#don't get me wrong it's always been epic and sexy but while i was ruminating on it i realized things i didn't even know i felt

[moviegroovies]

y’all i saw terminator: dark fate!!!!!!!!!

GOD i loved it. i think i’ve admitted before that the only way i really rank exciting plot points in movies is by how much i anticipated them/wanted them to happen, and terminator: dark fate did NOT disappoint. fuck every writer or director who makes weird shit happen in their stories just to give the audience a story they couldn’t possibly have anticipated. (cough avengers endgame cough.) sometimes the best ending is one you can see from ten miles away, because that means it’s been set up EFFICIENTLY. 

obviously, i think the new terminator did that. there were a few things i wanted to happen that didn’t (mostly regarding the life of one or two key characters), and a few things i legitimately didn’t see coming that i really liked, but ultimately the story was solid, awesome to watch, and very faithful to the original. i haven’t seen any of the sequels past judgement day, and i have no plans to change that anytime soon (lmao), but i’ve heard that it discounts all continuity past the second one, and that’s completely fine by me. the actors were great. LINDA HAMILTON was great. and i am sexually attracted to old soft arnold schwarzenneger. 😔

i was debating on whether or not i should make a separate post to talk about the time travel in the terminator franchise or if i should just go crazy go stupid and lump it in with my review and ultimately i think it can just go here, because i have some things to say re: the way it ties back to the originals. 

personally i think the neatest example of time shenanigans in the franchise comes from the very first movie. that one sets up time travel in their universe as very “you already changed the past,” insofar as, without the time travel elements, there is the very real sense that the future the terminator came from would never have existed. kyle reese, from the future, becomes the father of his superior officer john connor. without the time travel, there would be no human resistance for skynet to fear. not only that, when the terminator’s arm is left behind intact, even after sarah destroys the machine, they set out the idea that skynet itself was DEVELOPED FROM THE TERMINATOR’S TECHNOLOGY, so if there was no time travel, there was no skynet, and no apocalypse... etc. at the end of the movie, the picture of sarah that kyle comes back with is taken by a child at a gas station, and it seems like a clue that everything is happening on track. sarah will give birth to john connor, the machines will rise up, the resistance will rally, time travel will ensue. the events of the first movie are a closed time loop, and ultimately, i find that really satisfying. 

However. 

from a narrative perspective, i think the changes in those time travel mechanics are super interesting. 

basically, in judgement day, there’s still some implications that the timeline is a closed loop--the terminator’s hand is actually shown to be the basis of what will become the skynet computer, which is being built right then and there. the apocalypse could indeed be on, and everything seems fixed. then, though, they find the creator of the computer, and miles bennett helps them to destroy his work in horror at what he will create. skynet never happens. they change the future. 

by dark fate, that ability to change what is “written” becomes not only a plot point, but a sort of rallying cry. the skynet apocalypse is officially off--now the dark future is controlled by a very similar breed of computer known as legion. sarah’s efforts changed the future, permanently. there’s the feeling perhaps that the future can only be changed to an extent (the skynet apocalypse being canceled, but replaced by a very similar robo-hell, for example--almost like the timeline is trying to set itself right), but that feeling is tested and challenged as the movie progresses. in that sense, dark fate is the full culmination of the trendline that their “trilogy” represents: sarah’s fate was sealed in dark fate, but with john’s influence in judgement day, things were officially set off course. dark fate represented dani’s turn, and she took everything into her own hands--she personally stood up and refused to run, refused to let the bad future win out, refused to take things lying down. sarah felt a kinship to her, based on the position that she found her in, but it’s like she realizes--dani is not sarah. sarah’s realization is that “she’s john,” which is closer--she’s the leader of the resistance, humanity’s only hope, but i think the message is pretty clearly telling us that she’s not john connor either--she’s dani ramos. 

and she fucking OWNS.

one thing that i was a little iffy about at the start of the movie was the “white savior” thing. i don’t think that was an unfounded reservation to have--based on the formula from the first movie, a terminator is sent back to kill, and a hero is sent back to protect. this time, the “hero” is a white girl cyborg named grace, while the character in danger, who the movie clearly wants you to think is in the same boat as sarah connor, ie the mother mary role, literally important not for her own self but for her womb, is a mexican woman. that could have reached unfortunate implication levels like hella fast, but honestly (and i will disclaim this by adding that i’m white, so if you felt differently about it i would appreciate hearing why), i think the rest of the movie subverted that pretty beautifully. for one thing, grace being fundamentally human underneath her augmentation meant that she wasn’t an unstoppable machine ready to continue on until her metal frame was torn to shreds. she was a BADASS, obviously, and in the first fight, grace did prove herself a worthy successor to the “uncle bob” terminator in t2 with her kickass skillz (sorry kyle reese you’re just not that cool), but soon after that we got to see grace’s limits. if it hadn’t been for sarah connor, grace’s plan on the bridge finally boiled down to “when the terminator starts to kill me, run.” soon after that, grace’s power is shown to be fallible even more thoroughly when she hits her limit and starts to convulse, a byproduct of her augmentation. grace can do more than what a human can do, but she can’t do it forever like a machine could. very quickly in the movie, the tables were flipped, and even though grace came back through time to protect dani, dani was the one who had to take over the driver’s seat (despite never having driven before), and the one responsible for getting grace to medicine so that she could be resuscitated. and all that was BEFORE the big reveal.

a note: there were two scenes in pretty quick succession in this sequence that made me sob. the first of these was the death of dani’s brother diego, because in his last act, he was reassuring his sister that he was okay, despite being impaled by a metal pole. that line gave his character some depths that i hadn’t expected, and it really made dani’s pain after the car went up feel palpable. diego didn’t get a lot of screentime, but we saw him flirt lamely with a neighbor, we saw him dream of internet fame, we saw him joke at the factory even as his job was being replaced. we saw how much dani cared about him when she told him to take her job while she sorted out his replacement by machine parts. their relationship was a solid brick in the movie’s foundation, and his loss felt a lot more real than many comparable losses in movies. you know that whole “show, don’t tell” adage? they didn’t have to tell me that losing diego (and her father) was like a knife in dani. i saw that for myself. the second scene was at the pharmacy, when the employees and the other customers reached out to help grace even after she and dani had both lashed out and threatened them with the gun in fear of what was happening. y’all ever get emotional over the way that people are essentially good and will help each other when they can? god i fucking love that.

anyway, the reveal. the reveal was awesome. 

i started suspecting that dani wasn’t the mother of humanity’s last hope, but rather, humanity’s last hope herself, during the conversation on the train telling us exactly the opposite. sarah makes some assumptions and projects her experience onto dani, telling her flat out that she’s pretty much a walking incubator for humanity’s last hope. there’s a sense that sarah might be bitter about having that role handed to her, and perhaps even more so because it was then taken away--she lost the son that she risked everything for, fought two terminators for, and for nothing: for some machines in a future that no longer existed. in that scene though, crucially, grace never says anything to confirm sarah’s assumptions. the one character with knowledge of the future doesn’t impart it, and it shows. sarah knows things that dani doesn’t simply because it’s not her first rodeo, but she’s also wrong sometimes, too. again in the kitchen later, the “carl” terminator asks about grace’s mission, but she doesn’t share it or give any information on who dani is going to turn out to be. the absence of information can often be an answer all in itself, and the reveal had some EXCELLENT groundwork throughout the movie--both in grace’s actions and in the brave and heroic actions of dani herself.

dani’s nature and grace’s past being revealed in the plane was one of the best scenes in perhaps the entire franchise. i said i sobbed at those scenes i outlines before, right? yeah, that was nothing to how hard i was crying and also cringey stimming during the reveal. we got to see a peek of dani ramos some twenty years in the future, and she’s incredible. she’s fearless, she’s tough, but crucially, she’s still kind. she takes no shit, but she not only saves a child’s life, but she offers a new one to the thugs who were chasing her. in just one scene, the way that dani bands a resistance together is obvious: she’s the best of us, and she uses that for good.

god, i love dani ramos. 

the way that ultimately, dani takes the “hero” role over for herself (much like sarah did, honestly) and the way that we get to see grace’s weaknesses make them a very balanced pair. they’re both badass women in their own right (hell, sarah is, too), and they counter each other excellently. grace is augmented, and has physical capabilities that dani can’t match. at the same time, though, dani is willing to make risks that grace isn’t, because while grace’s concern rests on the fate of one woman, dani wants to find the best outcome for everyone--including herself, but not ending there. grace is willing to drop dani at the bottom of a mineshaft, if that’s what it takes to keep her safe. dani is willing to sacrifice her safety to face the confrontation that’s looming, because that’s what it takes to move forward. 

i think one of the coolest things about the movie is that both grace and sarah come into the action with more experience in combat than dani, and more knowledge about the situation than dani, but ultimately the movie shows that they aren’t infallible, and there’s never a moment when dani is punished for naivety or made to feel stupid because she wasn’t as informed as them. both grace and sarah, in fact, are openly shown to be wrong about dani in different ways--grace knows who she’s going to become, intimately, but that closeness makes her too reluctant to put dani near the front lines, choosing to run indefinitely from the terminator rather than face it head on and use every advantage they can get to beat it. sarah, meanwhile, respects dani’s agency more, but in a way she sees past her at the start of the movie, dismissing her importance in a way that reads as sarah dismissing her own--she’s attacking herself and using dani as a proxy, but sarah’s wrong, because dani isn’t her. i love how both grace and sarah are good characters, and they’re both doing what they think is necessary and right, but they’re allowed to be wrong and misguided. ultimately, if it wasn’t for dani’s own agency and choices, the terminator would not have been defeated, and there would be no hope for subverting the bad future everyone is waiting for.

fate, believe it or not, is a very present theme in dark fate. obviously, i talked earlier about how this movie is the culmination of the “you can’t change the future” ->  “you can change the future?” -> “you can change the future.” chain of events represented in the good terminator movies that i will acknowledge, but it’s more than just that. through the character of the “carl” terminator, we also get to see the blatant subversion of one’s nature for the better, and that was just. really epic. ngl.

in terminator 2, i enjoyed how john connor was protected by the reprogrammed terminator “uncle bob,” but i was a little disappointed by the execution. having uncle bob be a protector to john was exactly what i wanted, but the explanation that he had been programmed to do so rubbed me a little the wrong way. what i didn’t realize until i watched dark fate was that this pinged as wrong because dark fate gave me what i wanted: a terminator that didn’t change sides because he was taken down and forced to change, but rather, a terminator that actually made a conscious decision to be better because of what he observed in humanity. carl saw a familial dynamic and realized that he had taken that from sarah, and reached out to her, giving her a purpose like his family had given him a purpose, because he chose to. and that was the sexiest thing he could have done.

can you tell i LOVE what they did with the terminator. his arc and sarah’s were such awesome continuations for sarah’s general history and the progression of terminators played by arnold schwarzenneger. part of me was hoping for an ending where we saw sarah and carl drive off together, waving to dani and preparing to live out the rest of their years saving the future. yeah, well, we didn’t get that, but there were several scenes that hinted at forgiveness from sarah (an almost impossible feat given how she felt and what she lost) and trust between the two of them, and i loved that too.

dark fate was a good movie, y’all. it was so good. 

there’s probably a million other things that i could talk about going down this vein, but this post is already a monster. i’ll just sign out by saying: one last thing i thought was epic and cool was how the protagonists cross the border from mexico into the us and at no point is such an action demonized; in fact, it’s necessary for them to reach essential aid in the form of carl, and the man who facilitates the action, dani’s uncle, is never treated amorally or like a criminal. i know, i know, the bar is on the fucking floor, but in the political climate we’ve got, for a blockbuster to take that stance felt like a pretty solid statement to me. 

also, i liked the terminator’s line about texas. watching that in a theater in texas, i must report that it got the biggest audience reaction out of any line in the whole movie. folks, there were wolf whistles. ciao.