#discussions of force philosophy

[irithnova]

One of the funniest things I've seen someone say is "I hate when people try to FORCE POLITICS into HISTORICAL HETALIA" girl I have really bad news for you

[faaun]

in the philosophy common room 2 friends both doing what they need to do i'm alive i'm here i'm ok okay

[yourlocalartsonist]

Rise of the TMNT is it even a question 💀

new question if you could force all of ur followers to watch/play through/read one piece of media what would it be

[alstroemerian-dragon]

the tough thing about writing realistic narrative conflict is that. when there aren’t larger sweeping stakes, something like 80% of narrative conflict is predicated on miscommunication or the withholding of information, big or small. and as someone who is both fairly autistic and well trained in conflict resolution, my brain is screaming “WHY DO THEY NOT SIMPLY DISCUSS THINGS OPENLY!!!!!!”

its something im practicing but BOY its hard fkdhfjdhfjs. im having to go “okay what would i say in this situation. now. would this character actually admit that? no. fuck. okay how can i hint towards it without them straight up saying it”

[muletia]

[tfp] obsessed!optimus prime x human!reader

summary: optimus likes to stare at you

cw: suggestive themes, angst, hardcore pinning, optimus is fucking obsessed with you, obsessive thoughts, yandere?? optimus i guess, bro is down bad for you

word count: 995

an: had a blast wiritng this, i love making characters disgustingly obsessed with reader lmao

He was doing it again.

Optimus is a calculated being. He didn’t make rash decisions, never threw words to the wind. Every action he took had meaning; none were purposeless or born of impulse or whim. He was crafted to be the perfect leader, to guide thousands, millions. He was supposed to be an authority, the alpha and omega, someone to be respected, admired, and followed. But there was one creature who turned his philosophy upside down and broke his facade.

He blinked once, twice. His optics returned to reading the report on the datapad. However, not even ten seconds of focus passed—a return to being the Prime—and his attention was anchored somewhere else again.

He couldn’t tell anymore, was he doing it on purpose or automatically? A force stronger than him, stronger than Primus himself, was pulling his optics toward that one being capable of breaking him. In the presence of this rare power, he was truly defenseless, revealing to everyone close to him the truth of his feelings, the intensity of which surpassed his wildest expectations. They had grown beyond his control, fierce and unyielding, like a wild beast impossible to tame.

He knew it was inappropriate, and unfitting for you and his friends; he should have restrained the beast before it became a problem. But he hadn’t. He had failed, and another burden had taken residence on his shoulders.

You laughed, and his optics instantly shifted to you. His spark throbbed pleasantly, distracting him from tormenting his very being. He adored that sound, rejoicing every time he heard it. It was melodic, soothing, and calming. In an instant, it tamed his chaotic processor, now focused solely on you, the real you. Optimus observed every smile, frown, and wrinkle on your face with great curiosity, even though he had done it countless times. He watched your chest rise and fall, counting how many breaths you took in a minute. He searched for any abnormalities or signs of illness. Nothing escaped his attention.

He already knew he wouldn’t be able to focus on the report. Not when you were so close to him, when he knew there was a microscopic chance you’d start a conversation with him. You’d honor him and look at him, too. He didn't dare to ask for more. He longed, but he knew he couldn’t allow himself that—at least not now. For the sake of keeping an image, he still held the datapad in his hand, but his thoughts were circling around you.

You were discussing something with Miko about a topic he didn’t understand, related to Earth’s video games. For some time now, he had planned to gather knowledge about them, so he could have conversations with you beyond his comfort zone, aligned with your interests. He wanted to be more approachable, and friendly, enticing you to spend more time with him. Amidst the stream of words, he caught a single one, which he assumed was a title, and made a mental note to study it later. Would you be happy to see him as someone worth talking to? Would you smile, let him hold you on his servo or shoulder? Help ease a processor constantly focused on unknowns and daydreams?

Content simply to be in your presence, yet fantasizing about something deeper, more intimate, he was still intently watching you. He had drifted so far from shore that he acknowledged Jack's and Rafael’s greetings a second too late. He nodded to the kids and briefly watched as they climbed onto the couch beside you. You had a way with children, caring for them, and helping with their school projects, but most importantly, you were their friend. Seeing you surrounded by children had an effect on Optimus—a feeling he was even frightened to contemplate because it easily took over him, pulling him away from reality, creating visions that would never come true, no matter how much he wanted them to.

"You are crossing the line," he reminded himself, fully aware that he had crossed it long ago. The cup had overflowed; there was no going back. Primus, he had just daydreamed about having offspring with a different species.

The truth was, despite all the self-flagellation, despite the hatred for what he had become, the ruin he had brought upon himself, he didn’t want to stop. You were a pleasant distraction from the war, death, and suffering that had accompanied him since becoming Prime, and for now, he didn’t plan to (couldn't) let go of that distraction. This didn’t mean his little obsession with you was painless—quite the contrary. However, those brief moments when your attention was focused on him, when you shared your touch as you traveled with him through Jasper when you looked only at him, made up for all the pain, torment, and hell he went through. Then there was no war, no Decepticons, no Optimus Prime. There was only him and you.

One last time, he tried to return to the report, but this time it wasn’t his illusions sabotaging his work. This time, it was you.

“Optimus,” your voice freed him from the prison of his thoughts. “I’d totally understand if you don’t have time to leave the base. But… would you perhaps like to drive me home? It’s getting late.”

“Of course, [Name],” he replied immediately because refusing you made no sense.

“Can’t you ask Bumblebee instead of dragging Optimus to fulfill your whims?” Ratchet intruded into the conversation.

“That will not be a problem for me,” Optimus assured, with an unusually stern tone aimed more at the medic than at you. “I am at your service, [Name].”

“Thank you!”

He transformed and waited patiently for you to join him. He opened the door, and once you climbed into the seat, he fastened the seatbelt himself. He hoped you wouldn’t notice the slow pace he had settled upon, that this time he had decided to be selfish, savoring the unrestrained pleasure of your privacy.

[cyberclouddream]

Your Relationship with Transformation

Aries in the 8th House (Virgo Rising)

How can you confront your fears directly instead of running away or pretending they don’t exist?

With Aries in your 8th house, transformations can hit you like a freight train. You might leap into new relationships or experiences without thinking, only to find yourself knee-deep in drama. Sudden career changes or impulsive decisions could leave you feeling a mix of excitement and chaos. While it’s exhilarating to embrace that fiery energy, you might also find yourself questioning whether you’ve made the right call. You tend to experience a lot of transformational experiences like sudden breakups, impulsive career changes, and moving in with someone unexpectedly.

Taurus in the 8th House (Libra Rising)

How can you stop resisting change and embrace the uncomfortable instead of stubbornly clinging to what feels safe and familiar?

For you, transformations usually revolve around stability—or the lack thereof. Life throws curveballs that challenge your need for security, and you might struggle with fears around loss. Big events, like a breakup or financial strain, can feel like the ground is shaking beneath you. You want to hold onto what’s familiar, but sometimes you have to face the uncomfortable truth that change is inevitable. You tend to experience a lot of transformational experiences like losing a stable job, dealing with a family member's health crisis, and facing the emotional fallout of a significant breakup.

Gemini in the 8th House (Scorpio Rising)

How can you drop the martyr act and lean on others instead of pretending you can handle everything on your own while drowning?

With Gemini in your 8th house, transformation often comes through the need to communicate and explore. You may find yourself diving into new philosophies or ideas that shake your beliefs to their core. It’s not uncommon to question everything you thought you knew. While this can open your mind, it may also lead to confusion and a feeling of being unmoored as you navigate these shifting tides. You tend to experience a lot of transformational experiences like discovering a hidden family secret, engaging in deep discussions that change your worldview, and experiencing a significant change in a long-term friendship.

Cancer in the 8th House (Sagittarius Rising)

How can you lean on others instead of shouldering all the emotional weight alone, expecting everyone to just get it?

Your transformations hit hard and deep, often tied to emotional upheaval. You might find yourself grappling with family drama or issues that challenge your sense of home. Major changes, like moving or dealing with loss, can leave you feeling vulnerable. It’s tough to ride those emotional waves, and you may want to retreat into your shell instead of facing the chaos head-on. You tend to experience a lot of transformational experiences like relocating to care for a family member, experiencing the loss of a loved one, and navigating a major shift in family dynamics.

Leo in the 8th House (Capricorn Rising)

How can you focus on real inner work instead of seeking attention or validation during tough times?

For you, transformation can feel like a spotlight shining on your insecurities. You might be driven to express your feelings through art or performance, but that doesn’t mean it’s easy. When life throws you a curveball, it can feel like you’re on stage, exposed and raw. Navigating these changes may push you to confront your ego and the ways you seek validation from others. You tend to experience a lot of transformational experiences like going through a painful breakup that forces you to reassess your priorities, experiencing a health scare that prompts lifestyle changes, and facing a crisis that challenges your coping mechanisms.

Virgo in the 8th House (Aquarius Rising)

How can you acknowledge your messy feelings instead of getting lost in a never-ending cycle of analysis?

Your transformations are all about analysis and practicality. You might find yourself obsessing over the details of a major change, whether it’s letting go of a toxic relationship or re-evaluating your priorities. It can feel like a never-ending cycle of self-doubt as you sift through your emotions. Embracing change can be hard when you want everything to make logical sense, but sometimes you just have to go with the flow. You tend to experience a lot of transformational experiences like facing a major health scare that forces you to reevaluate your lifestyle, dealing with the emotional fallout from a complicated relationship, and having to navigate an unexpected crisis that disrupts your daily routine.

Libra in the 8th House (Pisces Rising)

How can you confront uncomfortable truths instead of avoiding conflict at all costs?

With Libra in the 8th house, your transformations revolve around your relationships and partnerships. You might be forced to face uncomfortable truths about the people in your life, and that can lead to some painful realizations. A breakup or friendship fallout can shake your world and make you question your values. It’s tough to find balance when it feels like everything is in disarray, and sometimes it’s hard to know who to trust. You tend to experience a lot of transformational experiences like ending a long-term relationship that no longer serves you, navigating a complicated friendship fallout, and discovering your boundaries after a painful betrayal.

Scorpio in the 8th House (Aries Rising)

How can you see vulnerability as a strength instead of a weakness that makes you feel exposed?

Transformations for you are intense and often demand deep emotional work. You might be drawn to experiences that force you to confront your fears head-on. A crisis could push you to explore your darker side, and while that’s a path to growth, it can feel overwhelming. Getting to the root of your issues isn’t always pretty, and you might find yourself wrestling with some uncomfortable truths. You tend to experience a lot of transformational experiences like dealing with a profound loss that changes your perspective, facing a major life crisis that forces you to confront your fears, and engaging in therapy that brings deep-seated issues to the surface.

Sagittarius in the 8th House (Taurus Rising)

How can you ground yourself in reality instead of constantly chasing the next thrill to distract from your problems?

Your transformations are tied to your desire for freedom and exploration. When life forces you to confront deeper truths, it can feel suffocating. You might grapple with a fear of being tied down or stuck in one place. For instance, dealing with loss can feel like it’s closing off your world, and you may resist the changes that come with it. Embracing that discomfort isn’t easy, but it can lead to a broader understanding of life. You tend to experience a lot of transformational experiences like traveling to a foreign country that shifts your perspective, dealing with a loss that prompts you to reassess your values, and embracing a new belief system that challenges everything you once thought to be true.

Capricorn in the 8th House (Gemini Rising)

How can you confront your emotional side instead of pushing it aside because it feels inconvenient?

When transformations hit, your practical side can take over, but it often comes at a cost. You might feel the pressure to be responsible and keep everything together while navigating life’s chaos. Significant changes can push you to reassess your ambitions, leading to feelings of frustration. It’s hard to accept that sometimes you can’t control every outcome, and that can feel like a heavy burden. You tend to experience a lot of transformational experiences like being laid off unexpectedly, facing a major life change that impacts your career path, and having to take on unexpected family responsibilities that shift your priorities.

Aquarius in the 8th House (Cancer Rising)

How can you stop feeling like an outsider and start owning your unique perspective instead of hiding behind your intellect?

Your transformations often defy societal norms, pushing you toward unconventional paths. You might feel like an outsider when dealing with deep emotional issues, but that uniqueness is your strength. Embracing your individuality during transformations is key, even if it means standing alone. Remember that your perspective is valid, and it can lead to incredible personal growth. You tend to experience a lot of transformational experiences like challenging traditional relationship norms, dealing with a crisis that forces you to question societal expectations, and exploring a non-traditional career path that allows you to express your individuality.

Pisces in the 8th House (Leo Rising)

How can you stop escaping reality through fantasy instead of facing your emotional challenges head-on?

Transformations for you often take place on an emotional and spiritual level. You may find yourself diving into the depths of your subconscious, grappling with feelings that are hard to articulate. Events that push you to connect with your intuition can feel overwhelming, and you might struggle to navigate the chaos. Embracing your sensitivity can be challenging, especially when you’re faced with a world that doesn’t always value vulnerability. You tend to experience a lot of transformational experiences like engaging in creative projects that force you to confront your feelings, experiencing a significant emotional loss that prompts spiritual growth, and exploring new artistic outlets that help you process your emotions.

[felassan]

Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) – Dragon Age: The Veilguard story

The rest of this post is under a cut for length.

Update: this issue of this magazine is now available to buy from UK retailers today. it can be purchased online at [this link]. [Tweet from Edge Online] also, Kala found that a digital version of the magazine can be read at [this link].

This post is a word-for-word transcription of the full article on DA:TV in this issue of this magazine. DA:TV is the cover story of this issue. When transcribing, I tried to preserve as much of the formatting from the magazine as possible. Edge talked to BioWare devs for the creation of this article, so the article contains new quotes from the devs. the article is written by Jeremy Peel. There were no new screenshots or images from the game in the article. I also think that it contains a few lil bits of information that are new, like the bits on companions' availability and stumbling across the companions out and about on their own in the world e.g. finding Neve investigating an abduction case in Docktown.

tysm to @simpforsolas and their friend for kindly telling me about the article!!

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[image source]

Article introduction segment:

"[anecdote about Edge] We were reminded of this minuscule episode in Edge's history during the creation of this issue's cover story, in which we discuss the inspiration behind Dragon Age: The Veilguard with its creators at BioWare. Notably, director John Epler remembers the studio experimenting with a number of approaches during the early phase of development before eventually locking in to what the game was supposed to be all along, above all else: 'a single-player, story-focused RPG'. As you'd expect from BioWare, though, that was really just a starting point, as we discovered on p54." BioWare draws back the Veil and ushers us into a new Dragon Age

"BEHIND THE CURTAIN BioWare's first true RPG in age age is as streamlined and pacey as a dragon in flight. By Jeremy Peel Game Dragon Age: The Veilguard Developer BioWare Publisher EA Format PC, PS5, Xbox Series Origin Canada Release Autumn

The Dragon Age universe wasn't born from a big bang or the palm of an ancient god. Instead, it was created to solve a problem. BioWare was tired of battling Hasbro during the making of Baldur's Gate and Neverwinter Nights, and wanted a Dungeons & Dragons-like setting of its own. A small team was instructed to invent a new fantasy world in which the studio could continue its groundbreaking work in the field of western RPGs, free of constraints.

Well, almost free. BioWare's leaders mandated that the makers of this new world stick to Eurocentric fantasy, and include a fireball spell - since studio co-founder Ray Muzyka had a weakness for offensive magic.

Beyond that, BioWare’s storytellers were empowered to infuse Dragon Age with their own voices and influences, leaning away from D&D’s alignment chart and towards a moral grayness that left fans of A Song Of Ice And Fire feeling warm and cozy.

In the two decades since, the world of Thedas – rather infamously and amusingly, a shortening of ‘the Dragon Age setting’ that stuck – has taken on a distinct flavor. It’s something director John Epler believes is rooted in characters.

“There’s definitely some standard fantasy stuff in Dragon Age, but everything in the world, every force, is because of someone,” he says. “The idea is that every group and faction needs to be represented by a person – someone you can relate to. Big political forces are fine as background, but they don’t provide you with those interesting story moments.”

Dragon Age: The Veilguard bears out that philosophy. The long-awaited sequel was first announced with the subtitle Dreadwolf, in reference to its antagonist, Solas – an ancient elf who once stripped his people of immortality as punishment for betraying one of their own. In doing so, Solas created the Veil, the thin barrier through which wizards pull spirits and demons invade the waking world. In other words, many of Dragon Age’s defining features, from its downtrodden elves to the uneasy relationship between mages and a fearful church, can be traced right back to one character’s decision.

“The world exists as it does because of Solas,” Epler says. “He shaped the world because of the kind of character he was. That’s, to me, what makes Dragon Age so interesting. Everything can tie back to a person who to some degree thought they were doing the right thing.”

Perhaps BioWare’s greatest achievement in slowburn character development, Solas is a former companion, an unexploded bomb who sat in the starting party of Dragon Age: Inquisition, introverted and useful enough to get by without suspicion. Yet by the time credits rolled around on the Trespasser DLC, players were left in no doubt as to the threat he presented.

Determined to reverse the damage he once caused, the Dreadwolf intends to pull down the Veil, destroying Thedas as we know it in the process. The next Dragon Age game was always intended to be his story.

“We set that up at the end of Trespasser,” Epler says. “There was no world where we were ever going to say, ‘And now let’s go to something completely different.’ We wanted to pay off that promise.”

Yet almost everything else about the fourth Dragon Age appears to have been in flux at one time. In 2019, reporter Jason Schreier revealed that an early version, starring a group of spies pulling off heists in the Tevinter Imperium, had been cancelled two years prior. Most of its staff were apparently moved onto BioWare’s struggling Anthem, while a tiny team rebooted Dragon Age from scratch. That new game was said to experiment with live-service components.

“We tried a bunch of different ideas early on,” Epler says. “But the form The Veilguard has taken is, in a lot of ways, the form that we were always pushing towards. We were just trying different ways to get there. There was that moment where we really settled on, ‘This is a singleplayer, story-focused RPG – and that’s all it needs to be’”.

Epler imagines a block of marble, from which BioWare was attempting to carve an elephant – a character- and story-driven game. “We were chipping away, and sometimes it looked more like an elephant and sometimes it didn’t”, he says. “And then we eventually realized: ‘Just make an elephant’. When we got to that, it almost just took shape by itself.”

2014’s Dragon Age: Inquisition was an open-world game commonly criticized for a slow-paced starting area which distracted players from the thrust of the plot. The Veilguard, in contrast, is mission-based, constructed with tighter, bespoke environments designed around its main story and cast. “We wanted to build a crafted, curated experience for the player,” Epler says. “Pacing is important to us, and making sure that the story stays front and center.”

Epler is very proud of Inquisition, the game on which he graduated from cinematic designer to a lead role (for its DLC). “But one of the things that we ran into on that project was an absentee antagonist,” he says. “Corypheus showed up and then disappeared. You spent ten hours in the Hinterland doing sidequests, and there wasn’t that sense of urgency.”

This time, The Veilguard team wants you to constantly feel the sword of Damocles dangling above your head as you play – a sense that the end of the world is coming if you don’t act. “There’s still exploration – there’s still the ability to go into some of these larger spaces and go off the beaten path to do sidequests,” Epler says. “But there’s always something in the story propelling you and the action forward, and allowing you to make decisions with these characters where the stakes feel a lot more immediate and present. And also, honestly, more real.”

No sooner have you finished character creation than Dragon Age: The Veilguard thrusts you into a choice. As your protagonist, Rook, steps into focus on the doorstep of the seediest bar in town, you decide whether to threaten the owner for information or make a deal. Brawl or no, you’ll walk out minutes later with a lead: the location of a private investigator named Neve Gallus, who can help you track down Solas.

You proceed into Minrathous, the largest city in Thedas and capital of the Tevinter Imperium – a region only alluded to in other Dragon Age games. It’s a place built on the backs of slaves and great mages, resulting in tiered palaces and floating spires – a kind of architecture unimaginable to those in the southern nations.

“When your Dragon Age: Inquisition companion Dorian joins you in Orlais, in one of the biggest cities in Thedas, he mentions that it’s quaint and cute compared to Minrathous,” Corinne Busche, game director on The Veilguard, says. “That one bit of dialogue was our guiding principle on how to realize this city. It is sprawling. It is lived-in. Sometimes it’s grimy, sometimes it’s bougie. But it is expansive.”

Immediately, you can see the impact of BioWare’s decision to tighten its focus. Around every other corner in Minrathous is an exquisitely framed view, a level of spectacle you would never see in Inquisition, where resources were spread much more thinly. “When you know that you’re gonna be heading down a canyon or into this plaza where the buildings open up, you have those perfect spots to put a nice big temple of Andraste or a mage tower,” art director Matthew Rhodes says. “You get those opportunities to really hit that hard.”

BioWare’s intention is to make strong visual statements that deliver on decades of worldbuilding. “People who have a history with Dragon Age have thought about what Minrathous might be like,” Rhodes says. “We can never compete with their imagination, but we can aim for it like we’re shooting for the Moon.”

The people of Tevinter use magic as it if were electricity, as evidenced by the glowing sigils that adorn the dark buildings – street signs evoking Osaka’s riverfront or the LA of Blade Runner. They’re just one of the tricks BioWare’s art team uses to invite you to stop and take in the scene. “A lot of what you start to notice when you’re the artist who’s been working on these big, beautiful vistas and neat murals on the walls is how few players look up,” Rhodes says. “We design props and architecture that help lead the eyes.”

For the really dedicated shoegazers, BioWare has invested in ray-traced reflections, so that the neon signage can be appreciated in the puddles. There are also metal grates through which you can see the storm drains below. “The idea behind that is purely just to remind the player often of how stacked the city is,” Rhodes says. “Wherever you’re standing, there’s guaranteed to be more below you and above you.”

One of BioWare’s core creative principles for The Veilguard is to create a world that’s actually worth saving – somewhere you can imagine wanting to stick around in, once the crises of the main quest are over. To that end, the team has looked to ground its outlandish environments with elements of mundanity.

“A guy’s normal everyday life walking down the streets of this city is more spectacular than what the queen of Orlais is seeing, at least in terms of sheer scale," Rhodes says. “One of the things we’ve tried to strike a balance with is that this is actually still a place where people have to go to the market and buy bread, raise their kids, and try to make it. It’s a grand and magical city, but how do you get your horses from one place to the next? Where do you load the barrels for the tavern? It’s really fun to think of those things simultaneously.”

Normal life in Minrathous is not yours to behold for long, however. Within a couple of minutes of your arrival, the very air is ripped open like cheap drapes, and flaming demons clatter through the merchant carts that line the city streets. A terrible magical ritual, through which Solas intends to stitch together a new reality, has begun.

“We wanted the prologue to feel like the finale of any other game we’ve done,” Busche explains. “Where it puts you right into this media-res attack on a city and gets you really invested in the action and the story right away. When I think back to Inquisition, how the sky was literally tearing open – the impact of this ritual really makes that look like a minor inconvenience.”

Our hero is confronted by a Pride demon, imposing and armored as in previous games, yet accented by exposed, bright lines that seem to burst from its ribcage. “They are a creature of raw negative emotion,” Busche says. “So we wanted to actually incorporate that into their visual design with this glowing nervous system.”

When a pack of smaller demons blocks Rook’s route to the plaza where Neve was last seen, battle breaks out, and The Veilguard’s greatest divergence from previous Dragon Age games becomes apparent. Our rogue protagonist flits between targets up close and evades individual sword swings with precision. In the chaos, he swaps back and forth between blades and a bow. He blends light and heavy attacks, and takes advantage of any gap in the melee to charge up even bigger blows.

“Responsiveness was our first-and-foremost goal with this baseline layer of the combat system,” Busche says. Unless you’re activating a high-risk, high-reward ability such as a charged attack, any action can be animation-cancelled, allowing you to abort a sword swing and dive away if an enemy lunges too close. “We very much wanted you to feel like you exist in this space, as you’re going through these really crafted, hand-touched worlds,” Busche says. “That you’re on the ground in control of every action, every block, every dodge.” Anyone who’s ever bounced off a Soulslike needn’t worry: The Veilguard’s highly customizable difficulty settings enable you to loosen up parry windows if they prove too demanding.

Gone is the overhead tactical camera which, for some players, was a crucial point of connection between Dragon Age and the Baldur’s Gate games that came before, tapping into a lineage of thoughtful, tabletop-inspired combat. Epler points out that the camera’s prior inclusion had an enormous impact on where the game’s battles took place. “We actually had a mandate on Inquisition, which was, ‘Don’t fight inside,’” he says. “The amount of extra work on getting that tactical camera to work in a lot of those internal environments, it was very challenging.”

Gone, too, is the ability to steer your comrades directly. “On the experiential side, we wanted you to feel like you are Rook – you’re in this world, you’re really focused on your actions,” Busche says. “We very much wanted the companions to feel like they, as fully realized characters, are in control of their own actions. They make their own decisions. You, as the leader of this crew, can influence and direct and command them, but they are their own people.”

It's an idea with merit, albeit one that could be read as spin. “It’s not lost on me,” Busche says. “I will admit that, on paper, if you just read that you have no ability to control your companions, it might feel like something was taken away. But in our testing and validating with players, what we find is they’re more engaged than ever.”

There may be a couple of reasons for that. One is that Dragon Age’s newly dynamic action leaves little room for seconds spent swapping between perspectives. “This is a much higher actions-per-minute game,” Busche says. “It is more technically demanding on the player. So when we tried allowing you full control of your companions as well, what we’ve found is it wasn’t actually adding to the experience. In fact, in some ways it was detrimental, given the demanding nature of just controlling your own character.”

Then there’s The Veilguard’s own tactical layer, as described by BioWare. Though the fighting might be faster and lower, like a mana-fuelled sports scar, the studio is keen to stress that the pause button remains as important to the action as ever. This is, according to Busche, where the RPG depth shines through, as you evaluate the targets you’re facing and take their buffs into account: “Matching elemental types against weaknesses and resistances is a big key to success in this game.”

You pick between rogue, warrior and mage – each role later splitting again into deeper specialisms – and draw from a class-specific resource during fights. A rogue relies on Momentum, which is built up by avoiding damage and being highly aggressive, whereas a warrior is rewarded for blocking, parrying, and mitigating damage.

Those resources are then used on the ability wheel, which pauses the game and allows you to consider your options. The bottom quadrant of the wheel belongs to your character, and is where three primary abilities will be housed. “Rook will also have access to runes, which function as an ability, and a special ultimate ability,” Busche says. “So you’re bringing five distinct abilities with you into combat.”

The sections to the left and right of the wheel, meanwhile, are dedicated to your companions. Busche points to Lace Harding, the returning rogue from Inquisition, who is currently frozen mid-jump. “She is her own realized individual in this game. She’s got her own behaviors: how she prioritizes targets, whether she gets up close and draws aggro or stays farther back at range. But you’ll be able to direct her in combat by activating her abilities from the wheel.”

These abilities are complemented by positional options at the top of the wheel, where you can instruct your companions to focus their efforts on specific targets, either together or individually. Doing so will activate the various buffs, debuffs and damage enhancements inherent in their weapons and gear. “So,” Busche explains, “as you progress through the first two hours of the game, this full ability wheel is completely populated with a variety of options and different tactics that you can then string together.”

BioWare has leaned into combos. You might tell one companion to unleash a gravity-well effect that gathers enemies together, then have another slow time. Finally, you could drop an AOE attack on your clustered and slowed opponents, dealing maximum damage. The interface will let you know when an opportunity to blend two companion abilities emerges – moments BioWare has dubbed ‘combo detonations’.

“I like to think about this strategic layer to combat as a huddle,” Busche says, “where you’re figuring out how you want to handle the situation, based on the information you have on the encounter, and how you and your companions synergize together.”

Deeper into the game, as encounters get more challenging, Epler says we’ll be spending a lot of time making “very specific and very focused tactical decisions”. The proof will be in eating the Fereldan fluffy mackerel pudding, of course, but Busche insists this shift to fast action isn’t a simplification. “What really makes the combat system and indeed the extension into the progression system work is that pause-and-play tactical element that we know our players expect.”

The autonomy of The Veilguard’s companions doesn’t end with combat. BioWare’s data shows that in previous games players tended to stick with the same two or three beloved comrades during a playthrough. This time, however, you’ll be forced to mix your squad up at regular intervals.

“We do expect that players will have favorites they typically want to adventure with,” Busche says, “but sometimes certain companions will be mandatory.” Others may not always be available – part of the studio’s effort to convince with three-dimensional characters. “They do have a life outside of Rook, the main character,” Busche says.

"They'll fall in love with people in this world. They’ve had past experiences they’ll share with you if you allow them in and get close to them.”

Being separated from your companions, rather than collecting them all in a kind of stasis at camp, allows you to stumble across them unexpectedly. Busche describes an instance in which, while exploring the Docktown section of Minrathous, you might bump into Neve as she investigates an abduction case. “If I go and interact with her, I can actually stop what I’m doing, pick up her arc and adventure with her throughout her part of the story,” Busche says. “What’s interesting is that all of the companion arcs do ultimately tie back to the themes of the main critical path, but they also have their own unique challenges and villains, and take place over the course of many different intimate moments.”

Some parts of a companion’s quest arc involve combat, while others don’t. Some are made up of large and meaningful missions – as lavish and involved as those along the critical path. “While they are optional, I would be hesitant to call them side content in this game,” Busche says. If you choose not to engage with some of these companion-centered events, they’ll resolve on their own. “And it might have interesting implications.”

The Veilguard promises plenty of change, then, even as it picks up the threads of fan-favorite characters and deepens them, honoring the decades of worldbuilding that came before it. This is perhaps the enduring and alluring paradox of Dragon Age: a beloved series which has never had a direct and immediate sequel, nor a recurring protagonist. Instead, it’s been reinvented with each new entry.

“It’s a mixed blessing to some degree,” Epler says. “The upside is always that it gives us more room to experiment and to try new things. There are parts of the series that are common to every game: it’s always an RPG, it’s always about characters, and we always want to have that strategic tactical combat where you’re forced to make challenging decisions. But at the end of the day, I think what makes Dragon Age Dragon Age is that each one feels a little bit different.”"

Q&A Matthew Rhodes Art director

Q. Early BioWare RPGs were literary, with the emotions and detail mostly happening in dialogue boxes. How have you seen the studio's approach to visual storytelling evolve? A. This has been my entire career. When I first showed up at BioWare, it was at the tail end of Jade Empire, and then I was working on Dragon Age: Origins and early Mass Effect. The games had taken that next step out of sprites and 2D models, and it was like: 'How do we say more? How do we communicate more clearly?' During those early days, a lot of games depended on words to fix everything for you. As long as your character was talking bombastically, you could lend them everything that they needed. But as time went on it also became a visual medium, and it's been this long journey of trying to establish art's seat at the table. I've worked with some great writers over the years, and art is also an essential part of the storytelling. From Dragon Age: Inquisition on, I've been trying to stress with my teams that we are a story department.

Q. Is part of that also letting writers know that your storytelling assistance is available, to help them show rather than tell? A. On The Veilguard, that principle has been operating the best I've seen it. Where you would need a paragraph of dialogue in one of those exposition moments where a character just talks to you, we could sell that with a broken statue or a skeleton overgrown with vines. We've had more opportunities to do that on The Veilguard than most of the projects I've ever worked on combined.

To a hammer, every problem looks like a nail, and so in every department, writing will try to solve it with more words, and art will try to solve it with more art. I've bumped up against moments where it's like, 'As much as we could keep hammering on this design, I think this is actually an audio solution.' And then you take it to audio, and you don't get that overcooked feeling where each team is just trying to solve it in their silo. It's a really creatively charged kind of environment.

[main body of article ends here]

Additional from throughout the article --

Image caption: “Spotlights shine down from the city guards’ base as they pursue you through the streets of Minrathous.”

Image caption: “While most of your companions can be sorted into comfortingly familiar RPG classes, The Veilguard introduces two new varieties: a Veil Jumper and a private investigator.”"

Image caption [on this Solas ritual concept art specifically]: “The name previously given to the game – Dreadwolf – was a direct reference to Solas. Your former companion, now on his own destructive mission, still features, despite the name change.”

Text in a side box:

"RATIONAL ANTHEM The hard lesson BioWare drew from Anthem was to play to its strengths. “We’re a studio that has always been built around digging deep on storytelling and roleplaying,” Epler says. “I’m proud of a lot of things on Anthem – I was on that project for a year and a half. But at the end of the day we were building a game focused on something we were not necessarily as proficient at. For me and for the team, the biggest lesson was to know what you’re good at and then double down on it. Don’t spread yourselves too thin. Don’t try to do a bunch of different things you don’t have the expertise to do. A lot of the people on this team came here to build a story-focused, singleplayer RPG."

Image caption: “In combat you no longer control your companions directly – this is a faster-paced form of fighting – but you are able to direct them in combat, and can even blend their abilities in ‘combo detonations’.”

Image caption: “You’ll be exploring new regions across Tevinter and beyond – Rivain is a certainty, and that’s only accessible via Antiva travelling overland.”

Image caption: “There are three specializations per character class; on the way to unlocking them you’ll acquire a range of abilities.”

Text in a side box:

"MEET YOUR MAKER “Full disclosure: Dragon Age has traditionally not done skin tones well, especially for people of color,” Busche says. “We wanted to do a make-good here.” In The Veilguard’s character creator, you can adjust the amount of melanin that comes through in the skin, as well as test various lighting scenarios to ensure your protagonist looks exactly as you intend in cutscenes. “Speaking of our first creative principle – be who you want to be – we really feel these are the kinds of features that unlock that for our players,” Busche says. “We want everyone to be able to see themselves in this game.” For the first time in the series, your body type is fully customizable too, with animations, armor and even romantic scenes reflecting your choices."

Image caption: “Your companions are a mix of old and new – Lace Harding is a familiar face. Veil Jumper Bellara is new, with a new occupation, while Davrin is a new face with a familiar profession – he’s a Warden.”

Image caption: "Arlathan Forest is home to the ruined city of the elves, now a place of wild magic, Veil Jumpers and (allegedly) spirits".

Image caption: "Bellara is driven by a desire to learn more about the elves, rediscovering the shattered history and magic of her people."

[source: Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) - it can be purchased online at [this link].]

[estrellogy]

Astro Notes Pt. 4

Thank you to everyone who participated in the poll!

- Both water and air signs, especially risings here, are good at mirroring others. But they often evoke different responses. Water signs are often projected on because like water, they reflect directly what energy others are giving out. Water deals more with subconscious emotions and energies that others may not even be aware of themselves. Air signs, on the other hand, mimic and adapt. They are social chameleons who know what’s expected from them. That’s why they are often well-liked.

- Scorpio placements, especially sun and rising, if underdeveloped, can pride themselves on their manipulation skills and how good they are at lying. They are extremely emotionally intelligent, observant, and aware of their environment. These are the keys to be a good manipulator. However, when they mature, they’ll use these natural abilities in much more productive ways. They grow to value truth and integrity above all else because they’ve experienced the other side of it.

- Personal experience: I have Moon in 9th house and traveling is so intertwined with my life. Two out of three siblings on my dad’s side (my dad and his sister) work in the airline industry, so they travel all the time as part of their jobs. My mom is a Sagittarius moon and she loves traveling. She would let me skip school sometimes to travel. It’s so interesting to see how astrology is not only reflected in an individual’s chart but is connected through generations.

- Speaking of 9th house. I have a theory that if you want to improve your social skills and charisma, work with your 9th house energy. People usually focus on their 1st, 7th, and 10th house because they are social/relationship houses. Maybe 3rd house since it focuses directly on communication. But 9th house is the house of higher learning, philosophy, and hope. I think we often connect best with others when we discuss about our own life philosophies, our live experiences and lessons, and our hopes and dreams. 9th house represents such an interesting and expansive part of us that’s often overlooked. I think 9th house is where our human spirit is stored.

When you’re deeply connected to this well of positivity, wouldn’t you naturally become charismatic and interesting and fun? That’s why Sagittarius is such a charming sign. Even though it’s not ruled by the beautiful Venus or glamorous Neptune, it radiates light. Work with your 9th house to unlock your own charm. It is that which attracts people.

- Sun sextile Pluto women have a very subtle way of getting people to do what they want. They don’t try to dominate or force, but they play into their natural strengths. For example, if they notice that people respond well whenever they come across as innocent/childlike, they’ll play more into it. They don’t alter their authentic self but more like, they add spice to it. Sun trine Pluto does this more naturally, sometimes without even realizing. But sextile is much more intentional.

They’re usually quite playful and flirty individuals. They gain power without people noticing. Sometimes, they even give up a little bit of power, become intentionally vulnerable, while gaining the upper hand without the other person knowing. They truly understand power = influence, not control. Fascinating people to observe.

- Taurus will take their time. That’s why they’re master seducers. They don’t make their suitors wait simply to play games. They are genuinely picky and know their worth. Like any earth sign, they know the value of time, especially theirs. So they would rather wait to see if the other person is worth it than jump blindly into it and have their time wasted. It also helps that they are so sensual and tempting, which comes from being deeply connected to their physical senses and body. They radiate feminine power. Venus in 2nd house also applies.

[burst-of-iridescent]

South Asian and Hindu Influences in ATLA (Part 1)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

it's well-known that atla draws from indigenous, east and southeast asian influences, but something i rarely see discussed in the fandom is the influences the show takes from hinduism and south asia, and there are actually far more than i think people are aware of.

so here's a (non-exhaustive list) of the main inspirations atla drew from south asian culture and hinduism, starting with...

The Avatar

the title of the show itself is taken from the ancient language of sanskrit, often considered the sacred tongue of the hindu religion. in sanskrit, the word "avatar" means to "descend" or "alight".

the concept of the avatar is a very old one, referring to the physical incarnation of a powerful deity or spirit. the idea of the avatar is most often linked to the god Vishnu, one of three supreme hindu gods collectively called the trimurti, or trinity. the avatar is said to manifest upon earth primarily in times of great need, when balance must be maintained between the forces of good and evil.

atla borrows heavily from this idea in having aang be the incarnation of a divine spirit who returns to the world during a time of immense strife, and is tasked with defeating a great evil to bring balance back to the world. and though i don't know if it was an intentional reference, it's interesting to note that Krishna, the most famous incarnation of Vishnu was also reborn amidst a fierce storm and carried through a raging sea to a new home where he would be protected from the king who sought to kill him. sounds a little familiar, doesn't it?

Agni Kai and the Philosophy of Firebending

the word "agni" derives from the sanskrit name Agni, the god of fire, though it can also generally mean "fire".

the concepts of lightning bending and the sun being the source of firebending are likely also taken from the idea of Agni, since he's said to exist simultaneously in three different forms on three different dimensions: as fire on earth, as lightning in the atmosphere, and as the sun in the sky.

Agni is a significant aspect of many rituals, including marriage rites, death rites, and the festivals of holi and diwali. the concept of Agni is one of duality: life and death, rebirth and destruction. hindu rituals accept and celebrate both aspects, revolving around the idea that destruction is not separate from creation, but rather necessary to facilitate it. the cremation of the dead, for instance, is seen as purification, not destruction: burning away the physical form so the soul is unencumbered, set free to continue the reincarnation cycle.

this influence can be seen in the firebending masters episode, which discusses the idea of fire being vital to life. the sun warriors safeguarding the original fire and demanding that zuko and aang bring fire to the dragons as a sacrifice could also reference the ritual of Agnihotra - the ritual of keeping a fire at the home hearth and making offerings to it. the purpose of this ritual differs depending on which text you refer to, but it is generally believed to purify the person and atmosphere in which it is performed, similar to how zuko and aang must make offerings to ran and shaw and survive their fire before being deemed worthy and pure.

Agnihotra is said to serve as a symbolic reminder of the vitality and importance of fire as the driving force of life, a lesson that zuko and aang also internalize from their encounter with the dragons.

Bumi

bumi's name is taken from the sanskrit word "bhumi", which means "earth". it's also the name of the hindu goddess of the earth, bumi or bhudevi.

one of the things the original animation didn't do and which i really enjoyed about the live action was that they made bumi indian and added desi inspiration to omashu. it makes perfect sense for a king whose name is as hindu-inspired as they come.

NWT Royal Palace

chief arnook's palace in the northern water tribe takes inspiration from the gopurams of hindu temples, massive pyramidal structures that served as entrance towers to the temple.

gopurams were built tall enough to be seen for miles around, beacons to signal tired or weary travellers who wished for a place to rest that a temple was nearby. it's a nice touch that the chief's palace is located in front of the spirit oasis, a similarly symbolic entryway to a sanctuary housing otherworldly deities.

Betrothal Necklaces

to preface: i doubt this was an intentional reference, and this great post talks about other cultures that could have inspired the water tribe betrothal necklaces. given the desi influence in the nwt architecture however, i figured it was worth mentioning.

the idea of betrothal necklaces being given to women by their male partners is similar to the thaali, a necklace given to hindu wives by their husbands. during hindu weddings, grooms tie the thaali around their brides' necks to symbolize their marriage. once given, wives are expected to wear their thaali till the day they die, as doing so is believed to bring good luck, health and prosperity to their husbands.

Chi-Blocking

though chi-blocking takes primary inspiration from the art of Dim Mak, it is also influenced by the south indian martial arts forms of adimurai and kalaripayattu, both of which include techniques of striking vital points in the body to disable or kill an opponent.

kalaripayattu also shares parallels with firebending, being a very physically demanding, aggressive martial art that emphasises the importance of discipline and mental fortitude. control of the mind is essential to control of the body, a philosophy similar to that espoused by iroh across the show.

Wan Shi Tong's Library

the library draws inspiration partly from the taj mahal, the famous mausoleum constructed by shah jahan during the mughal empire as a monument to his beloved wife, mumtaz mahal.

i'll end this post here since it's getting too long as it is, and the following section will be even longer. for while atla treated the concepts in this post with respect, the same unfortunately cannot be said for its depiction of guru pathik and combustion man - both of which we'll be discussing next.

[frommybookbook]

Earlier today, some friends and I were discussing one of those Star Trek captains memes. You know the ones I’m talking about, the ones that pit the captains against each other with pithy descriptions that glorify and champion the men and shit on Janeway. The ones where Picard is describe as the wise teacher and scholarly diplomat; Kirk is the brave trailblazer and lovable rogue; Sisko is the take-no-shit commander and more-than-human uniter; Archer is the quick thinking explorer and the avenging do-gooder; Pike is the empathetic Boy Scout and the quippy everyman…and Janeway is an irrational murderer and erratic loose canon. And, as usual, I went on a bit of a rant. They (looking at you @redsesame, @epersonae, and @emi--rose) told me to share it here so, if you trudge through this whole thing, blame them.

Does Janeway make some questionable decisions throughout VOY (Prodigy!Janeway is a different conversation for another time)? Yes, absolutely. But here’s the thing: every captain does. What I still love about her though and will champion until I'm blue in the face is that Janeway owns her decisions more than I think any other captain does.

Picard and Kirk hide behind the Prime Directive a lot. That's the reasoning Picard gives for not interfering in the drug running in “Symbiosis” and leaving the Ornarans trapped in dependence on the abusive Brekkans. His line, “Beverly, the Prime Directive is not just a set of rules. It is a philosophy, and a very correct one. History has proved again and again that whenever mankind interferes with a less developed civilization, no matter how well-intentioned that interference may be, the results are invariably disastrous." is a cop-out we hear from him time and time again, especially to Dr. Crusher, as she is the one who most often calls him on his bullshit.

Kirk does the same thing. We still this when he leaves Shanna and the other thralls behind in "The Gamesters of Triskelion" and when he forces Elaan of Troyius into a marriage she clearly doesn't want because it's "for a greater good." And all the while, he's got Spock at his side giving him confirmation bias that he's following regulations.

And Sisko, Sisko makes some of the most horrific and destructive decisions of any captain and uses not only the Prime Directive to fall back on, but he's got the Dominion War to blame. He poisons an entire planet to get back at one man he feels betrayed him in "For the Uniform" and don't even get me started on his actions in "In the Pale Moonlight".

Enterprise is so unjustly shat on by the fandom that I almost hate to bring some of Archer's questionable choices into this conversation but I'm going to do it anyway. Similar to Sisko and the Dominion War, Archer has the threat of the Xindi in his back pocket to excuse some of his worst behavior. If Tuvix is the worst thing people can point to for Janeway, then we have to talk about Archer and Sim, the simbiont created solely to be a living tissue donor for an injured Trip, a procedure that will kill the living, breathing, sentient Sim. Archer orders Sim created against the arguments made by Dr. Phlox. He rationalizes his decision with the same argument for the greater good that we see from all the others. He says to T'Pol before Sim is created "…we've got to complete this mission. Earth needs Enterprise. Enterprise needs Trip. It's as simple as that." And it doesn't end there. When Sim is grown enough for the procedure and has figured out what's going to happen to him, he challenges Archer himself, arguing for his own right to live, and Archer sticks to his guns. This exchange directly between Archer and Sim is haunting.

Archer: I must complete this mission; and to do that, I need Trip. Trip! I'll take whatever steps necessary to save him. Sim: Even if it means killing me? Archer: Even if it means killing you. Sim: You're not a murderer. Archer: Don't make me one.

Not only do all of these captains (except Archer, who arguably writes the damn thing himself at the end of the series) have the Prime Directive to fall back on, they also have Starfleet/the Federation/Vulcan High Council right there on speed dial to validate their choices and hear their excuses and give them another commendation. They all know that ultimately, they can turn to someone higher in command to turn to for help.

Janeway is alone. She is alone with her crew 70,000 lightyears from home with only her training and her own moral compass to guide her. Yes, she claims the Prime Directive a lot but she also goes with what she feels is right and she is clear about that with her crew. When she makes the decision to split Tuvix, despite what everyone else says, she sticks to it and more importantly, does the procedure herself. Picard would have forced Beverly to do it, saying Doctor I gave you an order, your conscience be damned, and Archer does the same to Phlox with Sim, but Janeway takes the tool out of the Doctor's hand and says it's my call, I'll do it. When everyone is angry and mad about her destroying the Caretaker's array, she stands up for her decision and says yes, I did it, because it's what my Starfleet training said to do AND because I think it was the right thing and it's on me to make the hard choices.

She also can admit when she made the wrong decision, which isn't something we see from the other captains. In the season 5 opener, "Night", we see her in a depressive state because she's questioning her decision to effectively strand her crew in the Delta quadrant but she comes out of it when she's reminded by her senior staff that the crew believes in her and trusts her, she should do the same for herself. When the Doctor has a mental crisis in "Latent Image" after questioning his own choice to save the life of Harry Kim over that of another crew member, Janeway admits she did the wrong thing by first deleting his memories of it so he could get back to work and then sits with him for days while he works through it because that's what captains do.

And she does all of this without the backup and support of Starfleet. She doesn't have anyone higher on the chain of command. She's 70,000 miles away from the admiralty and her support system. There's no one higher than her to give her a break from making every decision.

To quote my fellow Missourian Harry Truman, for Janeway the buck stops with her in a way it doesn't for any other captain and she is painfully aware of that and owns that and that is why I love her and she's my captain.

[arcanarix]

The Helpless -- G. Suguru X Fem! Non Sorcerer Reader

Summary:

You, a passionate graduate student, encourage the priest Suguru Geto to appear as a guest lecturer to one of the classes you assist teaching. Little do you know, that small, seemingly unimportant decision changes the entire trajectory of your life.

Word Count: 13.2K

Warnings: Yandere, Yandere Getou Suguru, cunnilingus, a reader who can see curses, a reader who is a graduate student, hands free orgasm, dubious consent

AO3

It’s one thing to be a regular-degular everyday gal slaving away in academics.

It’s a whole other beast when you’re a regular-degular gal who, not only takes up an ungodly workload for your last Master’s semester, but you also decide to TA a few classes as well. But that’s not all! Did you mention you have other burdens you’re certain no one else in your world carries? Being able to…see things.

You’ve come to accept that seeing things is just as natural as breathing, at least, for someone like you. It’s why you’ve come to develop a sense of empathy for those unaware they’ve been afflicted, especially fellow students or the faculty around here. Or people you just pass by on your commute to class. There’s not much you can do, except give them some reassurance. There’s nothing more you can do, than to be a bit more lenient with students on their grades when their performance is has slipped. Whether from the things they’ve been afflicted by that only you can see, or for some other humane reason, like family problems, or personal problems.

You don’t remember when this curse of sight began. You’re not aware of anyone else in your family who struggles with this particular unique issue, either. While many take the old adage “fighting your inner demons” as just that, a figure of speech, you’ve come to learn that it’s a quite literal thing.

Humans manifest their own troubles.

It’s an early day for you. 7AM you’re lecturing one of your previous courses, Philosophy and Contemporary Thought. It’s nothing new for you, but it will be new to this new set of students, and you hope you shed some light on the topic in today’s lecture to these bright minds. It’s what you live to do now. You’re certain after you graduate that you’ll pursue a PHD in Philosophy.

While you still have another hour until the lecture begins, you have been writing on the whiteboard a high-level overview of the topic. Absurdism, Nihilism, and Existentialism. All fantastic topics in their own rights, and you might have a little too much passion when discussing them to the professor which typically lectures this class. In fact, at one point, you even bring up the idea of bringing in some guest lecturers, which the professor is delighted to do for you.

When you bring up who you want as the next guest lecturer, the professor is understandably a little uncertain given the organization’s ambiguous reputation. You suggest the leader of the Star Religious Group, Suguru Geto, a priest infamous for preaching about the current state of society to his followers and devotees. You think it might be an eye-opening experience for young minds. Not that you agree with a lot of his ideologies, but it is always good to go in with an open mind. Even if such ideologies might seem completely out there.

What’s more shocking to you is a new e-mail notification which is from the devil you know, Suguru Geto, you see when you toss your head over your shoulder in the middle of writing another bullet point on the board; the marker squeaking against it from the force. You dash back to your desk and podium, scanning the reply’s contents. Your eyes light up with delight! He’s pleased with the invitation and is happy to engage young minds, just as you are!

You crack your knuckles and draft a reply before hitting send. You then glance at the clock which reads 7:45AM. You have 15 more minutes to prepare the class and also make such a delightful announcement!

His reply is as quick as yours. Your eyes widen in shock from the last line.

‘Would it be bold of me to request to discuss this over some coffee or dinner? I’d like to meet you sometime before the day I’m scheduled to lecture.

Best Wishes,

Suguru Geto’

He doesn’t have to ask you twice! You grin as your hands spring back to life drafting another reply. All you can say is yes, yes, yes! If that means the possibility of more opportunities for exposure to other ideologies, then what’s the issue? You don’t see any!

Your pinky hits enter when you shoot the response back. And just in time, some of your students pour into the large seminar room. You don’t ignore the little curses latched onto some of them, ignoring the twinge of sympathy in your chest. You can deal with that later, however you can. You just know to remember the names attached to those faces when you go to grade their assignments.

They don’t need added stress. While you aren’t sure what to do with the curse of sight, it at least makes it easier for you to be kind.

And sometimes, that’s the hardest thing to be in a world like this. Where humans are the cause of their own suffering.

“Good morning,” you greet with a little pep in your voice, hoping to wake up those dreary faces. Yes, it’s early. Yes, there’s probably a million things these students would rather be doing than attend an 8AM 90-minute lecture. But these young minds are troopers for showing up, anyway; you always remind them it’s easier to do nothing.

Some students who have entered the class acknowledge you with a nod or a strained smile. Some of them with the curses latching onto them. They seem so tired. Only you can see that but to everyone else, they seem normal.

More of your students begin to pour into the grand lecture hall, and you grin. 5 more minutes.

“Take a glance and what’s on the board, and let me just turn on the big screens…” you trail off as you do just as you promise. The two huge overhead screens project your computer screen with the PowerPoint you prepared at the ready. “…I’m lecturing today in place of the professor who is away for the week.”

You do hear some students murmuring amongst themselves before the clock strikes 8AM, thus having you begin. The murmurs quiet down as you gesture for the students to direct their focus on you as you begin rambling away on some of your favorite topics ever.

And perhaps the greatest gift of all for you, is the fact that they still seem engaged in spite of their exhaustion. You have to give yourself a pat on the back for that one. It means you’re doing something right!

After the lecture ends, you return to your dorm and pull up your email for any other responses from Geto. To your delight, he has responded with more of his contact information. Instead of his professional phone number, he provides his personal. It’s still a bright beautiful day for you to conquer but you have some evening lectures to attend. You take advantage of the time to catch up on your own assignments and grading work from other classes you TA.

You do seem a bit desperate, but hey! It’s all for the sake of education, after all!

Dialing the number, you wait. You hear the other line click.

“Yes?” comes a smooth voice over the line. You exhale, calming your nerves the best you can in that moment. You can’t help it! All of this anticipation is killing you, but in a good way and not the undesirable way.

“Hello,” you begin, still a bit nervous (and, duh, excited) at the prospect of meeting such a famed priest. Even if he is a nutjob, that somehow makes him even more fascinating. “Am I speaking with Suguru Geto?”

“Yes. Are you the TA at Tokyo University, that I’ve spoken to just a bit ago?”

You answer with a bit too much enthusiasm in your voice. “Yes, that’s me! Thank you for your time with my students. I’m sure they’ll love to hear your perspective in class.”

“Of course,” he replies in a low murmur. “I am more than happy to provide my insights for the sake of furthering education. So, I’m set to lecture next week? Would you like to grab some dinner before then?”

“I’d love to,” you breathe, your heartrate increasing by the passing second. Why are you acting like this? You’re acting like a shriveling schoolgirl trying to impress your senpai! This can’t be real. “What days are you free?”

“I can free up my schedule, but yours is far more rigid than mine, I expect. So what day works best for you?”

“Hm…how does Sunday evening sound?” That’s the only day you’re ever truly free. It’s usually the day you use to reset your week, but you can get all of that out of the way before the evening, anyway! It’ll be a nice way to cap it all off.

“Excellent. I’ll give you the details to this restaurant my family likes to go to. I’ll come pick you up that day.”

Oh, you can feel the excitement seeping into your bones and searing them like acid. You can’t help it—anything that expands your knowledge, anything that gets your gears moving in that huge noggin’ of yours? That’s worth being excited about, for sure!

Though you have to admit, it feels a little too easy. You doubt he wants to discuss anything beyond the lectures and what kind of tidbits to feed to students, You don’t claim yourself to be a mind-reader, either, but judging from the tone of his voice…he seems just as eager as you to meet. Unless you’re just playing on some wishful thinking, because you’re just that damn naïve sometimes and you can’t help but let your imagination run a little wild.

You don’t realize you’ve not responded until you hear Geto clearing his throat over the line.

“Miss?” you hear him inquire, concern laden in his tone. You flush a bit, embarrassed by how long you kept him in this call when he has his own agenda to follow after this. You shouldn’t waste his time any more than you already have.

“Sorry, got lost in thought for a moment,” you chuckle, as your eyes roll upward. “Yes, that sounds perfect. I can’t wait to meet with you.”

A long, reflective silence stretches over the two of you, and then:

“And I, you. Until then.”

Click.

Oh, the anticipation! And it’s already Friday, so you have to make sure you give your best foot forward and the greatest first impression. After all, you don’t want someone like him to think that you neglect yourself in favor of furthering your students’ education? Even if in some cases that might be admirable, you don’t want to seem like you don’t take care of yourself.

Especially since you’ve caught wind of quite a bit of gossip around Suguru Geto. That he’s the handsomest devil people have ever seen, and that people join his organization for the sole reason that he’s beautiful eye candy. You wonder how that’s going to turn out for you. You can’t help it; you get as excited over men as you do over education, and you’re not exempt from desiring some kind of connection. You’re only human in the end.

It's simply human nature to desire connectedness. Heh. It’s part of why humans strive to join communities, who share similar values, mindsets…isn’t that why he’s lead Star Religious Group over the years? Isn’t that why you decided to pursue a degree on Philosophy, to seek an understanding on the human condition?

“Great, now I have to figure out what to wear…” you muse out loud as your gaze flits to your tiny ass closet. With hardly anything too fancy because you strive for comfort sitting through long, long, looooong lectures and instructing them. Nobody cares about fashion sense in higher education, anyway, at least on schoolgrounds.

You almost wish you’ve packed some nicer things for occasions such as these, though. It’s important to make a great first impression.

The dorms at Tokyo University aren’t the most pleasant. They’re all cramped up and feel isolating, even—more like especially—the single dorms. You’re lucky enough to nab one yourself. All you’re provided is a closet, a bathroom that connects to the neighbor’s, and a small bed. And a desk. Just standard, cramped up, uncomfy at best. Even if you give it a touch that shows off your sparkling personality, it doesn’t change the fact that it’s…just small.

Not in a cozy way. So far from a cozy way.

“What to wear, what to wear…” you muse out loud again, sliding open your bamboo closet to reveal…a very dull set of capsule clothes. You wish you didn’t listen to those influencers online, because how the hell are you going to style any of these basic, boring clothes? And why are you deciding upon this two nights before meeting with Geto? Oh, right. You’re hoping to get his attention somehow.

Because you’re a lonely piece of shit.

You don’t even know what he’s like. Not really. You have seen some pictures, and the rumors hold true: he’s jaw-droppingly handsome. Like, holy hell, you want to take his pants off right then and there and show him a good time on the fucking spot type of handsome. Those long thick luscious locks of black hair cascading down his back. Those striking, intense violet eyes that remind you of amethysts.

And that jawline. Oh, that fucking jawline. A sharp jawline that’s so, so damn rideable too.

Everything you want in a man, and he’s a damn lunatic and you know it.

Maybe you’re a little too into it.

“Ugh! Are you serious?” You sift through your tiny capsule wardrobe and also find that it’s completely void of any color. No pop of color to spice up a dull wardrobe…does this mean you have to go shopping? Do you even have the funds for that right now? A satin black blouse with faux pearl buttons catches your eye and you hum as you consider how to style it. It’s not the fanciest getup, but it’ll do.

“Now I have to settle on a makeup look and hair…ugh! And the right perfume? Did I even pack any with me this term!?” You practically tug and pull at your hair as you rack your mind for ideas; you don’t have the greatest sense of style, but you can always seek some trusted sources for ideas. You kind of wish you had time to make more girl friends during your time as a graduate here. You need second opinions, and you have access to none.

Curse you for being more of a loner! Curse you!

This might be something you have to settle until after your evening lectures…

Sunday night approaches sooner than you expect. Geto sets the time for 6PM on the dot and you expect to meet him at the back of your dormitory. The sun has dipped over the horizon, leaving behind a sky in hues of soft pinks, lavender, and indigo, dusted with bright stars. Tonight’s a waning crescent moon.

The parking lot is barely full, with other students likely out and about and enjoying their weekend. You should have enjoyed it a little more, too, but your schedule left almost no room for such luxuries.

You unlock your phone to check the clock a few times, but it’s only a few minutes until he arrives. You sigh as a gust of wind rushes through your hair, and you don’t bother to try to adjust it. You’ve given up on making a good first impression because you can’t seem to make anything work out. You hope you look presentable, at the very least. Like a dignified, distinguished woman—the way you should be.

Who can’t seem to wait much longer because you sooooo hate to be left waiting! You’re huffing and puffing like the big bad wolf to yourself. It’s not even like he’s stalling because you’re the one who decided to wait outside! Out here, in the crisp and chilly evening autumn air. You want to take a moment to appreciate the array of colors on the leaves of the trees lining the parking lot but you are far too eager to meet someone interesting.

Finally, a dark, smaller limousine pulls in front of you. You’re stunned. You know the guy must be loaded, but you don’t expect something so fancy like this for some reason. The driver steps out and opens one of the back doors for you, and you offer her a smile. The lady with the pretty, wavy pink hair only huffs in response, which has you perking an eyebrow at the animosity (eh, women can be catty with each other for sure, but you aren’t interested in engaging in that sort of behavior, and never will be interested in such) and you slide into the vehicle. There, on the opposite seat, is the man of the hour. Suguru Geto.

The pink haired lady shuts the door after you enter, and you adjust your skirt a bit because suddenly you’re too aware of how high it hikes up your legs when you sit. You feel a little exposed, without meaning to. You probably have forgotten how to dress like you’re 22 and cute, ready to mingle and to party like it’s 1999.

You don’t remember what that’s like, actually. You idly wonder if you’ve forgotten how to be a girl, sprucing herself up for a potential suitor. Getting swept off of her feet, getting asked out on dates…when’s the last time that’s even happened to you?

You are about to part your lips to speak, but then you notice something floating overhead. Your eyes widen in panic, before glancing at Suguru, who seems composed and collected with a little grin playing on his lips, complementing the rest of his handsome features.

Gosh, is it illegal to be that ethereal? It should actually be a crime.

“It’s nice to meet you officially,” Geto begins in that smooth voice of his, like a jazz singer between speaking parts of their piece. Your heart flutters at the sight of him and you reprimand yourself in your mind.

Get a grip! You think. This is just for business! He addresses your name, and you confirm he’s pronouncing it correctly.

But something else catches your attention, a chill dancing down your spine.

You don’t ignore the disgusting, grotesque, hairy, indigo worm-like creature hovering just above Geto. Its eyes look like narrow slits, and it has a tiny mouth. It’s an overgrown, nasty ass caterpillar to you. You try not to grimace when you see little bits of drool dribbling out of its tiny mouth. You try your best not to make it seem obvious that you see it.

Is he aware of its presence? Does he know about…seeing things? Much like you?

But unfortunately for you, he seems to catch onto your shift in demeanor, quirking an eyebrow. He gestures to the grotesque creature, making your hairs stand on end. “I take it you can see my little friend here.”

“I…yes,” you swallow, eyes glancing down at your lap while you fiddle with the fabric of your skirt.

A stretch of silence falls between you two, and those sharp violet eyes of his are assessing you. As if trying to understand your dilemma…not like he’s much different in that regard here, but you’re about to find out how wrong you are about that soon enough.

“From what I gather, you don’t appear to know how to get rid of them. Have you only been able to see them?”

You nod grimly, digging your fingers into your skirt. “Yes, all my life. For as long as I can remember.”

“I see,” he replies, “It’s quite a burden to take on, isn’t it? Able to see the evil humans create, but unable to stop it.”

“…Yes,” you admit, chewing on your bottom lip. So just what is he getting at? “I’ve always been…sensitive to these things, I guess. I can’t tell you exactly when it all started. I think sometime after my grandfather passed away as a child.”

Geto hums in acknowledgement. “Often, the only time someone without the innate ability to sense curses see them at a time of tragedy, or even before their own deaths.”

He adjusts his shirt. He’s not wearing his priest garb; instead wearing a casual deep navy top and dark wash pants. You notice he paints his nails to match.

You find yourself swallowing. Why do you find that so damn attractive?

“There is a way for you to rid the world of these curses,” he says, tone calm, even. Soothing on your nerves…has he ever considered hosting a podcast? He has a voice you can listen to all day, just for the comfort. “I can help you in that regard, but of course, that’s not why we’re here tonight, isn’t it? I look forward to next week with you.”

“Thank you for your kindness,” you reply, voice meek, a flush creeping onto your features. “I-I’d like to know what more I can do about this curse of mine. The sight, I mean. Um, I hope I don’t sound rude, but does it always…hang around you like that?”

“Not always,” he chuckles, waving his hand and in a split second, the spirit above him vanishes. “That was just a test. I’ve been watching your lectures since your professor reached out to me, just to get an idea of what to expect from you.”

“How did you know I could see them through the lectures posted online?” you tilt your head, curiosity piqued. It’s not often that students are asked to come up to the class to demonstrate knowledge, but perhaps there’s been some instances where you acknowledge the presence of a curse in the classroom that goes unnoticed by the standard human eye. You have no choice but to elect to ignore the presence in the middle of class, but sometimes you can’t hide your own reactions, perhaps. He must have caught on one way or another.

“I’m sure you can put two and two together,” he answers with that smug little grin still on his face, but you can tell in spite of that, he’s being a bit playful with you. You shake your head, grinning in spite of the anxiety spiking in your mind.

“Of course,” you say with a smile tugging at your glossy lips, as a laugh escapes your lips in uneven breaths. Your eyes flit around the secluded area of the limo, as if unsure how to proceed from here. You twist the edge of the sleeves of your blouse.

What are you supposed to do with this information then? A sheen of sweat glistens on your face, and you hope your setting spray is doing the trick to hold that soft glam look you worked so hard to make perfect for the night.

It’s supposed to be freakin’ sweat and transfer proof… you think in your mind, your lips twitching ever so slightly. God, you try so hard and where does It get you?

“Is something on your mind?” Geto’s voice snags your attention back to the immediate reality. Oh, right. You’re supposed to be discussing work stuff. What you want him to bring up in his guest lecture. And if he wants to make that a regular thing for the students this term.

“Sorry,” you reply in a wistful tone, fiddling with a stray strand of hair. “It’s been a while since I went out like this, I guess. Been all work and no play, and this still involves work!”

A gasp slips from your lips as he takes your hands in his, and you admire how soft his skin feels against yours. When you meet his eyes, they’re not hardened but soft, glittering like the gemstones those violet eyes resemble.

“It doesn’t have to be.” He runs the pads of his fingers across your knuckles in a soothing gesture. You feel your guard melt away. He seems like such a kind person in spite of the sort of things he preaches to his followers or devotees. You have done a little digging on him too for the purpose of your studies. The man before you doesn’t seem like someone who holds so much disdain for the current state of society. Even if you do agree with some of his views to a certain degree, a lot of his ideals do seem a bit…impractical.

But then again, most religious priests do believe in many impractical things. You’re beginning to understand the origins, considering the things you’re able to see that the standard human eye cannot. Most of these spirits are manifested from humans’ negative emotions. If only humans can understand how to control and harness that.

Unfortunately, it’s not like people can turn their emotions off unless they’re robots.

You can feel the flush on your face deepen and the sweat dampening your face a bit. You dig into your purse for a wipe to dab some of that off. You are definitely leaving a scathing review on that setting spray falsely advertising its benefits. Geto doesn’t make any comments. He doesn’t seem all that concerned, even. He can tell you’re a bit unnerved and is being kind and patient with you.

It’s a kind enough gesture from him.

You arrive at the restaurant and rather than the driver, it’s Geto who escorts you out like a gentleman, hooking his arm around yours. Though you can’t see through the driver’s tinted window, you just know that the driver’s probably seething at you from the display of affection and you’ve only just met the man. Are you going to get lucky with him? Maybe not on the first date, but he does seem interested in you for other reasons than just business.

Geto definitely does look far more godly in person than in pictures—which already make him look like an ethereal being, blessed by the Heavens. You can’t believe this is even happening.

Maybe it’s been a while since he’s encountered someone else with the curse of the sight, too. Maybe he finds some comfort in knowing someone like you is out there.

You feel the same way about him. You both share that curse, of the sight of these spirits, but at least he can do something about it. And he can help you do something about it.

As you’re escorted to your table—a more secluded corner of the restaurant, which has you quirk an eyebrow, but you figure it’s to discuss the elephant in the room—you’re handed your menus and left to ponder your orders. As you open yours, he speaks up again, and your eyes glance up from your menu as you’re drinking in the sight of those delicious udon noodles that you’ve been craving for some time now.

“So your class,” he starts, taking a sip out of his iced water. “Tell me about it. What else should I expect and what would you like me to expand upon?”

“Well, that all depends on you. Since you’ve kept up with the recent lectures, I’d guess you know we’re covering the topics of nihilism, existentialism, and absurdism. I’m sure you have plenty of valuable insight about that. You can tie that into your work as well. Of course, minus the seeing things part,” you answer with a nervous chuckle. “The guest lecture is just a fun bonus for students. They get bonus points to their final grade if they attend as well as an incentive. It’s something to keep them engaged and interested in the material they’re absorbing.”

He nods along as you speak, resting his glass back on the table as his eyes scan the menu below him. “Ah. So I have free reign, then?”

“Don’t speak about the…obvious stuff between us; I don’t need to tell you that,” you respond, voice wavering. “I’d guess as long as it ties into the topics we’ve discussed in past lectures, it’s fair game. I’m sure they’d love to hear insights on what you do at Star Religious Group as well.”

“I see,” he expresses. Soon enough the waitress returns requesting your orders before taking the menus. After she leaves, he continues: “So what had you interested in me, specifically? I can’t help but be curious.”

“Oh. Well,” you trail off, racking your mind over what to say. You obviously can’t tell him it’s for more personal reasons. Though you have reason to believe that he already has picked up on that part. You can at least try to sound honest and not like you’re desperate for some action in your life? What makes you think you even have a chance with this guy, anyway? Pure, unadulterated delusion? Perhaps! You dare to meet his eyes as you try to muster up some kind of coherent answer. “Honestly, it’s just good for the students to get exposure to other ideologies. It’s all part of expanding their horizons and teaching them to keep an open mind. The whole purpose of attending university is to enrich the mind. Plus, you are a famed figure here. It just seems…you know, natural.”

He stares at you, brows furrowing as he takes in what you said. He seems…almost flattered by the answer you’ve given him. Even if you pull a lot of it right out of your bum, you’re pleased with the fact that you can save yourself from some level of humiliation in that moment.

Before he reacts, your orders are set on the table. Once again, he waits for the waitress to leave.

“Well, I’m happy to be there whenever you so desire,” he finally tells you as he pried his chopsticks apart. You join him in indulging in a meal. “Tonight is on me, by the way.”

“Oh, pish posh,” you quip with a dismissive wave of your free hand, grinning wide. “Let me handle the check this time. It’s the least I can do, since you’re taking time out of your busy schedule for this.”

A genuine smile tugs at his lips from that. It makes you perk up a bit; he does seem so guarded around you—or is he just like that in general?—for some reason.

“Such generosity is rare these days,” he comments, “I can’t remember the last time I encountered a character so authentic like yours.”

“Eh, I’m not all that,” you retort with an amused huff while taking a huge heaping of udon. You ignore some of the broth hitting your chin as you talk through chewing. “It’s a natural way to act, isn’t it?”

He shakes his head, chuckling as he seems amused by your erratic antics. Even his beautiful violet eyes are twinkling because he seems like he’s enjoying himself.

A win is a win! You find yourself beaming, heart swelling with pride. Does this mean you have a shot?

“I beg to differ,” he quips, “It’s…rare these days, to find such authenticity in humans.”

Well, you think, he’s not exactly wrong there…

Things grow quiet for a moment as you’re slurping up your udon, and in the middle of another particularly long thick noodle, you catch him staring at you. Tilting your head, you finish your bite and gesture to him.

“What’s up?” you question with a confused puppy expression.

“Nothing,” he declares easily, helping himself to another roll of sushi. “You remind me of someone, is all.”

You almost want him to elaborate on that observation, but then ultimately decide against it. It’s not all that important to you right then. For the rest of dinner, the two of you begin to discuss more mundane topics until you’re done. You follow through on your promise in taking care of the check, which he graciously thanks you for (and you of course brush off because why? It’s not a big deal to you). He escorts you back to the limo and helps you back inside.

The ride back to your dorm is pleasant. You two continue to talk about things that interest you both, whether about the future lectures or about the curse of sight. It’s something to discuss later, but you do appreciate when he tells you he’s happy to help you where he can.

“Would it be inappropriate of me to ask you if I could walk you back to your dorm?” he inquires, “Just to make sure. As you know, schools are breeding grounds for curses. Manifested from stress, anxiety, fear…”

“I’ll be alright,” you promise, “I haven’t encountered too many issues since I stayed here. I’ll be sure to give you a call if I do need anything.”

“I’d like that very much,” he states, but then stops you before you begin walking away, grasping your elbow, his touch gentle. “I meant to ask you before, but time slipped past me. Are you aware of the existence of sorcerers?”

Your eyebrows shoot up to your forehead.

 “Sorcerers?”  you echo. He nods.

“It’s what I am,” he explains further, but it clearly doesn’t make things simpler for you. “I’m granted abilities where I can exorcise those spirits from humans. It’s part of why I took over that organization. As much as I’d like to explain further, I’m sure you’re pressed for time as well. This is something to discuss over a coffee date, if you’re so inclined to meet more with me beyond business?”

Your heart skips a beat at the idea. You nod.

“Yes,” you concede, practically breathless. “I’d really like that.”

He smiles, releasing your arm and almost appearing bashful from the proximity. “I’ll wait for you to enter your dormitory before I head off. You have a good night.”

You match his smile. “You too.”

You twist on your heel and can still feel his intense gaze on your back as you enter the building. You don’t turn back, but you can still feel his stare. You don’t sense any malice. More curiosity concerning you.

You are curious about him, too.

On the day of Geto’s guest lecture, there’s a lot of excited chattering amongst your students, with beaming smiles and wide doe eyes as they glance down at the enigma of the man at the front of the room. Many people are aware of his reputation—however they receive his perspectives. You see many of your female students snapping a few photos of Geto, with your male students shooting envious glares at him, which has you shaking your head to yourself as you pull up Geto’s presentation he’s set up for the class. Of course you’re no stranger to the fact that he’s popular to the ladies, because you’re not immune to his objective good looks, either.

This is surely to get your students interested in the material.

Before the class begins, Geto pulls you aside for a moment.

“Were you able to take a look at the presentation before today?” he asks, “I did my best to adhere to what you asked of me.”

You give him a nod. “Everything looks perfect and ties in well with the course material. I really appreciate all your effort, Geto.”

“Suguru,” he interjects, “No need to be formal with me. We’re friends, aren’t we?”

You like to think so. You give him a reassuring grin.

“Go ahead,” you push as your grin widens. “All those curious eyes are on you now.”

The lecture, as you expect because you don’t expect anything less, is a whopping success. You have never seen your students more involved before. Maybe Geto’s good looks help in that regard, but you hope to yourself that they actually pay attention to the things he’s said about his own ideologies in correspondence to the course material discussed. Even your typical troublemaking students are engaged, with their mouths agape and their notebooks open as they scribble furiously down on their papers.

Geto carries his words with authority like he always does; it captures the attention of everyone in the room.

“Society often asks the strong and fortunate ones to protect what is weak, but at what cost?”

You watch as his eyes scan through the room, inviting his students to challenge the ideology. “There is a natural order to the universe, and disruption of that order comes at a greater price than humanity is willing to accept or acknowledge. Why protect those incapable of willing to contribute? It risks stagnation. It risks evolution. Not to go back to the roots of Darwinism and the survival of the fittest, but strength and progress are ultimately what drive the world forward.”

A few of your students exchange confused glances, unsure of how to react, but their curiosity still keeps them engaged. Many other students are sitting with their mouths agape, pencils still poised above their notebooks. There are others nodding along, but maybe not necessarily in agreement with Geto’s ideals.

Geto proceeds, his words woven into the course material as you wish for him to, in ways that challenge the status quo.

“Let’s consider the history of human advancement,” he goes on, as he changes the slides on the projector with the device you’ve given him. “We see how often significant change has been driven by only the strongest and most adept of minds. Society romanticizes the idea of protecting the weak, but in doing so, we are forsaking the future for the sake of the present—for the sake of preventing the inevitable. True progress demands necessary sacrifice.”

What a nutjob, you sigh, but you keep an eye on your students, who are as open minded as they come if they’re taking a philosophy class. They’re enthralled by him, by the way he connects these broader concepts with the subjects they’ve covered in this class and classes similar. While they don’t agree with his worldviews (and frankly, neither do you), it still has their gears shifting in their minds. They’re engaged. They’re eager to enrich themselves. That’s the ultimate goal for you.

By the time the lecture concludes, you see even the usual skeptics in your class are caught off-guard, mesmerized by his words, their pens still furiously scribbling across the page after Geto completes his presentation. You are in absolute awe of this man. You don’t know how you can repay him for such an intense lecture.

You do treat him to coffee and pastries at a café on campus, thanking him profusely for everything and you do hope that he continues to come back for the rest of the semester.

That’s definitely one of the better lectures you’ve seen since you’ve begun pursuing higher education.

He takes a sip of his coffee, his eyes twinkling in amusement as he settles back into his chair, relaxed as if he’s conquered the world today. Which he may as well have in your eyes.

“I’m glad I was able to make a lasting impression on them,” he boasts, “Are they normally this intrigued by the material?”

You shake your head at that.

“Oh, not to such a degree like today,” you respond earnestly. “I was impressed. The professor seemed very pleased as well, so he’s definitely hoping you come by more often.”

His eyes flicker with something unreadable before he leans forward, lowering his voice to barely above a whisper.

“I did notice many of your students haunted by spirits,” he confesses, “I can do something about it, you know.”

“That would be great. It’d give you more of a reason to frequent the university,” you reply, “You said you can teach me how to get rid of the problem?”

“I can,” he assures you with a hum. “I’m more than happy to demonstrate one day.”

“How soon can that be for you?” you ask a little too eagerly. “If I can do the things you can do…even a little bit, I want to be able to help people in a way that I can too.”

He smiles at that, his face brightened as he does, and your heart does backflips.

“You truly are a good person,” he remarks, his tone almost reverent.

You glance away, feeling heat rush to your cheeks. Receiving compliments have always made you feel awkward, and coming from someone like him, who seems so genuine, so sincere…it’s both off-putting yet flattering to you. You shrug the compliments off with a noncommittal hum, sipping your latte as a form of distraction. “Eh. That’s up for debate.”

“No, believe me, I mean what I say,” he insists, his gaze unyielding. “It’s…great to meet someone like you.”

You freeze in place. Damn, this guy…is he trying to kill you with kindness, or something? It’s definitely working because you swear you lost all the feeling in your legs; your body threatening to turn to mush.

“So,” your voice peters out as you try to continue the conversation before it lulls into another awkward stretch of silence. “Why don’t we meet more often this week about the exorcisms?”

“Sure,” he replies, “Do you know where my temple is?”

“No,” you tell him. He hands you his business card with the address on it.

“You can come there tonight, if you wish,” he utters, adjusting his collar as a slow, teasing smile graces his features. “Or, you know. Whenever you have some free time to learn more about what it is I do behind closed doors. Obviously, this kind of thing isn’t known to the public. As you might have guessed, the religious group is a bit more of a…coverup.”

You nod. “I’m honesty not surprised that this kind of thing is legit.”

“Of course you’re not,” he retaliates, his features darkening which nearly has you jump in your seat from the sudden shift in his demeanor. “You’re not blind like the rest. You see what lurks between our worlds.”

An eyebrow raises at the way he phrases that statement. Maybe it’s his nutjob side of him coming out, which you’re willing to ignore. You obviously don’t think he’s a nutjob for being able to see things like you can, and to rid the world of the issue. No, no, in fact, you see him as a saint for carrying such a burden. Even if it’s not one he’s wanted, maybe. More than likely, actually.

You just find some of his preachings to be impractical, is all. But like you have said before, many priests preach impractical things. It’s ultimately what appeals to the masses, isn’t it?

“Well,” you start, as you get up to leave. You have some more classes to attend yourself before you can think about anything to do with spirits. “Thanks for today, Suguru. It’s really been an eye-opening experience for my students. I know!”

“Of course,” he replies smoothly, getting out of his seat as well and pushing his chair under the table. “Thank you for treating me to coffee. Next time, you must allow me to get the bill. I can’t imagine this is easy on your finances as a student yourself.”

“Aw, fine,” you reply with a huff—your stubbornness is more playful than anything else, meant to lighten the mood a bit because you crack under too much tension.

“Next time.”

You’re definitely lying through your teeth. You know you won’t; he probably knows you won’t.

“And next time,” he goes on to say, without skipping a beat. “I’d like it to be a proper date.”

You almost drop the nearly empty cup of coffee in your hands from that statement, which encourages a hearty laugh out of Geto. Your blush deepens, and you place your hands on your hips, indignant, but he doesn’t stop laughing so you can’t help but join him and laugh at your own ridiculous antics. His laughter seems so pure, untouched. Raw.

It knocks the wind out of you, you find yourself admitting. You have never seen a more beautiful man in your life.

A part of you wonders the last time he’s ever felt so alight and carefree like this.

Later that week, you find your schedule easing up so you decide to make a quick detour to the temple. You give him a heads up that Friday evening, and he gets a ride ready for you at the same time you met before. He must be a creature of habit, or he just doesn’t want you to feel scattered. Either way, you’re looking forward to this demonstration he has for you. Maybe you might meet a client in need that night. As you’re picked up and driven there, by that same, snarky driver as last time, you can’t help but let the anticipation kill you inside a little. You do bring some of your supplies with you tonight, since time waits for no one and you have piles upon piles of assignments to grade, regardless of what happens tonight. You doubt Suguru will mind.

When you arrive, you’re greeted by the Star Religious Group’s temple which screams opulence the moment you step out of the limousine. Your mouth is slightly agape, taking in the sight. The building stands tall, grand, majestic. The religious group’s crest is on the center of the double doors which you enter after the driver, who is escorting you to Suguru’s exorcism room. The halls seem to stretch for miles, but you aren’t allowed time to explore as the pink-haired snooty driver shoves you into the room where Suguru waits, expecting you.

“Sheesh, your driver has got quite the attitude with me,” you remark, dusting off any particles in your clothes. You set your schoolbag aside as you approach Suguru, who is sitting in the middle of the room on a raised platform. “Thanks for having me tonight.”

“I’m happy you can make it,” he answers as he adjusts himself in his seat. He’s back in his typical priest garb, and you wonder if that was a personal choice because you have to admit; it’s not the most flattering on him. Not that religious garb is ever flattering…

“So,” you begin, seating yourself in the center of the room. “The demonstration. What does that entail?”

Geto casts a veil by chanting an incantation you have never heard of before. Then again, you have never even heard of sorcerers until now, so everything is new to you. Then you witness a few curses lurking about, ones he likely released for the sake of the demonstration. You watch, wide eyed, as the amalgamations are absorbed into a black orb that can fit into his hand. He smirks as you before you watch him ingest it with a look of disgust etched on his face, and from the way he arches his back to force it down.

You’re in awe. That’s his personal method for exorcising spirits? He’s discussed it in the past, but you have never seen it in person until now. You’re not sure what to think. He’s mentioned there are other methods other sorcerers have, and this is the one he, in his words, has been cursed with as a sorcerer. You idly wonder if he ever wanted to be one from the start.

“And that’s that,” he finishes, “I’m already their host, and exorcisms are usually much tougher than this, at times. The next time a client shows up, I can show you a more proper exorcism.”

He lifts the veil.

“And you say this is your unique method?”

He nods. “Yes. I consume them to exorcise them.”

“Your body holds all of those demons? Like a vessel?” you whisper, eyes shimmering from concern. Doesn’t that…not seem unfair to him? He has to hold all of those curses in his body. He has to make sure they don’t roam freely. He has been granted a power that seems to eat away at him, chip away at bits and pieces of his own agency.

That’s monumentally unfair in your eyes. You wish you can lift that weight on his shoulders.

He nods again, expression grim.

“Suguru,” you start after a period of reflection. You chew a bit on your lip. “Doesn’t it ever feel like too much?”

The resounding silence you get is response is all the answer you need to understand.

Suguru finally takes you on that proper date sometime later. Which eventually expands to more dates. Seeing each other more often. And as a man of his word, he even follows through on his promise and returns back to your university for a few more guest lectures all throughout the semester.

You feel like you’re floating; you never expect for anything to evolve with Suguru, but you’re definitely not complaining about the development.

It’s late one evening when Suguru requests your presence for another demonstration of an exorcism. It’s one of your students, he mentions to you, and you recognize her immediately upon entering the exorcism chamber. She’s a bright, ambitious girl who’s been thriving in your class in spite of the curses surrounding her that you’ve been able to notice. It’s why you’ve been a little more lenient with some students than with others. Is it unethical? Perhaps… but sometimes it’s necessary to give them a little grace here and there.

She’s approached you several times between class and during lectures, her eyes wide and thrilled to learn in spite of clearly cracking under the weight of the torment the curse spirits have put her through. The young lady has mentioned in passing that she’s felt a weight on her shoulders, an overwhelming amount of exhaustion that she can’t seem to shake off no matter how much medication she takes to stay alert. You know the reason why. And Suguru has noticed her. That’s why he’s suggested the student to visit his temple.

“She understands she’s cursed after I explained to her,” Suguru instructs you, his tone colder than what you’re used to all of a sudden. “I’ve noticed these curses are particularly stubborn with her.”

Now, as you stand beside Suguru on his raised platform, looking at the young, bright bubbly student in question, cowering in her spot. You can’t help shuddering from the tension. You’re never great with it. Suguru maintains his sharp gaze on the poor girl, his violet eyes reflecting a darkness you’ve never seen before in him. The student stands trembling at her spot, her hands clutching the hem of her shirt. Her gaze flits to you, fear pooling in her eyes, and your breath hitches—you’ve never seen her more desperate for relief from her torment. Even the strong ones break.

“Watch closely,” Suguru instructs, resting a hand on your shoulder.

He raises his free hand, weaving no gestures, nothing. Just instructing the girl coldly to hold still. You watch in awe as you watch the disgusting, grotesque curse spirits clinging onto the poor girl vanish into that same black orb. Some of the lights in the room flicker. The temperature drops and you rub your arms, seeking some kind of friction, some warmth. You can see your breath when you breathe out.

“Suguru…” you murmur, beady eyes glancing up at him.

“Shush,” he chides, his tone commanding and almost dismissive, not meeting your gaze.

The student’s body jolts as if struck by an invisible force, her eyes wide in terror as her breath comes in ragged gasps. You feel an instinct to rush to her, to offer some comfort, but Suguru holds you in place. He has told you to come here to watch, not to act.

“Those blasted curses, they cling to the weakness in humans,” Suguru mutters, his lips barely moving as he brings the orb to his lips. “Humans…they don’t understand the forces they impose on themselves.”

You don’t rip your gaze from him, a strange knot twisting in your gut. He addresses humanity with such disdain that it makes your skin crawl. It’s almost as if he wants to distance himself from the very essence of humanity.

He swallows the orb whole, arching his back as he grimaces at the strong taste (they can’t taste good). Your student collapses forward, her body quivering from relief. She’s smiling as she feels weightless and carefree again. You finally rush to her side, your heart hammering as you rest your hands on her shoulders, offering her comfort. Now she’s safe…but seeing the way Suguru’s attitude has shifted…something is not settling right in your soul about him.

“You helped her,” you whisper, bewildered eyes flitting to his. “Thank you. Thank you, Suguru.”

Suguru’s expression remains cold, calculating, still looking at the student with a hint of disdain. “Of course. It’s what I do. These blasted things thrive off of the pathetic weaknesses of humans.”

Your eyebrows furrow at that statement. He’s cold. You know the gist of the ideologies he preaches, of course, but you never thought it ran so much deeper in his soul. His gaze finally softens the longer he stares at you. For a moment, you’re not sure you really know the sort of person Suguru Geto is. It can’t just be the public persona he displays. And it can’t just be the sides he shows to you one on one. It’s true; humans are both simple and complex, multi-faceted…You can never truly know someone, even if you’re in close proximity to them.

“Are these the things you wish to learn?” he inquires, approaching you and helping you to your feet. He acknowledges the student before she makes her exit. Not before thanking Suguru profusely for his help. She’s never felt better. You can’t help but feel a sense of happiness for her. That torment has finally ended.

“I want to do the things you can do,” you reply, “I want to help others. I don’t want to be helpless anymore.”

His gaze softens even more at that, and your heart flutters.

“Then I’ll show you. There are workarounds for those who lack cursed energy. Tools imbued with cursed energy will be beneficial to you.” He presses a chaste kiss to your forehead. “If you want to be the change you want to see in the world, then let me be your guide.”

“Teach me everything, Suguru,” you yelp a bit as he goes in for a dip kiss, leaning you backward as your lips meet. You return the passion, lips melding against his as if you can’t think of anything else you’d rather do in that moment. “I want to help you.”

He hoists you up by your bottom, hooking your legs around his waist as he continues to kiss you deep, leading you back to the raised platform and settling you on the cushions and not once breaking the kiss.

You don’t even stop him when he begins to unbutton your top. Or when he slips off your pants.

He trails little kisses and bites between your thighs, and you let out a dreamy sigh. You don’t even care that you’re practically out in the open here. But by now, the temple’s off the clock, isn’t it? Besides, it’s not like you haven’t already done riskier things with Suguru already in your own damn classroom.

Next thing you know, you’re already debauched and fucked out of your mind and he hasn’t even fucked you properly yet. He’s just taking you apart with his mouth, probably in an effort to wash away that curse taste he’s ingested not too long ago.

You do like to toy with the idea of being his stress ball. Carrying such a burden like his…he must need that escape. That little time of respite from his role in the world that has been thrust upon him against his will.

You can’t blame him.

If that escape is hours crushed between your thighs? Well, who are you to deny him?

Your lips part as you gasp when you feel his tongue twist around your little bud of nerves. He really has shown he can do this for hours. He’s even creamed untouched like a hormonal schoolboy before a handful of times just doing this and it’s the hottest thing you’ve ever witnessed. There’s even been another time where he’s been so aroused by you that he’s creamed inside as soon as he entered you, which at first he found embarrassing but you insisted to him that it was the highest compliment in the world to you.

You wonder if that’s going to happen again tonight.

A shriek escapes your lips as he closes his mouth over your gooey folds and suckled hard, gulping down some of that heavy slick while rolling his tongue between them. Your back arches against the floor, hips grinding up into his mouth and he growls, low and menacing, like he’s in that mood—only interested in pleasing you on his terms.

“Suguru…” his name slips from your lips in a dreamy moan, legs constricting around his neck as you desire to knock him closer into you. His breath fans against your sex, and you buck your hips upward, craving more friction.

All you’re craving is more.

Already you can see a hint of a wet spot in his robe, meaning he’s already strained, already fully erect and leaking of arousal just doing this, just tearing you apart. You want to return the pleasure but this is another instance where he doesn’t need to be touched. He looks flushed himself, fucked out of his mind and delirious, eyes half mast as he locks his gaze on yours, his lips and chin sheen from your slick, while suckling and licking and slurping at your sopping gooey glistening cunt like he’s honored to do it.

He growls low again, and that wet spot in his pants spreads. He’s creamed himself untouched again and you mewl from the thought. Yet he doesn’t seem satisfied. He never is after just one orgasm or three out of you. You come soon after him, clenching helplessly around the wet muscle. He only chuckles, passing his tongue from your entrance back up to your clit. Where the tip of his tongue teases it with a few flicks before plunging it into your twitching, fluttering, soppy hole. You moan, hands gripping his head, clawing at his hair. He approves with another twist of his tongue inside your gummy walls.

In these moods of his, he doesn’t plan to stop. And you don’t mind. This indulges you as much as this indulges him.

During finals week, Suguru decides to hang back while you’re proctoring the exams for your class. He’s able to exorcise any spirits while there in a blink of an eye, lifting the weights off of numerous distressed students. You can’t help but smile. He does excuse himself a few times to ingest the curses, returning the third time with a cup of coffee for you both.

He sneakily brushes his fingers over your hand as you scan the classroom for any suspicious activity—meaning cheating, not curses—and you cast a sidelong glance at him with a little smile on your face.

As the students turn in their exams at the end of the period, Suguru speaks up and catches your attention as you’re stacking the papers neatly on your desk.

“So, is this the last exam for you?” he asks, hovering over your desk.

“No,” you answer with a defeated sigh. You’re so over the term. Your final term is going to be your lightest workload, which you’re looking forward to; it’s the little things. “I still have my own exams to take for the rest of this week.”

“Oh. Perhaps afterward, we can celebrate then. Nanako and Mimiko have been nagging me about going overseas somewhere for the winter. Will you join us?”

You tilt your head as he moves to cup your face, his thumbs brushing against your cheeks.

“Who will look after the temple?”

“Ah,” he quips with a sigh. “Manami can handle it while we’re gone.”

“Oh, well, if you really would like me to, then of course I’d love to go. Where are you guys thinking?” You’re in the middle of putting away your laptop and the files full of exams tucked away in a manilla folder.

“Bali,” he answers with a grin.

Your jaw hangs open and your entire face lights up. “No way.”

He leans in to give you a chaste kiss. “Of course. We have all the money and the time now and the girls have always wanted to go. They’ve come to adore you. They’d love you there.”

Pinch me, I’m dreaming. How did I get so lucky?

Little do you know that luck of yours is going to be tested.

You squeal in delight as you steal a kiss from him. Before you know it that kiss melds into a quick succession of heated kisses, and he grips you by your waist, hoisting you over your desk and pulling you flush into him.

“Can we lock the doors now,” he breathes between slobbery, biting kisses and though delirious you still manage to nod, as he reluctantly pulls away to do just that along with closing all the blinds.

He returns to you, shoving your things out of the way on your desk as he presses your back against the cool wood. He locks your lips in a frenzied kiss, desperate, soon trailing down to the juncture between your neck and shoulder where he bites down hard.

“Suguru—!” you hiss, your nails digging into his shoulders. He responds with an amused chuckle, licking the hickey now blooming on that area as his expert hands yank your work slacks off.

“The cameras are all off, yeah? Or if they are—let’s give them a show then—!”

“Nasty,” you playfully chide while whacking his shoulder. “They’re off now. No more lectures in this room today.”

“What a shame,” he laments, as he pries your legs as far apart as they can go before plunging his tongue into your sex. You squeal like a pig again, for an entirely different reason, biting the inside of your cheek.

“Ah ah,” he admonishes with a frown as he twirls his tongue between your already soaked folds, groaning low and guttural at your natural taste. “I want you to enjoy it, baby.”

You feel the flat of his tongue lap over your sex, smooth and languid, and you flush harder from the goopy, gooey squelching noises from the combination of your juices and his saliva. He’s devouring you like he always enjoys, taking his time in taking you apart.

You yelp as he inserts his large pink tongue inside, and he chuckles again, the sound vibrating against your sensitive skin. You squirm under him, and he holds you down in place, his grip unyielding.

It’s all so lewd, but you should be used to this by now, feeling his tongue plunge in and out of your gummy, spongy insides. But your head falls back, nearly slamming itself against the desk as your eyes cross.

The sloshing of your juices and his saliva is so…so embarrassing, and in a lecture hall too? Not as if you haven’t done this many times before with him, but why is it as thrilling as the first time whenever it’s with him? No one’s ever made you feel the things he did. No one’s ever understood you like the way he did and you want to give him everything.

You come in a hot flash, and he pulls off your sex, but not before a few long, dramatic slurps and gulps of your gushing slick that makes you squeak in embarrassment again. You basically are livestock to Suguru. He’s not even going to deny it either.

You whine pitifully as you feel him pull away, feeling sorely empty. But you’re not whining for all that long when you hear the light wisp of him pulling his pants and taking out his fully erect cock. He’s prepared, as usual, taking out a condom to wrap around his absurdly huge length that you’re surprised you can even handle taking even with enough prep. He lines himself to your entrance and pushes just the tip inside first, waiting for you to adjust with a little grunt of his own. You love it when he gets vocal; it’s often the only time you ever see him completely raw and uncomposed. He lets himself go completely with you, and he plunges more of his length inside and you utter a little strained gasp, gripping tighter onto his shoulders if it’s even humanely possible at this point.

He hoists you up from the desk, securing you in his arms as he begins to move you up and down on his cock. You cling helplessly to him, burying your face into his neck and breathing in his natural musk. It’s crazy to you that this is the most vulnerable you’ve ever been with any partner you’ve ever had and he makes you feel so secure in allowing it. He must feel the same way. Doesn’t he?

His hands rake down your sides, stopping at your waist where he rests them. He purrs, his thrusts growing more erratic with need, and you can still hear some sloshing of your juices from your previous orgasm and it’s lewd and so embarrassing but it’s so hot because it’s him doing this to you. Not many people can get away with this in a dignified way…ever, really, but for some reason, with him, he makes you feel on top of the world.

And you are on top of at least his world right now.

Not much longer, and you find him releasing with you soon following suit, your gummy, gooey, slick walls clenching desperately around his cock. You stay like that for a few moments, still secured tightly in his arms and his cock still inside. Sometimes he likes to let it just sit in there for a few minutes, maybe longer, savoring the comfort of being inside you before fully pulling out and disposing of the used condom (in a much more discreet manner, considering they’re still in a public lecture hall).

He's always prepared. You appreciate that about him. He brings in supplies for a quick cleanup and suggests going to the nearest restroom for that before he escorts you back to your dorm. It’s your final week there until the semester ends. You ask him to stay and to join you in the shower.

Of course he won’t say no to such an inviting request.

Lucky for you, the shower you share with your neighbor is vacant, and you lock either side before stripping down. Geto follows soon after, slipping inside with you after you wait for the water to preheat.

“When do you graduate?” he murmurs as he kisses your shoulder. You lean into him, sighing in relief. You have never felt more at ease with anyone than like with Suguru. He makes you feel things no one else in your life ever has before. It’s why you have so few in your life; nobody ever truly ‘got’ you.

“Um, from the Master’s program next term,” you reply in a whisper. “But I think I might aim for my PhD…”

He secures his hold around your waist as the scalding water showers over your bodies. Steam begins to fog the area around you.

“Being on school grounds where curse spirits are everywhere…are you sure you want to be around that for a few more years?”

“Curse spirits are everywhere, in general, Suguru,” you counter, craning your neck as he kisses up to your ear. “It’s just…a fact. I can’t let that stop me from pursuing my goals.”

“That’s a fair point,” he mutters into your skin before reaching for your shampoo. “May I?”

“You’re sweet,” you chuckle, snatching the shampoo bottle from his hand. “But why don’t you let me take care of you, for once, Suguru?”

His eyes widen at the idea, but he gives you a soft smile. For a moment, you catch a glimpse of how tired he seems from the burden he’s forced to carry—nothing he’s ever wanted for himself from the start. The more you learn of his role of a sorcerer, the things he’s faced…you can’t help but want to give back. You want to make him feel cherished, loved. Because he is cherished and loved.

His lips move to your forehead where he peppers soft kisses as you begin to emulsify the shampoo he’s handed to you between your hands before working into his luscious locks of hair. You can’t help but admire how long it is, how well he takes care of it. He says he allows his twin girls to brush through it from time to time since they enjoy things like that.

You feel him pull you closer into him, so close that you can feel your synced heartbeats. You’re in the middle of washing down the middle of his hair and you chuckle.

“What’s up?” you whisper, as he hides his face into your neck.

“Thank you,” he whispers back, his voice almost like a pained whimper, catching you off guard. He has never been this open with you before. “Thank you.”

You think you hear him sniffling, at first thinking it’s because the steam is catching up to him. The steam from a shower can really do wonders on clearing out those sinuses. But no. It’s not from that at all, you realize as you hug him closer, drawing soothing circles on his back.

Suguru’s…crying.

He decides to stay a bit longer with you in your dormitory, snuggling you close into his body as you’re grading the exams.

You don’t comment on the crying, because it’s nothing to be embarrassed about, anyway. Why make a comment? He is free to feel everything and anything around you. It’s the greatest compliment of all to you.

He’s safe here with you, just like you feel safe with him.

You brush your fingers through his hair, inhaling the fresh cleanly scent of it. Fruity. Citrusy. It’s calming as you try not to make any snide comments on some students’ work, because higher education doesn’t necessarily mean you get a lot of bright students. It’s still a mixed bag.

“How the hell does a Master’s student not know how to spell mitigate?” you sigh, tapping your red ink pen against your forehead. “Or criticism? Seriously?”

Suguru chuckles at that, resting his chin on your shoulder, and meeting your eyes. The bags under his eyes are clearer now up close. He can’t mask his exhaustion. From whatever it is. You can only make speculations from what he’s shown you already. You aren’t here to judge him; what right do you have to do that? You can only be here for him.

“I love you,” you hear him say and your bewildered eyes meet his. But you come down from the temporary shock, kissing the bridge of his nose.

“I love you too,” you reply, meaning it, as you resume grading before groaning again. You just may rip all of these exams apart on the professor’s behalf! “Another misspelling of criticism?! These students need to go back to grade school because how the hell have they gotten this far in life?! Gosh, so much of their stupid is showing…”

You hear Suguru chuckle again and you beam at him, knowing you achieved your goal. Just to pull him out of that dark space he’s trapped himself in—whatever it is. You’re here for him. You want him to understand he’s not alone.

You press another kiss to the crown of his head. When’s the last time Suguru ever felt relaxed? Or actually happy? In a world like this and a technique like his, can he ever relax or feel happy?

You feel him slump against you as he drifts to sleep, snoring soundly. He’s more than welcome to stay, as long as he needs to. His duties back at the temple can wait. He needs to allow himself to rest.

When the semester ends, you take up Suguru’s suggestion to live with him at the temple. You don’t have plans to go back to the countryside, and your trip with them is in another week, anyway. Over time, it’s clear to you how deep his disdain for humanity runs from the way he treats his clients behind closed doors. He makes flippant remarks, and at first you wanted to believe it’s just some strange quirk of his.

An incident proves how wrong you are.

You aren’t supposed to be there. It’s your fault. But you enter the exorcism chamber seeking Suguru concerning the upcoming trip to Bali—you can’t even remember what about specifically anymore—and that’s where you see him at his most cold and heartless toward a client.

There, in the middle of the room, is an elder man cowering on his hands and knees before Suguru who possesses that hardened expression like he has other clients. Except something about this seems off. More off than usual.

“Please, Geto, I’m so sorry. I have no more money to give you, but please, please help me. I can’t take it anymore!” the man begs, and Suguru only chuckles coldly in response. He hasn’t realized you’ve entered the room yet. Or maybe he has, and he’s just begun to show you his unhinged side.

“If you have no more money for me, then I have no more use for you,” he sneers and though you can’t understand what’s happening, he snaps his fingers and some of his devotees go to retrieve the man to drag him out of the room. His eyes follow them with that hardened stare, which softens as soon as he sees his followers brush past you.

“I’m sorry you had to see that,” he apologizes as he approaches you. “Did you need something, baby?”

“Suguru, who was that just now?” you stammer as you clutch onto your phone, your lips pressed together as you try to make sense of what you just witnessed. Suguru doesn’t look like the man you’ve come to know to that man but now he seems to behave as if that’s nothing out of the ordinary for him.

Which maybe it isn’t, but it is out of the ordinary for you.

It just goes to show—you never really know who someone is behind closed doors, after all. You still don’t want to judge Suguru. Everyone is multifaceted. Everyone is complex. Everyone has layers. Why should you judge him, especially if you still don’t know the full story? You don’t feel like you have the agency to do so. You’ve come here on your own prerogative, because you want to help the helpless. You don’t want to be helpless yourself anymore.

Something dark flashes in his expression again and you feel a chill down your spine.

“Ah, he’s no longer a concern to the organization,” he explains, “He’s just been hoarding money he’s owed from us and then he comes to claim he has none left. So we cut business with him.”

You need to leave, you hear yourself say. You need to leave him. You need to escape. He’s not who he claims he is to you, isn’t he?

Run. An urgent voice reverberates through your head like a gong struck.

“It looked like he was…begging for your help,” you breathe, eyes downcast. “And you didn’t help him. Isn’t that what you do here?”

“We help those who are helpless themselves,” he answers with a sigh, taking your hands in his and drawing patterns into the palm which didn’t hold your phone. “And he isn’t helpless. He’s just run out of luck.”

Run. The voice repeats.

“I see,” you mutter.

“Now, what is it did you want to ask me about?” he asks with that wide smile of his that seems unsettling all of a sudden the longer you stare.

“Oh, um, nothing, I just wanted to ask you about the hotels we were staying at on our trip,” you reply, surprising yourself that you keep your voice even in spite of your heartbeat rapidly increasing and your brain screaming at you to stay away.

RUN! It roars now. You can’t ignore it. You can’t ignore your gut.

“That’s something we can discuss later.” He kisses along your knuckles. “I’ve been called to a few more meetings today. I’ll see you tonight.”

You gulp on a hard lump of nothing, but manage to nod.

“Okay,” you squeak, exiting the exorcism chamber and dashing toward your shared bedroom with Suguru. You don’t even look behind you. You’re just letting your legs carry you to your destination while your mind conjures an escape route.

You need to run. You need to get out. Before things get worse.

You burst through the door of the bedroom, seeking your suitcase which has already been set aside for the trip. You don’t want to think about that anymore. This is the perfect setup; he won’t think you’re leaving, just packing ahead for the trip, right? You doubt he’s that careless, but you can’t be careless, either. You can weasel your way out of here somehow.

You start with the small things. Then rummage through your belongings, tossing them into the suitcase as quick as you can. You freeze when you hear foot falls approaching the room, and you quickly zip up your suitcase, setting it aside.

“I doubt you’re packing ahead. You didn’t pack enough clothes for that here.” Your hairs stand on end as you hear his voice address you. “Are you planning on staying elsewhere?”

“N-no!” You lie through your teeth, whipping around to meet his calculating gaze. “I just wanted to figure out what to pack for the trip, I swear!”

“Then why did you stuff half your wardrobe in your suitcase?” His gaze flits to your backpack. “And your backpack is full of your supplies. I’m not a fool, my love, so don’t take me for one.”

“A-are you upset with me?” you stammer, twiddling your fingers.

“If you ever try to leave me, I’ll break every bone in your body and lock you away so you can’t escape,” he sneers, approaching you in a few long strides until he’s barely inches away from you. He clutches your arms in a tight, vice grip, and you yelp in shock. “Or perhaps I’ll keep you lodged in the throat of that worm curse you saw when we first met. Its useful for storing valuables like my cursed tools…or you.”

“Suguru?” Tears prick the corners of your eyes as now you’re the one cowering. What has happened? You’ve seen some signs and elected to ignore it in favor of giving him the benefit of the doubt, like everyone deserves. And look where that’s got you.

He twists one of your arms so far you can hear a few cracks and pops, and you howl in pain. “You won’t leave me.”

His grip around your arms constricts even more as he releases some of the curses he’s exorcised, surrounding you.

“You won’t leave me,” he repeats, his tone dripping in venom. “Not after you’ve shown me love I never thought I’d ever experience again.”

Again?

You feel the grimy arms of a large curse snake around your ankles and waist.

“You won’t leave me,” he says again, hie eyes darkening with something sinister. “Ever.”

[saphronethaleph]

Filing a P-90

“Young man, a few moments of your time?”

CT-0102 looked up, confused.

“...how so?” the trooper asked. “You’re, uh, if you want to talk, you can just talk. If you have orders, go ahead and give them. Ma’am.”

“I’d rather not force you to discuss something,” the elderly woman said, by way of explanation. “I was wondering if you had a perspective on… weapons.”

“Weapons,” 102 repeated. “I guess… I’ve been trained with them? Using weapons is my job, I mean? Does that count as an opinion?”

“It might,” the old woman said. “But I meant more the philosophy of why a weapon exists.”

She shrugged, one hand resting for a moment on a long box by her side. “And, in particular, whether a weapon’s design tells us something about what it’s meant for.”

“This is getting dangerously philosophical, ma’am,” 102 admitted. “It’s above my pay grade.”

“It’s not above mine, I think,” the woman told him. “If you don’t want to talk, say so. I give you that permission, if you need it. But what I mean is that, for example… a lightsaber is a Jedi’s weapon, and that means that it’s a weapon of defence and of decisive attack. A lightsaber in trained hands is able to both protect others and to bring a quick end to any fight, and the respect it earns from those who see it can prevent a fight in the first place… a blaster, meanwhile, well, it depends on the blaster, doesn’t it?”

“I suppose that’s true, ma’am,” 102 admitted, glancing up for a moment as the turbulence around the ship increased – for a moment, at least.

There wasn’t anything he could do about it, so he just shrugged.

“A small pistol is intended to be concealed,” the woman went on. “It’s a weapon of self defence, but it’s also a weapon for committing an unexpected crime. While a larger, more powerful pistol, that’s a weapon of intimidation. It’s bulky enough to be difficult to conceal, and it’s less accurate than a long weapon, so it’s for both scare tactics and bringing a battle to a quick end. So does that mean it’s like a lightsaber?”

102 considered that.

“Our training covered how to handle most weapons, but it didn’t really address the cultural side of things,” he admitted. “We mostly focused on weapons for once a fight is inevitable.”

“Quite,” the woman agreed – 102 hadn’t actually got her name at any point. “The long rifle, which is designed for military efficiency on a battlefield. Harder to conceal in civilian life, almost impossible in fact, but it’s more effective than most weapons on a battlefield… at least, until you start dealing with either larger targets that they simply can’t damage, or more confined spaces where you want a shorter weapon. They share the attribute of being practical.”

She looked at his eyes, through the helmet. “Isn’t that interesting?”

“I guess,” 102 said, not really sure how to react. “Why do you say that?”

The woman was silent for several seconds, and as she was CT-0102 heard over the battalion push that they were getting close to their deployment point.

“If you don’t mind, I’d prefer this gunship to take up an overwatch position,” the woman said. “I do apologize, I should have mentioned it sooner.”

She pulled the box over to her, and undid the latches, then paused before opening it.

“What about this description of a weapon?” she asked. “A weapon that is designed for killing?”

102 blinked.

“Aren’t… most weapons designed for killing?” he asked. “That’s why they’re weapons.”

“Not at all,” the woman replied. “As we’ve just discussed. Your rifle is designed for practical battlefield use. Weight, length, shot count, rate of fire, all these considerations went into making it. Many other weapons are shaped by different design constraints entirely – a hold-out pistol, or a large heavy blaster. A lightsaber. I’m talking about a weapon that isn’t designed for a fight at all. That isn’t designed to be seen. That’s meant to be used as sparingly as possible, because you’re only meant to use it in the very direst need.”

She pushed open the box, and revealed a kind of long weapon, perhaps a blaster and perhaps not. It looked archaic, with some of the furniture made of actual wood and the rest out of something 102 couldn’t even identify, and there were odd protuberances and glowing blue segments on it.

“For such a weapon, all other considerations would be secondary to lethality,” the woman said. “If they were involved at all. It’s not intended to be involved in a battle, where you try to defeat the enemy; it’s not intended for a warning shot. The only purpose is to kill, and it is only to be used when there is no better choice.”

She knelt down on the floor of their gunship, and a few seconds later the Commander called out the launch order. Their assault ship was passing over the target zone, and all the gunships deployed.

Below, 102 could see the desert, and the darting red shapes of Aethersprite starfighters giving them cover against Geonosian fighter craft. More gunships were deploying, blasts going left and right, and 102 grabbed onto the handles overhead with a free hand for stability.

The woman didn’t seem to notice.

Instead, she took something from her belt, and slotted it into the weapon. It lit up, and she tapped a few controls before snugging the stock of the weapon into her shoulder.

“It’s a shame, you know,” she said, almost conversationally. “He was a great friend of mine, once. I thought he still was, until recently.”

“Who was?” 102 asked.

“Dooku,” the woman answered, her voice slightly distracted. “Emotion, yet peace… my old friend, I do not do this for revenge, but to prevent a greater wrong.”

The strange weapon spat out a bolt of brilliant sky-blue light, one that was like a solid bar connecting their gunship to the ground, and the woman hesitated for a moment… then let out a sigh.

“May you find the peace in death that so failed you in life,” she said, in tones of quiet prayer.

“Sorry, but – did you just…” 102 asked.

“What the kriff was that?” the gunship pilot asked, over the comm connection.

“Well, you can view it in two ways,” the Jedi Master said, ejecting her lightsaber from the rifle and examining it. “No, three, I think. Firstly, that my lightsaber and I were united in the need for that to be done. Secondly, that Count Dooku was too great a threat to peace in the galaxy to live. And third…”

Jocasta Nu placed the rifle back in its box.

“Nobody messes with the Jedi Archives,” she concluded.

[deathbxnny]

Alhaitham & Dottore with reader that’s like Ruan Mei

- (●’◡’●)ﾉ

I actually really loved thinking of this dynamic, so thank you for your request, Anon, and I hope you'll enjoy this!!<3

Content: Reader is morally grey and questionable?, established relationship, Dottore is his own warning, mentions of unethical science experiments, sfw

Reader has no set pronouns!

((Not proofread))

》ALHAITHAM

When he met you, you two immideatly hit it off due to your extremely similar personalities. On the surface, at least. You were both very focused and work driven, as you rarely allow yourself to be distracted from anything. Your equal disinterest in socializing of any kind made you bond as well, as you simply avoided large gatherings or get togethers to spend time with eachother instead. A change that came as a surprise to the both of you.

You enjoy spending your free time simply reading or going over work notes in the others' presence, preferably in silence. Oftentimes, you can also lose yourselves in deep and profound conversations about life and philosophy. He loves how intelligent you are, as it pairs well with his own well-read mind too.

With that said, your main difference definitely lies in your moral ethics regarding projects and your experiments in general. Even if he may be quite emotionless visibly, Alhaitham still believes that your creations deserve proper care and therefore forces you to contemplate your own actions in many self-reflections. Not that you mind. If anything, you found this to be even more helpful to your research.

You two definitely match eachother well and make up for the other persons faults, which always works out perfectly in the end.

》DOTTORE

This man loves the more unsettling side to you more than you'll ever know. You are emotionless naturally and have always felt a certain discomfort at the lack of care for anything or anyone at that in your life. And yet, he finds absolute enjoyment in it. In fact, he enables you to do better, to work harder, to create and research more. He wants you to become the best version of yourself, or whatever he thinks that version may be.

He'll help fund any research or experiment you want to conduct in any form possible. Whether through money or unwilling subjects, as long as you give him front row seats to you working away, he'll be there for it all. His clones are also always at your disposal if you need them. He'll also understand your disinterest for your creations, seeing them as useless himself if they don't serve the purpose you created them for.

You two, however, also have much more calmer and normal moments with eachother, something you actually taught him. You'll drink tea or listen to calming music whilst discussing your latest research with one another rather often. It gives you both the downtime needed to refocus on work later once it's time to get back to the labs.

Your relationship may be unhinged to most, but that doesn't matter to the both of you in the slightest, as long as you're together.

[art-of-the-sea]

Cookie Run: Facets of Knowledge AU

[pt: Cookie Run: Facets of Knowledge AU]

" The Virtue of Knowledge holds two sides to it; Truth and Deceit. Only together can they truly understand its depths. "

Not so much a complete AU as a likely canon divergence, this 'verse is set after Dark Enchantress's defeat. Her attempt to free the Beasts from their eternal prison by creating new bodies for them ended catastrophically. The only way to keep them all at bay was to seal them within the Soul Jams carried by each of the Ancients, as well as within their own bodies. This came with its benefits and drawbacks- after all, the threat has been tamed for as long as the Ancients remain uncorrupted. Not only that, but the reuniting of the Soul Jams' other halves magnified the Ancients' power beyond imagining- as its main holders, it's all in their control now, out of reach of the Beasts.

The complications, of course, come with the continued presence of the Beasts within the Ancients. They may not have any powers, no, but they can certainly be heard by the Ancients they've been sealed within - even seen as a projection of the Soul Jam's magic. Pure Vanilla Cookie knows he's in no danger from Shadow Milk Cookie as long as he doesn't mentally give in to his lies. However, that doesn't stop the comments, the perspectives, or the presence he brings. Sealed together, they have to learn to understand each other deeper than either expected, and slowly, each begin to open their eyes to the other's views and experiences.

More details & doodles below the cut! ⤵️

- Shadow Milk Cookie can project himself outwardly into the world using the Light of Truth, but in almost all cases, the only one that can see, hear, or feel him is Pure Vanilla Cookie. This leads to quite a few reactions to seemingly "nothing" from the outside, which took a long while for the other cookies around him to get used to.

- Shadow Milk gets bored very often due to not having a physical body or the ability to interact with most cookies, so he often resorts to pestering Pure Vanilla in one way or another. PV found that ignoring him only makes it worse, so he'll often engage in giving hypothetical answers to SM's ridiculous lines of questioning. This tends to result in either an absurdly niche philosophy discussion or a yes-and fantasy lasting on-and-off for days.

- Distrust is rampant between the two, of course, which is beneficial for neither of them. Pure Vanilla is convinced Shadow Milk wants nothing but to control Earthbread once more, and SM thinks PV wants nothing more than to lock him away somewhere dark and eternal. Both are partially right, but they are forced to learn the depths of the others' perspective and understand how their defining traits are reflections of each other, stemming from the same place.

- Because of this, they slowly begin to understand each other. To trust each other. To let down the walls, because really... Who else would ever be able to comprehend them like the other?

- Pure Vanilla still refuses to trust him enough to let Shadow Milk take control of the body, though. After all, control of the body would hypothetically mean control of the Soul Jam, and he can't let himself risk the fate of Earthbread once more. Sure doesn't stop SM from pestering, begging, bargaining, and more to try!

- Arguments are surprisingly rare, because if both of them get too deep into their heated debate, they get uncomfortably close to the reality of how similar they are to each other; this tends to make them back off.

- Both of them also feel this discomfort when the other is genuinely feeling mentally unwell, as viewing the other's complexity reflects on their own they wish to conceal. This can result in an awkward attempt to cheer the other up or help the situation, if nothing else to simply remove the shared disconcertion.

(If anybody's honestly interested in learning details for this AU, send in an ask! I might even draw doodles for the replies. this au is also where this sorta popular doodle comes from)

Bonus:

me too gingerbrave

[roughentumble]

*holding your hands so tight* together we will love dandelion enough for the whole world. together we will love him for being a little bitch (affectionate)

I really hate when people use the argument of Book/Game Dandelion is misogynistic and sexist to dislike him and prefer Netflix Jaskier over him.

It's genuinely fine to have preferences, not saying it's not okay /gen However, a lot of the time the arguments being made literally just sound like a character having flaws and being a bad person is the most horrible sin in the world, and the only way we can consume characters and media is when they have no flaws and are perfect little blorbos with nothing negative about them.

It's fine to dislike a character when they're doing bad things and have bad views, that's a-okay! It's not okay to act like a character having realistic flaws and being a bad person in their media is the worst crime known to humanity. The Witcher isn't and has never been an escapist fantasy; it's dark and realistic in how it portrays war, people, and human nature. The characters within this world are going to reflect that realism.

As much as I love Joey Batey, I do think that wiping some of that selfishness from Jaskier's character, taking away some of these flaws that he has within the books and games has done harm to the character. Dandelion... Jaskier, is selfish. That is an active part of his personality and his arc throughout the series, and we shouldn't be afraid to see characters exhibiting negative traits and navigating those types of stories.

[harunayuuka2060]

MC: Ortho, isn't this a marriage certificate?

Ortho: Yes.

MC: ...

Idia: ...

Idia: Ortho-

Ortho: Marriage is a social and legal union between two individuals that creates kinship. It is a formalized commitment and relationship typically recognized by law, society, and often religious institutions. The specifics of marriage, including its rights and obligations, vary across different cultures, religions, and legal systems.

MC and Idia: ...

Ortho: You being best friends is not an excuse to decline marriage to one another!

MC: That is true.

Idia: Yeah. You've got a point there, Ortho.

Ortho: So are you going to sign it now?

MC and Idia: ...

MC: Ortho, will you let us discuss it first?

Idia: We're going to tell you once we have decided on it.

Ortho: ...

Ortho: *frowns* I will give you a one-week deadline. *leaves the room*

MC: ...

Idia: ...

Idia: Why is he so excited for us to get together?

MC: I don't know. But I think he would feel disappointed if we ignored this.

Idia: I can just talk to him.

MC: Are you sure?

Idia: Yes. Anyway, let's just continue gaming.

MC: *nods*

Vil: Ortho, you can't force marriage onto two individuals only because you want them to be together.

Ortho: I won't listen to your philosophy, Vil Schoenheit.

Vil: *frowns* What?

Rook: Monsieur Doll, I completely understand your frustration.

Rook: However, Roi de Ta Chambre and MC have created a pure bond and it's their choice whether to climb the staircase of marriage or not.

Ortho: They have a sense of kinship and that's enough!

Vil: Ortho, people change. Are you sure MC or Idia won't find someone who they will like more in the future?

Ortho: ...

Ace: Sorry, dude. But I agree with Vil-senpai and Rook-senpai.

Ace: You can't just force people to get married.

Deuce: Yeah. And that would put pressure on them.

Epel: Yes. Like if you convince Idia-senpai and MC hard enough, they might agree later on.

Epel: But then, that wouldn't be good for their friendship.

Ortho: So I don't have any choice but to watch them to stay friends? *sounds sad*

Epel: Y-Yeah...

Ace: Ey, don't be sad! You can still wish for Idia to get a love interest-

Deuce: Dude!

Ortho: *cries*

Ace: Wait- You're crying?!

Ortho: *looks gloomy as he enters Idia's room*

Idia: Ortho? Is there something wrong?

Ortho: I'm sorry, Idia. I shouldn't be forcing marriage to you.

Idia: ...

Idia: About that, here. We already signed it.

Ortho: Wha-

Idia: MC and I talked this through. If we need to divorce someday, which I think would never happen mwehee, we can just file it ourselves.

Ortho: ...

Ortho: *goes to hug him* Thank you, Idia!

Idia: Yeah. So, uh, we'll not be wearing rings.

Idia: But promise bracelets.

Ortho: Hm! That would be cute! *giggles*