#crumbling road
Explore tagged Tumblr posts
notfeelingthyaster · 6 months ago
Text
i like the mostly fanon angst of bruce being a bad, or at least emotionally distant, mentor during tim's earlier robin years... but i think we're missing on the potential angst of the canon way bruce started as a careful, helicopter parent mentor to this gremlin that choose him, how they bonded over their shared grief and loneliness and mirror-narratives, until a number of tragedies (clench, no man's land, knightfall, later even red hood) pulls them apart, as bruce becomes bitter and paranoid and distant (tim's "birthday gift"), and tim has to deal with the weight of he as robin not being enough to keep bruce from darkness
like, when he goes in the brucequest, is he filled with doubts? does he ever ponders if bruce being away is better? when he brings bruce back, and sees him closer to what he was in the beginning of his partnership, but he is no longer his partner, and they no longer talk as they did....
and then damian dies and there he goes again, bruce's partner, bruce's crutch, does he ever looks in the mirror and sees bruce there?
116 notes · View notes
abiteofhoney · 3 months ago
Text
there’s just something i love about man made structures being overrun by nature
12 notes · View notes
nixie-deangel · 1 month ago
Note
🦇 🦇 🦇
🦇 vampire jake/human bradley - hangster
Blinking slowly, he slowly eases himself back from the stairs and into his room and lets himself panic. His mom is dying. His mom is dying. No, no no no no no no. He can’t lose her. She can’t die! She can’t! If she goes then he’s alone. Truly all alone in the world. Sure, he’d have Mav and Ice and his uncles but he wouldn’t have his parents. He’d be… He’d be the only Bradshaw in the world left. Swallowing the sob he can feel climbing in his throat, he throws himself onto this bed and buries his face in his pillow to quiet his cries so as to not alert the adults down stairs.
Make Nixie Write!
6 notes · View notes
opens-up-4-nobody · 3 months ago
Text
...
12 notes · View notes
djsherriff-responses · 10 months ago
Text
hmmmm kinda road trip au spoilers (maybe not?)
What if Dolph and Ramon relied on Bullfrog as a source of mental stability and support, Dolph as he tried to sort out his issues on how both Alex and his up bringing messed up how Dolph values himself as a person and Ramon as he tries to rediscover himself after Eden used his face as a source of inflicting pain onto others and having to cope with the fact he has directly people for the first time in his life?
Then one day Dolph and Ramon learn Bullfrog actually self harms and is not in fact mentally stable?
wouldn’t that be fucked up?
16 notes · View notes
ehlnofay · 1 year ago
Text
It’s not until she hears Sissel’s knees hit the floor that Efri is jolted back into her body.
She blinks, whipping her head around. Sissel is kneeling, bracing a palm on the ancient stone pavement, at the barrier – no, the barrier’s gone, it’s just Sissel on the floor. She lifts her head and meets Efri’s eyes; her hair is wispy and wild, the little plaits meant to keep it neat come loose and tumbling, her eyes wide. The barrier's gone, but still, her pale face is lit up blue.
“Are you okay?” she asks. She doesn’t speak loudly, but it echoes in the great stone chamber.
Nine, Efri doesn’t know.
She blinks again, looks down at her hands, clinging to the metal stick so fiercely that her joints ache. (Her own stick, her nice wooden one, is still on the floor somewhere, where it slipped out of her grasp when she hit the wall.) The lumpy heavy end of it, the clobbering end, is still resting on –
Not on. It’s in the thing’s head, fitted neatly in the opening of its dented helmet, the horns spiralling over the floor. There’s a tooth, perfectly preserved, by Efri’s foot.
One by one, she unwraps her gloved fingers from the handle of the metal stick, letting it drop to the floor with a clang so loud it makes her wince. Kazari is nosing at her side. (When did they let go of it? When did they get so close? She must have missed that. She feels out of the loop. Her heart is juddering like fish on a line, battering like some frightened trapped thing at her ribcage, and her breath is coming fast and heavy.) Absentmindedly bringing up a hand to press over her sore shoulder, she says, “’M fine. Not too – barely touched me.”
Kazari turns and spits on the floor. Efri blinks. She does it again, tongue lolling out of her mouth, face very disgruntled – and oh, Efri gets it. She does not glance down at the thing at her feet; she doesn’t need to, she knows what its arm looks like, chewed almost to pieces even through its banded armour. (If she hadn’t been so busy being scared of it, that sight might have made her a bit scared of Kazari. But not now, when they’re trying to hack and spit the taste of dead man arm out of their mouth.)
Efri unclips her canteen from her belt and holds it out. “Here,” she says. Her voice is rough. Her heart is racing too much to let constructing sentences be easy. “Not much, but –”
Kazari stands still while Efri tips half of the remaining water onto her tongue, and then Efri watches her swilling it around in her mouth, trying to bathe all of her teeth in it, before she spits it again on the floor at the dead thing’s feet.
The water is still clear. That’s something, at least; the dead man was too old to still have blood in him. Or maybe he was embalmed, drained of it hundreds of years ago, thousands.
“Are you okay?” Efri asks Kazari when they’re done, because they were the one doing most of the fighting, who was closest. They tip their head, shift their weight – wince when they put weight on one foot. Their lips peel back from their teeth. Their clothes on that side are singed.
Efri points it out. “Your robe,” she says, which makes it sound much fancier than it is. She’s too tired to think of a better word. She rubs a hand over her face, pushing the hair back over her forehead, says, “I’ll reinforce it for you when we get out.”
Kazari noses at Efri’s shoulder – the shredded fabric of her dress, the fraying edges stained with blood. Efri says, “I know. I’ll have to sew that up too.” Over her shoulder, she calls, “Kazari’s leg’s hurt, I think.”
“There’s blood on you,” Sissel replies. She peels her hand off the floor and leans back on her heels.
Efri touches her shoulder again. “’S fine,” she says. “Just a scrape. The blood’s drying already.”
It’s really sore, actually – the flesh abraded and tender, an ache sinking deep into the muscle – but it’s normal sore, the kind of sore you really should be after being thrown into a wall. It doesn’t feel sprained or dislocated or anything like that.  Just like it will be bruised a whole rainbow of colours come tomorrow.
Kazari noses at it again. She leans too far forward and falters on her maybe-hurt leg – rights herself, wincing, and rolls her shoulder. It gleams, just for a moment, and she nearly stumbles again. Efri puts out a hand to steady her. (It doesn’t really accomplish anything – Efri’s strong, but she’s not that strong – but it’s the principle of it.) “What was that spell?”
“Pain relief,” Sissel says from behind her. “I think. Doesn’t actually fix anything, but.”
“You’ll be okay ‘til we find someone?” Efri asks, and Kazari nods. She presses a hand against their shoulder and nods back.
They both turn to look at Sissel, then, who’s just kneeling on the floor, sitting on her heels.
“You all right?” Efri asks her.
“All right,” Sissel confirms. She doesn’t look at them. “Didn’t even come near me.”
She’s staring.
Efri crosses the floor to stand with her. (She needs to lean on Kazari – her legs are too wobbly, and she doesn’t want to touch the dead thing’s stick, doesn’t want to look for her own. Kazari limps a little on their sore front leg.) There’s a moment of total, humming silence – all of them still and staring, necks craned back, looking up at the thing.
Whatever it is.
It’s a ball. Big and blue and shimmering, it floats above a wide crystalline dish set into the floor, spinning on an axis. Just spinning and spinning and spinning, endless motion. Its smooth surface is cut through with dark wavering lines, etched with lettering, and it doesn’t quite glow but it doesn’t not glow, either, the light moving across it silkily, like clouds in a blue sky. It looks like something that should be humming – a low pitch in their ears, an eerie shiver dancing over their skin – but it’s silent. Inert, maybe, but for the spinning.
“What is it?” Efri asks. Her voice cracks as she speaks. She looks down at Sissel’s face, staring as though mesmerised, illuminated by the room’s dim lighting – the fires that should not still be burning down here, the luminous not-glow of the ball.
Sissel says, “I don’t know. Something important.”
Hovering above the dish, it spins, and spins, and spins.
“Is it what the ghost was talking about?” Efri asks. She tilts her head and squints at it. It doesn’t – well, it looks strange and unearthly and powerful, but it isn’t doing anything. And it hadn’t been clear what the ghost was talking about, exactly, according to Sissel, just that it was something important – but what else could it be?
Sissel, still watching it, shrugs. “I don’t know,” she says. “I think so.”
Efri watches it with her, brushing a bit more hair out of her face. It’s sticking to her sweaty forehead. She feels a drip of not-dry blood running down her arm under her sleeve.
Kazari is staring at it too – just as confounded as the rest of them. Efri sees the light in their irises shifting as the ball spins.
They’re not learning anything from staring, the ball staying strange and mysterious as ever, so Efri raps her knuckles against her sternum to steady her breathing (it’s slowed a bit – not normal, but closer to it) and climbs up onto the stone rimming of the dish. Kazari, behind her, lows in consternation; Sissel catches her breath, a noise like a creaking door. “Careful,” she says.
“Promise,” Efri replies, and places her feet very, very carefully on the glassy blue flooring. Nothing happens. She doesn’t step on the dark curved lines as she treads toward the ball in the centre, slow and wary as if she were approaching a skittish animal. Nothing happens.
She reaches out, and, with just the tips of her fingers, she grazes the ball’s surface.
Nothing happens.
It’s cool to the touch, and smooth, like polished metal or not-frozen ice or delicate glasswork. It continues to spin gently under her fingers, warming her glove with friction, no smudges left on its clouded face.
 It really feels like there should at least be a tingle running up her arm, a strange and unfamiliar current, a spark. But it’s just Efri, standing with an arm outstretched, pressing her hand to a ball.
“It’s not doing anything,” she reports, and Sissel clambers up onto the dish with her, fitting her palm to its gently hovering underside. Kazari balks, begins pacing agitatedly. Efri frowns. “Why isn’t it doing anything? Shouldn’t it be doing something?”
“It’s important,” Sissel says definitively. There’s ancient dust on her fingers, but none of it seems to transfer. “It’s something really special, I think.”
Efri shifts restlessly. She shifts her grip and tries to grab onto the dark ridged curves ringing its surface, but they slip easily away from her grasp as though her touch was no barrier at all. “But what does it do?”
Sissel shrugs.
Behind them, Kazari lows.
Efri drops her hand and grabs Sissel’s wrist. “C’mon,” she says, and when Sissel frowns at her, “We’re not going to learn anything about it this way. We have to look for clues!”
Kazari makes a more impatient noise. (Efri thinks she found a clue.)
Sissel gives the ball one last searching look and lets Efri tug her away, off the weird blue dish and down to where Kazari stands on the stone floor, at the head of the table where the dead man sat. Efri sniffs loudly and tries not to think about it too much. The table is smooth polished stone, worn a little away with time; Efri trails a gloved finger over the edge and directs her attention to where Kazari points with their chin.
There’s something carved into the surface, the edges blunted and shapes softened by however many years it must have been since it was put there. Efri squints, trying to make it out. She has to stand right up on her tiptoes to get the right angle to see much of it in full.
“That’s not letters,” she says eventually, frowning. She’s pretty sure she knows her alphabet well enough by now to know that. “Is it magic?”
Sissel shakes her head. “I don’t know what it is. It’s not like magical writing I’ve ever seen.”
Efri looks at Kazari, who also shakes her head. “Maybe it’s a different sort of lettering,” she theorises. It must have been written a long time ago, if it’s from back when the city had people. Onmund’s been reading all about it for ages, and he’s told her a bit – Saarthal was the city of Atmorans, populated by proto-Nordic people. All complicated history stuff. But they weren’t quite the same as Nords today, he said, so it stands to reason they had different writing, too. They’re supposed to be uncovering and cataloguing artifacts (at the thought, Efri glances back at the hovering ball and swallows an inane bubble of laughter) so she suggests, “Maybe you can copy it and we can show it to someone. I’m sure there’ll be someone at the College what knows what it is.”
Sissel, also standing on her toes, nods dutifully. “What will you do?”
The chamber they’re in is cavernous, and about empty but for the ball in the dish, the altar and chair, the body on the ground. “I’ll check him,” she says, and points. “See if he has anything on him that’s special.”
Sissel follows her finger and grimaces.
She digs out her note-paper and her stick of char, and Efri assumes it’s clues time, but when she turns she feels a hand grip her elbow. She looks back over her tattered shoulder at Sissel’s face, her furrowed brow.
“Promise you’re really okay?” she says, voice anxious and solemn.
“Promise,” Efri says, twisting her arm to touch her friend’s hand. Sissel presses her lips together and lets go of her arm.
Kazari trails after Efri to look at the dead man.
First thing is the metal stick. It’s magic someway, Efri knows – he waved it and threw her into a wall, flung spells with it – but she’s not sure how. Doesn’t know enough about enchantments. Didn’t need to, to use it; when Kazari clamped down on his arm she just ripped it from his grasp and –
She doesn’t quite exactly remember, actually, except for the bitter tang of adrenaline in her mouth and nose, the horrible grunting and scuffling sounds, the heft of the stick in her hands. Impact, over and over and over, against something that had a little more give each time.
Efri scrubs a hand over her mouth and grips the handle of the stick. It takes effort to wrest it out of the thing’s face, caught as it is by the edges of the helmet, and when it’s finally yanked free it’s – actually not as bad as she might have expected. There’s no blood, and the corpse was so desiccated it already didn’t even really look like a person anymore, so it registers less as someone with horrible violence done to it and more as a really gross art piece. It’s not nice. She doesn’t like the twisted, gaping mouth, teeth embedded wrong-ways in its tissue and scattered like coins over the floor. And one of the eyes, which had glowed unearthly blue, is now a dull, rotten black, squished like a plum in its socket.
It's worse the more she looks. She sniffs and turns away.
“This is magic, right?” she asks Kazari, testing the weight of it in her hands, the cool surface of the metal, and they nod. “A good artifact?” she adds, and they nod again, emphatically. Efri sets the stick aside and kneels.
It wasn’t wearing any clothes, really – or if it was, they rotted away. She touches the rusted armour gingerly, tries to avoid brushing her gloves against the shrivelled skin at all. Whoever it was had expensive taste, it seems – there’s jewellery in a shockingly well-preserved beard, pendants around the neck, armbands. Efri asks Kazari if each thing is enchanted. No to the armbands, no to the beard-ring, and then, pressed against the wizened chest where the flesh contours to the ribs, she finds some kind of necklace, sharp-edged and thrumming. Kazari nods to that, and, face scrunched up like an old fruit, Efri reaches around the ancient neck to slip it off.
She tucks it into a belt pocket with the tripwire necklace they found at the weird wall.
“Done,” Sissel says. She folds her paper and slips it into her own pouch. Her footfalls on the echo-y stone floor as she approaches the body for the first time are almost silent. “Did you find anything?”
“Necklace,” Efri replies, watching Sissel’s face pinch at the sight of him. “And – stick.” She scoops up the metal stick and holds it out. “He did spells with it.”
Sissel looks at it warily. “Is he a draugr?” she asks, glancing back down at his mashed-up face.
“I mean,” Efri says, “he’s got to be, right?” She’s certainly never seen a draugr before, but what else could it be?
(Calling it a draugr makes her shiver, the set of her shoulders quaking. She’ll stick to dead man.)
Sissel shudders. She reaches out to grip the handle of the stick, and Efri’s not sure if she’s taking it or just trying to keep herself upright. “I can’t believe that happened,” she says. Her voice sounds, suddenly, fragile. “I can’t believe we’re alive.”
“Me neither,” Efri says. She presses the tip of the stick into the ground so Sissel can lean on it, stands a little unsteadily.
Kazari, with a hushed murmur, telegraphs something. Efri recognises the head incline of understanding – she’s familiar with that word, that idea – and, after a moment, the flickering ear of doubt.
“They’ll have to believe us,” she says with conviction, because she means it. “We’ll show them. They’ll see for themselves.”
Kazari presses their nose to her head.
Efri clasps her hands together. “We’ll go tell someone now,” she declares – though it’s easier said than done; they were lost in the ruins ages before they even found the crumbling wall, the halls, this horrible wonderful chamber. But they’ll get un-lost eventually. They’ll get out eventually. Surely. They have practice enough with walking. “But first – help me find my stick.”
#little girl has a kill count now!! more at 11#for context: I altered stuff leading up to the discovery of the eye#efri and sissel went off to play in the undiscovered halls of this ancient archeological dig site#on the grounds that efri has a great sense of navigation and they'll find their way back to the group no problem.#(efri has a great sense of navigation in the wilderness.)#(introduce her to a series of roads and buildings and she is lost in the sauce.)#their friends split up to look for them after they've been missing from a while (wandering around with great interest and no sense of place#(incredibly lost)#kazari happens upon them right as they've found a necklace at the end of a dead-end passageway that - when dutifully grabbed#for archeological research purposes - ended up triggering the wall to crumble or disappear or otherwise remove itself from the equation#and efri wasn't going to just. LEAVE that opening there.#come ONN kazari that's weird!! we can't just leave it!! what if it closes up and we never ever find it again and there's incredible secrets#that the college never finds! what if we never know what's through there!#we HAVE to know what's through there!#so on they go.#and so ensue the horrors#they pass a lot of dead bodies before the main all but those ones are all immobile#also sissel is the only one to receive the psijic projection warning. which she explains to the others as a ghost telling her secrets#which efri accepts bc this seems like the kind of place that would for sure have ghosts#and kazari goes sure that tracks this place is fucking creepy can we leave now (<- is also curious but HAS to put on a show of reluctance#because clearly no-one else is going to)#(permanent babysitter of kids with the worst self-preservation instincts imaginable)#(she is so strong. living every childcare worker's nightmare)#ANYWAY#:D#normal type stuff#posting because it matches the artwork I'm also posting! look at that thing!!!#fay writes#oc tag#efri
19 notes · View notes
bardicbeetle · 4 months ago
Text
water takes the path of least resistance
water doesn’t care how long it takes
the beating of the river and the rain are patient pains
constant and assuring the collapse of all they reach
seconds, minutes, hours, days—
months, years, lifetimes.
water is happy to wait
there are weaker paths in the meantime
it will take you for itself another day.
4 notes · View notes
salty-an-disco · 10 months ago
Note
Hello. Clarity by Vance Joy Contrahero. Send tweet
ASTERION, how are you so good at finding Contrahero songs????
Tumblr media
^ this is me listening to that song and thinkin’ of the blorbos
13 notes · View notes
rubiatinctorum · 19 days ago
Text
:/ turns out i haven't bothered to learn anything for piano in THREE YEARS oh no................
2 notes · View notes
magebastard · 1 month ago
Text
all the dlcs for inquisition are so fuckin good but trespasser specifically is like this lore dense psychological thriller turned greek tragedy and!!!!! well that’s great!!!!!!!!!
5 notes · View notes
daz4i · 11 months ago
Text
let me preface this by clarifying i am not anti therapy in any way whatsoever and in fact encourage people to get therapy if they can and even go the extra step to help friends find the right type of therapy that may help them
ok now that that's out of the way.
therapy is bullshit man you go to a therapist saying "hey. i wanna kill myself. can you help me stop wanting to kill myself somehow?" and they go "sure! first step, stop wanting to kill yourself" and you say "well i can't. that's why i came to you. bc i don't know. how to stop wanting to kill myself" and they'll say "that's a shame. i can't help you if you want to kill yourself. that'll be 125$ please"
#mad abt my old therapist again#even checked the cost of sessions in usd to make this accessible. came out to be 124$ and a bit. and i did that on a weekly basis for YEARS#and i'm extra mad bc trying to find a new therapist is already hard esp with bpd where your options are very limited as is#but when they ask abt my history with therapy and they ask why i stopped seeing him after years. what am i supposed to say#so that scares them off and they say they can't help me or they're like. scared to go deep with me ig. bc idk. they're scared I'll snap?#what am i supposed to do. hospitalizing myself isn't an option obvs. what is there left.#it feels like a cycle#like. 'i can't help you if you don't want to help yourself'. but i need help even figuring out how to want that#and it's not like ppl in my life know how to help. tbh they usually make it worse. so loved ones aren't an option and professionals aren't -#- an option. so what is there left. how am i supposed to do a thing that comes naturally to others but not to me#even with medication even being in a recovery program i want to kms more than i used to for years#I'm supposedly taking the right steps. but. to get metaphorical ig. the road is crumbling and there's nowhere to go#and that only makes me spiral more. despite taking the right steps i feel like i'm only getting worse. there's no hope for me. lol#vent#suicide //#negative //#ask to tag#i need a good cry like full-on sobbing and screaming but unfortunately. i became too emotionally constipated for that
8 notes · View notes
vault81 · 9 months ago
Text
finally went to Earth on Starfield and..
where is everything? now I'm not a scientist or geologist or whatever, but shouldn't like... there still be buildings here? it's only been like 127 years since Earth was fully rendered uninhabitable, shouldn't there still be ruins of human civilization on the planet? (besides one building in London or other landmarks) admitably my knowledge on the subject is limited however, I know that buildings (especially made of concrete) don't disappear that quickly..
ALSO another thing, the landscape around London has changed drastically like okay the solar radiation now bombarding the planet is going to destroy the water and organic matter (although idk how fast it'd do that) I don't think it'd affect the geology that much.. so i've no idea how all these hills and mountains suddenly sprang up in the 127 years. It's weird as well, since from orbit it all still looks like Earth, but when you get down here it's just like any other generic planet in this game.
Tumblr media Tumblr media
6 notes · View notes
megafreeman · 9 months ago
Text
Do you think when Ben King and Viola met they felt kinship to each other because they both fought against and were then later shown mercy by the Boss when their faction started falling to infighting and turned on them?
3 notes · View notes
stonerzelda · 1 year ago
Text
i need to get out of ontario so bad man lol
7 notes · View notes
pinkfey · 1 year ago
Text
the thing is i rlly like oghren on a conceptual level in regards to his background and the way they reveal the layers of his relationship w branka it's just that the rest of his execution is uhhhhhh bad ://
7 notes · View notes
happykeanu · 1 year ago
Text
Perhaps we need to bring f1 to Boston and maybe we’ll finally get some decent resurfaced roads 😉
2 notes · View notes