#colt screams

[ozymandian-hymn]

mercy, mèrci

[jabbloo]

Obscuary be like......

[superprofesh]

The Five Times Colt Seavers Almost Kisses You (and the One Time He Does) — Part 5

Pairing: Colt Seavers x reader

Description: The fifth time Colt Seavers almost kisses you — when you finally decide you've waited long enough to tell him what he means to you.

Rating: T

Word Count: 5.5k

Tag List: @strangedeerconnoisseur, @icantwaittoliveandlearn, @moonlightandstarshimmer, @chemococktailonthehouse, @1word (sending directly to the rest because Tumblr isn't cooperating)

Author’s Note: Things are heating up!!! As you can tell, this chapter is a bit longer, and I can promise you, it's got a lot of good stuff in it :D By far my favorite chapter to write so far. I hope you all enjoy it as much as I have, and I appreciate all your kind words and support so much!!

Part 1 // Part 2 // Part 3 // Part 4

*~*~*~*~*~*~*~*~*~*~ 

A week after you’ve made an official friendship declaration with Colt Seavers, you’re back on the dim, grimy underground train station set, getting ready to watch him throw himself in front of a moving train.

At the moment, Colt is standing on the other side of the train tracks, and you’re watching him from a considerable distance across the set. You have every reason to be there — this is the set you’ve been working on day and night for the last month, after all — but you’re not the least bit worried about any of your props or decorations. All you care about is making sure Colt pulls off one of his most dangerous stunts yet.

It’s been a strange week for you. On one hand, you’re glad that Colt knows you have some feelings for him, and that your friendship has been able to carry on without becoming awkward. His sincere, unexpected apology only made your feelings stronger, but you’re trying to ignore that.

All the same, being “just friends” is the slowest, most excruciating torture you’ve ever known. For one whole week, Colt has not done a single thing that could be interpreted as overly flirtatious, just as he promised he wouldn’t so you could be spared the pain. No subtle touches, no saucy looks, no double-edged words. It’s kind of him, really.

It also hurts like a razorblade on a third-degree burn.

Still, it’s better than nothing. As long as you can have him in your life in some way, you’re satisfied to try to quell these overwhelming feelings that threaten to break free at any moment. You’re in love with him — you know that now if you never knew it before — but you just have to be content knowing that he doesn’t feel the same way. That you have to love him as you’d love a friend.

So here you are, being a supportive friend as he casts himself headfirst into a dangerous situation. This stunt involves standing in for the film’s star, Tom Ryder, whose character is supposed to be shackled to a railroad track directly in the path of a moving train, only to break free just in time. Colt’s job is to pretend to be shackled down and jump up in plenty of time to clear the path of the moving train, which is, to your great dismay, not a prop in the slightest.

As the camera crew makes their last arrangements to start filming this shot, Colt turns from fiddling with a handcuff prop to catch your eyes in the crowd that has gathered to watch. He smiles when he sees you, lifting a hand in greeting and throwing his trademark thumbs-up high above his head.

Your heart speeds up at the sight of Colt’s smile, and you wave back at him in what you hope is an encouraging manner.

“Hey, relax,” a female voice says in your ear. You turn to see Holly grinning at you as she walks back to the cameras that are already in position. “He’s done this kind of thing a million times.”

You cut your eyes at her with a smirk. “I’m not worried,” you insist.

Holly lifts both eyebrows and laughs at you, always able to read what you’re really thinking. You laugh with her, glad to feel the knot in your stomach loosening a little. Holly gives your hand a quick squeeze in encouragement before taking her place at the lead camera station.

When you look back at the set, Colt is already in position, crouched down on one knee with his hands behind his back. You know he’s not actually tied down, but even seeing the fake handcuffs almost makes you wish you hadn’t come to watch.

Elijah Gordon, the director, is shouting some instructions at the crew as they make their last-minute preparations. He’s already cued the train to start moving, as it takes nearly half a mile to get the desired speed for the shot.

“One minute, people!” Gordon bellows, situating himself on a camera dolly high enough that he can see the action below. “We’re doing this in one take, or we’re not doing it at all. Colt, remember I want it to look real!”

Colt grins up at Gordon, his face smeared with fake dirt and his teeth shining like a white band through the grime. “It is real, Gordon!”

Gordon gives a curt nod, then listens to a voice over the walkie-talkie. Though your mind is focused on watching Colt, you can’t help the creeping disdain that you always feel when it comes to Elijah Gordon. The man is a phenomenal director, but he’s also the most callous, self-centered, inconsiderate person you’ve ever known. Knowing Colt’s life is more or less in Gordon’s hands makes you feel queasy.

The train whistle pierces the echoey tunnel chamber, and Gordon lifts his megaphone to shout, “Roll cameras!”

You put both hands over your mouth, dreading having to watch the scene play out. Colt looks entirely confident where he kneels on the railroad track, but you can’t help wondering what he feels in moments like this. Does he get scared? Does he lose faith in his own abilities? Does he ever doubt that the stunt will work perfectly? Can he afford to think like that?

A second train whistle stabs your ears, and you can feel your heart beating faster than ever before. You feel like you’re the one lingering on the tracks.

You can see the train now, and your eyes flit back to Colt, whose face is mostly hidden by the bandanna tied around his forehead. His muscles are tensed, ready to spring away at the perfect second. Gordon is shouting directions, his voice barely audible above the racket of the approaching train. He holds up his hand high in the air, signaling to Colt to stay in position.

The train eats up another hundred feet. Two hundred. Three hundred. Five hundred. Gordon’s hand doesn’t budge, and Colt keeps his eyes on the director for his cue to move.

You can hear your heartbeat hammering in your ears, and it takes all your willpower not to screw your eyes shut. You keep them open as if caught in a trance, bouncing back and forth between Colt and the train as if you’re watching a tennis match.

The train rumbles closer and closer, now near enough that you can see the face of the man driving the engine. You hold your breath, waiting for Gordon to throw his hand down in a signal to Colt.

But Gordon’s hand doesn’t move. Another screeching whistle. The train is less than a hundred yards away now.

You know he should have given Colt the signal by now — you were there for the days of blocking and planning that went into this scene. Suddenly your lungs constrict as you realize Gordon is pushing Colt for a few more seconds on the tracks, long enough to make the film audiences gasp.

“Stop!” you scream at the top of your lungs, but your voice is drowned out by the roar of the train. Your feet are carrying you in a sprint before you even register your own movement. Two hundred feet away now.

“Gordon, stop it!” The director can’t hear you, but Holly does, whirling around and grabbing you by both arms to stop you from getting any closer to the set. You can see Colt’s eyes get wider as he realizes that Gordon isn’t lowering his arm.

Everything in your entire being is shuddering, wanting to shut down, wanting to scream, to explode into action, but Holly beckons for two other crew members to help hold you back. All you can do is watch as the train draws closer and Colt waits for Gordon’s signal. One hundred feet.

“Holly, make him stop!” you scream at your friend, whose distressed expression tells you you’re not alone in your confused panic.

At the last second, with the train less than fifty feet away, Gordon throws his hand down, and Colt is already in motion, somersaulting off the track and into the safety zone as the train — all forty tons of it — whizzes over the space that Colt occupied seconds ago.

Holly and her two crew members hold you back a second longer, and when the red light on the camera flickers off, you break past them and run as fast as you can onto the set. You can barely see where to step as you climb over the platform and down into the dingy, darkened train tunnel, tears blurring your vision and your pulse hammering in your ears.

Colt is leaning against the wall of the tunnel, his face as white as a ghost. Several crew members have already gathered around him, but you shove past them and throw your arms around his neck, uncaring of what anyone might think. You can feel Colt trembling in your arms even as his easygoing voice whispers in your ear, “I’m okay, I’m okay.”

Once you’re satisfied that he really is alive, you pull back, framing his face in your hands and searching his eyes with what you know must be a crazed look. Colt doesn’t say anything more; the color is slowly returning to his face, and his nerves are calming down now that the adrenaline wears off. He doesn’t, however, loosen his grip on you, betraying how shaken he still is.

“Nice work, Colt,” bellows a voice from the train platform. “That was just what we needed.”

At the sound of Gordon’s voice, all you can see is red.

Setting your jaw, you turn away from Colt and stride back to the platform with more rage than you can remember feeling in your entire life. Every muscle in your body is quaking visibly, and your voice rings out loud and clear over the chaos in the set when you shout, “How dare you?”

Gordon turns from his conversation with a cameraman and gives you a nonplussed glance. When he realizes that your yell and your power walk are directed at him, he dismisses the cameraman to deal with you head-on.

“Something you want to discuss?” Gordon asks you, condescension dripping from his voice.

Behind you, you hear Colt making his way onto the platform, his calm voice assuring you, “Hey, it’s okay—”

But you’re not in the mood to be comforted. “It is not okay, Colt,” you shout, your eyes still locked on Gordon. Every eye on the set is directed at you, now that you’ve chosen to make a huge scene with Elijah Gordon himself. Colt pulls to a stop beside you, but your words are still pointed at Gordon. “How could you make him do that? How dare you make him do that?”

“There wasn’t any real risk, kid,” Gordon says flippantly. “Keep your bonnet on.”

“No real risk?” you demand. “Did we just see the same scene? Colt was trying to get off the tracks to stay alive, and you forced him to stay on longer so you could get a ‘closer call’ on camera.”

Gordon’s brows lower at that. “Again, not life-threatening,” he snaps. “If it were, Colt wouldn’t have finished the stunt, and I wouldn’t have made him do it.”

“You weren’t the one staring down the headlights of a train!”

Colt rests his hand on your elbow in an attempt to get you to calm down, but Gordon fires back at you immediately, “He’s a stuntman, my dear. In case you folks in the set decorating department don’t know what that is, it means he does stunts. Sometimes those stunts are dangerous.”

Gordon’s arrogance only inflames your anger more. “I am completely aware that his job comes with risks,” you shout. “But those risks shouldn’t come from a toffee-nosed director who thinks human life is something to play with like a deck of cards.”

You feel Colt stiffen beside you, and his grip on your arm grows firmer. “Hey, it seriously is okay,” Colt assures you. “Just drop it.”

“I’m not dropping it, Colt. If that train had been a few seconds off count, you wouldn’t be part of this conversation. You’d be in pieces on the train tracks.”

Gordon raises his hands to cut in, replacing the harshness in his voice with honey. “Listen, my dear, let’s just keep a clear picture of who you are, all right? You’re here to make the sets look good. You do that very nicely, and I appreciate it. So why don’t you keep your little toffee-nosed opinions off the set where the actual movies are being made, okay?”

You feel a shift in Colt’s body language again, but this time, it’s directed towards Gordon. You stand your ground, shooting a steely-eyed stare at the director that would make any action star proud.

“I bet your producers wouldn’t appreciate hearing that you risked the life of their top stuntman,” you tell him softly.

Gordon laughs out loud at that, as do a few of the crew members standing around him. “Listen, sweetheart, the producers pay me to make their movies look good,” he informs you. His voice changes then, affecting a curious, offended tone. “Aren’t you the one who’s been on a little crusade lately about doing everything with practical effects? You want to change your stance and say I should do all the stunts in VFX? Your boyfriend will be out of a job if I do that.”

A few more crew members laugh, trying to reduce some of the tension that is radiating between you. You know you’re the only person who’s freaking out about Colt’s close call — it’s not like he hasn’t done this sort of thing before — but you can’t help feeling like this is important.

“You absolute scumbag,” you hiss at Gordon. “You seriously are going to play this off like it’s just part of the process? Colt almost died—”

Holly comes up on your other side now, setting a calming hand on your shoulder. “Hey, it’s okay, just—”

“I bet your producers would have loved to hear about that—”

“You need to calm down—” Holly says more firmly.

“And don’t you dare try to throw my own words at me like I’ve supported you risking people’s lives for a cool shot—”

Colt’s voice now. “Look, it’s not a big deal—”

“It is a big deal!” you explode, your voice echoing through the train station. “I mean, am I seriously the only one who sees any value in your life?”

Your comment is heavy, and everyone seems to feel the weight of it. Gordon hesitates, his eyes flicking back and forth between you, Colt, and Holly as if to make sure he’s not about to be physically attacked. The usual buzz of the crew is dead silent.

Finally, Gordon clears his throat and says dismissively, “If you’ve got a problem with me, kid, talk to the studio and see if they care. I can promise you they won’t.” He takes one step closer to you, and in a lower voice adds, “And in the meantime, keep your mouth shut about my processes. You’re good at your job, and I’d hate for you to have to get kicked off set just because you can’t keep your personal life separate from your professional one.”

With that, Gordon whirls around and walks back to the cameras to review the shot.

You’re still trembling with anger, your voice drying up in your throat as you realize that everyone in the crowd is still staring at you. You’re not ashamed of what you said, but you’re embarrassed that everyone on set had to witness it.

Ducking your head, you pull away from Colt and Holly and start walking out of the train station set. Only when the warm afternoon air hits your face do you realize tears have been streaming down your cheeks.

Colt is just a few steps behind you, and you look at him wordlessly, trying to read his expression. There’s not a trace of anger or confusion in his eyes — just a deep gratitude and affection. He slings his arm around your shoulders and leads you away from the set.

“Are you okay?” he asks.

The irony of that question isn’t lost on you. “This isn’t about me, Colt,” you state bluntly. You raise questioning eyes to him. “Does it really not bother you that he jeopardized you? Completely unnecessarily?”

Colt shrugs, his brow furrowing as he thinks. He seems so calm now, no traces of the panicky fear he couldn’t hide immediately after the stunt. “If I felt like it was unsafe,” he says carefully, “I would have jumped off the track no matter what he said.”

Another second, and it would have been too late.

“I know,” you acknowledge, a hint of emotion creeping into your voice. “I just… I don’t know. Just… seeing everyone act like it’s so casual and not important. Like your life doesn’t even make that much of a difference—”

“Hey,” Colt murmurs, stopping and turning you to face him so he can put both hands on your shoulders. “You are reading way too far into this, Picasso. No one is trying to eradicate my existence here.”

His tone is light and his eyes twinkling, and you know he’s trying to get you to laugh this off. But you just can’t.

“I know,” you whisper. “I just hate that it seems like I’m the only one who cares if you live or die. Including you.”

Your last statement makes Colt pause. You see the hesitation in his eyes as he mulls over what you’re implying. “Not true,” he replies at last, pulling you back under one arm as you resume walking towards the tents that have been set up for the crew.

“Really? Because you act like you don’t care.” Your voice holds no edge, no accusation. “You get more and more reckless with every stunt, and it just… it kills me to watch.”

You know you’re saying too much. You know you’re pushing the “just friends” agreement. But you can’t stop.

Colt takes his time responding to that. Suddenly, he seems to be really listening to the hidden meanings in your words, realizing that your outburst toward Gordon was indicative of something a lot deeper, something that you’re trying to communicate to him now. You can feel his steady heartbeat against your side, the gentle pressure of his hand on your shoulder. His steps are perfectly synchronized with yours.

“Look, I don’t have a death wish,” Colt explains at last, a serious note in his voice. “This is my job; I love the danger that comes with it. It’s like I said, both of us do our jobs because it’s our passion, no matter the risks.”

You shake your head. “I know. I’m sorry, I didn’t mean to sound like I was mad at you.”

Colt genuinely chuckles at that. “Believe me, it was obvious who you were mad at.”

“I guess I overdid it, huh?” You can feel some of the intense anger in your chest melting, and you let yourself release a slight laugh as you realize just what a spectacle you made: screaming at one of the world’s top directors on his own set.

“Maybe a little,” Colt confirms kindly. Once the two of you step inside one of the empty tents, he lifts his arm off your shoulders, and you turn to lean back against one of the wooden tables so you can face him. His face is still smeared with grime, and it suddenly reminds you of the moment you shared a few weeks ago, marking each other’s faces with your oil paints.

“I shouldn’t have made such a big deal about it,” you concede, letting your gaze fall to the ground. “I just… felt like it needed to be said after literally everyone on set witnessed it.”

Colt nods, smirking at you and crossing his arms to lean against one of the structure beams. “Hey, I appreciated it,” he says with a wink. “No one’s ever challenged a director to demand safer working conditions for me.”

“Maybe it’s about time,” you shoot back, your heart speeding up.

“Maybe.”

The moment falls quiet. The tent is empty besides the two of you, and all you can hear is the sound of each other’s breathing and the gentle rustling of the wind against the flaps of the tent. Colt tilts his head back against the beam he’s leaning on, closing his eyes and letting out a deep breath. You can tell that this stunt took a toll on him, even if he’s not showing it.

Without warning, all the feelings you’ve been hiding for the last few months threaten to spill out of your lips. Maybe it was seeing him so close to death; maybe it was your impassioned rant; maybe it’s just what happens when you love someone with the desperation of a drowning person reaching for air.

Before you can talk yourself out of it, you blurt out, “I really do care about you, you know.”

Colt doesn’t open his eyes or lift his head back up. “Well, if I didn’t, I certainly do now.”

His tone is humorous, but you’re not letting it go now that you’re committed. It’s now or never. “No, I’m serious,” you insist. “I know we’re just doing the friendship thing, but either way, I really care about you.” Colt lifts his head to fix his eyes on you, and you choose your next words carefully so he won’t misunderstand your meaning. “If you ever think that no one cares if you survive the stunts or not, I hope you know it’s not true. There’s one person in the world who would probably go insane without you around.”

Colt doesn’t laugh, but he doesn’t sound completely serious either when he responds, “Ah, you’d be fine.”

“Please tell me you don’t honestly think that.”

“Look, Picasso, I’m just one guy in the world,” Colt reminds you, shaking his head as if he’s explaining something very simple. “You’re going to meet thousands in your career, which I know is going to be super long and super star-studded. You’ve got everything in your life to look forward to.”

You frown at him, caught off guard by his seemingly off-topic response. “Colt, what are you even talking about?”

He swallows hard, looking off to the side and trying to disguise the emotion tinging his voice. “I’m just… trying to tell you not to put so many big expectations on me. I’m the kind of guy who can only let you down.”

Your heart plummets at his words, and suddenly everything falls into place in your mind. He does care. He’s always cared. He just won’t show it because he thinks he isn’t good enough. The most wonderful man in the world thinks he isn’t good enough.

“That is not true,” you declare, standing up straight for emphasis. “You’re the kindest person I know, and the smartest, and the bravest, and the funniest—”

“I think you’re confusing me with Keanu Reeves.”

“I’m not joking around, Colt. When I’m with you, I can just be myself, and I know you’re going to be there for me. You’ve seen me at my worst, but you act like you only remember me at my best. I know it sounds crazy, but I keep getting this feeling that everything in my life has led up to meeting you. Everything you do means so much to me. Every word you say, every minute we spend together is so, so precious to me. You are so precious to me.”

Your speech seems to stun Colt senseless. You have no idea where all that came from — you just knew that you wouldn’t be able to breathe until you had told him what you were feeling. Colt stands still as he processes your words, and you don’t regret a single one.

“Wow,” he finally whispers. “I have no follow-up for that.”

You shake your head, suddenly unable to meet his eyes. “You don’t need one,” you tell him. “I just… felt like I should say it.”

Colt mulls over your words again. You wonder if anyone has ever talked to him like this, if you’re really the first one who has ever looked at him like he hung the moon in the sky. How could I be? How is it possible that no one else has ever recognized you for the treasure that you are?

“It means a lot,” Colt replies softly. “Seriously, you… you have no idea. Thank you.”

You just nod in response, not sure where to go from here. Colt isn’t acting like himself, overcome by some emotion that you’re not sure of. You don’t know whether to reiterate your statements, or to wait for him to say something, or to just stand in silence together for awhile.

Colt finally breaks the silence. “You sure you’re okay?”

You almost laugh at that, some of the tension sliding out of the atmosphere. “Yeah,” you assure him with a smile. “As long as you are.”

He nods at you, his own smile returning in a quiet sort of way. You’re transfixed by the gentle light reflecting in his eyes, the relaxed slope of his shoulders, when he holds out both arms to you, lifting an eyebrow as an invitation.

You don’t hesitate for a second. Why should you, after you just confessed every secret thought in your heart?

You step into the warm circle of his arms, and he immediately lowers his forehead to rest in the curve of your neck. Colt seems so unsure of himself in this moment, in a way that you’ve never known him to be. He’s trembling slightly again the way he was after he had just leaped off the railroad tracks. You grip your arms around his neck even tighter, and Colt wraps his arms around you so tightly you can barely breathe.

In that moment, you know your assumption was correct. He does care about you as deeply as you do about him. You can feel it in his embrace, in his very heartbeat. Every time you move to pull him closer, he mirrors your movements, closing every inch of space that has ever separated you. The grimy film makeup on his face rubs off on your neck, but it’s the sweetest touch you ever felt.

Colt catches you off guard when he tilts his head just slightly to the side, just enough that his lips are resting on the side of your neck. His manner isn’t seductive or suggestive: it’s as if he’s just breathing you in, trying to memorize the feel of you in his arms. Your sensitive skin prickles at the sensation, and one of your hands finds its way up to thread in the ragged-cut hair at the base of his neck.

You can feel his impressive strength just by the way he holds you, but you can’t help marveling at the gentleness of his hands when he reaches up to stroke the back of your head, once, twice. When he cradles the base of your neck with all the tenderness of an old lover, your stomach twists itself into a knot. He’s killing you. It’s magnificent.

Colt finally lifts his head from your shoulder, his hand still resting at the back of your head. His thumb moves in lazy circles, as if he doesn’t even realize he’s doing it, and his eyes drag up your face slowly until they meet your own in a gaze that burns hotter than a supernova.

“I’ve never told you,” you whisper, your breath filling the few inches between your faces, “and I know I probably shouldn’t, but I’m in love with you.”

The words are hardly out of your mouth when Colt squeezes his eyes closed, a look of pain crossing his face. “Don’t. It’s not worth it,” he whispers back.

“It’s too late for that,” you tell him, tears choking your voice. “You don’t have to feel the same way. I just needed you to know.”

Colt doesn’t open his eyes, just shakes his head. “You don’t want to be in love with me,” he says softly, heartbreakingly. “My destination is a dead-end, and you deserve better than that.”

“Colt, I—”

“It’s better if we don’t go this route,” he tells you, opening his eyes so you can read the seriousness in his words. “You’ve got the most amazing future ahead of you. You’re going to be a lot better off without me dragging you down.”

Your heart constricts at his words. “Don’t you dare try to be noble about this,” you murmur, lifting your hands to frame his face. “You could never drag me down, and I couldn’t care less about what you think I ‘deserve.’ All I care about is you. All I want to do is love you, no matter what happens. If you really don’t feel that way about me, just say so. But if you feel as strongly for me as I do for you, please tell me. Please don’t break this off before we have a chance to even try it.”

The look that wells up in Colt’s eyes speaks to you in a language you’ve never understood before. His eyes roam your face, as if he’s searching for some hint that your words aren’t true, some way he can talk you out of your feelings. Realization dawns in his eyes as he reads the message you’re saying in everything but your words. I love you. I’ve loved you this whole time. You will always be enough for me. My heart is so full of you it barely even feels like it’s mine anymore.

He doesn’t kiss you — the distance between your lips and his feels like an interminable distance — but he lowers his face to yours in a way that is so tender, so intimate that all the breath leaves your body at once. He lets his cheek rest against yours, his beard brushing your skin softly, gently. You let your arms wrap around his neck again to pull him closer, nuzzling the side of his face with yours so he feels your meaning: I don’t ever want to let you go.

When his lips brush against your jaw, right below your ear, you can’t suppress your sharp intake of breath. You feel his hands resting on your waist, pulling you close against him, and you can hear his breath coming raggedly. He’s so different when he’s like this — no false confidence, no alleviating jokes, just the passion he keeps hidden from the rest of the world.

You slide your fingers into his hair, and you can feel him react to your touch instantly. He raises his face from where he’s been resting it against yours, savoring in the contact every slow inch he moves. His eyes are closed when he brings his face level with yours again, his breath ghosting over your lips in a way that is so effortlessly tantalizing. It takes all your strength not to tip your head back and drown in his kiss.

With his hand still resting on the back of your neck, Colt pulls you in close one more time, letting his forehead touch yours gently. You close your eyes, breathing in the scent that envelops him — pine needles, cinnamon, and something salty. One moment more, just enough to savor how it feels to be wrapped up in the very essence of him, and Colt pulls back, releasing you from his hold.

“I just can’t do it to you, Picasso,” Colt says, his voice hoarse and strained. “I’m sorry.”

Your heart plummets at his words. It wasn’t enough. All of it wasn’t enough to convince him of your love. Your words are the opposite of what you want to say, but you know there can be no other response. “If that’s what you want,” you answer quietly. “I’ll respect it.”

“I know.”

You take a few steps back, trying to ignore the agony that is so obvious is his voice. Colt still looks like he wants to snatch you back into his arms and beg you to repeat the confession you just laid at his feet, but he doesn’t. He’s too strong, too stubborn, too sure he’s truly doing the right thing by letting you go. You don’t try to talk him out of it. You love him too much to try to change his mind.

You take a deep, steadying breath. “You take care of yourself,” you murmur with a sad smile. “I mean it.”

“I will.” Colt doesn’t even attempt a smile back, the ache in his heart obvious on his face. His gaze wanders over your face for a moment longer, and then he turns and ducks out of the tent.

Once he’s gone, all you can do is bury your face in your hands and weep.

*~*~*~*~*~*~*~*~*~*~

Part 6

[creatirn]

“Megabird.”

Have this coolass photo I got during the concert

[michamiw]

My honest reaction when I found him as a traveling spirit

me when when the when-

[yesmaddyposts]

Ryan Gosling Characters as Scream (1996) Characters

Nobody asked for this but I love Scream and I (recently) love Ryan Gosling so HERE IS A LIST of which Ryan Gosling characters I think would fit as characters from the original Scream (1996) film.

This is 100% subjective so please feel free to give your own thoughts and suggestions 💕

Colt Seavers as Sidney Prescott

Final Girl Energy / Bad Luck Energy

Vulnerable characters with weaknesses but totally capable of kicking ass

Driver as Billy Loomis

Very crazy (that's why the girls love them)

Probably (most definitely) have mommy issues that they channel into one hobby

Holland March as Stu Macher

Class clown energy and WILL give in to peer pressure

Really bad at holding on to their guns

Sebastian Wilder as Gale Weathers

Blinded by their ambition for success

Characters that are kind of assholes to others until they find a love interest that softens them up

Ken as Dewey Riley

Goofy under appreciated characters with cool hats

Lovesick puppy energy

Jacob Palmer as Tatum Riley

Fashion icons

Fall under the slut character archetype, but they have hearts of gold and WILL fight for their friends

I missed a few characters like Randy Meeks and Casey Becker, but I'm just not sure which Ryan characters would pair well with them. Thoughts?

[sadiecoocoo]

I’m actually crying so much Colt and Galliard just died I swear I am not okay Falco did not deserve to have to be a titan this show is going to destroy me and send me to therapy

[midnightsaboteur]

@marimelwrites

[doesithavetobeaspider]

The Spirit: Saree Falls in Love by Will Eisner

[superprofesh]

just going to throw this out there

[creatirn]

I want whatever they might have.

[cultfic]

colt seavers is unceremoniously trying to rearrange as best he can the latest extravagant outfit he finds himself strapped in as dan begs him to leave the thing as is or else he'll have to swing by costumes again. easy for him to say: he's not the one dressed in the silliest rendition of elvis' vegas period, golden pants and all!

⎯ @narrativ, jody moreno : “ you look good like this. ”

the interruption catches him off guard because he forgot about the walkie talkie stranded on the nearest table but the voice buzzing through the device instantly triggers a smile and he picks it up, pushes the talk button. ❝  if this turns you on, wait until you see the wig.  ❞ squinting, he turns to peer at her in the near distance and makes out her dashing silhouette against the sun. ❝  so you got a thing for the king, huh? ⎯ we'll get back to that later ⎯ but did you know he ..  ❞ a short pause as colt reaches for his stunt brief, ❝  once performed a double backflip on a dirt motorbike? i got one word for the guy: rock'n'roll!  ❞ smile widens as finger releases the button and he winks her way, just for good luck. over.

[joelmillerisapunk]

Howdy Honey I. can't get you off my mind

series masterlist masterlist

wordcount: 6,709

summary: After a tumultuous fall from your horse that leaves you with a fractured wrist and bruised ribs, you find solace in the strong arms and gentle care of Joel Miller, the new ranch hand whose rugged exterior hides a tender heart.

warnings: mentions of falling, fracture, eventual smut, slowburn, age-gap, some fluff, two stubborn people falling in love, angst, from both your and Joel's pov

notes: First of all thank you to all of you for supporting the masterlist, I am absolutely blown away! I appreciate the heck out of you all so very much! <3 <3 Second thank you sm to @joelslegalwhre and @mountainsandmayhem for screaming with me about all of this ily both <3 Third I wrote this after my own experiences falling off a horse and being carried by a hot cowboy at work. K I'm gonna go panic, love you all bye. gif is by @tomshiddles divider by @saradika-graphics

The sun is high and unforgiving, casting a golden hue over the sprawling acres of your family's ranch—a place where the West still feels wild and untamed. The ranch, nestled in a valley surrounded by rugged mountains, is a patchwork of green pastures, dotted with grazing cattle and horses. The main house, a sturdy two-story structure with a wraparound porch, stands proudly at the heart of the property, its whitewashed walls and red roof are like a beacon for the lost amidst the vast expanse of land. You can always find your way back home.

To the east lies the stables, a long, low building with enough room to house two dozen horses comfortably. Its wooden walls have weathered to a soft gray, and the scent of hay and horse is always present in the air. Just beyond the stables is the equipment barn, filled with tractors, balers, and all manner of tools necessary for maintaining the ranch. The sound of metal clanging against metal often echoes from within as ranch hands tend to repairs or prepare for the day's work. A little further out is the chicken coop, bustling with activity as hens peck at the ground and roosters crow their morning greetings.

On the southern end of the ranch, a series of fenced-in training pens are set up for breaking in new horses or for practicing roping skills. It's here that you often find the newly hired ranch hand, Joel Miller, expertly mending a section of split-rail fence or guiding a young colt through its paces with patience and skill honed over decades. 

You've grown up with the scent of hay and the sound of hooves on dirt, a life that's as much a part of you as the blood in your veins. Recently, your parents brought on a few new ranch hands, a decision driven not only by their advancing years and a growing wanderlust but also, you suspect, by a desire to ensure you're well looked after in their absence. It didn't seem to matter how many times you'd promised that you and [name] the very first and only other person hired to help around, could take care of the ranch -  they never let go of the fact you weren't five anymore. 

Today you find yourself working a little less hard because of Joel Miller, the new ranch hand that looks like he stepped straight out of a Western movie. You watch him from afar as you make your way to take your horse out, his muscles straining against his plaid shirt as he repairs a section of fencing. He moves with an easy grace despite his age and broad build. His salt-and-pepper hair peeks out from under his worn cowboy hat, and you can't help but feel a pull towards him, something beyond the usual respect for a seasoned hand.

The ranch is alive with activity as you prepare Daisy for her daily run. The horses in the nearby pasture lift their heads at your approach, their ears pricked with curiosity. Daisy nickers softly, her tail swishing in anticipation as you lead her out of her stall and toward the open pasture. As you trot along one of the well-worn trails, you pass by landmarks that tell stories of your family's history; there's an old rusted tractor from your grandfather's time, now half-buried in wildflowers; a grove where you used to play hide-and-seek with your siblings; and further on, an ancient stone marker placed by settlers who once claimed this land as their own. Each sight brings back memories that are as much a part of you as they are a part of this place. 

But today, these familiar sights are merely blurs in your peripheral vision as Daisy gallops across the landscape. The wind whips through your hair, and you feel a rush of adrenaline as the horse's muscles move powerfully beneath you. It's in these moments that you feel most at peace, in harmony with the natural world around you.

Suddenly, a sharp cry from Daisy breaks the rhythm of her gait. You pull sharply on the reins as a jackrabbit darts out from the underbrush, its sudden appearance startling her. In an instant, your peaceful ride turns to chaos. Daisy rears up, her eyes wide with fear, and you're thrown from the saddle, the world a blur of blue sky and golden earth. The impact is jarring, knocking the breath from your lungs as you hit the ground hard. Pain radiates from your side and arm. As you lie there, struggling to catch your breath, Daisy gallops away towards the safety of the stables, leaving you alone in a cloud of dust.

The sun beats down mercilessly upon you as waves of pain wash over your body. You try to move but find that even breathing is a challenge. You try to push yourself up, but a wave of nausea forces you back down. It's then that you hear the pounding of hooves approaching fast and boots hitting the ground. 

"Easy there, easy," a familiar voice drawls as strong hands gently roll you onto your back. Joel's face swims into view, his brow furrowed with concern. "Looks like ya had a bit of a tumble, darlin'. Can you tell me where it hurts?" His voice is deep and soothing, cutting through the haze of pain. You manage to point to your side, wincing as he carefully probes the area. "Just bruised, I reckon," he says after a moment, his touch is surprisingly gentle for such calloused hands. "Your arm too. We should get ya back to the house. Might have t'see the doctor."

Over my dead body, you think to yourself.

With surprising ease, Joel scoops you up into his arms, cradling you against his chest. You can't help but notice the warmth radiating from his body. It's an intimacy that makes your breath hitch in your throat—a sensation that has nothing to do with your injuries.

"Gave me quite the scare there darlin," Joel remarks as he carries you towards his waiting horse. His tone is light but there's an undercurrent of something else—affection? worry? "What were you thinkin’ taking Daisy out alone after that storm last night? These trails can be treacherous."

You want to argue that you're capable and don't need help, that it was just a routine ride and something spooked Daisy but arguing takes energy—energy that's currently in short supply thanks to the pain radiating from your side and shooting through your arm. Instead you murmur a weak apology. "Didn't think it’d be a problem."

Joel chuckles softly. "Well, I reckon that's part of the adventure, ain't it? Never quite knowing what the day's gonna bring." He adjusts his hold on you slightly, his grip firm yet careful. "But next time, maybe wait for someone to come with you. Safety in numbers and all that."

As he settles you onto his horse, he keeps a steady hand on your back, “you okay darlin?” He asks, making sure you're secure before you nod and he swings up behind you as gently as he can. The closeness is overwhelming; his body is a solid wall of heat at your back, and you can feel the muscles in his thighs as they grip the horse's flanks. It's a strange mix of vulnerability and safety, being so close to this man who just (weeks/days?) ago was a little more than a stranger.

The ride back to the ranch is a blur of sensations—the rhythmic sway of the horse beneath you, the scent of leather and sweat mingling with Joel's unique aroma of woodsmoke and something undeniably masculine. You find yourself leaning into him without thinking, seeking comfort in his strength.

"Almost there," Joel reassures you as the house comes into view. His breath is warm against your ear, sending an unexpected shiver down your spine. "We'll get some ice on those bruises and take a look at you."

Once at the ranch house, he carries you inside and sets you down gently on the living room couch crouching beside you to remove your boots. His fingers brush against your skin accidentally as he works them off one by one—a touch that sends sparks racing along your nerves despite yourself and despite any rational thought about how much older he is than you. You quickly blink them away.

"Ice pack," he commands firmly but kindly before disappearing into the kitchen. You hear the clinking of ice being scooped from the freezer. 

As Joel returns from the kitchen, the air in the room shifts subtly. He kneels beside you on the couch, his movements deliberate and gentle. "This might be a bit cold at first," he warns, his voice carrying a hint of gruffness that hadn't been there before.

You nod, bracing yourself for the shock of cold. But when he lifts the hem of your shirt to expose your bruised side, the brush of his fingers against the sensitive skin of your stomach sends an unexpected wave of heat coursing through you. It's a clinical touch, meant only to aid in your recovery, but the proximity of his hands to the curves of your body is not lost on you.

He places the makeshift ice pack against your side, the cold seeping your body. You can't help the sharp intake of breath as the icy chill envelops the tender area. Joel's eyes flick to yours, concern etched across his features.

"Sorry, darlin'," he murmurs, his gaze lingering on yours for a moment longer than necessary. "I know it's uncomfortable, but it'll help with the swelling."

You give him a small, reassuring smile, trying to convey that you understand—that you appreciate his attentiveness. As he holds the ice pack in place, his other hand comes to rest on your hip, a steady presence that seems to anchor you amidst the discomfort.

The room is silent save for the soft ticking of the grandfather clock and the occasional crackle of ice as it begins to melt against your skin. You can feel the heat of Joel's palm through the fabric of your jeans, and you find yourself acutely aware of every point of contact between you.

After a few minutes, he slowly lifts the ice pack away, his eyes scanning your side with a practiced eye. "How does it feel now?" he asks, his voice a low rumble that seems to resonate within you.

"A bit better," you admit, the pain having dulled to a manageable ache.

He nods, his attention still focused on your injury. With a gentle touch that belies his rugged exterior, he traces the edge of the bruise with his fingers, his touch feather-light yet firm. The sensation sends a shiver up your spine, and you find yourself holding your breath, waiting for his next move.

"You're gonna be sore for a few days," he says. "But I think you'll live."

As he withdraws his hand, you feel an odd sense of loss, as if the warmth of his touch had become a lifeline in the midst of your pain. You watch as he rises to his feet, his tall frame casting a shadow over you.

"Thank you, Joel," you manage to say, your voice barely above a whisper. The words feel inadequate, but they're all you have to offer in this moment.

The corners of Joel's mouth twitch into a small smile, and he gives a nod, turning back towards the kitchen 

While he's gone, you take the opportunity to study him from afar as he walks through the open room to the kitchen. There's an air of quiet strength about him, a sense of resilience. You find yourself wondering about his past—where he came from, what brought him here to your family's ranch. But those questions will have to wait for another time; right now, just talking and moving is enough of a challenge without adding an interrogation into the mix.

Joel returns with a glass of water and some painkillers. "Here," he says gently, helping you sit up enough to swallow the pills before lying back down against the cushions with a wince at the sharp pain in your side again.

“Rest up now," Joel instructs. “I'll take care of things around here for the rest of the day. You just focus on healin.”

You drift in and out of sleep on the couch and everytime you drift out you see Joel lingering around keeping watch over you like some kind old west guardian angel dressed in denim. 

As the day wanes and the shadows grow long across the hardwood floors, you stir from your uneasy slumber. The pain in your side is a dull roar now, thanks to the medication Joel provided. You blink slowly, your eyes adjusting to the dim light of the living room. The ranch is quiet, save for the occasional creak of the old house settling and the distant sound of Joel's voice as he talks to one of the horses in the stable.

Your heart flutters at the thought of him—his rugged features, his gentle touch, and those eyes that seem to see right through you. It's a dangerous path your thoughts are taking, but you can't help it. There's something about Joel that draws you in, despite the years between you.

The front door opens with a soft squeak, and Joel steps inside, his boots leaving a trail of dust on the floorboards. He looks weary but satisfied, his shirt damp with sweat from a hard day's work. His gaze finds you instantly, and a warm smile spreads across his face.

"You're awake," he observes needlessly as he approaches. "How're you feeling?"

"Sore," you admit with a small grimace as you try to sit up straighter on the couch. "But better than before." You didn't want to admit how bad your arm was actually killing you.

Joel nods in approval before disappearing into the kitchen again—a man of few words but many actions. He returns a bit later with a steaming mug in hand and offers it to you carefully so as not to spill any on your lap. 

"Chamomile tea," he explains gruffly when he sees your questioning look at what seems like an unusual choice for someone like him, someone who seems more accustomed to strong black coffee than herbal infusions. "It'll help with any lingering pain and help ya sleep." 

You take a tentative sip; making sure to grab the cup with your good hand it's sweetened just how you like it—a small detail that makes your chest tighten unexpectedly because it means he's been paying attention even when he didn’t have to be.  The warmth seeps into your hands as much as into your insides making everything feel less daunting all at once despite your injuries.

The evening settles in, casting a cozy glow over the living room. The ranch is quiet, the animals bedded down for the night, and the chores all done. Joel lingers, his presence a comforting constant in the otherwise empty house. He settles into the armchair across from you, the lines of his face softened by the dim light.

"You should eat somethin’," he suggests, already rising from his chair. "I'll fix ya up a plate."

Before you can protest, he's back in the kitchen, the clatter of dishes and the smell of food wafting through the air. You can't help but smile at his insistence. It's been a long time since anyone has taken care of you like this.

Joel returns with a tray balanced in one hand—a simple meal of soup and a sandwich, cut into manageable pieces. He sets it down on the coffee table, pulling it closer to you. "Eat up," he urges, his tone gentle but firm. "You need to keep your strength up."

As you eat, he watches you, his gaze never straying far. It's an odd sensation, being the focus of such intense attention, but you find yourself not minding it. There's a sense of security in his watchfulness, a feeling that you're not alone in this big house.

When you've finished eating, Joel takes the tray away, leaving you to sip your tea in peace. The painkillers are starting to wear off, and as you move to adjust your position on the couch, a sharp, stabbing pain shoots through your arm, causing you to yelp in surprise and discomfort.

Joel, who has been quietly cleaning up the remnants of dinner in the kitchen, is at your side in an instant. "What is it?" he asks, his voice laced with concern. "Did you move wrong?"

"It's my arm," you admit through gritted teeth, cradling the injured limb with your other hand. "I think I might have aggravated it."

With a nod, Joel gently takes your arm in his hands, his touch firm yet gentle. He probes the area with practiced ease, watching your face for any signs of pain. When he reaches a particular spot, you can't help but flinch, a hiss escaping your lips. “Shh, I know. Easy, easy," he soothes you like a wounded animal, before releasing your arm. His brow is furrowed, his lips pressed into a thin line. "I don't like the look of this. Could be broken, or at least badly sprained. We need to get you to a doctor first thing in the mornin’."

"I'm sure it's fine, Joel," you argue weakly, not wanting to cause a fuss. "It's probably just a bad bruise. I'll be okay after a good night's sleep."

But Joel is having none of it. "No, it ain't fine," he says firmly, his tone leaving no room for argument. "You could be doin’ more damage by not getting it checked out. I'll drive you to the clinic myself in the morning. This ain’t up for debate."

You know that look on his face—it's the same one he wears when he's dealing with a stubborn horse or a difficult piece of machinery. There's no point in trying to dissuade him when he's made up his mind. And truthfully, the idea of having a professional assess your injuries is somewhat of a relief.

"Alright," you relent with a sigh, the fight draining out of you. "I'll go to the doctor in the morning."

Joel's expression softens, and he gives your good shoulder a gentle squeeze. "That's the smart choice, darlin'. We'll get you fixed up in no time."

As he moves away to finish tidying up the kitchen, you find yourself watching him, a mix of gratitude and something deeper swirling within you. Despite the pain and the uncertainty of your injuries, you can't help but feel a sense of safety and comfort with Joel around. You're taken from your thoughts when Joel comes back into the living room. "I should be gettin’ home," Joel says after a while, his voice low and reluctant. "But I'll be back first thing to check on you."

You nod, trying to hide your disappointment. The house feels too big, too empty to be without him in it. "I'll be okay, Joel," you assure him, trying not to worry him, though the words taste like a stale cigarette on your tongue. "Thank you for everything."

He gives you a long, searching look before nodding slowly. "Alright then," he says, rising from his chair. "You remember what I said about not pushin’ yourself too hard?"

"Yes," you reply with a small smile. "Rest and recovery."

"That's right," he affirms, pulling on his jacket. "And don't hesitate to call me if you need anything—no matter the time."

You watch as he heads for the door, his silhouette framed by the night outside. Just before he steps out into the darkness, he turns back to you, his eyes reflecting the soft light of the living room. "Goodnight darlin," he says, his voice carrying a hint of something unspoken.

"Goodnight, Joel," you whisper back, the words hanging in the air long after he's gone.

The house is silent once more, save for the ticking of the old grandfather clock in the corner. You finish your tea and carefully set the mug aside, the warmth of it still lingering on your lips. With a sigh, you settle back against the cushions, the pain in your side a dull reminder of the day's events.

As the night deepens, you find yourself reaching for your phone, your fingers typing out a message before you can second-guess yourself.

Hey. Just wanted to say thank you again for today. I'm okay, just wanted to say thanks. Hope you got home safe.

What you really meant was, “please come back I'm fucking scared being alone.”

You hit send before you can change your mind, the message disappearing into the ether. Minutes tick by with no response, and you chide yourself for expecting otherwise. Joel is probably already asleep, or at least on his way to getting some much-needed rest after the day he's had. But just as you're about to set your phone aside and try to get some sleep yourself, it vibrates in your hand, startling you. A notification lights up the screen—a new message from Joel.

Of course. That's what I'm here for. Got home just fine. How are the ribs? Any better with the meds?

You can't help but smile at the concern in his words, the gruff affection that seems to come so naturally to him. You reply, telling him about the tea and the meal, about how much better you feel with him looking out for you.

His response is quick, as if he's been waiting by his phone for your message. 

Glad to hear it. And remember, there's no rush to get back in the saddle if you're not feeling up to it. Everything will still be here when you're ready. Your health is the priority now. If there's anything I can do for you, just holler. I've got your chores covered. Take care of yourself and don't hesitate to reach out if you need anything or just want to talk about what happened.

You read his words over and over, each one a balm to the lingering ache in your side—and to the unexpected emptiness in your heart. With a contented sigh, you finally set your phone aside and close your eyes, the sound of the ranch at night lulling you into a peaceful sleep.

______________________________________________________________

The next morning, you're awakened by the sound of a vehicle pulling up outside. You rub the sleep from your eyes and glance at the clock—it's early, barely past dawn. With some effort, you manage to sit up and swing your legs over the edge of the couch, wincing at the stiffness in your muscles.

The front door opens, and Joel steps inside, his hands full of a large wicker basket. "Brought you some things," he announces, setting the basket down on the coffee table. Inside, you find an assortment of items—fresh fruit, a few paperback novels, a soft, hand-knitted blanket, and a small potted plant. "I figured you could use some company," he says, gesturing to the plant. "And the books are from my daughter's collection. She loves a good western—thought you might enjoy them."

The revelation that Joel has a daughter is something that catches you off guard, a piece of him that he kept carefully tucked away, a piece you want to know more about. 

You're touched by the thoughtfulness of his gifts, each one carefully chosen to bring you comfort during your recovery. "Joel, this is... it's too much," you protest half-heartedly, even as you reach out to run your fingers over the soft wool of the blanket.

"Nonsense, darlin’," he replies with a dismissive wave of his hand. 

The way he calls you darlin’ brings heat to your cheeks, and you quickly look away, busying yourself with arranging the items in the basket. When you finally gather the courage to meet his gaze again, you find him watching you with a soft smile on his face and you assume he's forgotten about the doctor until he speaks up.

“Alright let's go.” Joel's stands up and holds a hand out to you. 

You look up at him and chuckle “It's fine Joel. It barely even hurts.”

The argument is brief but intense, with you stubbornly insisting that a trip to the clinic is unnecessary despite the pain in your arm. Joel, however, is just as adamant, his concern for your well-being overriding any protests you might have.

"I ain't gonna stand by and watch you suffer when there's somethin’ that can be done about it," he says firmly, his tone leaving no room for argument. "Now, we can do this the easy way or the hard way."

You cross your arms defiantly, wincing as the movement sends a jolt of pain through your injured wrist. "And what's the hard way?" you challenge him, though there's a hint of amusement in your voice.

Without warning, Joel strides toward you, scooping you up into his arms before you can react. You let out a startled yelp as he hoists you over his shoulder with surprising ease, his strong hands holding you securely in place.

"Hey! Put me down!" You pound on his back with your good hand, your cheeks hot with embarrassment and indignation. But beneath the surface, there's an undeniable thrill at being so close to him—at feeling the muscles in his shoulders and back move beneath his shirt as he carries you effortlessly toward the front door.

"As soon as we get to the truck," he replies calmly, unfazed by your struggles. "We're going to see Dr. Simmons whether you like it or not."

You continue to squirm and protest as he carries you across the yard to where his truck is parked. The other ranch hands look on with barely concealed grins but wisely choose to keep their comments to themselves. They know better than to get between Joel Miller and something he's set his mind to.

With a gentleness that belies his gruff exterior, Joel sets you down on the passenger seat of the truck and buckles your seatbelt for you before closing the door and heading around to the driver's side. 

Joel.

He grips the steering wheel tightly, his knuckles white as he navigates the familiar dirt roads that lead away from the ranch. He can see you out of the corner of his eye, arms crossed, gaze fixed on the passing landscape. A vision of stubborn beauty, your jaw set in a way that makes his heart do things it hadn't done in years. He can feel the tension radiating off you—a mix of pain and frustration at being manhandled against your will. He can't blame you for being upset. If someone had picked him up and carried him off like a sack of feed, he'd be mad too. But when he saw you lying there in the dirt, hurt and vulnerable, something inside him shifted. It awakened a protective instinct that he thought had died along with Sarah.

Damn it, Joel, he chides himself. She's young enough to be your daughter. But the thought feels hollow, a weak defense against the pull he feels toward you. You’re strong, fiercely independent, and yet, there’s a vulnerability to you that calls to something deep within him, the need to care for someone - for you. He glances over at you again, taking in the delicate curve of your jaw, and the way your hair falls in waves around your shoulders, taking in the way the morning light plays across your features. You’re a sight to behold, all fire and spirit wrapped up in a package that is far too tempting for his peace of mind. Every time he looks at you, all logic seems to fly out the window. There's an undeniable connection between you, a spark that ignites whenever you're near each other. It's terrifying and exhilarating, you make him feel young again. 

He risks another glance in your direction, and his heart skips a beat when he finds you watching him with those big doe eyes of yours. Joel swallows hard, forcing himself to look away before his thoughts can wander any further down that dangerous path. He needs to focus on getting through this day without letting his guard down completely.

The clinic is just up ahead now, its whitewashed walls gleaming in the early morning sun. He pulls into the parking lot and kills the engine, turning to face you with a stern expression that belies the turmoil he feels inside.

"Ready?" he asks, though it's clear from his tone that it's more of a statement than a question. He's not going to let you talk your way out of this one—not when your health is at stake.

You nod reluctantly, your gaze fixed on the clinic entrance. You're nervous; he can see it in the way your fingers worry at the hem of your shirt, in the slight tremble of your chin. He wants to reach out and wrap you in his arms, to offer some semblance of comfort, but he holds back. It wouldn't be appropriate—not here, not now. Instead, he climbs out of the truck and comes around to open your door for you, offering a hand to help you down onto solid ground.

The interior of the clinic is cool and sterile-smelling—a stark contrast to the fresh air and open spaces of the ranch. Joel checks you in at the reception desk while you sink into one of the waiting room chairs, wincing as even that small movement sends a twinge of pain through your side and arm.  Joel takes a seat beside you in the waiting room, his hands clasped tightly between his knees. He can feel the tension emanating from you, a coiled spring ready to leap to action at the slightest provocation. He knows that look—it's the same one he's seen on injured animals over the years, a mix of fear and defiance. It tugs at something deep within him, a primal urge to protect those he cares about most.

He wants to say something to ease your discomfort, but words seem inadequate in the face of your pain. Instead, he reaches out tentatively, his hand hovering just above your knee before he gives in to the impulse and rests it there gently—a silent promise that he's not going anywhere.

You startle at his touch, your gaze flicking to his face in surprise. But as you meet his eyes, you see nothing but sincerity and concern reflected back at you. Slowly, deliberately, you place your own hand over his.

The waiting room is filled with the soft hum of fluorescent lights and the occasional rustle of magazines being flipped through by other patients. Joel's thumb traces idle patterns on your leg as you sit there together in silence.

"Joel," you say finally, breaking the silence that has settled between you. Your voice is quiet, but it cuts through the ambient noise like a knife. "I want to thank you - for everything."

He shakes his head dismissively, though there's a warmth in his eyes that wasn't there before. "No need for thanks," he replies gruffly. "I did what anyone else woulda done."

"No," you insist firmly, turning in your seat so that you're facing him fully now—ignoring the twinge of pain it elicits from your injuries. "Joel," you say again, your voice steady despite the pain you're clearly in. "I mean it. You've been... you've done so much for me. More than I could have asked for."

He opens his mouth to respond, to downplay his role in your care, but the words die on his lips as the nurse appears in the doorway, clipboard in hand. She calls out your name, scanning the room until her eyes land on the two of you.

Reluctantly, Joel withdraws his hand from your knee, the connection between you severed as you rise to follow the nurse. He stands as well, intending to accompany you, but the nurse shakes her head. "Just the patient for now, please," she says with a polite but firm smile.

You shoot him a reassuring look over your shoulder as you follow the nurse down the hallway, leaving Joel alone with his thoughts. He sinks back into his chair, his hands clasped tightly between his knees again as he waits for you to return.

The minutes tick by slowly, each second stretching into an eternity. Joel's mind races with worry and concern. He knows the ranch like the back of his hand, can handle any crisis that comes his way—but this is different. This is about you, and the thought of you in pain, of you being afraid, is more than he can bear.

He can't shake the image of you lying in the dust after being thrown from Daisy, the fear in your eyes when you realized you couldn't get up on your own. It had been years since he'd felt that kind of raw terror, the kind that gripped your heart and squeezed until you couldn't breathe. But in that moment, with you hurt and helpless, it all came flooding back. Joel had always prided himself on his strength, both physical and emotional. He'd had to be strong after Sarah passed, but with you, he felt something shift inside him—a crack in the armor he'd spent years building up around his heart. He cared about you, more than he should. It was a truth he couldn't ignore, no matter how hard he tried. You were young, vibrant, full of potential and promise. And he, well, he was just an old cowboy with more yesterdays than tomorrows. But when he looked at you, when he saw the fire in your eyes, he felt alive in a way he hadn't in years.

He’s pulled from his thoughts when he hears your name called again. He looks up to see the nurse beckoning him forward with a gentle smile.

"You can come back now," she says, her voice soft and reassuring. "She's asking for you."

Joel's heart skips a beat at her words. He rises quickly, his boots thudding against the linoleum floor as he follows the nurse through the maze of hallways to the examination room where you're waiting. His mind races with possibilities—none of them good. 

Why would they need me if everything was fine? Had something happened while you were back there? Was the injury worse than they initially thought?

The door to the examination room creaks open, and Joel steps inside, his eyes immediately going to you. You're sitting on the edge of the examination table, your face pale but composed. The relief that washes over him at seeing you unharmed is palpable; it leaves him momentarily lightheaded as he crosses the room to your side.

"What's goin on?" he asks urgently, his gaze flicking between you and the doctor who is standing nearby with a clipboard in hand. "Is everything alright?"

Dr. Simmons gives him a reassuring nod before turning his attention back to you. "I was just explaining to your friend here that it looks like she's got some bruised ribs and a fracture in her wrist," he says matter-of-factly as he jots something down on his clipboard. "We'll need to keep an eye on those ribs—make sure there's no internal bleeding or complications—but I think she'll be just fine with some rest and proper care.We gave her some pain medication before the x-ray. It may make her tired so she will need to be watched. No driving, etc. And she will need to come back in three weeks from now to get an updated x-ray of her wrist."

Joel lets out a breath he didn't realize he was holding, relief flooding through him like a tidal wave crashing against jagged rocks. He reaches out instinctively, taking your good hand in his own as he listens intently while Dr. Simmons goes over your care instructions.

Once the doctor finishes his instructions and hands over the prescription, Joel helps you down from the examination table, his hand at the small of your back providing a steady, reassuring presence. "Let's get your meds and then getcha home," he says softly, guiding you out of the clinic and back to his truck.

The drive to the pharmacy is quiet, the air between you thick with unspoken thoughts and emotions. Joel keeps stealing glances at you, noting the way you're cradling your injured wrist against your chest, the way your breath hitches ever so slightly when the truck hits a bump in the road. He wants to say something, to offer some words of comfort, but he's never been good with this sort of thing. He's a man of action, not words.

At the pharmacy, Joel takes charge, handling the paperwork and payment while you sit quietly on a nearby bench. He can see the exhaustion etched into your features, the way your eyelids are starting to droop. He knows you're running on fumes, and the pain medication will likely knock you out soon.

He heads back to the ranch, the truck's engine humming softly beneath the weight of the silence that stretches between you. You're fading fast, the medication they gave you at the doctor taking its toll. He can see you struggling to keep your eyes open, your body swaying slightly with each turn of the vehicle.

Once he reaches the ranch house, he parks as close to the front door as possible and hurries around to your side of the truck. You're already half-asleep by the time he opens your door, your eyelids fluttering as you fight to stay awake. "Easy now," Joel murmurs, unbuckling your seatbelt and scooping you into his arms with a tenderness that surprises even himself. You let out a soft sigh as he carries you into the house, your head lolling against his chest. The trust you place in him is both humbling and terrifying and the sweet little noises coming from your mouth don't make any of this easier. 

He settles you onto the couch, propping pillows behind your back to keep you comfortable. You smile sleepily up at you, a smile that sends a jolt straight to his heart and many other places. "Stay with me?" You ask quietly. 

How could he possibly say no?

Joel nods, brushing a stray lock of hair away from your face, “‘course darlin, just gonna make you somethin to eat real quick.” Joel heads into the kitchen to prepare something for you to eat. An Eggo waffle seems like a safe bet—simple and comforting in its familiarity. He pops one into the toaster and waits impatiently for it to brown, his thoughts consumed by the woman lying on the couch.

Joel returns to the living room, the scent of warm waffles wafting through the air. He sets the plate down on the coffee table, along with a glass of water and the bottle of pain medication the pharmacist had given him. "Here you go, darlin'," he says softly, offering you a small smile. "Eat up, and then we'll get you settled in with a movie or somethin."

You nod, managing a weak smile in return as you reach for the waffle with your good hand. The simple act of eating seems to revive you somewhat, though Joel can tell you're still in a considerable amount of pain. He watches as you take a tentative bite, followed by a sip of water to wash it down.

"Thank you," you murmur between bites, your eyes meeting his in a silent exchange of gratitude and concern.

Joel nods, his throat tightening unexpectedly at the sincerity in your voice. "Anything for you," he replies gruffly, the words slipping out before he can stop them. He quickly clears his throat and changes the subject. "What do ya feel like watchin’? There's some old western tapes layin around or we could find somethin else.”

“Hmmm” You think about it for a moment before responding with a slight shrug of your shoulders—a movement that causes you to wince slightly, “I'm not picky. Whatever you want cowboy.” 

If only I could tell ya what I want darlin’

Taglist: @mermaidgirl30 @maried01

[ynscrazylife]

trouble (colt seavers x stunt double!reader)

Colt considers himself a pretty laid back man. He gets along well with a lot of people. Most people. It’s been a while, since his work with Tom, that he has had to deal with someone who really irked him. Until he meets you. The both of you are stunt doubles for the leads of a new, fast-paced action movie.

At first, he thinks you’re cute (well, as much as he tries to convince himself otherwise, he still does). The first stunt he does for the movie is one with you and that’s what gets you all in trouble. You don’t like what you see as a careless attitude he has when it came to stunts and he makes the mistake of joking that you should “take things more easily”. From then on, you guys are always squabbling over something.

It doesn’t help that when he finds out that you have a cool motorcycle stunt, he talks to the director in hopes that he’ll get the stunt instead. You find out about that and you’re not happy.

Well, the motorcycle stunt gets done. He can’t deny that you look great wearing a leather jacket and sunglasses, expertly performing the stunt in one take.

Now, he’s watching from behind the cameras as you perform another stunt, this time a car one. Your character’s involved in a car chase on a beach and you’re supposed to go barreling down the dock, only to stop right before the end of it.

The stunt’s going great, you’re getting on the dock, and then—

“It won’t stop. The brakes won’t—!” You yell into your mic, before the car pummels into the water and disappears.

For a split second, everything seems to be going in slow motion. Colt looks up from the camera to the actual dock—and you’re just gone. His heart begins to hammer as it sets in what really has happened. He can hardly think before he’s sprinting off, along with the medics on the set and other professionals, who are on standby in case anything goes wrong. And something has gone really, really wrong.

Someone grabs his arm, pulling him back to let the guys do what they have to do. They’re gathering equipment together, one person tying a rope around another person’s waist.

Colt feels sick to his stomach as he watches the man dive into the water, your panicked voice replaying in his mind. He’s heard you annoyed, exasperated, but never this. He’s seen stunts go wrong, but not to this extent.

He’ll save the thinking about whatever brake thing went wrong for later. His mind’s filled with you, your image, your fear.

The man with the rope resurfaces and there’s commotion about the angle the car’s at. He needs something that enables him to breathe longer underwater. Colt wants to scream as they fumble around with goddamn snorkeling equipment — you’re sinking underwater! He’ll go in himself if he has to.

Finally, the man dives in again, and after a tense minute, he emerges, carrying you.

He runs with the medics, unable to do much aside from stand there. One of the medics pounds on your chest and, when he sees that you aren’t breathing, he begins to feel like he can’t either. Colt snatches a blanket out of someone’s hands and kneels down beside you, begging for you silently to wake up.

After the second round of rescue breaths and CPR, you wake with a desperate gasp for air, for life. It’s the most beautiful sound Colt has ever heard. He wraps the blanket around your shoulders, helping you sit up as you focus on getting as much the air in as possible.

Your eyes flicker up to meet his. Nothing needs to be said in this moment. Colt rubs your back with the towel as a gurney is brought to you. “Up you go,” he murmurs, lifting you onto the gurney.

Your eyes stick on him as you’re strapped onto the gurney, a silent plea to not be left alone. Colt understands, he’s not about to leave you alone for a second. He follows the gurney towards the ambulance, as paramedics have now arrived.

He helps them lift the gurney into the ambulance and sits down inside, watching as the paramedics flock around you. One takes your vitals, the other places an oxygen mask over your mouth. He hears them talk about the possibility of hypothermia and takes a hold of your hand.

“I know you’re scared, but you’re gonna be just fine and I’m going to be here for you,” he whispers. He pushed people away when he had his back injury, but he’s not going to let you be alone while you recover. He promises himself that.

The ambulance arrives at the hospital and you’re whisked away. Despite knowing that you’re awake, Colt still worries. He tries to distract himself by updating the movie crew and talking to the hospital staff, continuously asking for any updates they might have on you.

Eventually a nurse out comes out and tells him that you’re asking for him. He practically runs to your room, having to force himself to slow down right before he enters. He has to be collected.

He’s not, at all, collected on the inside.

“Hey, troublemaker,” Colt greets as he saunters in, smiling because you’re all bundled up in blankets and you look absolutely adorable. He sits down in a chair next to you.

“Hi,” you say quietly, mustering up a smile.

He asks you about how you’re feeling, if you’re okay, about the monitors, practically interrogating you. He eases up when he sees you start to get overwhelmed with all the questions, though.

“God, that . . . That was scary,” he finally admits.

“I know,” you agree, gazing at him. How could a man you found to be so annoying be so sweet at the same time?

“That’s never gonna happen again. They’re gonna investigate and see what went wrong,” he assures you. He’d sent a very demanding text to the director about that.

You nod and he can see that you’re tired, which you have every right to be.

“You know, they say that body heat is the best way to warm someone up,” he says, smirking and only half-joking.

You roll your eyes at him. “Just sit with me, okay?” You ask him, patting the empty space on your bed.

He nods, taking his place. He stays until the nurses come to kick him out, and even then, with his charm, manages to negotiate a few more minutes. When you doze off on his shoulder, the nurses don’t have the heart to make him leave. He’s not gonna leave your side again.

[inknanda67]

She regretted it lol

They proceeded to have Heket work in the nursery for the week since she thinks babies are ‘too easy’

[chronically-ghosted]

and in their falling, rise again (lover, share your road - part ii) series masterlist | AO3 Link | part i | part iii

chapter rating: T

word count: ~25K

chapter summary: You and Ellie have adjusted to the Miller homestead in your own ways. Much to Sarah's delight, these roots you've planted have grown a bit deeper than any of you initially expected. But figuring out how Joel is feeling about all of these changes is a complicated dance you worry you're stumbling through — except when he takes the lead.

chapter warnings/tags: reader is described as skeletal early on but that is due to food scarcity not her natural body type, psychological/mental effects of domestic abuse, allusions to domestic abuse, underground spaces, one dead body, brief moment of gore, guns, aggressive behavior, father/daughter relationship dynamics, slow burn, praise kink in a trojan horse of "making friends"

a/n: this would have taken months longer (or not at all) without the support and guidance of @toomanytookas. everyone please say thank you! please note the update to the series parts on the masterlist - we're doing four (you have @toomanytookas to thank for that as well!)

Tell me about despair, yours, and I will tell you mine - Wild Geese, Mary Oliver

part ii:

Dawn comes slowly to Dalhart, a place hardly anyone knows about, the last stop on the railway line where the forgetful or the sleepy end up because they’ve missed their stop somewhere else. The wheat boom made this place swell with life, with the blood of eager men, with the sickness of greed, and now the boom has burst, the guts and blood of hopes and dreams splattered up and down the dusty streets. Still, the next year people believe they can conquer the elements, conquer nature, their own hubris leading the way in the dark, following the guidance of a false sun. So they who came have stayed, mostly — mostly because they follow promises like fireflies, winking in the night with just enough light to convince themselves the darkness won’t last.

It’s for this reason, these stragglers with misbegotten illusions of grandeur, that he moves without light, embracing the dark. The lock on the back door was rusted from the wind and dust storms, easily broken against the butt of his gun, but he moves, low and fast, as fast as his knees will allow, relieved to find the windows still boarded up and threads of curtains still covering the dirt-smeared glass. The office in the back is windowless, which will make rifling through it, checking for false bottoms and loose walls, easier. This building is technically abandoned but getting caught will mean he has to answer questions he’d rather not answer – to himself or anyone else. Which means moving quick through the front reception room and maintaining the utmost silence is paramount to –

crunch

Joel whips around, the grip around his Colt tightening briefly, and locks eyes with the fourteen-year-old behind him, crouched as low as he is. 

A red handkerchief around her neck, she scrunches her nose up in a grimace, teeth stacked in her mouth. Oops. Sorry. My bad. 

Dropping the barrel of his gun lower, he points to her other foot, frozen in the air, inches above another cracked plate of glass. He indicates it with the jerk of his gaze and she nods, hands raised, slowly backing up and off another potential alarm. Shaking his head, he eases forward on protesting knees, his own thick boots shuffling flat against the floor. He feels eyes on the back of him, watching how he navigates the shards littering the ground. 

Briefly listening for movement, he knocks back the office door with his shoulder, rising slowly in spite his screaming thighs, scanning the darkness before flicking on the light. The girl behind him shuffles in and shuts the door after her. 

He sees Ellie blink rapidly against the light, scowling behind her raised hand, before she takes a look around. 

“Shit, man, did a fucking bomb go off in here or something?”

People, like most pack animals, tend to react instead of think in moments of fear. Fear, like when their town’s only doctor takes off in the middle of the night with no warning. A bad omen, an egg forgotten until it starts to stink. 

“Dalhart got all pissed off when Eldelstein split. Came here to either ransack the place or take what they thought they were owed.” Joel moves to slides his gun into his waistband, but the muzzle keeps getting stuck on his belt. 

“Guess they thought they were owed a lot,” Ellie muses as she kicks over a broken plank of wood, adding to the debris that litters the dust-covered floors. She watches him struggle tugging his shirt out. “I can carry the gun, if you want. You know, if you need a hand free.” 

He responds with that glare, the glare that he often reserved only for her. Disapproving, unamused, but . . . Ellie smirks, hands up in the air. 

“Sorry I asked, man, just trying to help.” 

Joel nods sternly. “You heard what your aunt said. Help, but don’t touch. D’you need the list again?” 

She waves him off, wandering over to the overturned couch. “Nah, I know what I’m looking for. And you know she’s no fun anyway.”

He watches her, hesitant, as she crouches down by what used to be a consulting couch and peels back the wood planks and torn wallpaper. This isn’t the first time she’s done something like this – scavenging for supplies – and he is reminded again of the bits and pieces of Ellie’s old life he has picked up on over the past few months. Every time, it knots his stomach. 

Jaw tight in his head, grasping at that relentless focus that seems to be eluding him as of late, Joel overturns what used to be a desk to look for the latch you told him might be there. 

Just by the top drawer.

Your shoulder, then the crease of your arm had touched his as you leaned in towards the rough sketch you make of a doctor’s desk. You smelled like lilac and sunlight. There was a curl of hair on the back of your neck, loose as it curled down your throat, by your pulse. 

It’ll be small. Just a latch.

Your fingers had brushed his wrist, eyes downcast, lashes soft against the curve of your cheek. There was a smear of something green on the sleeve of your dress. Fresh grass, maybe? Herbs from the garden? The light behind you illuminated the thin skin of your ear, the supple drop of your earlobe.

You won’t need much pressure. Just a flick. It should open up under your thumb. You can’t miss it, Joel.

Joel.

“Joel!”

“What?” 

Ellie rolls her eyes at his nearly-bared teeth. “I’m gonna have my aunt look at your hearing, ‘cause there’s definitely something wrong with you.”

With a grunt, Joel kneels down and reaches into the far back of the desk where it is still held together in the corner, resolutely smothering the high flutter in his chest. His fingers touch something metal, something other than that green felt and split wood. He gets his thumb around it and it clicks.

“I found gauze and iodine,” Ellie says, holding up half a bottle and some dirty wrapping. “That wasn’t on the list she put together, but we probably need it, right?” 

He feels something give way, but it isn’t clear where. He eases the desk back further to try and lift it to the light. 

“Iodine is meant for keeping infections out. Wounds clean n’ all that.”

Ellie huffs, more exasperated this time. “I know that. That’s why I was asking.”

“Planning on getting wounded any time soon?”

“Fine, you jackass, I’ll just throw them out –,”

“Put ‘em in your pack if you’ve got room. Otherwise, we only take what we came here for.” 

With a light press, a small drawer eases open. Just a crack and barely enough to get his fingers inside, but he can see the bottle. Clear, made of glass, and filled with little white pills. 

Morphine. 

It had been his first idea when Sarah’s condition started to deteriorate, but the papers and medical journals he ordered in at the supply store about addiction kept him from ever really considering it as an option.  But with you here – and you had already done so much for her recovery – with you here –

I can manage it, Joel. They’ve done wonderful things with rehabilitation and comfort. I promise I will monitor her closely.

He knows a line should exist about what he would and wouldn’t allow for Sarah’s treatment, but as of late, that line has become so blurred he sometimes has to scramble to find it. 

Would and wouldn’t.

Should and shouldn’t. 

His feet are starting to sting from balancing on that knife’s edge these past few months.

He hears the pills rattle as he drops the bottle into the bottom of his canvas rucksack. Ellie’s buckling hers as Joel stands and joins her search of a knocked-over cabinet. Not much there either but cough syrup and penicillin. 

“What else you got?” 

“Some bandaids, a handful of calcidin tablets, and a busted hot water bottle that I think we could melt shut.” She adjusts the straps, her face serious. “Maybe he kept the good stuff for himself upstairs.” 

He nods to the fourteen-year-old with a knife in her sock and a hard scowl on her face. “Yeah, maybe.”

He objectively can see the absurdity of supply stealing with a girl barely older than a child, but in this world, in Dalhart, at the end of the line, there is always more innocence to be lost. He knew Sarah’s own childhood was not a normal one, not one that any fussy school marm would deem appropriate for a young girl, and so if he isn’t working himself to the bone in the fields, he is working himself tirelessly to shelter whatever is left of her youth. But, like so many other things, it feels gone already, passed on in a cloud of dust. 

He thinks, had her life been different – that look in her eyes only comes from being exposed to violence – Ellie might have been a bit softer at the edges, no different from any other teenager. He wonders, briefly, what happened to her that made her believe she has to carry a knife with her everywhere.

“We’ll go check but you’re gonna follow the rules, right?” 

Ellie’s shoulder slouch forward, buffeting air between her lips. “Stay behind you, stay low, and stay quiet. Oh, and help but don’t touch. I got it, I got it. ” 

“And here I thought it was physically impossible for you to listen,” he mutters as he flicks off the light and opens the door again. He crouches low again, easing out into the front hallway as bruised morning sunlight peaks in between the boarded windows. 

“Only one of us is deaf, old man,” she mutters gruffly over his shoulder. 

Across from the reception hall is where Eldelstein would receive and treat patients. Most likely the first place that was ransacked, but there might be things missed. He makes a note to circle back after checking the apartment upstairs, but now with it getting light out, he knows their time is limited. 

The Colt at his side, Joel shuffles up the wooden staircase, dirt and dust sitting heavy between the crevices. Without much surprise, he realizes he can barely hear Ellie behind him at all, as if she took to his flat-footed approach. 

In the few months that have passed, he’s come to learn that Ellie is a very quick learner. 

The second story is almost the exact layout as the office arrangement downstairs. A brief hallway with two doors. He glances over his shoulder, rewarding her trust with an opportunity to lead, and Ellie’s eyes widen in understanding. She frowns at the two closed doors, thoughtful, and then she shrugs. 

“I’ve always felt good about being a righty.”

With a shallow huff, he moves forward towards the right door, hand gently twisting the knob, finger hovering over the Colt’s trigger. The door squeaks open as it swings back, Joel against the doorframe until he can give the space one quick sweep of his gaze. Then he’s opening the door wider and pocketing the gun.

Here the damage is less. Less rage and more morbid curiosity. The few narrow beds are shoved haphazardly around the room as if someone went about kicking them aside. Old gray sheets lay in tangled bundles on the floor and the mattresses. Beat-up infusion stands are rusted and broken in the corner, one halfway stuck in a torn-up chunk of wall. A thin door at the far end of the room shielding a dark bathroom is missing its handle. Drawers are torn open, left hanging like loose teeth, violence as enjoyment. A patient recovery room, most likely, for those needing overnight care and –

She gasps sharply behind him before sprinting across the room, the floorboards shrieking.

“Ellie!”

“Joel, look, it’s a radio!” 

It’s about the size of her head, turned away and tilted on the back of a long shelf below the window, but she drags it forward, setting it in front of her and her fingers immediately fly to the knobs.

“I’m gonna shit a brick if this works–”

A faint crackle and her own gasp of delight. It’s not much, it’s hardly music, but there’s something there. She spins the dial, moving across radio waves, the faint yellow light flickering behind the numbered notches. Just as a voice breaks through the dusty speakers, the box hisses and the radio goes silent. 

“Okay, but you saw that, right? It worked for, like, ten whole seconds! If we take it home, I bet–,”

“No.” 

“Aw – what?” She frowns. “Why? C’mon. It’s one radio.”

“It’s too big and we can’t travel light with it.” 

“But I’ve got room in my pack –,”

“No.”

“Fine!” She flicks one of the broken dials off, scowling. “Whatever.” 

Her back turned to him, Ellie yanks open a nearby cabinet door, the lines of her shoulders tight. Joel watches her rummage around, a heavy weight in his gut, before he rights a fallen bedside table to get to the counter behind it. 

He finds scissors, a stitch kit, and saline solution. Behind him, he hears Ellie load her pack. 

The silence stretches, a handful of conversations pressing up to the back of his teeth before fading on his tongue. Sarah is rarely ever this annoyed with him – especially not as often as Ellie seems to be – and it doesn’t sit well with him, knowing Ellie is over there, stewing. 

He doesn’t want her angry with him, for no other purpose than she made Sarah happy. 

No other purpose at all. 

He’s reaching up, checking above a tall wooden wardrobe, when his hand bumps into something, a jar, and he remembers those comics she told Sarah about. Maybe some of them are around here somewhere. 

“Hey, Ellie, uh–,”

“Why hasn’t anyone found out about your homestead yet?” Ellie asks suddenly, her arm digging around behind a chipped bureau. “Or raided it? It’s just you and Sarah out there and people could . . . how do you keep it a secret?” 

His fingers close around the cool jar and he pulls it down. 

Luxor, the label reads. 

Hand cream. 

His dirty thumb smears brown over the lip of the jar. He thinks of delicate skin, raw pink, a painful pink. The thing he has in his hands would soothe that ache. He thinks this might form the words I thought of you when his own mouth fucking can’t. The muscle between his shoulder blades twinges painfully as he takes off his pack and slips the jar inside. 

The radio really would be too much weight, but . . .

“It’s complicated.” He tells Ellie. Across the room, she stills, turns around and looks at him straight on. This is the niece of someone who almost shot two Texas Rangers, who at fourteen carries a knife in her sock and won’t hesitate to use it. There is something wild in her eyes. 

“I don’t think it is.” Her tone edges the line between curiosity and taunt. Her eyebrows ride high on her forehead and her lips slightly purse, mouth centimeters from a smirk. She speaks quietly, honorifically. “I think it has something to do with why those ranger guys were so fucking scared of you they nearly shit themselves. I think it also has to do with Sarah.”

Eyes narrowed, locked across the recovery room. Careful. Be very careful. The jar offsets the distributed weight of his bag. 

“I don’t think anyone actually knows about her condition or how well the homestead is doing. And I think you’d fuck up a whole squad of those assholes to keep it that way.” The silence stretches but it’s sticky now. Ellie grins up at him, the secret she plucked from him sitting in her smile. “But don’t worry. I won’t tell.”

She smirks with the confidence of youth, a spark of naive innocence.

Joel scuffs his shoe on the ground, his hands going to his hips. “You’re right. I’d do anything to protect Sarah. To protect what’s mine.”

That smile drips off her face when he lifts his gaze. He lets it grow hard, weary – a warning. 

“I have done a lot of things – things I never want her to know about – to keep her safe. Those men, this town – they’re right to be afraid of me.” 

Ellie swallows around the weight of the room, her gaze metallic, bright and sharp. Her mouth is a straight line of barely contained victory. I knew it. 

She lifts her chin, hands curled at her side.

“How?”

“How what?”

“How do you make them afraid?” 

He can see a flash of bone between her lips – teeth, eagerness. And then in a blink, it’s gone. Wiped clean from a youthfully smooth face. Ellie drops his gaze, deflates, and stares at the floor. 

“I mean – it just seems like a lot – keeping it all a secret.” 

“It’s not. Not when it’s for her.” 

And it’s like he’s pressed roughly on a fresh bruise; she curls further into herself for protection, almost wincing. He suddenly remembers her half-snarl when he said there’d be twice as many mouths to feed if he took them in. A burden, twice as heavy. 

“Yeah, of course, she’s your kid.” 

Her rough voice is as physical and real as she is as she pushes past him, marching out of the room and twisting the handle of the closed door across the hall.

“It’s not much of a choice then, is it?” She says, loudly, the door squeaking as it opens. 

Behind him, over his shoulder, the door to the bathroom slams shut – a draft. His heart pitches in his chest – he’s seen how you and Ellie have reacted before at loud noises and certainly slammed doors before – he hears her soft gasp, her narrow back tight in the frame of the door, but it’s different from one from the one he expects, one of learned skittishness. It’s a boneless sort of horror, wet, sudden, cold – he fights the urge to tug her out of the room by her collar. But she’s already seen it. There’s no taking it back.

The smell is horrendous. The blockage by the door must have masked the stench because with the door open, there is no denying the scent of rotten flesh. 

Someone who was unlucky enough to get caught up in the crazed fervor of the lynch mob meant for Eldelstein? Someone who deserved it, maybe? Whatever and whoever they were, they make up a mutilated shadow beneath the far window, the soft bits of their flesh a home for flies and maggots. The room is dark, drained of sunlight and the sense that anything living ever existed inside its walls. Boarded up and stale, it stinks of a graveyard, but one without coffins, where the bodies are left to ooze and decay and spill out into the wet soil. It stinks of putrefaction, of tainted earth and poisoned air.

But Ellie doesn’t scream. Doesn’t turn. Doesn’t run. Doesn’t cry. 

Just stares wide-eyed and inhales. 

Joel watches and waits for her. Watches because he recognizes that hard, blank look on her face, one that is familiar to him and far too old for her. Waits because he doesn’t know how to react because this activation is so unlike Sarah. 

There are not many fourteen year olds who would barely flinch when eye-to-eye with death.

He stands behind her, a physical presence larger than herself, something bigger and scarier than all the flies and maggots in the world. 

“Is this your first time seeing somethin’ like this?”

Her answer doesn’t entirely surprise him: she shakes her head. 

He nods and takes the handle from her. He gently shuts the door, inches in front of Ellie’s face. “I think we got all we needed. Ready to go?”

She nods, then heads for the stairs, not taking another second to look back at the room with the radio.

The metal teeth of the cultivator catch and drag over a large dirt clod and with a grunt, you shatter it with a few good thwaps. When you stand, sweat races down the back of your neck and between the cotton straps of your bra, cooling the heat of your skin. Your muscles throb pleasantly beneath sunlight. It’s a sensation you’d never had before coming here, to Joel’s homestead, but one you had quickly gotten used to. 

You are not the same girl who came here all those months ago.

You first noticed it when stepping out of the bath one summer morning and your eyes caught yourself in the mirror. 

There are no divots in your hips any more. The deflated skin around your ribs has filled in. Your body – a thing that had merely housed you and sometimes betrayed you to slow down and eat, and ached when you didn’t – had changed. Without you knowing, seemingly overnight, your clay sculpture had been remade. Rebuilt and reborn. For the first time in what felt like years, you wondered how you appeared to another person. 

Thin and skeletal, you had offered nothing to anyone because there was nothing for you to give. But, at the homestead, around Joel with Sarah and a kitchen and abundant food, that had changed. Things swelled here, near him, made ripe and sweet. A vitality returned, flooded in, and you, with your thin petals and wilted spine, blossomed. There’s now the inkling of a person in the mirror, one that hadn’t existed with your husband and now you wondered who she might be. 

And yet, while you flourished with regular meals and the stability of Ellie’s safety, the vitality of the land itself had seemingly dried up to a trickle. The last rain was days ago, the downpour offering even less than the previous one. 

You squat to your ankles, balancing the cultivator against your weight, and press your fingers into the ground. Dry. Delicate. An absence, and an unusual one at that. The dirt trickles off your fingers like sand. The sun’s heat prickles your entire back, oppressive and stifling. A drop of sweat slips off your nose, a finger wagging at you: you can’t deny this anymore. 

This is the same baked and dry earth that had been found on the southwest edge of the property, beneath the waves of dust that had blown in, covering the crops and grass in a gnarly, heavy film. Joel decided to cut his losses there and replant what he could, closer north, nearer to the river. But the look in his eyes was beyond frustration or annoyance. He moved with quick, long strides covering the fields with his tools and the horse. Agitated, maybe – a shark rechecking and double checking the edges of its territory. 

And then the next morning, in the blue of dawn, with the smell of fresh coffee drawing him out of his room and down the stairs where you stood trying to decide whether or not you liked the taste, he asked if you knew how to rake crop stripes.

No, you told him honestly. That didn’t seem to surprise him, but he postponed the lesson you had for Ellie and Sarah that day to diligently walk you through the tools that hung on the wall of the barn. He wasn’t satisfied until you knew them all by name, what their purpose was, and how to properly maintain them. Then, he broke down the pieces of the plow – what they’re called, how they connect, and what to check for before loading up the plow onto the horse.

Sarah and Ellie gleefully watched from the porch that following morning– their chores mysteriously done faster than a blink of an eye – as he had you strip down the tack, clean the leather, and reassemble it. Then he made you haul the plow onto Everrett, never once offering to help. But by the set of his jaw, you knew it wasn’t out of cruelty or distaste. By the time sweat was pouring down your back, the afternoon sun beating down on your exposed ears and neck, you realized he wanted to make sure you could do it all on your own.

By the end of the week, you knew as much as any farm hand. In practice at least. 

But another week went by and Joel never mentioned the lesson, or any further ones. 

Until the morning you came downstairs to find a man’s work shirt and pants waiting for you on the kitchen table. 

Your thin dresses wouldn’t protect you from the sun, he posited, his broad back to you as he poured himself a cup of coffee. The hat he left you was a little too big, as were the clothes. You’d never seen him wear them, but you kept your questions about the original owner to yourself. He didn’t seem to mind when you altered the pant’s hemline and brought in the waist of the shirt. 

Who’s Annie Oakley now? Sarah giggled when you tried on the hat for the first time. 

You could hardly recognize the woman underneath it. 

From there your lessons became about crop rotation, polyculture, and agrochemicals. He had you walk beside him in the rows of crops as he pushed Everrett along with the plow, identifying out loud any signs of vascular wilting, necrosis, and soft rot or tumors. Bacterial diseases were particularly devastating to crops, he said, eyes forward and sweat rolling down his temples, the muscles of his shoulders straining beneath the tight straps of the suspenders hooked into his belt loops. The heat of the sun spreading to your cheeks, you were grateful for the excuse to keep your eyes trained on the ground. 

Leaf blight, he warned, was also very common in young crops – caused by the fungus Cercospora carotae. You asked him then if Sarah had been taught any Latin. His cheeks were flushed pink, but that was probably due to the heat more than anything else. 

Over time and at Joel’s side, you eventually felt confident in your new knowledge. Memorization had never been a problem for you and witnessing the theoretical application of the knowledge in real time helped significantly. However, it was the physical application where things got difficult. 

The day he let you push the plow, he wore a familiar expression all morning. Jaw clenched, Jaw tight, nostrils flared, it was the same look he wore when you approached Sarah during her first fit. He was helpless when you angled the share into the dirt and tore the ground apart. The sight of his furrowed brow knotted your stomach, but you pressed on. You pushed forward, one step after another, just as you had seen him do more than a dozen times. You could almost retrace his steps in your mind’s eye.

With him a hair’s breadth behind you, quickly barking out commands if you strayed a centimeter out of a straight line, something occurred to you.This was no longer a job for you. This was living proof you could take something in your hands and make it better. All your life you had been subservient to someone; a doctor at the hospital, your manager at the diner, your husband in that goddamned dug out – they all held power over you and your choices. But you knew this was different. You knew if you could eventually prove to Joel that you were worthy of being trusted with his land, then he would treat you as an equal. So you pressed on. You pushed yourself until your skin baked in the sun, until sweat dripped from your neck, until blood spilled from your cracked hands. 

Under Joel’s supervision, you fed the land with your blood. 

And six weeks later, the blisters on your hands had calcified, proof and reward of your dedication. You had muscles, hard and lean, strengthened joints and flexible tendons. The molten steel of your body, your form, had finally solidified. 

Your days started alongside Joel’s now, instead of divided by domestic spaces. Some days, he lingered inside even longer than you, polarized positions of where you stood weeks ago: you unlocking the barn, loading the horse and driving out into the fields while he stood at the window, a mug of coffee in his hands. He never made you wait for long, usually offering you a full canteen of water for the day, a single nod before you worked opposite ends to meet in late afternoon. 

But there were times – instances, occasions – that you think, you wonder, if, from the window, he still was watching you. 

Thoughts of his face, all lines and dark eyes, as he held your palm up to the heavens that night in Sarah’s room trickle in when you rest idly, in the seconds before you sleep. When you let your unconscious awareness drift. Which, fortunately, didn’t often happen out in the fields, especially not when Joel had told you about another threat to the crops; what to look for and where to find it. 

And worrisomely, you had – again: dry, inhospitable earth. 

You frown at it beneath your hat, the sun’s touch hot around your shoulders and spine, a low skirting wind by your ankles. An infection spreading. Joel won’t like this, not at all, but he’ll know of some way to shelter the crops. An alteration with the irrigation system, maybe? 

Flora huffs at you, eyeing you with a twitching tail. How much longer are we gonna be out here?

“It’s hot, girl, I know, I’m sorry.” You pat her speckled rump. “We’ll be done soon.” 

Whenever Joel gets back. 

Dusting your knees off, you stand and take a small stake with a white flag from the cart. 

Beneath the bag of staked flags sits your handgun. It hasn’t been used once in these past months, but Joel never lets you go into the fields without it. More often than not, he makes you keep it physically on your person – in a pocket, in your socks, somewhere within reach – but the sight of it sickens you, the horror of what you almost had to do that night you met Joel. How easily you were willing to do it for Ellie. How easily you’d do it again, to keep her safe. 

But now he expects you to do the same for Sarah and this homestead in his absence: protect at the cost of violence. 

The longer the gun sits out in the open, glinting sharply in the sun, the guiltier you feel. 

The breeze comes not a moment too soon. It breathes across your clavicle, the muscles of your throat. It draws your gaze up, outward, to the line of white flags peeking out of the ground. Soldiers in a row, surrender fluttering in the wind. Grave markers of failed crops. You forget the gun as your stomach turns at the sight of the fields full of little white flags.

The land is ill. You can’t deny this anymore.

The breeze thickens to a harsh blow and you grab your hat to keep it steady. Under the rush by your ears, you hear your name. By the house, under the wired row of drying clothes, Sarah waves to you – too far away to hear anything distinct, but she’s pointing and waving to the road and a cloud of smoke barreling down it. 

No, not smoke. Dust. Two figures atop a white horse racing through the chalk of the earth. 

Ellie.

And Joel.

Flora lets out an audible groan of relief when you take her reins and pull her back towards the house, the cart of flags clicking behind you. You wonder if he’ll see the line of flags from the road.

The barn is quiet in the late afternoon heat. You hear june bugs chitter in the rafters as you unclip Flora from the wagon and lead her to a stable. Fauna’s big ears flap towards her sister, brown eyes sparkling, almost bragging.

Ha, ha, you had to be in the fields today.

“None of that,” you scold, as you loosen the leather cord around your jaw and let your hat fall back against your shoulders. “You’ll be getting it soon enough, missy.” 

“You know, talking to animals is the first sign of going crazy.” 

Sarah slides silently through the side door and offers you a towel. She smells of soap, her bouncy hair pulled back today, her smile soft and warm, and you take it, rubbing it up behind your neck. 

“Well, at least I get a warning,” you grin. Sarah was no longer the same plagued girl you met those months ago. 

The ground had shifted in more ways than one the morning of Sarah’s recovery. Of course, there was still pain and soreness, but for the first time in months, she felt strong enough to walk around without her braces. She couldn’t run, couldn’t move fast, but standing next to Ellie, there was nothing that would suggest them any different. She seemed taller, hair bouncier, a focused glint in her eye that wasn’t there before, as if she alone had decided something rather vital. 

Her treatments of warm compresses and exercises went from daily to weekly to now every other week. Once she’d seen you walk through the steps of her therapy, she started to do it on her own in her room. Preventative and calculating. 

The days she can now spend outside doing laundry and planting fresh herbs have done her good. Her healthy skin glows. 

But there’s something delicate about the way she does, or rather, does not look at you now in the barn. An energy you can’t quite place, one that seems to hum louder as the months pass. She watches you, a placid smile on her face, her shoulders halfway turned to the barn door as if she wants to be the first one to see them open. 

“Has Ellie come by yet?” She asks breezily, her fingers lightly running against the edge of the stack of towels tucked up under arm. “I saw my dad walk off to the house, but she wasn’t with him.”

“No, I haven’t. But if they’re back, she should be around here somewhere. Is there something wrong? Are you alright?”

Sarah inhales, round eyes widening – caught – but she shakes her head. “No, of course not. I just . . . I’m just wondering if they had a successful trip.” 

If you knew her better than only for six weeks, you’d think she might be anxious. She goes quiet as she watches the barn doors. The arch in her neck belies tension. You realize she has one of your dresses folded over her arm. 

“Sarah, are you –,”

Everett’s irritated whinny cuts you short and the barn door is thrown back as a short figure tugs the off-white horse into the cool half-light. 

“Yeah, I know I smell. It’s not like you’re a bucket of roses either, pal.” 

At least crazy runs in the family. 

“How was the run?” Sarah asks immediately as Everett clops by dramatically, the weight of the world seemingly on his hooves. The kerchief around Ellie’s neck is crusted over with dirt. 

“Good. Really good, actually. Got a shit load of supplies.” 

Ellie, another changed casualty in all of this. Except, instead of shedding an old skin, she’s grown a new one. The original. Something that, perhaps, always was there. 

She removes the saddle with practiced ease, despite it being nearly twice her size, and puts it on the stock post, just as Joel had shown her. She returns to Everett with a brush and a blanket, because the sun is going down soon and the night will be cold – just like Joel had told her. She banters a bit with Sarah, the work almost mindless with her confidence.

She has taken to this life like a fish takes to water, as Anna would have said. 

But what would your sister think of this life you had rushed her daughter into? Are calloused hands and thick, ruddy skin – supply runs into ghost towns – all that she wanted for her only child?

This, among threads of Joel, keeps you up at night. 

But these are the least of Sarah’s concerns about Ellie. Her fingers dig into your dress as if to physically stop herself from lunging forward. 

“What’s the town like? Are there people still there? Has anyone new come in?”

Ellie shrugs as she unhooks Everett’s bridle. “Boring, like four, and I probably wouldn’t know.” Ellie’s eyes widen, a small smile unfurling across her lips. “But we found a radio. Joel said we couldn’t keep it but – oh, wait, Joel said he was looking for you. Had something he wanted to show you.” 

You blink as Ellie and Sarah, in twin movements, glance to you.

“Oh? What was it?”

“I dunno. But he’s up in the kitchen unpacking the supplies if you wanna go ask.” 

“Was there–,” The corners of Sarah’s mouth goes red as she is suddenly seized by a violent, hacking cough. Both you and Ellie move towards her, but she waves you off. She steps back, turning her mouth into her elbow, her back shuddering as she gasps in air only to choke on it again. 

“Must’ve – breathed wrong–,” her eyes are watery. “I’m – fine.” 

In recent weeks, despite the rest of her body prospering, Sarah’s cough had turned rather rough. But every time you check her airways, she’s clear. Still, the concern lingers – you see it in Ellie’s eyes too. It’s not the kind of cough that comes from polio, you know this. You self-soothe with this. But you think of the white flags in the fields and something sour rolls down your spine.

You meet Ellie’s gaze while Sarah’s back is turned. Excitement, agitation, they had been bringing on more and more coughing spells – whenever Sarah tried to breathe too deeply. Ellie shakes her head at you, jerking her head back towards the house. I got this. In a low tone, she offers Sarah some water who drinks it gratefully. 

 It’s not the kind of cough that comes from polio.

The last bit of sunlight drips down below the horizon, lazy and pungent. A quick glance out to the fields, you can barely see the flags in the periwinkle distance. The air is warm, buzzing with a lingering heat from the escaping sun. You inhale, closing your eyes just for a moment, as you slope up the creaking wooden steps to the porch, and exhale, a chaff of tension sliding off your shoulders. 

When you first came here, you could barely stand the thought of being alone in the same room as him, just like with any other man. But eventually you learned that Joel Miller is unlike any other man in the world, unlike anyone you’ve ever met before. The foreign alchemy of his quiet nature, his diligence over the land, and his deep, endless well of love for Sarah was all at once confusing and – strangely – exciting. 

Earning Joel’s trust precipitated a steady climb or thundering fall – you just weren’t sure which yet. 

Despite the lateness of the hour, Joel hasn’t turned on the kitchen lights, coating the kitchen in a film of purple, blurring edges, and spreading shadows. His broad back greets you first, arm still deep in his pack at the table, when you shut the back door and move for the sink. 

“Ellie says the supply run went well. I hope that means you didn’t run into any trouble.” The rushing of the faucet saves him from having to answer, but you feel his eyes on your back, your shoulders, the flat seat of your hat between your shoulder blades. Brown muck runs down the drain. 

“It was fine. Did she mention anything?”

“No.” You shake your head, digging at the dirt under your nails with another hand. “Why? What did you find?”

“Nothing out of the ordinary, at least.” 

Joel never rushes unless he means to. He holds everything in before he speaks, each word as deliberate as the sway of his shoulders, the crunch of his knuckles. But this – how he talks now as if the words he says are chosen at the very last second – it feels like he’s hiding something.

In the failing light, you face him, eyebrows tugged down. 

“Joel? What is it?” 

At the table, he’s no longer digging around in the pack. With one hand on the table, fingers lightly pressing into the wood surface, he stands as if bracing for impact. He works his jaw back and forth, eating letter after letter, word after word, until –

“C’mere.” 

The deep timber of his voice strokes the back of your neck, releasing a quiver down your spine, heart suddenly up in your throat. It’s not fear you’re feeling, not exactly, but it makes you break out in goosebumps all the same. 

You go to him without question. 

But like a magnet repelled, he steps back the closer you get. With his gaze, he points to the array of supplies. On the table, in almost a sterile, clinical order, is the cache of medical items you requested. Medicine for Sarah, potential treatments for burns or cuts. The bigger items like splints or canes aren’t there, you didn’t expect them anyway, but you could treat the four of you for months with what they’ve found. You open your mouth, praise and appreciation on the tip of your tongue, but he still hasn’t looked up, hasn’t looked at you. He stares at the pack on the table with trepidation.

Wordlessly compelled, you reach into the nearly empty pack until your hand closes around one single item.

You draw it out, the jar cool against your overheated skin.

Luxor. You can’t tear your eyes away from the glass jar. 

His voice is so rough it barely makes it out of his mouth.

“For burns.” His gaze drops to your hands, which have since healed after the night of Sarah’s fit. Weeks ago, in fact. “It wasn’t on the list, but –,”

Oh, Joel. Your throat is sealed shut. You have to nearly wrench your jaw open to push words out of your mouth.

“No, no, that’s fine – that’s –,” you press the glass to the spread of your clavicle to ease your pounding heart. 

This wasn’t on the list. And yet he . . .

Your choice was either to look at him or shatter apart. 

How can a man almost fifty years old look so boyishly uncomfortable? 

“This . . . I . . . this is wonderful. Thank you, Joel. I mean it. Thank you so much. ”

You can already smell the rose water. You wonder if Joel likes the smell of rose water. His jaw unclenches enough, relieved, and his lips almost form – a memory, a dream, an aspiration of – a smile, and he says: 

“You’re welcome.”

In the half-light, you stare at him far longer than you ever have before – and he stares right back. 

In the half-light, you hear it, louder and more cruel than before:

You can’t deny this anymore.

“Okay, who can tell me the difference between genus and family in biological classification?”

One hand in the air.

“Yes?”

“A genus contains one or more species. A family contains one or more genera.”

“Correct. And how does this relate to our lesson last week?”

“We were identifying different species of crops, but how they often overlap in genera.” 

“Correct again.” 

You bend over and pick up the basket at your feet. In the motion, you can feel your dress unstick itself from the warm dampness clinging to your skin beneath your armpit. The summer day is hot, scorchingly so, and only made worse by the lack of a breeze and the immobile stench of cow in the barn air. It’s a different kind of smell than the one that soaked your husband’s dugout – burnt cow chips –  but it is still gut-churningly familiar. You wonder if Ellie remembers that smell as intensely as you do. 

But if she does, she doesn’t show it. Ellie always could hide her emotions better than you. Head down, she draws circles on the wooden table with her finger, side-by-side with Sarah. The girls’ chairs come from the dining room and the table is an old woodworking mount that Joel repurposed for your classroom. It’s uneven and heavy, but the wood is as smooth as butter. After the harvest, he promised a new one, but you don’t think you could bear getting rid of it.

Ellie jumps when you drop the basket in front of her. You return to the back of the barn, gather up another basket, and leave this one with Sarah, whose eyes grow wide when she catches a glimpse of the contents inside. 

With the single square of chalkboard, made from paint and grout, and a rapidly-dwindling nugget of chalk, you write three words:

Genus

Common name

Poisonous

The chalk clicks as you press a small circle beneath the question mark. 

“You have ten minutes to identify the genus of each of the mushrooms within your basket, as well as its common name and whether or not it’s poisonous.” 

Sarah sits up even further in her chair, eyes bright and mouth a sharp line. She loves pop quizzes. 

You had thought of Ellie’s strokes with her knife outside at sunset, her physicality with the animals, and her near abhorrence for traditional learning when designing this particular test. Despite her resistance to any sort of structure, Ellie had been quick to follow directions and provide support as Anna got sicker and sicker. Ellie would make a good nurse – a good anything – but that potential only simmers, never indulged. Anna would have known how to bring it out in her, you often think. The best you can do is try and adjust your lesson to make this at least partially entertaining for her. 

Her forehead shining, her gaze brushes each mushroom in the basket with slow intention.

“Licking them probably won’t help, right?” She smirks at you as she plucks one out and spins it with her fingers. Smartass, as always, but for once – engaged. You try to muffle the spark of excitement in your fingertips.

“That’s one way to determine if they’re poisonous or not,” you reply just as flippantly. “But you’d better be sure.” 

Ellie’s smirk lightens to a grin, her head tucking down as she starts to rifle through her basket. Sarah already has her basket empty and is sorting her mushrooms into the corners of her table. She hasn’t once looked up from her task since you set the timer. Head down, eyes bright, lips tucked tightly between her teeth, you can almost hear her reviewing her notes in her head as she carefully picks up each mushroom, testing the spongy flesh with her thumbnail, watching if any flakes fall off, and glancing at your handmade chart of the animal classifications every few touches. 

Ellie merely sniffs hers. 

You turn, hiding your grin to catch a glimpse of the outside blue sky.

The timer goes off and Flora groans at the loud noise. Sarah correctly identifies all the mushrooms, while Ellie only knows the poisonous kinds. Close enough and perhaps most practical. 

“Just so you know,” Ellie begins to Sarah, head again in the cradle of her palm, her eyes watching you as you swipe the mushrooms back into the basket, “most pop quizzes aren’t fun like that at a real school. Usually it’s just math and the clock makes an annoying little ticking noise the entire time.”

Sarah’s eyes brighten, I love math clearly on the tip of her tongue, before she settles a bit and she scoffs, sophomorically indignant. 

“Yeah, of course, I know that.”

“So you better hope they keep the school shut down for a long, long time.” Ellie leans back in her seat and presses the soles of her sneakers to the edge of the table. “That place is the worst.” 

Sarah shrugs, practicing some of Ellie’s casual indifference. “You’re probably right. It’s definitely lame. Just . . . it would be kinda cool for a change of scenery or whatever.”

“Um, you’re not gonna get a better change of scenery than this.” Ellie bats her eyelashes with her eyes crossed, tongue out, and Sarah giggles. 

“Oh, whatever,” she swats Ellie across her shin, “like you wouldn’t go crawling up the walls if you had to live here every single day, day in and day out.”

You slow in your collection of your supplies, something she said the day of the supply run scuttling up the banks of your memory to prod you in the back of your head. Ellie concedes by crossing her arms, contemplative. “Still better than school.” 

“How long did you go to the school in Dalhart?” You ask as you erase the white chalk on the board. 

“Since it opened,” Sarah replies. “I hadn’t gotten sick yet and it wasn't anything special. It was kinda far from here, but Dad always made sure I got there on time. He always wanted me to get an education, focus on school and studying. He never wanted me to be a farmer like him.”

That sends the front leg’s of Ellie’s chair to the hard, packed dirt. “Really? Why?”

“I dunno. But I guess it all worked out. I’m better at memorization and trig than I am at carrying a saddle.”

“What’s trig?” Ellie asks, head tilted. 

“It’s a kind of math –,”

“Advanced math,” you interject. 

“Yeah, I guess. But my teacher at school really made it fun! She’d stay after class and show me things that weren’t in the textbooks, or even in the syllabus. And Sam, he’d –,” 

All at once, Sarah’s mouth snaps shut, her eyes diving to the floor. She tugs a bouncy curl behind her ear as Ellie’s frown deepens.

“Sam? Who’s Sam?” 

“No one. He was just – this boy – in my grade and he was really good at trig too and he lived right outside Dalhart for years and sometimes he’d help me when I got stuck on certain problems,” Sarah rambles, her voice a tick higher. “His family left the year they shut the school down.”

You stifle a grin. A crush. Sarah Miller has a crush on a boy. Even at the end of the line, at the end of hope. 

Ellie, however, remains completely baffled.

“Yeah and? He’s just some guy.”

Sarah blanches at the suggestion that she might have to defend him past being “just some guy” while trying to keep her secret of him being “the guy” all at once, so you step in and save her.

“Did you ever spend time with Sam outside of school?”

Sarah shakes her head no. 

“Not even with a group of people?”

At that, she bites the corner of her mouth, the heel of her brown boot circling in the dirt. You know her cheeks are fire-hot.

“No. My dad totally would have found out.” 

Ellie stares at both of you as if you had started speaking gibberish. And then she blinks.

“Oh – you mean like a date.”

“Who’s going on a date?” 

The three of you jump at the masculine voice that breaks out from the back of the barn. Those thick brows furrow in as Joel visibly wonders if he walked into something he shouldn’t have. On the days you have class, he spends his time repairing things around the farm, often taking stock of the cellar in preparation for the harvest and then the winter. Whatever he had been working on has a wet flush peeking out from under his collar – not the heated lather that comes from the fields, but a run-off of the hot summer day. He wipes his brow, mouth parted slightly.

You stand upright, as if the headmaster had just strolled in. Well, to a certain point, he had. 

Ellie, with the least amount of skin in the game, rolls her eyes.

“We were talking about boys.”

One of those dark eyebrows twitch up as his gaze roams from Ellie to you to Sarah, who you think you see sink a fraction of an inch in her chair. 

“Oh.”

“We were learning about poisonous fungi as part of the curriculum on important flora,” you say pointedly to Ellie. “That particular topic came up at the end of the lesson. Both girls scored very well on their pop quiz.”

Joel nods, wiping his hands on his shirt. 

This Joel, the By-the-Light-of-Day Joel, is different from the Joel that meets you on the purple, blurry edge of night and day. The shadows that soften the world soften him too, the hidden planes of his face affording you delusions of further softness regarding his own feelings towards you – feelings of, if not companionship, at least respect. There were times you were righteously sure of how and where you stood in Joel Miller’s eyes – he appreciated you enough to watch over his land and his daughter – and then there were times you could have been on entirely different planets. A twisted Space Family Robinson, alone and lost in the cold vacuum. 

The Joel that gave you the cream for your burned palms is not the same Joel that stands before you. He fidgets with the rag in his hand, weight shifting uneasily from one foot to the other. Sweat leaks into your hairline, and you are suddenly overcome by the desire for him to look at you. 

“Given how close it is to the harvest, I thought having some extra hands who know what we’re looking for might help. Might be useful to you.”

“Yeah.” He nods slowly, as his gaze falls to Sarah. “But I don’t want you overworking anything.” 

Her eyelashes flutter as she rolls her eyes to the ceiling. “I’m not overworking myself. I’ve been studying, like you asked.” 

“And it shows in your work.” You smile. Sarah pins you with her own vulnerable gaze. “You’re an excellent student, Sarah.” 

The tension in her shoulders eases and she sits up straighter, grinning. 

Something flashes across Ellie’s face out of the corner of your eye and she leans forward, mouth twisted with a thick smirk.

“Bet you were a lot better student with Saaam around!”

“Ellie, shut up!” She springs up in agitation, her eyes wide, her jaw tight as she rounds on the other girl.

“Who’s Sam?”

“The boy Sarah’s going on a date with–,”

“I am not!” Sarah snaps, her voice wavering at the end. 

Those dry lips curl up, a smile hidden somewhere beneath that wiry beard, and Joel puts his hands on his hips. “I know that’s right. No dating ‘til you’re thirty.” 

Sarah’s grip tightens around the back of her chair, her mouth tipped down, eyes blazing. 

“That’s not funny, Dad.”

“I’m not tryin’ to be funny,” he replies, very seriously. “Just want you to know the rules.”

Whether or not Joel actually has any rules around Sarah’s dating life, it doesn’t matter. That’s not the point.

The point is that he very clearly, unintentionally or not, brushed up against something that, for Sarah, was very, very tender. 

She stands, awkwardly lurching out of her chair as it catches on the dirt floor. Her delicate fingers clenched into fists, she darts off for the back door.

“It’s not like anything’d ever happen anyway,” and she’s out into the sunlight. 

By the shocked look on Joel’s face, that might be the first teen tantrum he’s ever witnessed. Instinctively, he takes a step forward, an apology in the curve of his lips, but you reach out with a hand, even though he’s several feet from you.

“Joel –,” your fingers flutter close, politely rejecting the implication they know what his skin feels like. “Just give her some time.” You glance at Ellie, whose expression is dark, confused. “Both of you. She needs some time to cool down.”

Joel frowns at you, more at your words, evidently just as confused as Ellie. Of course a man could not fathom why it would feel so ridiculously cruel to a girl to be teased about a boy by her father. You smile at Joel’s instinct, your own father never possessing such a level of concern. A girl could be such a fragile thing after all.

“Would you talk to her? After she, hm, has some space?” 

His thumb anxiously edges the ridges of his forefinger, then his palm. He looks at you, uncomfortable, as if his request is particularly unwieldy, too much for anyone but him to bear. But, to you, this gift is lighter than air.

Joel’s trust makes your heart soar. 

Only to come crashing down. 

You are not capable of this kindness, this nurturing, guiding hand that some women and men ingratiate on instinct alone. You’ve failed Ellie, you know – you feel it in the distance between you and your niece – the best you can offer is a teacher, a thoughtful friend whose insular life is a world away entirely. No more, even when she needs it the most.

Nurture. It’s not what you do. 

“I – I can’t – I don’t know what – would she even listen to me because I don’t think –,”

There’s a conviction in his eyes as he looks at you that wasn’t there when you first set foot on the homestead, an acquired belief that had grown over the past few weeks with you as you learned and serviced the land under his guiding hands. 

That ping of his steel gaze against the porcelain of your skin. It makes something within you sing. 

  “Alright, Joel. I’ll try.” 

Quietly, without much conjecture or fanfare, Sarah has taken over doing the laundry for the whole house.

She rises with the sun. Not the blurry violet light smearing shadows, but the dawn – bold, bright, loud and full of thunderous color. She rises in the gold morning and, arms full of sweaty, dirt-thick clothes, she gathers them all into a white wicker basket and takes them out into the backyard near the spigot and the wide, low-set wooden basin. From the time you see the screen door shutter open until the moment you and Joel guide the heat-lathered animals back into the barn, she scrubs the dirt loose on the metal washboard then pinches the clothes high in the white, dry air.

And then, in the falling darkness, she carries her wicker basket, attached to her hip, around the house, laying out towels in the proper cupboards, and folded shirts smelling of sun-drenched air inside heavy dresser drawers. She tucks her dresses inside the line-thin wardrobe and, occasionally, she lays yours out on the bed. 

So it’s not entirely surprising to find her in the room you share with Ellie – the room that used to hold storage, old suitcases, and paintings, things of Joel’s foremothers and forefathers, where Ellie has now started to store her collection of unearthed arrowheads and snake skins – standing at the foot of your bed, with your yellow dress between her fingers. 

What is surprising, however, is the reverent, almost-delicate way she touches the buttons, strokes the faded lace, pinches the thin fabric between her fingers, like it’s made of threaded gold. Like it’s so much more than just a dress.

You watch her for a moment, from the shadows of the hallway. With Ellie, you never had to pick apart her feelings – either she made them known or would snap and snarl at anyone who dared to coax them out. Anna had eventually stopped coming to you for advice as you both got older, deciding to handle her personal problems all on her own because everything you said turned out wrong. You worked so well with your hands because your mouth couldn’t be trusted to be of any help.

And yet, looking at a girl who is brave and curious, but perhaps as lonely as you are – maybe you could just speak from the heart instead. As you get closer, under the sloshing anxiety, curiosity tugs on you: why did she come here – to your room? 

“My mother gave me that.” Sarah jumps at your voice, the late afternoon sun through the window coaxing the russet out of her curls and her large brown eyes. She drops your dress as if she had been snooping around in your things as opposed to simply doing her self-assigned chores and steps back. 

“I’m sorry – I-I didn’t mean to stare. It’s just . . . it’s pretty.” 

“She made it by hand,” you say. “But you have dresses just as pretty, Sarah.” 

You slide away from the door frame to touch the dress on the bed. It had been your mother’s. You always hated it. You thought, briefly, when she first tossed it to you, that it might be cursed. Might bring down your father’s eye towards you, away from her for once. And you had been right – sort of. He came for you all the same, the dress nothing but a waving flag that to him signaled your own complicity. But Sarah stares at it with a certain fascination, roused into alertfulness by something awakening inside her. 

The conditions of the farm, of being field hand, barely lent itself to the constriction of being beautiful, of being lovely and soft. You, like every other challenge that had been placed in front of you, swallowed that fact whole; an acceptance that Joel didn’t seem to care what you wore because he didn’t care to look at you at all. 

You sit on the bed, watching the young girl in front of you. She’s made improvements, her health not the underlying current in every room for weeks now, but now, sitting so close to her, you can see the weight of that disease. The weight of an unconscious consumption in a conscious body. Sarah’s hand trembles as she touches the dress again. 

“I don’t have anything of my mother’s,” she says simply. “I don’t have anything I didn’t make or my dad bought in Dalhart.” 

The dress means so much to her precisely because it’s your mother’s. Sarah doesn’t know how she fell apart, just that she raised you. Staring at your mother’s dress, you are quite confident that she would hiss and spit at the hard woman you’ve become. For once, and gratefully, this dress no longer feels like hers, or yours because you had avoided the same fate that befell her while entombed in this dress. And you weren’t about to subject Sarah to your family’s curse. 

You stand and pull out a blue pin-striped dress from your drawer, one that you’d had since you were her age, but one that never seemed quite right and over the years had grown too short on your calves and too small around the waist. You take it out and hold it over her shoulders.

“I think this is about your size.” You inspect it thoughtfully. “Have it. Wear it for the next school year. Or, one day, on your first day as a freshman in college.” 

She peels the dress away from her body like it sticks uncomfortably to her skin and laughs – a huff, a sharp release between tight ribs. 

“I don’t think so.” 

“You don’t like it?” Your heart seizes – did you say the wrong thing?

“Oh, no, no, no – I do – it’s beautiful, I’m sorry, I mean – but school – college – I don’t think it’s for me.” 

The dress bunches in her fists as she holds it in her lap. She hasn’t drawn it towards her but hasn’t set it on the bed. You frown. She is capable enough to pass the entrance exams and she knows it too. This is something else, something you could see she didn’t want to address directly, or simply couldn’t. 

Your mother’s yellow dress was a signal for you too: a blazing icon, a silent voice screaming –  you don’t belong with these people with whom you share only blood. You do not belong to them.

The silence stretches thin, lean and taught. You don’t know how to pick up the threads of her denials, so you simply march forward, into the crux of things.

“I was wondering if we could talk about today.” You start over. “An outburst like that isn’t all like you at all, Sarah, and your father and I are concerned. You know he was just teasing you.”

Her hands tighten their grip around the folds of your dress. “I know.” She squeezes her eyes shut. The silence lingers, sitting down heavy on the mattress underneath you. What do you say to a fourteen year old whose girlhood was vastly different from yours? Who has a father that loves her and a safe place to sleep at night – how could you possibly compare? As dozens, if not hundreds, of compassionate but meaningless comforting cliches race through your head, you take her hand and squeeze it and you decide to tell her what you at fourteen always dreamed of hearing.

“It’s okay if he doesn’t understand you, Sarah, but he loves you. He’d do anything for you.”

“I know. “ She repeats in a voice that says she doesn’t. The back of her free hand pressed against her lips, she lets out a sound like a hiccup and sob. Sarah closes her eyes with a sigh. “You’re right. He doesn’t understand. He doesn’t get it. And even though Ellie and I have gotten really close . . . she doesn’t get it either.” 

You scoot closer to her and squeeze her hand again. “Doesn’t get what, darling?” 

Sarah lifts her gaze and you see hope in her shiny gaze. A flame, small, but bright – flickering, building as if swelling under music, a tune that existed without shape or ears to hear it until this moment. 

Until something sang out to it. 

“How?”

“How what?”

“How do you see the world?” 

You sit back and she leans forward, the blue dress tighter in her hands than ever before, that spark in her eyes burning.

“I want to be like you and go to Boston. I . . . I wanna see skyscrapers and ride in taxis and take elevators as high as they can go. I wanna ride across the country on a train and eat in beautiful restaurants. I want to go to college, to learn, and carry textbooks, and go to a giant stadium and watch football – and I –,”

She swallows down a gulp of air, hands shaking from the tension in her knuckles, and in the pause, you touch her shoulder, like you would Flora if she were agitated. That completely derails her train of thought and she lets out the air in her lungs with a sigh so fast, it’s almost a hiss.

“Sarah, darling, why do you think you won’t ever have those things? Your dad wants you to be happy, to follow any dream you have –,”

“But I can’t leave him.” 

Sarah’s thumb rubs the thin fabric almost mournfully. When she speaks, her voice is tight, cramped with grief. 

“He’s given everything he has to keep me healthy and safe, especially because it’s just been the two of us for so long. More than anything, I want to make him proud, and so I study, and I study, and I work hard the only way I can –,” she swallows, her long lashes fluttering against her skin. “I can’t abandon him. I won’t. Not for something this . . . silly.”

Calmly, she puts the dress on the bed and stands, her hand and shoulder slipping out of your grasp, the wicker laundry basket still at her feet. 

“Thank you for the dress. But I think it'd be better if we just . . . forget about this.”

There is so much of you in her, it hurts to accept she is not yours, in any capacity.

“Sarah, do you know what rouge is?” 

The resignation melts from her face, those curls twisting towards you in curiosity. 

“I think so? It’s what women wear on their faces, right? To make their lips . . . um, redder?”

“Have you ever worn it?” 

Eyes go wide; a dawning and the enforcement of protection for a vulnerable thing all at once. “No?”

“Would you like to?”

You stand and go to the tan, leather trunk. It’s old, out of time, bears the marks of the frontier before it was settled and it keeps the last few talismans you’ve dragged to the ends of the earth. Your hand goes to a small cloth bag at the bottom.

Sarah is like you in many ways, but then again, she is nothing like you.

The day you and Anna ran away from home was the best day of your life. So much so, it became your escape strategy for everything. Run and hide for cover until the storm has passed. Staring up at you, her brown eyes blazing with hope as you gesture for her to come back into the room, you know Sarah has never run away from anything in her life. So, in this moment, you decide to bring everything else to her. 

“My sister and I lived next to an old woman when we were kids. Our parents were always out working, so we stayed with her a lot. And she always let us play around in her cosmetics.” You sit, the click of blush compacts and mascara loud as you dig through the bag“A girl in school must always look her best.” You pause and pull out what you were looking for. “This is real rouge from Lancome. Would you like to wear it?”

Eyes wider still, she drops onto your bed as if her knees suddenly gave out, her head nodding vigorously. She watchest the small tail of the brush twist in your fingers, around and around the pot, gathering the paste like dust on a wet cloth. 

“Open your mouth. Just a little bit, soften your lips. Yep, just like that.” 

She jerks back, half her mouth as pink as a sunset and curled up into a giggle. “Sorry, that tickled. It’s cold.”

“Feels weird, right?” You wrinkle your nose at her with a smile. She nods, grinning.

“Sorry, I’ll be still, I promise. Keep going, please.” 

You finish her lips and return to your cosmetics clutch. The metal lining is cold, as if it had been left in the dark. With care, you push the realization that you haven’t touched this bag in weeks out of your head. 

“You know, my sister loved getting all dolled up like this. Tilt your head to the window.” 

“Really?” Sarah murmurs. “From how Ellie talks about her . . .”

“Hard to believe, right?”

She doesn’t want to move again, but the eye contact she makes with you is all the sheepish nod you need. 

“By the time Ellie came around, there really wasn’t much time to spoil ourselves like this.” You smile softly, adding a few more strokes of blush against her high cheekbones. “But, a long time ago, Anna was an artist.” 

Sarah hums noncommittally, her gaze hovering around the edges of the window sill. When the blush kit clicks close, she looks at you. 

“My uncle Tommy was – is – that way too.”

“How so?”

“He liked writing stories, which I guess is a different kind of artist. But he’d come up with these crazy fairytales and I always thought he got them from books, but he said he made them up, off the top of his head.” She quiets when you take out the small palette of eyeshadow and tell her to close her eyes. “I think that’s why he left in the first place. He didn’t want to stay on this farm his whole life.” 

Her skin is soft, forgiving, as you dust the powder over her eyelids with your ring finger, the lightest touch you can offer. 

“Have you seen him since he left?”

“No,” she says, staying as still as possible. “Dad says if he wanted to see us, he’d make the effort . . . or he wouldn’t have moved out there at all.” 

Her words slide a stint up into the crevices of your heart, the reasoning behind her hesitancy to leave all the more apparent, but you close the two-color palette without saying anything else. With a few flicks, you finish her glamor with some light mascara.

“Now,” you say as you close the black tube. “Would you like to see yourself?”

Sarah’s eyes spring open, the russet vein of that thrumming, hopeful fire bright.

“Yes. Yes, please.” 

Despite the erosion of the very core of you brought on by the sheer enormity of what it takes to survive in this world, this little tarnished gold disc is the weight of your own vanity in the palm of your hand. Yet every time you open it, you hoped for a glimpse of Anna’s beautiful blue eyes, the curve of her smile, the bounce of a dark curl the way she kept it as a child. The mirror rarely felt like a mirror, more a clear window into the murky cold fog of your past. 

To every cop and ticket-taker on a train who looked through your purse, you kept a compact mirror for vain, silly reasons because, as a woman, you are a vain and silly thing. 

But at the look in Sarah Miller’s eyes, as you reveal the great and powerful secrets of ancient sisterhood to her, this compact is a mirror, and a window, and a weapon all at once. 

“This . . . is what I look like?” Her voice is barely a whisper. She turns her head slowly back and forth slowly, the powder shimmering on her cheeks, a queen surveying her jewels. “H-h-how?” 

“Practice.” You hand her the compact and she takes it, her own hand trembling. She hasn’t looked away from the mirror for an instant. You sit beside her on the bed, her crossed knee pressing up against your thigh and you wait. You wait until she’s had her look, until she’s absorbed her image from every angle, and you slip the cosmetics bag into her lap. She stares at it, and then her eyes widen. “And the right tools. With that, you can do this anytime you want. Do anything you want.” 

“Really?” Small. Hesitant. Hopeful. 

“Really. It’s yours . . . to do what you want with it.” 

“Then I want to do it to you!” Sarah’s smile erupts across her face immediately, her fingers digging into the soft pink material. “I have to practice somehow and I think Ellie will come after me with that knife of hers if I try it on her.” 

You grin, already picturing Ellie’s hackles going straight up if she sees Sarah anywhere near her with that bag. You nod and Sarah actually squeals. You can’t help but grin as she flips through the jars and compacts in the bag.

“Okay, okay – it’s easier to start with any concealer – this one. I didn’t use any on you because you’re far too young and beautiful to need it.” 

Sarah flushes as she unscrews the pot and takes up the brush you hold out for her. With familiar diligence, Sarah’s hand is steady and her dark eyes are clear and focused. She absorbs every instruction you give her, every tip you offer. 

For a minute, there is no farm. No debt to be paid. No pain or disfigurement. Only a bond, one willingly given and one willingly taken. For once in your life, connection is wonderfully easy. 

“Did you know it’s Ellie’s birthday tomorrow?” You ask after a while, mouth stiff as she applies rouge to your lips.

Sarah stops, her eyes widening. “No! She hasn’t said anything!” But then she makes a face. “Actually, I think I’d be more shocked if she did.” 

“I know there isn’t much I can offer her all the way out here. But . . .” And maybe this is where you take it a step too far. All Joel asked of you was to make sure Sarah was alright. None of this had anything to do with the argument she had with her father. Maybe this is incredibly selfish on your part. But, whether you – or Joel – like it or not, you care for Sarah, in a way that was entirely different and exactly like how you cared for Ellie. You couldn’t help but want more than to make sure that Sarah is just alright. You pull away from the brush in her hand and hold her gaze. “I was wondering if you wanted to help me make her a cake.” 

Sarah’s face nearly shines with joy.

Cool. 

A sensation that draws heat, soothes aggravation, exhilarates that which is dry.

Water, fresh and clear, anoints your forehead and sinks into your hair. It pours off your shoulders, catching the soft skin near your hips, your calves. Droplets pepper your toes like embers from a fire. 

Another splash and the water spills over the crown of your head, through the thickness of your already damp hair, threatening to drip onto the back of your neck and send a flood of chills down your exposed skin – 

But a warm hand cups you near the base of your skull and a new sensation flutters awake, this time from within.

“Good?” His voice. You hear it more in your chest. It’s deep, rumbling. Patient. 

You can’t find enough of your body to tell him, yes, Joel, yes, feels so good.

His wide hand slides down your bare back, a warm stone against the river of your skin, and another spout of water drenches you again. 

A second hand joins the exploration of your body, massaging and squeezing all at once. Slow, steady fingers curl around the wings of your ribs, then where your skin thickens and swells, his nails scraping across the low curve of your breasts.

Oh. Oh, Joel. 

“Tell me you want this.”

That voice prickles your ears, the rough scrape of a beard nebulous on your shoulder, just as you had always hoped it would be. Water splashes you again and every inch of your shudders.

“I won’t stop.”

Don’t. Please. 

“I won’t stop. You just have to pick it up.” 

His hands are gone, his warmth evaporated. 

The water is suddenly slick, lichen-drenched, and stagnant. It lurks by your ankles.

Pick it up. 

The stone walls at the bottom of the well ring with coldness. You shiver, naked and alone. Afraid, as frozen as a block of salt. 

Don’t just stand there. You’ll never do it. Just pick it up. That voice. You hate that voice.

The barrel of the gun brushes against the edge of your foot, the head of a snake gliding in the water –

You grab wakefulness by the throat and use it to yank yourself out of the nightmare. 

The familiar silence of the early gray morning in the kitchen that had become comfortable as of late is decidedly – worryingly – not. Your shoulders are taut, straight as a board from end to end. Over the suds and the dishes your hands move mechanically, ignoring the clatter of knives and forks and the rush of water. But above everything else, it’s the expression on your face that concerns Joel the most.

Even when you’ve worked yourself to exhaustion, there’s normally a light in your eyes that settles something restless inside of him, even after hours of labor. A source of strength that he finds himself eager to chase, to let it flood him – but right now, as you stand at the kitchen sink, you’re gone. Elsewhere, disappeared into blackness where that brightness used to be. 

If he were a different man, a man capable of this sort of concern, he could ask you about it. At the very least get you to look at him. During breakfast, amidst the girls’ playful bickering, you hadn’t even noticed he, or anyone, was there. You had eaten as though your spine had been sealed to an iron rod – stiff, painful. Ellie and Sarah had run out a while ago, Sarah leaving to gather up the laundry and Ellie to let the animals out to pasture. He isn’t even sure if you noticed that he stayed behind, but that stirring behind his chest, one that’s become more insistent when you’re around, froze up to a painful knot at the thought of leaving you alone like this. Like you were caught someplace where you might not come back from. 

So, straddling this widening gap he fears slipping off of, Joel lands on the only thing he knows where there is some common ground:

“Don’t think I said anything before, but Ellie’s a pretty brave kid.” 

At her name, you blink. Slow the scrub of soap across the plate, then stop. You look at him and the darkness is not so deep in your gaze. He busies his hands with picking up a rag and beginning to dry the stack of plates to your right.

“Oh?” Recognition flickers over your face as if you’re suddenly aware of who you were talking to. A tender crease appears between your eyes. He dries off another plate and turns to face the sink, to hide the curve of his mouth from you. 

“You’re surprised.” 

You blink, glance down at his hands, and pick up the sponge again. 

“No – I’m not – I mean, I know she’s a good kid, but . . .” You swallow, brow furrowed again. “What did she say to you?”

“Hm, not so much said anything as just listened. Stayed close, kept quiet. Left no rock unturned.” The edges of his sleeves are damp. You have your dress sleeves pushed all the way up past your elbows; it’s Saturday, a brief respite from the cycle of labor in the fields. The skin over your forearm and wrist looked particularly delicate against the breakfast table, now hidden by the soap and the water. Joel dries the cup in his hand with a bit more force. “She’s smart too. Knew all about iodine and what it’s used for. Had some idea how to seal up a hot water bottle. I’s glad to have her with me.” 

You actually snort – without an ounce of respectability – and he stares at you, transfixed by a noise he’s fairly certain he’s never heard you make before. You duck your head as the small smile falls off your face, scrubbing the fork in your hand a bit rougher.

“Sorry. It’s just . . . Ellie doesn’t get along with most people, or . . . anyone for that matter. Sarah – well, Sarah could make friends with a feral cat so I’m not surprised they get along. But you . . .” You trail off and Joel shifts his weight back and forth, all the possibilities of what you meant reverberating in the spaces between his ribs. “I guess I’m just glad she didn’t piss you off.”

“Oh, it takes a lot to piss me off. ‘Cause I’m a casual and easy-going kinda guy, y’know.” 

You freeze again as if he had just tried to convince you the sky was green and you should be looking for some sort of head trauma. He lets a small grin spread over his mouth, even brighter as your eyes widen. A joke. He is teasing you. 

A soft, barely intimate gesture. 

You smile. He feels something shift in his chest. Whatever else happens today, he’ll keep that smile in his breast pocket. He clears his throat.

“Nah, she’s a good kid. Just needs an outlet, I think.” 

You stand shoulder-to-shoulder with him at the sink. The cream lace curtains drawn horizontally across the window block out the brightening horizon. An early morning breeze smooths across the pasture grass, the light weak with the sun still low in the sky. The silence that follows is easier, something he can stomach. In the sink, the water sloshes, silverware clatters, and the plates squeak when he dries them off. The faint curves of your mouth he sees out of the corner of his eyes embolden him further.

“She, hm, ever mentioned any interest in music?”

You shrug. “Ellie and her mother loved dancing to our neighbor’s radio in our apartment in Boston. Why do you ask?”

“She found a radio while we were in town the other day, and she was curious. But with no radio here, the best I can do is a guitar – I know’ve got one around here somewhere and I figured she might like to learn some chords. But I wanted – hm –,” that goddamn tickle in the back of his throat, “wanted to make sure it’d be alright with you if I showed her a couple of things.” 

Eyes wide, soft lips parted – he doesn’t know where to carry the look you’re giving him now. 

“Y-yeah, Joel, that’ll be fine. If you think that’ll make her happy, then . . . of course.”

He nods, slowly, the hot realization that he’ll now have to approach Ellie with an offer for guitar lessons pricking the back of his neck. Her bewildered expression probably won’t look much different from his own.

“‘Least I could do, after what you did with Sarah.” He means going to talk to her, not the immense relief you’ve provided her physically the last few months. He still hasn’t said thank you for that – or that you indulge in her every academic desire or curiosity. There’s no question too outrageous or problem too difficult that she brings to you – and curiously, you seem delighted every time. “She, uh, she’s getting older and I don’t always . . .” It’s an admission of his own shortcomings and it twists his gut. But then that radiant smile returns to your face and he thinks he feels that restrictive choke of guilt ease . . . just a bit.

“She’s very special, Joel. We had fun.” You finish laying out the last bits of damp silverware and a plate or two on the drying rack, your hands all white with soap bubbles. And then you pause. “She . . .”

He catches the brush of your gaze as you look away, shoulders suddenly rigid. You were about to say something, something you assume that he doesn’t already know about Sarah. You have something precious of Sarah’s and you don’t look willing to share.

“What?” It comes out a bit rougher than he means, but his heart rate is up a tick and the corners of his mouth are dry. “She, what?”

You unplug the drain, your movements slow, hesitant.

“She has dreams, Joel, just like every other teenage girl.” 

“Of course she does. I know that.”

The murky water swirls low with a gurgle. You follow it with your eyes, the timbre of your voice low, but firm. “If you want to go out there and ask her what they are, then by all means, go talk to her. But she trusted me to keep her confidence.” 

He swallows, as much as your words burn him – deeper and hotter than he expected – you’re right, of course. But now, for the first time, there is a visible crack between him and his daughter. A wet slippery feeling snakes around the bottom of his spine, tying a knot in his stomach and grinding his voice down to a growl. 

“That is not your decision to make.” 

Your mouth is set firm, but the brightness of your eyes has faded, more distance between you and reality. More space, on the edge of a protective cavern. You step back, about two arm lengths away. 

“Joel,” you begin. “She is entitled to her privacy.” 

The knot in his stomach expands up into his ribs. His heart beats faster, attempting to stretch away from the hot iron in his gut but he can’t escape it. “What did you two talk about?”

“School. Makeup. Clothes. Her life here. ” 

His hands sweat. “What about her life? Is she unhappy?” 

“Oh, God, no, Joel, she loves you and she loves being here with you. She just wants –,”

“What? What does she want?” You stiffly turn to put away the dishes, to close him off, but he steps closer, over the already blurring lines. “Look, I took you and Ellie in off the streets – I hired you – to come here and look out for her – act as her nurse, her teacher – to keep her safe. Not to keep secrets from me.” 

Your spine goes rigid, just like it was at breakfast, as you gingerly put the plates down on the counter. 

“And we’re enormously grateful for your kindness. You know that.” Hands pressed flat onto your hips, you turn and look at him, blank-eyed and drawn thin. You stare at him like he’s a stranger. Something completely foreign and unfamiliar – he hates that look. “Are you asking me as my employer?”

What else are you to me? 

Someone at least worth the weight of a jar of hand cream. 

He shoves back that thought as the fog of a dozen others crowd in to take its place.

“I am. I appreciate your help earlier, but this is the line. Is Sarah alright or not?”

You glance away from him, as if he might find the truth in your eyes. “What she’s experiencing is perfectly normal for a girl her age. You wouldn’t understand.” 

The ground trembles, unsteady, beneath him. Where had he gone wrong? He didn’t feel the earthquake but now can see the broken faultline, the great maw opening its jaws beneath his feet. Fear, so dark and deep – it threatens to swallow him whole, but he gets his hands around it, by the throat, and snaps it clean in two. Joel narrows his eyes. 

“Somethin’ I do understand is Ellie’s been eyein’ my gun since day one. What kind of fourteen year old girl s’after that? ” 

At that, you blanch. It’s like he can see the bile rise up in the back of your throat, sit on your tongue and stay there. You’ve gone totally still, barely breathing. Joel isn’t sure if he’s satisfied or not that the remark landed its blow so thoroughly. 

“She’s just a c-child who wants to pretend she’s an adult. Just like S-Sarah.”

His fist curls around the damp rag in his hand, desperate for something to hold onto, to squeeze until the ground feels solid, but his anger isn’t fortifying him anymore. The next words out of his mouth are disgustingly desperate. 

“Is that what this is about? Did Ellie say something to her?” 

“Ellie? What? No! No, this has n-nothing to do with Ellie.” You look at him, something tender and wounded flashing there and it chills the heat rising in his chest just for an instant. “I would tell you if it was something serious. Don’t you trust me?” 

But you can’t come between him and Sarah. Nothing should.

The black chasm that he feels compelled to claw back against breeches open again. Edges crumbling beneath his fingers. Sarah, Sarah –  is the only one who matters. 

The muzzle runs its clammy tongue up the back of his spine, releasing a landslide of heavy dread across his body. His anxiety peaks in a wave and as it crests, he slams his hand on the counter, a blown fuse. 

“No, goddamn it, I don’t!” 

Jaw locked, he whips his head up. Whatever sits sour on his tongue, when he looks at you, it turns to a block of ice.

Where it bubbles up like black tar behind his chest, a thing that possesses him, you watch him with horror. Eyes wide, lips drawn so tight they’re practically nonexistent, hand around your throat as if to protect it preventively.

The bracing skeleton of indignant rage melts from his body so fast his brain goes fuzzy. He wasn’t thinking – wasn’t thinking about how you flinched, tears in your silver-dollar eyes, at the loud sound that time he accidentally knocked a pot to the floor. He had never seen you so bewildered and terrified – until now.

“Look, I’m–I’m not . . .” he swallows, “I didn’t mean it.” 

He watches your eyes drop to his hand curled around the edge of the counter and he intentionally relaxes the muscle. He stands up right, but leans back from you, giving you space. The tension in your shoulders eases only a fraction. “She doesn’t . . . doesn’t have to tell me everything, but I just wanna make sure that she’s safe, and happy. Can you at least give me that?”

You’re breathing rapidly, eyes watching his hand at his side as if anticipating it curling into a fist. He turns his palms up in supplication – he really, really didn’t mean to lose control like that –  and he steps back until he’s up against the door leading to the cellar down below. The wood is warm against his back, but his shoulder bumps into the hinge and it pinches his skin.  

Your hands are no longer wrapped up in tight fists. With a deep inhale, you close your eyes, as if steadying yourself against a torrential wind. When you breathe out, it’s unsteady and shaky. 

“Physically and m-mentally, she’s fine. She’s j-just . . . just growing up.”

All this time, bits of you have been growing towards the light as the days and weeks pass. He’s watched you transform, can’t take his eyes off you some days, into this woman where before he had seen you as just a tool, another a rake or a trowel. Now you’ve curled back into yourself like nothing had ever happened between you and him – all it took was too-sharp a snap. Sarah always said his bark was worse than his bite. 

Joel takes a half a step forward and you take three steps back. Your hand is over your heart, fingers curling into the fabric, eyes still as wide as they had been the night in the general store, facing down those rangers entirely by yourself. Shit. 

He wants to ask you why you fear loud noises, wants to know who did this to you and why.

He’s not that kind of man who does this sort of thing, someone who scares women.

But he’s also not that kind of man who knows how to navigate the aftermath. He doesn’t know how to be anything other than a father and a worker. Hasn’t cared to be anything else for a long, long time, and the muscle has atrophied. Can’t be a friend. Not a companion. Not whatever paints his dreams with streaks the color of your eyes. 

“‘M gonna go find Sarah, talk to her, like you said,” he mutters, shuffling towards the back door. “If you – need – if you want –,”

His throat finally closes, shame making his gaze slippery and it slides away from your face. He doesn’t stay long enough to hear if your breathing has settled as he shuffles out the door and towards the barn.

The metal of the iron flares to an ugly, angry red, and you wipe your forehead before the sweat can drop onto the stove top and sizzle. With your teeth mashed together so tightly your jaw aches, you lift up the six-pound metal wedge up off the stove, shake it free of as much ash as possible, and then press it down onto Ellie’s collar shirt on the floor. Immediately you sweep up and down the length of the shirt, careful not to linger too long on any one spot, but sure to flatten the wrinkles.

Sad irons, is what Anna called them one day after taking in the laundry from the washing line outside. She had heard a few of the neighborhood bitties tittering about them and found the term hilariously apt. Sad irons because they’re more work than they’re good for. 

Truth be told, you liked ironing, only in certain instances though. Moments when you wanted physical exhaustion to serve as a numbing agent to the battle of emotions building between your ribs. Sweat drips down your neck, your knees aching from pushing into the hardwood floors, your arms and shoulders burning from lifting the hot iron up and down, as you rock back and forth to clear away every last wrinkle. 

Joel’s hand smacking against the counter echoes in your mind again and again and again, as the kitchen and the homestead and reality bends away from you as you tumble through memory after memory – distracted, the iron brushes up against your flesh and bites in.

You yelp, sucking the flat back of your thumb into your mouth to ease the sizzling burn, and you sit back onto your heels. 

Yes, the pain is bright and it stings, but not enough to draw tears to your eyes, and yet they well up all the same.

A single image breaks through the numbing barrier of pain: the jar of Luxor in your room. You want nothing more than to sink your scalded thumb into its cool gel, but instead the image alone threatens to crack a sob out of your chest. 

He wouldn’t have done anything. Nothing like your husband.

You know that, and you hate yourself a little bit that you reacted like that, even after all this time. Why couldn’t you stand your ground, even for Sarah? God, if you had cried in front of Joel – the mere thought of that embarrassment burns hotter than the sting on your thumb. 

He had gotten so close. Too close to the truth. What had Ellie told him about the gun, even by accident? Joel didn’t seem intent on calling the police, but he’d left so fast. He must have been so angry just to leave like that. 

As you open your eyes, a thought occurs to you and the strength of it nearly disconnects you from your body: what if you left?

Your gaze darts to the blue sky just outside the window, too low to see the gold ground but you know it’s there – just as wide and open as it had been that first night in Dalhart. 

What if you gathered up Ellie right now and ran? It had worked before, and this time you didn’t leave the evidence in the bottom of a well. He couldn’t prove anything, just the ramblings of a fourteen year old girl. 

Shit, what the hell did he know?

“Hiya!” Sarah skips in through the back door, arms full of fresh herbs in her basket.

“Be careful!” You snap at her, your thumb throbbing, tears and hasty decisions receding. “Don’t track in dirt – I just mopped.”

She freezes, catches sight of the iron and Elllie’s shirt. You haven’t looked up at her. Slowly she unlaces her boots at the door and steps gingerly onto the wooden floor. You can feel her eyes track you as she walks to the kitchen counter and drops off her basket. The anxiety pulsing beneath your skin ratchets up your heart rate, hot blood pounding in your ears. 

“So, um, anyway, I was wondering if we could talk about Ellie’s birthday. I know she loves chocolate, but Dalhart hasn’t had that in years. But I think we might have a bit of vanilla in the cellar. Do you want me to go look?” You don’t miss the way her eyes flit over her shoulder to you, the question posed as if she was sticking a tree branch through the bars of a tiger’s cage on a dare.

“Um, yeah, that’ll be fine.”

Ellie never had the language to find the source of your anxiety and over the years learned either to leave you to your physical work or silently help you with it. Joel evidently – obviously – was a better parent than that:

“Are you okay?” Sarah asks.

You stop, in daze, then slide the iron off the clothes and onto its side. It seems ridiculous but you can’t remember the last time anyone asked you that. Ellie, your only connection to family, knew exactly what you had to do to keep you both safe, so the question was always irrelevant. So when did you let another person in enough for them to care that much to ask?

“Just, uhm, busy. Need to get this done.” 

Sarah narrows her eyes at you. “‘Cause you don’t sound like you’re okay. In fact, you actually sound really bad. What’s wrong?”

“I’m . . . I just didn’t sleep well. Had a bad dream. That’s all.” 

The lies knot in your throat; it’s insufficient to call it bad – it’s insufficient to call it a dream, the thing that had scared you so badly, even Joel picked up on it. 

“Wanna talk about it?” 

You glance up, still on your aching hands and pinched knees. She watches you with those same endless brown eyes as her father’s but immeasurably softer, arms wrapped over themselves, eyebrows furrowed with concern. You had snapped at her when she didn’t deserve it and she just . . . moved on.

“No, Sarah, I-I don’t want to burden you . . . it’s nothing, honestly, I’m just being silly.” 

She rolls her eyes, that wise stare cracking in half. “Fine. Don’t talk to me, but you should talk to someone. Talk to my dad. I know he doesn’t look like it but he’s a really good listener.”

Your cheeks go as warm as the iron beside you, making it impossible to keep looking at her. “Sarah, please, I am his employee. That is entirely inappropriate.” 

“Oh, please.” She swats away your concern and turns back to the herbs. She pulls out canning jars from below the sink and begins to organize by food or medicine. “Fine. Don’t tell me. When do you want to start working on Ellie’s cake?” 

The iron is no longer nearly hot enough to be effective but you run it up the shirt again, to smooth the uneven threads of your own feelings.

“Maybe tomorrow morning, when she’s out with the cows.” You pause. “No, wait, we’re spraying pesticides tomorrow. I can’t.”

Again, in that flippant teenager way, she shakes her head. “Dad’ll let you have a morning off if you tell him what is for.”

Joel’s anger, the smack of his palm – they reverberate in your head again as if someone had struck you with a bell. Your chest tight, you say,

“I don’t think your father wants anything to do with me right now.”

The excited buzz that always follows after Sarah like floating dandelion seeds settles eerily. You bite your lip – why did you say anything? – and watch her back stiffen, rosemary in one hand and a jar in the other. 

She is the daughter of your employer; you cannot forget that, but you had – you had forgotten, and so easily too. She was well within her rights to –

“What did he do?”

You blink. “What?”

She lets out a frustrated groan. “God, I swear that man likes the taste of his foot in his mouth!” Sarah turns around, rosemary and jar back on the counter, her hands on her hips and you feel like you’re the one about to be scolded. “What did he say to you to make you upset?”

“Nothing, Sarah, I swear.” She raises an eyebrow. You break instantly. “We just had a disagreement. He wasn’t . . . pleased with my work, and he told me so. Which is perfectly fine, given that I am his employee.” 

She shoves her palms into her brow, groaning. “But that’s not all –,” she shakes her head. “That’s it. I’m gonna go talk to him.” 

“Sarah, don’t –,”

You struggle to your feet, your knees stiff and popping, hand outstretched after her, but she’s too fast. She opens the back door and lets it slam shut behind her, leaving you blinking on the floor. 

He’s been staring at the back wall of the wooden shed for twenty minutes. Hadn’t made a move to grab a single tool, or pick up a bag of feed. Behind him, the wind dives into the fields, scuttles apart the branches of the oak tree by the river in a soft crackle. In the barn, one of the cows lets out a loud groan.

The back of his neck is starting to grow hot from the sun. Sweat peaks at his brow. His hand on the door, the other by his side, his fingers ceaselessly twitching, taking on physical shapes of his anxiety. But he can’t move away. If he moves, he’ll make the wrong choice again.

He’s angry. He’s still angry.

But that anger is fueled by a churning ball of fear that sits right on top of his chest and lashes at his skin like steel wool. It itches like hell and he can scratch at it all he wants, but it never goes away.

This was all a mistake. He sees that now. He could have handled another season on his own. He didn’t need another farm hand – he’d done it before and could do it again. Sarah was smart enough to read the right books all on her own and if she didn’t have the ones she needed, he’d go get them – wherever they might be. 

Sarah didn’t need anyone either. She’d make friends with kids soon enough, in town or whenever the school reopened. She was smart, always had been. They’d figure it out, together. 

He could have lived the rest of his life without another living soul crossing the boundary onto the Miller lands. 

And yet he hadn’t. 

He’d let someone in. 

As a general rule, he tried not to think of you in any capacity outside of work, education, and medical treatments, but he found that he had no defenses against the presence of someone who lives in his house also taking up residence in his mind. Against someone who cooks his meals and makes his daughter laugh. Who has a fraught relationship with her niece and yet would quite literally kill for her. 

That he understood, even if you and him seemed determined to prevent yourself from relating to one another in any capacity - which was fine with him. But he saw it in you, even if he didn’t recognize it at first in that bar in Dalhart. And then he saw it again the morning you and Ellie saved Sarah. The instinct to protect, to secure. It had been years since he’d seen it on someone else, and had never seen it that strong. 

And that’s what had gotten him into trouble today. That instinct he’d had all his life suddenly butting up against a tender feeling that is so foreign to him he doesn’t know what to do with it. Doesn’t know how to hold it, carry it, so it goes everywhere, soaks him down to the bone. 

All his life, he’s only ever enjoyed the company of two people, now one. He knew that if he took care of the land, it would take care of him and his family, so he never needed anyone else. But Sarah had a caretaker and a friend and nurturer but still clearly wanted more. Something he couldn’t give her. Something that never would have come to her otherwise if he hadn’t taken in you and Ellie. 

In his hardest of hearts, he both highly praised and deeply, deeply resented you for that. 

For coming here and upsetting everything. 

Fuck. 

His thumb catches on a splinter from the doorframe, tearing his eyes away from the blank wall, the brief pain causing his anger to flare brightly, the slice of wood embedded deep in his skin. His eyes snap to the back wall, looking for pliers to yank the damn splinter out – but his gaze catches something on the back wall first. 

Your work gloves, on the shelf. As broken in and soft as his. Taking up space beside his own as if they had belonged there all along.

In direct conflict with everything he thought he wanted, everything that he understood about himself and his daughter and the land he protects, you and Ellie had become embedded in the homestead such that now he's not quite sure he could picture it without your presence. It's a permanence that, he could tell, you all had sorely needed.

You, unlike him, did need someone else to survive in this world, one that isn't built for or kind to or willing to value women like you – and yet he got the impression that you never had a soft spot for people either. Been on the receiving end of harassment and cruelty too much and too long to find anyone or anything meaningful outside your family. It was narrow-minded and perhaps selfish, but not a perspective he would ever disagree with.

Ellie, unlike Sarah, had a caretaker but lacked a friend, someone to nurture her emotionally, tenderly, despite her vocal protests. He can see in the dark well of her eyes every time she watches him out of the corner of her eye when he cocks his gun or saddles up the horse. Like you, the ability to share a burden had been beaten out of her.

Now, what does he do with –

“Dad!” 

He jumps, the bark of her voice so loud and brash it rattles his heart for a second. Christ, is that what he sounded like?

He looks over his shoulder to see Sarah striding over to him, fists clenched, eyes blazing, dark hair turned light in the harsh glare of the sun. Sometimes – oftentimes –  he was surprised that a tempest like her came from him. 

“Dad!” Sarah barks again, the smack of her boots in the dirt launching puffs of earth by her ankles. She grinds to a halt in front of him, hands on her hips. “She’s my friend! What did you say to her?” 

“I haven’t seen Ellie since breakfast –,”

“No. Not Ellie.” The pitch of anxiety plummets into his stomach. He knows what she’s going to say before she opens her mouth. “Her aunt. You said something to her that made her upset, and I want to know what it is.” 

Where her fists lock onto her hips, one hand curls onto his hip as it juts to the side. With a sigh, Joel wipes his eyes with his fingers.

“Sarah . . .” 

“Oh, don’t Sarah me! And don’t act like I’m too young to understand, either! You raised me better than that.” Her footing shifts slightly and Joel sees an opening, small, flickering. He sees her pouting at five years old, wanting to stay up past her bedtime not for the sake of being disagreeable, but merely to spend more time with him. 

He tilts his head. “I don’t think you’re too young to understand, Sarah. Come to think of it, I’ve probably let you see and hear too much. Put too much on you.”

Her boiling anger simmers and the frown on her face softens. 

“That’s not . . . that’s not it at all, Dad.” 

With half a sigh, he extends his hand towards her, a peace offering as much as he was capable of. “C’mere, let’s get outta the heat. You and I gotta talk.” 

Her eyes fall to his outstretched hand, lip bitten between her teeth, as if under some obligation not to take it. He lets it fall, as much as it stings a very delicate part of him, and turns back towards the cellar doors. Attached to the house near the water pump, they face west, spending most of the day in the shade. Where he would sit to catch his breath after laboring in the fields all day and she brought him water and they would talk – about anything and everything. 

Joel slides down into the dirt, dust clinging to his shirt, his pants. He looks up at her, waiting, holding his will silently against hers without demand, and with a huff, Sarah drops down next to him. They sit in the shade, like they’ve always done. 

This place has always been a place of safety for him. Not just this land, but this spot, this shaded seat next to her. Joel looks at her, his smile wan. “So, if that’s not it, what is it, baby? ‘Cause I clearly haven’t got a fuckin’ clue what I’m doing. I’m sorry I made you so angry. I promise you, I was just teasin’.”

She always liked it when he spoke softly to her, maybe bringing back memories of when she was small and slept for hours on his bare chest. He turns his gaze to the yellow land, the distant dirt roads, and the sprawling emptiness beyond them. This land, that is his responsibility to keep safe. 

“I know, Dad.” He listens to her scrape the heel of her boot back and forth over a pebble. She feels warm against his side. “I’m not mad about that. I mean, I was, but not anymore.”

“But you’re mad about somethin’?” 

She’s not ready to meet his eye, he knows. That’s okay. He can wait. 

He smells lavender as her hair flutters again, her gaze joining his to watch their fields, the fields held by their family for three generations. The memories of her illness –of so many nights spent in fear, in anguish nearly as painful as death itself, as she cried and cried and cried and he could do nothing to stop it – overwhelm him out of nowhere and, like a fist has settled around his throat, he can’t breathe right for a moment. His hands flex and strain where they hang over his knees.

Air returns to him when she rests her head against his shoulder, and he is suddenly more grateful to you for bringing back his little girl than he’s ever felt towards anyone in his life. But the taste of his words he said to you lingers on his tongue. He had been so terrible.

“I like learning.” Sarah says. The wind tugs on her hair, the hemline of his pants. He resists the urge to press his face into her curls and instead settles for breathing in her scent, her warmth. He closes his eyes. She is his whole world. 

The heat of the sun toasts the air around them as the wind settles. He opens his eyes to the solar star far beyond this planet. Another world entirely. It feels particularly close today.

“I know you do. You’re good at it, always make me proud.”

Sarah lifts her head and he feels the traction of her gaze. His stomach knots, but not as heavily as his heart swells. Her eyes are older than he’s ever remembered seeing when he finally looks at her, and he’s felt a lot of his years recently. Her hands curl around his elbow, like she used to do when she begged him for a new book or a new dress. Pleading with him, to make him see her.

“But I think I’ve learned all I can . . . here.”

Joel breathes through the gaping wound and surge of pride in his chest. She watches him, brown eyes wide, mouth set. The same little girl he’s always known, and nothing like her at all. How had he missed it, this fundamental and irrevocable change? Where had the time gone? 

“I know, baby. You have to go.” 

He expects something like a girlish squeal, maybe little dance, a yelp of joy – throwing her arms around his neck, making promises to be on her very best behavior – 

But instead –

“But not right now.” Her eyes fill with tears, voice small, uncertain. Vulnerable in a way only a child’s can be.

He puts his arm around her shoulder, between her and the dirt-crusted house on the land that is now his, was his father’s, and his father’s before that, and hides his own wet eyes from her by burying his face in her hair. Her arms are wrapped so tightly around his chest, his heart nearly stops.

“No, not right now. But some day.” 

They who have been alone together all their lives sit and hold their other half for a long, long time.

The sun hovers in the late afternoon sky, unwilling to let time march forward, but it always does. It always has to. 

With a gruff grunt, Joel pulls away and wipes at his eyes with the palm of his hand. Sarah sits up more, sniffing, her delicate fingers smearing away the dampness on her cheeks. He clears his throat again. 

“C’mon, enough out here. Ellie’s probably out lookin’ for you, and I need to help, um –,”

“Dad.” He drops back down the half inch he pulled himself up. Suddenly, with a grin and a mischievous light in her still-wet eyes, she looks as young as she is supposed to be. “We haven’t talked about everything yet.”

“What do you mean?”

Her dark eyes flit back to the house, a pointed look. A knowing look. He doesn’t know why but it makes his stomach churn and his heart rate speed up, ever so slightly. That grin on her lips evolves into a full fledged smirk. 

“You were a jerk. Now you have to make it up to her. How are you gonna do that?” 

Joel’s mouth twitches. “I’m out of ideas.” 

“Good. ‘Cause I’m not.” Sarah heaves herself onto her feet, then stands, and dusts the back of her skirt with a few good thwaps. “It’s Ellie’s birthday tomorrow. Me and her aunt are gonna make a cake, so you’re gonna get her a present. You’re also in charge of distracting her while we get everything ready.”

Joel chuckles lightly as he stares up at her, one eye squinting against the sunlight. “Yeah? And what am I supposed to get her?”

She extends her hand and he takes it. Together, they get him on his feet. She dusts off his sleeve, then grins up at him, her smile wide and full and loaded with secrets he knows he didn’t tell her. “I can’t give you all the answers, old man.” 

It’s nerves. 

It’s nerves and that’s why you can’t find the vanilla you know is down here. For the fourth time, you get on your toes and look at the far back of the top row of cellar shelves. Joel had organized the cellar by least perishable to most, and vanilla beans stayed intact for years if kept out of the sun or moisture. Sarah was distinctly confident that they had at least a handful, far more than enough to flavor a cake, and this was Ellie’s cake. You owed it to her and Sarah –and shit, since he’ll be eating it, Joel – to not give up the search. 

But by the time your line of sight got to the second shelf, your mind was already wandering. 

He had taken Ellie out onto the front porch for a guitar lesson. 

After the terrible things he had said to you this morning.

After you acted like he was a cruel man whose viciousness knows no bounds.

He wanted to teach Ellie something, after he had asked you first. 

Came out of the hall closet with it in his hand, and while his dark expression was distressingly unreadable, his voice was light when he offered to teach her some cords. Ellie, who was nose deep in another Space Family Robinson, nearly launched herself off the couch: “HELL YEAH!”

Standing at just an angle that allowed you to see the living room from the kitchen, you could have sworn he smiled. A muffled thing, but it drew up the corners of his cupid’s bow in a beautiful twist, the long expanse of his throat looking warm as he turned his head to give Ellie the guitar, his hair curled in reckless waves at the nape of his neck. He smiled at Ellie and offered her a lesson – 

And you haven’t been able to focus since. 

You stop halfway on your fifth search, press your forehead to the wooden post, and sigh. 

The silence in the cellar is different from other silences on the homestead. More compact, more dense. You suppose that has something to do with it being buried several feet underground, but the strength of it is comforting in a way you’ve never experienced. Since you were sixteen years old, you’ve worked a full time job, sometimes two, sometimes three, for just enough money to eat and keep your sister housed. You often have trouble sleeping because you can still hear the noise of all those people, gears in your mind churning, despite the physical exhaustion of your body, always thinking about tomorrow’s to-dos and where your next meal might come from. You’ve been going so hard and so fast – barely surviving – you forgot what true, thick silence sounded like. How much easier it was to breathe and smother that runaway train of thought. 

Despite your initial apprehension, the cellar had become your most favorite place on the entire homestead. The silence was almost friendly, protective; you could whisper your secrets to it and know they’d be safe forever. Surrounded by abundant food, lovingly grown and cared for, you too sometimes feel as if you too had been raised, had been grown to ripeness, on this earthen floor. 

For the first time in hours, your heartbeat slows. With a grin, you lean into the wooden shelf, its corner sticking into your shoulder like a hand would press into your skin. 

“I’m trying to do something nice for Ellie. You know she deserves it,” you grumble into the silence. The wood is soft, gently carved. If you try hard enough, you think you can still smell the wood grain. “Having some vanilla flavoring would really make her happy, and that kid needs a win.” You shuffle, standing up right, and the toe of your boot kicks the post. It shudders slightly. “I –,”

In the momentum, something falls off the shelf and plops into the dirt to your right.

Vanilla beans.

You grin as you pick them up, trying half-heartedly to find that watchful eye. Just before you click off the light, you affectionately rub the corner of the wall.

“Thanks.” 

If talking to animals is the first step in going crazy, talking to holes in the ground must be a pretty bad sign. 

“‘kay, it’s real easy.” He clears his throat again, shifting, and the wood panel squeaks beneath him. Crickets echo in the shadows beyond the light of the porch. “This is gonna be your C – your A – your G, and your D. There’s only twelve you really gotta know. From there you’ll get the basics and can start to –,”

“Where’d you learn to play?” Ellie asks abruptly. She sits with her back against the wooden post outlining the porch, her knees tucked up to her chest. Joel is reminded of the look Sarah once gave him after he silently helped her chop the rest of the wood before a rainstorm came – he had told her she couldn’t do all of it by herself, and she had adamantly refused, but he didn’t rub it in her face when he came to help. They narrowly avoided the downpour but had enough firewood to last them a week. 

Grateful, was the expression he remembers. 

The heat of the day still lingers in the air, the sun just beneath the horizon. Flies and gnats swarm and tangle around the exposed bulb over the porch, thickening the shadows of his hands over the neck of the guitar and beneath the porch steps. 

Joel’s fingers still, the music of fluttering wings and electrical zaps taking over. “My dad taught me. He taught me . . . and my brother.”

Maybe it was the talk with Sarah that had loosened something, at least temporarily. He doesn’t feel like he’s been torn open, spilling his guts, when he tells her about Tommy. He wonders briefly if Sarah had ever mentioned her uncle and if she didn’t, why. He can see the question build behind her eyes, thoughts shuffling, looking for a memory if he had ever mentioned a brother before. 

“We got pretty good for a time. Played at school, church. Had a guy come through town once and tell us we could really be something.”

“Like a Hank Williams kinda something?” 

Joel eyes her, impressed she knows one of the greatest artists who’s ever lived.

“I dunno what he meant,” he says. “But that’s never why I did it anyway. Just wanted something to do with my little brother. He had some good lyrics too. He was always talented that way, with his head, you know? I think sometimes that’s where Sarah gets it. ‘Cause i'snot from me.” 

Joel smiles and Ellie grins back, an inside joke they didn’t know about yet. He strums quietly.

“I think he wanted to be that Hank Williams kinda somethin'. But it’s hard when you’re no one from nowhere. And I think him leavin’ would’ve broken our mama’s heart.”

“Tommy . . . right?” Joel glances up at her, the name so foreign on someone else’s tongue she could have meant someone else entirely. “Sarah – she, um – she mentioned him, once. And that he left for California – a while ago.” 

Joel nods, again in search of that anger to wield as a weapon, but the guitar digs into the place in his chest where it hurts the most. 

“Is that why the guitar was in the trunk? ‘Cause you’re pissed at him?”

It’s almost funny, the way she needles through to the center of things. He could lie, but what’s the point?

He hums. “I stopped playing this thing long before Tommy left. No time. Even with his help, you gotta fight with this land to grow anything. Then Sarah got sick, and now there’s all this fuckin’ dust . . .” 

He puts a hand on the belly of the guitar to stop the vibrations. He looks up at the stars, blinking into existence as night falls like a dropped curtain, and shakes his head. It felt like an excavation of something haunted, when he pulled the guitar from a trunk in his bedroom closet. Truly, he hadn’t thought about this guitar in months and taking it out again was just asking for something dangerous to befall him. Maybe something already had, given how much he had started to care for the girl who carries a pocket knife in her sock. 

Joel’s gaze drops to that girl now, her wiry little fingers wrapped around her ankles as she stares right back. He had forgotten they still made people like her.

“But it’s good. It’s good to remember.” Joel slides the guitar off his lap and onto the wood step between them. This guitar is older than Ellie and he hands it to her. “Now let’s see if you’ve been paying attention.”

She stares a second after he leans in to point out the chords before she tries to match his fingers on the strings. But then Sarah opens the screen door, out of breath and the tip of her nose pink as if she’d been standing over a fire. 

“Dinner’s ready.” 

Joel stifles the urge to roll his eyes; his girl was many things, but subtle was not one of them. As she disappears back inside, Ellie hands him back the guitar and meets his eyes with a confused look on her face – what’s up with her? Joel shrugs, then tries not to groan as he stands up, his knee acting up again. Odd, given that it only used to ache when a storm was coming, like a warning. But the skies had been clear for weeks.

“Good first lesson, kid. I’ll put this up, you go see what they got cooked up.” 

“You sure?” Her gaze drops to his knee, observant as her aunt. 

“ ‘M fine. Go on.” He knows there’s more affection than gruff in his voice, but at least Ellie doesn’t seem to register that. 

He follows her inside, the air warmer in here due to the oven and a lack of a breeze. When she moves towards the kitchen, he goes to the closet beneath the stairs and opens up the trunk at the back. 

He isn’t entirely sure he can forgive Tommy for what he did, but at least he understands it. Beneath where the guitar laid, there’s a scrap of crumpled paper – a telegram he thought about tossing in the fire when it first arrived. Instead, he is glad he just wanted it out of his sight. 

It is blank except for a few letters and numbers: a forwarding address. 

He can’t pick it up and look at it, not right now, but maybe. Maybe someday, when he needs his brother.

“Holy shit!”

Joel smiles as he shuts the trunk lid and stands. Not today.

When he finally makes it to the kitchen, Ellie stands at the head of the table, her shoulders by her ears, arms out, as if preparing to be tackled to the ground. Her eyes are bigger than he’s ever seen them.

“Happy Birthday, Ellie!” Sarah yells from the other side of the table, the words bursting out of her. “Do you like it?”

“Like it? I . . .” Wordlessly, she slides into the chair, her face glowing in the light of the candle sunken deep into the top of the cake. The shadows, thick and heavy around her mouth and under her eyes, blur the emotions on her face. 

“Ellie?” You say, tentative. That crease is back between your eyes and Joel wants to press his thumb to it until it goes away. “Is this okay?”

Slowly, she lifts her eyes. The shadows cannot hide the wet shine there. Joel has to look away, something hot expanding under his ribs. 

“Uh, yea-ahh . . . this is fucking okay.” He hears the slight chuckle in her voice and he looks back. Her smile is stretched from ear to ear. “And this is dinner too, right? We get to eat cake. For dinner?”

You smile, relief and excitement giving your own face a special glow. And then, your eyes fall to him and that hot band in his chest thickens to his throat. He’ll dream of your eyes again tonight, he knows it.

“Mr. Miller has extra storages of flour in the cellar,” you say, gaze slipping away before he can hold onto it. The band in his throat hardens when you refer to him so distantly. “We used just a bit of cream and milk –”

“And sugar!” Sarah blurts out. She is practically vibrating next to you. “We have to really conserve sugar, only for special occasions, and what’s more special than a birthday?”

Ellie tears her gaze up from the candle and, for a second, she looks very small. 

“You used it for my birthday?” 

While Sarah nods vigorously next to you, he watches as your face falls. He knows that look, felt it screw up his face too – you feel like you’ve failed Ellie somehow.

“Of course, Ellie.” You say quietly, your hands knotted in front of you. He watches as the words get caught in your throat, all the right ones and the wrong ones. “You . . .”

“You’re a good kid.” Your eyes jump to him, wide, as he steps closer to the kitchen table. He puts a hand around the knot on the back of Ellie’s chair. “Is what your aunt means to say. Happy birthday, from all of us.”

Ellie’s gaze is so gentle, she looks timid. She glances between Joel, you, then Sarah, and back to you. 

“Um, thanks, guys. I guess.” 

In the soft silence, she takes a brief moment, her eyes closed, and then leans forward over the candle and promptly blows out the flame. The kitchen falls into darkness, a second before you reach for the light. 

Sarah claps her hands, the amber electrical light softening her already smooth skin. “What did you wish for?”

Ellie’s smirk returns, her hard edges returning. “Can’t tell you or it won’t come true.”

Sarah rolls her eyes as you gather the plates you and Joel had cleaned just this morning. “I always thought that rule was so stupid. It’s no fun.”

You grin at her as you hand Ellie a plate and then Sarah herself. 

“It’s the secret that gives the wish its magic. All the good things are best kept secret.”

Your hand extends a plate out towards him, but it’s your gaze that meets him first. Mouth slightly parted, you watch him from beneath your long lashes. The light that softens Sarah emboldens the curves of your cheeks, the slope of your nose, the entanglement of your hair against the nape of your neck. A table between you, he hasn’t been this close to you in what feels like days, when it had only been this morning. This morning, when he had never felt further from you, when his own fear had gotten the better of him. 

For so long, the circle of his love ended at the property lines and he had spent years of his life etching in that demarcation, digging in and digging in until the wet earth swallowed him whole. There was nothing else but Sarah and this land because he could not afford to lose either of them, so he held on tight and burrowed deep.

But this deep down, the earth he loved might as well have been a coffin. A tomb. In order to stabilize his daughter, the land, and himself, there had to be less of him. Less to carry. Less to burden. 

Less of him to share. 

He thought – maybe hoped – that those bits of him that had fallen away would always stay gone, another sacrifice in addition to his blood and his sweat into the soil. It was easier to mourn a loss if you never had it in the first place.

But, as he looked at you from across the table in the low light, as your fingers touched his beneath the plate – even for a fraction of a second – the pieces he’d left behind roared to life once again. 

Heat warms him up his arm, down into his chest – and it keeps going. The smell of you, of sweat and sugar and honey and sunlight, invades his head like a dirty wind and the fire inside scorches him as it flushes down his ribs, through his stomach, and right into his groin.

You all but drop the plate into his hand, pulling your fingers away from his touch, gaze diving away. But he can see your nervous swallow, the way your hand shakes when you pick up the knife to cut the cake. 

“Let’s eat.” You smile at the girls, but it’s as weak as your voice, crackling, trembling, overwhelmed. As if you too had been consumed by years of dormant want out of nowhere and now couldn’t possibly put those feelings back into hiding even if you wanted to.

Even if you begged.

The cake is gone in a matter of minutes. 

Ellie lets out a groan, leaning back in her chair, her hands resting over her full stomach. “That was so goddamn good.” 

“It’s inappropriate to lick the plate, right?” Sarah asked, sponging up crumbs with her finger. 

“I won’t tell if you don’t.” Ellie grins. She snatches up her plate and with her tongue flat against her chin, licks up every last morsel. Sarah snorts, laughter bursting out of her, before doing the exact same thing. It’s not long until both of them are making grotesque noises. 

“You girls act like you haven’t had a proper meal in weeks.” Joel sits across from you, his arms folded across his chest, a faint glint in his eye as he glances back and forth between them. He sits low in his chair and his shoulders look especially broad across the back of it. “Y’all are gonna eat me out of house and home.” 

Sarah giggles and wipes her spit-covered chin. “Ellie said she found a really good spot out back to look at the Milky Way. Can we go look?” 

You expect him to ask that they clean up the table first, at least put the dishes in the sink, and not to stay too far into the dark. He’s watching Sarah for a beat too long before he opens his mouth again.

“But then when will Ellie get her present?”

His eyes lock onto you.

“THERE’S MORE?!” Ellie screeches.

The heat in his gaze sends a tangible shock down your throat, across every single one of your ribs, right into your nipples. Your faint gasp is overshadowed by Sarah and Ellie’s yelling – oh my god you didn’t tell me about this what’s wrong with you – please please please can I see it I’ll clean the bathrooms if you just lemme have it please –  but the look is gone a second later when he stands up and jerks his chin over his shoulder to the living room. The girls sprint into the room before he can take his first step. He doesn’t look at you as he follows them, slow, confident, teasing them just a bit.

“What is it?!”

“Is it more comics?”

“More marbles?”

“New clothes?”

“Ew, that would suck.” 

As if deaf to their pleas, Joel slowly walks over to the chest in the corner of the room and just as the girls are about to burst from excitement, he bends down and picks something up from behind it.

A radio. 

The radio.

The same one they had found in town. 

Ellie and Sarah’s eyes widen to the size of the dinner plates sitting on the kitchen table, covered in spit and cake crumbs. They drop to their knees, fingers outstretched like they approached a feral kitten.

“Now, it doesn’t work right.” Joel says, his arms crossed again. “But I thought it might be a good project for you girls. Something to work on together. Maybe learn about magnets and electricity n’shit.” 

His eyes fall on you again, as if you knew all about “magnets and electricity n’shit.” Joel grins again, this time just for you, and something inside of you snaps in half, melts, sparks open; some great weight, one you didn’t even know was there, has been lifted off your shoulders, your heart, and you can breathe properly again. You sink into the blue sofa, hands in your lap to keep them from trembling. 

The idea that you would ever willingly leave this place is laughable.

The idea that you would take Ellie away from this, from Sarah, is agonizing. 

They’re both fiddling with the buttons and twisting the jobs, the novelty of it perhaps the most fascinating. They are silent, more reverent than if they are on hallowed ground. 

“I’ve got some pliers and a screwdriver if you wanna –,”

Perhaps it was the witchcraft of the sisterhood. 

Perhaps they had managed to work out some secret code.

Perhaps they were just lucky. 

The radio lights up and the tear of a trumpet whines out of the speakers. Their yelp of delight is muffled beneath the white-hot music of a jazz band. 

Joel watches with what can only be considered bemusement as the girls leap to their feet and start dancing like no one had ever taught them about rhythm. 

The sofa squeaks, the cushion under your butt tilting up, as he sits down next to you. 

“Not likely to win any competitions any time soon,” he mutters quietly, presumably to you, as you both watch Ellie’s jerky knees and Sarah’s dizzying twirls. You sit, hands in your lap, perched on the edge of the cushion, while he leans into the sofa, arms back in place over his chest. With the way you are positioned towards the radio and him facing straight on, your knees almost touch. 

You wonder if he’s as aware of that chance as you are. 

“Listen, I wanted to say I’m sorry.” His voice is deep enough to be heard over the music. He glances at your hands, and then your face. The sincere regret in his eyes makes the blood in your wrists pound. “You didn’t deserve all of those things I said to you this morning. Both you and Ellie have been . . .” he struggles for the word, his bottom lip moving with the swipe of his tongue, “a good change in our lives, and I regret saying the contrary.” His gaze falls back to your hands, your thumb tucked into the hole made by your other fingers. You wouldn’t look away from his face if it was the sun itself. “The fields have been well taken care of . . . and I know Sarah’s grateful for everything you’ve done for her. You’ve changed her life for the better. You’ve changed m–,”

It’s like his voice crumbles and slips off a cliff. His broad shoulders sag forward and then he looks up at you, a desperate sort of hope in eyes. Hope that you understand what he’s trying to say, and hope that you don’t make him say it. 

Oh, but you want him to say it. You want it so badly. 

You nod, this crumb sweeter than anything on the kitchen plates. On some heady sugar high, you smile at him.

“Well, I meant what I said.” He frowns and your grin widens, but then teeters and topples over. Your wrists ache. You have to lose his gaze for what you’re going to say next. “We are very, very grateful you took us in. I know it wasn’t a decision you made lightly, risking so much of you and Sarah for two complete strangers.” You shake your head with disbelief. “I’ll spend the rest of my life proving that you made the right choice, if I have to.”

You glance up at him – and immediately wish you hadn’t. 

It’s that same look he gave you when you handed him his plate over the kitchen table. Lips pursed, brow slightly furrowed, with a wary uneasiness in his eyes. Like he’s finally figured out what kind of woman you are, and he can’t quite tell what to do with you.

“C’mon you two!” Sarah yells and that hazy bubble that envelopes you bursts. He blinks, as if not remembering where he is. “You gotta dance!”

“Yeah, you old farts!” Ellie pants, red-faced and nearly out of breath. “It’s my birthday so you have to do what I say and I say, let’s boogie!”

You lunge at the chance to be distracted; you turn away from Joel and arch your eyebrow.

“Oh, you’re dancing? Is that what you’re doing? Can hardly tell.” 

Ellie sticks out her tongue while Sarah starts kicking with one foot then bounces to the other, flicking her wrists. “I saw this move on the school’s television!”

Ellie immediately stops the flailing of her limbs and watches her moves. “Teach me!”

Sarah slows it down until Ellie gets the hang of the bounce. Sarah looks much more natural in the rhythm, but at least Ellie is partially on beat. 

“And then I think you do this–,”

Her foot dangling in the air, she loops her ankle around Ellie’s and starts hopping in a circle. Ellie lets out a giggle.

“No way this is a real thing!”

“It is, I swear!”

“You got any moves like that?” Joel asks quietly, but still ensnaring your attention completely. He sunken completely into the sofa, hips low, legs wide. His thumb taps the beat on his thigh. Something about the way he has completely relaxed allows you to unclench your fists and loosen your foot tucked behind your ankle.

“Me?” You chuckle, leaning back on the arm rest. “I never had the time to go to the dancehalls, much less learn complicated moves such as the – Sarah, what is that dance called?”

“Hell if I know!” They’ve switched feet, trying to go counterclockwise this time.

“Complicated moves such as The Hell-if-I-know.” He rewards your terrible joke with a low chuckle. 

“Me neither. I can’t dance for shit.” 

As though he had called her name, Sarah stamps down her foot and rolls her eyes at her father, Ellie trying to follow along with the instructions the singer is giving over the speakers.

“Yes, you can. You taught me The Dip.” 

“That’s not a real move, Sarah–,”

“You can teach her!” Sarah’s brilliant smile extends to her eyes as if she had just announced the best idea in the history of ideas. “Then she’ll know at least one!”

Your fingers return to their fists. Joel stiffens beside you.

“Yeah, you should.” Ellie yells over her shoulder distractedly, one arm raised and the other leg straight out – in complete opposition to what the lyrics said. “Can’t have her embarrassing me in public.”

“C’mon, Dad, just one dance!” Her brown eyes flicker to Ellie and sweat-damp shirt. “It’s Ellie’s birthday!” 

“And for the party, we – must – dance!” Ellie strikes a dramatic pose and Sarah, giggling, swishes her dress with a flourish. With a brief glance at you, she rejoins Ellie, her skirt twirling.

The sofa squeaks as if he’s moving, a soft hand comes to rest high on your back, and panic leaps into your throat.

“Mr. Miller – Joel – you don’t have to – Sarah is just being silly –,”

“Well, it's not like I’m going up there by myself.” 

That rough palm slides over your scapula, then your shoulders, and down your arm. Tugging gently, a soft pinch around the bone of your elbow nearly pulls you to your feet, but sense-memory has you folding your arm back up towards your chest, your knees locked and heels heavy. Immediately he senses your rejection and stops. 

The warm light above threads gold through strands of his silver hair, the ends of his curls long enough to disappear into nothingness, into the halo around him. 

Joel Miller would never, ever hurt you.

Joel Miller is not your husband.

Joel Miller could be your friend.

His light touch releases and just as his fingers drop from your sleeve, your arm unfurls towards him, taking him by the bicep. His eyebrows lift slowly, watching as your fingers curl around his arm. Drawn towards his light like a sunflower, you stand, closer to him than ever before, and smile up at him. Friends go dancing together all the time, right? 

But all the standards and regulations of propriety and social mores were flung out the window the second you, an unmarried woman, stepped foot onto the land of an unmarried man. Nothing about this, about any of this, could be considered conventional.

A step or two away from the sofa, he holds your waist in one hand and yours aloft in the other, fingers interconnected. Respectful. Decent. A good man. No boundary crossing here. 

“Ready for your next lesson?” he asks, a little breathless. Maybe he forgot the steps and he is simply nervous to perform – hm, teach. He does a bit of adjusting, watches his own feet adjust as you stand still in front of him, waiting to be moved.

So, you open your stupid mouth and say,

“See, teaching isn’t so easy, is it?”

You grin and finally his eyes meet yours. Soft as leather, warm as a saddle in sunlight. It’s your turn for necessary air to be drained from your lungs and he decides then to move.

“Gotta lead up to it,” he grumbles, the corner of his mouth lifted. “Can’t just dive right in.” The way he leads is completely out of sync with the music, but you see that it’s intentional, a choice to slow things down. Not quite what you’d expect at the Boston dancehalls, but something far more precious and memorable. He sways with you, as supple as a blade of prairie grass in a warm wind. 

The curve of his shoulder is warm beneath your fingers, your thumb inches from his collar. He is more solid than any other person you’ve ever touched – including Anna. He could stand at the bottom of the Grand Canyon and never be washed away. You cannot imagine what that stability feels like, but you crave it all the same. 

There’s a respectable distance between your hips and his, but you can still smell the sweetness of the cake on his breath, the hot earth he tends to so lovingly, and the tang of sweat. 

“I know you’re a fast learner.” You turn your head towards him, but he gazes straight on. For a moment his face is so stoic you start to wonder if he actually said anything, but then a smile, a small one, flickers across his face. He turns his head towards you, his nose brushing yours, and suddenly you are too close together. Instinctively you pull away – your head, your shoulders, your hands – then find yourself frustrated that this is how you still react. You don’t even mean it. You don’t even want it, this temporary separation. But still Joel stands. He waits for you and sure enough, you sink back into his arms, your palms separating for only a second. “We made a regular farmhand out of you in a handful of weeks. Could get you to a full Dip in days.” 

He’s talking too softly to be easily heard over the banging percussion, the scream of trumpets, the boozy warble of the singer, so you bend closer. Over his shoulder, Ellie and Sarah take turns curtseying and bowing and then locking their elbows together and spinning each other in circles, giggling. 

“They’re alright.” The words hum in your ear, heat warming the air after a flash of lightning, and you fight a full body shudder. You tear your gaze back to him and his smile. His hand hasn’t moved an inch on your back. You worry your palm is getting sweaty. “Just focus on me.” You nod. 

From the radio, the song ends and the band slows to a discordant crash, as exhausted as the ones who danced to their rhythms. Men raucously laugh over the airwaves at their own created chaos and the two girls collapse onto the couch, red-faced and sweaty and laughing. 

“You trust me?” His eyes are brown and dark and smoky, firewood kindling. He really intends to teach you something. You nod slowly. The memory of his hand smacking into the counter breaks apart when his palm slips further down your back, his leg shifting in between yours, and he leans forward to lean you back. Back, back, back, off the edge of the earth. Hair slips off your shoulders as you hang, suspended above the floorboards, cradled by his hand and his thigh, the other hand holding yours to his chest. The world is upside down – in more ways than one. 

When you lift your head, he blocks out the light above for just a moment. Joel, for a moment, is all you can see. He holds you like you weigh nothing, gravity a suggestion to a force of nature like him — and a moment later, he pulls you both upright. 

Your cheeks are burning, your heart roars in your chest, in your ears, and there is no other way this would have ended: you glance at his mouth. He looks at yours. The fingers entwined with yours tighten. 

And then the radio dies. No preamble. No warning. Just ringing silence.

“Welp, it was fun while it lasted.” Ellie huffs, out of breath, smacking her hands against her thighs. 

Sarah wipes away sweat from her forehead with her arm. “Nah, we’ll get it back. I know we can fix it. Right, Dad?”

Joel Miller is still staring at your mouth. 

He’s quiet too long before he drops his gaze and clears his throat. Caught in a daze, you blink and suddenly his warmth is gone. Your hand floats in the air, empty. Joel pulls on the waistline of his pants and turns back to the sofa, nodding.

“Course, we can fix it. But not tonight. Get to bed, both of you.” The gravel of his voice makes his words harsher than they need to be, but Ellie just rolls her eyes and Sarah throws herself onto her feet. 

“C’mon, teenie bopper, I found a mouse skull the other day I forgot to show you.”

Ellie’s eyes widen as she follows Sarah up the stairs. “Like a skull skull? No meat, just bones? Was the rest of the skeleton there?”

Her interrogation continues as they move around the second floor and you can almost hear every word of it. A stark and abrupt reminder that this house echoes – any noises or sounds made can be heard anywhere, in any room, by anyone. 

Your gaze drops to Joel like a stone and with the added weight of whatever he was thinking, it all becomes too much for him. He turns away, denim shoulders nearly up to his ears.

“I’ll clean up.” He waves his hand vaguely to the kitchen. Cake. Plates. Flour on the counter. Oh, that’s right. “You cooked.”

A trade, a sharing of responsibilities between two equal partners. There’s some part of you that knows you should argue, cleaning was what he hired you for, but this is not him telling you as your employer. 

This is . . .

“You did good today,” he says, quickly, his hands on his waist, a step forward, as if he remembered something mid-stride. “It meant a lot, to the both of ‘em. I know you don’t think much of it, but you’re good at this.”

Your face heats, a familiar zing from his words racing down your spine into the bowl of your hips. The next breath you take is a shaky one. “Thanks, Joel. I think I’ll turn in for the night.”

He swallows, then nods. “Night, then.”

“Good night.” 

You might have let yourself believe you had imagined the whole thing, as you walk down the long wood floor to your bedroom, the girls’ chatter now just noise in your head. You might have believed that, after half a decade of being unwanted and undesired, abandoned at the edge of civilization, you extrapolated sentimentality from the first man who looked at you. All your life you doubted yourself; doubted your ability to keep Anna safe, doubted that you’d ever be something more than a pathetic replacement for Ellie’s mother, doubted your own sanity at times when you sat in that dark, dank dug out and listened to the scratchy winds tear apart your husband’s finances. 

But this – this you did not doubt. You did not mistake, or dream up, or lie to yourself. 

Before he let you go, Joel had squeezed your hip, rubbed his thumb against the waistband of your skirt. Let his fingers snag and catch in your blouse.

Whether it was trust or companionship or something ultimately more terrifying, he felt some kind of way about you. 

What kind of way you felt about him, you couldn’t answer honestly. 

And yet for a moment, for a brief moment, you had stepped into his light and, goddamn it, you were right. 

It was warm.

END OF PART II

series masterlist | AO3 Link | part i | part iii