#don't get me wrong I love the 'I did it for you' scene that actually made it into the ep but this one makes me feel absolutely feral

[hyperions-light]

hey I was planning another post today but instead let’s talk about how much I love that there’s not really a ‘good’ ending to the companion plotlines in Veilguard. It reminds me of Leliana and Alistair’s plotlines in DAO in that what you choose says more about the player/protagonist than anything

I just finished Isana Negat a second time, and I did the other ending and I thought it was just as good. Like, yeah, Harding does deserve to be angry! They did fucking get everything taken away from them! It’s so painful and horrific; yes you can, and should, be mad! But also Harding prioritizing her very real love for and compassion towards other people is not wrong. It’s just different! It’s just Rook’s friend/lover asking them for advice, and Rook giving it! You know, like in real life except with huge magical rock giants

And okay I’m never going to kill Illario because I think it would make Luca really sad and he has enough problems, Whoops I misremembered this, I don’t think you can kill Illario actually. I love that for Luca <3 But yk, I’m probably still not going to imprison him. but I can see it! Because the cycle has to end, right? The violence and infighting of the Crows endlessly attacking each other over power is part of what allowed the Antaam to get a foothold in Antiva, because there was like a double agent or something (if I’m remembering right from Tev Nights). Some kind of ending needs to be made to this endless violence. And I suppose it depends on how retributive Rook is, which is a great question to ask of the player (one that is asked repeatedly throughout the game). It’s not like Illario didn’t do anything, you know! He probably deserves punishment. But Rook, as they always can at various points, can be merciful, can choose absolution. Wow no, I’m glad I was wrong I love it more like this.

And oh boy, I LOVED the ending of Emmrich’s quest, don’t even get me started! Like!! I thought it was going to be ‘well obviously we HAVE to save Manfred’, but how Emmrich talks about accepting his death and his sacrifice convinced me! I was like alright man, this is a real choice! I actually did make him a lich last time (made a lot of sense from a Watcher perspective, imo) and not only was the cutscene sick as hell, but the follow-up was so funny and I got some really sad Spite dialogue which fucking wrecked me. It was great— seriously, his plotline is one of my favorites in the whole game.

And Davrin’s! I’ve already expounded at length about how much I like his quest line and how it ties into the Grey Wardens, but I really think both of his options for the griffons are so workable, because you know the Grey Wardens, especially under Antione and Evka, aren’t going to hurt those little guys again! But also the scenes with Eldrin are so endearing, and Davrin’s hope for a brighter future for them is so sweet and genuine. It’s hard to pick! It’s about Rook's perspective!

Neve's I'll admit I don't vibe with as much just because of the like 'trust the authorities' angle, but i haven't tried saving Minrathous yet and I think it would be sooooo involving as a Shadow Dragon especially. Because that's what they're fighting for, right? That better Minrathous where they CAN be sure that if they send the insane cultist lady to prison she’s going to stay there? But there’s always the practical consideration of people’s lives being at stake NOW, of Neve needing her friends safe NOW. And just killing Aelia ensures she will never be an issue again. So I can see both angles for sure

And Taash ;-; oh, Taash. I haven’t posted about them that much yet because they make me very emotional and it’s hard to organize thoughts like that. But I really love their quest, and their struggle to define themselves. And look, I know people wanted the option to tell them they could be both, but like as a person who has lived a similar experience, it really feels sometimes like the world is making you choose. It can feel like you’re not enough of either thing for anyone. And there are parts of your identity that you will have to make a choice on, and I think it’s trying to speak to that. I did the Rivaini one, and it’s like… well, they’re embracing the culture of Rivain, but it’s not like anyone is ever going to look at them and NOT see a Qunari. You can’t get away from that. What you choose to do in response is a real dilemma and I think that if you engage with the text genuinely you can see what Trick was doing. Also, there is a really great dialogue from Rook that I think gives more context to the discussion; they can say that they have been many things, and it’s important to take what works from each experience and make it part of yourself. So I don’t think Taash’s plot is trying to make them throw away any of themselves, just defining priorities. (Sorry, that got long. Feelings, opinions about that one)

And I don’t think Bellara’s is obvious, either, especially with how they involve the Nadas Dirthalen in her personal plot. This is a thing that is really emotionally and culturally significant to her, but at the same time it is part of what hurt her brother and ultimately took him away from her. She’s really preoccupied with not causing harm by her actions; she spends the whole game worried about it! And even though Rook doesn’t see the dangerous elements of the repository, that doesn’t mean they’re not there. The puzzle quest you can find in Arlathan proves that other people besides Cyrian were taken in by Anaris. And also, there’s the plot thread they briefly touched on in the last game which is that the culture the Dalish have built, that they have RIGHT NOW, is not wrong. But it’s also important to remember history, even if it’s unpleasant or could be dangerous, which is another thing you can discuss with Bellara during the game. So there’s no wrong choice! It’s just about Rook and Bellara and what’s important from their perspectives.

Anyway it was super refreshing to have these kinds of choices! It reminds me of the best character choices in DAI and DAO, especially, and I’m so happy they carried those things forward and improved on them.

[lillypad-monopoly]

Wild Life Episode 5 Thoughts

(Except I'm insane about Martyn's ep)

LIFE SERIES TRIVIA is DIABOLICAL! The watchers literally being like "how well do you guys know your pain and suffering?" (also sorry only winners remember theory truthers)

The way Grian and Scar are such bitter ex-soulmates that Mumbo has to point it out is hilarious. (also them getting even and saying "Just like Third Life" hurt my heart)

Grian not remembering iconic moments from his own series is so funny. What do you mean he only knows Martyn beheaded Ren with an axe from fanart? Grian gaining possession of the Red Winter Axe was a whole plot point.

MUMBO FIRST OUT! IN SESSION 5! The canary curse is broken for real now guys but at what cost.

Grian standing on the ruins of the tower by himself going through the five stages of grief over Mumbo's death as the sun rises in the background is a gorgeous piece of fanart waiting to happen

Martyn you didn't need to start the episode by talking about how Ren is providing for you, you're asking for the shipping at this point 🤣

MARTYN YOU DO THE LORE OFC JIMMY AND TANGO WERE OUT FIRST. Also REN YOU WERE LITERALLY IN DOUBLE LIFE. RIP Ren/BigB we know where his true loyalties lie

THE TWO NICKLES MEME BREAKING CONTAINMENT I CAN'T

Ren inviting BigB to join the RenWood Mound alliance WITHOUT REMEMBERING DOUBLE LIFE is so insane I don't even know what to say.

OF COURSE SCAR REMEMBERS THE DESERT DUO FLOWERS I'M GOING TO BE SICK

Martyn and Ren saying they're going to be boat bros. This has been coming since last session but I NEED Joel and Etho to call them out on it

"We're boat boys," MARTYN INTHELITTLEWOOD WHEN I CATCH YOU-

Etho yelling for Bdubs to hit him so they could test if the wildcard affected damage and then Tango going "smack me harder~" in the background was diabolical. Suuuure you guys are all PG.

Etho sitting in a boat for Joel to jump over him feels like some boat boys relationship symbolism I'm not smart enough to explain

So Etho is currently living with team BET, but allied with the Four Gs, and in the family with Gem and Joel. Wildcard Etho is so back!

Of course Impulse immediately remembered the clock question.

Joel boasting about how he immediately knows all the questions is peak Joel form and I would expect nothing less. It is kind of warranted though because everybody else is waffling on the simple ones.

Joel is now two for two on unquestioningly trusting Etho only to have something bad happen to him and not even being mad about it what is wrong with this man 😭

Does Joel have the censor bleep on his keyboard or did he just straight up start swearing at Tango and know they would both have to censor it in post to get the effect that he was also making the noise?

Scott's gone from a creaking fanboy to a body horror situation and I'm living for it (also considering he's agreed to "go wild" this session--am I sensing a Scott corruption arc?)

Scott cutting directly from saying he and Jimmy were never married even though they called each other husbands to a scene WITH Jimmy was kind of an insane choice

Gaslight Gatekeep Girlboss Girldad has been confirmed by Scott as the actual reason for the 4Gs. I still think Gaslight Gatekeep Girlboss ImpulseSV is funnier but good to have an official ruling

Scott giving up his life for Pearl and them being good natured about it and calling it therapy! I love them so much!

Lizzie being the only person who's not exicted when a trivia bot spawns is so funny. Even the other players who weren't in all the seasons don't seem to be as miffed by them as she is.

Lizzie's flaming snail arising out of that hole while smiling is potentially the funniest thing I've seen all day. Why did it look like that 🤣

[qiu-yan]

in MDZS the novel, the innkeeper in Yunping mentions that people are too scared to go petition Yunmeng Jiang for help because someone once walked in on Sect Leader Jiang whipping a guy in the main hall, supposedly because the guy was a demonic cultivator.

[fairyroses]

— Deleted Scene from SMALLVILLE, “Talisman” (3.20)

[flowerofmayhem-personal]

I actually much prefer a lot of how studio VOLN is handling Blue Exorcist over A-1, I know not a popular opinion in areas and get the places people say looks off but the vibes and heart is so good? also there is a lot of amazing shots and imo calling Rin "ugly" in it is an exaggeration to me, there's some wonky shots but there's also SO MANY he looks great! I think sometimes people forget that A-1 had equally bad shots and design choices like I think a lot are looking at the older seasons through rose colored glasses personally! not to mention they ruined a lot of scenes and how they changed them/adjusted them in their adaption that to me affected characterization and making some of the cast look almost dumb in a situation the manga version shows was more serious and dire!

ultimately my view has been: I'd rather an adaption feel like the heart is in the right place and the characters feel like themselves vs everything being pretty all the time and would rather deal with a few wonky shots of characters over a bad representation of a story and characters I love! visuals are not the only thing that matters to me ever

[zincbot]

i gotta say, 13 hours into omori, i don't get why people call it a horror game

[hadesknockedupintheunderworld]

While I was reading the later chapters of Phantom of the Opera a friend of mind reminded me it was a serialization, and suddenly I had a moment of clarity in which I thought "Oh so that's why it's written like that"

[illithilit]

Sometimes, inspiration comes from historical shows. Sometimes that comes from centuries old rumors of things that probably didn't happen like that.

All this is to casually say: blood eagles are a thing that do genuinely happen exactly like that or worse in the Hells, and their brand of magic will keep you alive and suffering through it as long as they so please.

As a side note, though, I suggest you only look up what I'm talking about if you're comfortable with torture and gore.

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[gachaparadise]

finishing up the Loufu story chapter and it's making me feel insane (positive)

[unequivocallyreid]

Why Didn’t You Tell Me?

it has been SO long... i was suffering from serious writers block but it think i'm finally out of it :)

pairing: spencer reid x fem!reader

summary: Spencer Reid used to be your best friend, but things changed. How long can you pretend that you don't love him before it ruins you?

warnings: angst! (with a happy ending), smut (unprotected piv), character loss, mention of Maeve, very sad Spencer, mental health struggles, drinking/bar scene, light choking, fighting, slight praise kink

wc: 8.8k 🤗

i’m very proud of this one! i hope you love it!

Every morning when you wake up, you feel a familiar and creeping sort of dread in the pit of your stomach.

Don’t get the wrong idea; you love your job. You love helping people and stopping horrible people from ruining any more lives, but the creeping feeling and desire to get out is always in the corner of your mind. Anyone working in this field would tell you that. There’s no absolute separation between you and the victims and their families. You take all of them home with you, and you just have to learn how to deal with that and not let it eat at you.

It doesn’t help that it’s an isolating job as well. The last time you were in a serious relationship was in college. Now, every date you have ends in disappointment. Not only do you lack interest in most of the men and women, but it couldn’t go anywhere even if you did. 75% of your time is spent in the office, on a jet, or hundreds of miles away from your home.

All of this contributes to the feeling, but the worst part of your job is Dr. Spencer Reid.

He’s secretive and dismissive and just about the most attractive person you’d ever seen. You honestly don’t know what is worse: his constant physical presence in your life or the fact that you can’t stop thinking about him no matter what you do. You’ve tried to get over it; you’ve buried yourself in work, lamented to your friends, and gone out on dates (all with guys that looked vaguely similar), but nothing has worked. All his worst traits grate your nerves and light you up at the same time.

The worst part of it all is that it wasn’t always like this. When you first joined the BAU nearly two years ago, you and Spencer got along well. You were friends, he talked to you about his life, he understood you, and you really severely fell for him. He became your best friend.

Everything changed around six months ago. Spencer started to develop migraines, and as those developed, he started distancing himself from you. He became snippy and closed off, he started hiding things from you, and he stopped talking to you about life outside of Quantico. It was like overnight, you became nothing to him, and you really didn’t understand. Everyone else on the team got the same old Spencer, but you went from his right-hand man to someone he only spoke to when it was necessary.

Maybe he didn’t deserve to be vilified. You know, realistically, he can and should be able to decide who he wants to be close to, but working with a man who unknowingly broke your heart was close to the hardest thing you’d ever done. So, you decided hating him was easier. The real emotions you feel toward him sit somewhere inside you, but they have been covered by manufactured distaste. Addressing the actual feeling would hurt too bad, so you pretend to hate the things you used to love.

Nothing, however, could have prepared you for the last case you worked on: helping Spencer save a girl he met about six months ago, a girl he loved. You tried to stay collected, you said nothing when Spencer assisted when he shouldn’t have, and goddamn, did you do everything in your power to find that girl. Maeve. She was perfect for Spencer, and you saw that immediately. Everyone did. The sight of him sobbing in front of her body is one that will never leave your mind.

Now, two weeks later, no one has heard from Reid. The only indication that he hasn’t abandoned his life altogether is the absence of the gift baskets on his doorstep that Pen leaves daily.

Nearly everyone has been to his apartment, but they are met with a closed door and have yet to receive a response. Everyone but you.

Penelope is the first to bring up your lack of appearance at the end of a long day of paperwork.

“Y/n, please, you just have to try. No one is getting anything from him.”

“I really don’t think my presence would do any good,” you pause for a moment, trying to collect the thoughts running through your head like a freight train. “Me and him haven’t been close in a long time, Pen.”

Before you can continue, she cuts in, “Everyone has tried, Y/n. Hell, I’ve even considered tracking down Gideon, and I really, really do not want to do that.”

She pauses for a moment before looking up at you with a pout on her face, “Please, Y/n, for me. I can’t bear the thought of him in there all alone, just wasting away in grief.”

For someone who claims not to be a profiler, Penelope knew exactly what to say to get you to agree. She’s the only person in your life who you told about how you felt, though you’re sure everyone else (aside from Spencer) knew: you’re shit at keeping secrets.

“Okay, okay, I’ll try.”

She nearly bursts with excitement, “Thank God-“

You cut her off before she can finish, “But I’m telling you, I’m not the person he wants to hear from right now. Don’t get your hopes up.”

“Yes, yes. I just want him to know we all want him to be okay.”

Before you can hurry out of the office to follow Pen’s instructions, she stops you and hands you a basket full of assorted snacks and fruits.

“Make sure he eats!”

The walk up to Spencer’s apartment is a hard one to take. The smell of his building hits you as soon as you step into the lobby. From there, everything rushes back at once. Memories of nights you spent watching reruns of Doctor Who or listening to him prattle off about whatever he last read assault you with every step. As you slowly make your way up, you start to question why you agreed to do this in the first place.

You feel a lot toward Reid. More than you should and less than you could. But all that care and feelings that are so close to love aren’t enough to make you forget why you’ve been trying to hate him for so long. He deserted you without an explanation and cut you off without a warning. You spent weeks (three months) crying over him like a love-struck teen. So, as much as you want to hold him and comfort him, you know it’ll hurt you to do so. Penelope sent you, with the whole team’s approval, you’re sure, to try to patch up a broken heart he got loving someone else. There’s a sickness in your gut, but it’s not enough to stop you from rapping your knuckles against his door.

“Spencer? It’s Y/n.”

There’s no response.

“I know you probably don’t want to hear from me right now, but I want to make sure you’re alright. Can you tell me you’re alright?”

Again, nothing.

You know he’s there. Despite your lack of communication, you know Spencer well enough to know that he would never leave his life behind entirely. That being said, your next few attempts at garnering a response are unsuccessful.

You decide to try one final time before just leaving the basket alone on his doorstep and texting Pen it was a bust.

“There’s a lot I don’t know about you now, and I won’t pretend to know what you’re feeling.”

You don’t exactly know where this is headed, but you continue on regardless.

“I know you’re in there, and I know you can hear me, and I know you’re hurting. You shouldn’t- I don’t want you to be alone right now, Spence. You can either unlock your door, or I can pick it, but I’m coming in one way or the other. You know I will.”

You wouldn’t, actually. It’s a last-ditch effort, and it’s met with the same silence you’ve heard on the other side for the past ten minutes. You’re about to turn to head back down the stairs when you hear the very faint sound of a deadbolt turning.

There’s no other sound or movement, and for a moment, you think you might’ve imagined the sound, but you try the handle anyway. It turns, and the door slides open. You take a step in.

“Spencer,” you call out to him.

You don’t see him at first in the mess of his apartment, but when you do, you feel a crack form in your heart.

Beyond the clutter of his entryway, you see his back on the couch. His frame looks smaller than you’ve ever seen it, and you can see his legs curled into his chest. You set down the gift basket by a collection of others on the entry table and walk over to him. Slowly, like you’re trying not to spook a lost dog, you creep in front of him.

His head is down, and his gaze stays trained on his knees.

You reach out your hand and lay it over his. He flinches but doesn’t pull away.

“Spence, I’m so glad you opened the door.”

You didn’t plan out what you would say, but ‘sorry’ feels redundant and useless.

You go on, “I’m here. I- I don’t know what to do or say, and I’m sorry that I don’t. I can get someone else for you. Just tell me what you need, and I’ll do it.”

You wait for him to say he wants Penelope or JJ, but it doesn’t come. Nothing comes. You start to move to get up, figuring you could clean up a bit and try to make him something to eat, then go, but he grasps your arm before you can.

He looks up at you, and his eyes hit you right in the gut. They’re bloodshot and sunken but still beautiful.

“Stay. Please. I just- I need to know I’m not dreaming. I keep thinking I’m dreaming.”

His voice is croaky from disuse and breaks at the end, but it’s so heartbreakingly earnest that you feel your breath catch. You move from your crouch and sit beside him on the couch; your hand is still in his.

You stay like that for a long time. His breathing is shakey and uneven, and every so often, his body shakes with what you can only assume are sobs. You stay pressed to his side the whole time, thumb rubbing back and forth over his hand.

Eventually, you speak again, “I’m gonna get you some food, Spence. You should eat.”

He says nothing back, but he does loosen his grip. You push yourself up from the coach with a promise you’ll be as fast as possible.

His kitchen is nearly empty, and you hope he’s been eating from the baskets. Still, you find enough to make noodles and butter, and you figure the carbs should help his energy some.

You return with the bowl. Spencer hasn’t moved, but his head follows you as you walk back over to him.

“It’s not fine dining.”

He studied you for a second, and you catch a glimpse of the old him in his eye.

“You did the same thing when I was sick on a case a year ago.”

You smile at his recollection.

“It helped you then.”

The rest of the night is spent mostly in silence. Occasionally, you tell him something to try to remind him that you’re there and that you won’t leave as long as he wants you there. Eventually, you get up from the couch again.

“Spencer, it’s too late to still be awake.”

He nods and still says nothing, but he is far more receptive than before. You reach your hand out to him to help him up from the couch, and he takes it.

He leads you to his room at a slow pace. His head stays down as you both take a seat on his bed, hands still interlocked. Being in his bedroom is odd for you. You’ve been to his apartment quite a few times before he disappeared from your life, but you never breached this space. It’s all very him. Almost surprisingly cozy, with books scattered around nearly everywhere there’s space.

You take in the moment for a beat before saying, “I’m gonna head home, Spencer, but please call me if you need anything at all. I’ll come back tomorrow.”

This makes his head snap up, and his eyes lock with yours.

“Please stay.”

That’s all he says, but every part of him is pleading with you. It’s not a good idea, and you know it. You’re the only person he’s seen in days, you aren’t close anymore, and you don’t particularly want to sleep on a couch tonight.

“Spencer, I don’t want to sleep in your living room tonight. I’ll come back.”

He pauses for a moment, “You can stay here with me. I don’t want to be alone.”

Your heart cracks again. There was a time when this was all you wanted. It’s still, deep down, all you want, just not like this. You know he doesn’t really want you there and he’s not himself. But you aren’t strong enough to say no, so you don’t.

He gets you clothes to wear, and you change in his bathroom. You come out and find him in his bed, laying with his back to you. You have no fucking idea what you’re doing, but you get into bed next to him anyways. There are a thousand thoughts racing through your head, but the prevailing one is how badly you want to touch him, to hold him, to make him forget, just for the night. You stay still, though, confined to the edge of the bed and start to count to drown out the noise.

Though, you can’t drown out his voice, saying, “Can- Could you hold me? I think that everything feels better when you touch me.”

Another crack. By the end of this, you know Spencer Reid is going to break your heart all over again.

~

When you wake up the next morning, Spencer is still asleep. You sneak out of his room and call Hotch. When he answers, you tell him Spencer has let you in, and you ask for time off to try to help. You can tell from his voice that he doesn’t think it’s a good idea, but he grants you it anyway.

Much of your day is spent like the night before. You stay next to Spencer, and you cook for him after leaving to pick up clothes and groceries. Then, you get him to shower and wash his hair. He sleeps with his head in your lap, and you feel like a fucking idiot at first, but as long as it’s helping him in some way, you let it happen.

That’s the thing: you don’t really know how to help him. You know he isn’t the type to talk about something until he is entirely ready, so all you can do is add something domestic and bright to his life while he grieves. It’s all you can think about in the moments of silence. Hell, you even read to him to try and get your mind off of it, but it barely helps.

The night is the same. You change in different rooms and slip into his bed at different times. You feel dirty for imagining what it would be like if the circumstances were different: if he wanted you like you have wanted him for the past two years. You hold him against you, and you pray for sign that you should be there.

The sign comes the following morning when Derek calls you.

“Y/n…”

You can hear his teasing tone over the phone.

“Hi, Derek.”

“What are you doing, mamas?”

You sigh, “What do you mean?”

You’re playing coy. You know he’s wondering why you’re at Spencer’s house, picking up the pieces, but you won’t be the one to bring it up.

“Why’d you ask Hotch for the week off, Y/n?”

Another sigh, “You know why, Derek. I just, I want to help him.”

“I know you do, Y/n, I know.”

He pauses for a moment, and you let the moment fill with silence.

“I know you care about him. We all care about him. But who is taking care of you?”

“I am. I can take care of him, and I can take care of me.”

“I know you can, but I don’t want you to get hurt, Y/n. Don’t let this be something that hurts you.”

“It won’t. I- You have to- Fuck, I’ll be fine. He’s not fine. I don’t care about me or any feelings that may get hurt right now. I’ll be fine.”

There’s another bear of silence, “Okay, Y/n. Just know you’re allowed to tap out.”

You try to think of anything else to say, but nothing comes, so you say your goodbyes.

You won’t need to tap out. You can take care of him and be good to him and ignore the other feelings you have. You can be good.

The call does make you think it’s time to push, to try harder, to help him get better. So, you approach him that day before bed, before he tucks himself into your arms and falls into a fretful sleep.

“Spencer?”

He takes a moment and then responds, “Yes?”

“You have to talk about it. I think that you need to talk about it. It doesn’t have to be to me but to someone.”

He’s quiet for a long time, and your breath is caught in your throat, waiting for him to say anything.

“I- I don’t want to,” his voice cracks while he says it.

“Spence, you can’t come back if you don’t. You can’t move forward if you don’t.”

“Maybe I don’t want to.”

A ringing echos in your ears.

“You don’t mean that. She- she would want you to keep going.”

Wrong thing to say.

“You don’t know anything about what she would want.”

He’s seething now, below the surface, but smoke has started to plume from his ears. Still, you don’t stop.

“Spencer, everyone knows that. No one would want you to put your life on hold.”

He speaks his next line through his teeth, “You don’t know anything, Y/n.”

You’ve never heard him sound so angry.

“Spencer-“

“No, just stop. You don’t know her. You don’t know me half as well as you think you do. You don’t know anything. I don’t even know why you’re here. I don’t want you here. You can't be what I need.”

The ringing in your ears is louder.

“Spencer, please. Just-“

“No!” His voice is raised now, bordering on a yell, “I don’t want you here. I want you out, Y/n.”

This has to be what shell shock feels like. The ringing, the tingle in your limbs, and the heat in your face. You don’t know how you are moving, but you are.

His voice is echoing in your head, or maybe he’s still talking, but you can’t tell either way. The only thing you can focus on is how Spencer sounded like he hates you and that Morgan was right about the hurt.

~

You spend the next day trying desperately to shut down the noise in your head. It doesn’t work. The day after is the same. And the days following that. You ignore calls when they come, you ignore the texts, but you can’t stop looking at your phone for a message from the man who fills your thoughts.

Spencer doesn’t call, obviously, and you have to sit with a pit in your stomach while you beg yourself to just get the fuck over it. Two years of reckoning with the severity of your love, months of watching him live happily without you, and it’s the three days you spent trying to help him feel incrementally better that floor you.

You feel like a dumb teenage girl with so much love and nothing to do with it. On top of everything, you feel selfish. Spencer lost the love of his life forever, and you’re nursing the worst heartbreak of your life because a boy will never want you and never has. Still, you send out prayers for him over and over. You hope you’ll see him in the BAU again, even if his eyes glaze over you. Hell, even if they look at you with hate the way they did two days ago. You just want him to function. You want him to be good and eventually be happy. You try to go to bed with soothing thoughts, but you end up with a mantra of his name.

You wake to your alarm and dress for work before you realize you aren’t actually supposed to go back yet. You never set a date to return. You wanted to be open as long as Spencer needed you. You’re supposed to be with him. You’re supposed to be helping and not tapping out. But you aren’t.

You have no reason not to return to the bullpen, so you do. You walk in and feel eyes on you. You wait for Morgan to call out to you, but he doesn’t, so you follow the feeling.

Your breath catches in your throat; it’s Spencer. He’s sitting at his desk, paperwork spread out, and he doesn’t look away from your gaze; he just holds it. His face is unreadable, and yours is definitely not, so you look away first. You don’t look up again until you reach Hotch’s office. You knock and hear him call out to come in.

“I’m back if that’s okay.”

He looks up at you, and you want to cry. You know he can read you. He has always been the best at it.

“Are you okay with that, Y/l/n?”

You lock eyes with him, “Yes, sir.”

It’s no use; he knows your tells and you aren’t being honest.

“Alright, conference room in five.”

Whatever he sees in your face, he ignores and takes you at your word, but there’s a warning in his tone. He knows when to let things go and when to push. More than that, though, he knows you’d never let something like this affect your work.

~

The first case back is in Maryland, and the one after is in Austin, and the next is in Philadelphia with The Replicator. The job takes you all over the country, and the cases blend together. You don’t speak to Spencer through all of it. You’re never partnered, never work together, you sit on opposite ends of the jet. You don’t even speak at Strauss’ funeral. It’s radio silent, and everyone notices it, but no one brings it up.

In that time, you allow yourself to slip away slightly. You don’t go out with the team, you see Pen at nearly half frequency, and basically, the only time you speak is on cases. It’s stupid and melodramatic, but you call it healing. Derek tries to reason with you, JJ sticks to you a bit more than usual, and Penelope calls you virtually whenever she can, but their efforts are mostly in vain. This is your way of protecting yourself. You feel like you have to isolate in order to improve, and you know, given time, you will come back to yourself.

Penelope’s insistence that you go to her Day of the Dead celebration breaks your distance.

“Y/n, please come. I know you aren’t going out, but you have to. I know you have people to honor, and I need you there.”

You sigh, “Whose going, Pen?”

“The team, which you are a part of, so you must be there.”

“I don’t think I can do that. I promise you I will celebrate with you. I’ll help you set up, just please don’t make me go.”

Penelope pauses, but the glint in her eye keys you into the fact that she is not interested in giving up.

“We miss you, Y/n. Everyone loves you and misses you. You’ve been living this stupid, isolated life, and it’s time for you to come back. You are not this person. I refuse to believe it. You’re coming, and that’s final.”

Maybe you don’t have the energy to argue, or maybe you know she’s right, but you agree to go.

~

The thought of seeing him makes your heart race, and the clock you keep glancing at makes it worse. Just a few more hours before you're trapped in a confined space (Pen’s beautiful home) with a man you haven’t spoken to in weeks.

You busy yourself with preparing. Lights are hung, food is made, and you make a trip to the store while Pen sets up her remembrance table. When everything is said and done, you can’t help but feel this is the most beautiful thing you’ve been a part of in a long time.

The first knock comes at 7:30 exactly, and it’s Hotch and Rossi. They are followed closely by Blake, then Derek and JJ. By 7:00, the atmosphere is light and loving, and you feel a bit of your anxiety let up as the minutes go by without Reid. But, eventually, the knock comes, of course it does, and you move into a corner as Spencer walks in. You feel a shift in energy, though you doubt it’s palpable for anyone else. Rossi is the first to make his way over to you, and his presence comforts you nearly immediately.

“How you doing, kid?” His voice is soft like he’s speaking to a scared rabbit.

“I’m better,” you say, and it’s about as honest as you can get. As much as you’d like to think he knows nothing about what’s gone on, you’re smarter than that. He’s the best profiler on the team, and he’s always known when someone was off with you. Even so, you are better than you were, even if you aren’t quite good, and you know he believes you.

There’s some idle conversation between you before he asks, “Do you want to talk about it?”

“Not tonight. I don’t know when, but I will. Eventually, I will.”

It’s good enough for him, and you move on easily, which surprises you.

Right before Pen gathers you all to present your photos, he says, “Sometimes we think we’ve seen the whole picture, but we miss a big part. People do things because they don’t want to be hurt, but those things hurt them more. Just, be open.”

You don’t quite understand what he means, but you hope you will.

Penelope presents the first picture, which shows her parents. JJ honors her sister, Derek, his dad, Hotch Haley, and Rossi, Hernandez; then it’s your turn. You place down a photo of your best friend. You hadn’t talked much about her, but you think of her daily. She passed a few years before you joined the BAU.

“I was lucky to have someone that hurt that much to lose.”

That’s all you say, but it’s enough for you, and it would be enough for her.

Spencer is last. He places down a picture of Tesla and a picture of Maeve. Your heart is heavy for everyone.

The night dwindles from there. Hotch and Rossi say their goodbyes, and Rossi gives you a knowing look as he leaves. You just smile. You stay for a few minutes after, but eventually, you move to leave as well.

You make it down Garcia’s porch before you feel a hand grab your arm. You turn, and it’s Spencer’s face you see.

“Would you- Do you think you could come over? Do you think we could talk?”

~

The feeling you have walking up to Spencer's apartment is similar to what you felt the last time. You’re incredibly anxious, but at least you know you’ll be let in this time.

The drive over was silent. Spencer had taken the metro to Penelope’s, so he rode with you. It wasn’t necessarily awkward. There was just an understanding that the car wasn’t the place to begin your conversation.

Now, as Spencer unlocked his door, it’s one of those rare moments you felt starved for words, and you know it’s because you’re scared you’ll say the wrong thing and face the same reaction that you did the last time you were in his home.

He leads you to his living room and motions for you to sit, and you do. The two of you are on opposite ends of his couch while you wait for him to say something.

His first words are airy and light, “Thank you for letting me talk to you.”

You look at him but remain silent, waiting for him to go on. All you can think about is why he wants to speak to you at all. The last time you spoke, he made it incredibly clear he did not want you in his life or around him at all.

Before you can think about it more and let your anger and sadness build, he speaks again, “I feel really stupid right now. I kind of feel stupid whenever I’m around you recently.”

He pauses momentarily before going on, “I’m so, so sorry, Y/n. About the last time we spoke. I’ve been thinking about it pretty constantly for the past few weeks.”

You open your mouth, unsure of what exactly to say, but you can’t get there before he’s off again.

“I’m not sure how to talk to you anymore. I don’t think I’ve known how to for a long time. I just, I need you to know how sorry I am for speaking to you like that.”

He takes a shakey breath but keeps going, “That wasn’t me, and that isn’t how I feel. I’m just unbelievably sorry, Y/n.”

He stops there, and you work to collect your thoughts.

“I know. A part of me knows, at least, that you didn’t mean it. I just wanted to be there for you, and hearing that made me- I just- I think it made me hate myself for wanting to be there.”

“I’m so sorry. I’m unbelievably sorry.”

“You didn’t talk to me for months, Spencer. I just don’t understand. I don’t understand why you let me in in the first place. I thought you hated me.”

He’s silent for a long minute.

“I never hated you, Y/n. I just stopped knowing how to act around you, and then I met Maeve. I fell so deep into it that I couldn’t talk to anyone about it. I- And I just started to feel like you didn’t want me to speak to you, so I didn’t. But, when you came here, after everything, I guess I just felt like you were the only person who would get it. You never, no one on the team ever treated me or talked to me how you did. I just wanted that.”

Tears had begun to well in your eyes now. A part of you gets what he means, at least about letting you in, but the other part is so confused as to why he stopped being comfortable around you.

“I don’t understand, Spencer. Why did you stop knowing how to be around me?”

There’s desperation in your voice that makes you sound like a stranger to yourself. Maybe you’re a stranger to everyone right now.

“I uh, I don’t really know.”

“That's not fair, Spence.”

You’re crying now. Just a little bit, but you can feel the wetness on your cheeks. You can see that you are by the look on his face. He looks broken, and you know it's a reflection of your own image.

You wipe your face, “Thank you for apologizing, Spencer. I just, there are parts of this all that I don’t understand, and if you can't explain them to me, I don’t think I ever will.”

“Y/n-,” he calls out your name like a prayer.

“It’s okay, Spence. You don’t have to say anything more. We talked, and things will go back to how they were eventually.”

“I’m so sorry, Y/n.”

You smile sadly as you get up to leave.

“I am, too, for what it's worth. For whatever I did to make things change in the first place.”

You leave it at that, and it takes everything in you not to look back as you leave his apartment.

~

Things do get easier after that. Not completely. You still love him, and it hurts, but it helps to know he doesn’t hate you. He talks to you some, cordial things, and you do the same. You're sure your teammates still sense something is off, but this works for you. Right now, it works. Getting over him, not loving him anymore, is going to take work, but eventually, you know that you won’t hurt anymore.

Shortly after you and him talked, you started going back out with your friends. Spencer joined periodically, but that was normal. Bars were never really his scene.

Tonight, everyone gathers at your local pub. Your last case was particularly grueling, and you all need a way to blow off some steam. It's fun, and you feel good, even with Spencer sitting across from you. You feel proud of yourself for getting to this point.

JJ and Penelope feed you drinks to try and get you to dance, and you let them. Tonight feels as good of a night as any to ‘get back out there’ as Pen says. So, you do. You dance with them, and you ward off the other cops and agents around you who try to pull you away from your group. You aren’t interested in that. Right now, you're just having an appropriate amount of fun for a woman 15 feet from her boss.

Time goes by quickly, and by the time you get back to the table, you, Derek, Penelope, and JJ remain. He tells you that Hotch, Rossi, Reid, and Alex left a few minutes before. The conversation between you flows for a while, up until the drinks loosen Penelope up enough to bring up what you were pretty sure the team designated a no-no topic.

“Y/n, you have to talk about it.”

You’re still laughing as something Derek said when you reply, “What?”

“You know what. You and Boy-Genius. What on Earth happened? You went from ice-cold to semi-friendly. None of us saw it coming.”

“Babygirl-,” Derek tries to stop her, but you cut him off.

“No, it’s okay. I have to talk about it at some point, and I think right now is the only time I’ll be tipsy enough to let you get it out of me.”

You're still laughing slightly, but the pit that's lived in your stomach for the past few months starts to rear its head.

“After your Day of the Dead party, he asked to talk to me. I went to his place, and he apologized. I don’t really understand what he said or what he meant, but I can’t be sad about him forever.”

Pen perks up a bit at that, “I knew that party would bring good things!”

You giggle a bit at her outburst, but then JJ asks, “What did he say?”

The faces around you all tune in at that. You know they don’t see this as gossip. They care about you both too much to trivialize it like that.

“He just said that he stopped knowing how to act around me, and he didn’t know why, but then he met Maeve, and I guess it didn’t matter so much after that. He was my best friend, and then he was nothing.”

JJ shares a glance with Derek and then speaks, “Oh, Y/n.”

“What?”

After a beat, Derek says, “He didn’t just not know how to act around you.”

Now you're confused, “What do you mean? I talked to him, that's what he said. He didn’t know why. I mean, he knows everything and didn’t know why he didn’t want to be around me anymore. How fucking stupid is that.”

You laugh again, but it does come off as genuine in the slightest.

“Y/n, he probably doesn’t really know why. At least not fully. For someone as smart as he is, the kid can be really stupid.”

“Stop being cryptic.”

Derek sighs but goes on, “Pretty girl, pretty boy was in love with you. Probably still is. He just didn’t think you’d ever feel the same.”

“No. That's not true.”

You look at the others around you, but their faces are serious.

“He loved Maeve. He loves Maeve. That, that doesn’t make any sense.”

It's JJ’s turn to talk now.

“He definitely did love Maeve, no one is denying that, but we all saw how he was around you. His whole relationship with her was safe. He couldn’t be hurt by her rejection every day because he had no way of seeing her. With you, he could.”

Your mind is moving a mile a minute, “Did he tell you guys this?”

Penelope puts her hand over yours and says, “He didn’t have to, love. We all say the way he looked at you and acted around you. The way he talked about you. That boy was head over heels.”

“Guys, I appreciate whatever you’re trying to do, but this isn’t real. Spencer doesn’t- this is not real.”

“Y/n, pause. Think about the way he acted around you, the things he said. Think about how Reid is.”

You hear what Derek said, but it all sounds faint like someone stuffed your ears with cotton while you weren't paying attention. All you can focus on are the different scenes running through your head, the scenes of your life with Spencer in it. How he memorized your coffee order and brought it for you every day, how he never shied away from your touch despite his aversion to contact, how he consistently went out of his way to protect you on the field. At his house after everything, the way he clung to you and wanted to be held. How he said in his own words, “You can't be what I need”; not “you aren’t,” but “you can’t.”

Your whole world is crashing down in this bar, and you can’t do anything to stop it.

“Y/n?”

JJ’s voice snaps you out of your spiral.

“Just go talk to him.”

You nod mutely, and you get up.

~

Everything in the last ten months of your life has led you to the exact spot you were when everything blew up in the first place: Spencer’s door.

This time, you aren't too worried about him not letting you in. If anything, it's the opposite. Him opening this door could open a hundred others, and you don’t quite know if you are ready for any of them. You sit there and sit there and sit there, trying to work up the courage to knock, though you aren’t sure it's there to begin with. Right as you're about to walk away and decide you’ll come back another day, his door swings open.

“Y/n?”

His face is lit up with shock, and you notice his hand that is not on the door is holding his pistol.

“What are you doing here?”

You don’t answer, “Why did you open the door?”

He sets his piece down on the entry table before responding, “I heard footsteps in the hall and saw they stopped here. I was anxious. 50.3% of home invasions happen between 8:00 pm and 7:00 am.” He cuts himself off there, “Y/n, why are you here?”

You didn’t pay attention to anything he said. All you could think about was the way his lips were moving and the way his eyes locked onto yours as he talked.

“Do you love me?”

That is not what you wanted to say.

His lips fall open as he takes in a sharp breath, “What?”

“Or I guess did you love me? Before everything? Because Derek and JJ and Pen, they all said that you loved me, and now I can’t think about anything else, Spencer.”

He doesn’t speak, but you don't really give him a chance to.

“I just, I know I sound crazy right now, but I feel fucking crazy. I keep going over everything in my head, and I have been, for the past year I have been, but now it’s all different. It's all different because they said that you loved me, but you didn’t think I’d feel the same way.”

Here, you do pause, but he still doesn’t say anything, so you go on before you can stop yourself.

“Because if that's true, Spencer, it's just- I did. I do. And if it's not, then please just tell me so I can stop feeling this way.”

He sounds resigned when he says, “Y/n,” and you feel like you know what that means.

“Fuck, I’m sorry. I don’t know why I'm doing this. You don’t have to say anything. Actually, please don’t say anything. I don't think I can hear it. Just pretend I never-”

He cuts off your ramble, “Y/n, stop.”

You draw your eyes from the floor, look up at him, and find something in his gaze you have never seen before. He doesn’t say anything, just stares at you, and it takes everything you have not to look away. His hand raises to cup your jaw, and your skin lights on fire. Before you can process what he’s doing, you feel his lips press against yours, and something clicks. At first, his touch is light, like he’s giving you the chance to pull away. But, when he grasps that you won’t, he presses himself to you harder, and all you can think about is how nothing has ever felt so right.

His lips move against yours, and you don’t know how you're managing to reciprocate because it feels like everything in your body has gone fuzzy. The kiss is by no means long, but it feels like it lasts forever, and by the time he pulls away, you’re breathless.

His forehead stays connected to yours, and he whispers, “I do, Y/n, love you. I have.”

You don’t feel the tears on your cheeks until he’s wiping them away.

“Oh, Y/n.”

“Did you know? That you did? Is that why…”

You trail off, hoping he’ll pick up on what you're asking, and he does.

“I didn’t at first, or I didn’t realize I was falling in love with you until it happened. I got scared, so I ran. I just never thought that you could feel the same or that I was hurting you. I didn’t realize that. I just thought I was doing what was best for us. I felt guilty for being in love with my best friend.”

“And Maeve?”

“I loved Maeve. I’ll always have love for her. I was trying to move on, and I thought I could eventually be with her and be around you without it hurting. I wish I would have told you this before.”

“You’re telling me now. That's enough.”

This time, it's you who pushes your lips to meet his. Your arms snake around his neck, and his fall to your waist. You follow when he pulls you into his apartment and closes the door. There is still pain on both sides, but you can feel it dissipating as you cling to each other. You’re just two broken people who have finally found a way to each other.

This kiss is different, hungrier. Neither of you pulls away for longer than a few seconds as you navigate your way from his entryway to his couch. Every touch is desperate like you're searching for something you never knew existed until now. His hands pull you closer and closer until he's pulling you on top of him, and each of your legs rests on opposite sides of his hips.

Your lips break from his for a moment, “What do you want, Spence?”

His reply is instant, “You.”

From there, things move faster. Your hands unbutton his shirt and push it from his shoulders while he undoes your pants. There are moments of awkwardness that come with exploring another for the first time, but it feels good. His hands trace over your hips and push further until you're left on top of him in only your underwear and bra. He takes you in like you are something to be marveled at, and you know your eyes reflect the same adoration.

You raise yourself off of him and work to get him in the same state of undress as you, and when you position yourself on top of him, you feel his length press against your center. The two thin layers of fabric do little to hinder the intensity as you rock into him. He lets out quiet moans at the action as his lips trace down your neck and over your collarbone.

His breath ghosts over you and makes you shiver when he asks, “Can I touch you?”

“Please.”

His hand moves between the two of you, and his fingers find your clit easily, rubbing circles over the fabric of your panties. You pant his name against his lips at the action. You feel like your whole body is lit up, and under any other circumstance, you'd feel embarrassed at how worked up you are, but you can’t seem to care.

After a few moments, he lifts you up and carries you to his bedroom. From there, he positions you below him on the bed, removing your remaining clothes in the same motion. The new setup lets you grip him, and he feels big in your hand. His fingers resume their previous assault before dipping down into you. You cry out at the feeling of him inside you, slowly pushing in and out, finding a spot that makes your legs start to shake. He’s relentless in his pursuit and all you can muster up the energy to say is his name.

“You’re so beautiful, Y/n.”

It's somewhere between a whimper and a whisper, but the sound of his voice causes you to clench around his fingers.

He picks up on this, of course he does, and quickens his pace as he coos at you.

“So pretty like this. I’m so lucky.”

You’re embarrassingly close already, so when he moves his thumb over your clit to rub circles as he fucks into you with his fingers, you come undone almost instantly with a warning and cry of his name. He works you through your orgasm, all while whispering praise in your ear. Once you come down from your high, you start to push his boxers down his legs, but he stops you before you can fully.

“We don’t have to do anything more, Y/n. I liked just making you feel good.”

“I want more. I want to feel you if you want that too.”

“Of course I do. I just don’t want you to regret anything.”

“I couldn’t regret this, Spencer. I love you. I want all of you.”

It's the first time you’ve actually said those three words to him, and it feels so fucking good to say.

“I love you, too. God, so much.”

With that, he positions himself back on top of you, running his fingers over your slit gently before gripping himself.

“Do you have a condom?”

“I might somewhere, but I have an IUD, and I’m clean. I can try to find one if you’re more comfortable with that?”

“IUDs have a failure rate of around .05% and are largely considered the most effective form of birth control, so uh, as long as you're okay with it, I am.”

You smile to yourself at his statistic but nod, “I want to feel you, Spencer.”

He returns your smile before rubbing his length over your entrance a few times and slowly pushing himself into you just slightly. He teases you, or maybe himself, for a moment before fully entering you. You push your hips up to meet his, and feeling him in his entirety makes your jaw fall open. He’s big, and you feel unbelievably full.

He waits a moment for you to adjust before he starts to develop a rhythm. His hands are everywhere, but his eyes are focused solely on your face like he doesn’t want to miss a moment of your reaction to him inside of you. To be fair, you are probably putting on a good show. Every movement he makes hits you in exactly the right spot, and you don’t think you could be louder if you tried. You can feel the leg he’s not holding up against his shoulder shake against the bed. Your first orgasm has made way for your second to be incredibly close.

“Spencer, please.”

You’re crying out, desperate for a little more to push you over the edge.

“What do you need, baby?” His voice is tight like he’s not far himself, and it sounds better than anything you’ve ever heard.

“Harder. Please, harder.”

He takes your direction immediately, rubbing circles on your clit with one hand while he thrusts into you with a bruising force. He’s fucking you like he wants you to remember the feeling long after he stops, and you know that you will. Everything about it is overwhelming: his smell, his pace, his eyes. You are covered in him, and he is covered in you.

After a moment, the hand he had on your stomach trails up to grasp lightly at your throat, and you fall into feeling. You can’t warn him that you're about to come before you do. The feeling is white hot. Bigger than your first, and the fact that you're coming on him sends you into overdrive. You can feel his hips falter for a moment, but you're lost in a daze, crying out his name.

He pumps into you a few more times before he follows suit. He pulls out, and you feel stripes of his come paint your cunt and lower stomach as he finishes with a moan of your name.

He falls next to you on the bed, and it takes you both a few moments to collect yourselves and catch your breath.

Once you do, the only thing you can think to say is, “I love you.”

It feels like those are the only words circling around in your head at the moment. Some mixture of his name and that declaration. While you know you each said it before, that your profession was the exigence of the sex you just had, it feels uniquely vulnerable to say now. It’s like the moment you just had together could have changed things or made him realize that he doesn’t actually love you after all.

That shoe doesn’t drop, though. Instead, you hear the three words echoed back to you by a man who, 6 hours ago, you thought would never, ever say them.

You turn to face him, and the love on his face feels like it could knock you out. He’s looking at you and smiling in a way you haven't seen in a long time.

“Will you let me clean you up?”

You know that part of the reason he’s asking has something to do with the likelihood of bacteria growth or something like that, but you think it's mainly that he wants to take care of you. Him wetting a rag and running it over you feels intimate in a different way, in an excruciatingly gentle way. Personal in a way that makes you feel like nothing between you could ever be wrong again, and maybe that's naive to think, but you feel hopeful regardless.

Once he finishes, he takes his space back next to you in the bed. This time, he pulls you into his arms, and it's different than it was all those months ago. This time, you know that he won’t push you away and that you won't hurt yourself by being next to him. This time, you just tuck yourself into him, and you let him whisper sweet nothings into your ear as you begin to drift off. This time, it feels like peace.

~

The following day, you wake up to Spencer still next to you, looking incredibly soft in the early morning light. You search for a moment to find your phone in the piles of clothes and are greeted with a text from Pen.

How did it go????

You smile before turning your phone off and climbing back into bed next to the man you love. It couldn’t have gone better.

-

all done! yay!!!

i hope you guys love it!! i’m not 100% happy with the ending but i’ve been writing this for so long and just needed to be done.

this is my first time writing angst on here and my longest fic, so PLEASE tell me what you think! all (nice) feedback is welcome and i love to hear from you guys!! :)

[temis-de-leon]

Pick me girls and OM! Brothers - Part 1

Characters: Lucifer, Mammon and Levi (x reader, separately)

Part 2 - Satan, Asmo, Beel and Belphie (x reader, separately)

Part 3 - Diavolo, Barbatos, Solomon and Simeon (x reader, separately)

Masterlist

CW: pick me girl behavior, suggestive, mentions of sex between the brothers and mc, mentions of violence, a bit of magic, mentions of cheating (not actual cheating), mammon and mc taking a shower together, jealous mc, some fluff, some hurt, some comfort, kinda ooc but i had so much fun with this

.

Lucifer

Wherever you went, rumor followed. Haven't you heard? The mighty Lord of Pride has a significant other. Who could it be? Maybe the prince or his butler? Both of them? Or perhaps it was just some random demon? Surely not the human... right?

"Of course not!" said the witch, surrounded by both curious and jealous nobles.

You weren't in the balcony, but you could still hear the conversation in your spot near the open door. You could also hear the gasps and the murmurs. It was ridiculous.

What to do next? You could interrupt the gossip and make your relationship public; after all, it was only a matter of time before someone spotted you both in Ristorante Six or an empty hallway in RAD.

Ignoring them was the better option, however. No words sounded aggressive and yet polite enough to get the witch to shut up without making a scene. Plus, Lucifer was looking exquisitely fine that night. His wings did wonders to his appearance.

"Then who?" the voices asked while you walked away towards your boyfriend.

"Well, I wasn't supposed to say anything..."

Oh no she did not.

"But we're just so in love"

I'll be damned, you thought. She did.

The wrath you felt was primal and it provoked a worried glance from Satan, who was chatting with one of his many contacts in the other side of the ballroom.

You wanted to make an entrance, a dramatic one, but you could only watch as the witch talked and talked about her supposed first date with Lucifer, their first kiss, their first time, his performance in bed (which... No. She was so wrong about that one).

Finally, you opened your mouth.

"You don't say?"

But that wasn't your voice.

Beside you stood Lucifer in all his glory, with a smile that didn't reach his eyes and a hand hugging your waist. The floor trembled under your feet as he walked and, if it wasn't for his tight grip, the magic induced vertigo would've send you to the ground.

You could tell he was trying not to harm you too much, but the group in the balcony wasn't so lucky. All of them were on their knees and some even coughing blood.

"Do tell all your stories tonight, by dawn you'll have no tongue to keep lying"

The witch had tears in her eyes, too focused on her own pain to be aware of her surroundings or his words. Was he being serious? You wanted to ask what would really happen to that woman, but Lucifer was always two steps ahead.

He cradled your face and kissed you, slowly yet firm. His cold skin felt good against yours, already blushing under his half lidded eyes.

"Dance with me?" he asked, caressing your bottom lip with his thumb.

Damn, did he know how to distract you.

Mammon

"You're dating the Great Mammon!" he'd said with his characteristic smile, both of you eating ramen in your bed while watching bad romcoms "That's something to be stoked about! You need to tell everyone about it!"

Of course, that translated to: please, please, please, I need people to know that I bagged YOU and YOU chose ME.

So, there you were, chatting with his makeup stylist and some other models while he posed in front of the camera. It was better than you expected, actually. You thought the fashion world in the Devildom would be full of self righteous assholes and insufferable divas, but you couldn't be more wrong.

Well, of course, there's always an exception.

There was a demoness in the other side of the studio, taking selfies with a pout in her lips and a fake, nauseating, innocence in her expression. She looked toxic from a mile away.

And yet, your boyfriend dated her for three months; three long and excruciating months, yes, but still. They'd dated.

And you were cool with that. So so cool with that. You were chill. A freezer, even. You loved Mammon and everyone and their mother could tell Mammon loved you. Everything was fine.

Except... well...

It was easy to forget the brothers were famous and popular bachelors, princes of hell, that, just like in every human monarchy, had fans to spare. People that would support them no matter what they did and no matter who they dated and people that would hate everyone they dated because... You don't really know why.

You just had some haters.

And this bitch was taking advantage of this, you knew it in your heart.

Rumors of Mammon cheating on you with one of his model coworkers had been there since the beginning of your relationship. It was something you just had to live with, one of the reasons the Avatar of Greed doted on you with everything he had.

Mammon loved you.

So why did you panick so much when he stood up in the underwear he was advertising, getting ready for the next picture, and the demoness took a selfie of her lips with his half naked body behind her?

"That whore" whispered another model behind you. You liked them.

But it was okay, you didn't mind. No, really. You didn't.

Except you did.

And so did Mammon.

"Oi!"

Everyone looked at him and you could swear his demon form was starting to show, blending with his siluette in blurred edges.

"Delete that"

She could've laughed at him, like everyone tended to do. She could've ignored him and tempt fate, but it was not a wise idea.

There was static in the air, black mist barely clouding your vision and a faint voice whispering in the back of your brain. The sound of feathers filled the room and soon crows started to surround the studio outside the window.

After a couple of sickening minutes, a loud pop settled the place back to normal and caused the birds to fly away.

The demoness gasped, letting her DDD fall to the ground like it burned her. Looking at her smoking hands, it probably did.

After that, everyone acted like nothing happened. You, however? Your whole body was buzzing, leaving you paralyzed with feelings you needed to explore in the future and making Mammon look at you with a knowing smile.

"...sick of those rumors..." he'd say hours later while he washed your hair in the shower "and you dumbass humans believe everything you see, even if it's stupid"

He'd wait until you were both in bed, ruminating about every little thing that happened back there before talking again.

"Because it's stupid, you know? I'd never cheat on ya. The Great Mammon would never do that to you. I mean, I'd never to that anyway, but specially not to you. Keep that in mind, human! You catched the best demon of all hell! Lucky you!"

Lucky me, he wanted to say instead.

You understood him anyways.

Leviathan

@/f3istyk1ttenuwu sent you a message!

.

.

You stared at the screen and the screen stared back at you.

Reading the user name physically hurt you and you'd lie if you said you weren't worried about it. Did you trust Levi? Yes, absolutely. Did you trust f3istyk1ttenuwu? Not really, no.

So (this time voluntarily), you opened the gates of hell.

It was the Devildom version of Discord, which was worrying enough, and the user's pfp showed a cute pinked hair girl with dainty horns and half of her boobs out.

With a frown and your heartbeat in your throat, you opened the chatroom.

@/f3istyk1ttenuwu: r u lone?

@/f3istyk1ttenuwu: did ur frend leef?

@/f3istyk1ttenuwu: their a party pooper

@/f3istyk1ttenuwu: didnt let u join the grp

@/f3istyk1ttenuwu: :(

@/f3istyk1ttenuwu: leviachsn?

.

Oh, heeeeell no.

First of all, it was leviachAn. Second, YOU were the only one who could call him THAT.

Ignoring the voice of reason, you checked the door before investigating the previous messages. Levi was in your room, retrieving your nightwear as punishment for not letting you win in Devil Kart YET AGAIN, so, knowing how flustered he got everytime he saw you in the Ruri Chan's inspired piyamas he got you for your birthday, you were sure you had another couple of minutes alone in his room.

@/f3istyk1ttenuwu: thx 4 sving me !!

@/f3istyk1ttenuwu: we shld team more

@/f3istyk1ttenuwu: were zo good 2gether

wEre Zo gOoD 2gETheR

You couldn't help but mock her in the privacy of your mind. Did she think writing like a 10 year old was attractive? If so, what the fuck?

@/f3istyk1ttenuwu: call? brke my pc & cn't fix it alone \(-o-)/

"Call a fucking tech" you whispered to yourself.

"Henry?"

Fuck.

You turned around like a deer in headlights. Levi's cheeks still wore a furious red, but he remained quiet at the door when he saw you snooping through his private conversations.

Fuck it, you thought after some uncomfortable seconds. If someone could understand jealousy, it would be him.

"Who's this girl?"

Levi frowned and got closer to you, leaning over your shoulder to see his computer, probably giving you the closeness he'd crave if he was in your place.

"Oh, I don't know" his final answer disappointed you "Some girl the others wanted in the party"

But why was she talking to him like that?

"And why is she talking to you like that?"

He shrugged his shoulders, knowing that both of you knew the answer. Then, he straightened like he had an epiphany, and looked at you with shining eyes and a smile too big for his face.

"Are you jealous, MC?"

Levi jumped in happiness before you could say anything, unable to truly express how happy he was upon his sin affecting you.

"My Henry is jealous!! Because of a yucky disgusting otaku like me!! This reminds me of that anime: 'Help?! My crush snooped through my pc and now they're jealous because someone else is flirting with me??'"

It was obvious by now you had nothing to worry about, so you let him be. You let him appreciate how much you loved him.

In the end, you had to shower his face in kisses to shut him up and, for great measure, you also changed into that extra large Ruri Chan t-shirt in front of him.

Hours later, both of you were sweating in the comfort of his bathtub and Levi was completely sure you fell asleep.

And if you saw how he offered himself to fix this girl's computer only to hack her camera and post her real face all around the internet, no you didn't.

Tagging them lovely people: @hello-gloomy @the-sassiest-toaster @hero-nii-blog @yourlocalyin

Hope you like it!

[lovemebutleavemewild]

Wasn't actually going to do a part 2 to this mafia!Price x pregnant reader drabble but a few people requested it so ...

I don't think this will be a long fic or a series or anything but if anyone has by particular requests for scenes, let me know!

You take the table's orders quickly and almost trip getting away from them.

John follows you immediately, of course, but if you can just get to the kitchen, he won't be able to follow you.

Or so you think.

The doors don't have time to swing shut behind you before they burst open again and you feel a hand on your waist, spinning you around to face him.

"You're taking your break," he tells you.

"I can't yet, I have tables. And-"

You see your manager approaching and brace yourself for the tirade.

"Sir, you can't be in h-"

He stops when he gets a proper look at John.

"Oh. Um, is there a problem, sir? Or some way I can-"

"She's taking her break," John tells him, jerking his thumb at you. Your manager just nods mutely and John takes your hand, leading you out the back entrance.

"Beat it," he tells the line cook, smoking by the bins. The man slinks back inside without a word.

As soon as you're alone, John shepherds you against the wall, arm on either side of you so you're walled in.

"It's mine?" he asks and you try not to be offended. It's a fair question, you suppose. You just nod, looking at your shoes. He tilts your chin up so you're looking at him. You can't read the look on his face.

"Finish your shift. I'll wait."

+++++++

He takes you home, makes the others take a cab wherever they're going, and just gives you a look when you suggest you can take the bus.

He also insists on walking you inside. Your face warms at the way he's analysing your apartment building. When you hold the door to your place open for him, he rubs his hand along the doorframe, studying the lock, heads straight for the windows to do the same once he's inside.

"We'll need to get you moved out of here," he says when he finally turns around. You raise  your eyebrows.

"Is that right?" you ask. If he notices the sarcasm, he doesn't comment.

"Mmmhmm. Could get the lads to pack up your stuff for you, handle the movin'. We could have it done tonight"

"And where do you suggest I go?"

John smiles and sidles towards you.

"I could think of a few places," he says, raising his eyebrows. You huff a laugh.

"Hmm. But there's nothing wrong with my apartment."

John just hums.

"Not a good area," he tells you.

You start to feel your temper rise a little.

"Think whatever you want of the area; You don't get to walk in here and tell me-"

"Well I am telling you darlin'. I know these parts and 'round here isn't a good place for a girl like you."

"A girl like me?" you ask flatly, crossing your arms. You force yourself not to move away from him as he gets in your space. You can smell him from here, the scent of his cologne, and doesn't that bring back memories.

He leans down so he's looking into your eyes properly.

"A good girl," he says.

You snort and turn away.

"Does that line usually work for you?"

In a second, you feel his hands on your waist, pulling you back against a hard chest.

"Worked before, didn't it?" His voice is raspy in your ear.

"You didn't mind being my good girl the last time we spoke, did ya, sweetheart? Or can you only be good when you're stuffed full?"

He presses harder against your back and you can feel the length of him now.

"'Cause I can help you with that, love, just you say the word."

You pull away, turn to look at him, with your chest heaving.

"Place like this could be dangerous for a girl like you," John says and it sounds like a warning.

"Aren't men like you what makes places like this dangerous?" you whisper.

He steps towards you again, slower this time, puts a hand on your hip. You don't pull away.

"Sometimes," he admits. "Not always. Need to make sure you're taken care of, from all the bad things out there. Goes for both of you."

"I don't need taken care of," you tell him. It would sound more convincing to your own ears if you could find it in yourself to pull your hand off his chest.

"No?" His hand suddenly dips between your legs and you jolt forwards into him.

"You been taking care of yourself here, hmm?" He starts to rub, over your work leggings, leans down so his head is nearly on your shoulder.

"Been taking care of this pretty pussy like it needs?" he asks, voice rough. "It was so needy that night we met, I was sure we'd go a few rounds. Why'd you run instead, sweetheart? I didn't even get a chance to taste it."

You can't answer, can't think, especially not when he shoves his same hand under your pants, sliding your underwear to one side for better access. Your head falls back when he touches your clit.

"Need me to take of you here, darlin'?"

You can't help your moan.

"Not good enough," he grunts. "Need you to say it, love. Say you need me to take care of this pussy."

And you've been so stressed for so long and, really, at this point, what harm could it possibly do?

"Please, please, John, I need you. I need-need-"

He quietens you with a kiss, leaning down to lift you by your thighs. The bump makes it a bit awkward but he doesn't falter as he makes his way to your room.

"All you needed to say, mama."

[lazyturtlehottub]

There's no rapid knocking at the door, no angry shouts through the letter box, just one simple ding-dong of his doorbell that doesn't warn him about what's coming. Tommy peels himself off the sofa and kicks the blanket away from his feet before he makes his way down the hall, skin grubby from day three of no shower. Scratching at his neck, he peers through the peephole, finds no one, and opens the door to—

"Happy birthday, you asshole."

Evan shoves a plastic-boxed cake into his arms and shoves past him, all shoulders and grief-tinged rage. Tommy blinks at the empty space in front of him and then down at the cake with it's melting frosting and badly piped Happy Birthday that's threatening to slide off the top. The bottom of the box is warm, the cake presumably out of the oven in the last hour or two, and he shuts the door behind Evan.

"What are you doing here?" His voice is a telling rasp, and he turns only to find that Evan's not there and he's speaking to the air.

Moving back into his house he finds his ex-boyfriend standing in the living room, taking in the scene of Tommy's post-break up depression with an unimpressed look on his face.

"Evan—" he starts only to fall silent when a sharp look is thrown at him, pain etched into the lines of Evan's face.

"I thought it was Buck now," is the snark he gets back.

The snark that lands in the bruised parts of him and blooms fresh pain.

"I—right, yeah." Awkwardly he sets the cake down and shifts his weight. "What're you doing here?"

"It's your birthday so I baked you a cake because you're an idiot who broke my heart and I hate you but I love you more than I hate you and I wanted to tell you that," Evan says in an angry rush. "And I'm so mad at you, so fucking mad, Tommy. This last week—I've hated it. I miss you. It's like you gave me everything I ever wanted and then you just took it away from me and I fucking hate you for doing that."

Tommy swallows, throat dry. "If it helps, I hate myself too."

"No that doesn't help," Evan snaps, eyes tracking over him. "Jesus, have you even showered since last week?"

"Yes," he says, a little annoyance slipping into his tone. "I'm not a child."

Evan snorts and bends down to grab the blanket, shaking it out before folding it in rough sweeps of his hands until it's folded neat and tidy on the couch. It looks like there's more he wants to say and he's not sure what to say first and Tommy should tell him to leave, to keep this break as clean as possible but walking away from Evan was the hardest thing he's ever done, he's not sure he can stomach Evan walking away from him.

And then, without any warning, the anger drains from Evan, just slides right out of him until he's soft and sad and so wide eyed that Tommy can't bear looking at him.

(He can't bear to look away either.)

"Why didn't you tell me it wasn't serious?" Evan asks, voice wobbling and fingers curling in the sleeves of his hoodie that Tommy recognizes as his own. "Why did you let me—? I don't understand what went wrong."

"Evan," he rasps. "Buck."

"Don't," Evan interrupts, angrily swiping at his eyes. "Don't call me Buck. Don't ever call me that again, please. I can't—not from you."

"I'm sorry," Tommy says, uselessly. "I'm so sorry. I just wanted...you scare the shit out of me. You could—Jesus, Evan, the way you could break me without even realizing it...I'm terrified."

"So you thought you'd break me first?" Evan demands, anger wet and burning. "Because you did. Congratulations. I'm fucking miserable because of you. Because you were too afraid to actually have a conversation with me about what you wanted and needed and you just let me rush forward thinking we were both on the same page. And all this time you had one foot out the door."

Tommy shakes his head. "No, that's not it."

"Then what is it?"

"I'm not someone's forever!" The words snap out of him, cracking like a whip, and Evan blinks, startled. "I'm the guy that gets you there, alright? I'm the guy that shows you how it should be and then someone else, someone better, gets to be your forever."

Evan's mouth opens and then shuts, a frown pinching between his eyes that are focused on Tommy. "I didn't...how could there be someone better than you?"

"Evan," he sighs. "Please, don't."

"No, tell me, I want to know." Evan's stepping into his personal space, grabbing his hands and pulling him the rest of the way. And he burns at Evan's touch, at his warmth, at realizing that what he thought was the last time they touched wasn't it. "Who's going to love me like you do? Because you love me. I know you do. You haven't said it but I think I get why now but I know it. So tell me, who's going to love me as good as you do?"

"Evan, please."

His plea falls on deaf ears because Evan's right there, pale-skinned and smudges beneath his eyes from restless sleep, and Tommy wants to keep him there forever.

"I can't do it again," he whispers. "I can't let you go again."

"Then don't," Evan tells him. "I don't want you to. I don't want to explore my sexuality or whatever bullshit you think I need to do to be queer enough for a life with you. I just want you. Can't we just, I don't know, figure out the rest of it together?"

"Evan—"

He's weakening and he knows it. Worse, Evan knows it.

"We'll slow down, we'll go so slowly this time," Evan tells him, pressing his case and his body closer so that the warmth of his breath washes over Tommy's stale mouth. "We'll talk, properly. Maybe—maybe we could see a couple's therapist? Because I want you to be my last. I don't want anyone else. Please don't make me look for someone. Please."

"Evan." His body trembles. "I'm scared."

"I know," Evan says, soft like he's gentling a spooked horse. "But you can be scared with me, right? That's what it's about, yeah? Sharing the good things and the bad. I want both of them with you. I want everything with you. Will you please just—?"

Tommy kisses him and Evan immediately relaxes against him, the world righting itself around them, and he knows, right then, that Evan is his last, no matter what.

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[rifari2037]

The idea of her being mother figure is challenged right from episode one when Aang reminds her that she's still just a kid.

Okay, that's right! That's spot on! I don't deny that Aang makes Katara act like a child again for a while.

Aang reminds her that she's still just a kid.

Katara : Fire Nation. Sokka : We should tell him. Katara : [Yelling.] Aang! There's something you need to see. Aang : [Aang runs to them from the airball court, still playing with the hollow ball. Cheerfully.] Okay! Aang : [Happily runs up.] What is it? Katara : [Innocently holds her hands behind her back.] Uh... Just a new waterbending move I learned. Aang : Nice one! But enough practicing, [Excited as he turns around and start walking away.] we have a whole temple to see! Sokka : [Brushes the last of the snow from his head and shoulders.] You know, you can't protect him forever.

It's only the third episode, but Aang's childish attitude already makes Katara act like a mother protecting her child from reality. Katara also has to calm Aang down when he goes into avatar mode, it happens several times like it's her responsibility to do so.

Aang reminds her that she's still just a kid.

Katara : [Resumed filling the pot with more vegetables.] Watching you show off for a bunch of girls does not sound like fun. Aang : [Disappointed.] Well, neither does carrying your basket. Katara : [Annoyed.] It's not my basket. These supplies are for our trip. I told you, we have to leave Kyoshi soon.

This scene actually piss me off, like, if I were Katara I would mad too! And again, Aang's irresponsible and childish behaviour forced Katara to be responsible for doing the chores. If not her to be mature, who else? Sokka who is busy with his misogyny towards the Kyoshi warriors? Or Aang who is busy having fun with his fans?

Aang reminds her that she's still just a kid.

Aang ran away after someone blamed him for something he actually did a hundred years ago. Katara must find him in the storm, then help him dwelling with his past.

And it happens again in The Awakening. Aang runs away and triggers Katara's another trauma that forces her to grow up, which is being abandoned by the person she cares about (her father). Katara (Sokka and Toph) must find him and save him.

Aang reminds her that she's still just a kid.

Katara : [Disappointed.] Wow... there's hardly any in here. Aang : [Lashes out.] I'm sorry, okay! It's a desert cloud; I did all I could! What's anyone else doing?! [Pointing his staff at Katara.] What are you doing‌?! She returns his attack with a shocked look on her face. Katara : Trying to keep everyone together. Let's just get moving. We need to head this direction.

Katara is the only one who can keep the Gaang out of the desert. If she doesn't act mature and responsible with the Gaang, they might not survive. And what does Aang do? Get mad at her for losing Appa, while Katara is not to blame for it.

Aang reminds her that she's still just a kid.

Katara : Aang, we do understand. It's just ... Aang : Just what, Katara? What? Katara : We're trying to help! Aang : Then, when you figure out a way for me to beat the Fire Lord without taking his life, I'd love to hear it! [Walks away.] Katara : Aang, don't walk away from this. [Walks toward Aang.]

I love Katara, you know, that's why I really don't like Aang pointing angrily at Katara and blaming her every time he got emotional, when Katara didn't do something wrong and just wants to help him. Is this a healthy relationship?

Aang reminds Katara that she's just a child in the first episode, but unfortunately, the Gaang (especially Aang) once again forces Katara to be motherly in the next episodes.

Does she like being motherly? No, she doesn't. She wants to have fun too, but if she did, the Gaang would be screwed. Being motherly is not just her nature, but the Gaang (except Suki) forces her to be more mature than the others narratively.

Actually, that's why I like the idea of Momtara and Dadko. In my opinion, this nickname is not to make her forget she is just a kid. Instead, because the narrative itself always shows Katara forced to act motherly toward Gaang, 'Momtara and Dadko' shows that is not only Katara's responsibility to do all chores.

Calling Zuko Dadko is also reasonable, because he is narratively more mature among the Gaang (except Suki). He focuses on Aang's training and worries that Aang will fail, just like what father usually do to his son.

More than that, Katara doesn't need to act motherly with Zuko - he is the one bringing her things and preparing what they need in their journey contras with what Aang did in Kyoshi Island. And they act more like equal partners toward each other, rather than mother and son.

Oh, it's true that Aang makes Katara child again in first episode. But it's weird to defend Kat/ang and hate the narrative of Katara being motherly at the same time, when the Gaang (especially Aang) often forced Katara to act motherly.