threat to Jin Guangyao's legitimacy (and have gotten killed) otherwise. As Mo Xuanyu was not legitimized, though, it's unlikely that he would have posed a genuine threat to Jin Guangyao's succession. Regardless of the reasoning, the quote here indicates that Mo Xuanyu was kicked out before Jin Guangshan's death.

To be clear, however, this cannot exactly be taken as reliable evidence. As Wei Wuxian says about this exchange,

If they’re just rumors, why so quick to believe them? If they’re secrets, how would you even know of them? This was not the first time these rumors had spread. While Jin Guangyao was in power, they had been suppressed so well that no one took them seriously. But tonight, the rumors all seemed to have become hard facts with irrefutable evidence. They became a solid foundation for Jin Guangyao’s multitude of crimes, proving just how unscrupulous he was. (Seven Seas Ch. 19)

So while it's possible that the timeline here is correct, we know that (as established earlier in the books – see Chapter 1) rumors in the world of Mo Dao Zu Shi are unreliable at best and often contradictory. For the purposes of this post, though, I am choosing to assume that this is at least partially true.

So taking the assumptions I've made into account, we know that Mo Xuanyu's time as a Jin disciple could have lasted up to approximately three years, anywhere between directly following Jin Zixuan's death to just before Jin Guangshan's death.

The timeline:

Now that I have a rough estimate of when both characters were present at Golden Carp Tower, I can try to find places where they overlap. Unfortunately, even with all this sleuthing, I cannot say for sure if they were present at the same time. The chance that they just barely missed each other, though, is unlikely.

Given the most generous interpretation of their respective timelines, Xue Yang and Mo Xuanyu could have been Jin disciples together for almost three years at maximum. This assumes:

Mo Xuanyu was accepted into the Jin sect almost immediately following Jin Zixuan's death.

Both Xue Yang and Mo Xuanyu's expulsions happened soon after one another, within the same year as Jin Guangshan's death.

This means Mo Xuanyu would have been a disciple since before Wei Wuxian died, and that Xue Yang's imprisonment and exoneration happened on a very tight timeline right before Jin Guangshan's death. This is the interpretation that gives both characters as much time to interact as possible.

Given the least generous interpretation, however, Xue Yang and Mo Xuanyu just missed each other. This assumes:

The massacre of the Chang Clan happened very soon after Xiao Xingchen descended from the mountain.

Mo Xuanyu's acceptance into the sect happened just before Nie Mingjue confronted Jin Guangyao.

This means that Mo Xuanyu's call to join the sect would have happened in between Xiao Xingchen apprehending Xue Yang and Nie Mingjue confronting Jin Guangyao about it, which is presumably a very short amount of time. This is also the least likely interpretation, as it wouldn't make much sense for Mo Xuanyu to have been accepted so late and during such a controversial period for the sect.

The most likely interpretation is somewhere in the middle: that Mo Xuanyu and Xue Yang were, in fact, Lanling Jin disciples at the same time, but that they did not have much overlap. I believe it is probable that Mo Xuanyu would have been accepted into the sect within a year or so of Jin Zixuan's death, and that the Chang Clan massacre happened at least half a year after Xiao Xingchen descended, meaning the two would have had around a year of overlap between them.

In conclusion, I can say with relative confidence that Xue Yang and Mo Xuanyu would have been Jin disciples at the same time. However, I cannot confirm this as canon, as there is not enough evidence available in the books. Therefore, this must be rated as SUPPORTED FANON: the text does not directly state this is true, but it is a distinct and likely possibility.

[cultivating-saplings]

In honour of 4/13x15 I'm posting (a very slightly edited version of) the paper I wrote on the Unofficial Homestuck Collection for one of my classes last term. The language/tone is a bit more academic than what I would usually put up on here, but it's exam season so... 

Don’t Turn Your Back on the Body:

The Resurrection of Homestuck After the Death of Flash

Digital media is, broadly speaking, very difficult to preserve. The rapid pace of technological development means that obsolescence and decay present a consistent threat to the availability of natively digital works. Most computers produced in 2023 no longer have built in CD drives, and I feel fairly confident in asserting that none are being produced with floppy disk readers outside of hobbyist spaces. Issues with the accessibility of physically stored digital media can be mitigated (at least for now) by the use of external readers, but the preservation of fully digital media, born and hosted in its entirety on the Internet, is a different beast entirely.

This is, in part, an issue of pure volume; no one organization could ever hope to archive the vast amounts of stuff that the Internet is constantly producing, let alone organize it into a resource that could be used effectively. Like Borges’ cartographers who created “a Map of the Empire whose size was that of the Empire,” to fully archive the Internet would be to replicate it in its entirety. Thus scope becomes a central question of fully digital archiving. 

The Internet Archive, which also operates the Wayback Machine, answers that question with a resounding and all-encompassing ‘yes’ — their stated goal is to “provide Universal Access to All Knowledge,” but even this comes with caveats. The organization freely permits members of the public to upload files to the archive and save pages on the Wayback Machine, but the work carried out by its official volunteers is more curated, and prioritizes webpages which have been identified as particularly important.

The Internet Archive is very effective within its own space, yes, but it has its limits. When the piece of work you are trying to archive is composed of not just static text and images, but longform animations and complex browser-based games, where do you put it? What do you do when the software necessary to access these elements of the work has been taken offline? And what happens if the people who were supposed to safeguard it fail to do so?

These were the issues that the fans of Homestuck faced in 2020 as the impending deactivation of Flash loomed on the horizon.

But first, before I properly explain what the Unofficial Homestuck Collection really is and why it is so effective as a digital archive, let me tell you about Homestuck. 

Frustrated with the poorly implemented official preservation of the comic, and with a lot of free time on his hands, one fan began the Unofficial Homestuck Collection as a personal project during lockdown, during the “depths of 2020.” As the project changed hands and more fans became involved over the following years, its true scope came into focus: the Collection would preserve not only Homestuck itself, in its entirety and with its Flash-dependent pages intact, but also as much of its contextual material as possible, thus making it a prime example of the effectiveness of fan-driven digital archiving and preservation. Because the people who created the Collection are long standing fans of Homestuck, they know which pieces of peripheral material will provide the context the comic demands. The Collection preserves Homestuck as a text in a way that would be impossible in an analogue format, creating an archive both of the work and of the experience of reading it in a serialized format.

Andrew Hussie began* Homestuck on April 13th of 2009, and published it serially on mspaintadventures.com, his personal website at the time, until its conclusion on April 13th, 2016. Prior to beginning Homestuck, Hussie had been publishing short webcomics and pieces of fiction for several years on his older website, Team Special Olympics, since 2004, which had gained him a small but very loyal following. This following was centered mostly around the forum attached to the TSO website, which hosted the first of Hussie’s ‘MS Paint Adventures,’ Jailbreak, in September of 2006. Jailbreak was a short comic which Hussie produced as a collaborative writing game on these forums, in the style of early text adventures.

Beginning with the prompt, “You wake up locked in a deserted jail cell, completely alone. There is nothing at all in your cell, useful or otherwise,” Hussie then wrote the rest of the comic according to the first comment posted after every page. This, perhaps predictably, resulted in a barely coherent mess of a story.

Following the conclusion of Jailbreak after a short 134 pages, Hussie would produce two more comics prior to beginning Homestuck: the unfinished Bard Quest (June-July 2007) and Problem Sleuth (March 2008-April 2009), which was his longest work so far at the time of its conclusion. Problem Sleuth in particular represented a substantial increase in production quality and general coherency over Jailbreak, as Hussie gained experience using the MSPA forums as tools for collaborative storytelling, reigning in the meandering narrative by allowing himself to be more selective about which forum responses he followed.

Hussie would continue this more controlled style of forum collaboration throughout the first three Acts of Homestuck, which followed a much more focused story than any of his prior work, thanks to his decision to use reader input only in specific parts of the comic. In the introduction to the print edition of the first Act, Hussie described his own role during the production of these first Acts as “dungeon master, a game engine responding to input, and an improv comic all in one.” During the process of writing Act 4, Hussie stopped taking prompts from readers entirely, and would construct the rest of the comic ostensibly as its sole author.

‘Okay,’ you might now be thinking, ‘you’ve given me the context, but what the hell is Homestuck? And what’s it about?’ Well, to wildly oversimplify a very complex piece of media, Homestuck is a webcomic about four young online friends who play a video game that causes the end of their universe and grants them the power to create a new one as they see fit. It is a story about growing up and realizing you’ve been forever changed by your experiences, a story about leaving behind the life you knew and constructing a new one. It is also a story about time travel and paradoxes, genetics and cloning, a large number of aliens, a possibly larger number of puppets (at least one of which is sentient), and an unfortunate amount of clowns. 

This story slowly unfolds over the course of 8126 pages, 817,929 words, and 166 animated panels, 95 of which contained some degree of interactivity and all of which total over four hours in length. Most of the comic’s pages consist of a main image, usually a short looping gif, accompanied by a text description or dialogue, which is almost always written in the format and style of online chat-logs between characters. As mentioned previously, however, these simpler gif-and-description pages are interspersed with longer videos, animated in Flash and soundtracked by one of Hussie’s several collaborators.

The first of these animated panels was uploaded a few weeks into Homestuck’s publication — an animated opening title-card for the comic, scored ominously with sounds of howling wind and windchimes. This first Flash panel was relatively simple, but the next would introduce a bespoke soundtrack (“Harlequin” by Mark Hadley), and the third would include simple interactivity. These soundtracked animations and interactive segments increased in scope and complexity over the course of the comic’s run; the final animated page in the comic, “[S] Collide,” comes in at nearly twenty minutes in length, and some of the larger interactive segments can take upwards of two hours to fully explore. 

While some of the later interactive pages were developed in an engine based on HTML5, most of Homestuck would be built using Adobe Flash, and would depend on the program for basic functionality. This would prove disastrous for the comic’s long term preservation. Flash was very popular, and had become ubiquitous by the early 2010s, but it had security issues which were easy to exploit, its range was fairly limited in terms of what kinds of animations it could produce, and, as its most fatal flaw, it couldn’t run on mobile. Thus with the expanding use of smartphones and tablets, Flash became less and less practical as a tool for web developers, and Adobe began slowly preparing to kill it. On December 31st, 2020, Adobe sent Flash off to the farm where it could frolic and play in the digital sunshine, leaving many online communities facing a crisis. How do you preserve a text when its foundations have crumbled?

With Homestuck using Flash in such an integral way, the issue of preservation was an important one. After the finale, Hussie would post some short post-credits stories to Snapchat from October 2016 to August 2017, as well as a longer epilogue in April 2019, before stepping away from any formal involvement with the comic in 2020. In 2018, Hussie had given the distribution rights for Homestuck to VIZ Media, which primarily handled the English-language publication of several manga series, and had left the rights to the IP and the freedom to produce new work to former collaborators. Thus it was VIZ who took on the task of officially preserving Homestuck against the death of Flash.

To say their efforts were unsatisfactory would, I think, be paying them too great a compliment. The complex and highly detailed Flash animations were replaced with embedded YouTube links to low-quality screen-captures of the originals. The hours-long walkaround games were not translated at all, replaced with ‘choose your own adventure’ style pages of text and links. The official version of Homestuck as it currently exists fails to capture a lot of what made the comic work, because it removes a lot of the gamified elements of the comic that are so integral to its storytelling.

There are many snapshots of the website from before the walkaround games were taken down on the Wayback Machine, but the Flash emulator that archive.org uses is very inconsistent, frequently becoming stuck on looping loading screens or failing to process assets correctly. While the dubious preservation of the long Flash animations is a real issue on its own, the lack of any attempt to replicate the format of these longform games represents the loss of something essential to the comic. Homestuck is, throughout the whole of its story, intertwined with the visual and cultural language of video games. The loss of the complex interactivity of these panels fundamentally changes how the reader is permitted to engage with them and, by extension, with Homestuck’s narrative as a whole. The official version of Homestuck that exists online is no longer complete. 

This incredibly poor preservation was the impetus behind the creation of the Unofficial Homestuck Collection. In its most basic form, the Collection is simply a preserved and restored version of Homestuck, intact and in high quality, accessible through a downloadable client, rather than online — reducing the Collection down to this basic description does it a disservice. The Unofficial Homestuck Collection includes not just Homestuck, but all of Hussie’s prior work: Jailbreak, Bard Quest, and Problem Sleuth are in there, but so are the full contents of his first website, Team Special Olympics, alongside archived versions of his now-deleted accounts on various social media platforms, and copies of threads from the MSPA forums that he would later reference in the main comic. The Collection also includes material that Hussie released alongside Homestuck, like the in-fiction blog of one of the main characters, various short comics written by guest authors, and a full episode of an in-universe childrens’ cartoon.

These peripheral materials are interesting and provide context for some of the more obscure references throughout Homestuck, but many of them were not produced until well into the comic’s run, and assume an audience that is caught up with the most recent update, making them dangerously full of spoilers for the unaware new reader. This issue is solved by the appropriately named ‘new reader mode.’ One of a variety of useful accessibility tools included in the Collection, the new reader mode tracks which page a user has reached, and implements a universal spoiler cloak over the whole program, hiding all materials that were released after their most recent page’s publication. This tool is what transforms the Unofficial Homestuck Collection from an archive of a text, into an archive of an experience.

De Kosnik argues that fan-driven archiving serves as a way for fans to mediate their own temporal experience of a text, describing websites hosting fanworks as mechanisms which “maintain the possibility of individuals joining fandoms… long after a media text has ceased to air.” While De Kosnik’s focus is on archives of fanworks and their function in ongoing fan spaces, I would argue that this framework, which centers the impact of serialization on the dynamics of fan communities, fits extremely well when applied to the Unofficial Homestuck Collection. Homestuck was published serially over the course of seven years, accompanied by blog posts, side comics, music, and other pieces of peripheral media that were released in tandem with the comic itself.

Updates were highly anticipated events, and fan communities were structured around them — one user on Tumblr found an unlisted part of the MSPA forums where Hussie posted new pages before they were published, and this “MSPA Prophet” became a fixture of the fandom for their ability to predict when the next update would come. The event that was an update (or upd8, after the typing style of a popular character) was a central aspect of the experience of reading Homestuck during its publication, and it is one that is very difficult to recover now that the comic exists as a static, completed work. The Unofficial Homestuck Collection, through its new reader mode, functions as a solution to that absence. It does more than safeguard the reader against unwanted spoilers: it temporarily transforms Homestuck back into an incomplete text. 

Homestuck makes use of the assumed preexisting knowledge of the reader, and their “intuitive familiarity” with various types of digital media and culture, especially ones which are inherently participatory. The story’s use of narrative motifs and referential easter-eggs allows Homestuck to function, in Hussie’s own words, as “both a story and a puzzle,” but that “There [are] a range of ways to interface with it[…] Failing to grasp everything shouldn’t preclude basic enjoyment, nor is it a symptom of failure by either the reader or the story.” In the most frequent example of repeated symbology in Homestuck, Hussie peppers the text with references to the number ‘413,’ simplified from April 13th, the day the comic began.

The story follows four friends who are all thirteen years old, many of the songs on the comic’s soundtrack are exactly four minutes and thirteen seconds long, and the timestamps on chat-logs show that characters frequently begin important conversations at precisely 4:13, to name just a few of the number’s appearances. The combination of puzzle and story in Homestuck extends beyond these kinds of motifs, however, and into the way Hussie employs referential humour.

Some of these references are fairly easy to catch; in Act 4, one of the main characters is gifted the Warhammer of Zillyhoo — a brightly coloured weapon which originally appeared in Problem Sleuth. Others, however, are much more obscure. The older brother of another main character runs a business creating bizarre, semi-ironic puppet pornography. Most of the audience read this as an absurdist joke about the internet’s love for offputting porn; the subset of fans who had been following Hussie for several years, or those who looked into Hussie’s early activity on the MSPA forums, however, would find themselves with new understanding of a long-running joke. This element of the experience of reading Homestuck is something that the Unofficial Homestuck Collection not only preserves, but makes readily accessible to the comic’s readers in a way that would not have been possible during the comic’s publication.

On a purely theoretical basis, I would argue that the Unofficial Homestuck Collection is valuable not just in the context of contemporary fan activity, but as a potentially valuable resource for future research. Homestuck is a foundational piece of the current cultural landscape, its influences permeating both digital and analog media in subtle (and sometimes not so subtle) ways.

Undertale, titan of online culture that it is, was created by Toby Fox, who was the composer behind a large amount of the music in Homestuck and was, during the game’s production, living in Andrew Hussie’s basement. Tamsyn Muir, author of the Locked Tomb tetralogy, began her writing career as a prominent figure in the Homestuck fandom on Tumblr and Archive of Our Own. Although the reach of her original work has thoroughly outgrown her fandom roots, Muir includes sly references to Homestuck in several places in her books. Hell, one of the animators working on Bluey, a cartoon aimed at very young children, included references to Homestuck in the backgrounds of episodes they worked on, as easter-eggs for the benefit of parents in the know. All of this is to say that Homestuck has its hooks deep within the culture of the Internet, and its impacts will, I think, be felt for a long time yet.

The Unofficial Homestuck Collection is certainly not immune to digital decay or link rot, but it is resistant to them, since it is hosted on a large and well established website (GitHub), and, once downloaded, can be accessed without an internet connection, and shared freely. For the hypothetical future researcher, the Collection contains resources to mitigate the frustration of trying to hunt down pieces of contextual or peripheral material by packaging them with the text itself — it functions like a sourcebook. 

Bibliography

Bamboshu, and GiovanH. The Unofficial Homestuck Collection. 2020. https://bambosh.dev/unofficial-homestuck-collection/ 

De Kosnik, Abigail. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge, Massachusetts: The MIT Press, 2016. https://doi.org/10.7551/mitpress/10248.001.0001.

Glaser, Tim. “Homestuck as a Game: A Webcomic between Playful Participation, Digital Technostalgia, and Irritating Inventory Systems.” In Comics and Videogames. Edited by Andreas Rauscher, Daniel Stein, and Jan-Noel Thon. 96–112. Routledge, 2021. https://doi.org/10.4324/9781003035466-8.

Hussie, Andrew. Homestuck. MS Paint Adventures, 2009-2016. https://homestuck.com. 

Nakhaie, FS. “Reproduce and Adapt: Homestuck in Print and Digital (Re)Incarnations.” Convergence, 2022. https://doi.org/10.1177/13548565221141961.

Read MS Paint Adventures. “Statistics.” Last modified April 7, 2018. http://readmspa.org/stats/.

Veale, Kevin. “‘Friendship Isn’t an Emotion Fucknuts’: Manipulating Affective Materiality to Shape the Experience of Homestuck’s Story.” Convergence 25, no. 5-6 (2019): 1027–43. https://doi.org/10.1177/1354856517714954. 

[theoneprecioustome]

Aikoto Moments Masterlist: Episode Aigis

This list will focus on the remake. To see how it fares in comparison to the original, check this post.

Notes:

Since Makoto isn’t actually in the game, most of the list will focus on Aigis' side of their bond as well as the little things that connect them.

There will also be third party quotes about Aigis’ bond with Makoto.

I bolded the most important moments.

The post is image heavy & contains spoilers for the entire game.

When that person died, there was nothing she could do to bear the pain. The machine girl found herself thinking that she had no use for a heart that did nothing but let her feel pain. And thus, the girl's heart became a blue butterfly, which took flight, and the pain in her chest disappeared. However, in its stead, there was now a large, gaping, empty hole in her chest. The emptiness in her chest didn't hurt, but it also did not let her feel anything. She wasn't alive anymore. Nothing but an empty shell, devoid of emotions, cursed to stand still in time where she was forever with no place to move forward to. — Episode Aigis Epilogue, Persona 3 Official Fanbook. Translation by Nenilein.

PROMOS

✤ The Key Visual of Episode Aigis features Aikoto. What's more, it reveals that Makoto in the original P3R art was meant to be looking at Aigis all along, like two halves of a whole.

✤ Soejima released an illustration to celebrate Episode Aigis. The illustration features Aikoto & Metis.

✤ The First Edition of the Episode Aigis soundtrack comes with a double-sided Aikoto box featuring the Key Visual and their AOA attacks. This is what Lotus Juice had to say about it:

"In the cover, you see P3HERO and Aigis looking at each other... if you open it, they'll be separated... like they're almost within reach of each other, but aren't. I wonder if that feeling gets across to fans as well? It's very beautifully done."

✤ SEGA Korea welcomed September with an Aikoto Calendar featuring the Episode Aigis Key Art.

✤ HINEMOS released two more Aikoto Sake bottles to commemorate the release of Episode Aigis.

OPENING

✤ Episode Aigis features an exclusive opening & song focused on Aigis' feelings after Makoto's loss. Full lyrics here and Analysis in the post linked above!

(Lost without you) But little things like the scent of his cologne Is a painful remindеr that he’s gone It feels like my heart is suffocating How do you make amends when you’re gone from me? Even though with a win, how come I feel so lost? Nothing makes sense to me I’m so numb, so lost without you

BATTLE SONG

✤ The new Battle Song, Don't, is also from Aigis' POV. While it focuses on Aigis' feelings through her conflict with SEES, it also has references to her feelings towards Makoto. Full lyrics here!

Already lost my keys to the door wide shut Only had one wish now it’s never gonna come true Trapped in time Forever in remorse How could I ever be in peace when nothing else matters to me?

MENU & UI

✤ In the menu, Aigis is shown holding a blue butterfly who flies away from her. According to the old devs, blue butterflies are used to symbolize Aigis' heart, which is the perfect imagery for Episode Aigis. Curiously, blue butterflies also often used in relation to Makoto, which carries very meaningful implications they're soulmates your honor.

✤ P3R's UI is meant to represent "the Protagonist's Sea of Souls", and it reflects their psychological state. True to form, Aigis is shown looking sad and lonely in hers, which is how she has felt since she lost Makoto. In the Equipment menu, we can even see her reach out before sadly retreating into herself, as if she were trying to catch someone who is now long gone.

PROLOGUE

✤ During the anime cutscene, we see a new rendition of Makoto's and Aigis' last moments together.

MARCH 31ST

✤ Aigis is the one who kept Makoto's Evoker after his passing.

✤ Aigis says that the one thing she feels certain of is that Makoto wouldn't have blame any of them for what happened, showing how well she understands him.

✤ Junpei comments that he’s glad Aigis has been “hanging in there” (spoiler: she isn't) because "It really seemed like you cared about him more than anything in the world."

✤ Aigis reveals that she remembers her last moment with Makoto whenever she closes her eyes. Depressed, she kept having the same dream over and over again: running after him, calling his name but never being able to catch up.

✤ She also recalls the promise she made him during the rooftop scene: "I promised to protect him, and I made that my reason for living. But now... that promise can never be fulfilled."

✤ Aigis says that one day, her sadness "mysteriously" left her. She stopped dreaming and requiring sleep. Unbeknownst to her, this is the event that draws The Abyss of Time to the dorms.

✤ When Aigis is scared of losing more precious people, she sees Makoto walking away from her and desperately tries to reach out to him. Then, Athena metamorphoses into Orpheus. It's interesting to notice that the effect used when Makoto disappears is the same effect used when Orpheus appears.

✤ Aigis and Makoto have the exact same Velvet Room and Aigis can even access his entire Compendium. In other words, they must share the same space “between dream and reality, mind and matter.”

✤ Elizabeth also explains that a Persona "represents one's heart and soul." Aigis can use Makoto's as if they were her own. Let that sink in!

✤ When Aigis thinks that reaching the Answer to Life may lead to her death, she is surprised to "discover how little the possibility bothered me." With Makoto gone, Aigis has lost her reason to live. It's to the point that when Aigis believes that she may die if she loses her key, she says: "If I did, then that would be fine..."

✤ During one of the activities with Metis, she comments on how fulfilled she feels whenever Aigis trusts her with something. If the player lets Aigis say "I think I understand", Metis will say: "Then you must have someone in your life who's just as important to you as you are to me." Which is quite big, because Aigis is literally Metis' everything lol

✤ Aigis getting Makoto’s power means she "inherited" something from him.”

✤ Aigis says early in the game that normally, people have a reason to awaken to their Persona, but that for her it was backwards. She had a persona and then she gained a reason (protecting Makoto). Later, we discover that the reason for her awakening to the Wild Card was that with Makoto gone, she has lost her purpose and her reason to live.

✤ The door that lies in the deepest part of The Abyss of Time leads to Aigis’ past and the moment she awoke to the "Persona abilities" Makoto had. In here we see Aigis' dream, the one where she runs after Makoto, trying to reach him in vain. We also find out that she was in so much pain and so lost after his passing that she wished she could go back to being just a machine again.

It was so painful losing him... I couldn't bring myself to do anything, so... I just hid in my room. For a while, I did nothing but chase after him in my dreams...

✤ Aigis' trophy is called "The one who dreamt", after her dream of Makoto.

✤ After the fight with Shadow!Makoto, he disintegrates into blue butterflies as Aigis desperately reaches out for him.

✤ Aigis can't decide whether she wants to go back to the past, or respect Makoto's sacrifice and remain in the present. Irritated by Aigis' predicament, Yukari accuses her of running away from her own feelings for Makoto.

✤ Metis explains that she would do anything to protect Aigis, because she is "all she has". This prompts Aigis to say that she, too, once felt the same way about someone.

✤ Aigis being willing to lay down her life to not have to fight her friends makes Metis break down. She echoes all of Aigis' buried feelings at Makoto's sacrifice. "Why do you have to die? Why does it have to be you...? Why can't it... be me instead? Please don't leave me behind... I'll give my life for the key, too! And if that doesn't work... then I'm coming with you! So we can always be together... Please, don't leave me all alone!" 😭

✤ Aigis realizes that she has been running away from her own feelings. Before going back to the past, she needs to know why Makoto did what he did—because she won't give up on what's important to her.

✤ After that fight, Aigis finally acknowledges that she wants Makoto back, too, and explains that she needs to know exactly what he did before she can make a choice. Despite her own feelings, Makoto's come first to her 😭

✤ Aigis screams "No!" as Erebus aims for Makoto. We also get two new shots of Aikoto's last moments together, showing Makoto smiling peacefully on Aigis' lap.

✤ After the final fight, Yukari acknowledges her jealousy over Aigis inhering Makoto's power and says that just like Makoto, Aigis is the one who knows how to move forward.

✤ Aigis reaches the very same Answer to Life that Makoto did: Friendship and Bonds are what give people life.

✤ Metis tells Aigis that there's still a way for Aigis to keep her promise to protect Makoto, and that is by fostering connections with others, so that they may one day reach the same answer they did.

✤ Metis is revealed to be Aigis' Shadow: the manifestation of the heart Aigis wished away after losing Makoto.

✤ Once Aigis regains her heart, she breaks down crying at last, finally processing her grief at losing Makoto.

✤ Before she fully fades away, we hear Metis' voice talking to Aigis and telling her how she can reach Makoto so he won't have to carry on alone anymore.

ENDING

✤ Aigis goes back to the rooftop for the final cut-scene. Just like that last day she spent with him, there are cherry blossom petals blowing in the wind.

✤ The credit song, Brand New Days, is once again from Aigis' POV. It focuses on her feelings towards SEES and Makoto as she walks forward into a new tomorrow.

There are days when I tire of calling out the meaning of my life, and my head droops But still, in my heart (So look up to you) Is your smile

✤ During the credits, we see Aigis looking back over her shoulder as she walks through the Moonlight Bridge (the place that started it all for her and Makoto). Lastly, cherry blossoms once again welcome her when she reaches the school. Considering their meaning (Don't forget about me), I'd like to think they're yet another reference to the fact that Aigis will go on living—forever carrying her memories of him.

✤ The Clear Data Save features Aigis' portrait over a cherry blossom background. If you beat the game on Heartless, a cherry-blossom-colored butterfly is added and placed over Aigis' heart.

EXTRAS

✤ In Orpheus' myth, he descends to the underworld in search of his dead wife, Eurydice, but ultimately fails and finds his own death. Knowing this makes Aigis having Orpheus as her main Persona even more meaningful. Not only is Orpheus' Makoto's Persona—so it's like he's left a piece of himself with her, his own version of I'll Never Leave You—it also represents Aigis' plight during Episode Aigis: either moving forward or going back to the past in search of Makoto. Unlike Orpheus, Aigis is eventually able to move forward carrying her memories of her beloved with her.

✤ Aigis' Compendium is signaled by a bookmark with a red butterfly, while Makoto's is the same bookmark but with a blue butterfly.

✤ Two dictionary entries evoke Aikoto. The first is That Day, which mentions it's "the last day Aigis ever spoke to him." The second is Aigis' Past.

✤ One of Elizabeth dialogues is "Do you posses the power to overcome any adversity as well? Just as he did...?" Another of her dialogues foreshadows Elizabeth wanting to ask Aigis to help her free Makoto's soul from the seal ("When the time comes, I may ask you to..."), just like in Persona 4 Arena.

✤ When Fuuka learns that Aigis may die if her key is taken, Aigis explains that she didn't want SEES to worry over her, too, when they're all "doing what they feel is best... for him..."

✤ Just like in The Answer, Yukari spends the game jealous of Aigis because she heard Makoto's last words and inherited his power—although this time she luckily handles it a lot better. This leads Mitsuru to explain that Yukari doesn't mean Aigis any malice; as she does so, she acknowledges Aigis' feelings and says that Makoto did no mean any less to Aigis than he did to Yukari. Later, Yukari herself ends up acknowledging Aigis' feelings and suffering over Makoto, strengthening their friendship.

✤ It's revealed that both Mitsuru and Yukari made promises to Makoto, or rather, to themselves after Makoto's passing. This bears mentioning because Aigis' promise to Makoto is never described in such terms in the game. At the contrary, in the original game, Yukari even goes as far as comparing them to say that unlike Aigis' promise to Makoto (あなたと違う), hers was one-sided (一方的に), highlighting that Makoto was there to acknowledge Aigis'.

✤ Metis tells Aigis that "The souls of all living things are connected through a plane similar to a sea." The Seal of Souls is likely where Makoto & Aigis are shown together in the opening, and the storyboards even describe it as an "unexpected reunion" 😭

✤ Mitsuru decides to give everyone their Evokers back, so it’s fair to assume Aigis still has Makoto’s.

✤ The Persona 3 Official Fanbook holds a short story about Aigis and Metis (I included an excerpt of it at the top of this post). While it's not material that came out with this version of Episode Aigis, it's still as relevant (and touching) as ever, so I really recommend reading it.

[yellowloid]

I'm kinda new to Milex, despite loving both AM and TLSP for years, and like so many questions.......What happened to those sweethearts, what are the divorce allegations, why they don't hang out anymore, is there any tension between Miles and Alex's girlfriend?😭 I need to know

hiii and welcome to the milex fandom!!

first of all, you can check out this post to know more about the divorce allegations - but of course always remember it's just theories, no one really knows what happened (if anything happened at all)

second of all, they do still hang out! they're just very private about it and rarely ever get spotted together, but over the years after the tbhc and cdg eras we got to see them together a few times, usually hanging out in london like here (august 2020):

and here (july 2021):

but also in jnstances like this one (september 2021) (it's not confirmed that they were together but miles posted this with the caption 'ARRABIATA HEAD X' and arrabiata is Their Thing + those are alex's sunglasses and the photo was most likely taken by him idc i will die on this hill)

then we got to see them together in june 2022, hanging out at some pub:

and also at zackery michael and lola mcdonnell's wedding aka the wedding of the century aka i wish i was a fly on the wall there. this was also in june 2022, they were both there but sadly we didn't get any interaction nor photos of them together:

we did however get a few interactions between miles, (nadya) and louise.

in may 2023 they were spotted having a cute little date night at a scott walker tribute concert in london (feat. the one and only brown leather jacket):

and then of course we got to see them playing 505 together in june (💖) after five whole years of not sharing a stage:

and then again in dublin, miles opened for them on all four nights of the irish leg in october and joined them for 505 on the very last one:

during both the cts and omb eras miles has mentioned alex and tlsp quite a few times (both spontaneously or because of annoying interviewers asking him about it).

speaking of miles and louise, they ignored each other for a long time since alex started dating her back in 2018, which was quite weird considering miles usually seemed to have great friendships with alex's girlfriends (he was very close to taylor, and he's still friends with alexa). recently they started interacting more, liking each other's posts or leaving comments there (see miles commenting on her latest birthday post for alex). as i mentioned, they interacted a bit during zack and lola's wedding (katie posted a video on ig where her, kirstin, louise, miles and nadya were all hanging out together). i think at this point it's safe to say miles and nadya aren't together anymore, but her and louise were hanging out quite a lot during 2022/start of 2023 and they probably got introduced through their respective boyfriends. there's no official drama between miles and louise but they don't seem to be friends, just close acquaintances at best.

and... i think that's it anon! in conclusion they're still very much close and hanging out with each other, it's just much rarer to get a glimpse of them but maybe in the (hopefully not so distant) future we'll get a tlsp3 announcement and then they'll finally be touring together again, planet earth will heal and we'll be well-fed once again. in the meantime, i hope this little recap was helpful <3

[scotlmsgs]

Saw this in daily meditation and immediately thought of this blog. It's so cute !

[ ID: A screenshot of a shrine message submitted by user anonimusunnoan. Translated from Russian, the text reads, "Fried potatoes with cucumber and tomato salad or shish kebab fried in the company of friends!". End ID. ]

[theyonapodcast]

I love the first time Soo-Won supports Lili.

It feels like an overreaction to burst into tears over, essentially, "Go for it," but makes sense when you realize no one takes her seriously.

Her father, Tetora, and even Yona view her as someone in need of protection. They coddle her.

And then here comes Soo-Won, telling her she's capable of making a difference.

That she did make a difference. He acknowledges her strength and believes in her with ease while people closer to her struggle to accept that she's useful.