#dinz

[captainbasch]

obviously we have made a 16 AU for Enna and Digone Emmary and Dinz! They are very fun and essentially the same but also so different from their 14 counterparts :0 It is very odd for them to not have tails or ears/horns LOL Like, who are these men? I don't know them!!

[eleanorcalderfashionarchive]

Eleanor Calder | February 8, 2023

Doing on AD for @chopard , Eleanor is seen wearing this Raquel Diniz dress, accessorized with Chopard jewels ⤵︎

Raquel Diniz Kate Ruched Floral-Print Silk-Satin Maxi Dress

— SOLDOUT

— Retails £1,135 / $1,155

Chopard ‘My Happy Hearts’ Necklace in Rose Gold & Mother of Pearl

— £1,340 / $1,530

Chopard ‘My Happy Hearts’ Necklace in White Gold & Diamonds

— £2,370 / $2,710

Chopard ‘My Happy Hearts’ Bracelet in White Gold & Diamonds

— £2,180 / $2,500

Chopard ‘My Happy Hearts’ Ring in White Gold & Diamonds

— £2,200 / $2,520

Chopard ‘My Happy Hearts’ Ring in Rose Gold & Mother of Pearl

— £1,180 / $1,350

[9atherin9]

dinzd.com/works/TEG-01.html

by DINZ German Network 

[barsata]

Paris 👋. Pedro. Dinz

[fvrsaeken]

first three days at my new (old) job are complete! i have had an amazing time and it's so nice to just come home and not think about work! a much needed break after the past two and a half years! i'm just going to pick up my dinz and then i'm gonna get to work on all the things i owe @uncxntrxllable because it's me, britt and our 500 threads for life baby!

[msheathermay]

sundaze dinz.

[444names]

Names generated from German forenames, excluding the letter "A"

Benele Bentz Beried Berik Berius Beryl Betchelke Bine Bodold Bodolgert Bodollip Bric Brick Brud Brut...

Cheid Chel Chenz Cher Cherosine Chim Chrich Chrik Chrio Cober Cobermild Cold Colf Colgeorin Coll Colph Coltelle Corg Corikt Cort Dieb Died Diede Diedridel Diedy Dielo Dies Diete Diette Diko Dine Dingert Dinz Diselk Dith Dold Edemictom Edert Edin Edritz Eidikt Einel Eing Ekke Ekkert Elie Elmut Emic Emich Emilhele Eminert Eminholf Emmed Emmelm Erben Erio Erne Ertrud Ertrudi Esepher Esterd Estim Estinole Evin Evino Felf Felvenz Felvert Ferdin Ferick Ferom Fertrine Florinz Floth Flottof Fred Frede Fredy Fren Fretth Frey Frich Frichrid Frichrisl Frie Frielm Friete Frik Frikold Frin Frinedi Frio Frithel Gebke Geld Gelis Gelle Geors Gerick Gerie Gerine Gerndt Gerne Gerno Gerst Gertrudo Geryl Gisberd Gise Gisel Giselipp Gismunth Gist Gisth Gottlin Gotto Gottsch Gred Grede Greid Grein Gren Greterich Grethilin Grie Gried Grisel Guid Guist Gund Gunth Guntz Günte Güntel Günth Güntz Hedi Heid Heild Heilort Heilot Hein Heine Heines Heingert Hele Helen Helger Helie Helielisl Helin Heline Helix Helm Helmund Helmunter Henich Henterius Henth Herd Herich Heringer Heristin Herith Hermilby Hernd Hernhele Herste Hert Heryl Hilbert Hild Hilie Hiline Hilip Hillrise Hiloriesl Hilortrud Hilte Hily Himerne Himo Holte Homel Horisl Horstino Hubele Huber Hubettel Hundt Hunthel Huntom Ilher Ilix Imeid Imorin Ircolph Ircus Irko Iselhene Iseph Ismutz Istonich Jerich Jernotte Jert Jeryl Jerylvete Jonikt Joninz Joscher Joschrin Joseb Josig Josin Josinel Julin Julrio Juthilip Juttfrist Jutth Jörger Jürg Jürgert Kerylven Kurs Lenter Lenth Lenz Lied Lietch Liko Lipp Lisel Lisl Loise Loistrud Lorg Lorgerd Lorick Loritz Lort Lotto Louid Louidi Louiditz Louis Ludo Luke Luttsch Lydi Lütob Lütof Lütom Medy Meine Meldo Melino Mellie Melm Merno Mich Michele Michelip Micher Michring Mick Micold Mild Miliedel Milin Miloistin Miloth Mily Mine Minerno Ming Mingo Minzelmut Mircold Mircus Miriesele Mirither Morete Nicheino Nick Niedy Nietel Nietert Nike Niko Nikt Nine Ninz Oredi Osch Oselm Ostel Osteph Othele Other Ottel Otterner Otth Ottheine Ottlie Ottscher Petelm Peterber Pethel Pethell Phel Phelistel Philheine Philhelix Redred Reido Retel Rethert Rich Richer Richilte Riesternd Rikt Risl Ristin Ritz Robenzel Rober Rolberie Rold Role Rolger Roliebke Rolied Rolip Romed Romeder Romer Rosch Rudith Rudo Rudon Rudwig Ruthimin Rutter Seld Sele Selke Selmut Sevin Sheilies Shein Shel Siedre Siedrikt Siel Siele Sieter Ster Sus-peth Sver Sves Svest Sveter Sylvesl Sylvin Thilby Thorick Tonich Torg Udisl Ulip Ulrin Ulrius Uried Ursul Ursus Utertrius Utheinz Uttene Uttof Utton Uwen Uwer Vene Venelhelf Venick Vert Videl Vine Vinhermil Vini Vold Voldel Volf Volfriete Volte Wenth Wenz Wert Wertrie Wieb Wieste Wigise Wigistert Wilber Wilby Wild Wilher Wilieb Will Wille Wilmin Wilmine Wilois Winz Wolber Wolbert Wold Wolde Wolip Wolise Xenikt Yvene Yvenzel Yverd Yves Yveter

[wowidiots]

yeah! that always happens

take me to dinz tonight I told someone else too

she looovveesss you, she even does that weird

stoked, not stoked, what’s the difference

Like lol no one

I'll take his pokemon to fuckedville

then I’ll be able to acknowledge how beautiful it is

not someone I really

[babymochigyu]

Brb i should eat dinz

[adriantapia]

3/6/24 dinz

[fred-the-curator]

I just listened to this little gem and it deserves to be shared with other ears Dafliky & gapman - Trapalot RNB Remix (By. Dinz) Uploaded by elouancs🧞 via SoundCloud https://ift.tt/ys9BQLm Make the community vibrate: a like, a share, or even a comment can transform our cultural mosaic together. 🔊❤️

[silentthinkingmoments]

Fourth of February Had K-BBQ for lunch And reunion dinz 🍲 (cheating with singlish that isn't in the dictionary)

[rubybirdgrad604]

Week Ten - Review Resources

Guided by the ideas in my critical review plan, I did some research into different written resources I could use to support some ideas.

I looked into articles about New Zealand creative communities and some key creatives that I have been inspired by.

This article discusses the strengths of the New Zealand creative industries and how many talented people are working in these circles. It also touches on the creative and visual culture fostered in NZ. There are some good points I could use to discuss the value of design and the current knowledge in the field.

This interview with Kris Sowersby articulates really well some ideas around his talent and the typefaces he has created. Despite it being published in 2011 and Sowersby creating many typefaces since then, the discussion around his skill and passion is still very relevant. Because he is a key creative for me, this could definitely be used in the review.

Creative Collaborations - Vera John-Steiner

This is a book I accessed through the AUT library. It talks about collaboration between different famous artists, and how collaboration, while defying Western values of individualism, has a focus on emotion, passion, shared experience, and connection. This can create richer creative processes and outcomes, proven through the collaborations between very talented figures like Georgia O'Keeffe and Alfred Stieglitz, and Picasso and Georges Braque.

The author discusses how the mind thrives on the discussion and trust that comes from human relationships in collaborative practices.

[grad604-macytaylor]

Week 6 Presentation planning

Acrylic

Digital art

Publication + posters

Brand identity

Formative #1 — Week 6 August 22nd 2023

Three Cs: The creative, the creation and the creative communities.

You will present and discuss the works of a minimum of five specific examples of work and the creatives behind them that you are interested in knowing more about. the creative, the creation, and the creative communities, and visual components.

At least one must be from Aotearoa, two must be practicing today, and one can be a historical / retired / dead creative figure. You will need to be able to discuss why you have selected them and how they connect to you and your present or future creative aspirations. Be cognisant of gendered biases in design. Interrogate the intentions and ideologies that are communicated through your work. Discussion of 3-5 minutes per student.

Show images of your work, creative community selected practitioner works and be sure to identify all images that are not your own, with captions. Indicative feedback will be provided. Upload PDF to Teams folder ahead of class.

The creative

The creation

The creative communities

Visual research inventory — map or use other graphic systems to present your research findings into creative communities, connecting to you as a creative. These methods might include maps, documents, specimens, scrapbooking, forensic wall, montages, to reflect on your research to date.

The guy 

The stuff hes made

The people he knows

A VISUAL RESEARCH INVENTORY: 

a graphic system mapping your research findings into creatives & design communities showing how they connect to your chosen design direction. 

Presentation plan:

Introduction: the creative neighborhood

1: You will present and discuss the your work as THE CREATIVE. Addressing, who am I as a designer? 

What does this work say about you as a designer? 

How does this work connect you to other creatives?

How do you link to your creative communities? 

Acrylic- my first foray into the art & design world. Connected through getting me excited in art via my art teacher and a good community in my classmates

2: You will present and discuss the works of a minimum of five specific examples of work & the CREATORS behind them. You will need to be able to discuss why you have selected them and how they connect to you and your present or future creative aspirations. 

At least one must be from Aotearoa, 

two must be practicing today, 

one can be a historical / retired / dead creative figure. 

Sam stutchbury

Ashleigh sun 

Jungie choi

James Hurman

Elliot Ulm

+ Be cognisant of gendered biases in design. + Interrogate the intentions and ideologies that are communicated through your work. 

3: You will present and discuss works by the CREATIVE COMMUNITIES you are interested in. 

You will need to be able to discuss: 

Why you have selected these communities, 

how they connect to your design direction 

& represent your future creative aspirations. 

DINZ Student Council 

Motion Sickness 

Threaded

Curious 

Curative

4: Present and discuss the VISUAL COMPONENTS you are gathering. 

Images and discussion of key visual components 

Why you have selected these components, 

how they link to your design interests, 

briefly outline or note themes or narratives explored.

RECAP: 

• Your work as THE CREATIVE, • The work of individual CREATORS that are influencing / informing your practice, 

• Selected practitioner works from the CREATIVE COMMUNITIES that inspire 

you / that you would like to be part of, + the VISUAL COMPONENTS gathered so far. 

Be sure to identify all images that are not your own with captions 

CONTEXTUAL ENQUIRY — investigating Develops and articulates relevant links to contemporary / historical concepts and contexts. (i.e. culturally, socially, politically or ideologically). 

“Exceptional proficiency to evaluate and extend links between a complex range of conceptual and contextual content.”

RESEARCH SKILLS — communicating Utilises appropriate tools and methods to advance and document research materials. 

“Exceptional command and expertise of new tools and methods to advance and document the research process.”

CRITICAL ANALYSIS — reflecting Identifies, comprehends and produces appropriate research materials to inform and support inquiry 

“Exceptional and cohesive questioning and reflection of material to extend inquiry”

SYNTHESIS — integrating Articulate and integrate research thinking, processes and findings, clearly and fluently to present ideas. 

“Exceptional and rigorous articulation and synthesis of research findings to compressively present ideas”

[444names]

"Names" generated from currently available weapons in PUBG and German forenames

7mmen 9mme 1895 1897 1911 Achard Acher Achilo Adeapone Ademmy Aderbaritz Adinadraus Adrantov Agdageoren Aldon Alies Alin Aliner Alker Alla Alsanna Alsanne Alten Alwigna Alwillan Amalwig Amard Ammanna Ammeine Ammorin Ammy AMRs Amuttedie Andam Aninhan Anne Annel Ante Antschroza Aragle Armarl Arolipp Assable Assan Assber Astionalf Augertram Axenzeld Axim...

Bald Balwilia Barl Bart Bealda Beas Belo Bermin Bero Bert Berta Beterstia Binchilise Biniva Bizona Bizonah Bizonalber Bizone Bludo Blukehar Bold Bolf Bomar Bomelmino Bomm Bowal Bowaleva Bowalmutth Bowbar Calder Calm Carosight Cartin Cheina Chela Chelke Cher Cherd Chiann Chilotth Chim Cocktanne Cola Colbeterd Coliberyl Colph Coltenja Corticard Crobina Dallee Damutertia Dangermar Dannel Davin Death Deatja Deco Decolipp Decton Dectorez Deslauka Deste Destichine Dian Diebharo Died Diedrikta Diesinna Diete Dikas Dinelmund Dinerd Dinrise Dinz Dithim Dusan Duselmuns Ekkevio Elhardina Emager Emalipp Emarey Emina Enes Estermare Estof Eventz Evina Ewaliela Feliegard Fellriesla Flons Fran Frart Frat Fred Fretch Fretriega Frias Fricarise Frichrob Fricto Friede Frinriste Gaustianna Gebke Gellie Georina Gerhard Geric Gistefan Gothania Gred Greinest Grianz Grius Grob Gromele Growbas Guid Gunivin Günte Halia Handried Hanger Hann Hard Harge Heideald Heido Heidon Heild Hein Heina Heinalia Heinath Heing Heinika Heinranka Held Hele Helf Helke Hellenz Helma Helmaglen Helsous Henelmutta Hentor Hermars Herndelee Herstic Hert Hesthil Hetchilt Hiebard Hilhar Hilie Hilied Hilipetam Hilt Himenald Holaf Holdellra Hubernoth Ircel Isana Isbera Isceliel Istene Jach Jachar Jacher Jernotteph Joacquela Johan Johar Joharle Joharober Jona Jonick Joschanne Josiew Josina Jultrich Juth Jutz Jürger Kara Karablenza Karadianik Karola Karta Kathana Kehaeldel Kehandrez Klaf Klatruteph Klaulrisla Klent Koliellia Kolted Konia Kurz Lauguido Laus Liebkehann Lisberikt Livid Lona Loreda Loretena Lotgun Lours Ludiasth Ludiede Ludona Luele Luka Lukar Luke Lutta Lyditz Lüto M416A4 Machelle Machrike Macquell Magdalda Mailhel Mailianne Manne Mans Mantoloned Marbard Mard Mardt Marichrin Marlon Marona Medemic Medianna Melf Mell Melle Micharcel Micolot Milianne Miliannert Milinertam Mina Mine Miner Minraricky Minther Minza Miranz Mirickta Misamon Mk12K Mmeld Modolfgan Moke Molberndt More Moren Morg Mortrade Mutto Nager Nagle Nagmue Nago Nagotte Nast Nianne Nield Nipp Niter Nitin Nivalinelk Olard Olbeatya Olphelke Orena Orey Ortinikona Ottorena Ottoric P1897 Patrin Pete Phertan R1894 Raild Rain Ralin Rellaus Renther Reta Rica Rifle Riflort Robiana Rold Rols Romena Romm Ronaterd Rosce Rosig Rostia Rundt Sans Sawedika Sebard Sebharmich Seph Shelm Sherno Shilde Shimo Shinel Siedrabria Sigillad Skorstefan Smokerno Smon Smonsga Snikta Sourt Stald Ster Stian Stick Stiona Stionater Stuntz Subel Suber Svenz Sverhann Sves Svesl Tainz Tamard Thrithar Tinz Toman Udolby Ulaultris Uliberd Urcus Utefanner Utta Uttfriebke Uwedemm Uwer Valia Valvio Vecob Vecobianne Vemm Vene Veterd Vian Vias Viegandrey Vina Vinchein Vine Vinems Vion Viona Wald Waldo Weatam Wermarce Wied Wight Wild Wilhanka Wilheinne Wilie Wilip Wilte Winah Wine Winhomm Wold Wole Wolphilter Xelmut Yvena Yvenz

[ffcarlos-grad604]

[Draft] Essay - Section 4: Contextual Review, Creative Positioning

Instructions

This is where you are explaining the current state of knowledge in the field. What did you uncover, what is best practice and what conceptual/academic thinking did you uncover?

Here you acknowledge the projects, practices, writings and people who are the most influential on your thinking, ideas and practice. Consider these prompts:

Describe 4 x designers / artists creative practices and specific projects you have researched;

Refer to the thematic and categorisations you articulated in week 8

Discuss the key concepts, and contexts (including themes).

For all 4 x case studies talk about the significance of their work and its impact on communities + your thinking/practice.

Can you include a seminal quote from an author who has written about their work? (and accurately reference it)

Can you include and correctly caption images?

--

One of the people I have chosen from the creative community is Stephen James Hart. He is a creative director specialising in graphic design, typography and photography, and serves as Creative Director at Gateway Church in Hamilton. In addition to branding for Gateway Aotearoa, he has also made album designs for newly released worship songs which blends my music and spiritual affinity into design.

--

I came across this campaign titled “Modern Classics” released in December 2022 in New Zealand. It was created for the Auckland Philharmonia Orchestra (APO), by ad agency Stanley St. This print medium campaign contains 3 media assets. The APO is an organisation I have connected with as I participated as a violist in their Summer School for 3 years.

The classical orchestra was once the epitome of cultural entertainment, but now struggles to captivate the younger audiences. Using AI-generated visuals, this series offered a reimagined look at the roles and celebrity status these legendary figures would take up if they were alive today (Stanley St, 2022).

The copywriting has a consistent and compelling headline sentence structure that resonates the message. What stands out is the juxtaposition of musical legends in unlikely contemporary scenarios: Beethoven with an iPhone on TikTok, Mozart wearing headphones selling out on stadiums, and Bach mixing beats in a sound studio and doing a collab with Gaga (Ads of the World, 2022).

The clever interplay injects a delightful sense of humour and prompts us to consider these classical geniuses in our modern, technology-driven world. Additionally, it employs artificial intelligence, a topic that has recently risen and continues to spark debate and discussion in today’s digital landscape.

--

Jory & Co, a design studio focused on social and environmental impact created History-Making Profits, World-Ending Emissions project for their client ‘Energy Profits,’ a group of international investigative journalists and researchers. This project was selected as a finalist for the Public Good Award, Design Communication and Small Scale Websites categories at the 2022 DINZ Best Awards.

In this work, they created a distinctive brand, website, infographics, video, and social assets to be used and referenced by the national media and partner climate organisations. Clean type, powerful photography, bold data visualisation and animated figures were employed to make the message easily understood and difficult to ignore. The ‘E’ icon in the brand identity, including the logo symbolises the growth of profit, remuneration, emissions, and environmental degradation. Black and white is combined with warm tones of red, orange, and yellow symbolising the increasing Earth’s temperature and growing climate devastation. (Jory and Co, n.d.).

--

DNA helps New Zealand’s leading businesses and government agencies unlock new ideas, uncover opportunities for improvement, achieve growth and deliver transformative experiences for their customers and employees.

One of their clients was Kiwibank whom they redesigned the public website for as part of a brand-led transformation across culture, product, and technology. They reimagined a digital banking experience that “enables customers to thrive” as the new brand strategy. The new website has allowed the largest New Zealand-owned bank to reposition itself, attracting and retaining a new, progressive type of customer.

From the research, it was highlighted that the focus on products and finance within many banking sites caused a gap between customers comprehension on information. They designed an interface that mirrored a conversation from banking terminology to every-day language, aiding the understanding of content (DNA, n.d.).