#couldn't post the usual link with the article's image because it didn't work

[climatecalling]

This land isn’t for you or me. It’s for the meat industry.

The programs that subsidize the beef industry represent some of the most striking examples of America’s tradition of “agricultural exceptionalism” — giving farmers and ranchers special treatment, like sweeping exemptions from critical environmental, labor, and animal welfare laws. Agribusiness also benefits from getting large swathes of the West to itself, illustrating a simple fact of land use in America: Contrary to the famous Woody Guthrie song, much of it isn’t for you and me — it’s for the meat industry. The federal government’s livestock grazing program is just one part of America’s agricultural land use story. The other part is all the land used to grow crops to feed farmed cattle, chickens, pigs, and fish, which comes in at 127 million acres. All told, a staggering 41 percent of land in the continental US is used for meat, dairy, and egg production. Globally, it’s more than one-third of habitable land. Much of it was once forest that’s since been cut down to graze livestock and grow the corn and soy that feeds them. ... Agriculture is land-intensive, and we need food. But not all agriculture is equally land-intensive. Meat-heavy diets require far more land than low-meat and vegetarian diets. If we ate less meat and more plant-based foods, we’d free up a lot of land, and we could use it to make a huge dent in climate change. To avoid the worst effects of climate change, it won’t be enough to just reduce the amount of greenhouse gasses we spew into the air — we also need to remove them from the atmosphere. One effective way to do that, which doesn’t rely on unproven carbon capture technology, is by “rewilding,” or retiring agricultural land back to its original ecosystem so that its vegetation can sequester carbon dioxide. Much of that potential is currently wasted on inefficient livestock production.

[saotome-michi]

Hi! Well I think they might have changed the regulations since even a BL that was broadcasted this year (the one about the blond guy and his teacher) couldn't show kisses (though i think they could show one in last episode?) anyway regarding not mentioning the kiss perhaps it was due to the fact they didn't choose the BL tag, the scan of the fanbook and translation you can find it in the tumblr account "gogoeeg" under the tag "sayo-yamamoto"

About the event in Philippines, I got friends from there who went and talked to me about it but I couldn’t find a post until now, to read it go to the account zuzusexytiems and search the tag “yoi-news” also not long ago mappa’s ceo talked about how Sayo always had the intention to depict a romance which i think was the most direct statement but of course not choosing a BL tag arrises problems, but even so as I told you about that other bl series, they couldn’t show kisses until last eps

Still same anon, but messages sent later on with links and more clarification: 

Hi! Don’t rush if you need to study, I hope things go well with your finals, i found a twitter thread about the director’s statements on the fanbook (they also put tumblr links with the scans in the thread) i hope this link can be sent well twitter.com/hanleia/status/877682683429609472

Also this is a report of the event my friends in ph talked about, i met them because the persona fandom but they were into yoi too so it caught my attention, there might be more reports but is difficult to find them zuzusexytiems.tumblr.com/post/165924693224/met-sayo-yamamoto-fuuko-noda-of-yuri-on-ice-at-a?is_related_post=1

A second anon, I presume: 

Regarding what the other anon said, is true, that other anime hitorijime my hero had a lot of censorship despite being a BL and even the staff of series “explicit visually” like no6 have explicitly stated the relationship is “probably one sided” or “up for interpretation”. The thing is that even co creator Kubo has already labelled Victor and Yuuri as a couple as well as mappa’s ceo Otsuka and even Sayo said in yuri on life that their love encompasses love like lovers, family, etc so (½)

As someone who participates a lot in japanese fandom I can tell you almost no one denies the kiss and they took that statement as “confirmation” (for westerns it would be when Otsuka said their relationship was 恋愛) I dont consider yoi the best representation but i can assure is not bait, you just have to check official material, あの二人の愛多くの意味を包含するから…友だちだけじゃない、恋人だけじゃない even JCM and Johnny Weir have spoken with the staff and assure is romance (2/2)

First of all, I would like to apologize to both of you for this late response. Although I said I would address this after finals, I got sidetracked by family obligations, and couldn’t really get together enough energy to look through these sources and do research until now. Hopefully you two still see this answer. I am compiling your messages and answering both of you at the same time due to the similarity in topic.

Before I get started on talking about TV regulations, I wish to clarify (especially for those who are not aware of what I’ve already written on yoi) that I do not consider yoi bait, due to queerbaiting being a US/UK concept. In my opinion, the term simply does not make sense in Japan–MAPPA was never trying to attract LGBT viewers to yoi, their material was always well in line with the light BL/shoujo demographic. My past criticism about yoi was focused on its overblown reception among international anime viewers; people were acting like yoi was going to revolutionize all Japanese media in regards to depictions of lgbt people, as if yoi was the first show to have men in love, as if Japanese lgbt people and organizations have not already been fighting this fight for years… and frankly it just annoyed me on how much people misunderstood and oversimplified the situation in Japan. Whatever your views on yoi are, I think most can agree that there’s a real disconnect happening when the only articles talking about how revolutionary yoi is were from western/international websites, and Japanese sites, including lgbt sites, had nothing.  

Hence, despite having voiced my dissatisfactions towards Kubo and the yoi staff before on my blog, my main beef with yoi has always been more about its reception, the international fandom and their activity. 

But I digress– the discussion regarding TV regulations goes back to my post “Yuri on Ice, anime ratings, and censorship”. I wrote this post on Nov 20, 2016–so not long after episode 7 had been released–and in this post I put forward arguments refuting the idea that “the YOI staff censored the kiss either because they didn’t want to change their rating or their genre, or to avoid government censorship laws.” While I still stand by this idea (because ratings and genres really don’t work the same way in Japan as they do in the US, and there are no government censorship laws that apply here) I also see that, after doing some more research, there were other factors that I failed to take into consideration, namely: 

While there are no government laws or agencies that censor depictions of homosexuality in media (as there are in China), that doesn’t mean people/companies in Japan don’t exercise other forms of censorship, such as:

Corporate censorship: the sanctioning of speech by spokespersons, employees, and business associates by threat of monetary loss, loss of employment, or loss of access to the marketplace. 

Self-censorship: the act of censoring or classifying one’s own work of media. Usually done out of fear of, or deference to, the sensibilities or preferences of others (Wikipedia).

What I’m hinting towards is that, basically, either: 

Broadcasting Stations, while not having legal regulations, may pressure Anime Studios to change their content and/or

Studios themselves might be inclined to change their content in order to not conflict with Broadcasters’ perceived preferences or to better market their anime to certain Broadcasters. 

This is actually an idea that I brought up in “Yuri on Ice, anime ratings, and censorship”, but did not fully develop– it would make sense if different broadcasting stations had different “preferences” in place regarding what content they prefer in the anime they broadcast, depending on their reach, image, and perceived audience. For example, stations such as AT-X and BS11, which are known for broadcasting a good deal of “shinya anime” (if you do not know what this term means please refer back to my post linked above), are much more likely to screen niche anime with explicit content than say, stations like TBS, whose anime content consists of those targeted to either children or shounen manga readers, a much wider demographic. 

There is a possibility that these “preferences” are formalized in the shape of outlined standards. The JBA (The Japan Commercial Broadcasters Association), a non-profit incorporated association whose membership consists of 206 commercial broadcasters in Japan, focuses on upholding fundamental standards for commercial broadcasters, as well as on improving broadcasting ethics throughout the industry. Their standards, which are detailed in this document, “ JBA Broadcasting Standards”, are then used as a guideline for individual broadcasting stations to outline their own standards. However, since I am unable to find any individual broadcaster’s standards on the internet, this is mostly speculation, although the document itself is an interesting read and gives an idea of the various social pressures more mainstream broadcasters might face. For example, a couple of the outlined standards include: 

26. Public morals shall be respected. Any possibility of arousing favorable feelings toward speech or action that is against common social practice, or desire to imitate such speech or action, shall be avoided.

77. When presenting sexual minorities, full consideration shall be given to the human rights of people who belong to said minorities.

A bit conflicting, given that a portion of Japanese people still think same-sex relationships go against public morals... 

So, with all this being said, do I think it’s possible that the yoi staff was pressured into making the kiss scene what it was, not by any laws, but by social pressures translated into Broadcasters’ standards, a combination of corporate and self censorship? Yes, I do. Although TV Asahi did broadcast Shin Sekai Yori, an anime with same-sex relationships and kiss scenes, Shin Sekai Yori is an outlier among TV Asahi’s anime content. The majority of their programs (and BS Asahi’s, another station that broadcast yoi) are targeted towards a wider demographic, so I can see them having stricter standards. 

Having come to this conclusion, I wish to apologize for my old post; although the information included there is accurate, I failed to consider the factors and possibilities outlined above, thus not giving readers the full picture. 

Does this change my opinion about yoi? It changes my opinion that Kubo and Yamamoto could’ve included the kiss if they wanted to, but it doesn’t change the rest of my criticisms about yoi and its reception. 

Oh and before I forget–

Regarding Hitorijime~My Hero: I am not familiar with this anime, but whichever way the kiss scenes were handled does not prove anything in regards to TV Asahi’s regulations, because the anime was not broadcast by TV Asahi in the first place. A quick look at the anime’s main website (http://hitorijime-myhero.com/onair/) shows that it was broadcast by AT-X, Tokyo MX, and BS日テレ–not by TV Asahi.

Furthermore, while Hitorijime may have only had one kiss scene, BL/GL anime such as Super Lovers 2 and NTR~Netsuzou Trap showed multiple kiss scenes, and non-BL/GL anime like Kuzu no Honkai and Koi to Uso each had one as well. (All mentioned anime were broadcast in 2017.)

But if anything, this lends more weight to my theory that different broadcasters simply have different standards, and anime studios self-censor their content in order to market to certain broadcasters. Hitorijime, Super Lovers 2, and NTR~Netsuzou Trap were all broadcast by AT-X (shinya anime) and Tokyo MX (shinya anime), but only Hitorijime was broadcast by BS日テレ (wider demographic), while Super Lovers 2 and NTR were broadcast by BS11 (shinya anime). So perhaps BS日テレ is stricter? Makes sense to me.